{"id":12430,"date":"2013-04-24T13:58:52","date_gmt":"2013-04-24T13:58:52","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=12430"},"modified":"2013-04-24T14:13:05","modified_gmt":"2013-04-24T14:13:05","slug":"colocviu-finantele-lui-shakespeare-si-inteligenta-materiei","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/04\/24\/colocviu-finantele-lui-shakespeare-si-inteligenta-materiei\/","title":{"rendered":"Colocviu: Finan\u021bele lui Shakespeare \u0219i Inteligen\u021ba materiei"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2013\/04\/shakespeare.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12431\" title=\"shakespeare\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2013\/04\/shakespeare-249x300.jpg\" alt=\"\" width=\"249\" height=\"300\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2013\/04\/shakespeare-249x300.jpg 249w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2013\/04\/shakespeare.jpg 332w\" sizes=\"auto, (max-width: 249px) 100vw, 249px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums <\/strong><\/p>\n<p style=\"text-align: center;\">30 aprilie 2013, 5 pm, Calderon 39<\/p>\n<p style=\"text-align: center;\">Anul IV, nr. 42. <em><\/em><\/p>\n<p style=\"text-align: center;\"><em>Addresses, Interven\u021bii, Teatru de poezie, Lans\u0103ri de c\u0103r\u021bi, Proiecte, Portrete<\/em>, <em>Kineto-dinamic\u0103<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Eveniment: <strong>Finan\u021bele lui Shakespeare si inteligen\u021ba materiei <\/strong><\/p>\n<p style=\"text-align: justify;\">Seminarul munchenez &#8211; 26 \u2013 28 aprilie 2013 -, din seria World English, exploreaz\u0103 leg\u0103tura dintre chstiunile b\u0103ne\u0219ti pe scen\u0103 \u0219i rolul jucat de bani \u00een societate. Organizatorii \u00ee\u0219i pun \u00eentreb\u0103ri la care \u00eencerc\u0103m s\u0103 r\u0103spundem \u0219i noi. Cum sunt \u00eenf\u0103\u021bi\u0219ate \u00een piese repercusiunile economice, sociale \u0219i psihice ale afacerilor financiare? Cum reflect\u0103 \u00eenceputurile capitalismului din zilele lui Shakespeare? Au, \u00eentr-adev\u0103r, banii putere transformativ\u0103 \u0219i coruptiv\u0103? Cum se raporteaz\u0103 sfera financiar\u0103 la alte discursuri? De exemplu, cum sunt asociate ideile creditului \u0219i debitului financiar cu ideile religioase \u0219i morale ale integrit\u0103\u021bii \u0219i vinei? Sunt declara\u021biile financiare ale lui Shakespeare \u00eemprumutate \u0219i uzului metateatral \u0219i metapoetic? Cum leg\u0103m problemele noastre curente marcate de crize financiare \u00eentr-un sistem capitalist globalizat cu lumea teatral\u0103 a lui Shakespeare? Cum au \u00eenf\u0103\u021bi\u0219at rolul banilor produc\u021biile teatrale \u0219i filmice dup\u0103 piesele lui Shakespeare? \/ N\u0103scu\u021bi \u00een aprilie: Rafael Sanzio, 6 ap. 1843; Leonardo da Vinci, 15 ap. 1452; William Shakespeare, 23 ap, 1534; Charles Baudelaire, 9 ap, 1822;<\/p>\n<p style=\"text-align: justify;\">(William Shakespeare). \u201eUniversul exist\u0103 pentru c\u0103 particulele care constituie sistemul atomic (ce st\u0103 la baza \u00eentregului Univers) este men\u021binut \u00eentr-o continu\u0103 mi\u0219care de o minte &#8211; Mintea Universului.\u201d (Max Planck). \u201eDincolo de capacitatea min\u021bii noastre exist\u0103 multe alte dimensiuni. Asta spune fizica cuantic\u0103 \u0219i psihologia transpersonal\u0103.\u201d (Dumitru Constantin Dulcan)<\/p>\n<p><em>Invita\u021bi<\/em><em>:<\/em><\/p>\n<p style=\"text-align: justify;\">Ion Andrei\u021b\u0103, Vasile Andru, Ioan Barbu, Nicolae B\u0103ciu\u021b, Esha Beteille, Surender Bhutani, Angela Bilcea, Vasile Boji, Adrian Botez, Nicolae Bulz, Aristotel Bunescu, Uca Chi\u0219, Alexandra-Maria Citirig\u0103, Silvia Codreanu, Dumitru Constantin-Dulcan, Florin Costinescu, Petru Costinescu, Wanda Decca, Pu\u0219i Dinulescu, Florina Dobre-Brat, Andrei Doroban\u021bu, Germain Droogenbroodt, Crina Duca, Adina Dumitrescu, \u0218tefan Dumitrescu, Silvian Floarea, Nicolae Dan Fruntelat\u0103, Raluca Gheorghe, Doina Ghi\u021bescu, Monica Grigorescu, Iulia Grum\u0103zescu, Neculai Hilohi, Sorana Georgescu-Gorjan, Gabriela Gr\u0103dil\u0103. Mariana Gurza, \u0218erban Indrei, Angela Silvina Ionescu, Petru Ionescu, Daniela Olgu\u021ba