{"id":15678,"date":"2013-10-06T20:14:14","date_gmt":"2013-10-06T20:14:14","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=15678"},"modified":"2013-10-06T20:15:01","modified_gmt":"2013-10-06T20:15:01","slug":"colocviile-de-marti-drafts-8-10-15-10-29-10-19-11","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/10\/06\/colocviile-de-marti-drafts-8-10-15-10-29-10-19-11\/","title":{"rendered":"Colocviile de Mar\u021bi (drafts) 8.10; 15 10; 29.10; 19.11"},"content":{"rendered":"

\"\"<\/a><\/strong><\/p>\n

COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums <\/strong>8 octombrie 2013, 5 pm, Calderon 39<\/p>\n

Anul IV, nr. 10 (48). <\/em><\/span><\/a>Auspicii: Asocia\u021bia Cultural\u0103 Rom\u00e2no-Indian\u0103, Academia Interna\u021bional\u0103 Mihai Eminescu, Soceitatea de Etnologie din Rom\u00e2nia. <\/span><\/a>Addresses, Interven\u021bii, Teatru de poezie, (Re)lans\u0103ri de c\u0103r\u021bi, Proiecte, Portrete<\/em><\/span><\/a>, <\/span><\/a>\u00cent\u00e2lniri<\/em><\/span><\/a><\/span><\/p>\n

Teatru de poezie \u2013 Recital George Top\u00e2rceanu sus\u021binut de Vasile Pupeza (SUA)<\/em><\/strong><\/p>\n

\u201eDe ce de la Eminescu la Co\u0219buc? Cu ani \u00een urm\u0103, am dat acest recital la Uniunea Scriitorilor, dup\u0103 care, regretatul Nichita St\u0103nescu, la final, m-a \u00eentrebat, de ce nu \u0219i Co\u0219buc? Anul trecut, i-am \u00eendeplinit dorin\u021ba. De data aceasta, poate v\u0103 \u00eentreba\u021bi, de ce Top\u00e2rceanu? \u00cen primul r\u00e2nd, pe Eminescu \u0219i Co\u0219buc i-am \u00een\u021beles mai t\u00e2rziu. Cu Top\u00e2rceanu, mi-am petrecut copil\u0103ria.\u201d Vasile Pupeza.<\/p>\n

Invita\u021bi<\/em>:<\/p>\n

Nicu Alifantis, Ion Andrei\u021b\u0103, Vasile Andru, Erika B\u0103ie\u0219u, Radu Beligan, Avram Bir\u0103u, Adrian Botez, Anca Brezean, Maria Butaciu, Mihai Cafri\u021ba, Radu Cazan, Radu C\u00e2rneci, Florin Costinescu, Petru Costinescu, Cezara Dafinescu, Mihaela Georgescu-Delafras, Pu\u0219i Dinulescu, Dan Dobre, Isabella Dr\u0103ghici, Nicolae Dr\u0103gul\u0103nescu, Adina Dumitrescu, Emanuel Engel, Horia Fl\u0103m\u00e2nd, Radu Gheorghe, <\/span><\/a>Doina Ghi\u021bescu, Monica Grigorescu, Omprakash Gupta, Neculai Hilohi, Sorana Georgescu-Gorjan, Mariana Gurza, Tatiana Iekel, Nae Iliescu, Andrei Ionescu, Dodo Ionescu, Eva Ionescu, Ileana Stana-Ionescu, Elisabeta Isanos, Gela Laz\u0103r, George Lupa\u0219cu, Dan Mateescu, Irina Mazanitis, Alice M\u0103noiu, Dora Medeleni, Sorin Medeleni, Constantin Mendea, Vasile Menzel, Bianca Beatrice Michi, Adriana Mih\u0103escu, George Mih\u0103i\u021b\u0103, Doru Mo\u021boc, Mircea Muntenescu, Gheorghe Neagu, Anca Neculce-Maximilian, Tudor Nedelcea, Lucia Negoi\u021b\u0103, Elena Negreanu, Claudia Negroiu, Radu Cristian Nema, Carmen Petrescu, Mihai Petrovici, Florin Piersic, Constantin Poenaru, Mitic\u0103 Popescu, Adriana Popovici, Genoveva Preda, Vasile Pupeza, Eugen Raco\u021bi, Andrei Radu, Arghira Ravanis, Arun Sharma, Cornelia Rotaru, \u0218tefan Sileanu, Felix Sima, Florentin Smarandache, Ion Soare, Viorel Speteanu, Janine Stavarache, Mihai Stan, Marius St\u0103nescu, L\u0103cr\u0103mioara Stoenescu, Sorin Stratilat, Julieta Str\u00e2mbeanu, Marian Stroia, Constantin-Dumitru Surdu, Mihai Teodorescu,<\/span><\/a><\/span> Valentin Todosiu, Ani Tobo\u0219aru, Ion Tobo\u0219aru, <\/span><\/a>Ben Todic\u0103, Nicolae Tomoniu, Raluca Tudor, Delia Turdeanu, Puiu Turdeanu, Victor \u021a\u0103peanu, Neagu Udroiu, Vladimir Ungureanu, Ion Iancu Vale, <\/span><\/a>Viorica Vatamanu,<\/span><\/a> Alexandra Velniciuc, \u0218tefan Velniciuc, Adrian Vieri\u021b\u0103, Codrina Vieri\u021b\u0103, Corneliu Zeana<\/span><\/a><\/span><\/p>\n

