{"id":10343,"date":"2013-02-03T16:13:39","date_gmt":"2013-02-03T16:13:39","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=10343"},"modified":"2013-02-03T16:13:39","modified_gmt":"2013-02-03T16:13:39","slug":"elena-adriana-raducan-cronica-la-antologia-a-saptea-paradoxista","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/02\/03\/elena-adriana-raducan-cronica-la-antologia-a-saptea-paradoxista\/","title":{"rendered":"Elena Adriana R\u0103ducan: Cronic\u0103 la Antologia a \u015faptea paradoxist\u0103"},"content":{"rendered":"

\"\"<\/a>Seventh International Anthology on Paradoxism<\/em>, ap\u0103rut\u0103 \u00een 2012, editor Florentin Smarandache<\/em>, poate fi considerat\u0103 un triumf al paradoxismului, locul metaforelor fiind luat de antiteze \u015fi oximoroni. Cartea cuprinde \u015fase capitole, titlurile fiind sugestive. \u00cen cele 222 de pagini, dedicate paradoxismului, cititorul r\u00e2de sau mediteaz\u0103, cugetul s\u0103u st\u00e2nd mereu sub semnul unei anume filozofii.<\/em><\/strong><\/p>\n

Capitol I<\/strong> \u201eDESPRE PARADOXISM<\/em>\u201d aduce \u00een aten\u0163ia cititorului un fermec\u0103tor \u015fi expresiv fragment de dialog \u00eentre Florentin Smarandache<\/em> \u015fi Tudor P\u0103roiu,<\/em> privind \u201eFilozofia modern\u0103 \u015fi<\/em> paradoxismul\u201d<\/em>, \u201eNeutrosofia ca reflectare a realit\u0103\u0163ii<\/em> neconven\u0163ionale\u201d<\/em>. Pl\u0103cerea de a descoperi frumuse\u0163ea dialogului revine lectorului, dator s\u0103 descopere sensuri noi \u015fi simultan paradoxul. Tot \u00een primul capitol afl\u0103m o interesant\u0103 cronic\u0103 a celei de-a \u015fasea edi\u0163ii a Antologiei paradoxiste<\/em>, semnat\u0103 de Marinela Preoteasa, de unde re\u0163inem urm\u0103toarea idee:<\/em><\/p>\n

\u201d<\/em>Sixth Interna\u0163ional Antology on paradoxism\u201d este o culegere u\u015for de citit, care aduce logica r\u0103bd\u0103rii \u015fi r\u0103st\u0103lm\u0103cirii zicalelor, paradoxurilor vechi \u015fi noi, \u00een limba rom\u00e2n\u0103 \u015fi alte limbi, ca pe un instrument de supravie\u0163uire \u00een fa\u0163a cinismului de criz\u0103 \u015fi a dorin\u0163ei de putere a omului de r\u00e2nd, \u015fcolit sau ne\u015fcolit\u201d\u2026<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen articolul semnat de Eugen Evu \u201eDespre paradoxism \u015fi neutrosopfie\u201d, <\/em>cuprins, de asemenea, \u00een primul capitol, autorul <\/em>face o adev\u0103rat\u0103 apologie a sinelui: \u201eSinele este considerat de gnostici \u015fi de cre\u015ftinism a fi Hristosul, adic\u0103 al doilea om Adamic, primordial, omul unificat prin cunoa\u015ftere \u2013 revelatorie.<\/em><\/p>\n

\u201eParadoxul este o caracteristic\u0103 a scrierilor gnostice\u201d, scrie marele filosof elve\u0163ian Carl Gustav Jung \u2013 \u201eImaginea omului \u015fi imaginea lui Dumnezeu\u201d. <\/em><\/p>\n

O not\u0103 pitoreasc\u0103 a celui dint\u00e2i capitol<\/em> este dat\u0103 de autoarea Doina Dr\u0103gu\u0163,<\/em> care prin articolul \u201ePlecarea \u00een literatur\u0103\u201d<\/em> urm\u0103re\u015fte s\u0103 aduc\u0103 \u00een fa\u0163a cititorului numele scriitorului Janet Nic\u0103 \u015fi <\/em>noua sa apari\u0163ie editorial\u0103\u00a0 \u201eBalad\u0103<\/em> cu miori\u0163e\u201d<\/em> (Ed. Alma, Craiova, 2010)<\/p>\n

\u00a0Impresionant \u015fi de tot frumos este finalul poemului, c\u00e2nd eroul \u00ee\u015fi lini\u015fte\u015fte \u201emiori\u0163ele\u201d: \u201e\u015ei, de-o fi \u015fi-o fi s\u0103 fie\/ s\u0103 ajung nemuritor,\/ v\u0103 promit cu bucurie\/ voi veni la voi s\u0103… mor!\u201d<\/p>\n

