{"id":23027,"date":"2015-04-11T13:42:21","date_gmt":"2015-04-11T13:42:21","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=23027"},"modified":"2015-04-11T13:43:38","modified_gmt":"2015-04-11T13:43:38","slug":"george-anca-iubesti-india","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/04\/11\/george-anca-iubesti-india\/","title":{"rendered":"George Anca: Iube\u0219ti India?"},"content":{"rendered":"

\"\"<\/a><\/p>\n

PARTID\u0102 DE \u0218AH<\/p>\n

 <\/p>\n

27 octombrie 1977, Delhi<\/p>\n

Sosire mar\u021bi seara, dup\u0103 ora 10. A\u0219teptat de G\u00e2dea \u0219i transportat la Casa de oaspe\u021bi a Universit\u0103\u021bii, camera 20. A doua zi, la ora 8 \u2013 ore cu grupa \u00eencep\u0103toare (11 studen\u021bi \u2013 6 prezen\u021bi), dou\u0103 ore. Discu\u021bie la registrar, stabilirea condi\u021biilor de cas\u0103 \u0219i salariu (maxima pentru lector, 1600 rupii, pe motivul doctoratului, c\u0103r\u021bilor, antecedentelor culturale) . Vizit\u0103 la Casa de oaspe\u021bi, mutare la camera 10. Diminea\u021b\u0103, prezent\u0103ri \u2013 lectori polonez, maghiar, rus, bulg\u0103roaic\u0103, rfg-ist, indieni (francez\u0103).<\/p>\n

Prima c\u0103l\u0103torie, pe jos, \u00een Delhi (poate 20 de kilometri) \u2013 labirintul viezuresc al vechiului bazar \u00eencle\u0219tat de moschee \u0219i Fort, departe, \u00een contrast, Connaught Place, libr\u0103rii, telegram\u0103 Rodic\u0103i (ghidat, pe 5 rupii, de un student din Bombay). Azi am completat acte la \u0219eful facult\u0103\u021bii, dus acas\u0103 de \u0219oferul lui.<\/p>\n

28.X.77<\/p>\n

Asear\u0103 am adormit, spre ziu\u0103, Mitic\u0103 Pricop manevra macheta unui bloc, \u00eei spun s\u0103 nu se mai legene, el insist\u0103, blocul se r\u0103stoarn\u0103, dar, manevrat cu fal\u0103, \u00ee\u0219i revine, iar Mitic\u0103 nu-\u0219i mai \u00eenc\u0103pea \u00een piele, nu se potole\u0219te, se bu\u0219e\u0219te din nou, m\u0103 g\u00e2ndesc c\u0103, fiind \u00een vis, s\u0103 se \u00eent\u00e2mple dimpotriv\u0103. Sorin Stratilat s-a ivit \u0219i el oniric, pe strad\u0103, cu Virgil Mazilescu.<\/p>\n

Un b\u0103tr\u00e2n sichit \u00eemi ar\u0103ta semnele de pe fa\u021b\u0103 \u00een care \u00eemi poate ghici, acum a\u0219tept ceva prea exact \u0219i n-am nevoie de viitor, alt\u0103dat\u0103, m-am scuzat. Eram la Jantar Mantar (zilele-ferestre, ceasul solar, turnul lunii, 76 trepte), trec\u00e2ndu-mi prin minte cum, pentru publicitate, cineva s-ar arunca de sus, \u0219i uite c\u0103, mai t\u00e2rziu, m-am \u00eempiedicat de am umflat\u0103 laba piciorului drept, cl\u0103tin\u00e2ndu-m\u0103 ca Mitic\u0103.<\/p>\n

