{"id":13232,"date":"2013-06-11T08:51:08","date_gmt":"2013-06-11T08:51:08","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=13232"},"modified":"2013-06-11T08:51:08","modified_gmt":"2013-06-11T08:51:08","slug":"cronica-ion-rosioru-la-volumul-%e2%80%9etablouri-fara-semnatura%e2%80%9d-teo-cabel","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/06\/11\/cronica-ion-rosioru-la-volumul-%e2%80%9etablouri-fara-semnatura%e2%80%9d-teo-cabel\/","title":{"rendered":"Cronic\u0103, Ion Ro\u0219ioru, la volumul \u201eTablouri f\u0103r\u0103 semn\u0103tur\u0103\u201d – Teo Cabel"},"content":{"rendered":"

\"\"<\/a>Placheta lui Teo Cabel, ap\u0103rut\u0103 \u00een 2010 la Editura Lorilav ( Buz\u0103u) \u0219i intitulat\u0103 Tablouri f\u0103r\u0103 semn\u0103tur\u0103<\/strong>, este expresia unui debut editorial matur. Pu\u021bin i-a mai lipsit poetului s\u0103 nu ating\u0103 v\u00e2rsta la care \u00eensu\u0219i Marele Alpha \u0219i-a adunat numele pe cartea dint\u00e2i. Poetul demareaz\u0103 prin a-\u0219i etala \u0219i relata raporturile sale cu divinitatea care, de\u0219i omniprezent\u0103, nu se las\u0103 niciodat\u0103 v\u0103zut\u0103( Ferestre<\/strong>).<\/p>\n

\u00cen sillage bergsonian, poetul stabile\u0219te o demarca\u021bie precis\u0103 \u00eentre timpul s\u0103u interior \u0219i cel cosmic \u0219i, ambi\u021bios din fire, vrea ca prin combustia celui dint\u00e2i s\u0103 se \u00eenscrie competitiv \u00een cel de-al doilea \u0219i s\u0103-l amprenteze c\u00e2t mai conving\u0103tor(Confesiune<\/strong>).<\/p>\n

Timpul propriu are, cu certitudine, \u0219i o dimensiune religioas\u0103 pe care poetul o con\u0219tientizeaz\u0103 \u0219i \u0219i-o asum\u0103 cu toat\u0103 responsabilitatea \u0219i angajarea sufleteasc\u0103, precum \u00een aceste sonuri de colind: \u201eAfar\u0103-i ger \u0219i alb.\/ \u00cen suflet e Ajunul\/ \u0218i \u00eenfiorat de tain\u0103\/ Se apropie Cr\u0103ciunul\/\/ \u00cen Pe\u0219tera din suflet\/ Se na\u0219te Domn Hristos,\/ Topind al vie\u021bii urlet\/ \u00centr-un colind frumos.\u201d(Pe\u0219tera-suflet<\/strong>).<\/p>\n

\u00cen raport cu miracolele firii, cre\u0219tine sau laice, poetul e, fire\u0219te, un privilegiat:<\/p>\n

