{"id":15917,"date":"2013-10-24T09:08:09","date_gmt":"2013-10-24T09:08:09","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=15917"},"modified":"2013-10-24T09:38:23","modified_gmt":"2013-10-24T09:38:23","slug":"constantin-zarnescu-ovidiu-vasile-si-poezia-gandita-pe-internet","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/10\/24\/constantin-zarnescu-ovidiu-vasile-si-poezia-gandita-pe-internet\/","title":{"rendered":"Constantin Z\u0103rnescu: Ovidiu Vasile \u0219i poezia g\u00e2ndit\u0103 pe internet"},"content":{"rendered":"

\"\"<\/a>\u00cen toamna anului 2009, la sugestia unei colege, prozatoarea \u015fi poeta Florentina Florescu, au \u00eenceput s\u0103 frecventeze, nelipsit, societatea (\u015fi cenaclul) \u201eConstantin Br\u00e2ncu\u015fi\u201d, doi poe\u0163i clujeni: Ovidiu Vasile<\/strong> \u015fi Alin Cucuruzan<\/strong>, a c\u0103ror stranie originalitate consta (\u015fi) \u00een aceea c\u0103-i ascultau, ceremonio\u015fi, pe creatorii \u015fi concuren\u0163ii \u00eentru poezie, eseu, reportaj, teatru, uneori chiar note de c\u0103l\u0103torie, f\u0103r\u0103 \u00eens\u0103 ca ei s\u0103 se produc\u0103; \u015fi nu era nici vorb\u0103, \u00een discu\u0163ie, timiditatea. Am\u00e2ndoi s-au dovedit \u00eemp\u0103timi\u0163i \u00eendr\u0103gosti\u0163i ai Internetului, am\u00e2ndoi ispiti\u0163i de conceperea versurilor direct pe ecranul computerului, corespond\u00e2nd \u015fi colabor\u00e2nd cu al\u0163i creatori, tr\u0103itori \u00een alte ora\u015fe \u015fi spa\u0163ii, uneori f\u0103r\u0103 s\u0103 se cunoasc\u0103, schimb\u00e2nd opinii, recenz\u00e2ndu-\u015fi poemele on line, \u201escriindu-\u015fi\u201d (de fapt dactilografiindu-\u015fi, electronic), \u201escrisori\u201d, de multe ori (aproape) telegramatice, elimin\u00e2nd, se pare, cu des\u0103v\u00e2r\u015fire ideea de a produce (\u015fi l\u0103sa) manuscrise, list\u00e2ndu-\u015fi produc\u0163iile (textele) de pe calculator, \u00een format A4, doar c\u00e2nd li se cerea, \u00een chip tradi\u0163ional-clasic, \u00een fa\u0163a unui concurs, ori a unui public, cititor \u2013 pe suport de h\u00e2rtie.<\/p>\n

