{"id":1935,"date":"2012-02-18T14:06:16","date_gmt":"2012-02-18T14:06:16","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=1935"},"modified":"2012-03-16T10:33:50","modified_gmt":"2012-03-16T10:33:50","slug":"1935","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/02\/18\/1935\/","title":{"rendered":"George Anca \u015fi “Poezia academic\u0103 modern\u0103”"},"content":{"rendered":"

\"\"<\/a><\/strong><\/p>\n

Poezia academic\u0103 modern\u0103<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0– impresii de cititor –<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Adina Dumitrescu<\/strong><\/p>\n

 <\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Neie\u015fit\u0103 \u00eenc\u0103 din pasul muntos\u00a0 aflat l\u00e2ng\u0103 fostul ora\u015f roman Caudium din sudul Italiei,\u00a0 aflat\u0103 sub tirul de arme al samni\u0163ilor \u2013 alias \u2013 dezinteresul \u015fi graba cititorilor sau mutarea preferin\u0163elor literare spre fum, foc, furt \u015fi fraze reduse la gemete strict \u201econcupiscere\u201d, poezia \u00eencearc\u0103 de zeci de ani s\u0103 treac\u0103 prin furcile caudine \u015fi s\u0103 ias\u0103 la lumin\u0103. \u015ei iese o parte, cum nu, ori aceea cu harna\u015famentul cel mai u\u015for, cu ideile cele mai pu\u0163ine, cea cu impact rapid \u015fi direct asupra cititorului, ori cea mai savant\u0103. Numai c\u0103 la noi, rar se av\u00e2nt\u0103 cineva spre ultima citat\u0103. Ne-au dep\u0103\u015fit \u00eenainta\u015fii –\u00a0 poe\u0163ii filozofi, c\u0103ut\u0103torii, iar indexul nostru este mereu \u00eendreptat \u00eenspre ei. Mergem deci \u00eenainte, privind, ar\u0103t\u00e2nd, \u00eenapoi. Doar c\u0103 \u00een timpurile de criz\u0103 \u00eenfloresc artele. Poe\u0163ii, deci rom\u00e2nii adev\u0103ra\u0163i, c\u0103 suntem o na\u0163iune poetic\u0103,\u00a0 stau cu condeiul aproape de fil\u0103 \u015fi de inim\u0103. Orice efuziune sau necaz, de are timp sau nu are, rom\u00e2nul-poet o pune repede pe h\u00e2rtie pentru eternitate, numai c\u0103, timpul, acest balaur cu \u015fapte capete\u00a0 se hr\u0103ne\u015fte cu ea, \u00eenainte de vederea tiparului. \u015ei chiar de a v\u0103zut, crede\u0163i c\u0103 este vreun impediment \u00een zilele noastre s\u0103 se dea cu piciorul balotului cu c\u0103r\u0163i, eliber\u00e2ndu-ne astfel drumuri? C\u0103ci suntem, mai mult ca alte na\u0163ii, \u015fi una gr\u0103bit\u0103, parte din noi am pierdut obi\u015fnuin\u0163a cititului, sau am c\u0103p\u0103tat-o pe cea a internetului, care iute ne duce acolo unde nici n-am visat\u2026 A\u015fadar, iat\u0103 na\u0163ia cu mul\u0163i poe\u0163i gr\u0103bi\u0163i ce-n fug\u0103 \u00ee\u015fi uit\u0103 trecutul, p\u0103rin\u0163ii \u015fi mo\u015fii-str\u0103mo\u015fii, civiliza\u0163iile ce se credeau nepieritoare, abisul \u015fi piscul sim\u0163irilor. Iat\u0103 na\u0163ia devenit\u0103 fug\u0103 de cerc pe f\u0103ga\u015ful dispari\u0163iei istoriei nearanjate, a curgerii \u015fi disip\u0103rii acesteia, curgere ce-ar putea fi scoas\u0103 la lumin\u0103, ea reie\u015find din monumente, r\u0103m\u0103\u015fi\u0163e arheologice, hrisoave, legende \u015fi \u201ec\u00e2nturi\u201d. Ne fiind aten\u0163i, for\u0163a centripet\u0103 ne poate duce chiar \u00een mijlocul malaxorului continuu ce soarbe \u015fi mixeaz\u0103 identit\u0103\u0163i, nefiin\u0163e, uit\u0103ri. Nu avem timp s\u0103 privim \u00eenapoi \u015fi \u00een noi \u00een\u015fine, ne putem \u00eenscrie \u00een concavitatea tunelului \u00eendreptat spre aval, ca estuaru-n v\u0103rsare sau mai r\u0103u, ne putem automalaxa. Ne gr\u0103bim cu sacul plin, dar care are o densitate\u00a0 mic\u0103. Cum orice acumulare nu se \u00eencadreaz\u0103 \u00eentr-un plus \u015fi minus infinit, ci duce brusc la schimbare, cum suntem deja nu numai cu v\u00e2rful peni\u0163ei spre aderare, ci chiar primi\u0163i membri cu drepturi depline, volens-nolens am intrat\u00a0 \u015fi cu crea\u0163ia literar\u0103 \u00een concursul mileniului. Baremuri de intrare nu am v\u0103zut, se prezint\u0103 fiecare cu ce are, dar urcarea pe podium cere expertiz\u0103, iar aceasta are condi\u0163ii de eligibilitate. Unii sunt mai eligibili dec\u00e2t al\u0163ii \u015fi cum s\u0103 nu fie? \u00cen afar\u0103 de talent, la c\u00e2t a avut acces poetul sau scriitorul rom\u00e2n? Se poate el pune pe cel\u0103lalt taler al balan\u0163ei al\u0103turi de alt \u201eunionist\u201d? Noi, cei de pe margini ne facem griji.