{"id":11918,"date":"2013-04-12T09:32:47","date_gmt":"2013-04-12T09:32:47","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=11918"},"modified":"2013-04-12T18:25:05","modified_gmt":"2013-04-12T18:25:05","slug":"daris-basarab-rugul-creatiei-pyre-of-creation","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/04\/12\/daris-basarab-rugul-creatiei-pyre-of-creation\/","title":{"rendered":"Daris Basarab: Rugul crea\u021biei – Pyre of creation"},"content":{"rendered":"

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Cuv<\/strong>\u00e2nt \u00eenainte<\/strong><\/p>\n

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De ce Edi\u0163ia a II-a ? Am pornit la drum cu prima \u00eencercare m\u00e2nat, cumva, de durerea, \u00eenc\u0103 neostoit\u0103, provocat\u0103 de dispari\u0163ia intempestiv\u0103 a prietenului meu \u201dde-o via\u0163\u0103\u201d, Nicolae-Otto Kruch, \u201dcopilul minune\u201d al Liceului Emanuel Gojdu din Oradea, talentatul student sculptor al Institutului De Arte Frumoase din Cluj, devenit peste ani, maestrul de necontestat al portretului \u00een sculptura rom\u00e2neasc\u0103. Am spus, durere neostoit\u0103 \u00eenc\u0103, deoarece am fost, \u015fi am r\u0103mas, adeptul aducerilor aminte, al \u201drememberului\u201d, ca plec\u0103ciune adus\u0103 celor care ne-au \u00eembog\u0103\u0163it zilele cu frumosul artei lor. Se<\/strong> \u00eemplinesc 15 ani<\/strong> de la trecerea \u00een nefiin\u0163\u0103 a lui \u201dNicolae\u201d \u015fi o t\u0103cere vinovat\u0103 se a\u015fterne peste via\u0163a, talentul \u015fi munca acestui mare artist plastic.<\/p>\n

Nu s-a bucurat prea mult, \u00een via\u0163\u0103 fiind, de aprecieri \u201dla vedere\u201d din partea contemporanilor s\u0103i, purt\u00e2nd povara unei apartenen\u0163e la o etnie \u201dvinovat\u0103\u201d. \u201dPuiul de neam\u0163\u201d, vorba marelui maestru al sculpturii, Romul Ladea, \u015fi el, nu rareori, victim\u0103 a unui trecut \u201dvinovat\u201d, c\u00e2ndva sculptor al casei regale, a studiat \u00eendur\u00e2nd prezen\u0163a amenin\u0163\u0103toare, nu a sabiei imaginare a lui Damocles, ci, a mult mai reale presiuni exercitate de slujitorii neobosi\u0163i ai organelor de opresiune. N-a sc\u0103pat de teama ce i-a fot inoculat\u0103 nici dup\u0103 facultate. \u015ei cum ar fi putut fi absolvit de vina de a fi fiul unui neam\u0163 plecat \u00een Germania, din calea puhoiului sovietic \u201deliberator\u201d?! Doar era un stigmat \u201dacordat\u201d pe via\u0163\u0103!<\/p>\n

Nici dup\u0103 ceea ce ne place a fi definit drept \u201drevolu\u0163ie\u201d, nu s-au petrecut minuni legate de \u201daducerile aminte\u201d. Ba, nu! \u00cen ora\u015ful care l-a adoptat, Ploie\u015ftii lui Mihai, la zece ani trecu\u0163i de la dispari\u0163ie, are loc un eveniment de cinstire a memoriei lui Nicolae Kruch. \u00cen Cotidianul PRAHOVA din 9 februarie 2006, apare, al\u0103turi de o poz\u0103 a ecvestrei lui Mihai Viteazul, \u015ftirea:<\/p>\n

\u201d<\/em>\u201d<\/em>Expozi\u0163ie retrospectiv\u0103 dedicat\u0103 sculptorului Nicolae Kruch<\/em><\/strong><\/p>\n

Unul dintre cei mai importan\u0163i arti\u015fti prahoveni va fi omagiat ast\u0103zi, \u00een cadrul unei expozi\u0163ii retrospective, g\u0103zduite de Muzeul Jude\u0163ean de Art\u0103. Este vorba despre sculptorul Nicolae Kruch, cunoscut pentru realizarea unor lucrari de prim\u0103 m\u00e2n\u0103 \u00een Ploie\u015fti \u015fi \u00een Prahova, printre care se num\u0103r\u0103 impozantul monument al domnitorului Mihai Viteazul, amplasat \u00een pia\u0163a cu acela\u015fi nume. Vernisajul expozi\u0163iei va avea loc \u00eencep\u00e2nd cu ora 13,00. La eveniment \u015fi-au anun\u0163at prezen\u0163a arti\u015fti \u015fi oameni de cultur\u0103 prahoveni.<\/p>\n

Tot ast\u0103zi va fi lansat\u0103 cartea “Nicolae Kruch – periplu prin via\u0163a unui artist”, de Mihai Apostol, aparut\u0103 la Editura \u201dPloie\u015fti – Mileniul III\u201d.
\nR.ENE\u201d\u201d<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Un lucru meritoriu aceast\u0103 expozi\u0163ie, la fel ca \u015fi inten\u0163ia scriitorului Mihai Apostol de a pune la \u00eendem\u00e2na consumatorilor de art\u0103 acel \u201dPeriplu prin via\u0163a unui artist\u201d, din via\u0163a lui Nicolae Kruch, numai c\u0103, \u201dperiplu\u201d, conform Dic\u0163ionarului explicativ al limbii rom\u00e2ne,\u00a0\u00a0 presupune o \u201dC\u0103l\u0103torie lung\u0103 pe m\u0103ri \u015fi oceane; c\u0103l\u0103torie lung\u0103(\u015fi anevoioas\u0103).\u201d Ori, acest lucru ar fi presupus o c\u0103l\u0103torie \u201dlung\u0103 \u015fi anevoias\u0103\u201d de documentare, ca \u00een cazul preg\u0103tirii unei monografii, ceea ce, din p\u0103cate, nu a rezultat \u00een cazul de fa\u0163\u0103. Date biografice eronate, prezentare sub orice critic\u0103 a materialului grafic.<\/p>\n