Poe\u0163ii OVIDIU VASILE \u015fi ALIN CUCURUZAN pun c\u00e2teva probleme, cu totul incitante, criticilor literari \u015fi receptorilor de poezie din ziua de ast\u0103zi. Volumul lor de poeme, glose, elegii, intitulat, \u00een stilul umoristic-ironic-satiric VERSURI EFTINE \u015eI BUNE, e conceput, g\u00e2ndit, la dou\u0103 m\u00e2ini (\u015ei e aceasta prima constatare-observa\u0163ie neconven\u0163ional\u0103). Privind textele volumului (pagina\u0163ia) de la st\u00e2nga spre dreapta, vizualiz\u0103m dou\u0103 modele ale lecturii: versurile lui Ovidiu, \u00een pagini (pare), ale lui Alin, \u00eembr\u0103\u0163i\u015fate (impar), oblig\u00e2ndu-ne s\u0103 devenim tot mai aten\u0163i, \u00een toiul lecturii: \u00eenaint\u0103m \u00een tandem? Unde apar diferen\u0163e, originalitatea (fiec\u0103ruia)?\u2026 A doua variant\u0103, ce s-ar impune: s\u0103 lectur\u0103m, pe r\u00e2nd, separat!?\u2026
\n\u00cen alt\u0103 ordine a ideilor, at\u00e2t poetul Ovidiu Vasile, c\u00e2t \u015fi Alin Cucuruzan, reprezint\u0103 cazuri \u201eliterare\u201d pu\u0163in obi\u015fnuite. \u00cen literatura francez\u0103 \u00eei citim pe fra\u0163ii Edmond \u015fi Joules Goncourt; iar \u00een proza rus\u0103, adev\u0103ra\u0163i mae\u015ftri ai genului umoristic: Ilia Ilf \u015fi Ivan Petrof. \u00cen literatura rom\u00e2n\u0103, excel\u00e2nd tot \u00een registrul umoristic, dup\u0103 ce-\u015fi creaser\u0103 un popular nume: \u015etefan Octavian Iosif \u015fi Dimitrie Anghel; ei au scris, au compus (aceasta e expresia) la dou\u0103 m\u00e2ini, o celebr\u0103, \u00een epoc\u0103, oper\u0103 literar\u0103, Caleidoscopul lui A. Mirea (pseudonimul din urm\u0103 ajung\u00e2nd \u015fi el familiar cititorilor \u015fi chiar o legend\u0103).<\/p>\n