\u00a0 Numai c\u0103, din c\u00e2nd \u00een c\u00e2nd drumul nostru de cobor\u00e2re ne este parte barat de forma\u0163iuni asem\u0103n\u0103toare florii de st\u00e2nc\u0103. \u00cenvingem iner\u0163ia, \u0163inem fr\u00e2ul din scurt \u015fi cu greu ne oprim, dar o facem. Duc\u00e2nd foietajul de siliciu str\u0103lucitor mai aproape de ochi, avem \u00een fa\u0163\u0103 o luminozitate \u015fi o form\u0103 unic\u0103, dep\u0103rt\u00e2nd-o, c\u0103p\u0103t\u0103m cu totul altceva, la fel dac\u0103 \u00eel mi\u015fc\u0103m \u00een st\u00e2nga \u015fi-n dreapta. \u015ei ne afl\u0103m ca \u00een fa\u0163a caleidoscopului copil\u0103riei, \u00een care fiecare mi\u015fcare ne aduce alt sim\u0163\u0103m\u00e2nt. Vedem p\u00e2n\u0103 la urm\u0103 c\u0103 citim o poezie, ceva ce nu s-a scris p\u00e2n\u0103 atunci, o dep\u0103rt\u0103m pu\u0163in cu mirare \u015fi ne spunem, m\u0103i ce \u0163i-e \u015fi cu timpurile astea moderne!… Nici n-am schimbat locul \u015fi \u00een o mie de locuri am stat, nici n-am c\u0103utat \u00een anale \u015fi o mie de lucruri am aflat, nici nu ne-am analizat bine sentimentele \u015fi \u015ftim ce-am sim\u0163it! Ne privim m\u00e2inile\u2026 Cum de a disp\u0103rut floarea de min\u0103 \u015fi c\u00e2nd locul i-a fost luat de o poezie? Avem \u00een fa\u0163\u0103 o carte de poezii sau de poeme \u00een proz\u0103 asem\u0103n\u0103toare epopeilor trecutului, pe care nu le-a mai \u00eentrecut nimeni de atunci,\u00a0 nici \u00een t\u00e2lcuri, nici \u00een frumuse\u0163e, nici \u00een m\u0103rime!… \u00cen aceea\u015fi lucrare stau Mahabharata sanscrit\u0103 din itihasa \u2013 istoria Indiei, Iliada \u015fi Odiseea, \u00eentreg Coranul, Talmudul\u00a0 iudaic cu Tora ebraic\u0103 \u015fi aramaic\u0103 descris\u0103 de Moise, toate legendele lumii reg\u0103site, reunite legendelor \u015fi basmelor rom\u00e2ne\u015fti. O g\u0103sim pe Sita ramayanic\u0103 al\u0103turi sau asem\u0103n\u0103tore Esterei sau Eszterei care r\u0103pit\u0103\u00a0 de \u201efor\u0163a r\u0103ului \u2013 t\u00e2lharul r\u0103pitor de fete\u201d, din \u0163ip\u0103t, treze\u015fte muntele Suhardul Mic (Cohard) \u015fi-l face s\u0103-\u015fi pr\u0103v\u0103leasc\u0103 o parte din st\u00e2nci pe albia r\u00e2ului d\u00e2nd na\u015ftere Lacului Ro\u015fu. G\u0103sim aici \u00eentreaga credin\u0163\u0103 ortodox\u0103 ce ne \u00eenv\u0103luie la sunetul toacei monahale, p\u0103durea-ramul \u015fi c\u00e2ntul, marea-visarea \u015fi cerul, aducerea aminte, melancolia \u015fi umorul. Voi, scepticii, nu mi\u015fca\u0163i capul \u00een semn de ne\u00eencredere, r\u00e2sul este un lucru prea serios ca s\u0103 nu fie luat \u00een seam\u0103!\u2026 C\u0103ut\u00e2nd un loc g\u0103sim locurile, vecin\u0103t\u0103\u0163ile, na\u015fterea \u015fi curgerea lor, ce le cre\u015fte deasupra \u015fi ce le ascunde str\u0103fundul, ce le prezice viitorul \u015fi ce form\u0103 sau gust au c\u0103p\u0103tat acestea pe parcursul\u00a0 drumului. Mugurele te duce la ram, acesta la trunchiul copacului ce este legat prin r\u0103d\u0103cini de p\u0103m\u00e2nt, iar prin re\u0163elele g\u00e2ndului, la cer. Un fluid \u00een deplasare continu\u0103, lin\u0103, o \u00eentregire de Univers \u00eentr-o strof\u0103.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu este la \u00eendem\u00e2na oricui s\u0103 compun\u0103 o astfel de oper\u0103, c\u0103ci aceasta este compozi\u0163ia literar\u0103\u00a0 academic\u0103 modern\u0103 atotcuprinz\u0103toare\u00a0 \u015fi atot\u015ftiutoare, iar poetul \u201eme\u015fte\u015fugar\u201d este George Anca, personalitate \u00eenzestrat\u0103 \u015fi cu un\u00a0 eclectism demn de un artist modern a\u015fezat pe o \u00eentreag\u0103 filozofie a istoriei \u015fi sociologiei. Parcurg\u00e2ndu-i opera, \u00eenc\u0103 de la \u00eenceput e\u015fti paralizat de esen\u0163a ideii, percutarea ei rapid\u0103, \u015fi totu\u015fi, muzicalitatea\u00a0 expresiei:<\/strong><\/p>\n

