{"id":14325,"date":"2013-07-29T17:14:36","date_gmt":"2013-07-29T17:14:36","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=14325"},"modified":"2013-07-29T17:29:41","modified_gmt":"2013-07-29T17:29:41","slug":"george-anca-un-picaro-duios-amar","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/07\/29\/george-anca-un-picaro-duios-amar\/","title":{"rendered":"George Anca: UN PICARO DUIOS-AMAR"},"content":{"rendered":"

\"\"<\/a><\/p>\n

UN PICARO DUIOS-AMAR<\/strong><\/p>\n

Pu\u0219i Dinulescu, C<\/em>\u0103l\u0103toriile lui Nea Pu\u0219i<\/em>, Editura <\/em>\u00a0Lider, Bucure\u0219ti, 2013<\/p>\n

 <\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 24 de retroc\u0103l\u0103torii pu\u0219iene \u2013 de sertar, recompuse, cumva testamentare, incluz\u00e2nd o revolu\u021bie \u0219i informa\u021bii amoroase \u2013 tenteaz\u0103 imposibilul unei armonii cu sine \u0219i cu via\u021ba lumii c\u0103l\u0103torite sub vechiul regim, \u00een zorii neocapitalismului, \u0219i la \u00eenceput de mileniu. Poate umorul, de la argou la subsol eufonic, va \u00eenc\u00e2nta pe mul\u021bi, pe al\u021bii, mai pu\u021bin. \u00censu\u0219i autorul-personaj, picaro bucure\u0219tean, se \u00eempiepteaz\u0103 ori se ia peste picior, \u00eentru desc\u0103tu\u0219area propriei literaturi, printre sirene-dulcinei, parc\u0103 anume pentru a se dezlega \u00een sf\u0103toase cump\u0103niri moral-politice, \u00eendeob\u0219te anticomuniste, anticapitaliste, totdeauna scriitorice\u0219ti, cinematografice, teatrem.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Romanul picaresc, de aproape 450 de pagini, este scris cu bucuria molipsitoare a autorului nedobor\u00e2t nici de propriul geniu, arborat glume\u021b ori ba, nici de opu\u0219ii pe care-i rade comic \u0219i nu prea. C\u0103l\u0103toriile, deja trecute \u2013 turism jalnic, parodic \u0219i astfel cu at\u00e2t mai poetic-plastic – sunt surse de medita\u021bii confesive, mereu retezate de reveniri la locul faptei, ca pentru o demonstra\u021bie flaubertian\u0103 a stilului de transcenden\u021b\u0103 descriptiv\u0103. Tot ce spune cititorului \u00ee\u0219i spune sie\u0219i, \u00een oglind\u0103, sparge oglinda, c\u0103l\u0103torul a disp\u0103rut, s-a transfigurat, complice, c\u0103l\u0103toria-via\u021ba,-odiseea.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u0103l\u0103torie (auto)polemic\u0103, de nu r\u0103zbun\u0103tor melancolic\u0103. \u201eFelul \u00een care am scris \u0219i am rescris aceast\u0103 carte e ca o r\u0103zbunare pe timpurile acelea, c\u00e2nd nicio pagin\u0103 din astea ale mele n-ar fi putut ap\u0103rea, cu stilul \u0103sta al meu sifilitic\u201d (Prefa\u021ba autorului<\/em>, p.5). Dickens \u201eprefera autenticul, ca \u0219i mine\u201d. (p.38). Pe aceea\u0219i pagin\u0103 (46), Hamlet \u0219i poporul rom\u00e2n: \u201eDe\u0219i conspira\u021bia sigur exist\u0103. Dar nici transcenden\u021ba care se organizeaz\u0103 prin c\u0103l\u0103toria \u00eenapoi \u00een via\u021b\u0103 a acestui spirit ne\u00eemp\u0103cat cu minciuna, cu uzurparea, nu poate fi neglijat\u0103\u201d; \u201eO! Doamne! Ce faci tu, popor rom\u00e2n, e\u0219ti doar o gelatin\u0103 f\u0103r\u0103 g\u00e2nduri, cum te cred Cioran sau Patapievici sau Mircea Badea sau \u021beparii t\u0103i politici, economici \u0219i care mai de care mai… \/ Huo! \/ Nu, nu cred c\u0103 merit s\u0103 vorbesc despre Vene\u021bia, prea sunt plin de teatru \u0219i de politic\u0103 \u0219i de futu-i mama ei de treab\u0103!\u201d. De final, \u201eCe s\u0103 mai adaug? E totul at\u00e2t de trist, ca un \u0219o\u0219on rupt, abandonat pe o c\u00e2mpie nesf\u00e2r\u0219it\u0103, pe care plou\u0103, tot plou\u0103, f\u0103r\u0103 sf\u00e2r\u0219it\u201d (p. 446)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Greu de povestit acest text(ualism) arhitecturat \u00een scriitur\u0103 de poate cel mai bun povestitor al epocii noastre oraliste, cu obstina\u021bia con\u0219tiin\u021bei unic literare (vinovat\u0103? fie)\u00a0 – \u201eat\u00e2t \u00eendr\u0103znelile mele lingvistice, cat mai ales via\u021ba unor g\u00e2nduri, ie\u0219ite din pana mea, alerg\u0103toare numai dup\u0103 o \u00eentristat\u0103 chibzuin\u021b\u0103, care s\u0103 nu fie totu\u0219i numai matur\u0103, dar poate \u0219i inteligen\u021b\u0103 \u0219i t\u00e2n\u0103r\u0103. \u00cenc\u0103…\u201d (p.6). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Detensionarea prin c\u0103l\u0103torie, \u00een comunism (mai ales de la distan\u021ba c\u0103derii acestuia) \u2013 Praga \u0219i Budapesta, Orient-Expres, Paris, Mannheim, Bulgaria, Atena – face loc, \u00een postcomunism, unui fel de libertinaj voiajor, subjugat sporit p\u0103str\u0103rii cump\u0103tului evocator, construc\u021biei stilistice, fotografiei cinematografice, comediei scenometrice \u2013 O revolu\u021bie \u00een Bucure\u0219ti; A ajunge sau a nu ajunge la Lisabona; O v\u00e2j\u00e2ial\u0103-n Brescia; Papagalul din Malta; Pe plaja turc\u0103; \u00cen spania lui Federico; Soarele de Amsterdam; Parisul, dup\u0103 18 ani; Idil\u0103 \u00een Seychelles \u2013 \u0219i tot a\u0219a la \u00eenceperea mileniului \u2013 De la New York la Miami; Opatija, de l\u00e2ng\u0103 Cehov; Chetroaiele Cartaginei; Fiordurile Norvegiei; La degetul cel mic al lui Fidel; Con Italia da tasca!<\/em>; Mirajul Germaniei.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eLuasem alea dou\u0103 burse de la Annette, mai tapasem, mai m\u0103-mprumutasem, ca s\u0103 \u00eenapoiez \u00een \u021bar\u0103 banii rom\u00e2ne\u0219ti, mai profitasem de ospitalitatea rom\u00e2nilor, chiar \u0219i a unor francezi, necunoscu\u021bi \u00eenainte, de fapt a unui francez: Alain, dar, gata! \u00cencepeam s\u0103 m\u0103 plictisesc de mine \u00eensumi. \u0102sta era lucrul cel mai grav. \u0218i apoi mai era Camus!\u201d (p. 69).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201e\u0218ti\u021bi? Via\u021ba mea e scrisul! Crede\u021bi c\u0103 dac\u0103 mi-a\u0219 turna prietenii, a\u0219 intra \u00een casa lor \u0219i p-orm\u0103 v-a\u0219 raporta dumneavoastr\u0103, m-a\u0219 mai putea vedea \u00een oglind\u0103? A\u0219 mai putea scrie? Pe dumneavoastr\u0103 care sunte\u021bi ni\u0219te profesioni\u0219ti \u0219i servi\u021bi patria, desigur, cu competen\u021b\u0103 \u0219i devotament \u0219i pe fa\u021b\u0103, toat\u0103 lumea v\u0103 pre\u021buie\u0219te! Dar pe turn\u0103tori nu-i privi\u021bi \u0219i dumneavoastr\u0103 cu dezgust?\u201d (p.94).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eVroiam s-ajung la Statuia Libert\u0103\u021bii \u0219i m\u0103 tot duceam spre sud. \u0218i nu mergeam dec\u00e2t pe jos. \/ P\u00e2n\u0103 la urm\u0103 n-am ajuns. N-am reu\u0219it s\u0103 dep\u0103\u0219esc\u00a0 Chinatown. Acolo am dat de ni\u0219te scene cam sinistre. Am observat c\u0103-n fa\u021ba unei case se tot opreau ni\u0219te ma\u0219ini extraordinare, ie\u0219eau apoi (din cas\u0103) tipii dintr-o fanfar\u0103, tr\u0103geau ni\u0219te sunete \u021bipate, apoi scoteau ceva, din casa aia, am observat c\u0103 erau sicrie, d-alea mi\u0219to, de lemn scump \u0219i bogat ornamentate\u201d (p.336).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eDin Norvegia \u00een Seychelles,<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eu, rom\u00e2nul cel mai bel…<\/em>\u201d (p. 388)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poeme sub\u021biri-groase \/ gra\u021bie-injurioase sunt \u0219i din\u00a0 Turcia sau Italia, traduceri din Lorca via Spania.\u00a0 Zeci de arti\u0219ti \u00ee\u0219i vor surprinde crochiurile duioase ori amare. Turi\u0219tii se vor vedea n\u0103p\u0103di\u021bi de contra-ghidul mai pe \u0219leau dec\u00e2t orice ghid, \u00een plin experiment ultracoerent. Hiperbola eului, c\u0103l\u0103torie de c\u0103l\u0103torie, se deverseaz\u0103 narativ din p\u00e2lnia \u00eenc\u0103-Stamate a lui Nea Pu\u0219i.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Picaro P \u201dPersonaje central del subg\u00e9nero literario de la picaresca, que representa al antih\u00e9roe desgraciado y de mal vivir, desenga\u00f1ado de la sociedad y que pone por encima de todo el mantenimiento de su libertad y el instinto de supervivencia.\u201d<\/p>\n

 <\/p>\n

George Anca \u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

UN PICARO DUIOS-AMAR Pu\u0219i Dinulescu, C\u0103l\u0103toriile lui Nea Pu\u0219i, Editura \u00a0Lider, Bucure\u0219ti, 2013   \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 24 de retroc\u0103l\u0103torii pu\u0219iene \u2013 [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-14325","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/14325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=14325"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/14325\/revisions"}],"predecessor-version":[{"id":14328,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/14325\/revisions\/14328"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=14325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=14325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=14325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}