O astfel de lucrare se las\u0103 a\u015fteptat\u0103. Cel care s-ar \u00eenh\u0103ma ar trebui s\u0103 fie un profesionist, un adev\u0103rat critic de art\u0103, cunosc\u0103tor al vie\u0163ii tumultoase \u015fi al operei acestui mare om, mare talent artistic.<\/p>\n

Un\u00a0 aspect demn de toat\u0103 lauda este maniera \u00een care prof. Eugen St\u0103nescu reu\u015fe\u015fte s\u0103 prezinte pe internet Jude\u0163ul Prahova prin Monumentele sale Reprezentative. Voi face c\u00e2teva spicuiri, \u00eencep\u00e2nd cu inspiratul Moto \u015fi termin\u00e2nd cu Ecvestra lui Mihai Viteazul:<\/p>\n

\u201d\u201d Moto:<\/em><\/p>\n

\u00a0\u201dPune\u0163i copiii \u00een fa\u0163a monumentelor \u00een care este \u00eencorporat\u0103 istoria\u2026 \u015fi \u00een felul acesta istoria poporului nostru nu va mai fi o materie de \u00eenv\u0103\u0163at pe de rost ast\u0103zi \u015fi de uitat m\u00e2ine, ci un element de putere \u015fi de ini\u0163iativ\u0103 \u00een sufletul fiec\u0103ruia dintre ei.\u201d<\/em><\/p>\n

Nicolae Iorga\u201d<\/em><\/p>\n

\u201dUn loc aparte \u00een inimile \u015fi con\u015ftiin\u0163a ploie\u015ftenilor, \u00eel ocup\u0103, de la 1 Decembrie 1997, m\u0103re\u0163ul monument ecvestru \u00eenchinat memoriei \u015fi \u00eenf\u0103ptuirilor ctitorului ora\u015fului Ploie\u015fti, Voievodul Mihai Viteazul. Regretatul sculptor Nicolae Kruch a imaginat ini\u0163ial un grup statuar \u00eenf\u0103\u0163i\u015f\u00e2ndu-l pe voievod c\u0103lare, \u00eenconjurat de alte nou\u0103 statui, dintre care \u015fase reprezent\u00e2nd pe unii dintre c\u0103pitanii s\u0103i, iar celelalte trei, personaje feminine simboliz\u00e2nd cele trei provincii rom\u00e2ne\u015fti: \u0162ara Rom\u00e2neasc\u0103, Moldova \u015fi Transilvania. Insuficien\u0163a fondurilor i-a determinat pe ini\u0163iatorii proiectului s\u0103 realizeze doar statuia voievodului. \u00cen luna mai a anului 1991, a fost turnat\u0103 funda\u0163ia, moment \u00een care, la baza acesteia, a fost pus un pergament cu semn\u0103turile\u00a0 a 84 de cavaleri ai Ordinului \u201cMihai Viteazul\u201d, a oficialit\u0103\u0163ilor locale \u015fi a conducerii Societ\u0103\u0163ii Cultural-Istorice \u201cMihai Viteazul\u201d.<\/em><\/p>\n

Statuia, apreciat\u0103 ca una dintre lucr\u0103rile de art\u0103 reprezentative ale \u0163\u0103rii, \u00eel \u00eenf\u0103\u0163i\u015feaz\u0103 pe Voievod c\u0103lare, purt\u00e2nd \u00een m\u00e2n\u0103 \u00eensemnele victoriei, orientat c\u0103tre nord, simboliz\u00e2nd plecarea sa de la Curtea Domneasc\u0103 din Ploie\u015fti \u00eenspre Transilvania \u015fi Moldova, \u00een vederea \u00eenf\u0103ptuirii primei uniri. Este cea mai impun\u0103toare oper\u0103 de art\u0103 monumental\u0103 pe care o are Ploie\u015ftiul: \u00een\u0103l\u0163imea, inclusiv soclul, peste 15 m.; \u00een\u0103l\u0163imea statuii reprezent\u00e2nd pe domnitor \u2013 7,20 m.; greutatea \u00eentregii compozi\u0163ii sculpturale din bronz \u2013 16 t.; lungimea soclului \u2013 24 m.<\/em><\/p>\n

Din punct de vedere conceptual este opera sculptorului Nicolae Kruch, decedat \u00eenainte de<\/em><\/strong> finalizarea monumentului<\/strong>. Definitivarea lucr\u0103rii a fost preluat\u0103 de sculptorii \u015etefan Macovei \u015fi Justin Bratu, care au urm\u0103rit realizarea tehnic\u0103, turnarea \u00een bronz \u015fi toate opera\u0163iunile privind montarea propriu-zis\u0103 pe soclu\u2026\u201d\u201d<\/em><\/p>\n

Ceea ce urm\u0103resc eu, \u00een aceast\u0103 a II-a edi\u0163ie a \u201cRugului crea\u0163iei\u201d, este valorificarea ajutorului primit din partea Dnei Atena Kruch, so\u0163ia regretatului Nicolae-Otto Kruch, care mi-a pus la dispozi\u0163ie noi materiale, dintre pu\u0163inele salvate \u00een urma decesului artistului. Este vorba nu at\u00e2t de o revizuire c\u00e2t, mai ales, de o \u00eembog\u0103\u0163ire a primei edi\u0163ii. Num\u0103rul limitat de lucr\u0103ri, \u0163in\u00e2nd cont de vasta oper\u0103 de crea\u0163ie a artistului, \u00eencearc\u0103, totu\u015fi, s\u0103 prezinte c\u00e2t mai cuprinz\u0103tor paleta larg\u0103 a preocup\u0103rilor sale artistice, cu toat\u0103 calitatea precar\u0103 a unora dintre materialele folosite.<\/p>\n