*<\/p>\n

O caracteristic\u0103 stranie \u015fi original\u0103 o constituie apeten\u0163a poe\u0163ilor Ovidiu Vasile \u015fi Alin Cucuruzan pentru lectura unei \u00eentregi \u201ebiblioteci de poezie\u201d, direct de pe Internet. F\u0103r\u0103 istorie literar\u0103 \u201edoct\u0103\u201d, adic\u0103 f\u0103r\u0103 fi\u015fiere bio-bibliografice, fixate cronologic, curente, perioade, epoci. O \u00eemp\u0103timit\u0103 lectur\u0103 liber\u0103, un parcurs creator-independent, cumva, de \u00eenr\u00e2uriri, dogme, concep\u0163ii; astfel, coexist\u0103, \u00een acelea\u015fi momente ale lecturii boierul (tragic) Ien\u0103chi\u0163\u0103 V\u0103c\u0103rescu cu ofi\u0163erul Vasile C\u00e2rlova, mo\u015fierul Costache Conachi cu (diplomatul) Duiliu Zamfirescu; Tradem cu (boemul) Minulescu; Bacovia cu Mircea Dinescu. Este imposibil ca lectorii lui Ovidiu Vasile \u015fi Alin Cucuruzan s\u0103 nu se simt\u0103 cumva descump\u0103ni\u0163i, vexa\u0163i de o post-modernitate \u2013 melanj \u00eendr\u0103znea\u0163\u0103, \u201emiscelaneic\u0103\u201d, chiar \u201ecaleidoscopic\u0103\u201d, precum \u00eense\u015fi \u201emuncile \u015fi zilele\u201d existen\u0163ei noastre \u201ebrowniene\u201d.
\nNumeroase poeme sunt similare unor \u201ereclame\u201d comerciale, uneori pornind chiar din titlu, precum chiar numele mi\u015fc\u0103rii DADA, a c\u0103rei interpretare nu e numai \u201ec\u0103lu\u0163ul de lemn\u201d (din dic\u0163ionare), ci \u015fi o firm\u0103-reclam\u0103 de s\u0103punuri \u201eDada\u201d, existent\u0103 \u00een 1916, la Bruxelles. \u201eO m\u00e2n\u0103 o spal\u0103 pe alta\u201d (\u00een sens politic-ironic \u015fi justi\u0163iar); \u201edar s\u0103punul Dada le spal\u0103 pe am\u00e2ndou\u0103!\u201d\u2026 (zical\u0103-reclam\u0103, \u00een epoc\u0103)\u2026 Sau \u201e\u2026Lua\u0163i poeme eftine \u015fi bune \u2013 nu din bibliotecile clasice, ci direct din virtualul gri-albastru al inter-netului!\u2026\u201d, cum ne-ar sugera cei doi poe\u0163i.
\n\u201eEu nu mai am (nu mai urmez) direc\u0163ii clare\u201d, afirm\u0103 Ovidiu Vasile, \u00eentr-un poem al s\u0103u, care ne-ar putea servi drept text programatic. \u00cen fa\u0163a unui limbaj fisurat, descompus, spart, \u201esecetos\u201d, \u201emozaicat\u201d, precar, ajuns \u201einfirm\u201d, poetul \u00ee\u015fi aduce aminte de poezia-rug\u0103cune a Abatelui Pr\u00e9vost, a\u015ftept\u00e2nd \u201em\u00e2ng\u00e2ierea\u201d Credin\u0163ei prea-\u00eenalte: \u201eL\u0103s\u0103m grijile de-o parte\/ Ce-am f\u0103cut \u015fi-am desf\u0103cut,\/ Toate-s noi \u015fi vechi, de-a pururi\/ \u00cen prezentul chip trecut.\/ \u00cens\u0103 ne rug\u0103m, n\u0103t\u00e2ngi,\/ C\u00e2nd cu dou\u0103 m\u00e2ini, pe dreapta\/ C\u00e2nd cu am\u00e2ndou\u0103 st\u00e2ngi\u201d (Din Timp \u00een\u015furubat). Sau \u201e\u00eenchin\u0103torilor la noi idoli\/ cu rol de Dumnezeu\u201d: \u201eS-a m\u00e2ntuit \u015fi veacul, a mai trecut o er\u0103\/ Acum, c\u0103 ne cunoa\u015ftem \u015fi sunte\u0163i voi \u015fi eu,\/ S-o face\u0163i mai degrab\u0103, istoria disper\u0103.\/ E timpul s\u0103 mai pune\u0163i pe cruce un evreu.\u201d (Din Voi).
\n\u201eDerive\u201d, agonii, c\u0103deri \u201elibere\u201d sunt st\u0103rile mistice ale poetului care \u00eenc\u0103 mai \u00eencearc\u0103 s\u0103 se salveze prin cuvinte, melancolic, asemenea lui George Bacovia, ori judec\u00e2nd aspru, ca justi\u0163iarul scriitor, Urmuz:
\n \u201eNe-am \u00eempietrit \u00een spaime \u015fi eresuri<\/em>
\n Ne-am dep\u0103rtat de drumul drept \u015fi sf\u00e2nt<\/em>
\n Ni-i rug\u0103ciunea simpl\u0103 vorb\u0103-n v\u00e2nt.<\/em>
\n \u015ei via\u0163a-i frunz\u0103, prins\u0103-ntre v\u00e2rtejuri!\u2026<\/em>
\n M\u0103 clatin pe picioare, tr\u0103ind ca muritorii<\/em>
\n Culeg podoaba lumii \u015fi-i v\u00e2nd corola florii.<\/em>
\n \u015ei-n loc de aripi albe \u015fi nimb str\u0103lucitor<\/em>
\n \u00cemi port, pe cap, tichia de clovn-judec\u0103tor\u201d (Deriv\u0103)<\/em>.<\/p>\n