de ce s\u0103 fiu<\/strong><\/p>\n

cu mul\u0163i \u00eent\u00e2i<\/strong><\/p>\n

nici to\u0163i t\u00e2rziu<\/strong><\/p>\n

nici nu r\u0103m\u00e2i<\/strong><\/p>\n

cum nu puteau fi <\/strong><\/p>\n

oamenii-ntr-un loc<\/strong><\/p>\n

libertatea \u015fi<\/strong><\/p>\n

moartea luau foc<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coexisten\u0163a divin\u0103 a cuplului b\u0103rbat-femeie, interdependen\u0163a acestora, dispari\u0163ia ambilor prin dispari\u0163ia unuia este redat\u0103 \u00een a\u015fa de pu\u0163ine cuvinte, \u00eenc\u00e2t \u015fi numai parcurgerea acestora \u00ee\u0163i d\u0103 unicitatea poetului.<\/strong><\/p>\n

\u00eempreun\u0103 chei<\/strong><\/p>\n

ramur\u0103 femeie<\/strong><\/p>\n

aer \u00eemp\u0103cat<\/strong><\/p>\n

ramul b\u0103rbat<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paparuda 1968<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Femeia primordial\u0103, femeia tuturor timpurilor, jum\u0103tatea \u00eentregitoare, dar \u015fi simbol al siguran\u0163ei perpetu\u0103rii spi\u0163ei umane \u015fi na\u0163iei, iubita, n\u0103sc\u0103toarea \u015fi roaba, jertfa, este redat\u0103-c\u00e2ntat\u0103, \u00eentregit\u0103 splendid \u00een:<\/strong><\/p>\n