Boala necru\u0163\u0103toare, galopant\u0103, l-a \u00eempiedicat, \u00een ultimele s\u0103pt\u0103m\u00e2ni de via\u0163\u0103, s\u0103 pun\u0103 ordine \u00een atelierul care i-a fost at\u00e2t de drag. Din p\u0103cate, oameni de \u201d\u00cencredere\u201d, care s-au perindat \u00een acele ultime zile prin sanctuarul crea\u0163iei artistice, nu s-au preocupat de pericolul care p\u0103\u015ftea caracterul de \u201darhiv\u0103\u201d al atelierului printr-o devalizare a acestuia \u015fi au permis dispari\u0163ia documentelor martor ale unei activit\u0103\u0163i de o via\u0163\u0103. M\u0103 refer la \u201dmarea map\u0103\u201d care p\u0103stra \u00eentre coper\u0163ile sale, desene, schi\u0163e, planuri, fotografii, date privind localizarea lucr\u0103rilor. O map\u0103 care \u00een m\u00e2na unui profesionist, artist plastic, critic de art\u0103, ar fi constituit firul conduc\u0103tor \u00een drumul spre o monografie\u2026<\/p>\n

Da, iat\u0103, \u00een c\u00e2teva cuvinte, r\u0103spunsul la \u00eentrebarea \u201dDe ce Edi\u0163ia a II-a?\u201d \u015fi, poate, o motivare adus\u0103 lans\u0103rii romanului \u201dEcvestra\u201d pe site-ul \u201cwww.darisbasarab.com<\/a>\u201d \u00een 2007.<\/p>\n

Daris Basarab<\/strong><\/p>\n

Foreword<\/strong><\/p>\n

Why a Second Edition? I started off with the first attempt, driven, somehow, by the pain, yet tireless, caused by the untimely loss of my \u201dlife friend\u201d Nicolae-Otto Kruch, \u201dchild prodigy\u201d of Gojdu Emmanuel Secondary School in Oradea, the talented sculptor, student of the Institute of Fine Arts in Cluj, become over the years, the undisputed master of the portrait in Romanian sculpture. I said, yet tireless pain, since I was, and I have remained, remembering supporter, of the “Remember”, as a bow made those days we have enriched with their beautiful art. We commemorate 15 years<\/strong> of crossing the nonexistence of \u201dNicolae\u201d and a guilty silence lays over the life, talent and work of this great artist.<\/p>\n

Not enjoyed too much, in his life, an assessment \u201dsight\u201d from his contemporaries, bearing the burden of belonging to a \u201dguilty\u201d ethnic group. \u201dBaby of the German\u201d as the great master of sculpture, Romul Ladea said, and he is not uncommon, victim of a \u201dguilty\u201d past, once the royal sculptor, studied threatening enduring presence, not of the imaginary sword of Damocles but\u00a0 the more real pressures made by\u00a0 tireless servants of the organs of oppression. He was not out of inoculated fear even\u00a0 after college. And what could he\u00a0 have been absolved of blame to be the son of a German left for Germany, away to the Soviet torrent \u201dliberator\u201d? He was only a\u00a0 blemish\u00a0 \u201dgiven\u201d for life!<\/p>\n

Not even after what we like to be defined as a “revolution”, no miracles have occurred relating to “remembering.” Not at all, no! The town that adopted him, Ploiesti of Mihai, after ten years passed from extinction, an event occurs to honor the memory of Nicolae Kruch. In the Daily PRAHOVA of February 9, 2006, appears alongside a picture of equestrian statue of Michael the Brave (ro. Mihai Viteazul), the news:<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u201d\u201dRetrospective exhibition dedicated to the sculptor <\/em><\/strong><\/p>\n

\u00a0Nicolae Kruch <\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

One of the most important artists from Prahova will be honored today in a retrospective exhibition, hosted by County Museum of Art. It’s about sculptor Nicolae Kruch, known for making firsthand works in Ploiesti and Prahova, including the imposing monument to Prince Michael the Brave, located in the square with the same name. Exhibition will take place starting at 13.00.\u2019At the event there was announced the presence of\u00a0 artists and men from Prahova culture . <\/em><\/strong><\/p>\n

Also today will be launched the book \u201dNicolae Kruch – journey through the life of an artist<\/em><\/strong>\u201d<\/em><\/strong>, by Mihai Apostol, published by \u201dPloiesti \u2013 Millennium III\u201d<\/em><\/strong> <\/strong><\/p>\n

\u00a0R.ENE \u201d\u201d<\/em><\/strong><\/strong><\/p>\n

An worthy thing\u00a0 this exhibition, like the writer Mihai Apostol intention to consign to art consumers that \u201djourney through the life of an artist\u201d, from Nicolae Kruch life, only that \u201djourney\u201d, according to\u00a0 Explanatory Dictionary of Romanian language, requires a \u201dlong journey on the seas and oceans, long trip (and difficult).\u201d\u00a0 Or, this would have meant a trip \u201dlong and difficult\u201d of documetation, as if preparing a monograph, which, unfortunately, did not result in this case. Biography erroneous, presentation in any criticism of graphic material.<\/p>\n

Such work is left waiting. Anyone who would harness should be a professional, a real art critic and connoisseur of the tumultuous life and of the work of this great man, great artistic talent.<\/p>\n

One aspect worthy of all praise is the manner in which Professor Eugen St\u0103nescu manages to present by internet Prahova County through its representative monuments. I shall make some fragments beginning with inspired Motto and ending with Equestrian of Michael the Brave ( Mihai Viteazul):<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0\u00a0 <\/em><\/strong>\u00a0\u201d\u201dMoto: <\/em><\/strong><\/p>\n

