{"id":10251,"date":"2013-01-30T12:43:40","date_gmt":"2013-01-30T12:43:40","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=10251"},"modified":"2013-01-30T15:52:12","modified_gmt":"2013-01-30T15:52:12","slug":"maria-rugina-unde-vis-nu-e%e2%80%a6%e2%80%9d-reflectii-de-cititor-pe-marginea-volumului-in-spatele-oglinzii%e2%80%9dde-eugen-emeric-chvala","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/01\/30\/maria-rugina-unde-vis-nu-e%e2%80%a6%e2%80%9d-reflectii-de-cititor-pe-marginea-volumului-in-spatele-oglinzii%e2%80%9dde-eugen-emeric-chvala\/","title":{"rendered":"MAria RUgin\u0103:,,Unde vis nu e…” – Reflec\u021bii despre volumul ,,\u00cen spatele oglinzii\u201d, de Eugen Emeric Chvala"},"content":{"rendered":"

\"\"<\/p>\n

\u00a0\u00cen limbajul sufletului, POEZIA ar putea fi definit\u0103 ca aspira\u021bie de atingere a lucrurilor neatinse, poet find doar acela care nu poate tr\u0103i f\u0103r\u0103 aceast\u0103 \u00eencercare.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eugen Emeric Chvala<\/strong> \u2013 deschiz\u0103tor recent al Anului de Poezie 2013 la atenta \u0219i competenta Editur\u0103 Mu\u0219atinia<\/em> din Roman<\/strong>\u2013 ne propune un inspirat exerci\u021biu de \u00een\u0103l\u021bare \u0219i p\u0103trundere prin VIS \u00een VIS, str\u0103pung\u00e2nd portalul limitativ al ,,oglinzii\u201d, care \u00eencearc\u0103 s\u0103 ne opreasc\u0103 la suprafa\u021ba lucrurilor. N-o putem condamna pentru str\u0103dania sa protectiv\u0103. \u00cens\u0103\u0219i oglinda este, n forma sa concret\u0103, crea\u021bia omului, poate una dintre ,,armele\u201d sale defensive \u00een fa\u021ba h\u0103urilor ame\u021bitoare din l\u0103untrul \u0219i din afara noastr\u0103!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Volumul ,,\u00ceN SPATELE OGLINZII\u201d, beneficiind de cutezan\u021ba curgerii \u00een sus a autorului, urmat cu fidelitate de linia sigur\u0103 a graficianului Iosif Haidu<\/strong>, traseaz\u0103 o perpendicular\u0103 f\u0103r\u0103 abatere de pe orizontala realului pe sui\u0219ul posibilului. \u00cen acest incurs \u2013 excurs, Cuv\u00e2ntul se \u00eenso\u021be\u0219te cu Forma, oferind cititorului proiec\u021bia une h\u0103r\u021bi existen\u021biale \u00een baza ,,TREI\u201d: ,,Eu, tu \u0219i IUBIREA\u201d.<\/p>\n