Amfitrion: Dr. George Anca<\/span><\/a><\/span><\/p>\n

COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums <\/strong>15 octombrie 2013, 5 pm, Calderon 39<\/p>\n

Anul IV, nr. 11 (49). <\/em><\/span><\/a>Auspicii: Asocia\u021bia Cultural\u0103 Rom\u00e2no-Indian\u0103, Academia Interna\u021bional\u0103 Mihai Eminescu, Soceitatea de Etnologie din Rom\u00e2nia. <\/span><\/a>Addresses, Interven\u021bii, Teatru de poezie, (Re)lans\u0103ri de c\u0103r\u021bi, Proiecte, Portrete<\/em><\/span><\/a>, <\/span><\/a>\u00cent\u00e2lniri<\/em><\/span><\/a><\/span><\/p>\n

Tema: Scrisori c\u0103tre lumea din noi.<\/em><\/strong> \u00cent\u00e2lnire cu doamna Mihaela Georgescu-Delafras (Portugalia)<\/em><\/span><\/a><\/span><\/p>\n

Doamna Mihaela Georgescu-Delafras, nepoata celebrului editor, este singura rom\u00e2nc\u0103 proprietar\u0103 a unui apartament \u00een condominiul ‘Rei Carol’ din Lisabona. Plecat\u0103 din Rom\u00e2nia \u00een 1971, a fost profesoar\u0103 de englez\u0103 \u00een Suedia, a predat literatur\u0103 \u0219i istorie \u00een America, unde a luat \u0219i un masterat la Universitatea Harvard, a continuat pe p\u0103m\u00e2nt lusitan activitatea educa\u021bional\u0103 \u0219i de cercetare a istoriei. Scrisori c\u0103tre lumea din noi <\/em>intersecteaz\u0103 tr\u0103irile unei vie\u021bi pline de evenimente spirituale, sociale, politice. Autoarea va citi \u00een premier\u0103 absolut\u0103 din acest roman epistolar.<\/span><\/a><\/span><\/p>\n

Amfitrion: Dr. George Anca<\/span><\/a><\/span><\/p>\n

*<\/span><\/a><\/span><\/p>\n

Frunzele mele de New England cu faim\u0103 policrom\u0103 au \u00eenghi\u0163it de c\u00e2teva zile trotuarul sub un ve\u015fm\u00e2nt dens \u015fi greu, \u015fi, \u00een b\u0103taia v\u00e2ntului, \u00eemi danseaz\u0103 rotocoale matisseene la picioare, antren\u00e2ndu-mi g\u00e2nduri \u00eentr-un v\u00e2rtej de sentimente, culori, tr\u0103iri \u015fi aduceri-aminte din ce \u00een ce mai clare. Mi se ofer\u0103, alteori, sub talpa pantofului, pur \u015fi simplu obosite, umede \u015fi moi, p\u0103trunz\u00e2ndu-mi doar sim\u0163ul mirosului\u2014c\u0103ci sunt mereu at\u00e2t de \u00eenmiresmate! C\u00e2nd frunze galbene \u015fi ro\u015fii de ar\u0163ar suedez se adunau \u00een fa\u0163a casei din Stockholm, le greblam cu zel gospod\u0103resc, c\u0103ci a\u015fa cereau sensibilit\u0103\u0163ile estetice ale cartierului. O anonim\u0103 de apartament ce sunt acum, \u00eentr-un imobil \u00een grija proprietarului \u015fi pe o strad\u0103 de care nu are grij\u0103 ora\u015ful, \u00ee\u015fi permite luxul s\u0103 savureze acest spectacol apoteotic ce miroase tot mai puternic a toamn\u0103 bucure\u015ftean\u0103. \u00centr-un fel, c\u00e2ntecul lui Hru\u015fc\u0103, sosit \u00een inima sezonului meu h\u0103r\u0103zit, nu a f\u0103cut dec\u00e2t s\u0103-mi \u00eente\u0163easc\u0103 emo\u0163ii sub al c\u0103ror imperiu m\u0103 aflam deja de ceva vreme… <\/em><\/span><\/a><\/span><\/p>\n