\u201dPut children before incorporated history monuments … and thus the history of our people will no longer be a matter of learning by heart today and forgotten tomorrow but an element of power and initiative in each of their soul.\u201d<\/em><\/strong><\/p>\n

Nicolae Iorga\u201d <\/em><\/strong><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u201d A special place in the hearts and consciousness of Ploiesti people, occupies, from December 1, 1997, the grand equestrian monument dedicated to memory and achievements of the founder of Ploiesti, Prince Michael the Brave. <\/strong><\/p>\n

The late sculptor Nicolae Kruch originally imagined a statuary group showing the Prince on horseback, surrounded by nine other statues, of which six represent some of his captains and the other three female characters symbolizing the three Romanian provinces: <\/strong>Wallachia<\/strong> <\/strong>, Moldavia and Transylvania. <\/strong><\/p>\n

Insufficient funds led the project initiators to achieve only the\u00a0 Prince statue .<\/strong><\/p>\n

\u00a0In May 1991, the foundation was poured, at which, at its base, there was put a parchment with signatures of 84 Knights of the Order of Michael the Brave, the leadership of local officials and Cultural-Historical Society \u201dMichael the Brave.\u201d <\/strong><\/p>\n

The statue, considered as a work of art representative of the country, depicts Prince on horseback, wearing the insignia of victory in hand, facing north, symbolizing the departure of the Royal Court of Ploiesti into Transylvania and Moldavia, to the realization of the first union. <\/strong><\/p>\n

Is the most impressive monumental work of art that has Ploiesti: height, including pedestal \u2013 over 15 m.; height of statue representing the Prince – 7.20 m.; weight of the entire bronze sculptural composition – 16 tons; length of the pedestal – 24 m. <\/strong><\/p>\n

From a conceptual point of view is Nicolae Kruch\u00a0 work, died before completing the monument. <\/em><\/strong><\/p>\n

Completion work was taken over by sculptors Stefan Macovei and Justin Bratu, who followed the technical feasibility, bronze casting and all operations on the socket assembly itself … \u201d\u201d<\/strong><\/p>\n

What I seek in this second edition of \u201dPyre of creation\u201d, is recovery aid received from Ms. Kruch Atena, wife of the late Nicolae- Otto Kruch, who has provided me new material, from the few saved after the artist’s death. It is not a review as possible, especially the enrichment of the first edition. Limited number of papers, given the extensive work of the artist’s creative work, tries, however, to present as comprehensive broad range of his artistic concerns, despite the poor quality of some of the materials used.<\/p>\n

Pitiless agalloping affliction prevented him in his last weeks of life, to restore order in the workshop which was so dear to him.<\/p>\n

Unfortunately, people of \u201dTrust\u201d, who visited the shrine in those last days of artistic creation, were not concerned about the danger that feeding the nature of \u201darchive\u201d workshop by robbing it and allowed the disappearance of documents witness of a life activity.<\/p>\n

I refer to the \u201dgreat portfolio\u201d that maintains between its covers, drawings, blueprints, photographs, data on work location.<\/p>\n

A folder that in the hand of a professional artist, art critic, would have been constituted the leading\u00a0 way to a monograph …<\/p>\n

Yes, here, in a nutshell, the answer to \u201dWhy Edition II?\u201d and perhaps a reasoning made for launching the novel \u201dThe Equestrian\u201d on the site \u201dwww.darisbasarab.com\u201d in 2007.<\/p>\n

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Daris Basarab<\/p>\n

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Translated by Melania Alexandru<\/p>\n

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Pe acest \u2018Rug al Crea\u0163iei Artistice\u2019 a ars neostoit talentul celui care a fost sculptorul Nicolae-Otto Kruch. Etnic german dup\u0103 tat\u0103, rom\u00e2n dup\u0103 mam\u0103, de \u2018etnie\u2019 artist plastic, prin voca\u0163ie, prieten universal. A muncit p\u00e2n\u0103 la epuizare dar nu a cunoscut oboseala. A iubit, mai presus de orice, omul. Portretele lui n-au fost niciodat\u0103 fotografii. <\/strong>Au fost dezv\u0103luiri ale sufletelor umane. A fost un romantic, sau, poate mai bine spus, un umanist \u2018\u00eent\u00e2rziat\u2019, un Rahmaninov al sculpturii.<\/strong><\/p>\n

S-a n\u0103scut la 10 decembrie 1932, la S\u00e2nleani-Arad. A copil\u0103rit la S\u00e2ntana, a urmat Liceul Emanuel Gojdu din Oradea bucur\u00e2ndu-se de sintagma \u2018copil minune\u2019 atribuit\u0103 de Profesorul de desen \u0162\u00e2rulescu, a studiat la Institutul de Arte Frumoase Ion Andreescu din Cluj-Napoca cu profesorii A. K\u00f3s \u015fi F. Servatius bucur\u00e2ndu-se mai apoi de \u00eendrumarea \u015fi prietenia marelui artist\u00a0 \u015fi profesor Romul Ladea. <\/strong>A \u00eenv\u0103\u0163at, dar nu s-a l\u0103sat \u2018subjugat\u2019, intr\u00e2nd \u00een via\u0163\u0103 pe cont propriu. Nu s-a l\u0103sat atras de inova\u0163iile la mod\u0103 r\u0103m\u00e2n\u00e2nd fidel sufletului s\u0103u care l-a c\u0103l\u0103uzit p\u00e2n\u0103 la moarte.<\/strong><\/p>\n

S-a stins la 19 august 1995, \u00een plin\u0103 for\u0163\u0103 de crea\u0163ie, la Ploie\u015fti, ora\u015ful care l-a adoptat din anul 1967 c\u00e2nd a p\u0103r\u0103sit Clujul. <\/strong><\/p>\n