a mai veche<\/strong><\/p>\n

o femeie<\/strong><\/p>\n

se descheie<\/strong><\/p>\n

boab\u0103-n bob<\/strong><\/p>\n

roab\u0103 de rob<\/strong><\/p>\n

acum lui<\/strong><\/p>\n

r\u0103ului<\/strong><\/p>\n

leatului<\/strong><\/p>\n

b\u0103rbatului<\/strong><\/p>\n

din ea strecuratului<\/strong><\/p>\n

i se-nchin\u0103<\/strong><\/p>\n

pentru vin\u0103<\/strong><\/p>\n

\u015fi-i trec ani<\/strong><\/p>\n

\u00een jelanii<\/strong><\/p>\n

c\u0103 e roab\u0103<\/strong><\/p>\n

de podoab\u0103<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paparuda 1968<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Femeia so\u0163ie, c\u0103ldura alian\u0163ei, sunt descrise de poet \u00eentr-o singur\u0103\u00a0 fraz\u0103, dar c\u00e2t de ad\u00e2nc\u0103\u2026\u201edarul legitim, tandre\u0163ea cople\u015fitoare a \u00eentoarcerii timpurii, chiar dintr-un\u00a0 paradis \u00eentr-o insul\u0103, \u015fi m\u0103 g\u00e2ndeam cu binele, cu frumosul, cu ho \u015fi te-o, cu elegan\u0163\u0103 \u015fi patim\u0103 la\u00a0 Nansi\u201d<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dou\u0103sprezece nop\u0163i 2008<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Urma\u015fii, copiii de toate felurile, buni, r\u0103i, sunt g\u0103si\u0163i \u00een pu\u0163ine \u201ecuvinte potrivite\u201d, printr-o cheie care \u00eei fi\u015feaz\u0103:<\/strong><\/p>\n

a\u015fa cuno\u015fti <\/strong><\/p>\n

pe fiu cum<\/strong><\/p>\n

te pa\u015fte<\/strong><\/p>\n

mam\u0103 a ierbii<\/strong><\/p>\n

arme-nfrico\u015f\u0103toare<\/strong><\/p>\n

pentru fiecare<\/strong><\/p>\n

nu exist\u0103 bine<\/strong><\/p>\n

mi-e team\u0103 de mine<\/strong><\/p>\n

Descrierea lumii \u00een care tr\u0103ie\u015fte are sonorit\u0103\u0163i \u015fi sim\u0163iri de Nirvan\u0103: \u201edac\u0103 eu, privind \u00een lume, nu v\u0103d dec\u00e2t o insul\u0103, t\u0103iat\u0103 de ape curg\u0103toare din lunci \u015fi p\u0103duri, dac\u0103 nu-mi \u00eendrept g\u00e2ndul, drept urmare, dec\u00e2t spre insulele adev\u0103rate, ale oceanelor, inspirat \u00eens\u0103 de una aleatorie, dac\u0103 deodat\u0103 cea virtual\u0103 \u015fi insulele reale, unde s-au \u00eengropat \u015fi eroi na\u0163ionali, se petrec una dup\u0103 alta echip\u00e2ndu-se \u015fi lans\u00e2nd \u00eentunecimi r\u0103sun\u0103toare, atunci am \u00eenceput o c\u0103l\u0103torie. Mai aproape mi-e insula iluzorie, voi spulbera-o r\u00e2z\u00e2nd, o voi t\u00e2r\u00ee cu b\u0103\u015ficile t\u0103lpilor la un loc\u201d. Zis \u015fi f\u0103cut, a dorit, cel mai tare a dorit, \u015fi a c\u0103l\u0103torit. C\u0103l\u0103torind, a sublimat.\u00a0 Sublim\u00e2nd versul, fixeaz\u0103 ideea, fix\u00e2nd-o, o leag\u0103 de alta \u00een acela\u015fi vers. \u015ei vers pus l\u00e2ng\u0103 vers, poemul poate lesne s\u0103 se transforme \u00een proz\u0103, proza \u00een pies\u0103 de teatru \u015fi toate la un loc duc la opera literar\u0103 academic\u0103, specific\u0103 numai acelora ce nu doar au sim\u0163it \u015fi au scris, dar au \u015fi v\u0103zut multe, au \u00eenv\u0103\u0163at multe \u015fi au avut puterea \u015fi inspira\u0163ia unic\u0103 a sintezei. Citim, vedem, auzim locul, \u00eel gust\u0103m intr\u00e2nd aproape \u00een sinestezia poetului. Uneori m-am pierdut \u00een meandre asem\u0103n\u0103toare r\u0103d\u0103cinilor de mangrove ce formeaz\u0103 labirintul malului sau abisului.<\/strong><\/p>\n