*<\/em><\/span><\/a><\/span><\/p>\n

\u015ei totu\u015fi\u2026dac\u0103 <\/strong>aveam azi \u00een spate o <\/strong>c\u0103s\u0103torie de treizeci de ani, am fi ajuns \u015fi noi, poate, blaza\u0163i ca majoritatea cuplurilor, coment\u0103 Cristina pentru sine. O aprindere sentimentala asemenea celei prin care treceau ei acum, era rara, oricum. Rar\u0103 oriunde, \u00eentre so\u0163i trecu\u0163i prin \u00eencerc\u0103rile vie\u0163ii, a\u015fa cum fuseser\u0103 chiar ea \u015fi cu Eric sau majoritatea prietenilor pe care \u00eei acumulase de-a lungul anilor. Cuno\u015ftea at\u00e2t de pu\u0163ine cupluri r\u0103mase intacte. Nu avea nici o indoial\u0103 ca, \u00een Rom\u00e2nia ceau\u015fist\u0103 unde omul era pe deasupra cople\u015fit de nedrept\u0103\u0163i \u015fi frustrat de neajunsuri materiale, sor\u0163ii de izb\u00e2nd\u0103 ar fi fost si mai improbabili. Apoi, Cristina avea puternice \u00eendoieli c\u0103, pe timpul cre\u015fterii copiilor, personalitatea ei destul de independent\u0103 \u015fi voluntar\u0103 s-ar fi armonizat suficient cu a lui Victor, sau c\u0103 zbaterile dintre ei ar fi putut coexista senin cu interven\u0163iile p\u0103rtinitoare ale mamelor lor, cele mai minunate din lume dar \u00eenc\u0103 \u015fi mai voluntare, a\u015fa cum bine le \u015ftia ast\u0103zi pe am\u00e2ndou\u0103. Nu ar fi f\u0103cut fa\u0163\u0103, de altfel, nici tendin\u0163elor lui posesive evidente \u00eenc\u0103 de pe atunci, \u015fi care cu siguran\u0163\u0103 c\u0103 s-ar fi accentuat mai ales \u00een anii c\u00e2nd copiii erau \u00eendeajuns de mici ca s\u0103 ocupe tot centrul vie\u0163ii Cristinei\u2014fire\u015fte, \u00een defavoarea so\u0163ului.<\/em><\/span><\/a><\/span><\/p>\n

*<\/em><\/span><\/a><\/span><\/p>\n

Tu crezi c\u0103 \u0103sta ar fi “un punct mort”? Dac\u0103 da, ce l-ar reanima? <\/em>Am s\u0103 fac tot posibilul s\u0103 vin \u00een \u0163ar\u0103 de Pa\u015fte. <\/em>Poate vin \u015fi la var\u0103 cu Michael. \u015ei la Floren\u0163a. Timpul trece repede, \u00eemi iau diploma in iunie dup\u0103 care sunt libera s\u0103 decid \u00eencotro s\u0103 o apuc. A\u015fa cum simt azi, recunostin\u0163\u0103 \u015fi bucurie pentru \u015fansa ce ni se ofer\u0103 (c\u0103ci nu cred s\u0103 fe vorba de vreo \u015fans\u0103 ce \u0163i-o dau eu \u0163ie ori tu mie) mi se pare starea cea mai reala din toate prin care trec. M-a apucat \u015fi pl\u00e2nsul, dar nu de ciud\u0103 ci de dor \u015fi drag \u015fi ner\u0103bdare. \u00cemi pare bine c\u0103-mi por\u0163i ochii l\u00e2ng\u0103 inim\u0103. Ei au harul \u015fi tot darul.\u201d<\/em><\/span><\/a><\/span><\/p>\n

COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums <\/strong>29 octombrie 2013, 5 pm, Calderon 39<\/span><\/p>\n

Anul IV, nr. 12 (50). <\/em><\/span><\/a>Auspicii: Asocia\u021bia Cultural\u0103 Rom\u00e2no-Indian\u0103, Academia Interna\u021bional\u0103 Mihai Eminescu, Soceitatea de Etnologie din Rom\u00e2nia. <\/span><\/a>Addresses, Interven\u021bii, Teatru de poezie, (Re)lans\u0103ri de c\u0103r\u021bi, Proiecte, Portrete<\/em><\/span><\/a>, <\/span><\/a>\u00cent\u00e2lniri<\/em><\/span><\/a><\/span><\/p>\n