A l\u0103sat o oper\u0103 vast\u0103: portrete, compozi\u0163ii, lucr\u0103ri monumentale, care au \u00eembog\u0103\u0163it ora\u015fele, muzeele \u015fi colec\u0163iile din \u0163ar\u0103 \u015fi din str\u0103in\u0103tate. <\/strong><\/p>\n

Aceste r\u00e2nduri au menirea unui \u2018remember\u2019 care s\u0103 atrag\u0103 aten\u0163ia celor care l-au cunoscut, apreciat \u015fi iubit, cu speran\u0163a c\u0103, \u00eentr-o zi, cineva competent, va face un gest de \u2019dreptate\u2019 \u015fi v-a \u00eembog\u0103\u0163i cu o monografie atotcuprinz\u0103toare, \u2019adev\u0103rat\u0103\u2019, pu\u0163inele \u00eencerc\u0103ri de p\u0103strare \u00een amintire a locului ocupat nu de mult de marele artist \u00een peisajul artei plastice.<\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u2019Restitutio in integrum\u2019 , o sintagm\u0103 frecvent \u00eent\u00e2lnit\u0103 \u00een zilele noastre \u00een domeniul socio-economic, dar, din p\u0103cate, inexistent\u0103 \u00een cel al culturii, al artei, unde omagierea celor disp\u0103ru\u0163i este o \u2019rara avis\u2019… <\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Nefiind nici artist plastic, nici critic de arta, ci doar un prieten al lui Nicolae-Otto Kruch, \u2019consumator de<\/em><\/strong> art\u0103<\/em>\u2019<\/strong>, vorba profesorului de desen \u0162\u00e2rulescu de la\u00a0 Emanuel Gojdu, omul care\u00a0 l-a definit drept \u2019copil minune<\/em>\u2019<\/strong> al liceului asum\u00e2ndu-\u015fi rolul de prim mentor, voi asuma, la r\u00e2ndul meu, rolul deschiz\u0103torului unei succinte pagini din via\u0163a unui mare artist, un mic album, dar cu imagini edificatoare, sprijinit \u00een aceast\u0103 temerar\u0103 \u00eencercare de p\u0103rerile avizate ale unor personalit\u0103\u0163i din lumea artelor – arti\u015fti, critici, reporteri.<\/p>\n

\u015ei, deoarece m-am referit la \u2019restituiri\u2019<\/em><\/strong>, legat de Ecvestra<\/em><\/strong> <\/em>lui Nicolae Kruch, voi cita c\u00e2teva r\u00e2nduri\u00a0 gr\u0103itoare din ziarul ploie\u015ftean \u2019PRAHOVA Nr.2136 din 29 noiembrie 1997\u2019, \u00een leg\u0103tur\u0103 cu realizarea monumentului \u015fi, indirect, cu no\u0163iunea de coautorat<\/em>:<\/strong><\/p>\n

\u2019\u00cen anul 1990…proiectul este avizat de ministrul Andrei Ple\u015fu. Macheta este realizat\u0103 de reputatul artist Nicolae Kruch…\u00cen varianta de atunci, monumentul reprezenta un ansamblu \u00een care elementele distinctive erau:<\/strong><\/p>\n

Mihai Viteazul c\u0103lare, trei femei dintre care una cu un prunc \u00een bra\u0163e \u015fi statuile a \u015fase dintre c\u0103pitanii voievodului. Realizat\u0103 p\u00e2n\u0103 la scara 1\/3, proiectul a fost respins la avizarea din 1993, recomand\u00e2ndu-se reducerea ansamblului la statuia ecvestr\u0103 a lui Mihai Viteazul. Noua variant\u0103 a fost finalizat\u0103 \u00een anul 1994 \u015fi a intrat, efectiv, \u00een lucru la scara 1\/1, \u00een anul 1995.<\/span> Negativul a fost realizat \u00een atelierele UPETROM \u015fi \u00een martie 1997 a fost transportat la Bucure\u015fti (la REC SRL) unde s-au realizat cele 49 piese componente. Mar\u0163i, 11 noiembrie a.c., statuia a traversat Ploie\u015ftiul, c\u0103tre locul amplas\u0103rii. \u00cen aceea\u015fi zi, s-a realizat montajul primei p\u0103r\u0163i. Dimensiunile finale ale statuii ecvestre sunt de 7,20m \u00een\u0103l\u0163ime, 4,90 lungime \u015fi 2 metri l\u0103\u0163ime, av\u00e2nd o greutate total\u0103 de 16,2 tone. Construc\u0163ia a fost realizat\u0103 de ICIM NOVA, Romconstruct, Ivan Construct, lucr\u0103rile fiind urm\u0103rite<\/span> dup\u0103 decesul, \u00een 1995, al artistului N.Kruch de sculptorii S.Macovei \u015fi I.Bratu…\u2019<\/span><\/em><\/strong><\/p>\n

 <\/p>\n

Daris Basarab<\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

On this \u201dPyre of creation\u201d tirelessly\u00a0 burned the talent of the man who was the\u00a0 sculptor Nicolae-Otto Kruch. <\/strong><\/p>\n

German as father, Romanian as mother, of \u201dethnicity\u201d plastic artist, by vocation, universal friend. He worked until exhausted but knew no fatigue. He loved, above all, the man. Portraits were never photographs. There have been revelations of human souls. It was a romantic, or perhaps better said, a \u201dlate\u201d humanist, a Rachmaninoff of sculpture. <\/strong><\/p>\n

He was born on 10 December 1932, at S\u00e2nleani-Arad. He grew up in S<\/strong>\u00e2<\/strong>ntana, attended Emanuel Gojdu School in Oradea enjoying the syntagm \u201dchild prodigy\u201d assigned by \u0162\u00e2rulescu, his drawing teacher, studied at Ion Andreescu Institute of Fine Arts in Cluj-Napoca with teachers A. K\u00f3s and F. Servatius, later enjoying the friendship and guidance of the great artist and teacher Romul Ladea.<\/strong> He learned, but did not give \u201dsubjugated\u201d, entering into life on his own. He was not attracted by fashionable innovations remaining faithful to his soul that guided him untill to death. <\/strong><\/p>\n

