{"id":10264,"date":"2013-01-30T13:31:34","date_gmt":"2013-01-30T13:31:34","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=10264"},"modified":"2013-01-30T13:31:34","modified_gmt":"2013-01-30T13:31:34","slug":"un-%e2%80%9cmelidonium%e2%80%9d-pornit-spre-zbor-inalt-de-gh-a-m-ciobanu","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/01\/30\/un-%e2%80%9cmelidonium%e2%80%9d-pornit-spre-zbor-inalt-de-gh-a-m-ciobanu\/","title":{"rendered":"Un \u201cMelidonium\u201d pornit spre zbor \u00eenalt de Gh. A. M. Ciobanu"},"content":{"rendered":"

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\u201cAl\u0103turi de numeroase alte tradi\u0163ii culturale ale Urbei noastre, s\u0103 ne oprim \u015fi la aceea a Revistelor cu con\u0163inut religios sau laic, publica\u0163ii care s-au impus, la vremea lor, iar, dup\u0103 trecerea anilor, au devenit \u201epersonaje\u201d neegalate, \u00een Arhiva literar\u0103 a poporului nostru. S\u0103 amintim dintre acestea, doar \u201eCuv\u00eentul d\u0103sc\u0103lesc\u201d, \u201eSolia\u201d, care, din multe puncte de vedere, repeta mu\u015fatinic neegalata \u201eG\u00e2ndirea\u201d de la Cluj, sau adolescentina \u201e\u015ecoala nou\u0103\u201d, a romanvodistului Ibr\u0103ileanu.<\/p>\n

O revist\u0103 cultural\u0103 a trebuit s\u0103 fie, de la \u00eenceputurile ei, nu numai purt\u0103toare de pagini scrise, ci s\u0103 posede \u015fi o \u201earhitectura\u201d artistic\u0103, atr\u0103g\u0103toare \u015fi inedit\u0103 ca form\u0103, preg\u0103tind, astfel, spa\u0163iul de l\u00eeng\u00e2 cititor, spa\u0163iu \u00een care, acesta s\u0103 abordeze apoi \u015fi sumarul ei. Se poate astfel vorbi de o estetic\u0103 a prezent\u0103rii unui con\u0163inut literar, de o \u201eArt\u0103 a red\u0103rii \u015fi transmiterii Artei literare\u201d \u2013 A.R.T.A \u2013 de acest \u201eprima volta\u201d al exteriorului de natur\u0103 \u201edesign\u201d.<\/p>\n

Intrat\u0103 \u00een circuitul publicisticii de altitudine de anul trecut, noua revist\u0103 de cultur\u0103 \u201eMelidonium\u201d, editat\u0103 de \u201eAsocia\u0163ia Cultural\u0103 George Radu Melidon\u201d \u015fi onorat\u0103 de Editura roma\u015fcan\u0103 \u201eMu\u015fatinia\u201d, a atras aten\u0163ia unui public foane larg, \u015fi ca \u00eentruchipare plastic\u0103, precum \u015fi ca diversitate complex\u0103 de con\u0163inut.<\/p>\n

S\u0103 ne-o imagin\u0103m ca existent\u0103 \u00een m\u00eena noastr\u0103, doar de c\u00eeteva clipe. S\u00eentem cuceri\u0163i, privind-o \u015fi r\u0103s- foind-o \u00een \u201ealllegro\u201d, de \u201etectonica\u201d ei plastic\u0103. Un copertaj deosebit ne determin\u0103 s\u0103 mai am\u00een\u0103m deschiderea ei, spre interior. O emblem\u0103 triadic\u0103 \u2013 Vestala, Colonada antic\u0103 \u015fi Blazonul \u00een litere rococo \u2013 cuprind \u00eentre ele, \u00eentr-o simetrie inedit\u0103 \u015fi o cromatic\u0103 solaric\u0103, imagini \u201eculturale\u201d din ora\u015ful nostru. Un \u201eexter\u201d superlativ, ce se extinde \u015fi pe celelalte pagini ale coper\u0163ii, ele purt\u00eend, de la \u00eenceput, un motto repetabil, redat cu litere de o mare elegan\u0163\u0103.<\/p>\n

