{"id":16352,"date":"2013-11-18T10:09:38","date_gmt":"2013-11-18T10:09:38","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=16352"},"modified":"2013-11-18T10:10:49","modified_gmt":"2013-11-18T10:10:49","slug":"george-anca-poezie-tabu-la-pusi-dinulescu","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/11\/18\/george-anca-poezie-tabu-la-pusi-dinulescu\/","title":{"rendered":"George Anca: Poezie-tabu la Pu\u0219i Dinulescu"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Pu\u0219i Dinulescu<\/em><\/p>\n

Joi 14 noiembrie 2013 (scrisesem 2913), Boema 33 s-a deschis cu poezii de Pu\u0219i Dinulescu, recitate de autor \u0219i de actri\u021ba Vali Pena. Ca \u0219i cum legenda pornografierii se confirma, potrivit avocatului acuz\u0103rii, Marcel Fandarac, a intervenit, \u00een ap\u0103rare, Mircea B\u00e2rsil\u0103, declar\u00e2ndu-l pe Pu\u0219i erou pentru nocturnitate. Daniel Vorona a suflat: mare literatur\u0103 (replic\u0103 la ceva gen: asta nu e poezie). Pe tema cum scriu prozatorii poezie, fusese evocat \u0219i poemul The Sea Sprite And The Shooting Sea<\/em> de Jack London. \u0218i o p\u0103rere c\u0103 Pu\u0219i se expune dinadins, pentru a fi mitraliat. C\u0103ci, nu? \u201eTu non sei e non sarai \/ Publius Vergillius Maro \/ mai\u201d (Pb,7)<\/p>\n

Cum \u0219i-a publicat poeziile pe cont propriu, ca Joyce sau Eliade, mai c\u0103 nu s-au b\u0103gat \u00een seam\u0103, ci s-au tabuizat ca la carte. Dup\u0103 Poezii bestiale<\/em>, (Pb) 2002, a urmat Frumoasa \u0219i lapovi\u021ba poezii intraductibile \u0219i interzise tinerilor sub 16 ani <\/em>(F\u0219l), 2006. Prima include, \u00een ordine alfabetic\u0103, 240 de poezii, \u201erod al unor decenii de speran\u021be \u0219i obr\u0103znicii\u201d, a doua \u00ee\u0219i radicalizeaz\u0103 programatic tabu-ul: \u201eAceast\u0103 carte va face multe fe\u021be s\u0103 se posomorasc\u0103 la \u00eent\u00e2lnirea cu cele mai dure cuvinte posibile din limba rom\u00e2n\u0103, cuvinte care exprim\u0103 de obicei organe sau acte sexuale \u0219i chiar anume chestii, care pot fi taxate drept perversit\u0103\u021bi: laba, muia \u0219i cam at\u00e2t. \/ Totu\u0219i eu nu sunt vulgar, nu sunt poate dec\u00e2t un terorist al limbajului, pe care-l folosesc f\u0103r\u0103 perdea, f\u0103r\u0103 m\u0103nu\u0219i sau altfel de prezervativ. \/ Numai din obr\u0103znicie. Nu \u0219i din ordin\u0103rie\u201d. (F\u0219l, 5). Totalitatea agresiunii ludice, cu scoaterea chilo\u021bilor la o petrecere, ar fi procedeul comediei de peste masca sa.<\/p>\n

Cauzativ neglijat de critici cu istorii iertate, r\u0103m\u00e2ne ca un Marian Popa s\u0103 tabelizeze comparatist acest neo spital al amorului, cu sau f\u0103r\u0103 Zulnia, \u00eenc\u0103 ducal\u0103, a lui Conachi. De student, a audiat chiar \u00een amfiteatru crudit\u0103\u021bi din c\u00e2ntecele unor arti\u0219ti populari adu\u0219i de profesorul Mihai Pop, c\u00e2t s\u0103-\u0219i ia, cu Sion, eufemistic, poeziile drept ceasuri de mul\u021b\u0103mire. Sau decameron-vodevil \u00een c\u0103ldurile ciumei comuniste. \u201c\u0218i cauza \u00een karma se restr\u00e2nge, \/ Cu limf\u0103, cu organe \u0219i cu s\u00e2nge\u201d (F\u0219l. 69).<\/p>\n

