{"id":19266,"date":"2014-09-13T09:24:50","date_gmt":"2014-09-13T09:24:50","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=19266"},"modified":"2014-09-13T09:27:00","modified_gmt":"2014-09-13T09:27:00","slug":"george-anca-vasilca","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2014\/09\/13\/george-anca-vasilca\/","title":{"rendered":"George Anca: Vasilca"},"content":{"rendered":"

\"\"<\/a><\/p>\n

APROAPE\u00a0 TRANS\u0102,\u00a0 VASILCA<\/p>\n

Traian Vasilc\u0103u, Sfe\u0219nic \u00een rug\u0103ciune<\/em>, Notograf, Chi\u0219in\u0103u<\/p>\n

\n

\u00a0<\/em><\/p>\n

(Vasilca).Textul are un caracter agrar sau nareaz\u0103 povestea judec\u0103\u021bii lui \u201eSiva\u201d sau alte teme profane, \u00eencheindu-se cu ur\u0103ri tradi\u021bionale. Obiceiul este pe cale de dispari\u021bie. Melodiile pot fi grupate \u00een dou\u0103 tipuri: a.<\/em> asem\u0103n\u0103toare cu colinda, din punct de vedere ritmic \u0219i melodic, b.<\/em> melodii cu form\u0103 mai dezvoltat\u0103, \u00een form\u0103 ternar\u0103* sau p\u0103trat\u0103, ritm regulat, cu preferin\u021b\u0103 pentru modul (I, 5<\/strong>) mixolidic \u0219i ionic (mai rar hexacordii lidice sau eolice).<\/p>\n