Interiorul impresioneaz\u0103 prin abunden\u0163a foilor \u015fi grafia original\u0103 a paginilor, toate purt\u00eend, miniaturizat, emblemele clasice de pe copert\u0103. \u00een schimb, fiecare pagin\u0103 \u00ee\u015fi are \u201efizionomia\u201d ei vizual\u0103 \u015fi ca diversitate grafic\u0103 la titluri, \u015fi ca multitudine labirintic\u0103 de cum s\u00eent a\u015fezate \u201eedificiile\u201d textuale. Privirea ne este oprit\u0103 mereu de dispunerea aleatoric\u0103 a numeroase chenare, discret cromatizate.<\/p>\n

Interiorul revistei noastre are o grij\u0103 permanent\u0103 \u015fi de retina cititorilor. Multiple reproduceri foto, dar \u015fi mai numeroase grafieri, \u00eenso\u0163esc abundent succesiunea de articole. Ultimul num\u0103r al ei se bucur\u0103 de prezen\u0163a fericit\u0103 a doi graficieni ai Romanului: Constantin B\u00e2rjoveanu \u015fi Iosif Haidu. Tot vizualic, s\u0103 mai remarc\u0103m \u015fi grija editurii de a \u00eencepe fiecare material cu portretul \u2013 foto, \u00een micro, al autorului, transmit\u00eendu-se, astfel, cititorilor, impresia c\u0103 dialogheaz\u0103, \u201efa\u0163\u0103 \u00een fa\u0163\u0103\u201d, cu semnatarii textelor.<\/p>\n

Dup\u0103 aceast\u0103 prim\u0103 \u201er\u0103sfoire\u201d, mai mult plastico-vizual\u0103, a lui \u201eMelidonium\u201d, cititorul \u00ee\u015fi prefigureaz\u0103 un timp mai prelung \u015fi purcede la citirea revistei. Urmeaz\u0103 cea de a doua \u201e\u00eent\u00eelnire\u201d cu des\u0103v\u00eer\u015firea spiritual\u0103, parcurg\u00eend un \u201eSumar\u201d variat \u015fi de profunzime. O lectura a unor crea\u0163ii \u201ede zile mari\u201d, de la eseu, la poezie, de la documentaric, la portrete \u015fi de la istorie local\u0103, la crea\u0163ii literare. S\u00eent \u015fi pagini bogate \u00een sacralitate, precum \u015fi texte cu cerin\u0163e didactice actuale. Din loc \u00een loc, casete mici cuprind \u00een perimetrul lor intim, \u00een\u015firuiri de g\u00eenduri profunde, sau galaxii de-un larg vizionarism. Un \u201eMelidonium\u201d spre care se \u00eendreapt\u0103 pre\u0163uirea \u00eentregii noastre Urbe. Mai mult \u015fi c\u0103tre revist\u0103 \u015fi spre Matricea ei \u2013 Editura \u201eMu\u015fatinia\u201d \u2013 precum \u015fi Ia cei ce au f\u0103urit-o \u015fi o realizeaz\u0103 \u2013 Emilia Tu\u0163uianu \u2013 Dospinescu \u015fi colaboratorii.\u201d<\/p>\n

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\u00a0Gh. A. M. Ciobanu<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cAl\u0103turi de numeroase alte tradi\u0163ii culturale ale Urbei noastre, s\u0103 ne oprim \u015fi la aceea a Revistelor cu con\u0163inut religios [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-10264","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=10264"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10264\/revisions"}],"predecessor-version":[{"id":10267,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10264\/revisions\/10267"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=10264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=10264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=10264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}