{"id":21521,"date":"2015-03-02T11:01:18","date_gmt":"2015-03-02T11:01:18","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=21521"},"modified":"2015-03-04T21:33:43","modified_gmt":"2015-03-04T21:33:43","slug":"anatol-covali-un-bijutier-de-cuvinte%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/03\/02\/anatol-covali-un-bijutier-de-cuvinte%e2%80%9d\/","title":{"rendered":"Anatol Covali un ,,bijutier de cuvinte\u201d"},"content":{"rendered":"<p style=\"text-align: justify;\" align=\"right\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/covali-sonete-alfabetice.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-21522\" title=\"covali-sonete-alfabetice\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/covali-sonete-alfabetice.jpg\" alt=\"\" width=\"130\" height=\"180\" \/><\/a>,,<em>Cine are voca\u0163iune? Cel ce \u00een momentul lucr\u0103rii se uit\u0103 pe sine<\/em>.\u201d\u00a0 (Titu Maiorescu)<\/p>\n<p style=\"text-align: justify;\">Poetul-muzician<strong> Anatol Covali<\/strong>, prin ,,<strong> Sonete alfabtice<\/strong>\u201d, Editura Bibliotheca T\u00e2rgovi\u0219te, 2015, se uit\u0103 pe sine \u0219i de data aceasta, oferindu-ne un volum, demn de un ,,<em>bijutier de cuvinte<\/em>\u201d.<\/p>\n<p style=\"text-align: justify;\">Un titlu incitant, sonetele av\u00e2nd un parcurs liric, \u00een ordine alfabetic\u0103. Revenind la Maiorescu, \u0219i pentru <strong>Anatol Covali<\/strong>, \u00een lini\u0219tea sa, ,,<em>nu are \u00a0calendar<\/em>\u201d \u0219i treapta dint\u00e2i pe care se \u00een\u0103l\u0163\u0103, ,,<em>e un altar de jertf\u0103<\/em>.\u201d.<\/p>\n<p style=\"text-align: justify;\">Pe bun\u0103 dreptate scriitorul Radu C\u00e2rneci, vorbe\u0219te \u00een prefa\u021ba c\u0103r\u021bii de o ,,<em>\u00een\u021belegere maiorescian\u0103<\/em>\u201d, surprinz\u00e2nd poetul ,,<em>citind \u00een dic\u021bionare \u0219i \u00een stele<\/em>\u201d, \u0219i ,,<em>grup\u00e2nd cuvinte<\/em>\u201d \u00eentr-un ,,<em>tom saturat de frumuse\u021bi esen\u021biale, rostite \u00een cuget deplin, m\u0103estrind cu har la haina vremii din totdeauna \u0219i de acum.<\/em>\u201d<\/p>\n<p style=\"text-align: justify;\">Sonetele, (\u00een metru clasic, \u00een cel iambic, \u00een metru liber sau sontete-rondel, sonete-gazel \u0219i incipituri cu litere str\u0103ine) pline de sensibilitate \u0219i harice, \u00eendeamn\u0103 la medita\u021bie. Din nou problematica existen\u021bial\u0103 se r\u00e2nduie\u0219te firesc, prin tr\u0103irile pline de substan\u021b\u0103 \u00een fa\u021ba naturii, a necuv\u00e2nt\u0103toarelor, a iubirii, durerii, fiind din nou \u00een rezonan\u021b\u0103 cu eul s\u0103u nelini\u0219tit. ,,<em>Arderi intense-n ireale spa\u021bii\/aprinse de sc\u00e2nteie divine\/atunci c\u00e2nd din Cuvinte \u0219i din Sine\/au dat n\u0103val\u0103-n infinit vibra\u021bii<\/em>.\u201d (Ab initio, pag. 11)<\/p>\n<p style=\"text-align: justify;\">G\u00e2ndurile \u00eel n\u0103p\u0103desc, \u00ee\u0219i face un <em>bilan\u021b,<\/em> <em>clar, <\/em>trec\u00e2nd de la <em>desc\u0103tu\u0219are <\/em>spre<em> extaz<\/em>. ,,\u2026<em>Eu sunt ce sunt de c\u00e2nd alt sens dau vie\u021bii.\/E-n mine o prefacere total\u0103.\/Eliberat din temni\u021ba triste\u021bii.\/ exist pentru-o-mplinire ideal\u0103.\/ Extazu-n care ard, nu e p\u0103rere,\/efort sau am\u0103gire, ci-nviere!<\/em>\u201d (Extaz, pag. 15).