Iordache, Elisabeta Isanos, Ion Lazu, George Lupa\u0219cu, Toma George Maiorescu, Dan Mateescu, Nicolae Grigore M\u0103r\u0103\u0219anu, Vasile Menzel, Bianca Beatrice Michi, Irina Lucia Mihalca, Victoria Milescu, George Mirea, Ioan Mititelu, Doru Mo\u021boc, Ana Munteanu, Mircea Muntenescu, Gheorghe Neagu, Mariana Naliny, Anamaria Nan, Lucia Negoi\u021b\u0103, Radu Cristian Nema, Mirela Nicolae, Romulus Iulian Olaru, Mariana Oloier, Viorica Oni\u0219oru, Tudor Opri\u0219, Liviu Pascu, Carmen Pesantez, Petru\u021b P\u00e2rvescu, Vladimir Pesantez, Maria Diana Pop, Elena Liliana Popescu, Mihai Popescu, Karina Praiszt, Dumitru Prunaru, Vasile Pupeza, Arghira Ravanis, Mimi Ravanis, Bebe R\u0103descu, Gheorghe R\u0103dulescu, Rita Sava, Adrian S\u0103hleanu, Felix Sima, Florentin Smarandache, Ion Soare, Cornelia Sorescu, Viorel Speteanu, Maria Murgu, Mihai Stan, Marius St\u0103nescu, Constantin-Dumitru Surdu, Sorin Stratilat, Mihai Teodorescu, Florian T\u0103n\u0103sescu, Ben Todic\u0103, Nicolae Toma, Maria Tutuianu, Neagu Udroiu, Dumitru Ungureanu, Viorica Vatamanu, Tiberiu-Sebastian V\u0103duva, Dan-Radu Z\u0103treanu, Corneliu Zeana<\/p>\n<p><strong>Amfitrion: Dr. George Anca<\/strong><\/p>\n<p><em>Interven\u021bii<\/em>:<\/p>\n<p><strong>Dumtru Constantin Dulcan<\/strong>: <em>Relflec<\/em><em>\u021biuni pascale<\/em><\/p>\n<p><strong>Pu\u0219i Dinulescu<\/strong>: <em>Hamlet, Pesc\u0103ru\u0219ul \u0219i Jocul ielelor<\/em><\/p>\n<p><strong>George Anca<\/strong>: <em>Mari poeme indo-o europene<\/em><\/p>\n<p><strong>Ion Andrei\u021b\u0103<\/strong>: \u201e<em>P<\/em><em>oeme sub perfuzie\u201d<\/em><\/p>\n<p><strong>Ben Todic\u0103<\/strong>: <em>\u021aara dispare<\/em><\/p>\n<p><strong>Florina Dobre<\/strong>: <em>Gabriela V\u0103c\u0103reanu<\/em><\/p>\n<p><strong>Mihai Teodorescu<\/strong>: <em>Teoria sociologic\u0103 elitist\u0103 modern\u0103 a lui Wilfredo Pareto <\/em><\/p>\n<p><strong>Adrian Botez<\/strong>: <em>Hristocra\u021bia<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>Lans\u0103ri<\/em><\/p>\n<p><strong>Dumitru Constantin Dulcan<\/strong>:<em> Inteligen\u021ba materiei<\/em>, edi\u021bia a III-a, Eikon, Cluj-Napoca, 2013<\/p>\n<p><strong>Mariana Gurza<\/strong>: <em>Vasile Pl\u0103van, &#8220;un Slavici al Bucovinei&#8221;, <\/em>Editura Funda\u021biei pentru Cultur\u0103 \u0219i \u00cenv\u0103\u021b\u0103m\u00e2nt Ioan Slavici \u0219i Eurostampa, Timi\u0219oara, 2013<\/p>\n<p><em>Oglinzi paralele \u0219i perpendiculare. <strong>Florin Smarandache<\/strong>, Paradoxismul \u0219i Viteza Supraluminal\u0103<\/em>, editor, Octavian Blaga, editura Duran&#8217;s, Oradea, 2013<\/p>\n<p style=\"text-align: justify;\"><em>Teatru de poezie<\/em>:<\/p>\n<p>Radu Cristian Nema: <em>Ecouriri din Atharva Veda<\/em><\/p>\n<p>Bianca Beatrice Michi:<em> \u201cVaporul\u201d<\/em> de <em>Konstantin Kavafis <\/em><\/p>\n<p><em>Portrete<\/em>: Radu Cristian Nema<\/p>\n<p><em>Kineto-dinamic\u0103<\/em>: \u0218erban Indrei<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Camil Petrescu, 22 ap, 1894.Tristan Tzara, 16 ap, 1896. Konstantinos Kavafis 150, 9 ap., Jaoslav Has 130, 30 ap. \/ Timpul trece foarte \u00eencet pentru cei care a\u015fteapt\u0103 \u015fi foarte repede pentru cei c\u0103rora le e team\u0103. Timpul este foarte lung pentru cei care se lamenteaz\u0103 \u015fi foarte scurt pentru cei care petrec.Dar pentru cei care iubesc, timpul este eternitatea.<\/p>\n<p><a href=\"http:\/\/georgeanca.blogspot.ro\/\">Sursa: http:\/\/georgeanca.blogspot.ro\/<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums 30 aprilie 2013, 5 pm, Calderon 39 Anul IV, nr. 42. Addresses, Interven\u021bii, [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-12430","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/12430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=12430"}],"version-history":[{"count":6,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/12430\/revisions"}],"predecessor-version":[{"id":12433,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/12430\/revisions\/12433"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=12430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=12430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=12430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}