\u201eSunt nop\u021bi, c\u00e2nd un p\u0103ianjen uria\u0219\/ \u00ce\u0219i face p\u00e2nz\u0103 de la lun\u0103 la p\u0103m\u00e2nt,\/ O p\u00e2nz\u0103-harp\u0103,\/ Al c\u0103rei c\u00e2ntec \u00eel aud doar poe\u021bii\u201d(Aceea\u0219i lumin\u0103<\/strong>). Acestei fiin\u021be iubite de Cel-de-Sus, l-am numit pe poet, \u00eei este permis s\u0103 participe la eternele, chiar dac\u0103 repetabile, procese ale Crea\u021biei ce-\u0219i are dinamica ei ce-i aminte\u0219te muritorului c\u0103 nu-i, totu\u0219i,singur \u00een univers:\u201eNoaptea se-ntunec\u0103 peste por\u021bi\/ Ca pa\u0219ii lui, sem\u0103n\u00e2nd umbrele,\/ Colo o stea, colo alta…\/ C\u00e2nd se uit\u0103 roat\u0103 cerul este plin\u201d(Paznicul<\/strong>).Con\u0219tientiz\u00e2ndu-\u0219i firea alteritar\u0103, poetul s-a sim\u021bit dintotdeauna sf\u00e2\u0219iat romantic \u00eentre \u201eun sentiment de zbor\/\u0218i unul de st\u00e2nc\u0103\u201d(Ecou<\/strong>). Tot a\u0219a, el se dedubleaz\u0103 ne\u00eencetat, \u00een descenden\u021b\u0103 baudelairean\u0103, \u00een ceva angelic \u0219i altceva demonic (Pic\u0103turi de cer<\/strong>).Gesturile de smerenie \u0219i de iubire a semenilor sau a p\u0103r\u021bii edenice a naturii \u00eenconjur\u0103toare, alterneaz\u0103 cu pornirile instinctuale de a face r\u0103u \u0219i de a macula opera divin\u0103: \u201eIubim florile\/ \u00cen vaz\u0103, iar pe p\u0103m\u00e2nt\/ Le strivim\/ Cu piciorul…\u201d (Iadul<\/strong>). Omul are o reticen\u021b\u0103 funciar\u0103 \u00een a-\u0219i deschide larg viselor bra\u021bele \u0219i a le da fr\u00e2u liber s\u0103 p\u0103trund\u0103 \u00een sufletul s\u0103u \u00eenfrico\u0219at \u0219i pudic s\u0103 p\u0103r\u0103seasc\u0103 teritoriul realului, ca \u0219i cum acesta ar putea fi cumva contaminat de imagina\u021bie(Visele<\/strong>).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Debutantul aduce o nou\u0103 viziune asupra timpului, \u00een sensul c\u0103 dispune pe orizontal\u0103 axa vertical\u0103 a acestuia \u0219i-i d\u0103 form\u0103 de circumferin\u021b\u0103 de cerc (L\u00e2ng\u0103 mine str\u0103mo\u0219ii<\/strong>). Poetul are un adev\u0103rat cult al tat\u0103lui c\u0103ruia-i sincronizeaz\u0103 toate v\u00e2rstele \u0219i pe care-l simte prezent \u00een \u00eentreaga sa fiin\u021b\u0103 fizic\u0103 \u0219i spiritual\u0103 \u0219i, mai mult dec\u00e2t at\u00e2t, trecut \u00een nepo\u021bii lui, neal\u021bii dec\u00e2t copiii poetului, cinci, dup\u0103 prefa\u021batorul Marin Ifrim, patru, conform unei \u00eensemn\u0103ri de pe Blogul lui Liviu Ioan Stoiciu. Tat\u0103l, de\u0219i trecut la cele ve\u0219nice, e pretutindeni \u00een natura \u00eenconjur\u0103toare, chiar \u0219i \u00een frunzele pe care gospodarii le ard prim\u0103vara prin gr\u0103dinile \u00een care fac binevenita cur\u0103\u021benie de sezon (Nostalgie<\/strong>).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Proiec\u021bia metafizic\u0103 a sinelui \u00eei prilejuie\u0219te poetului poeme antologice, memorabile prin misterul lor potentat prin sugestia imprecis\u0103. Cultiv\u0103 uneori smerenia metodic\u0103 \u0219i se c\u0103ie\u0219te c\u0103 nu i-a deschis Domnului c\u00e2nd acesta i-a b\u0103tut la poarta inimii ori c\u00e2nd a ezitat s\u0103 se \u00eemp\u0103rt\u0103\u0219easc\u0103 din lumina Lui spiritual\u0103(Umilitate<\/strong>). Dragostea e perceput\u0103 ca ardere de tot <\/em>\u00a0\u00een aceast\u0103 lume alienat\u0103 \u00een care e tot mai frig. Poetul \u0219tie s\u0103-\u0219i dozeze captivant ironia \u0219i sentimentalismul, precum \u00een str\u0103lucitorul poem Sunt doar un om.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>De salutat e poetul\u00a0 \u0219i \u00een ipostaza de strunitor impecabil de sonuri ce trimit la marea poezie a lumii, prozodia clasic\u0103 g\u0103zduind o viziune modernist\u0103 dintre cele mai \u00eendr\u0103zne\u021be: \u201eZ\u00e2mbetul t\u0103u mi-a mu\u0219cat ochii!\/ Da, durerea este o femeie frumoas\u0103!\/Vorbele tale rotunjeau dedeochii,\/ P\u0103s\u0103ri flamingo plecar\u0103 la coas\u0103!\/\/ \u00cen za\u021bul de cafea str\u0103lucea un bob de aur,\/ \u0218oapta-i ascuns\u0103 dup\u0103 ureche,\/ Se \u00eenfoia v\u00e2ntul, palid balaur,\/ \u0218i leb\u0103da pl\u00e2ngea f\u0103r\u0103 pereche…\/\/ Miresele-n rochii dospeau prin dantele,\/ Castelul, la poart\u0103 \u021bintea cavalerul,\/ Din stele f\u0103cur\u0103m doar simple caiele,\/ Iubirii s\u0103-i smulgem prin noapte misterul…\/\/ \u0218i-apoi, diminea\u021ba, cu lapte pe mas\u0103,\/ \u0218optim \u00eeng\u00e2n\u00e2nd: durerea-i frumoas\u0103!\u201d<\/p>\n

(Romantic\u0103<\/strong>)<\/p>\n

(\u00a0 Din articolul \u201eDoi poe\u021bi buzoieni\u201d publicat de Ion Ro\u0219ioru<\/strong> \u00een Bucure\u0219tiul Literar \u0219i Artistic, nov.2012)<\/p>\n","protected":false},"excerpt":{"rendered":"

Placheta lui Teo Cabel, ap\u0103rut\u0103 \u00een 2010 la Editura Lorilav ( Buz\u0103u) \u0219i intitulat\u0103 Tablouri f\u0103r\u0103 semn\u0103tur\u0103, este expresia unui [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-13232","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/13232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=13232"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/13232\/revisions"}],"predecessor-version":[{"id":13235,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/13232\/revisions\/13235"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=13232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=13232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=13232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}