He died on \u00a019 August 1995, in full creative force, in Ploiesti, a city which adopted in 1967 when he left Cluj. <\/strong><\/p>\n

He left a vast work: portraits, compositions, monumental works that have enriched the cities, museums and collections in the country and abroad. <\/strong><\/p>\n

These lines are designed for a \u201dremember\u201d to draw attention to those who have known, appreciated and loved, hoping that someday, someone competent will do a gesture of \u201djustice\u201d and enrich with a comprehensive monograph, \u201dtrue\u201d, the few attempts of keeping in memory of the place held not long ago by the great artist in plastic art landscape. <\/strong><\/p>\n

\u00a0<\/em><\/p>\n

\u201dRestitutio in integrum\u201d, a syntagm frequently encountered today in the socio-economic, but, unfortunately, inexistent in the culture, arts, where homage to those missing is a \u201drara avis\u201d … <\/em><\/strong><\/p>\n

Neither plastic artist nor art critic, but a friend of Nicolae-Otto Kruch, \u201dconsumer of art<\/em>\u201d<\/strong>, according to\u0162\u00e2rulescu, drawing teacher at Emanuel Gojdu, the man who defined him as a \u201dchild prodigy\u201d<\/em><\/strong> on high school taking the role of first mentor, I assume, in my turn, a summary page trailblazer role in the life of a great artist, a small album, but with telling pictures, supported in this bold attempt at informed opinions of personalities from the art world – artists, critics, reporters.<\/p>\n

And, because I referred to \u201drefund\u201d<\/em><\/strong>, related to Nicolae Kruch Equestrian<\/em>,<\/strong> I will quote some telling lines from the newspaper of Ploiesti \u201dPRAHOVA No.2136 of 29 November 1997\u201d, in relation to achieving the monument and, indirectly, the notion of coauthors<\/strong>:<\/p>\n

\u201dIn 1990 … the project is approved by the Minister Andrei Plesu. The model is made by renowned artist Nicolae Kruch …In the alternative then, the whole monument was a distinctive elements were:<\/strong><\/p>\n

\u00a0Michael the Brave on horseback, three women including one with a baby in her arms and six statues of Prince captains. Achieved at 1\/3 scale, to endorse the draft was rejected in 1993, urging the assembly to be reduced to equestrian statue of Michael the Brave. The new version was completed in 1994 and became, effectively working to scale 1 \/ 1, in 1995. <\/span><\/strong><\/p>\n

Negative was made in UPETROM workshops and in March 1997 it was transported to Bucharest (to REC Ltd) where were made the 49\u00a0 component parts. Tuesday, 11 November, this year, the statue has undergone Ploiesti, to the location. On the same day, there was done the assembly of the first part. <\/strong><\/p>\n

Equestrian statue final dimensions are 7.20 m high, 4.90 m long and 2 wide, with a total weight of 16.2 tons. <\/strong><\/p>\n

Construction was carried out by ICIM NOVA, Romconstruct Ivan Construct<\/strong> works being monitored <\/span>after the artist death in 1995, by the sculptors S. Macovei and I. Bratu<\/span> …<\/em> ‘ <\/strong><\/p>\n

 <\/p>\n

Daris Basarab<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Translated by Melania Alexandru<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Petru Comarnescu:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u201d…dar poate la nici un cap expresia nu este at\u00e2t de ad\u00e2nc\u0103 \u015fi emo\u0163ionant\u0103 ca \u00een portretul-masc\u0103 al poetului Bacovia, lucrat de Nicolae Kruch.\u201d<\/p>\n

(Contemporanul, nr.41- 837)<\/p>\n

 <\/p>\n

\u201d\u2026but to no any head the expression is not so deep and touching as in the portrait-mask of\u00a0 poet Bacovia, worked by Nicolae\u00a0 Kruch.\u201d<\/p>\n

(Contemporanul, No. 41-837)<\/p>\n

 <\/p>\n

Romul Ladea<\/strong>:<\/p>\n

 <\/p>\n

\u201d\u2026Ca un artist care ostene\u015fte de mai bine de 40 de ani \u00een ale artelor, \u00eemi revine obliga\u0163ia \u015fi mai ales cinstea s\u0103 v\u0103 prezint (\u2026) pe sculptorul Nicolae Kruch. Via\u0163a nu i-a fost prea alintat\u0103, prea \u00eembuibat\u0103, ci plin\u0103 de munc\u0103, de lupt\u0103, de fr\u0103m\u00e2ntare, de \u00eentreb\u0103ri. Dar tocmai aceasta l-a silit de timpuriu s\u0103 vad\u0103 lucrurile \u015fi oamenii lucid, cu judecat\u0103, dar \u015fi cu toat\u0103 dragostea \u015fi \u00een\u0163elegerea, g\u0103sind adev\u0103rul \u00een \u00een\u0163elesul lui uman\u2026\u201d<\/p>\n

(Tribuna anul IX, nr. 29 – 422)<\/p>\n

 <\/p>\n

\u201d… as a weary artist\u00a0 for more than 40 years I have the obligation and also the honor to present you the sculptor Nicolae Kruch. Life was not too spoiled, too bloated, but full employment, fighting, kneading, questions. But this very early\u00a0 forced him to see\u00a0 people and things clearly, with costs, but also with love and understanding, finding the truth within the\u00a0 meaning of human … \u201d<\/p>\n

(Tribuna year IX, no. 29-422)<\/p>\n

Anton Mariana(absolvent\u0103<\/strong> \/graduate):<\/strong><\/p>\n

 <\/p>\n

\u201dO vizit\u0103 \u00een atelierul sculptorului ploie\u015ftean Nicolae Kruch este unul din cele mai interesante popasuri \u00een universul fascinant al artei.<\/p>\n

