{"id":14089,"date":"2013-07-16T10:36:10","date_gmt":"2013-07-16T10:36:10","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=14089"},"modified":"2013-07-16T14:40:08","modified_gmt":"2013-07-16T14:40:08","slug":"un-triumfator-de-al-vlahuta","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/07\/16\/un-triumfator-de-al-vlahuta\/","title":{"rendered":"“Un triumf\u0103tor” de Al. Vlahu\u021b\u0103"},"content":{"rendered":"

\"\"<\/a>\u201cSunt \u0219i-n literatur\u0103, ca-n toate ramurile de activitate omeneasc\u0103, tipuri de \u0219arlatani cari, cu foarte pu\u021bin\u0103 osteneal\u0103 \u0219i cu merite uneori mai jos dec\u00e2t mediocre, extrag din fertila naivitate a societ\u0103\u021bii \u00een cae tr\u0103iesc cea mai \u00eembel\u0219ugat\u0103 recolt\u0103 de foloase \u0219i de mul\u021bumiri personale.<\/p>\n

La noi, unde spiritul public e foarte pu\u021bin format \u00een materie de art\u0103, sl\u0103biciunile omene\u0219ti fiind acelea\u0219i peste tot locul, izb\u00e2nda acestor \u0219arlatani \u00eent\u00e2mpin\u0103 mult mai pu\u021bine greut\u0103\u021bi dec\u00e2t \u00eentr-o \u021bar\u0103 cu o cultur\u0103 serioas\u0103 artistic\u0103, unde gustul s-a rafinat \u0219i mintea s-a ascu\u021bit de at\u00e2tea opere nepieritoare, unde \u00eentre artist \u0219i public st\u0103 \u0219i vegheaz\u0103 un cordon formidabil de critici, gardieni lumina\u021bi \u0219i con\u0219tiincio\u0219i, cari p\u0103zesc, ca pe un depozit sacru, \u00eencredin\u021bat lor, maiestatea \u0219i renumele unei lucr\u0103ri de valoare \u0219i ap\u0103r\u0103 gustul publicului de miasmele producerilor artificiale, bolnave \u0219i pestiferante. \u00cen astfel de \u021b\u0103ri, a doua zi dup\u0103 ce a ie\u0219it o carte cu inten\u021bii de originalitate, avangarda criticilor se pune \u00een mar\u0219, aten\u021bia unui public numeros \u0219i inteligent \u00eei urm\u0103re\u0219te pas cu pas; \u00een pres\u0103, \u00een saloane, \u00een cafenele se discut\u0103, se citeaz\u0103 pasaje, se emo\u021bioneaz\u0103 – e vibrare general\u0103, e un admirabil neast\u00e2mp\u0103r de inteligen\u021bi \u00een jurul \u0219i \u00een dezbaterile unui asemenea proces de celebritate. Gre\u0219eli sunt pretutindenea. Dar c\u00e2t de rara \u0219i c\u00e2t de anevoie se poate mistifica acolo o poli\u021bie a\u0219a de bine organizat\u0103 !<\/p>\n

La noi lipse\u0219te cu des\u0103v\u00e2r\u0219ire un control serios \u0219i\u00a0 ne\u00eentrerupt al producerilor artistice. Singurul om care a \u0219tiut la noi s\u0103 puie critica la \u00een\u0103l\u021bimea la care au ridicat-o de c\u00e2tva timp marii critici str\u0103ini, singurul om care ne-a\u00a0 dat \u00een literatur\u0103 c\u00e2teva produse de cercet\u0103ri profund savante \u0219i uimitor de con\u0219tiincioase este I. Gherea.\u00a0 \u0218i numele acesta pus aici pe mul\u021bi \u00eei va face s\u0103 str\u00e2ng\u0103 din\u00a0 umeri \u0219i s\u0103 se \u00eentrebe cu nedumerire. Gherea scrie rar, \u00eentr-o revist\u0103 nu tocmai r\u0103sp\u00e2ndit\u0103, \u0219i foarte pu\u021bini au avut ocazia s\u0103 citeasc\u0103 \u0219i s\u0103 poat\u0103 pre\u021bui cuno\u0219tin\u021bele \u00eentinse, logica sever\u0103 \u0219i frumoasa inteligen\u021b\u0103 a acestui analist cinstit \u0219i pacient. Cu mult departe de el, dedesubt \u0219i f\u0103r\u0103 s\u0103-i semene, fac zgomot mul\u021bi scriitori, cari-\u0219i iau sarcina de a critica pe al\u021bii, neav\u00e2nd nici temperamentul, nici cultura, nici spiritul, nici onestitatea indispensabil\u0103 unei \u00eendeletniciri de felul acesta.<\/p>\n