Poetul Ovidiu Vasile vizualizeaz\u0103 \u201epoliticile zilei\u201d \u015fi \u201egestionarea crizelor\u201d cu o neobi\u015fnuit\u0103 sil\u0103, ce a devenit metafizic\u0103: post-capitalist\u0103, post-industrial\u0103, post-comunist\u0103 \u015fi post-socialist\u0103; \u00een care s-a tulburat p\u00e2n\u0103 \u015fi \u201ee\u015fichierul\u201d claselor muncii, de la \u0163\u0103rani, la aristocra\u0163i \u015fi proletari, \u201eb\u0103ie\u0163i cumin\u0163i\u201d \u015fi \u201eb\u0103ie\u0163i de\u015ftep\u0163i\u201d: \u201eCopiii cu fapte-\u015fi educ\u0103 p\u0103rin\u0163ii\/ \u015ei muze vulgare inspir\u0103 poe\u0163ii.\/ Prohodul e imnul ce sun\u0103-Nvierea\/ \u015ei ziua de m\u00e2ine e ziua de ieri.\/ Femei de serviciu pe post de regine\/ Iar feciori de slug\u0103 pe post de boieri\u201d (Ne-timpuri nou\u0103). Omenirea tr\u0103ie\u015fte un destin \u201ef\u0103cut\u201d, \u201eprogramat\u201d, \u201epre-fabricat\u201d, \u00eempodobit cu gr\u0103dini \u201ede plastic\u201d \u015fi \u201efete, simul\u00e2nd orgasme fantastice\u201d \u2013 \u201esfin\u0163ii, turna\u0163i, ce ne z\u00e2mbesc, din icoane;\/ iar preo\u0163ii c\u00e2nt\u0103-n tarafuri, la nun\u0163i,\/ C\u00e2nd sufletul strig\u0103 c\u0103 moare de foame!\u201d (Nevremurile).
\n\u00centre azi \u015fi \u201eodinioar\u0103, pe vremea mea\u201d, poetul re-evalueaz\u0103 miturile dec\u0103derii \u015fi ale austerit\u0103\u0163ii: \u201eLa noi e putred m\u0103rul\u201d (Hasdeu): \u201eLa noi\u201d (Oct. Goga): \u201ePe vremea mea\/ Hrana\/ Era o m\u00e2ncare\/ (\u2026) s\u0103n\u0103toas\u0103\/ Beam alcool, din fructe de livad\u0103.\/ Aveam onoare, patrie \u015fi cas\u0103.\u201d (Pe vremea mea).
\nCitind enorm, pe Internet, poetul Ovidiu Vasile, vede \u015fi simte \u201emonstruos\u201d, a\u015fa cum ar spune Nenea Iancu Caragiale: o lume \u2013 ajuns\u0103 parodie, ei \u00eens\u0103\u015fi, invadat\u0103 de \u201emofturi\u201d, fi\u0163e, starlete \u015fi fani, anagrama\u0163i \u015fi agrama\u0163i, \u00eengr\u0103m\u0103di\u0163i \u201epe ecranul p\u0103trat\u201d, atra\u015fi de \u201es\u0103ruturi ghetsimanice\u201d. O omenire \u201econtraceptiv\u0103\u201d, a\u015ftept\u00e2nd jum\u0103t\u0103\u0163i de adev\u0103ruri, venite prin \u201eciorchinii de cabluri\u201d, fixa\u0163i pe \u201econsole r\u0103stignite\u201d \u2013 z\u0103rind \u201ecerul \u2013 \u00een parbrize sparte\u201d, conectate la \u201ep\u0103ienjeni\u015ful de s\u00e2rme\u201d: \u201e\u00cen lipsa demnit\u0103\u0163ii (\u2026)\/ \u00cen roluri secundare \/ cu mase populare\/ Des figurate-n piese istoriei neclare\u201d (Din \u201ePoezie contraceptiv\u0103\u201d).
\nPoetul Ovidiu Vasile ne ofer\u0103 proba unui sclipitor talent, mai ales c\u00e2nd face slalomuri printre erorile de \u201eretoric\u0103\u201d ale noului veac, trec\u00e2nd de la un registru poetic la altul, neuit\u00e2ndu-i nici pe Orfeu \u015fi nici pe David, cu lirele \u015fi harfele lor, \u00een \u015flefuite \u015fi c\u0103utate rime, melancolice \u015fi melodioase, nostalgice \u015fi unice. Iat\u0103 o mostr\u0103:
\n \u201eDin g\u00e2nduri, cu \u015foapte, m\u0103 fur\u0103 la noapte!\u2026<\/em>
\n \u015ei du-m\u0103-n uitare, \u00een viers de chitare.<\/em>
\n Ia-mi trupul povar\u0103, cirea\u015f\u0103 amar\u0103.<\/em>
\n Umplut p\u00e2n\u0103-n buz\u0103, s\u0103 nu dea pe-afar\u0103!\u2026<\/em>
\n \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/em>
\n Dorin\u0163e confuze, \u00een c\u00e2ntec de muze<\/em>
\n Mi\u015fc\u0103ri \u015fi tangen\u0163e \u2013 \u015fi hainele zdren\u0163e\u2026\u201d (Din \u201e\u00cennoire\u201d).<\/em>
\nPrin acest volum, VERSURI EFTINE \u015eI BUNE, poetul Ovidiu Vasile trece, pentru \u00eent\u00e2ia oar\u0103, la literatura pe suport de h\u00e2rtie; trece de la cyberliteratur\u0103 \u015fi twitter, la textul clasic, tradi\u0163ional, scris \u2013 \u00een care m\u00e2na (degetele) \u201escriu\u201d, nu \u201etasteaz\u0103\u201d; scriitura se \u00eenal\u0163\u0103, se edific\u0103, din \u201esfintele litere tip\u0103rite\u201d (\u201eplumbul topit\u201d \u2013 mirosind a \u201ep\u00e2ine cald\u0103 \u2013 a presei\u201d). A f\u0103cut acest gest, simbolic, de altfel a\u015fteptat, pentru c\u0103 a sim\u0163it nevoia unor \u201eochi critici\u201d, care s\u0103-i treac\u0103 ideile, din anonimatul \u015fi efemeritatea \u201eInternetului\u201d, spre cultura scris\u0103; (\u015fi) s\u0103 le fac\u0103 s\u0103 supra-vie\u0163uiasc\u0103 \u015fi ast\u0103zi, \u015fi m\u00e2ine, \u00een timp. Originalitatea sa const\u0103 \u00een acea c\u0103 s-a \u201eformat\u201d \u00een cadrul unei biblioteci electronice, iar computerul a devenit (\u015fi) biroul s\u0103u \u015fi editur\u0103, \u015fi tipografie \u015fi libr\u0103rie \u2013 toate \u201eon line\u201d; \u015fi \u201epo\u015ft\u0103 global\u0103\u201d, universal\u0103 (\u201ee-mail\u201d).<\/p>\n

