{"id":21736,"date":"2015-03-12T04:53:42","date_gmt":"2015-03-12T04:53:42","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=21736"},"modified":"2015-03-12T04:53:42","modified_gmt":"2015-03-12T04:53:42","slug":"simion-bogdanescu-maica-poezie","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/03\/12\/simion-bogdanescu-maica-poezie\/","title":{"rendered":"Simion Bogd\u0103nescu: Maica poezie"},"content":{"rendered":"

\"\"<\/a>Antologia de autor \u201eC\u00e2nd nu Te iubeam\u201d semnat\u0103 de poeta b\u00e2rl\u0103deanc\u0103 Dorina Stoica \u015fi ap\u0103rut\u0103 pe pia\u0163a literart\u0103 prin generoasa lucrare a Editurii \u201ePim\u201d din Ia\u015fi 2014, selecteaz\u0103 , a\u015fa cum se men\u0163ioneaz\u0103, poezii din c\u0103r\u0163ile \u201eDe la poezie la rug\u0103ciune\u201d Editura \u201eSfera\u201d, B\u00e2rlad, 2010, \u201eDaruri\u201d Editura \u201eCronica\u201d, Ia\u015fi 2009, \u201eIzvorul \u00eendep\u0103rtat\u201d, Editura \u201ePim\u201d Ia\u015fi 2011, la care s-au ad\u0103ugat crea\u0163ii lirice ap\u0103rute \u00een reviste \u015fi \u00een Antologii dintre care amintim doar \u201eSimbioze lirice\u201d de la Editura \u201eAnamarol\u201d\u00a0 patronat\u0103 de scriitoarea Rodica Elena Lupu.<\/p>\n

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Ad ini\u0163io, constat\u0103m c\u0103 forma \u015fi esen\u0163a acestor crea\u0163ii, profesiunea de credin\u0163\u0103 sau misia se \u00eenscrie \u00een poezia religioas\u0103, cu at\u00e2t de mul\u0163i reprezentan\u0163i (pornind doar de le Roman Melodul), \u00eenc\u00e2t dac\u0103 ar fi antologa\u0163i \u00a0s-ar constitui \u00eentr-o \u00eenc\u0103p\u0103toare biseric\u0103 sau \u00eensingurat\u0103 m\u0103n\u0103stire. A\u015f aminti aici doar c\u00e2\u0163iva poe\u0163i excep\u0163ionali, cum ar fi Rainer Maria Rilke, Octavian Goga, Tudor Arghezi, Dosoftei, Vasile Voiculescu, Nichifor Crainic, Radu Gyr, Ioan Alexandru, Daniel Tulcea, Virgil Mazilescu.<\/p>\n

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Poezia religioas\u0103 ( \u015fi implicit poe\u0163ii religio\u015fi) este ( sunt de dou\u0103 feluri):<\/p>\n

-explicit\u0103 ( \u00een sensul c\u0103 autorii \u00ee\u015fi asum\u0103 la modul exterior tematica, motivele, imaginistica, sensurile, ipostazele, \u00een fine, toat\u0103 recuzita, tot lexicul specific religios).<\/p>\n

-implicit\u0103 ( \u00een sensul asum\u0103rii unui fior liric metafizic existen\u0163ial), mult mai profund\u0103 \u015fi mai dificil de \u00een\u0163eles. \u015ei \u00een aceast\u0103 ipostaz\u0103 poezia \u201eOd\u0103 \u00een metru antic\u201d de Mihai Eminescu este mai valoroas\u0103 dec\u00e2t orice alt\u0103 rug\u0103ciune a lumii.<\/p>\n

