{"id":16029,"date":"2013-10-28T18:24:18","date_gmt":"2013-10-28T18:24:18","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=16029"},"modified":"2013-10-28T18:24:18","modified_gmt":"2013-10-28T18:24:18","slug":"george-anca-lupascu","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/10\/28\/george-anca-lupascu\/","title":{"rendered":"George Anca: Lupa\u0219cu"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/3.bp.blogspot.com\/-dRxlRTjVgvE\/Um0kcMj1t6I\/AAAAAAAAFQk\/9Y7DsxCpRK8\/s320\/Vocatia+osandei.jpg\" alt=\"\" width=\"224\" height=\"320\" border=\"0\" \/><\/p>\n<p align=\"center\">George Anca<\/p>\n<p align=\"center\">\n<p align=\"center\"><strong>LUPA\u0218CU<\/strong><\/p>\n<p align=\"center\">\n<p align=\"center\">Gheorghe Lupa\u0219cu, <em>Voca\u021bia os\u00e2ndei<\/em><\/p>\n<p align=\"center\">\n<p align=\"center\">TipoMoldova, 2013<\/p>\n<p style=\"text-align: center;\">\n<div><\/div>\n<p style=\"text-align: justify;\">O antologie mausolin\u0103 de 860 pagini A4 reune\u0219te la TipoMoldova, \u00een colec\u021bia <em>Opera omnia\/Poezie contemporan\u0103<\/em>, volumele publicate de Gheorghe Lupa\u0219cu: <em>Laocoon \u00eemp\u0103cat<\/em> (1969), <em>St\u0103p\u00e2nul timpului <\/em>(1980), <em>\u00centoarcerea arlechinului <\/em>(1980), <em>Ziua Delfinului <\/em>(1988), <em>Singur\u0103tate pe planeta p\u0103m\u00e2nt<\/em> (1994), <em>Iubire Exilat\u0103 pe Terra <\/em>(2000), <em>Excelen\u021ba <\/em>(2001), <em>Iambirul <\/em>(2003), <em>Strig\u0103t \u00een Alcandoria. Invazii <\/em>(2004), <em>Monologul secret al prin\u021bului Hamlet <\/em>(2005), <em>Voca\u021bia os\u00e2ndei <\/em>(2006), <em>Iambirul \u021b\u0103rmului poetic <\/em>(2007), <em>Baladin \u00eentr-o fabul\u0103 <\/em>(2008), <em>C\u00e2nd&#8230; <\/em>(2010), <em>vie\u021buitoare<\/em> (2011). Poate, cum s-ar fi \u00eencolonat pe vertical\u0103, asemeni modulelor br\u00e2ncu\u0219iene, armonice divine ale formelor poetice, botezate \u0219i iambiri, fie textul clasicizant-ra\u021bionalist, romantic, modernist, postmodernist, fractal.<\/p>\n<p style=\"text-align: justify;\">Cezar Baltag \u00eel salutase, \u00een 1966, \u0219i ca Marchidan, poet de inteligen\u021b\u0103, care se confund\u0103 cu \u00eens\u0103\u0219i esen\u021ba naturii, cu dinamismul ei interior. Pe Nicolae Baltag, proiec\u021bia \u00een mit \u0219i \u00een primordial \u00eel ducea cu g\u00e2ndul la Blaga, dup\u0103 cum ironia lucid\u0103 ar aminti de Geo Dumitrescu. Mircea Scarlat \u00eel apropia de Ioan Alexandru \u0219i Ion Gheorghe. Altcineva evoc\u0103 pe Ioan al Crucii sau Angelus Silesius. Ion Rotaru cite\u0219te variante ale ideii c\u0103 rapiditatea vie\u021bii interzice marile probleme. Derutat de iambir, A.I. Brumaru repereaz\u0103 pe net un semn nipon sau I am Birminghan. Altfel, careva, c\u0103 tot n-ar fi multe de spus. Yet, poet neglijat. S\u0103 zicem, ca Yeti (topit din Himalaia \u00een Dun\u0103re).