\u00a0a game at chess traducerea<\/strong><\/p>\n

\u00a0nu va mai fi arhaic\u0103 netragic mat<\/strong><\/p>\n

\u00a0Swinburne \u00eentre Middleton \u015fi Baudelaire<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0c\u00e2nd nu e \u00een c\u0103lduri nu ies cu ea \u00een parc<\/strong><\/p>\n

\u00a0\u00a0mai ra\u0163\u0103 apa v\u0103z\u0103toare trans\u0103 jet<\/strong><\/p>\n

\u00a0 se caut\u0103 imnuri \u00een c\u0103\u015fti juma cocain\u0103<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0 focul \u015fi celelalte vedas \u00een caravanele<\/strong><\/p>\n

\u00a0\u00a0 stihuite caietic rare mantre genocid<\/strong><\/p>\n

\u00a0\u00a0 personaje \u015ftiute de actori la noi acas\u0103<\/strong><\/p>\n

\u00a0\u00a0 ne lans\u0103m \u2013 Barba lui Hegel 2011<\/strong><\/p>\n

Poate mi-a trebuit mai mult timp s\u0103 descifrez g\u00e2ndul poetului, dar am pus-o pe seama neinstruc\u0163iei mele, pe obi\u015fnuin\u0163a citirii textelor cu un con\u0163inut \u015fi o exprimare precar\u0103. Mi-am \u00eensu\u015fit critica asupra-mi \u015fi am continuat, mai atras\u0103, lectura. M-am sim\u0163it atunci \u00een c\u00e2\u015ftig intelectual, spiritual, ca \u015fi c\u00e2nd am l\u0103sat \u00een urm\u0103 o treapt\u0103 a definitiv\u0103rii mele \u015fi am urcat \u015fapte. C\u0103ci tipul acesta de poezie academic\u0103\u00a0 face cititorul p\u0103rta\u015f la o lume nou\u0103, modern\u0103, \u00eembog\u0103\u0163it\u0103 \u00een sim\u0163ire, ajut\u00e2ndu-te s\u0103 nu rugine\u015fti \u00eentre paralelele unei lumi care nu \u0163ine pasul cu tine, ci \u0163i-o ia ve\u015fnic \u00eenainte.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Citind, nu intri numai \u00eentr-un culoar din care p\u0103trund \u00eenspre tine realit\u0103\u0163i, fiin\u0163e, drumuri, istorii \u00eembr\u0103cate \u00een haina talentului literar. Natura v\u0103zut\u0103 prin ochii poetului devine locul pe care l-ai parcurs, l-ai sim\u0163it \u015fi te-ai \u00eenfr\u0103\u0163it cu el. Fiecare continent \u015fi fiecare \u0163ar\u0103 str\u0103b\u0103tut\u0103 i-au p\u0103truns anterior poetului \u00een fiin\u0163\u0103, astfel \u00eenc\u00e2t, poezia lui devine poezia elitelor culturii. Versurile, proza \u015fi teatrul compuse de el cuprind \u00eengem\u0103narea de na\u0163ii, limbi, legende, cr\u00e2mpeie de istorie, personalit\u0103\u0163i de vaz\u0103, obiceiuri, \u015fi mai ales sublimarea acestora \u00een \u201eochiul \u015fi gustul\u201d poetului, ca apoi, s\u0103-\u0163i ofere spre citire o stare. Aceea te a\u015feaz\u0103 exact \u00een locul pe care nu l-ai v\u0103zut, dar pe care \u00eel bifezi ca pe locul parcurs.<\/strong><\/p>\n

Satele rom\u00e2ne\u015fti, satele prin care a trecut ca \u015fi cel \u00een care s-a pl\u0103m\u0103dit, au fiecare d\u00e2ra, izul propriu, r\u0103mas \u00een sim\u0163ire ca \u201earhanghel \u00een biserica d\u0103r\u00e2mat\u0103 din Izb\u0103\u015fe\u015fti, r\u00e2s, m\u0103r\u0103cine, privighetoare \u00een podul Od\u0103ii, barb\u0103 \u00een nas la schitul Sl\u0103nic, p\u0103r de c\u00e2ine\u00a0 \u00een podul grajdului, urs \u00een groapa din Valea C\u00e2rstei, \u015farpe \u00een Dealul Mei\u015foarelor, pe\u015fte\u201d.<\/strong><\/p>\n