Poetul, actor de mare fractur\u0103 interioar\u0103 \u2013 un obraz pl\u00e2nge, altul r\u00e2de -, deap\u0103n\u0103 un jurnal erotic, mimat argotic, defulatoriu, masochist, misogin, hamletian, huysmansian… L\u0103s\u0103m Burlacul<\/em> de la \u0219osea spre Mogo\u0219oaia<\/em>, \u00cengerul contabil <\/em>din Ga\u0219ca \u0219i diavolul<\/em>, ba Robert Calul<\/em>, nu \u0219i \u021boapele tot a\u0219a de teatrale, baladabile. S\u0103 tot fi f\u0103cut 60, c\u0103 la 70 a tradus Lorca. O tram\u0103 de dram\u0103 perpetu\u0103, pran\u0103 panaram\u0103-dell’arte-b\u0103\u0219c\u0103lion, a nu mai ie\u0219i, c\u00e2ndva, din repertorii \u0219i stagiuni. \u201e<\/em>A fi amorezat sub luna care arde… \/ A sta fragmentic… \/ Asta e identic \/ Cu-a am\u0103gi c\u00e2te-un adaos \/ Marelui, cumplitului haos\u201d <\/em>(Pb, 7).<\/p>\n

Comedia comediilor \u0219i toate-s comedie-parodie-vin\u0103rie-superbie-roman\u021berie-sexomanie-honeyanye-pi\u0219\u0103rie-scatologie-ahfrumoserie-dezbr\u0103c\u0103rie-sfid\u0103rie-b\u0103\u0219c\u0103lie-\u021big\u0103r\u0103rie-amor\u0103rie-rim\u0103rie-ber\u0103rie-brosc\u0103rie-\u021b\u0103\u021b\u0103rie-\u021b\u00e2\u021b\u0103rie-gol\u0103nie-menajerie-iubir\u0103rie-stomatologie-nasolerie-dor\u0103rie-derizor\u0103rie-cabotinerie-calambur\u0103rie-blonderie-idilerie-futerie-pu\u0219erie-c\u0103rn\u0103rie-linderie-l\u0103c\u0103rie-viscolerie-cronic\u0103rie (dac\u0103 n-a ie\u0219it cel mai lung cuv\u00e2nt de cuvinte despuiate din orgia foarte calculat\u0103 estetic-antitetic, stop… se trece la F\u0219l)-bleu-verterie-mu\u0219c\u0103torie-futincurie-pizdam\u0103tie-singenistrie-vremvremerie-episoderie-futulerie-inginerie-frigiderie-tengur\u0103rie-eroterie-limerick\u0103rie-luminoscoperie- mahmuderie-soneterie-t\u0103rb\u0103c\u0103rie-dementerie-veronic\u0103rie-panahihirie.<\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/wbr><\/p>\n

Personaje Pb. Feminin: Cristina, Roxana, Reli, Sanda, Angela, Olivia, Nu\u021bi, Eliza, Minodora, Viorica, Leana, Gina, Cornelia, Puia, Ursula, Carmen, Augusta, Ilona, Mo\u021bica, Magda, Jeni, Clementina, Silvia, Anca, Ioana, Mioara, Viviana, Tania, L\u0103cr\u0103mioara, Luci, Linda, Magda, Mihaela, Milica, Anna, Rodica, Alina, Clitemnestra, Cassian Nina, Eugenia, Tamara, Lili, ini\u021biale. Masculin: William Shakespeare, \u0218ekspir, Publius Vergilius Maro, Vlase, Bogdan, Demis Roussos, Ilie, Costic\u0103, Chopin, Bimbocel, E.A. Poe, Ovidiu, Mircea Corni\u0219teanu, Yeti, Nae, Borg, N\u0103stase, Dumnezeu, Cezar, Hamlet, Ionel, Elvys, Cielito Lindo, Virgil Teodorescu, Radu, Cristi, Pu\u0219i, Dendri\u021boiu, Mazilu, Constantin Dr\u0103ghici, Dante, Aristotel, Platon, Joseph Haydn, Renoir, Ghiorghiu-Dej, Guy de Maupassant, Ion, Othello, Gogol, Sorescu, Daniel Turcea, Theodor Vandervelde, Pascuale, Nichita, Dr\u0103g\u0103noiu, Sabin, Valentin Popescu, Net King Cole, John Coltrane.<\/p>\n