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Dorina Stoica s-a \u00eendreptat c\u0103tre starea de penitan\u0163\u0103 a Psalmistului, a aceluia care, consider\u00e2ndu-se p\u0103c\u0103tos, lut \u015fi \u0163\u0103r\u00e2n\u0103, se roag\u0103 lui Dumnezeu, pe care \u00eel caut\u0103 arghezian spre a ascede \u00een t\u0103r\u00e2mul Luminii, \u00een Raiul propov\u0103duit de Sfin\u0163ii Parin\u0163i ai religiei cre\u015ftin ortodoxe \u201eTe caut \u00een \u00eengeri ap\u0103ru\u0163i din Lumin\u0103,\/ Te caut \u00een Cer \u015fi Te caut \u00een tin\u0103.\/ Caut \u00een \u0163\u0103rmul ce se scufund\u0103,\/ Caut \u00een moarte \u015fi caut \u00een nunt\u0103. \/ Caut \u00een tot \u015fi caut \u00een toate,\/ \u00een puritate-n credi\u0163\u0103 \u015fi \u00een p\u0103cate.\/ \u015ei obosit\u0103 de-at\u00e2ta c\u0103utare,\/ Caut odihn\u0103 \u00een c\u0103utare.\/ E\u015fti Cel ce e\u015fti \u015fi Cel ce va veni,\/ E\u015fti tot ce m\u0103 poate surpa sau zidi,\/ E\u015fti plinul ce umple golul din mine,\/ E\u015fti sensul cuv\u00e2ntului Bine).\/\/ Nu te-a\u015f c\u0103uta dac\u0103 nu Te-a\u015f fi g\u0103sit,\/ \u00centre cei doi t\u00e2lhari din inima mea Rastignit.\u201d<\/em><\/p>\n

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Structura c\u0103r\u0163ii este triadic\u0103 o prim\u0103 parte \u201eC\u00e2nd nu Te iubeam\u201d, versuri cre\u015ftine, a doua \u201ePovestiri cu t\u00e2lc \u00een versuri\u201d amintind de Pildele lui Solomon, de Anton Pan \u015fi de Teodor Speran\u0163ia, \u015fi-a treia \u201eDin cronici\u201d fragmente esen\u0163iale din recenziile celor ce s-au aplecat cu aten\u0163ie asupra c\u0103r\u0163ilor sale ( Constantin Lupeanu, Livia Ciuperc\u0103, Cristian Livescu, preot Vasile L\u0103iu, arhimandrit Ciprian Gr\u0103dinaru, Cezarina Adamescu, Marian Constandache, Petru\u015f Andrei \u015fi subsemnatul, Simion Bogd\u0103nescu).<\/p>\n

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Autoarea nu \u015fi-a a\u015fezat arta poetic\u0103 nici la \u00eenceputul , nici la s\u00e2r\u015fitul c\u0103r\u0163ii. A preferat \u00een interior. Concep\u0163ia sa despre poezie \u015fi misiunea poetului se g\u0103se\u015fte \u00een poemele \u201eBinecuv\u00e2ntare\u201d, \u201ePoetul\u201d, \u201eCe pre\u0163 are o poezie\u201d. Prelu\u00e2nd metrica versului popular, Dorina Stoica identific\u0103 \u00eentreaga ei crea\u0163ie cu Fecioara Maria – este Poezia! Ea se roag\u0103 c\u0103tre pururea Fecioara s\u0103-i dea harul poetic necesar ca s\u0103-\u015fi salveze fiin\u0163a de la uitare \u201eUmple-m\u0103 de har\/ Maic\u0103, dar din dar,\/ Jertf\u0103 \u015fi altar,\/ Mielu\u015fic\u0103 bl\u00e2nd\u0103,\/ Inim\u0103 ce c\u00e2nt\u0103,\/ candel\u0103 aprins\u0103,\/ Flac\u0103r\u0103 nestins\u0103,\/ Floare \u00eembobocit\u0103,\/ Precist\u0103 iubit\u0103!\/ Roua dimine\u0163ii,\/ Tu e\u015fti maica vie\u0163ii,\/ Alb\u0103 iasomie,\/ Maic\u0103 Poezie.\u201d<\/em> ( \u201eBinecuv\u00e2ntare\u201d pag 118)<\/p>\n