\u00a0<\/em><\/span><\/p>\n

Tema: Cantemir-Diderot-Verdi. Arta contemporan\u0103 \u0219i imaginarul inter-asiatic<\/em><\/strong><\/span><\/a><\/span><\/p>\n

Anivers\u0103ri: Dimitrie Cantemir 340 (26 oct); Denis Diderot 300 (5 oct); Giuseppe Verdi 200 (10 oct).<\/span><\/a><\/span><\/p>\n

Cea de-a 4-a Conferin\u021ba Conexiuni Inter-Asia, Istanbul, 2-5 0ctombrie, 2013 (primele trei au avut<\/span><\/a> loc \u00een Dubai, 2008, Singapore, 2010, Hong Kong, 2012) \u0219i-a propus reconceptualizarea Asiei ca o <\/span><\/a>forma\u021biune dinamic\u0103 \u0219i interconectat\u0103 istoric, geografic \u0219i cultural, merg\u00e2nd din Orientul Mijlociu <\/span><\/a>\u00a0prin Eurasia \u0219i Asia de Sud, spre Asia de Est. Printre workshops: Dup\u0103 Neoliberalism? – Modernit\u0103\u021bi <\/span><\/a>\u00a0asiatice timpurii: imperii, birocra\u021bi, confesiuni, grani\u021be, negustori \u2013 Arta contemporan\u0103 \u0219i imaginarul <\/span><\/a>\u00a0mi\u0219care. <\/span><\/a><\/span><\/p>\n

Anivers\u0103ri: Dimitrie Cantemir 340 (26 oct); Denis Diderot 300 (5 oct); Giuseppe Verdi 200 (10 oct).<\/span><\/a><\/span><\/p>\n

Amfitrion: Dr. George Anca<\/span><\/a><\/span><\/p>\n

Interven\u021bii<\/em>:<\/span><\/a><\/span><\/p>\n

Bianca Beatrice Michi: Dimitrie Cantemir 340<\/em><\/span><\/a><\/span><\/p>\n

Elisabeta Isanos: Diderot 300<\/em><\/span><\/a><\/span><\/p>\n

Vasile Menzel: Verdi 200<\/em><\/span><\/a><\/span><\/p>\n

Pu\u0219i Dinulescu: Dramaturgie social\u0103<\/em><\/span><\/a><\/span><\/p>\n

George Anca: Hobbes \u0219i Dispot<\/em><\/span><\/a><\/span><\/p>\n

Teatru de poezie<\/em><\/span><\/a><\/span><\/p>\n

Recital Viorica Vatamanu<\/span><\/a><\/span><\/p>\n

Lans\u0103ri:<\/em><\/span><\/a><\/span><\/p>\n

Books Gazette<\/em> John Benjamins Publishing. Spring 2013: The Shared Mind<\/em> Perspectives on intersubjectivity; Body memory, Metaphor and movement<\/em>; Uber Beweise und Beweisarten bei Wilhelm Ockham<\/em>; Rethinking Narrative Identity. <\/em>Fall 2013: The Ethics of Literary Communication <\/em>Genineness, directness, indirectness; The Constitution of Visual Consciousness<\/em> Lessons from Binocular Rivalry; Errors and Disfluencies in Spoken Corpora<\/em>; A reference Grammar of Romanian <\/em>Volume 1: The noun phrase. Edited by Carmen Dobrovic-Sorin and Ion Giurgea. Contributions by: R. Br\u0103escu, I. Giurgea, A. Cornilescu, E. N. Soare, C. Dobrovic-Sorin, C. Stan, B. Croitor, B. V. Hill, I. Nedelcu, D. F. Farkas, A. Grosu, A. Mardale, M. Miron-Fulea, S. Reinheimer-R\u00e2peanu, I. Tasmowski, A. Vasilescu, R. Zafiu, M. T\u0103nase-Dogaru, R. Vi\u0219an.<\/span><\/a><\/span><\/p>\n