Personaje F\u0219l: Dumnezeu, Pu\u0219i Dinulescu, Jeni, Gheorghiu-Dej, N\u0103stase, Benedetto Croce, B\u0103cu\u021b, Eminescu, Beniuc, Vasile-Alecsandri, Ildiko, Ursula, Aurora, Jacques Chirac, Veronici, Chivu, Dumitrescu, Vinicius, Coca, Mugur Arvunescu, Monte Cristo, Knut Hamsun, Flora Ion, G\u0103boan\u021b\u0103, Ilie, Ivan, Cozm\u00e2nc\u0103, Dan Petrescu, Bu\u0219. Pu\u0219, Emil, Doina, Sanda, Sharon Stone, Ion Cristescu, Marivaux, Malraux, Fandarac, Ion Voicu, Tan\u021ba, Gigel, Nea Stan, Anton Pann, Lucica, Daniel Suceav\u0103, Du\u021ba, Melania, Lumini\u021ba, Marin Tarangul, Ric\u0103, Madam Constantinescu, Kant, Hegel, Coralia, George, Mirela, Gogu\u021b\u0103, Azap.<\/p>\n

Romanul scenic al sexuirii de tinere\u021be (Pb), pe spa\u021bii \u0219i personaje fibrilatorii, pe c\u00e2t de simfonic, pe at\u00e2t de stradival, vrea s\u0103 posomorasc\u0103 bombastic pudibonderia milenarist\u0103. Lapovi\u021ba de-a doua (F\u0219l) nostalgiaz\u0103 sexul ar\u0103t\u0103tor printre \u021binute formalisme, destule citabile clasic, nepistruiat-piz-pul, Tic\u0103. Pb:\u201eOricum, e bine dac\u0103 po\u021bi \/ S\u0103 pui iubirii ro\u021bi \/ S\u0103 mearg\u0103 ca pe bulevard \/ Cu pas zglobiu de leopard, \/Unde neoanele se ard \/ \u0218i nu e, vere, niciun gard\u201d (12). \u201eDar poezia mea nu e frivol\u0103 \/ Cum nu este nicio yol\u0103, \/\/ Ce plutind pe marea asta verzulie \/ Scoate-n v\u00e2nt \/ At\u00e2ta \u0219i at\u00e2ta b\u0103\u0219c\u0103lie, \/ Cum nu-i alta pe p\u0103m\u00e2nt\u201d (31). \u201eVersurile mele z\u0103lude \/ Cam impude, \/ Cam imude \/ Sau imunde\u201d (62). \u201e\u0218i trecem prin martiriul toamnei, \/ Se las\u0103 \u00eentunericul mai jos, \/ Tot sunt mai ros, tot sunt mai ros \/ De sentimentele care se-ntorc pe dos\u201d (214). \u201eTe c\u00e2nt acum pe tine, \/ Pe tine, care te-a c\u0103lcat \/ Ma\u0219ina 31 la intrarea \u00een inima mea\u201d (298). \u201eIat\u0103 italienii! \/ Descrie-i con\u0219tiincios, \/ Poet al str\u0103zii\u201d (346).<\/p>\n