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Poetul, \u00een viziunea domniei sale, car\u0103 \u00eentr-o m\u00e2n\u0103 o saco\u015f\u0103 plin\u0103 de c\u0103r\u0163i iar \u00een cealat\u0103 sufletul s\u0103u. Este de fapt, un \u00eenger r\u0103t\u0103cit printre profani l\u0103sat orfan ca un pui c\u0103zut din cuib. Dar cartea lui scris\u0103 cu suferin\u0163\u0103 \u015fi d\u0103ruit\u0103 f\u0103r\u0103 nici o recompens\u0103 va fi pus\u0103 la loc de cinste evlavioas\u0103 \u00een bibliotec\u0103, l\u00e2ng\u0103 colec\u0163ia de \u00eengeri. Pre\u0163ul poeziei? Un m\u0103run\u0163i\u015f de prin buzunare, ni\u015fte \u201ecioburi de vise,\/ zdren\u0163e de vise,\/ poezii.\u201d <\/em>E aici o atitudine romantico-ironic\u0103 ( amintind de Holderlin, liricul german \u201eLa ce bun poe\u0163i-n vremi s\u0103race\u201d sau Eminescu al nostru \u00een \u201eSarmanul Dionis\u201d \u201ePoezie-s\u0103r\u0103cie\u201d)<\/p>\n

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Sensul general al c\u0103r\u0163ii \u201eC\u00e2nd nu Te iubeam\u201d pare a se \u00eenscrie\u00a0 \u00een cercul de idei propus de Mircea Eliade \u00een eseurile intitulate \u201eSacru \u015fi profan\u201d. Trecerea de la omul profan care vede timpul \u015fi spa\u0163iul unitar \u015fi omogen, la omul religios care dimpotriv\u0103, vede cele dou\u0103 categorii neunitare \u015fi neomogene. Altfel spus, c\u00e2nd nu Te iubeam nu descoperisme diferen\u0163a dintre suflet \u015fi trup, dintre puritate \u015fi p\u0103cat, dintre iubire \u015fi ur\u0103, mil\u0103 \u015fi nemil\u0103. C\u00e2nd nu Te iubeam iubeam p\u0103m\u00e2ntul, acum iubesc spiritualul, celestul, \u201eC\u00e2nd nu Te iubeam , Doamne Lut \u015fi \u0163\u0103r\u00e2n\u0103 eram.\u201d<\/p>\n

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Eul liric-religios este dominat de sinceritatea rostirii , de indoial\u0103 \u015fi vin\u0103, de toate de\u015fert\u0103ciunile lumii, \u015fi-\u015fi iube\u015fte, mai presus de toate hierofoniile arhicunoscute , ale religiei noastre cre\u015ftin-ortodoxe Dumnezeu, Maica Fecioar\u0103, Crucea, Iisus Hristos, biseric\u0103, preo\u0163ii deosebi\u0163i (c\u0103rora chiar le \u00eenchin\u0103 poeme). Toate aceste ca s\u0103 ating\u0103 puritatea des\u0103v\u00e2r\u015fit\u0103, s\u0103 scape de \u201cblestemul Evei str\u0103vechi .\u201d<\/p>\n

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\u00centoarcerea la starea paradisiac\u0103 de dinainte de p\u0103cat , la odihna cereasc\u0103\u00a0 \u201eVoi sta \u00een ve\u015fnicie f\u0103r\u0103 Lumin\u0103,\/ O alt\u0103 Ev\u0103 ce este devin\u0103,\/ Umbrit\u0103 de Lun\u0103 \u015fi ars\u0103 de soare,\/ \u00cen nemuriere, o muritoare.\u201d<\/em>( pag 35 \u201eRaiul pierdut\u201d)<\/p>\n