\"\"<\/a><\/p>\n

F\u0103r\u0103 a strivi ,,corola de lumini a lumii\u201d (L. Blaga) ,,ochiul sinelui\u201d (D. Hawkins) \u2013 Chvala str\u0103bate clar-obscurul acestui trinom, \u00een care ne pierdem adesea, pentru a ne demonstra c\u0103 el ne permite accesul la una dintre c\u0103ile fundamentale ale esen\u021bializ\u0103rii, d\u00e2ndu-ne \u0219ansa refacerii din ,,cioburi\u201d, \u00eentru continuarea drumului, dar de pe o treapt\u0103 superioar\u0103 a spiralei.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Urm\u00e2nd parc\u0103 geometria poetica barbilian\u0103 \u2013\u00a0 ,,Simbolica \u2026 formelor posibile de existen\u021b\u0103\u201d \u2013 poetul extrage competent \u0219i inspirat Cuv\u00e2ntul-simbol al ,,facerii\u201d sale: VIS (,,fulg de suflet\u201d \u2013 p.17) \u0219i , d\u00e2ndu-i cele mai ad\u00eenci \u0219i largi conota\u021bii \u00eel metaforizeaz\u0103 \u00eentr-un perpetuu Pom al Firii, \u00een\u0103l\u021b\u00e2nd, prin IUBIRE, ,,coloana f\u0103r\u0103 sf\u00e2r\u0219ire\u201d (p.17) a lumii.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Este iubirea o simpl\u0103 expresie a legii atrac\u021biei universale? O putem aduce si reduce la numitorul fizic al existen\u021bei noastre formale ? Este vina poe\u021bilor c\u0103 arunc\u0103 ideile \u00een pl\u0103mada cuvintelor, precum aduce via\u021ba pe unii oameni \u00een situa\u021bii din care ei ajung Eroi, Sfin\u021bi, Lumini !?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u0103utarea, Frumosul \u0219i Dep\u0103\u0219irea <\/strong>sunt atribute umane care, f\u0103r\u0103 a face din noi excep\u021bii, ne individualizeaz\u0103 \u00een noianul formelor care ne atrag, ne includ \u0219i ne suport\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centr-un moment de gra\u021bie suprem\u0103, omul-Chvala \u2013 ca form\u0103 a formei din care purcede \u2013 simte nevoia \u00een\u0103l\u021b\u0103rii, ars de setea neopririi, a unirii esen\u021bei sale cu esen\u021ba pereche, spre \u00eentregirea visat\u0103. \u0218i atunci, a\u0219ez\u00e2ndu-\u0219i ,,aripa\u201d peste VIS, ,,pip\u0103ind cerul cu dorin\u021be\u201d (p.18), \u00a0crez\u00e2nd \u00een ,,jocul g\u00e2ndurilor\u201d (p.19), risipe\u0219te frunzele c\u0103derii, usuc\u0103 lacrimile ce rod, ,,f\u0103c\u00e2nd g\u0103uri \u00een univers\u201d (p.22), re\u00eencarc\u0103 ,,clepsidrele f\u0103r\u0103 clipe\u201d (p.23), se ofer\u0103 \u00eentreg Neatingerii \u00eentru Atingere, precum ,,golul\u201d din geniul eminescian se las\u0103 absorbit \u00een ,,dorul de des\u0103v\u00e2r\u0219it\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zbaterea sa \u00een echilibrul precar al viselor vagi, biciuit de febra neajungerii, este \u00eens\u0103 compensat\u0103 de certitudinea faptului \u00eemplinit (,,bucuria mea de tat\u0103\u201d \u2013 p.30).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dar cum frumuse\u021bea basmelor adev\u0103rate vine din faptul c\u0103 ele nu se sf\u00e2r\u0219esc niciodat\u0103 \u0219i pentru c\u0103l\u0103torul Chvala ,,spatele oglinzii\u201d (mai mult ferecate dec\u00e2t fermecate) \u00eentinde o a treia capcan\u0103: ,,cum<\/strong> s\u0103 iubesc\u2026, s\u0103 visez\u2026 , s\u0103 adorm\u2026 , s\u0103 sper<\/strong>\u201d (p.32), c\u00e2nd TREI-ul (,,Eu, tu \u0219i IUBIREA\u201d) r\u0103m\u00e2ne \u00een urm\u0103, c\u00e2nd ,,atingerea-\u021bi (at\u00e2t de r\u00e2vnit\u0103! \u2013 n.n.) doare \u201c (p.36), iar ,,timpul m\u0103 cerne, m\u0103 cerne mereu\u201d (p.37), picur\u00e2nd \u00een suflet necru\u021b\u0103toare ,,impresie\u201d ce ,,rimeaz\u0103 cu pensie\u201d (p.30) !?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Este momentul c\u00e2nd poetul opereaz\u0103 distinc\u021bia \u00eentre<\/strong> IUBIRE \u0219i DRAGOSTE.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ce pre\u021b are dragostea? Este ea deposedare, \u00eenchidere, pierdere de sine, ,,o colivie\u201d (p. 42)? Poate ea fi spart\u0103 cu un ,,ciocan\u201d, pentru ca, din ,,cioburile\u201d ei, omul s\u0103 se reconstituie dup\u0103 vrerea sa, elemin\u00e2nd ,,triste\u021bea\u201d (p.45)? Ce poate face ,,pesc\u0103ru\u0219ul c\u0103zut\u201d, devenit \u00abfost\u00bb, c\u00e2nd ,,v\u0103zduhul \u0219i norii,\/ marea \u0219i valul\/ nu se opresc,\/ nu v\u0103d\u201d cum ,,labirintul \u00eenchide visele\u201d (p.46) ?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 R\u0103spunsurile exist\u0103, dar sunt relative \u0219i mereu disipate \u00een neputin\u021ba omului de a se asuma pe sine, de a \u00een\u021belege diferen\u021ba dintre iubire \u0219i dragoste<\/strong>. E.E. Chvala a sesizat-o, tr\u0103ind-o sau intuind-o. Este problema fundamental a c\u0103r\u021bii \u0219i, probabil, a existen\u021bei noastre.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nevoia de cel\u0103lalt, neajungerea de sine, neputin\u021ba de a dep\u0103\u0219i zona critic\u0103 \u00een care extremele (vis- realitate) se ating, f\u0103r\u0103 a se putea nici \u00eemp\u0103ca, nici elimina, uzeaz\u0103 \u0219i epuizeaz\u0103 specia, f\u0103c\u00e2nd stringent\u0103 o nou\u0103 duplicare a genei inteligen\u021bei!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oare e\u0219uarea noastr\u0103 \u00een moarte nu poate fi pus\u0103 \u00een leg\u0103tur\u0103 cu aceast\u0103 neputin\u021b\u0103 de \u00eentregire deplin\u0103? Cel pu\u021bin mitologic (Haos \u0219tia c\u0103, ,,dac\u0103 zeii sunt nemuritori, atunci zeii sunt oameni\u201d), am avea o \u0219ans\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2t\u0103 energie s-ar prezerva dac\u0103 omul ar reu\u0219i s\u0103 se \u00eenscrie \u00een proiectul ini\u021bial (probabil \u0219i posibil) al perechii nepereche, func\u021bion\u00e2nd pe principiul autoregener\u0103rii, ca parte \u0219i ca \u00eentreg!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sunt \u00eentreb\u0103ri \u0219i vise la care intui\u021bia uman\u0103, prin art\u0103 \u0219i de ce nu, mai ales, prin poezie (hrana primordial\u0103 a ipotezelor), \u00eencearc\u0103 s\u0103 \u00eentrevad\u0103 r\u0103spunsuri- solu\u021bii, iar poetul g\u0103l\u0103\u021bean este un \u00eendr\u0103zne\u021b prestator!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mul\u021bumesc frumos \u0219i cuminte ,,Omului anormal de normal\u201d, pentru prilej, <\/strong><\/p>\n

MAria RUgin\u0103<\/strong><\/p>\n

Sursa: Revista Melidonium \u2013 Emilia \u021au\u021buianu Dospinescu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00cen limbajul sufletului, POEZIA ar putea fi definit\u0103 ca aspira\u021bie de atingere a lucrurilor neatinse, poet find doar acela care [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-10251","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=10251"}],"version-history":[{"count":9,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10251\/revisions"}],"predecessor-version":[{"id":10255,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10251\/revisions\/10255"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=10251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=10251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=10251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}