<\/p>\n<p style=\"text-align: justify;\">Personalitatea ,,<em>bijutierului de cuvinte<\/em>\u201d joac\u0103 un rol rolul decisiv \u00een <em>construc\u021bia<\/em>\u00a0 sonetelor. Indiferent de formele g\u0103site, comunicarea cu inten\u021bii estetice se sprijin\u0103 pe imagini vizuale, auditive, fiind \u00een\u021beleas\u0103 ca o interpretare a acesteia cu scopul de a scoate \u00een eviden\u021b\u0103 o anume semnifica\u021bie. ,,<em>Arta este un col\u021b al naturii v\u0103zut impersonal \u0219i exprimat printr-un temperament individual&#8221;<\/em> (Titu Maiorescu). ,,<em>Geruri au fost. Acum e prim\u0103var\u0103.\/Ghiocei albi au n\u0103p\u0103dit p\u0103durea.\/G\u00e2ndul \u00eentinerit colind\u0103-aiurea.\/ghidu\u0219 dorind ca-n g\u00e2nduri s\u0103-\u021bi r\u0103sar\u0103.\/\u2026ginga\u0219e adieri ce or s\u0103 cheme\/griji \u0219i necazuri, doar spre-a le preface\/grenadele r\u0103zboinice \u00een pace<\/em>.\u201d (Gonesc, pag. 17)<em><\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0Esen\u021ba poeziei poetului, este iubirea, frumosul, prin fo\u0219netul <em>cuvintelor<\/em>. Maiorescu arat\u0103 cum ,,<em>Poezia, ca toate artele, este chemat\u0103 s\u0103 exprime frumosul<\/em>&#8220;, iar ,,<em>frumosul cuprinde idei manifestate \u00een materie sensibil\u0103<\/em>&#8220;. Anatol Covali, pl\u0103m\u0103dit din sensibilitatea \u0219i frumuse\u021bea lumii, \u00eenve\u0219m\u00e2ntat \u00een timpul ce-i zide\u0219te lucrarea \u00eenc\u0103rcat\u0103 de sfin\u021benie, \u00ee\u0219i cunoa\u0219te rostul. ,,<em>Rodu-mi bogat, str\u00e2ns cu at\u00e2ta trud\u0103,\/risipei a fost dat, ca dar s\u0103 fie,\/ re-ntinerind c\u00e2nd sf\u00e2nta armonie\/recolte-n ea a vrut s\u0103 tot includ\u0103\u2026\/risc \u0219i str\u0103bat c\u0103r\u0103ri necunoscute.\/R\u0103m\u00e2n tot eu, \u00eens\u0103 mereu sunt altul\/rostu-i fiind de-a cuceri cerul<\/em>.\u201d (Rost, pag. 27)<\/p>\n<p style=\"text-align: justify;\">Maiorescu ajunge la identificarea acestora, <em>definind frumosul, \u00een termeni hegelieni, drept aparenta sensibil\u0103 a ideii&#8221;. Arta dobande\u0219te un rol moralizator, pentru c\u0103 \u00eel \u00eennobileaz\u0103 pe om, \u00eei confer\u0103 demnitate<\/em>.<\/p>\n<p style=\"text-align: justify;\">Menirea unui poet, este profetic\u0103.<em> ,,Mi-e tare dor, din c\u00e2nd \u00een c\u00e2nd, de mine!\/M\u0103 caut \u0219i m\u0103 aflu \u00een uitare\/mai trist, mai plin de sentimente-amare\/mereu cu lacrimi prinse de retine\/&#8230;mirifici care poart\u0103-n ei elanuri.\/ Mut \u0219i uimit admir cum re\u00eencepe\/ menirea mea s\u0103 scot rod din stepe<\/em>.\u201d (Menirea, pag. 23) . Eul poetului, <em>vibreaz\u0103 \u00a0cu intensitate \u015fi sinceritate, ,,ideea fiind tr\u0103it\u0103 \u00een toate ad\u00e2ncimile sufletului, pentru a-i da c\u0103ldura care s\u0103 \u00eenv\u0103luie pe cititor sau ascult\u0103tor<\/em>\u201d<\/p>\n<p style=\"text-align: justify;\">Starea de contempla\u021bie estetic\u0103 creeaz\u0103 \u00een autor<em> ,,o atmosfer\u0103 intim\u0103 de disponibilitate, de libertate sufleteasc\u0103&#8221;.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>,,Ce liberal e Beethoven \u00een orchestra\u0163ie! Tot instrumentul e \u00eentrebat s\u0103-\u015fi dea p\u0103rerea \u015fi reproduce pe r\u0103spunderea sa ideea principal\u0103. Ideea principal\u0103 c\u00e2\u015ftig\u0103 astfel o varietate de fe\u0163e originale, e c\u00e2nd \u00eenalt\u0103, c\u00e2nd burlesc\u0103, c\u00e2nd trist\u0103 \u015fi c\u00e2nd voioas\u0103, \u015fi \u00een impresia total\u0103 r\u0103m\u00e2ne o lume armonic\u0103 aparte, adev\u0103ratul humor al omenirii.