Un poet neizbutit, ratat, dup\u0103 un \u0219ir de infructuoase asalturi rimate, trudit \u0219i dezgustat de lipsa de succes a poeziilor sale, \u00ee\u0219i sf\u0103r\u00e2m\u0103 lira de capul nenorocoasei muze \u0219i…s-apuc\u0103 de critic\u0103. \u00cenveninat \u0219i h\u0103r\u021b\u0103gos, ca o fat\u0103 care a \u00eemb\u0103tr\u00e2nit nem\u0103ritat\u0103 \u0219i pe care n-o mai cere nimeni, el va fi r\u0103u \u0219i ne\u00eenduplecat cu poe\u021bii. Vai de cel care a mutat accentul de pe o silab\u0103 pe alta, ori \u0219i-a permis s\u0103 rimeze \u201ecioar\u0103\u201d cu \u201eprim\u0103var\u0103\u201d ! Imediat criticul nostru, care posed\u0103 \u0219i avantajul de a fi \u00een secretele specialit\u0103\u021bii, se \u00eenfurie \u0219i tr\u00e2nte\u0219te un articol, \u00een urma c\u0103ruia nenorocitului\u00a0 \u201epacient\u201d nu-i mai r\u0103m\u00e2ne dec\u00e2t s\u0103-\u0219i puie \u0219treangul de g\u00e2t.<\/p>\n

Un gazetar din cei m\u0103run\u021bei, furnizor de umplutur\u0103, c\u00e2nd vede c\u0103 aflarea subiectelor de tratat \u00eencepe s\u0103-l nelini\u0219teasc\u0103, dup\u0103 c\u00e2teva ceasuri de ad\u00e2nc\u0103 meditare, se izbe\u0219te cu palma peste frunte: a g\u0103sit o comoar\u0103 de\u00a0 subiecte. Va lua la trei parale pe to\u021bi domnii autori \u0219i le va trage frecu\u0219. A doua zi \u00eel vezi r\u0103\u021boindu-se pe trei coloane \u0219i forfec\u00e2nd, \u00een dreapta \u0219i \u00een st\u00e2nga, nop\u021bile de osteneal\u0103 ale vreunui nenorocit de scriitor. \u0218i astfel, \u00een c\u0103ptu\u0219eala fiec\u0103rui autora\u0219 g\u0103se\u0219ti materia fulminant\u0103 a unui critic gata s\u0103 fac\u0103 explozie la cea dint\u00e2i ocazie, la cea dint\u00e2i ciocnire de acul vreunei nemul\u021bumiri.<\/p>\n

Aceasta e trupa u\u0219oar\u0103, viermi\u0219ori cari foiesc \u0219i se\u00a0 pierd aproape \u00een n\u0103molul de sec\u0103turi cari zilnic curg \u0219i se\u00a0 uit\u0103. Ace\u0219tia sus\u021bin \u0219i reprezint\u0103 luptele de infuzorii nev\u0103zute, scoase din cuprinderea sim\u021burilor noastre. Deasupra lor, \u0219i dintre ei, \u0219i tot din trampa lor, dar cu mai mari eforturi, mai norocos ori mai viclean, izbute\u0219te s\u0103 se ridice c\u00e2te unul zgomotos b\u00e2z\u00e2ind pe sus ca un bondar \u0219i s\u0103 se a\u0219eze pe chelia literaturei noastre, cu tot ifosul \u0219i gravitatea unui critic de primo cartello<\/em>.<\/p>\n

