{"id":21777,"date":"2015-03-14T06:39:23","date_gmt":"2015-03-14T06:39:23","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=21777"},"modified":"2015-03-14T06:39:23","modified_gmt":"2015-03-14T06:39:23","slug":"adrian-grauenfels-fernando-botero-sau-cultul-obezitatii-extreme","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/03\/14\/adrian-grauenfels-fernando-botero-sau-cultul-obezitatii-extreme\/","title":{"rendered":"Adrian Grauenfels: Fernando Botero sau cultul obezit\u0103\u021bii extreme"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/GA-BOTERO-wb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-21778\" title=\"GA-BOTERO-wb\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/GA-BOTERO-wb-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/GA-BOTERO-wb-300x300.jpg 300w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/GA-BOTERO-wb-150x150.jpg 150w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/03\/GA-BOTERO-wb.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>1932 &#8211; Se na\u015fte Fernando Botero &#8211; Pictor, sculptor, caricaturist, portretist Columbian.<br \/>\nLa 12 ani cap\u0103t\u0103 instruc\u0163ie de matador \u00een paralel cu \u015fcoala normal\u0103. S\u0103 nu ne mir\u0103m c\u0103 primele sale picturi sunt inspirate de arena cu tauri. La numai 16 ani prezint\u0103 picturi \u00eenregiunea s\u0103 natal\u0103 Medellin. Avea un caracter rebel, protestatar \u015fi este expluzat din \u015fcoal\u0103 c\u00e2nd produce v\u00e2lv\u0103 cu un articol scris pentru un ziar local \u00een care laud\u0103 cu entuziasm non-conformismul artei lui Picasso. Discu\u0163ia despre importan\u0163a distorsiunii a fost privit\u0103 de autorit\u0103\u0163i c\u0103 fiiind obscen\u0103.<\/p>\n<p style=\"text-align: justify;\">\nArtistul se mut\u0103 la Bogota \u015fi acolo cunoa\u015fte avangarda local\u0103, crema inteligen\u0163ei, pictori care se \u00eent\u00e2lneau la Cafeneaua \u201eAutomatica&#8221;. La numai c\u00e2teva luni de la sosire Botero deschide o expozi\u0163ie solo. Cu banii c\u00e2\u015ftiga\u0163i din v\u00e2nzarea tablourilor \u00ee\u015fi permite s\u0103 c\u0103l\u0103toreasc\u0103 \u00een Europa. A studiat la Madrid, la muzeul Prado \u015fi a cercetat frescele lui Giotto la Floren\u0163a \u00een Italia. Se mut\u0103 la Paris c\u0103 s\u0103 studieze operele Luvrului. Dar partea important\u0103 a experien\u0163ei sale o cap\u0103t\u0103 \u00een Italia. \u00cen 1956 se \u00eensoar\u0103 cu Gloria Zea \u015fi se mut\u0103 cu proasp\u0103ta so\u0163ie \u00een Mexico unde \u00eent\u00e2lne\u015fte arta lui Diego Rivera. Stilul lui Rivera, opulen\u0163a lui Ingres, \u00eel determin\u0103 \u00een alegerea drumului sau artistic.<br \/>\n\u00cen 1956 expune la New York, faima lui cre\u015fte \u015fi la numai 26 de ani este numit profesor de pictur\u0103 la universitatea din Bogota. Din anii 60 tr\u0103ie\u015fte la NY \u015fi se separ\u0103 de Gloria Zea. La NY \u00eent\u00e2lne\u015fte ostilitate din partea criticii care era \u00een marea majoritate de forma\u0163ie expresionist\u0103.\u00a0Schimbarea se produce \u00een anul 1961 c\u00e2nd muzeul MOMA cump\u0103r\u0103 faimoasa sa replic\u0103 pentru \u201eMona Lisa la 12 ani\u201d. \u00a0\u00cen urm\u0103torii ani Botero oscileaz\u0103 \u00eentre Columbia, Europa \u015fi NY. \u00cen 1973 se mut\u0103 la Paris cu Cecilia Zambrano. Cei doi au un fiu Pedro, mort \u00eentr-un accident rutier la numai 5 ani.\u00a0Din 1983 \u00eencepe s\u0103 produc\u0103 sculpturi. Locuia \u00een Italia la Pietrasanta l\u00e2ng\u0103 numeroase cariere de marmur\u0103. Munca lui devine recunoscut\u0103, c\u0103utat\u0103 \u015fi expus\u0103 \u00een toat\u0103 lumea. Dup\u0103 anii \u201980 Botero prefer\u0103 sa fac\u0103 sculptur\u0103 care se aseam\u0103n\u0103 picturilor sale.