Altfel, ieri am intrat la cinema Regal, ca jurnalist \u2013 priveam ca un belfer reclamele \u0219i a\u0219teptam filmul, c\u00e2nd, pe \u00eentuneric, b\u0103iatul cu lantern\u0103 intr\u0103 printre privitori \u0219i m\u0103 \u00eentreab\u0103 de bilet \u2013 sunt ziarist, mi s-a permis s\u0103 intru. Nu vrea, \u0219i ies, f\u0103r\u0103 regret, afar\u0103, discut cu managerul care \u0219i el \u00eei d\u0103 cu biletul. Eu m\u0103 explic \u00een dou\u0103 feluri \u2013 vreau s\u0103 scriu despre festivalul filmului afro-asiatic, dar nu vreu s\u0103 risc vizionarea, mai \u0219i pl\u0103tind, dac\u0103 nu \u00een\u021beleg nimic. Mi-a scris adresa Ministerului informa\u021biilor \u0219i culturii, spun\u00e2ndu-mi c\u0103 m\u0103 \u00een\u021belege (de-aia mi-o fi ap\u0103rut \u0219i Sorin).<\/p>\n

Am reu\u0219it s\u0103 \u021bin my class, dar \u00een jurul pr\u00e2nzului era o grev\u0103 a personalului. Le-am ar\u0103tat studen\u021bilor fotografii de scriitori rom\u00e2ni editate de Muzeul Literaturii, ei asemuindu-i pe Gherea cu guru-ul Indirei Gandhi, pe Sadoveanu cu actualul ministru de externe al lor, pe Cocea cu mine (dar eu n-am chelie). Pronun\u021b\u00e2nd Liviu Rebreanu, unul a scris numele mic Leave you sau Live you. Data trecut\u0103 le aproximasem \u0219i eu numele unora cu V\u0103duva, Aurora, sau Vina (Miss. Mistake).<\/p>\n

Sociologul Paul Stirling, de la Universitatea din Kent, \u00een trecere pe aici, se \u00eentoarce din Noua Zeeland\u0103. Nici \u00een Anglia sociologia n-ar fi la mare cinste, plus c\u0103 este \u00eemp\u0103r\u021bit\u0103 \u00een marxist\u0103 \u0219i antimarxist\u0103. Am vorbit cu fason \u00een italian\u0103 \u2013 el \u00eenv\u00ee\u021base latin\u0103 \u00een colegiu \u0219i-i f\u0103cea pl\u0103cere s\u0103 afle c\u0103 rom\u00e2na e o limb\u0103 latin\u0103.<\/p>\n

Vina, din anul II, a\u0219tept\u00e2ndu-m\u0103 cu dpu\u0103 fete de liceu, \u00een galben, vrea Modern Romanian<\/em>. I-am dat Maytreyi<\/em>, dup\u0103 ce i-am citit \u0219i tradus primul paragraf; n-a \u0219tiut s\u0103-mi traduc\u0103 motto-ul bengalez. S\u0103 vedem c\u00e2\u021bi se vor \u00eenfiin\u021ba m\u00e2ine aici pentru proiec\u021bii.<\/p>\n

Lectorul german pred\u0103, \u00eempreun\u0103 cu 3 colegi indini, la 200 de studen\u021bi. Ardouin, n\u0103scut francez, naturalizat indian de 25 de ani, apare oarecum b\u0103nuitor. De la italian\u0103, Aluwalia, de 62 de ani, cu turban roz \u0219i musta\u021b\u0103 alb\u0103, vede posibil\u0103 invitarea lui Mircea Eliade, mai ales la o universitate religioas\u0103.<\/p>\n

Scont\u00e2nd antropologic pe inteligen\u021ba celuilalt (?), lectorul polonez g\u0103se\u0219te locurile rom\u00e2ne\u0219ti au nume minunate, de exemplu, Valea Florilor. Apoi \u0219i-a dep\u0103nat o lung\u0103 teorie dup\u0103 care oamenii de la munte \u2013 din Rom\u00e2nia, Punjab ori Himalaia \u2013 sunt \u00eenchi\u0219i, neprieteni, brutali p\u00e2n\u0103 la crim\u0103 nu o dat\u0103. Ne \u00eenfierb\u00e2ntasem, am plecat cu polonezul, care m\u0103 invitase dinainte s\u0103-i v\u0103d casa. Avea s\u0103 se \u00eentoarc\u0103 peste 6 s\u0103pt\u0103m\u00e2ni \u00een Polonia.<\/p>\n