\u201d(Titu Maiorescu)<\/em><\/p>\n<p style=\"text-align: justify;\">Aceast\u0103 tonalitate muzical\u0103, este prezent\u0103 \u0219i \u00een sonetele poetului <strong>Anatol Covali<\/strong>. Are o \u021bint\u0103 precis\u0103; ,,<em>ce \u021bine de via\u021ba-mi \u00eenc\u0103 ne\u00eenvins\u0103,\/ \u021besut\u0103 de destin direct pe stele\u2026\/\u021binut de-mpliniri c\u00e2t mai departe.\/ \u021a\u00e2\u0219nind ca un vulcan din poezie\/\u021bin s\u0103 r\u00e2m\u00e2n poet \u0219i-n ve\u0219nicie<\/em> \u201c. (\u021aint\u0103, pag.31)<\/p>\n<p style=\"text-align: justify;\">Ca un drume\u021b, ,,<em>prin stepe r\u0103t\u0103cit<\/em>\u201d, poetul, ne avertizeaz\u0103 c\u0103, \u00eentr-o bun\u0103 zi, \u00eei vom vedea ,,drumeagul\u201d \u00a0urc\u00e2nd. ,,<em>Elanul sufletului meu\/e zbor seme\u021b prin spa\u021bii,\/entuziast \u0219i-avid mereu,\/erup\u021bii de vibra\u021bii\u2026\/emo\u021bie fierbinte\/Eul e-atunci dinamitard,\/ecou divin \u0219i \u021binte<\/em>. \u201c(Elan, pag. 41)<\/p>\n<p style=\"text-align: justify;\">Harul poetic str\u0103bate volumul cu acea ardere de tot pe care o g\u0103sim \u00een majoritatea volumelor. Filonul religios este viu, \u0219i g\u00e2ndul la ve\u0219nicie \u00eel poart\u0103 \u00een rug\u0103. Subtilitatea filozofic\u0103 a versurilor \u00eel claseaz\u0103 pe o treapt\u0103 de maturitate poetic\u0103. ,,<em>Vers p\u0103tima\u0219 voi scrie,\/vulcani arz\u00e2nd \u00een anii mei\/vr\u0103ji\u021bi de ve\u0219nicie.<\/em>\u201d (Ve\u0219nicie, pag. 59)<\/p>\n<p style=\"text-align: justify;\">,,<em>O carte deosebit\u0103 prin arhitecura cu totul insolit\u0103, prin minu\u021biozitatea cu care este destilat\u0103 ideea \u0219i pus\u0103 \u00een forme nea\u0219teptate de poetul-muzician Anatol Covali&#8230;\u00cen aceste<strong> sonete alfabetice<\/strong> poetul \u00eencearc\u0103 a cuprinde cu dezinvoltur\u0103 lumea \u2013 pe el \u00eensu\u0219i cu tot jur-\u00eemprejurul de la vierme p\u00e2n\u0103 la astru; iubiri, dureri, bucurii \u0219i triste\u021bi \u00eentru esen\u021bializare; se lupt\u0103 cu \u00eenaltul \u0219i ad\u00e2ncul (cu sinele-i, adic\u0103), sose\u0219te \u0219i pleac\u0103 mereu \u00eentru reg\u0103sirea-i \u0219i, asemeni Me\u0219terului Manole, zide\u0219te \u0219i surp\u0103 neobosind p\u00e2n\u0103 la ultima cupol\u0103 a m\u0103n\u0103stirii din suflet. Ana cea m\u00e2ndr\u0103 \u0219i ne\u00eenvins\u0103 este el \u00eensu\u0219i, fiind \u00een acela\u0219i timp me\u0219terul de har divin, zidindu-se \u0219i r\u0103m\u0103n\u00e2nd eternit\u0103\u021bii<\/em>.\u201d Radu C\u00e2rneci<\/p>\n<p align=\"right\"><strong>Mariana Gurza<\/strong><\/p>\n<p align=\"right\">Timi\u0219oara<\/p>\n<p align=\"right\">02 Martie 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>,,Cine are voca\u0163iune? Cel ce \u00een momentul lucr\u0103rii se uit\u0103 pe sine.\u201d\u00a0 (Titu Maiorescu) Poetul-muzician Anatol Covali, prin ,, Sonete [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-21521","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=21521"}],"version-history":[{"count":9,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21521\/revisions"}],"predecessor-version":[{"id":21524,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21521\/revisions\/21524"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=21521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=21521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=21521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}