Elena Liliana Popescu: C\u00e2nt de Iubire – Song of Love – Chanson d\u2019Amour<\/em>, Editura Pelerin, Bucure\u015fti, Rom\u00e2nia & Editura Destine Literare, Montreal, Canada, 2013, volum trilingv (rom\u00e2n\u0103, englez\u0103, francez\u0103), traducere \u00een englez\u0103 de Adrian G. Sahlean (SUA), prefa\u0163\u0103 \u015fi traducere \u00een francez\u0103\u00a0 de Estelle Variot (Fran\u0163a), postfa\u0163\u0103 de Theodor Damian (SUA). Trei Poeme din Europa – Three Poems from Europe<\/em>, de Elena Liliana Popescu, Editura Pelerin, 2013, Bucure\u015fti, volum multilingv (\u00een rom\u00e2n\u0103 \u015fi traduceri \u00een 41 de limbi distincte care se vorbesc \u00een Europa), prefa\u0163\u0103 de Ra\u00fal Lavalle (Argentina), postfa\u0163\u0103 de Alfredo P\u00e9rez Alencart (Spania). <\/strong><\/span><\/a><\/span><\/p>\n

COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums<\/strong> 19 noiembrie 2013, 5 pm, Calderon 39<\/span><\/p>\n

Anul IV, nr. 13 (51). <\/em><\/span><\/a>Auspicii: Asocia\u021bia Cultural\u0103 Rom\u00e2no-Indian\u0103, Academia Interna\u021bional\u0103 Mihai Eminescu, Soceitatea de Etnologie din Rom\u00e2nia. <\/span><\/a>Addresses, Interven\u021bii, Teatru de poezie, (Re)lans\u0103ri de c\u0103r\u021bi, Proiecte, Portrete<\/em><\/span><\/a>, <\/span><\/a>\u00cent\u00e2lniri<\/em><\/span><\/a><\/span><\/p>\n

Tema: Ilidia-Iliada<\/em><\/strong>. \u00cent\u00e2lnire cu scriitorul medic Dimitrie Grama (Gibraltar)<\/em><\/span><\/a><\/span><\/p>\n

Dimitrie Grama (n.1947). Scriitor rom\u00e2n, de origine arom\u00e2n\u0103. Tr\u0103ie\u0219te \u00een Europa Occidental\u0103, profes\u021bnd \u00een Danemarca, Marea Britanie, Gibraltar. Poet, eseist \u015fi filosof, personalitate a medicinii europene. Scrie poezie denumit\u00e3 de autor \u201ecotidianul mistic” (Pentru mine, barierele plant\u0103-animal-om, la fel ca \u015fi toate celelalte bariere, cum ar fi: spa\u0163iu-timp, vis-realitate etc. sunt doar ni\u015fte inven\u0163ii recente).<\/strong> <\/strong>C\u00e3r\u0163i reprezentative: \u201eD\u00e3-mi m\u00e2na ta, str\u00e3ine!”, \u201ePas\u00e3rea melancoliei”, \u201eNegu\u0163\u00e3torul de imagini”, \u201eVoi lua cu mine noaptea”, \u201eBastian, \u015fi alte confesiuni”, \u201cIlidia\u201d. <\/strong><\/span><\/p>\n

Dintr-un jurnal liric: <\/strong><\/p>\n

Dup\u0103 fiecare r\u00eend, am avut o senza\u0163ie de sf\u00eer\u015feal\u0103 c\u00eend universul tuturor posibilit\u0103\u0163ilor se limita la spa\u0163iul finit, alb, al paginilor nescrise.<\/strong><\/p>\n

\u015ei, cu toate acestea, niciodat\u0103 nu am sim\u0163it vreo nelini\u015fte, vreun regret. M\u0103 g\u00eendeam c\u0103 Dumnezeu m\u0103 va supune altor \u00eencerc\u0103ri, c\u0103rora le voi r\u0103spunde pe m\u0103sura mea, necondi\u0163ionat, a\u015fa cum am f\u0103cut-o de c\u00eend ne-am cunoscut.<\/strong><\/p>\n

Uneori, \u00een acele momente binecuv\u00eentate, am sim\u0163it palma lui cald\u0103 pe fruntea mea rece. \u015ei, ca \u00eentr-o explozie epileptic\u0103, sub ochii uimi\u0163i, alte pete albe, alte pagini se umpleau cu litere \u015fi cuvinte noi, \u00een parte necunoscute.<\/strong><\/p>\n

Amfitrion: Dr. George Anca<\/em><\/span><\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

COLOCVIILE DE MAR\u021aI \/ The Tuesday Colloquiums 8 octombrie 2013, 5 pm, Calderon 39 Anul IV, nr. 10 (48). Auspicii: [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-15678","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/15678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=15678"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/15678\/revisions"}],"predecessor-version":[{"id":15681,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/15678\/revisions\/15681"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=15678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=15678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=15678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}