Al\u00a0 II-lea capitol<\/strong> \u201ePARADOXISMUL PE MAPAMOND<\/em>\u201d <\/em><\/strong>cuprinde nume de scriitori de pretutindeni: Pablo Neruda-Chile<\/strong>, B. Hutchenreurther-Germania<\/strong>, \u00a0Morel Abramovici-Israel<\/strong>, <\/em>B. Venkateswara Rao <\/em>\u2013 India;<\/em><\/strong> <\/em><\/p>\n

George Anca, Marian Apostol, Adrian Botez, Gheorghe Burdu\u015fel,\u00a0 Eugen Evu,\u00a0 Sergiu G\u0103bureac, Dumitru Hurub\u0103, Liviu-Florin Jianu, Ion Marinescu-Puiu, Mircea Monu, Doru Mo\u0163oc, Janet Nic\u0103, Gheorghe Niculescu, Octavian Paler, Tudor P\u0103roiu, Ion P\u0103tra\u015fcu, Marinela Preoteasa, Andrei Radu, Puiu R\u0103ducan, Adriana Stoenescu, Ion Urda \u2013 ROM\u00c2NIA<\/strong>\u00a0 \u015fi nu, \u00een ultimul r\u00e2nd:Tom Deiker, Greg Hall, W. Meyer, <\/em>Kyle Reveral,<\/em> <\/em>Mary Ellen Walsh, Eric Pierzchala, Florentin Smarandache, Peter Specker \u2013 Twixt – SUA<\/strong><\/em><\/p>\n

\u00a0<\/strong>Dintre articolele publicate \u00een acest capitol, m-am oprit la <\/strong>memorabilele cuget\u0103ri ale lui Octavian Paler din\u00a0 \u201eParadoxul vremurilor noastre\u201d<\/em><\/p>\n

\u201eParadoxul vremurilor noastre \u00een istorie este c\u0103 avem cl\u0103diri mai mari, dar suflete mai mici; autostr\u0103zi mai largi, dar min\u0163i mai \u00eenguste. Cheltuim mai mult, dar avem mai pu\u0163in; cump\u0103r\u0103m mai mult, dar ne bucur\u0103m mai pu\u0163in. Avem case mai mari, dar familii mai mici, avem mai multe accesorii, dar mai pu\u0163in timp; avem mai multe func\u0163ii, dar mai pu\u0163in\u0103 minte, mai multe cuno\u015ftin\u0163e, dar mai pu\u0163in\u0103 judecat\u0103; mai mul\u0163i exper\u0163i \u015fi totu\u015fi mai multe probleme, mai mult\u0103<\/em><\/p>\n

medicin\u0103 dar mai pu\u0163in\u0103 s\u0103n\u0103tate\u201d <\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0Fireasca exprimare paradoxist\u0103 a lui Octavian Paler, destul de cunoscut\u0103 cititorilor, ne-ar sugera c\u0103 n\u0103duful trece, dar povestea lung\u0103 abia a \u00eenceput. O radical\u0103 \u00eenfr\u00e2ngere a spiritului nu reu\u015fe\u015fte s\u0103 ne izoleze estetic, o supl\u0103 relativitate, aparent\u0103 \u015fi totu\u015fi profund\u0103, rote\u015fte concentric omenirea.<\/p>\n

Retras \u00eentr-o solitudine a cuvintelor, filozoful Paler poetizeaz\u0103 \u015fi depoetizeaz\u0103 cuvintele, menite a sugera firescul \u015fi nefirescul lucrurilor, s\u0103r\u0103cia \u015fi opulen\u0163a, cauza \u015fi efectul, entuziasmul \u015fi plictiseala unei lumi anoste, \u00een care fastul, gustul barbar recidiveaz\u0103, instal\u00e2ndu-se cu dimensiuni proprii.<\/p>\n

Urm\u0103torul capitol<\/strong> \u201eZiceri paradoxiste\u201d <\/em>demonstraz\u0103 filozofia paradaxolui, \u00een varii situa\u0163ii. Replicile cu t\u00e2lc ale matematicianului Grigore Moisil uimesc prin franche\u0163e \u015fi spontaneitate, iar restul zicerilor paradoxiste\u00a0 reg\u0103site \u00een capitolul al III-lea<\/strong> vizeaz\u0103 sinceritatea \u015fi minciuna, modestia \u015fi arogan\u0163a, polite\u0163ea \u015fi vulgaritatea, inocen\u0163a \u015fi culpabilitatea etc. <\/strong><\/p>\n