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Poate acolo s\u0103 fie Acas\u0103, \u0163ara mult dorit\u0103 \u015fi visat\u0103, sau poate acel t\u0103r\u00e2m unde nu-i nici \u00eentristare, nici suspin \u201eCumin\u0163i, t\u0103cu\u0163i \u015fi nestiu\u0163i ne vom \u00eentoarce-n tin\u0103,\/ vor \u00eenflori \u00een cimitir, deasupra noastr\u0103 ghiocei.\/ Azi ninge, m\u00e2ine va ploua, apoi va fi o zi senin\u0103,\/ Va mirosi a liliac, a caprifoi \u015fi-a flori de tei.\u201d<\/em> (poezia \u201cDoar o via\u0163\u0103 de om\u201d pag 37). \u00a0Panteism p\u0103g\u00e2n, mitic. La nivelul imagistic \u015fi la cel expresiv , poate \u015fi din cauza explicit\u0103rii \u015fi a utiliz\u0103rii unor stereotipii biblice, poeta creaz\u0103 ceea ce este de dinainte v\u0103zut \u015fi \u015ftiut. Exist\u0103 \u00eens\u0103 \u015fi poeme unde dep\u0103\u015fe\u015fte banalitatea biblic\u0103 \u015fi sare din tipar, cum se zice \u015fi astfel cre\u015fte emo\u0163ia liric\u0103 \u015fi o structureaz\u0103 original spre binele poeziei adev\u0103rate. Un exemplu ar fi poemul \u201eMi-e bine\u201d( pag 75) \u201eg\u00e2nduri \u00een versuri\/ stinse \u015fi moi\/ m\u0103surate de ceasul\/ timpului dat \u00eenapoi\/ roiesc \u00een mintea\u2011mi\/ ca un roi de albine\/ mi\u2011e bine Doamne\/mi\u2011e bine cu Tine\/ din zori p\u00e2n\u0103\u2011n sear\u0103\/ e\u015fti c\u00e2ntecul cald\/ prelins pe vioar\u0103\/ u\u015for ca fulgul de nea\/ m\u0103 topesc de c\u0103ldur\u0103\/ sunt numai iubire\/ nu mai am ur\u0103\/ spre forme celeste\/ m\u0103 \u00eenal\u0163 f\u0103r\u0103 trup u\u015foar\u0103\/ ce ieri m\u2011a durut\/ nu mai poate s\u0103 doar\u0103\/ sunt muzic\u0103\/ miere din floare\/ culoare\/ sunt ploaie ori v\u00e2nt\/ vers sunt cuv\u00e2nt\/ iar bra\u0163ele \u00eentinse\/ le umplu cu stele\/ cu g\u00e2nduri\/ catifelate \u015fi moi\/ m\u0103surate de ceasul\/ timpului dat \u00eenapoi\/ mi\u2011e bine Doamne mi\u2011e bine\/ e\u2011o tain\u0103\/ \u015ftiut\u0103 numai de mine\u201d<\/em><\/p>\n

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Problema care se pune pentru evolu\u0163ia scrisului s\u0103u este aceea a schimb\u0103rii. Pentru c\u0103 dup\u0103 mine , reprezint\u0103 aceast\u0103 Antologie un capitol \u00eencheiat. Ca s\u0103 nu cad\u0103 \u00een manierism (\u015fi a\u015fa poezia religioas\u0103 impune o manier\u0103 care, la un moment dat , reprim\u0103 emo\u0163ia liric\u0103 \u015fi duce imaginarul poetic la o fund\u0103tur\u0103 cum a observant poetul Lucian Blaga pentru lirica tradi\u0163ional\u0103 interbelic\u0103 rom\u00e2neasc\u0103). Va trebui s\u0103 caute noi teritorii vizionare, noi expresii, noi sensuri creatoare. Pentru c\u0103 orice hieratism al imaginilor \u015fi al sensurilor opre\u015fte fantezia creatoare \u015fi duce la suprasatura\u0163ie \u015fi ca rezultat la respingere, la ceea ce \u00eendeob\u015fte se nume\u015fte superflu.<\/p>\n

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\u201eMaica poezie\u201d are la baz\u0103 expresia emo\u0163ional\u0103. De fapt, poezia este infinit\u0103. Depinde cum o prinzi. Dac\u0103 ajungi prin tine \u00eensu\u0163i , prin expresia ta la adev\u0103rurile sufletului omenesc, atunci te izb\u0103ve\u015fti prin ardere, \u015fi la\u015fi posibililor cititori din viitor ceva trainic, o nemurire prin murire.<\/p>\n

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Simion BOGD\u0102NESCU<\/strong><\/p>\n

1 martie 2015<\/strong><\/p>\n

B\u00e2rlad<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Antologia de autor \u201eC\u00e2nd nu Te iubeam\u201d semnat\u0103 de poeta b\u00e2rl\u0103deanc\u0103 Dorina Stoica \u015fi ap\u0103rut\u0103 pe pia\u0163a literart\u0103 prin generoasa [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-21736","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=21736"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21736\/revisions"}],"predecessor-version":[{"id":21739,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21736\/revisions\/21739"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=21736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=21736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=21736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}