<\/p>\n<p style=\"text-align: justify;\">\u00a0<a href=\"http:\/\/api.ning.com\/files\/SRbpV0Al75qou1kyFZe6lscXObX1AVymBjAkaiHPcsHPJrUkwezk3oxzKyoI0P6I4k5ZzGCar*HUsB6m*-K*LH15qWDOsf5y\/b4.jpg\" target=\"_blank\"><br \/>\n<\/a><strong>Obsesia obezit\u0103\u0163ii<\/strong><\/p>\n<p style=\"text-align: justify;\">\nAdmirator al deforma\u0163iei voite, \u00eent\u00e2lnit\u0103 la Pierro de la Francesca \u015fi la Picasso, ea devine la Botero referen\u0163a, standardul unei noi estetici \u015fi frumuse\u0163i g\u0103sit\u0103 \u00een obezitate. Botero expune o oper\u0103 eclectic\u0103, influen\u0163at de expresionism \u015fi abstract dar dezvolt\u0103 \u00een timp un stil personal, \u00een care personajele sunt ca ni\u015fte p\u0103pu\u015fi de gum\u0103 umflate \u00eentr-o obezitate exagerat\u0103.\u00a0Dup\u0103 cum explic\u0103 scriitorul Vargas Llosa anatomia excesiv\u0103 nu degradeaz\u0103 ci este un rafnament al unor persoane \u00een carne \u015fi oase, finite plastice care populeaz\u0103 o lume a lor, a formelor \u015fi a culorilor.<\/p>\n<p style=\"text-align: justify;\">\nStilul sau numit situa\u0163ional include naturi moarte \u015fi peisaje populate de personaje care se aseam\u0103n\u0103. Se picteaz\u0103 pe sine ca b\u0103rbat sau femeie, \u00een pozi\u0163ii sau situa\u0163ii uneori bizare. Seturile au \u015fi ele umor, au mali\u0163ie, satiriz\u00e2nd momentele vie\u0163ii sau ridicolul unor personaje de propor\u0163ii exagerate plasate \u00een aspectele banalului cotidian.<br \/>\nBotero explic\u0103 \u00eenclina\u0163ia sa spre obez astfel: \u201eUn artist este atras de de anumite forme f\u0103r\u0103 s\u0103 \u015ftie cauza. Adop\u0163i o pozi\u0163ie, mai mult intuitiv, mai t\u00e2rziu e posibil s\u0103 g\u0103se\u015fti ra\u0163iunea acestei alegeri. Devine convins c\u0103 exagerarea propor\u0163iilor este esen\u0163a artei sale, probabil influen\u0163at de exuberan\u0163a natural\u0103 a Columbienilor \u015fi a Columbiei, \u201eo \u0163ar\u0103 condus\u0103 de o mare doz\u0103 de exagerare\u201d dup\u0103 cum o vedem descris\u0103 \u00een romanele lui Garcia Marquez. O alt\u0103 direc\u0163ie a fost parodierea marilor mae\u015ftrii care i-a adus o interna\u0163ional\u0103 celebritate \u015fi recunoa\u015ftere. Botero r\u0103m\u00e2ne un pictor original \u015fi neafiliat vreunei mi\u015fc\u0103ri artistice. Mai toate p\u00e2nzele sale au accente satirice, umor, ne amuz\u0103 \u015fi ne pun pe g\u00e2nduri la grani\u0163a fin\u0103 dintre real, suprarealism \u015fi imaginar. Este inteligen\u0163\u0103 \u015fi \u00een\u0163elepciune \u00een munca sa care a r\u0103mas nealterat\u0103 timp de c\u00e2teva decade.<\/p>\n<p style=\"text-align: justify;\">\n\u00cen anul 2005 Botero cap\u0103t\u0103 un mare ecou interna\u0163ional dup\u0103 expunerea \u00een Europa a seriei de tablouri Abu Ghraib, picturi care denun\u0163\u0103 abuzurile americanilor \u00een de\u0163inerea prizonierilor \u00een timpul\u00a0\u00a0r\u0103zboiului cu Iraqul.\u00a0Aceste tablouri nu au fost v\u00e2ndute ci donate muzeelor. Botero este expus azi \u00een marile capitale, parcuri \u015fi muzee din Europa \u015fi America. \u00cel g\u0103sim la Roma, Londra, Ierusalim sau Madrid \u00een statui care ne surprind \u015fi produc z\u00e2mbete, ele induc nevoia a fi fotografiate prin bucuria \u015fi mirarea estetica indus\u0103, adrenalina oric\u0103rei arte&#8230;<\/p>\n<p style=\"text-align: justify;\">\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Adrian GRAUENFELS<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Rishon LeZion, Israel<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>14 Martie 2015<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1932 &#8211; Se na\u015fte Fernando Botero &#8211; Pictor, sculptor, caricaturist, portretist Columbian. La 12 ani cap\u0103t\u0103 instruc\u0163ie de matador \u00een [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-21777","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=21777"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21777\/revisions"}],"predecessor-version":[{"id":21780,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/21777\/revisions\/21780"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=21777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=21777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=21777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}