<\/p>\n<p style=\"text-align: justify;\">\u00cens\u0103 poetul Gheorghe Lupa\u0219cu, se vede ex-orbitor, nu se neglijeaz\u0103, se deneglijeaz\u0103 mai abitir-iambitir dec\u00e2t oricine din caruselul concentric al establishmentului literar. El se cite\u0219te fiin\u021bial scriindu-se expresionist, baroc etc., se persecut\u0103 rebaptizat \u00een jubila\u021bii dictic-oraculare, pe pariu paramistic, peste, dac\u0103 nu pe sub Balta Br\u0103ilei, spre Alcandoria, doar s-o m\u00e2ntui din\/prin japca represiunilor transfigurabile.<\/p>\n<p style=\"text-align: justify;\">Cuprinsul (55 pagini) curge-Dun\u0103re cu lucrurile naturii, c\u0103ptu\u0219ite de alchimie \u0219i totem, acoperind o estetic\u0103-destin a cuvintelor \u0219i metaforelor-cheie: Laocoon \u2013 lunatecul \u2013 c\u00e2inele p\u0103m\u00e2ntului \u2013 ultimul mesaj al c\u00e2rti\u021bei \u2013 st\u0103p\u00e2nul fiin\u021bei \u2013 copaci r\u0103bd\u0103tori \u2013 menestrel de sidef \u2013 \u00een univers e noapte ca-ntr-un sac \u2013 cu amintiri de haos carnivor \u2013 iambirul os\u00e2ndei\/&#8230;cosmopoliton\/&#8230;<wbr>arcadium\/&#8230;fractal\/&#8230;<wbr>Fiindului \u2013 nimeni nu-mi este aproape \u2013 poetul evreu \u2013 iambirul Isolda \u2013 predestin\u00e2nd \u2013 baladinul \u2013 m\u0103iastra \u0219i poetul \u2013 anul 375 \u2013 gerunziul romantic \u2013 amintirile poeziei despre sine \u2013 Ovidiu \u00een arbori \u2013 fiara semantic\u0103 \u2013 ucig\u0103torul \u2013 Siberiile volante \u2013 poemul pescar&#8230;<\/wbr><\/wbr><\/p>\n<p style=\"text-align: justify;\">Alchimie (I \u2013 X): Cerb h\u0103r\u021buit\/Geme \u00een feudele s\u00e2ngelui\/Vocala A&#8230;\/ Izvoarele\/Se sfin\u021besc\/Cu izvorul t\u0103m\u0103duirii\/Pronun\u021b\u00e2nd-o. \/&#8230;\/ Lucrurile\/Sunt\/Pur \u0219i simplu oameni \/&#8230;\/ \u00cen a\u0219teptarea num\u0103nui\/Iarba\/\u00censingurata\/Pe sine se pa\u0219te&#8230; \/&#8230;\/ Poemele\/Supravie\u021buind\/Pentru fantasmele poetului\/\u00cen insula lui singuratec\u0103,\/Alcandoria&#8230; \/&#8230;\/Cum po\u021bi fi tu \u00eensu\u021bi\/Marea ta minim\u0103 \/&#8230;\/ \u0218i nici nu \u0219tim \u021bara\/Unde murim\/De c\u00e2nd halucin\u0103m \u00een niciunde. \/&#8230;\/<\/p>\n<p style=\"text-align: justify;\">Arthur Rimbaud, <em>Alchimie du Verbe<\/em>: J&#8217;inventai la couleur des voyelles ! &#8211; A noir, E blanc, I rouge, O bleu, U vert. &#8211; Je r\u00e9glai la forme et le mouvement de chaque consonne, et, avec des rythmes instinctifs, je me flattai d&#8217;inventer un verbe po\u00e9tique accessible, un jour ou l&#8217;autre, \u00e0 tous les sens. Je r\u00e9servais la traduction. \/ Ce fut d&#8217;abord une \u00e9tude. J&#8217;\u00e9crivais des silences, des nuits, je notais l&#8217;inexprimable. Je fixais des vertiges.