Oamenii cu bani sunt de dou\u0103 feluri: ap\u0103ra\u0163i de poli\u0163ie ori c\u0103uta\u0163i de poli\u0163ie. S\u0103r\u0103cia nu se vindec\u0103. A dovedit-o medicina f\u0103r\u0103 plat\u0103. Nu po\u0163i \u00eengenunchea un popor deprins s\u0103 se t\u00e2r\u00e2ie. <\/strong><\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Capitolul al IV-lea<\/strong> \u201eFolclor paradosxist\u201d<\/em>demonstreaz\u0103 \u00eenc\u0103 o dat\u0103, dac\u0103 mai era cazul, c\u0103 folclorul vechi sau nou elibereaz\u0103 p\u0103m\u00e2nteanul de constr\u00e2ngeri verbale, care recurge la exprimarea liber\u0103, inverseaz\u0103 roluri \u015fi statornice\u015fte idei cu rezonan\u0163e de sens, la nivelul categoriilor formale ale limbajului.<\/p>\n

Acest filon masiv al crea\u0163iei spirituale de pretutindeni este conturat \u00een capitolul amintit, at\u00e2t verbal, c\u00e2t \u015fi grafic, cu scopul v\u0103dit de a atrage aten\u0163ia asupra imperfec\u0163iunilor lume\u015fti de tot felul, smulg\u00e2nd z\u00e2mbete de circumstan\u0163\u0103.<\/p>\n

\n

Compunere liber\u0103 despre FEMEIE a elevului Gigel din clasa a VII-a<\/em><\/strong><\/p>\n

Femeia este o fiin\u0163\u0103, pe care Dumnezeu a l\u0103sat-o pe p\u0103m\u00e2nt dup\u0103 chipul \u015fi asem\u0103narea lui, de\u015fi to\u0163i o prefer\u0103 dup\u0103 chipul \u015fi asem\u0103narea lui Pamela Anderson. De fapt \u015fi femeia este tot un fel de Dumnezeu, c\u0103ci pe p\u0103m\u00e2nt e atotputernic\u0103. Nimic nu se face f\u0103r\u0103 ea: nici politic\u0103 (vezi madam Thatcher), nici v\u00e2lv\u0103 (vezi Mrs Hillary Clinton), nici miliarde (vezi madam Rotschild), nici copii (vezi mama)<\/em><\/p>\n

\u00a0\u201eParadoxurile vie\u0163ii\u201d, adic\u0103, al V-lea capitol<\/strong> \u00eencepe cu un motto sugestiv:<\/p>\n

\u201eParadoxurile de azi sunt prejudec\u0103\u0163ile de m\u00e2ine\u201d… Marcel Proust<\/em><\/p>\n

Contrastele scot \u00een eviden\u0163\u0103 inadverten\u0163ele, de un cert interes social:<\/p>\n

Carnea de pui este mai ieftin\u0103 dec\u00e2t ciupercile; <\/em>\u00a0<\/em>Nucile noastre mai scumpe dec\u00e2t nuca de cocos; <\/em>\u00a0<\/em>Laptele simplu mai scump dec\u00e2t laptele b\u0103tut; <\/em>\u00a0<\/em>Portocalele mai ieftine dec\u00e2t merele; <\/em>\u00a0<\/em>C\u0103r\u0163ile sunt mai ieftine dec\u00e2t revistele; <\/em>\u00a0<\/em>Biscui\u0163ii f\u0103r\u0103 ciocolat\u0103 sunt mai scumpi dec\u00e2t ciocolata<\/em>.<\/p>\n

\u00cen sf\u00e2r\u015fit, ultimul capitol<\/strong> \u201eImagini paradoxiste<\/em>\u201d\u00a0 pune \u00een lumin\u0103 situa\u0163ii paradoxale, care uimesc prin ineditul lor. Florentin Smarandache<\/em> recurge la ipostaze complexe ale acestui gen literar, delect\u00e2nd lectorul cu entuziasmul candid al paradoxismului.<\/p>\n

\n

Elena Adriana R\u0103ducan<\/p>\n","protected":false},"excerpt":{"rendered":"

Seventh International Anthology on Paradoxism, ap\u0103rut\u0103 \u00een 2012, editor Florentin Smarandache, poate fi considerat\u0103 un triumf al paradoxismului, locul metaforelor [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-10343","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=10343"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10343\/revisions"}],"predecessor-version":[{"id":10346,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/10343\/revisions\/10346"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=10343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=10343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=10343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}