P\u0103durea, leag\u0103n de frunze, de arbori \u015fi flori, de \u0163ipete de p\u0103s\u0103ri \u00een cuiburi, \u00eempletiri radiculare de sute de ani cu cele de-un anotimp are conota\u0163ii de templu \u00een care o dat\u0103 p\u0103truns, e \u015fi prins \u00een \u015fuvoiul rugii spre cer \u201eLe bat fagii cu palma, oftez \u00een lini\u015ftea mor\u0163ii unei p\u0103s\u0103ri c\u00e2nt\u0103toare, m\u0103 las biciuit de cojile jupuite ale mestecenilor, \u00eenmul\u0163esc r\u00e2pile cu \u0163ipete \u015fi lovituri din picior, ocolesc satele cele pline de topoare \u015fi z\u0103pezi, le m\u0103rturisesc neputin\u0163a omeneasc\u0103. Zadarnic. P\u0103durile intr\u0103 \u00een pa\u015fi. R\u0103sar de sub r\u0103s\u0103rituri, \u00ee\u015fi spiraleaz\u0103 trunchiurile, \u00ee\u015fi \u00eenv\u0103lvoaie coroanele cu umbr\u0103 nemiloas\u0103 pe cerul horei de r\u0103d\u0103cini. Singur\u0103, cu toate fiin\u0163ele pe care le-a adus la umbr\u0103 \u015fi \u00eent\u00e2i cu lumina ei.\u201d<\/strong><\/p>\n

Deasupra tuturor, deasupra dealurilor \u015fi p\u0103durilor, deasupra noastr\u0103, r\u0103ma\u015fi de-a pururi \u00eengeri-sfin\u0163i, aduc\u00e2ndu-ni-i cu evlavie \u00een memorie \u015fi cinstire \u2013 sfin\u0163ii rom\u00e2ni \u2013 <\/strong><\/p>\n

\u00a0Ion Dumitru Elisabeta Vasile Ilinca T\u0103nase\u00a0 \u2026\u2026\u2026\u2026<\/strong><\/p>\n

Legea prin Moise harul \u015fi adev\u0103rul prin Iisus<\/strong><\/p>\n

Nimeni n-a v\u0103zut vreodat\u0103 pe Dumnezeu<\/strong><\/p>\n

\u00cen mijlocul vostru st\u0103 unul pe care nu-l cunoa\u015fte\u0163i<\/strong><\/p>\n

Femeie ce am a face cu tine nu mi-a venit \u00eenc\u0103 ceasul<\/strong><\/p>\n

\u00a0Noi vorbim ce \u015ftim \u015fi m\u0103rturisim ce am v\u0103zut<\/strong><\/p>\n

\u00a0\u015ei voi nu primi\u0163i m\u0103rturisirea noastr\u0103<\/strong><\/p>\n

Oricui bea\u00a0 din apa aceasta \u00eei va fi sete<\/strong><\/p>\n

\u00a0Mihai Constantin Lucian Tudor Corneliu Mircea<\/strong><\/p>\n

\u00a0De aceea s\u0103 nu mai p\u0103c\u0103tuie\u015fti ca s\u0103 nu \u0163i se \u00eent\u00e2mple ceva mai r\u0103u.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Martirilor de m\u00e2ine\u00a0 2008<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015ei ca un Crez Sf\u00e2nt, o jelanie \u015fi o rug\u0103, o \u00een\u0103l\u0163are \u015fi o supu\u015fenie nemai\u00eent\u00e2lnit\u0103, ca o jertf\u0103:<\/strong><\/p>\n

\u00a0 Surioar\u0103 Salomie, Rom\u00e2nie pe tipsie\u2026\u2026.<\/strong><\/p>\n