\u00cen atelierul s\u0103u de pe strada Roman\u0103, artistul tr\u0103ie\u015fte \u00eenconjurat de numeroase busturi, \u00eentruchip\u00e2nd diver\u015fi eroi ai istoriei noastre na\u0163ionale. Curiozitatea celui care st\u0103 prima oar\u0103 de vorb\u0103 cu un sculptor m-a f\u0103cut s\u0103 nu-mi pierd cump\u0103tul \u015fi s\u0103-i adresez c\u00e2teva \u00eentreb\u0103ri distinsului nostru interlocutor.<\/p>\n

Rep.: Cum sculpta\u0163i?<\/p>\n

N. K. : \u00cen general, caut s\u0103 r\u0103m\u00e2n simplu \u00een tot ce simt, \u00een tot ce fac. Simplitatea \u00eenseamn\u0103 esen\u0163ializare \u015fi mesaj. \u00cen ceea ce m\u0103 prive\u015fte sculptez intens, mai ales \u00een primele ore ale dimine\u0163ii \u015fi nu-mi place s\u0103 fiu deranjat de nimeni. C\u00e2nd cioplesc \u00eemi place s\u0103 ascult muzic\u0103.<\/p>\n

Rep.\u00a0: Ce material de lucru prefera\u0163i, lemnul sau piatra\u00a0?<\/p>\n

N. K. : \u015ei lemnul \u015fi piatra. Prefer mai ales lemnul…<\/p>\n

Rep. : Ce-nseamn\u0103\u00a0 a fi modern \u00een art\u0103?<\/p>\n

N.\u00a0K.\u00a0: A tr\u0103i \u00een contemporaneitate. Artistul trebuie s\u0103 fie un om al epocii sale. Nu-mi plac ostenta\u0163iile c\u0103utate ale unora, care, \u00een goana dup\u0103 originalitate, neag\u0103 legile de bun sim\u0163 ale artei.\u00a0 A fi modern \u00een art\u0103 \u00censeamn\u0103 a te integra pe deplin con\u015ftiin\u0163ei veacului t\u0103u.\u201d<\/p>\n

(Flac\u0103ra – Revist\u0103 Literar-\u015etiin\u0163ific\u0103 A Elevilor Liceului Mizil, martie 1976 – 30)<\/p>\n

 <\/p>\n

\u201dA visit to the studio of sculptor Nicolae Kruch is one of the most interesting stops in the fascinating world of art.<\/p>\n

In his workshop on the Roman street, the artist lives surrounded by numerous busts, embodying various heroes of our national history. Curiosity of that who\u00a0 talks for the first time\u00a0 with a sculptor did not make me losing my temper and\u00a0 ask some questions to our distinguished speaker.<\/p>\n

Rep.: How do you scarve ?<\/p>\n

NK: In general, I seek to remain simple in everything I feel, in whatever form. Simplicity means essentiality and message. As far as I concern I carve intensely, especially in the early morning and I hate to be bothered by anyone. When listening to music I like to carve.<\/p>\n

Rep. : What type of material do you prefer, wood or stone?<\/p>\n

NK: Wood and stone. Especially wood …<\/p>\n

Rep. : What means to be modern in art?<\/p>\n

NK: Living in contemporaneity. The artist must be a man of his age. I hate looking blatancies of some, who, in quest after originality, deny common sense laws of art. To be modern in arts means you fully integrate to your world conscience.\u201d<\/p>\n

(Flacara – Scientific Literature Review of Mizil High School students, 30 March 1976)<\/p>\n

Dan Grigorescu:<\/strong><\/p>\n

\u201dSculptorul Nicolae Kruch este un artist cu o cert\u0103 valoare a monumentalului; o demonstreaz\u0103 elanul liniilor din unele lucr\u0103ri ale sale, \u015ftiin\u0163a de a pune \u00een valoare specificul vechii arhitecturi rom\u00e2ne\u015fti. Dar e \u015fi un bun portretist, care \u015ftie s\u0103 defineasc\u0103 personalitatea modelului deopotriv\u0103 prin efecte de modelaj \u015fi prin acelea ale cioplirii energice \u015fi, \u00een acela\u015fi timp, de o surprinz\u0103toare delicate\u0163e, a pietrei.\u2019\u2019<\/p>\n

(Rom\u00e2nia Liber\u0103, 1982)<\/p>\n

 <\/p>\n

\u201dThe sculptor Nicolae Kruch is an artist with a definite value of monumentality showed by\u00a0 lines momentum of some of his works, science to highlight the specificities of old Romanian architecture. But he is a good portraitist, who also knows how to define the personality of the model by modeling effects and those of energetic scabbling and at the same time, a surprising delicacy, of the stone.\u201d<\/p>\n

(Romania Libera, 1982)<\/p>\n

 <\/p>\n

Teodor Mazilu:<\/strong><\/p>\n

\u201d\u00cen sculptur\u0103, ca \u015fi \u00een alte meserii grele – care cer \u015fi trud\u0103 fizic\u0103 \u015fi \u00een\u0103l\u0163area spiritului – timpul uceniciei, timpul iubirii pentru me\u015fter – cel care \u015ftie mai mult dec\u00e2t tine – au un rol hot\u0103r\u00e2tor. Nicolae Kruch a fost discipolul lui Romul Ladea \u015fi, din devotament, i-a urmat calea. Lucr\u0103rile sale \u00een p\u0103m\u00e2nt ars, \u00een galvanoplastie, \u00een marmur\u0103, \u00een lemn, \u00een aluminiu mi-au l\u0103sat impresia unei b\u0103t\u0103lii deloc utopice pornit\u0103 din necesitatea interioar\u0103 de a eterniza delicate\u0163ea, z\u00e2mbetul, \u00eengundurarea \u015fi m\u0103re\u0163ia omului. Se pare c\u0103 acest vis e visul tuturor marilor sculptori.\u201d<\/p>\n