<\/p>\n<p style=\"text-align: justify;\">Totem I: Eu care-am umblat pe frunze\/Eu care-am c\u00e2ntat din frunze\/Eu care-am m\u00e2ncat frunze\/Eu care-am pl\u00e2ns cu frunzele\/Eu care-am iubit pe frunze\/Eu care n-am dat foc la frunze\/Eu care m-am \u00eenvelit cu frunzele\/Am devenit copac\/De dragul frunzelor.<\/p>\n<p style=\"text-align: justify;\">Totem II: Te-am c\u0103utat\/\u00cen pe\u0219teri\/\u00cen astre\/\u00cen v\u00e2rstele p\u0103durilor\/Cu numele t\u0103u m-am aflat\/Pe mine \u00eensumi\/Strig\u00e2ndu-m\u0103.<\/p>\n<p style=\"text-align: justify;\">Totem III: El, Tu, Noi \u2013 seria g\u00e2ndurilor\/B\u0103t\u0103lia \u00een noapte a lucrurilor\/Num\u0103r\u0103toarea blocurilor din cartier\/Logaritm social pentru a afla unicul\/La pierderea \u00een unghiuri \u0219i umbre\/A unicului cu suflet de om.<\/p>\n<p style=\"text-align: justify;\">Totem IV: Cum veacurile sunt g\u00e2nduri\/Cum g\u00e2ndesc atomii \u00eengerii\/Ilumin\u0103rile lucrurilor\/\u0218i via\u021ba mea\/Spaimele victimei\/\u00cencord\u00e2ndu-se\/Ca asce\u021bii\/S\u0103 \u00eempace lumea\/Cu preacuv\u00e2ntul\/Erotic\/Al t\u0103u&#8230;<\/p>\n<p style=\"text-align: justify;\">Florilegiul-halter\u0103 (bine peste kilogram) se r\u0103sfoie\u0219te-fulguie\u0219te din masivitate ca mai \u00eenainte din str\u00e2mtorile-plachete ale speran\u021belor-cenzur\u0103-critic\u0103-<wbr>arest-spital. Ermetismul-masc\u0103 al \u00eenfrico\u0219\u0103rii , doctorantura reformei, filologismul gongoric, gestica narcisist\u0103 la arlechin, cascadarea obsesiilor catartice \u0219i c\u00e2te \u0219i mai c\u00e2te formalisme genialiste nu inhib\u0103, dimpotriv\u0103, emfaza religioas\u0103 a poeticit\u0103\u021bii-menestrel-melod, \u00eenc\u0103 medieval, \u00eenc\u0103 infant \u0219i mai ales nest\u0103t\u0103tor, profetic.<\/wbr><\/p>\n<p style=\"text-align: justify;\">Iat\u0103 o carte pentru poporul rom\u00e2n, sub comunism \u0219i dup\u0103, a unui poet-strugure, zdrobit \u0219i de sine s\u0103 \u00eembete disperarea. \u0218i iat\u0103 un marchidan lipsc\u0103nind la Gherghe\u0219ti cu fantoma lui Saint-Exupery, cu Hamlet tot \u00een Elsinor, cu salc\u00e2mii lui Mihai Sebastian. Converte\u0219te nevolnic spaimele \u00een c\u00e2ntece-bumerang inton\u00e2ndu-le \u0219i \u00een somn, copiilor, p\u0103rin\u021bilor, epopee.<\/p>\n<p style=\"text-align: justify;\">Din toate locurile copil\u0103riei mele\/Cel mai mult m\u0103 obi\u0219nuisem cu soarele.(24) &#8230; \u00cen zilele mele bune\/Izvoarele au glas feminin (28) &#8230; \u00cen cur\u00e2nd \u00eemi voi pierde memoria pe care mi-o d\u0103duse soarele,\/Simt asta dup\u0103 golul ce-mi str\u0103bate fiin\u021ba (32) &#8230; El, punctul cu har,\/\u00cemparte lumea \u00een bine \u0219i r\u0103u\/\u00cemp\u0103c\u00e2nd culoarea cerului\/Cu duhoarea districtului (49) &#8230; Unde sunt buzele marinarilor din Alcandoria,\/Privi\u021bi-le din\u021bii shimonosi\u021bi de r\u00e2njet (51) &#8230; \u0218i n-a vrut s\u0103 moar\u0103 Terente \/Ascuns pe cre\u0219tetul p\u0103rin\u021bilor (56) &#8230; Nu \u0219tiu ce s\u0103 m\u0103 fac cu zefirul\/P\u0103streaz\u0103 aceia\u0219i din\u021bi de lapte (69) &#8230; La serbarea absolven\u021bilor\/Eu am jucat rolul cenu\u0219ii\/Din poemul maestrului (72) &#8230; Nobil parfum \u00een p\u0103r de orator\/\u00cenfloritor discurs cu flori de stil\/Bel\u0219ug \u00eenmiresmat ca portocala (77) &#8230; Sunt un om normal\/\u00cemi iubesc lini\u0219tea\/\u00cemi plac genunchii mei ne\u00eens\u00e2ngera\u021bi (79) &#8230; Menestrel de sidef,\/Scriitura t\u0103lpilor himerelor\/Care-au c\u00e2ntat pe nisipurile noastre (95) &#8230; Trainice vorbe-\u021bi trimit\/Ioan al dorului (99) &#8230; G\u00e2ndindu-se la un chip ideal\/Un om a \u00eenceput s\u0103-mi semene leit (103) &#8230;<\/p>\n<p style=\"text-align: justify;\">Las\u0103-mi Doamne umbra \u00een nisip\/Las\u0103\/mi \u0219oapta-n \u021b\u0103rmuri de sidef,\/C\u00e2nd voi fi doar und\u0103 \u0219i privire\/D\u0103-i \u00eenfometatei p\u00e2ini din mine,\/Pa\u0219ii t\u0103i izb\u0103vitori pe ape (123) &#8230; Zi ca o mare,\/F\u0103r\u0103 mister,\/Miroase-a uitare,\/Ca-n poemul Une charogne de Baudelaire (124) &#8230; Nicio credin\u021b\u0103 nu mai\/coboar\u0103 \u00een lucruri\/To\u021bi se vor perver\u0219i ca\/Sodoma (127) &#8230; O, Doamne, cu ploi viermuite\/Obsesia toamnei, ce\u021bos Dou\u0103-Mii,\/ Acoper\u0103 cu bacovianii infinite\/Clepsidra cu melancolii (131) &#8230; Nu \u0219tiu dac\u0103 noi m\u00e2nc\u0103m p\u00e2inea\/Ori p\u00e2inea ne m\u0103n\u00e2nc\u0103 pe noi (133) &#8230; Nu \u0219tiu dac\u0103 eu \u00eensumi mi-am dulgherit crucea\/Ca os\u00e2ndi\u021bii prin \u00eempu\u0219care groapa (137) &#8230; Crispa\u021bii zadarnic vor r\u00e2de\/Trufa\u0219ii vor poza cu p\u0103rul v\u00e2lvoi\/Ipocri\u021bii vor dansa cu pudoare\/Iar noi cu to\u021bii nu vom fi noi (155) &#8230; \u00cenc\u0103run\u021bim \u00een laguna c\u0103r\u021bilor\/Ca asce\u021bii manuscriselor biblice (170) &#8230; Sunt lucrurile f\u0103r\u0103 carne ca florile\/Culorile fiin\u021be \u00eenecate-n v\u0103z\/Sunetele timpanele soarelui (185) &#8230; At\u00e2t de mult te iubesc\/ Alcandoria\/\u0218i nici nu \u0219tiu cine e\u0219ti (197) &#8230; La zborul ritmat al stolurilor\/Egrete-mpietrite se zbat \u00een cristale (207) &#8230; Doar at\u00e2t: Eu sunt p\u0103m\u00e2nt\/Sunt arat de timp \u0219i-s fr\u00e2nt\/Doar at\u00e2t: Ce semeni tu\/Timpul infinit-e-su (215-216) &#8230; \u0218i p\u0103m\u00e2ntul\/Ca o piatr\u0103 din cer\/Renun\u021b\u0103 zilnic la rou\u0103 (254) &#8230; Rotind \u00een jurul trupului\/Voalul t\u0103u de mireas\u0103\/P\u00e2nza cor\u0103biei din Alcandoria (297) &#8230; Mereu se arunc\u0103 \u00een mine cu pietre (300) &#8230; Circul cu mimi\/Transexua\u021bi \u00een a \u0219aptea zi\/\u00cen chipurile iubirilor\/Din Alcandoria (315) &#8230; Salamandrele s\u0103rind din bulboane\/\u00centr-un halou de ap\u0103 se-nvolbureaz\u0103 vid\/Via\u021ba \u00een eden pecetluind-o (322) &#8230; Argin\u021bii at\u00e2rn\u0103 cazon\/\u00cen curviile\/Din\/Cosmopoliton (329) &#8230; S-a rotit \u00een jurul c\u0103r\u021bilor\/A nechezat \u00een cabala cuvintelor\/C\u0103ut\u00e2nd numele poe\u021bilor\/Cu pietre sp\u0103la\u021bi (330) &#8230; \u00cen pia\u021ba arlechinului\/Ca Samson\/Uit\u00e2nd eminen\u021ba\/Lipsc\u0103neam transcenden\u021ba (336) &#8230; Nero c\u00e2nt\u00e2nd la harpele focului (337) &#8230; Alcandorienii \u00een burta chitului s-au retras ( 338) &#8230; Nimeni nu mai vrea\/Nume\/To\u021bi vor\/Numere (351) &#8230; \u00cen dansul c\u0103r\u021bilor\/Profe\u021besc\/Cu privirea fixat\u0103 \u00een lun\u0103\/Ca un c\u00e2ine\/Din cartierele demolate (371-372) &#8230; O arlechinadele\/Din via\u021ba care zilnic ne petrece\/\u00cen marile districturi neguroase\/Suferin\u021be universale (396) &#8230; Doamne,\/St\u0103p\u00e2ne sf\u00e2nt al universului,\/recunoa\u0219te-m\u0103 (407) &#8230; P\u0103rerea medicului de familie\/\u201dE\u0219ti chinuit de propria ta vitalitate\u201d (412) \u2026 De lup totemic isidor\/Al numelui meu carnivor (424) \u2026 Psalmist ori pitie cobitoare (427) \u2026 A\u0219a mi-au fost ursitele jurate\/S\u0103-mi iau prin veac Sionul sf\u00e2nt\/\u00cen spate (428) &#8230; \u00een scriptele secrete-au decapitat decora\u021bia de eroism, p\u00e2n\u0103 c\u00e2nd istoria \u0219i-a consumat al comunismului futurism (473) &#8230; O consoanele\/Ursitoarele noastre vestale\/Ale plutirii tale de moarte\/Ofelia (477) &#8230; Am v\u0103zut \u00eengerii iubindu-se (481) &#8230; Menestrelul conjunc\u021biilor\/Pe noi\/Hamlet-Shakespeare\/\u00cen sintaxa rivierelor ne conjug\u0103 (485) &#8230; Doar voi\/Principese din Alcandoria\/M\u0103 l\u0103sa\u021bi goliard de iambir\/S\u0103-mi \u00eenfrunt singur\/Exitusul c\u0103tre nadir (487) &#8230; Cu moartea noastr\u0103 vom p\u0103gubi lumea\/Ori lumea va fi mai liber\u0103? (488) &#8230; Odat\u0103 cu sufletul paroxistic\/Vocalele se volatilizeaz\u0103\/\u00cen delirul mistic (498) &#8230; Polul sufletului\/Paranoie de tropice (502) &#8230; \u00censumi tu\/\u00censumi eu (503) &#8230; M\u0103iastra\/Este Dumnezeu (505) &#8230; Doamne\/De ce\/Toate stihiile\/Ajung\/Ca emigran\u021bii\/\u00cen sufletul meu? (524) &#8230; Via\u021ba de mine a obosit\/Ca un c\u00e2ine lup de st\u0103p\u00e2n (529) &#8230; Magic\u0103 lacrim\u0103\/La pleoapele \u0219arpelui,\/Lan\u021buri de plete\/Ca-n vr\u0103jile \u0219amanilor\/Din Ursa Mare (539) &#8230; Jertf\u0103 a spiritului\/\u00cemp\u0103rt\u0103\u0219anie-<wbr>altare,\/Longitudinea g\u00e2ndurilor solitare\/Cu melancolia lui Publius Ovidius Naso (540) &#8230; Prin planta\u021bii de trandafiri\/\u00cen ghimpi altoi\u021bi\/Cu virginitate\/Sexul poemului\/S\u00e2nger\u0103\/De nunt\u0103 \u0219i puritate (563) &#8230; Hai s\u0103 s\u0103p\u0103m\/\u00cen inimi\/P\u00e2n\u0103 d\u0103m de moarte (587) &#8230; F\u0103r\u0103 