F\u0219l: \u201eMi-a intrat pe geam o crac\u0103 de cais, \/ Avea fructele coapte sau aproape… \/ Era \u00een zori \u0219i trupul meu \u00eentre prosoape, \/ Trezit de-abia, se r\u0103zg\u00e2ndea din vis… \/\/ O zi cu soare mult, o var\u0103 la-nceput \/ Era \u0219i \u00een aceast\u0103 grav\u0103 diminea\u021b\u0103, \/ Dup\u0103 o noapte de bere, de \u021big\u0103ri \u0219i grea\u021b\u0103… \/ Deodat\u0103 am primit de la caise un s\u0103rut, \/\/ De parfumuri dulci \u0219i-nvaporate. \/ Erau ca buzele unei studente, \/ Pierdut\u0103-n doruri repetente… \/ Ca luna ce apune peste sate, \/ Ca puiul de c\u0103\u021bea jigodic, \/ Ca geniul meu sinistru \u0219i parodic \/\/ \u00cen acela\u0219i timp \/\/ Caisul\u201d (35). \u201eSe zbate s\u0103 se prind\u0103 \/ \u00cen uter, efectul de oglind\u0103 \/ Al fecund\u0103rii s\u0103 \u00eentind\u0103… \/\/ \u0218i-a\u0219a ie\u0219i din pul-un ou. \/ M\u0103 simt \u0219i eu astfel erou. \/ Fundamentat de-al futului ecou… (61).\u201d \u201eTr\u0103ise, p\u00e2n\u0103 nu demult, \u00een Mahmudia, \/ Un tip care lucrase-n DIA \/ \u0218i \u00ee\u0219i iubea so\u021bia… \/\/ Dar nu-i pl\u0103cea din Pu\u0219i Dinulescu \/ Dec\u00e2t proza, nu gusta poezia \/ \u0218i nici picanteria… \/ Dar \u00eentr-o zi dezinteria \/ L-a r\u0103pus, \/ La Mahmudia…\u201d \u201e- Nu \u00eel \u0219tii cumva pe Paul? \/ – Care Paul? \/ – Care-noat\u0103-n pizda m\u0103-tii craul!\u201d (135) \u201eNu-mi plac femeile pedante. \/ \u00cemi plac femeile perdante \/ Care-au citit pe Eminescu \u0219i pe Dante…\u201d (137) \u201e- \u00cel cunoa\u0219te\u021bi voi pe Puiu? – Care Puiu? \/ – Care bag\u0103-n pul\u0103 cuiu’!\u201d (151). \u201eC\u00e2t de bine e-n tramvai! \/ S\u0103 treci cu el prin ianuarie, \/ S\u0103 treci cu el prin februarie, \/ S\u0103 treci cu el prin poezie… \/\/ Dar tramvaiu’ merge-ncet \/ \u0218i poezia merge repede, \/ A\u0219a c\u0103 tot mereu r\u0103m\u00e2i \/ \u00cen diferen\u021ba de mi\u0219care\u201d (154). \u201e-\u00cel cunoa\u0219te\u021bi voi pe Sandu? \/ – Care Sandu? \/ Care fute-n cur tot \u0219trandu’!\u201d (158). \u201eSe duce-a lunii august lotc\u0103, \/ Eu nu mai beau nici votc\u0103 \/ \u0219i nici vin, nici bere… \/ Mai calc-aici c\u00e2te-o muiere, \/\/ Doar din c\u00e2nd \u00een c\u00e2nd… \/ \u0218i viciile pier pe r\u00e2nd, \/ Ca stelele m\u0103trea\u021b\u0103, \/ \u00cen drum spre diminea\u021b\u0103\u201d 167). \u201eSunt genial, dar ce folos? \/ Am piciorul ros, \/ Glicemia ridicat\u0103 \/ \u0218i nu m\u0103 place nicio fat\u0103\u201d(169). \u201eOra-i cinci \u0219i jum\u0103tate, \/ Luna-i martie \u0219i Socrate \/ St\u0103 de veacuri \u00een \u021b\u0103r\u00e2n\u0103, \/ Iar eu stau cu m\u00e2ndra \/\/ L\u00e2n\u0103-n l\u00e2n\u0103, \/ Pe panhihira ei sp\u00e2n\u0103 \/ \u0218i m\u0103 duc, vis\u00e2nd p\u0103duri \/ \u0218i ne sc\u0103rpin\u0103m la curi… \/ Fa\u021ba ei e de sm\u00e2nt\u00e2n\u0103… \/ St\u0103 \u0219i-mi suge v\u00e2na-n v\u00e2n\u0103… \/ P\u00e2n\u0103, p\u00e2n\u0103, p\u00e2n\u0103 \/ Iar ajungem l\u00e2n\u0103-n l\u00e2n\u0103… \/\/ \u0218i fularul meu de l\u00e2n\u0103 \/ St\u0103 pe buza ei cea sp\u00e2n\u0103, \/ Pune s\u0103rut\u0103rii fr\u00e2n\u0103, \/ Io-s s\u0103lbatic, ea e z\u00e2n\u0103… \/\/ St\u0103m cu spa\u021biul, \/ Bem cu timpul \/ \u0218i ajungem \u00een Olimpul, \/ Unde spa\u021biul \/\/ St\u0103 cu timpul la pahar… \/\/ Iar \u00een c\u00e2mpul cu m\u0103rar, \/ Eu m\u0103 duc mereu cu m\u00e2ndra \/ \u0218i m\u0103-ntorc pe partea aia \/ Un’ s-aude cucuvaia… \/\/ Ne-ag\u0103\u021b\u0103m \u0219i noi de timp \/ \u0218i ie\u0219im din nou \u00een spa\u021biu, \/ Ne prelingem printre nori, \/ \u00cen ploi lungi \u0219i \u00een ninsori, \/ Noaptea-ntreag\u0103 p\u00e2n\u0103-n zori, \/ Vai, i-a\u0219a mi\u0219to s\u0103 zbori\u201d (202-203).<\/p>\n

Acele cuvinte posomor\u00e2toare vor fi fiind prohibite ca venind \u00eenjur\u0103turi \u00een carne vie. Diafan, \u00een Ga\u0219ca \u0219i diavolul<\/em>, Pu\u0219i Dinulescu citeaz\u0103 diafanit\u0103\u021bi din poe\u021bii l\u0103sa\u021bi pe din afar\u0103 de fiar\u0103 \u0219i alt\u0103 fiar\u0103. \u00cen piese de \u021boape, m\u00e2ng\u00e2ie urechea cu c\u00e2nticele moldovinizate.<\/p>\n