\u00a0 \u2026\u2026\u2026Domnul pe cruce cu tine a vorbit.<\/strong><\/p>\n

\u00a0N-am pierdut pe niciunul.<\/strong><\/p>\n

\u00a0Ucenic al sf\u00e2ntului Daniil,<\/strong><\/p>\n

\u00a0din Putna Ierusalim ai f\u0103cut.<\/strong><\/p>\n

Catapeteasma neamului s-a despicat.<\/strong><\/p>\n

Bucur\u0103-te, Mireas\u0103 urzitoare<\/strong><\/p>\n

de nesf\u00e2r\u015fit\u0103 rug\u0103ciune.<\/strong><\/p>\n

Tantum esse sub fragmentum<\/strong><\/p>\n

Quantum toto tegitur.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Icos:\u00a0 Ioan \u015fi sfin\u0163ii rom\u00e2ni<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Darul cel mai mare al poetului este plierea p\u00e2n\u0103 la identificare cu locurile, legendele, evenimentele \u015fi fiin\u0163ele cu care acesta a fost \u00een contact.<\/strong><\/p>\n

st\u0103ncu\u0163a s-ar fi a\u015fezat pe umeri<\/strong><\/p>\n

dar barba \u00eemi fugi speriat\u0103<\/strong><\/p>\n

din tinere\u0163e dup\u0103 viezuri \u00een nori<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

vedem ce mai facem \u00een India<\/strong><\/p>\n

hotelul Poem din Stambul<\/strong><\/p>\n

ghat pe Gange devers\u0103mu-ne<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

nu \u0163i s-au deschis trandafirii<\/strong><\/p>\n

12 p\u0103uni \u00eenghi\u0163indu-\u015fi penele<\/strong><\/p>\n

trenele migrenele jenele<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 nu m\u0103 cuno\u015fti \u2013 Barba lui Hegel<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Durerea, lucrul ne-la-locul-lui, ghinionul, \u00eentunecarea sublimului ce se cerea ve\u015fnic luminat, stricarea, demolarea sunt prinse \u00een numai c\u00e2teva versuri<\/strong><\/p>\n

aur horn de suflet mama<\/strong><\/p>\n

iart\u0103 caravela Yama<\/strong><\/p>\n

de la Salva-n Ligonier<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

debara debarcader<\/strong><\/p>\n

film al pai\u015fpelea \u00een rol<\/strong><\/p>\n

trei\u015fpe c\u0103 te pun parol<\/strong><\/p>\n

 <\/p>\n

scen\u0103 lemn construct chivot<\/strong><\/p>\n

arca bard\u0103 stupa cremeni<\/strong><\/p>\n

o fanatic\u0103 pentad\u0103 <\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 aur horn \u2013 Barba lui Hegel<\/strong><\/p>\n

Necunoscu\u0163ii c\u0103l\u0103re\u0163i m\u00e2na\u0163i \u00eentr-un du-te-vino pe creste formate din roci f\u0103r\u0103 vegeta\u0163ie, acei r\u0103ma\u015fi f\u0103r\u0103 de locul natal, f\u0103r\u0103 habitaclul \u00eenceputului, acei m\u00e2na\u0163i de iluzorii promisiuni \u015fi tr\u0103itori de cas\u0103 a datornicilor, de cas\u0103 de p\u0103pu\u015fi, perdan\u0163ii, au parte de versuri \u201e\u00eenchinate\u201d de un tragism ibsenian:<\/strong><\/p>\n

ceas t\u0103iat sodom de iepe damn<\/strong><\/p>\n

nu cunosc pe nimeni pe to\u0163i \u00eei<\/strong><\/p>\n

recunosc rezumatelor muze<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

dus-\u00eentors pa\u015fi pas manad\u0103<\/strong><\/p>\n

inver\u015fi ocul\u0163i n\u0103p\u0103dului a<\/strong><\/p>\n

mai c\u0103l\u0103ri stone Livingstone<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

mai o catrin\u0163\u0103 ferfeni\u0163\u0103<\/strong><\/p>\n

cucut\u0103 anesteziat\u0103 otrav\u0103<\/strong><\/p>\n

cadastrul nonentit\u0103\u0163ilor\u00a0 pe cal<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

suntem pe aripile ultime<\/strong><\/p>\n

fiziologii de fete poate <\/strong><\/p>\n

cu Nora f\u0103r\u0103 de Ibsen<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ceas t\u0103iat \u2013 2011<\/strong><\/p>\n