margini sunt\/Malurile C\u0103lm\u0103\u021buiului\/La Berte\u0219ti (592) &#8230; Veghe de lele\/Lebede-iele (598) &#8230; Numai eu\/Ve\u0219nic altul (609) &#8230; Eu sunt alchimistul (611) &#8230; Luna \u0219i s\u00e2nii madonei\/Din gr\u0103dina-eden a Br\u0103ilei (617) &#8230; O, domnule Holderlin,\/Re\u00eencarnat pe caraimanul g\u00e2ndului (625) &#8230; Gumasal\/Gumasa\/Gumas\/Guma\/Gum\/<wbr>Gu (669) &#8230; Semenii mei,\/H\u0103ita\u0219ii mei (686) &#8230; Unde e\u0219ti tu Doamne\/\u00cen cer sau \u00een sufletul meu (687) &#8230; Infernul\/Pe chipul meu\/\u00ce\u0219i deseneaz\u0103\/Ca un pictor suprarealist\/Pustiurile geometriei\/De\u0219\u0103n\u021bate (764).<\/wbr><\/wbr><\/p>\n<p style=\"text-align: justify;\">Titlurile poemelor sunt de sine st\u0103t\u0103toare, cumva autarhice: Minus-roman\u021b\u0103 \u2013 Lucrurile \u0219i noaptea \u2013 Privalul cu umbre \u2013 Amnezia hotarelor \u2013 Iliada pe cont propriu. Fabulosul, \u00eenc\u0103 fabul\u0103, abole\u0219te, abulic, fabula\u021bia. Tratat-oracol-poetic-angelic-<wbr>fonetic, pu\u021bine sonete, mul\u021bi psalmi, infla\u021bie de iambiri, cantorii bizantine, solemnii scolastice. Printre mituri \u0219i parapredici: Ion \u021auculescu, Matei Caragiale, Mihai Sebastian, Paul Celan, Alexandru Tocilescu, Walt Withman, Da Vinci, Simon din Cyrene,Shakespeare, Orfeu, Holderlin, Serghei Esenin. \u0218i, cum caligrafia lui Lupa\u0219cu o fi la concuren\u021b\u0103 cu a lui Macedonski, volumul volumelor sale se \u00eencheie, cite\u021b, cu un salut manuscris, de Lucian Chi\u0219u. Prefa\u021ba este semnat\u0103 de dr. Ioan S. C\u00e2r\u00e2c.<\/wbr><\/p>\n<p style=\"text-align: justify;\">Poet cult(ic), mito-filosofard caustic, cu delir iambiric, de senin\u0103tate goetheean\u0103, \u00eentr-o Br\u0103il\u0103-Elsinore-Alcandorie, Lupa\u0219cu \u00ee\u0219i aglutineaz\u0103 m\u0103re\u021b emfatic viziunile supravie\u021buirii spirituale proprii \u0219i cosmice \u00een tot at\u00e2tea revan\u0219e arunc\u0103torilor de pietre.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>George ANCA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>George Anca LUPA\u0218CU Gheorghe Lupa\u0219cu, Voca\u021bia os\u00e2ndei TipoMoldova, 2013 O antologie mausolin\u0103 de 860 pagini A4 reune\u0219te la TipoMoldova, \u00een [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-16029","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/16029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=16029"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/16029\/revisions"}],"predecessor-version":[{"id":16032,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/16029\/revisions\/16032"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=16029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=16029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=16029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}