Ne-am \u00eent\u00e2lnit pe drum cu o doamn\u0103 din Australia, sociolog \u2013 n-avea o p\u0103rere grozav\u0103 despre Stirling -, so\u021bul ei indian este tot sociolog, marele Oberoy, au trei copii. A auzit de Eliade \u0219i Br\u00e2ncu\u0219i. Polonezul: Eliade, \u00een c\u0103r\u021bile lui, \u00eel citeaz\u0103 pe Levy-Strauss, dar Levy-Strauss nu-l citeaz\u0103 pe Eliade. Nici australiancei nu-i pl\u0103cea Strauss.<\/p>\n

Fiica lui Artur, Magdalena, are zece ani, este t\u0103cut\u0103. Asemeni mamei ei, Alina \u2013 rupe italian\u0103 (a fost cu zece ani \u00een urm\u0103 \u00een Italia pentru zece zile). La \u00eendemnul \u0219i pentru lini\u0219tea lui Artur, \u00eemi traduce \u00een italian\u0103 ceea ce \u00een\u021belesesem \u00een englez\u0103. Masiva reziden\u021b\u0103 colonial\u0103, este ocupat\u0103 pe din dou\u0103 de lectorul maghiar, cu 3 copii, \u0219i de familia lui Artur.<\/p>\n

Disputam idei fixe asupra comunic\u0103rii, prieteniei, r\u0103bd\u0103rii, cunoa\u0219terii Indiei \u2013 s-o vezi, nu s-o observi, ca diploma\u021bii, spune el insist\u00e2nd asupra gunoiului, s\u0103r\u0103ciei sau bolii (cea dint\u00e2i boal\u0103 ne-o fi chiar India), a religiei, mor\u021bii, politicii, \u0219tiin\u021bei antropologice. Selec\u021bia negativ\u0103 pentru lectoratul meu, ca \u0219i pentru al lui, m\u0103 oblig\u0103 s\u0103 fiu nu numai lector de rom\u00e2n\u0103, dar \u0219i de cultur\u0103 \u00een general, s\u0103 explic ce e Europa, lumea, s\u0103 fiu un adev\u0103rat guru.<\/p>\n

33 de ani (ai mei) este v\u00e2rsta lui Hristos, c\u00e2nd ai devenit b\u0103rbat, v\u00e2rsta retragerii (din tinere\u021be), sau a unei mari schimb\u0103ri \u00een via\u021b\u0103, ca o boal\u0103, nunt\u0103 sau moarte. Cel mai turbulent student al meu i-a fost \u0219i lui: penultimul \u00een grup\u0103. I-am spus c\u0103 eu sunt mai optimist, combin \u0219tiin\u021ba, cunoa\u0219terea apofatic\u0103 \u0219i poetic\u0103. Nu c\u0103 nu i-a\u0219 crede inteligen\u021bi pe indieni, dimpotriv\u0103, cred c\u0103 au un complex de superioritate. El, \u00een replic\u0103, a insistat asupra inculturii, lipsei de c\u0103r\u021bi \u00een case \u2013 doar 2-3 \u0219i alea poli\u021biste sau porno, de\u0219i sunt ieftine, de\u0219i, s\u0103raci fiind, pentru filme de c\u00e2teva ori pe s\u0103pt\u0103m\u00e2n\u0103 g\u0103sesc bani mai to\u021bi -, lipsei profesioni\u0219tilor \u00een teatru \u0219i chiar balet, a operei, cu o compensa\u021bie \u00een ce prive\u0219te via\u021ba muzical\u0103, asupra culturii orale, nu vizuale \u2013 vezi lectur\u0103.<\/p>\n