P\u0103trunz\u00e2nd \u00een proza\u00a0 mai nou\u0103 a lui George Anca, g\u0103sim aceea\u015fi exprimare ce pare comprimativ\u0103 ochiului neformat, gr\u0103bitului sau poate neavizatului. Un lac de cuvinte extrase\u00a0 dintr-un ocean de fapte, locuri, personaje, tr\u0103iri. Gust\u0103m cu pipeta concentratul care ne umple gura, fiin\u0163a. \u201eAm citit ce nu se poate citi. Mai presus de totalitarieni. Br\u00e2nci de de autoscrutare. M\u0103 caut\u0103 b\u0103tr\u00e2nii. Marii poe\u0163i ai pu\u015fc\u0103riilor \u015fi anonimii. Antologia voastr\u0103 e o nedeie. Dac\u0103 o sco\u0163i, cine mai face pl\u0103cinta?\u00a0 Str. Plantelor 7-9. S\u0103 vedem s\u0103rb\u0103torirea lui Eliade la Chi\u015fin\u0103u,\u00a0 c\u0103 pe fostul primar Costin, so\u0163ul directoarei, \u00eel \u00eengroap\u0103 azi la cimitirul armean. Motanul se preface c\u0103 doarme, eu c\u0103 scriu. Fata-mi adusese pe fundul paharului un rest de vinars. Tot o s\u0103-nfloreasc\u0103 zarz\u0103rii acu-acu. Plata a v\u0103zut vacile domnului.\u201d\u00a0\u00a0 Diaspora YR – 2012-02-17<\/strong><\/p>\n

Am ascultat \u015fi am auzit voci\u2026 slabe voci\u2026 cine nu se pricepe, tace. C\u0103ruia-i place s\u0103 se aud\u0103 vorbind, vorbe\u015fte. Cui \u00eei st\u0103 g\u00e2ndul la p\u0103trunderea-n fa\u0163\u0103 \u015fi numai la asta, d\u0103 din coate, love\u015fte \u015fi fuge-nainte. Numai c\u0103 \u00een cazul de fa\u0163\u0103, indiferent de opinia epigonilor, opera lui George Anca impune \u015fi se suprapune unui culoar mai rar c\u0103lcat \u00een ziua de azi, dar care ne aminte\u015fte de o poezie filozofic\u0103 a unor \u00eenainta\u015fi care au avut de suferit din cauza curajului de a fi scris \u015fi \u00een \u201ealt fel\u201d \u2013 inteligent, sim\u0163it, sf\u00e2\u015fietor de sim\u0163it \u015fi dedicat scrisului \u015fi rom\u00e2nismului. Nici vorb\u0103 de influen\u0163are din hinduism, apartenen\u0163a la secte meditative etc. Cine nu mediteaz\u0103? Doar acela care nu poate trece prin filtrul g\u00e2ndirii o impresie venit\u0103 din afara lui pentru a o lega de o a doua, doar acela care nu poate lega realul de ireal \u015fi no\u0163iunile \u00eentre ele\u2026 agnosticul. Acela care zice \u2013 e discursiv\u0103<\/em> – . Pare discursiv\u0103, numai c\u0103 ea este cursiv\u0103 prin observare \u015fi redare de st\u0103ri, nuan\u0163e, sentimente, jelanie \u015fi speran\u0163\u0103. E punctual\u0103! <\/em>Pare punctual\u0103 prin oprirea \u00een fa\u0163a fiec\u0103rui eveniment de observat \u015fi trecerea spre urm\u0103torul. Doar c\u0103 punctul este legat de s\u0103geata-\u00eendreptar de alt punct, ace\u015ftia formeaz\u0103 vectori continui care\u00a0 umplu spa\u0163iul material \u00eempr\u0103\u015ftiindu-l spre cer, \u00eentregind armonia sonor\u0103 a divinului. Aceasta este poezia academic\u0103 modern\u0103, cea care poate merge \u00een echilibru \u015fi pe buza pr\u0103pastiei, f\u0103r\u0103 frica unei c\u0103deri \u00een neant, \u00eencrez\u0103toare \u00een zborul omenescului. Versurile ei sunt \u201ejuc\u0103riile lui Br\u00e2ncu\u015fi\u201d, cele care ar dori ca lumea s\u0103 se bucure, s\u0103 se joace cu ele, dar sunt mai \u00eent\u00e2i de toate jocurile noi ale min\u0163ilor luminate.<\/strong><\/p>\n

Adina Dumitrescu<\/strong><\/p>\n

Sursa:\u00a0 http:\/\/georgeanca.blogspot.com\/<\/strong><\/p>\n

 <\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Poezia academic\u0103 modern\u0103 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0– impresii de cititor – \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1935","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/1935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=1935"}],"version-history":[{"count":0,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/1935\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=1935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=1935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=1935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}