Iat\u0103-l instalat la foiletonul unui ziar sigur din capital\u0103, unde apare cu o regularitate sideral\u0103 o dat\u0103 sau de dou\u0103 ori pe s\u0103pt\u0103m\u00e2n\u0103. Dar mai \u00eent\u00e2i el a trebuit s\u0103 se g\u00e2ndeasc\u0103 la alegerea unui mod particular de a spune lucrurile – unui stil: pentru el aceasta e o chestie de preferin\u021b\u0103 voluntar\u0103 \u0219i calculat\u0103. Cite\u0219te cu o interesat\u0103 aten\u021bie pe iubi\u021bii s\u0103i cronicari moderni din Paris. P\u00e2nde\u0219te bine la figurile \u0219i floricelele lor de condei, se extaziaz\u0103 de spiritul lor, \u0219i-n fundul inimei lui \u00ee\u0219i jur\u0103 de a fi \u0219i el de spirit, de\u00a0 a scri \u0219i el a\u0219a. Primele foiletoane merg cam greu. Adesea trebuie s\u0103 fure calapodul cu cizm\u0103 cu tot. El simte c\u0103 nu prea \u0219tie unde pleac\u0103, unde are s\u0103 ajung\u0103, neav\u00e2nd nici o\u00a0 preg\u0103tire \u0219i nici un stoc de observa\u021bii personale care s\u0103-i\u00a0 dea o c\u0103rare \u00eencotrova; se clatin\u0103 \u0219i caut\u0103 echilibru, ca un\u00a0 om care s-a sculat buimac din somn. A\u0219a \u0219ov\u0103iesc \u0219i par a-\u0219i dibui direc\u021bia toate \u0219lepurile mari \u0219i grele c\u00e2nd\u00a0 se pornesc de la mal, p\u00e2n\u0103-\u0219i iau v\u00e2nt. T\u00e2n\u0103rul cronicar-foiletonist – \u0219i eu \u00een momentul acesta m\u0103 g\u00e2ndesc la mai mul\u021bi, \u0219i-i v\u0103d – se a\u0219terne din zi \u00een zi mai fervent pe lucru. \u00ce\u0219i colec\u021bioneaz\u0103 un teanc de caiete cu pasaje t\u0103iate cu\u00a0 foarfeca din ziarele str\u0103ine: cita\u021bii str\u00e2nse din toate p\u0103r\u021bile \u0219i r\u00e2nduite cu grij\u0103 \u00een ordine alfabetic\u0103, maxime, versuri, firmituri de g\u00e2nduri, epitete \u0219i vorbe consacrate – toate sunt puse bine, le are oric\u00e2nd la \u00eendem\u00e2n\u0103. \u00cen acest arsenal bogat \u0219i variat de elemente de stil \u0219i de critic\u0103, el e gata \u00een orice\u00a0 moment s\u0103 atace orice subiect, c\u00e2t de greu, c\u00e2t de str\u0103in; \u00eentr-un ceas \u00ee\u021bi toarn\u0103 un foileton \u0219i-\u021bi vorbe\u0219te, cu-o siguran\u021b\u0103 \u0219i c-o lini\u0219te uimitoare, despre orice pofte\u0219ti. Nimic nu-l sperie, nimic nu-l pune pe g\u00e2nduri.<\/p>\n