\u00cencepusem prin a valida influen\u021bele ca probe de originalitate \u2013 oare Mickievicz n-a fost influen\u021bat de indieni? De o fantezie a Indiei, subiectiv\u0103, nu de o c\u0103l\u0103torie sau lectur\u0103. (Turwid?) Ar fi vorba de surse de m\u00e2na a doua; pentru mine, \u00eens\u0103, toate sursele r\u0103m\u00e2n de cunoscut, dac\u0103 nu-s false, \u0219i chiar false, trebuie \u0219tiut dac\u0103 sunt sau nu false. El descoperea continuu marile modalit\u0103\u021bi, eu r\u0103m\u00e2neam exuberant, gata de deziluzie: \u00eei m\u0103rturisisem \u00een am\u0103nunt c\u0103 Eminescu \u00eei respecta pe polonezi, deci \u0219i eu, ne d\u0103dusem amici, \u0219i totu\u0219i \u00eencr\u00e2ncenatul lui mod de a insista asupra particip\u0103rii, realismului sau r\u0103bd\u0103rii didactice m\u0103 f\u0103cea s\u0103 cred c\u0103 are ciudate \u00eendoieli \u0219i \u00een ce m\u0103 prive\u0219te pe mine, dar \u0219i pe el.<\/p>\n

Prieteni are mai mul\u021bi aici ca \u00een Polonia. Iube\u0219te cam \u00een tain\u0103. Nu poate, cum nu poate nimeni, s\u0103 devin\u0103 indian, r\u0103m\u00e2ne polonez, cum voi r\u0103m\u00e2ne eu rom\u00e2n, dup\u0103 patru ani, \u0219tiind mai mult despre mine, despre India \u0219i Rom\u00e2nia. \u00cen fond el e sincer pasionat de toat\u0103 experien\u021ba, \u0219tie hindi, urdu \u0219i englez\u0103, se teme, oare, c\u0103 i-ar fura cineva din misterioasa lui l\u0103cimie de a fi? Doar seam\u0103n\u0103 a viitor savant, tic\u0103it \u0219i pis\u0103log, exact \u0219i r\u0103v\u0103\u0219it de umbre bizare.<\/p>\n

Ceva i se pare c\u0103, \u00een lume, vrea s\u0103 se despart\u0103 de via\u021ba lui. P\u0103c\u0103tuie\u0219te de iubire de sine \u0219i deodat\u0103 se teme c\u0103 nu va mai putea iubi, ori nu \u0219i-a pl\u0103cut niciodat\u0103? Ciudat om, doar i-am vorbit de Petru Carp, om bogat \u0219i faimos. Nu, el \u00eensu\u0219i nu e nici bogat, nici faimos. A \u00eenceput cu 1300 de rupii, acum are 1600 (dar ce cas\u0103!). Eu trebuie s\u0103 insist s\u0103 fiu trecut conferen\u021biar, m\u0103car dup\u0103 un an. Dar de ce nu m\u0103 exprim \u00een propozi\u021bii scurte: subiect, predicat, complement? La ce bun adjective? S\u0103 citesc \u00een englez\u00ee, ca el, o carte poli\u021bist\u0103 pe zi \u0219i ziare.<\/p>\n