(Rom\u00e2nia Liber\u0103, 1980)<\/p>\n

 <\/p>\n

\u201dIn sculpture, as in other heavy jobs – that requiring physical labor and spiritual enlightenment – during his apprenticeship,\u00a0 love time for master – one who knows more than you – have a decisive role. Nicolae Kruch was Ladea Romul disciple and, of devotion, he followed his master path. His works in earthenware, in galvanoplasty, in marble, wood, aluminum left me the feeling of a battle at all utopian started from the need to record delicacy, inner smile, study and human greatness.<\/p>\n

It seems that this dream is the dream of all the great sculptors.\u201d<\/p>\n

(Romania Libera, 1980)<\/p>\n

Nicolae-Paul Mihail:<\/strong><\/p>\n

\u201d\u00centreaga crea\u0163ie a lui Nicolae Kruch se desf\u0103\u015foar\u0103 dup\u0103 o logic\u0103 implacabil\u0103, seriile tematice decurg\u00e2nd \u00een mod firesc unele din altele, poten\u0163\u00e2ndu-se reciproc, constituindu-se, \u00een final, \u00eentr-un mod coerent de a \u00een\u0163elege via\u0163a, arta, realitatea, matricea stilistic\u0103 \u015fi nu \u00een ultimul r\u00e2nd ce \u00eenseamn\u0103 a fi contemporan cu tine \u00eensu\u0163i…Arma principal\u0103 a artistului, mijlocul cel mai drag de a-\u015fi exprima g\u00e2ndurile, este portretul<\/em><\/strong>. <\/em>Kruch ne ofer\u0103, desigur, \u015fi ansambluri monumentale, unele chiar de mare amploare, ceea ce nu contrazice <\/em>afirma\u0163ia noastr\u0103 c\u0103 tema predilect\u0103 este omul<\/strong>,<\/em> \u015fi nu un om oarecare, demitizat sau prezentat sub lumina artificial\u0103 \u015fi caricatural\u0103 a unor reflectoare obiectiviste, ci omul luminat din interior<\/em><\/strong> de faptele \u015fi de Destinul s\u0103u; \u00een general, omul<\/em><\/strong> tragic , a\u015fa cum este \u00eenf\u0103\u0163i\u015fat \u00een excelentele portrete psihologice ale lui Horia, Bacovia, Nichita St\u0103nescu, Nicolae Labi\u015f sau \u00een capul de femeie din lemn de scoru\u015f…\u201d<\/p>\n

(S\u0103pt\u0103m\u00e2na, 1988)<\/p>\n

\u201dThe whole creation of Nicolae Kruch places after an implacable logic, the thematic series arising naturally in some others, potentiating each other, representing themselves, finally, in a coherent way to understand life, art, reality matrix of style and not least what it means to be contemporary with yourself …<\/p>\n

The main weapon of the artist, the most dear mean to express his thoughts, is the portrait<\/em><\/strong>. Kruch gives us, of course, monumental compounds, some very large, which does not contradict our claim that favorite theme is man<\/em><\/strong> and not any man, debunk or presented under artificial and caricature light of some objectivistic reflectors, but enlightened man inside<\/em><\/strong> of the facts and his destiny, in general, the tragic<\/strong> man<\/strong>, as depicted in the excellent psychological portraits of Horia, Bacovia, Nichita Stanescu, Nicolae Labi\u015f or female head of mountain ash wood …\u201d<\/p>\n

(S\u0103ptam\u00e2na, 1988)<\/p>\n

 <\/p>\n

Ruxandra Ionescu:<\/strong><\/p>\n

 <\/p>\n

\u201dSculptorul Nicolae Kruch face dovada \u2013 cu aceast\u0103 ocazie – unei variate game de posibile apeluri iconografice la unul \u015fi acela\u015fi gen, portretistica – de la portretul metafor\u0103, la portretul-istorie, la relieful de sorginte votiv\u0103, cu trimiteri la majolicile lui Luca de la Robbia, p\u00e2n\u0103 \u00een portretul-nota\u0163ie liric\u0103 rezultat din impactul cu fizionomiile cunoscu\u0163ilor din imediata apropiere.\u201d<\/p>\n

(Flamura Prahovei, 1982)<\/p>\n

\u201dSculptor Nicolae Kruch evidences – on this occasion – a varied range of possible iconographic calls to a single genre, portraitistic \u2013 from metaphorical portrait to portrait-history, to votive relief of origin, with references to majolique from Luca della Robbia -untill portrait of lyrical notation\u00a0 resulted by impact with his friends nearby. \u201d<\/p>\n

(Flamura Prahova, 1982)<\/p>\n

 <\/p>\n

ION\u00a0 VOICU:<\/strong><\/p>\n

 <\/p>\n

\u201d\u2026Prin c\u00e2teva linii doar, dar trase cu o admirabil\u0103 m\u0103iestrie, Nicolae Kruch, surprinde expresivitatea unui chip uman\u2026\u201d<\/p>\n

(Flamura Prahovei, 1987)<\/p>\n

 <\/p>\n

\u201d… With only a few lines, but drawn with admirable craftsmanship, Nicolae Kruch, captures the expressiveness of a human face …\u201d<\/p>\n

(Flamura Prahova, 1987)<\/p>\n

 <\/p>\n

Translated by Melania Alexandru<\/strong><\/p>\n

D E S E N E<\/strong><\/p>\n

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Foto: Boris David<\/strong><\/p>\n

 <\/p>\n


\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

    \u00a0 Cuv\u00e2nt \u00eenainte   De ce Edi\u0163ia a II-a ? Am pornit la drum cu prima \u00eencercare m\u00e2nat, [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-11918","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/11918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=11918"}],"version-history":[{"count":14,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/11918\/revisions"}],"predecessor-version":[{"id":11923,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/11918\/revisions\/11923"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=11918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=11918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=11918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}