\u00cen C\u0103l\u0103toriile lui Nea Pu\u0219i<\/em> (Lider, 2013), (se)destinde \u00een versuri cu adres\u0103: \u201eA\u0219a-i de la o vreme: \/ Femeile sunt una \/ \u0218i peisajele sunt alta… \/ \u0218i asta dup\u0103 Turcia, dup\u0103 Malta…\u201d (278); per Spania, \u00ee\u0219i citeaz\u0103 traducerea sa din Romansa comandantului<\/em> de Federico Garcia Lorca: \u201eSingur\u0103tatea mea f\u0103r\u0103 odihn\u0103! \/ Ochii mici ai trupului meu \/ \u0219i ochii mari ai calului meu \/ noaptea nu se \u00eenchid, \/ nici nu privesc \u00een partea cealalt\u0103 unde un vis \/ cu treisprezece b\u0103rci \/ se-ndep\u0103rteaz\u0103 u\u0219or. \/ Dar ochii mei, cura\u021bi \/ \u0219i duri, scutieri neadormi\u021bi, \/ privesc spre nordul \/ de st\u00e2nci \u0219i de metale, \/ unde un trup f\u0103r\u0103 vene \/ consult\u0103 c\u0103r\u021bi de joc \u00eenghe\u021bate\u201d (289-290). <\/em><\/p>\n

Anton Pann: Spitalul amorului sau C\u00e2nt\u0103torul dorului<\/em>: \u201e…De nu crede\u021bi ce vorbesc, \/ \u0218i v\u0103 pare c\u0103 glumesc, \/ Toate s\u0103 vi le numesc, \/ S\u0103 nu g\u00e2ndi\u021bi c\u0103 b\u00e2rfesc:\/\/ Una e Vi\u0219a lui Bran, \/ Alta e Mu\u0219a lui Stan \/ Cu care m\u0103 iubeam an, \/ \u0218i lu\u0103 pe nea Coman. \/\/ Una-i Voica dintre Tei, \/ \u0218i Ilinca vara ei, \/ Ce-o iubeam ca ochii mei, \/ \u0218i lu\u0103 pe nea Matei. \/\/ Alta-i Floarea din v\u0103lcea \/ \u0218i Safta care-mi pl\u0103cea, \/ Dar Marica le-ntrecea, \/Ran\u0103 inimi-mi f\u0103cea.\u201d <\/em><\/p>\n

Costache Conachi, Ce este nurul<\/em>: \u201eAh, nurule, \u00eemp\u0103rate a podoabelor fire\u0219ti, \/ Fiin\u021b\u0103 necunoscut\u0103 priceperii omene\u0219ti, \/ Tu ce \u021b\u00e2i \u00eemp\u0103r\u0103\u021bia \u00eentr-un cuprins de obraz \/ \u0218i st\u0103p\u00e2ne\u0219ti lumea toat\u0103 numai prin plac \u0219i prin haz, \/ Cu duhul \u0219i cu s\u00e2m\u021b\u00e2rea pururea \u00eentr-aripat, \/ Dai fiin\u021b\u0103 la fiin\u021ba \u00een care e\u0219ti r\u0103v\u0103rsat. \/ \u00centocmai \u0219i mai mult \u00eenc\u0103 dec\u00e2t fierul la magnit \/ Tragi pe inimi cu pl\u0103cerea \u0219i le supui la iubit. \/ Frumus\u0103\u021ba f\u0103r\u0103 tine este un chip zugr\u0103vit, \/ Ce nu-nghimp\u0103 la s\u00e2m\u021b\u00e2re, nici porne\u0219te la-ndr\u0103git. \/ Ea podoabelor supus\u0103, tu podoabe cov\u00e2r\u0219e\u0219ti, \/ Ea oglinzii s\u0103 \u00eenchin\u0103, tu oglinda o sfin\u021b\u0103\u0219ti. \/ Ochii ce te au pre tine cu s\u00e2m\u021b\u00e2rile gr\u0103ind \/ Parc\u0103 farmec\u0103 cu libov, parc\u0103 fulger\u0103 clipind. \/ Guri\u021ba ce s\u0103 de\u0219chide supt a tale z\u00e2mbituri \/ D\u0103 graiului o dulcea\u021b\u0103 prin care tu inimi furi. \/ Ah, nurule, \u00eemp\u0103rate, \u021b\u00e2e numai m\u0103 \u00eenchin, \/ Pentru tine sl\u0103vesc lumea, pentru tine eu suspin.\u201d<\/p>\n

\n

George ANCA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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