Piesele de teatru, jocul actorilor, tezele licen\u021bia\u021bilor \u0219i toate c\u0103r\u021bile cu con\u021binut literar \u0219i chiar \u0219tiin\u021bific uneori, ude \u00eenc\u0103 de sub teascurile tipografiei, toate trec \u0219i se cern prin foiletoanele acestui neadormit agent de control. \u0218i numele lui – c\u0103ci are pruden\u021ba de a isc\u0103li tot ce public\u0103 – acest nume, care cade ca un tic\u00a0 \u00een ochii cititorilor pe fiecare s\u0103pt\u0103m\u00e2n\u0103 la o zi fix\u0103, ajunge a sfredeli \u00eencetul cu \u00eencetul indiferen\u021ba publicului nostru \u0219i, iat\u0103-l remarcat. Pe strad\u0103, la \u00eentruniri, \u00een saloane, lumea \u0219i-l arat\u0103 cu degetul.
\nLa teatru, actorii \u0219i actri\u021bele \u00eel caut\u0103 din ochi, \u0219i cum \u00eel v\u0103d, \u00eel salut\u0103, \u00eei z\u00e2mbesc gra\u021bios, se str\u00e2ng \u00een jurul lui \u0219i \u00eel ascult\u0103. Autorii se silesc s\u0103-i fac\u0103 cuno\u0219tin\u021ba, ei sunt prin\u0219i de o vizibil\u0103 emo\u021bie c\u00e2nd \u00eei aduc cartea \u0219i \u00eel roag\u0103 s-o citeasc\u0103 \u0219i s-o judece. Acum are \u0219i-un stil al lui, trampat \u00een l’esprit gaulais<\/em>, \u00eemp\u0103nat cu \u201efermec\u0103toarele fine\u021be ale francezului\u201d. \u0218i dac\u0103 nu cite\u0219te cartea despre care vorbe\u0219te, dar are talentul de a te face s\u0103 ui\u021bi despre ce trateaz\u0103, are fraza uns\u0103 \u0219i curg\u0103toare a omului\u00a0 \u201erafinat\u201d care se joac\u0103 cu condeiul. Cita\u021biile abund\u0103. \u00cen zece r\u00e2nduri ai \u00eentotdeauna trei-patru nemuritori de complimentat.<\/p>\n

Urm\u0103rit de aten\u021bia publicului, \u00ee\u0219i va lua rolul \u00een serios \u0219i \u00ee\u0219i va croi mers, privire, vorb\u0103 \u0219i gesturi pe talia importan\u021bei \u0219i celebrit\u0103\u021bii \u00een care a intrat. C\u00e2teva conferin\u021bi la\u00a0 Ateneu, cu subiecte rococo, vor fi indispensabile. Va publica o carte, pe care va dedica-o reginei. Va \u0219ti s\u0103 se introduc\u0103 la palat \u0219i, cine \u0219tie, s\u0103 se fac\u0103 oare\u0219cum necesar. Va \u021binea la Ateneu, \u00een auzul augu\u0219tilor suverani, o conferin\u021b\u0103, \u00een care lingu\u0219irea fin\u0103 \u0219i inteligent\u0103 va stabili un fir de fericit\u0103 comunica\u021bie \u00eentre el \u0219i Majest\u0103\u021bile Lor. Un bene-merenti va fi o arvun\u0103, un scaun la Academie \u00eei va da o poz\u0103 mai grav\u0103, dar el merge mult mai departe…Ce fericit e, \u0219i cum se-ngra\u0219\u0103, \u00eenc\u00e2ntat de sine\u0219i !<\/p>\n

Iat\u0103 un ager lupt\u0103tor \u00een c\u00e2mpul literaturii noastre.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cSunt \u0219i-n literatur\u0103, ca-n toate ramurile de activitate omeneasc\u0103, tipuri de \u0219arlatani cari, cu foarte pu\u021bin\u0103 osteneal\u0103 \u0219i cu merite [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-14089","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/14089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=14089"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/14089\/revisions"}],"predecessor-version":[{"id":14092,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/14089\/revisions\/14092"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=14089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=14089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=14089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}