Era clar c\u0103 vorbim mult, dar \u00eentru ajutor, ca \u0219i cum ceva avea s\u0103 ne lipseasc\u0103 oric\u00e2nd \u0219i era bine s\u0103 p\u0103str\u0103m con\u0219tiin\u021ba acelei desp\u0103r\u021biri ne\u0219tiut violente de o situa\u021bie inefabil\u0103 a spiritului nostru. O, dac\u0103 n-a\u0219 privi cu aceia\u0219i ochi \u0219i bucuria ta \u0219i pe a celorlal\u021bi \u0219i de n-ar fi acesta cuv\u00e2ntul sufletului meu \u00een ecou, mi-a\u0219 \u00eenchipui c\u0103 e prea u\u0219or, deodat\u0103, s\u0103 fii \u0219i s\u0103 nu fii \u00een acela\u0219i timp, s\u0103 p\u0103c\u0103tuie\u0219ti sau s\u0103 pl\u00e2ngi \u0219i gata, or \u0219tim fiecare cum stau vie\u021bile \u00een copacul timpului, frunzele \u0219i neamurile, abia de-am mai trecut un veac \u0219i ne-am mai deromantizat \u2013 ah, ce mult se va mai zbura cu avionul o mie de ani de aici \u00eenainte, iar noi vom a\u0219tepta pulbere \u00een fundul pactilograful-asistentul-secretarul lui Mukarjee, \u0219eful departamentului, mi-a dat modelul de \u00eentreb\u0103ri pentru examen, al pred\u0103rii ruse, pentru 100 de puncte. Ce jocuri \u00eemi plac, m\u0103 \u00eentreab\u0103 unul din cei doi (din anul II) care vor da examen. Ping pong \u0219i \u00eenot. Pentru c\u0103r\u021bile rom\u00e2ne\u0219ti va exista o sec\u021bie rom\u00e2n\u0103 \u00een biblioteca facult\u0103\u021bii. Un tablou, dac\u0103 am, \u00eel pot expune \u00een camer\u0103m\u00e2ntului s\u0103 ne \u00eempotrivim ezit\u0103rilor de odinioar\u0103.Da de francez\u0103 (ce tablou, Nansi, m\u00e2ine vom vorbi la telefon, dup\u0103 o s\u0103pt\u0103m\u00e2n\u0103 de la desp\u0103r\u021bire. Ai primit telegrama? Dar scrisoarea? Nu-\u021bi dau am\u0103nunte, le vei descoperi \u00eens\u0103\u021bi cur\u00e2nd. Voi vorbi repede ca fulgerul, s\u0103 nu te electrocutez.)<\/p>\n

\u201eOur number doesn’t reply\u201d. M-am consolat cu anticipa\u021bie \u2013 ce cald \u2013 ce era s\u0103 fac \u2013 am lucrat \u2013 m\u0103 a\u0219teptau studen\u021bii la ora 14 \u0219i am stat de vorb\u0103 p\u00e2n\u0103 seara, apoi am citit, a doua zi am reluat cursurile la ora 8 \u2013 am v\u0103zut prima dona\u021bie a universit\u0103\u021bii din Bucure\u0219ti de o sut\u0103 de c\u0103r\u021bi, m-am bucurat la unele titluri \u0219i autori. Seara am lucrat p\u00e2n\u0103 t\u00e2rziu \u2013 am avut un vis ciudat c\u0103 era ministru al educa\u021biei Petru Comarnescu (mi-am amintit pe ziu\u0103 c\u0103 e mort).<\/p>\n

C\u0103r\u021bi citite: A Phulkari from Bhatinda \u2013 <\/em>Harjett Singh Gull, Patialla, 1977; R. K. Narayan: Lawley Road and other Stories<\/em>, Delhi, s. d.; Diwan Jarmani \/ Rakesh Bhan Dass: Maharani<\/em>, Delhi, 1973: Northern Lights. Fairy Tales of the Peoples of the North<\/em>, 1976; Delhi v\u0103zut din automobil <\/em>(dodie?)<\/p>\n