\u00a0<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rup\u00e2ndu-mi piciorul st\u00e2ng, am intrat \u00een dou\u0103 transe \u0219i ceva \u2013 o scenometrie a operei lui Pu\u0219i Dinulescu, o versiune dup\u0103 The Rime of the Ancient Mariner<\/em> de Samuel Taylor Coleridge \u0219i, ceva-ceva, cuno\u0219tin\u021ba cu Vasilca, \u00eem persoana lui Traian Vasilc\u0103u, pseudonimic, Traianus. Am mai \u0219i citit tragedii de Seneca, traduse de Traian Diaconescu, Via\u021ba lui Don Quijote \u0219i Sancho<\/em> de Miguel de Unamuno, \u00een rom\u00e2ne\u0219te de Ileana Bucurenciu \u0219i Grigore Dima, Filocalia \u2013 Maxim M\u0103rturisitorul, Despre diferite locuri grele din sf\u00e2nta Scriptur\u0103<\/em> \u00een traducerea lui Dumitru St\u0103niloae, Metafizica moravurilor <\/em>de Imanuel Kant, traducere de Rodica Croitoru, Sfe\u0219nic \u00een rug\u0103ciune <\/em>de Traian Vasilc\u0103u <\/em>…<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trubaduresc, Traian Vasilc\u0103u arboreaz\u0103 Sfe\u0219nic \u00een rug\u0103ciune, alternat cu fermec\u0103toare (if) vers-versatilitate prin forme recurente nu doar cult-naiv-retorice: poem-cuv\u00e2nt-psalm-\u00eenchinare-simfopoem-c\u00e2ntec-elegie-clinchet-blestem-bocet. Unele dintre acestea sunt dedicate: Virgil \u0218erbu Cisteian, Nicolae Jelescu, Dorin Chirtoac\u0103, Artur Silvestri, Ana Maria Tupan, Grigore Vieru.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Febril-felibru, doinind cu jele de pelerin, steag de-nsingurare – s\u0103-\u0219i uite schitul crinilor psaltirea -, arghezian: Tot crez\u00e2nd c\u0103 am de toate \/ Am ajuns s\u0103 n-am nici moarte; \/Doamne, mult ce mi-i ru\u0219ine \/ C-avui trai de m\u0103r\u0103cine, \/ Iubind pe fie\u0219tecine \/ Ca s\u0103 m\u0103 iubeasc\u0103 nime. – bacovian: Ningea apocaliptic \u00een cetate, \/ Nici p\u00e2rtii nu erau, ningea mereu, \/ C\u00e2nd patru mierle-n dolii \u00eembr\u0103cate \/ M-au dus \u00een cuibul lor din Dumnezeu. – p\u0103unescist: Iubito, ce-amiro\u0219i a prim\u0103var\u0103, \/ Noi suntem condamna\u021bi s\u0103 fim o \u021bar\u0103 \u2013 vierian: Deschide geamul, a-nflorit Vieru. – mult folcloric, neo\u0219ez\u0103toresc, retro-patriotic, vates metric anecdotic \u0219i totu\u0219i \u00een trans\u0103-crochiu-cu-Picu-P\u0103tru\u021b, altfel ultramodern arhaic basarabean, vates madrigalist \u00een psalmi.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mor \u0219i-nviu ca o colind\u0103 (Vasilca?).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ru\u0219inea de-a fi comunist nu-l prinde, \/ R\u00e2de prin somn, despot analfabet, \/ \u0218i-ncruci\u0219\u00e2ndu-\u0219i m\u00e2inile pe piept \/ Mai are-un g\u00e2nd cum s\u0103 ne poat\u0103 vinde \/\/ \u021aarului prim, Rusiei r\u0103pitoare \/ Cu mare-alai, pe veci, f\u0103r\u0103 recurs! \/ S\u0103 revenim \u00een gheare noi de urs, \/ Profund sur\u00e2z\u0103tori, f\u0103r\u0103-ncetare…<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Blestem actual<\/em>: Foaie verde, noroc n-are \/ Soarta mea ce-n van o port \/ \u021aara noastr\u0103-i de v\u00e2nzare, \/ \u021aara noastr\u0103-i de export. \/\/ S-ar da primului ce are \/ Bani \u00een pung\u0103, vajnic lord, \/ Ca o \u021bar\u0103 de v\u00e2nzare, \/ Ca o \u021bar\u0103 de export. \/\/ Ce n-a\u0219 da s\u0103 fiu cel care \/ Cumpra-o-a\u0219 de tot? \/\/ S\u0103 nu fie de v\u00e2nzare, \/ S\u0103 nu fie de export! \/\/ Ca s\u0103 spune\u021bi fiecare \/\/ Fie\u0103rui lord netot: \/\/ N-avem \u021bar\u0103 de v\u00e2nzare, \/\/ N-avem \u021bar\u0103 de export!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Manifest ve\u0219nic actual: <\/em>Care popor? Nrg\u00e2nditoare plebe, \/ Care-a iubit o clip\u0103 \u0219i-a uitat, \/ Un trib civilizat, modernizat, \/ \u00cen care dorul desfr\u00e2n\u0103rii fierbe. \/\/ Care popor? incult\u0103 iob\u0103gime, \/ R\u00e2vnind prin contraband\u0103 chilipir. \/ De mendrele-i nu se mai mir\u0103 nime. \/ Care popor? Divinizat martir, \/\/ La care ne-nchin\u0103m \u2013 c-a\u0219a se cere, \/ Pe care-l vener\u0103m, dar f\u0103r\u0103 dor. \/ Popor ce-a fost \u00een ireale ere \/ \u0218i nu mai e deloc. Care popor?<\/p>\n

George ANCA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

APROAPE\u00a0 TRANS\u0102,\u00a0 VASILCA Traian Vasilc\u0103u, Sfe\u0219nic \u00een rug\u0103ciune, Notograf, Chi\u0219in\u0103u \u00a0 (Vasilca).Textul are un caracter agrar sau nareaz\u0103 povestea judec\u0103\u021bii [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-19266","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/19266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=19266"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/19266\/revisions"}],"predecessor-version":[{"id":19269,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/19266\/revisions\/19269"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=19266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=19266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=19266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}