Nota editorului<\/p>\n

At\u00e2t Ovidiu Vasile c\u00e2t \u015fi Alin Cucuruzan au fixat opinii de autori pe autori pe siturile literare de pe internet \u00een stilul \u201eiubite\u201d sau ,,drag\u0103 cetitorule\u201d; confesiuni \u201eon line\u201d. \u00centr-una din ele, Alin Cucuruzan afirm\u0103 c\u0103: ,, am publicat p\u00e2n\u0103 ast\u0103zi doar virtual, poezie pe mai multe situri literare. Am primit recenzii favorabile, a\u015fa \u00eenc\u00e2t am continuat. Tip\u0103ritura pe suport de h\u00e2rtie reprezint\u0103 acum, un alt \u00eenceput. \u015ei nu avem s\u0103 ne oprim, aici. Vom mai \u00eencepe o dat\u0103 \u015fi \u00eenc\u0103 o dat\u0103 \u015fi tot astfel \u2013 vom continua s\u0103 respir\u0103m versuri \u2013 versuri deocamdat\u0103 ,,Eftine \u015fi bune\u201d.<\/p>\n

CONSTANTIN Z\u0102RNESCU<\/strong><\/p>\n

Cluj, Oct. 2012<\/p>\n

(Prefa\u021b\u0103 la volumul VERSURI EFTINE \u015eI BUNE, <\/strong>autori, Ovidiu Vasile <\/strong>\u0219i Alin Cucuruzan,<\/strong> Editura Napoca Star, Cluj-Napoca, 2012)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cen toamna anului 2009, la sugestia unei colege, prozatoarea \u015fi poeta Florentina Florescu, au \u00eenceput s\u0103 frecventeze, nelipsit, societatea (\u015fi [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-15917","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/15917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=15917"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/15917\/revisions"}],"predecessor-version":[{"id":15920,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/15917\/revisions\/15920"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=15917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=15917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=15917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}