Nu-mi dorisem din pas\u0103re zborul<\/p>\n

din gr\u0103untele-i din gu\u0219\u0103 fiin\u021ba<\/p>\n

parc\u0103 m-a\u0219 fi preg\u0103tit de sinucidere<\/p>\n

f\u0103r\u0103 s\u0103 \u0219tiu c\u0103 sunt otr\u0103vitor<\/p>\n

\u00eenghi\u021bindu-m\u0103 cu umilin\u021ba foamei<\/p>\n

 <\/p>\n

 <\/p>\n

Divali, 10.11.77<\/p>\n

M-am l\u0103sat iar de tutun, din motive de economii. Visez c\u0103 mama \u0219i \u201emamaia\u201d Rina au murit \u00een aceea\u0219i noapte; de fapt, numai tanti Rina murise, morm\u00e2ntul mamei trebuia doar schimbat, se n\u0103ruise. Mergeam cu Nansi \u0219i cu sor\u0103-mea Noana, parc\u0103, ori c\u00e2nd cu una c\u00e2nd cu alta, c\u0103 am r\u0103mas singur, degeaba am strigat dup\u0103 ele \u0219i am mai \u0219i c\u0103zut ca \u00een gropile dintre dune (\u00een Laila Majnu<\/em>), tocmai c\u00e2nd \u0219eful de catedr\u0103 \u00eemi spunea c\u0103 s-a rezolvat problema x de schem\u0103, \u0219tiind c\u0103 voi pleca \u00een India \u0219i, vra\u0219c! pocnitori (cele de la Universitate, de ieri, au ap\u0103rut azi \u00een ziar, The Times of India).<\/p>\n

\u0218i ast\u0103-noapte am avut vise ap\u0103s\u0103toare. Citisem p\u00e2n\u0103 dup\u0103 ora 1 ziare rom\u00e2ne\u0219ti, cu un fel de \u00eenfierb\u00e2ntare \u2013 mai devreme discutasem cu cei de la ambasad\u0103, precum \u0219i cu profesori tineri indieni, unul din Assam \u0219i altul din Bihar. Privisem \u0219i news la \u00eenchiderea emisiunii la 9.30 (c\u00e2nd vorbea Carter, studen\u021bii \u00ee\u0219i \u00eentrerupseser\u0103 ping-pong-ul). Insatisfac\u021biile te urm\u0103resc matematic \u00een vis. Spusesem, de exemplu, studen\u021bilor c\u0103 eu nu fac romane \u0219i deci nu e nevoie s\u0103 merg la Divali \u00een ora\u0219, pentru descrieri. Simbolul \u00eemi e de ajuns. Ei \u00eemi povesteau despre bucuria poporului la \u00eentoarcerea lui Rama, dar \u0219i despre Lakshmi, Krishna, Vishnu \u2013 fe\u021bele mumeroase ale unului Dumnezeu.<\/p>\n

Pentru c\u0103 vreau s\u0103 nu fumez s\u0103 nu ucid<\/p>\n

M\u0103 sting aproape chiar de Divali<\/p>\n

Visez h\u00e2rtoapele grozave c\u00e2nd adorm<\/p>\n

\u0218i \u00eemi a\u0219tept iubita f\u0103r\u0103 somn<\/p>\n

Va fi \u0219i drumul celor din lumin\u0103<\/p>\n

M\u00e2nat de un destin c\u0103 vr\u00e2nd-nevr\u00e2nd<\/p>\n

Se bucur\u0103 deodat\u0103 \u0219i pe via\u021b\u0103<\/p>\n

Iar eu privesc posomor\u00e2te chipuri<\/p>\n

Iar eu posomor\u00e2ndu-m\u0103 simt vremea<\/p>\n

Vineri 11.11.77<\/p>\n

Editor al lui Forster din Anglia (\u00een India, pe urmele epicii C\u0103l\u0103toriei). Dup\u0103 Br\u00e2ncu\u0219i, crede c\u0103 cel mai cunoscut rom\u00e2n e Ionescu. Va publica o nou\u0103 traducere din Knut Hamsun. Seam\u0103n\u0103, el \u00eensu\u0219i, cu D. Lawrence. Cele mai bune tragedii de Shakespeare: Othello, Macbeth, Antonius \u0219i Cleopatra. Comedii: A 12-a noapte, Henry IV. Vrea s\u0103 publice, \u00een traducere, o carte despre Einstein (Eisesntein?) de I. Barna.<\/p>\n

Ieri, de Divali, m-au vizitat Yogindra Wadwa \u0219i Sachdeva, iar apoi Gupta. Seara am mers \u00een familia lui Yogindra \u2013 mai are doi fra\u021bi mai mici \u0219i o sor\u0103 de 20 de ani. Tat\u0103l s\u0103u, de 56 de ani, seam\u0103n\u0103 cu tat\u0103l lui Vasile V\u0103duva,are pasiunea geografiei (pe continente, regiuni climaterice, fluvii, capitale, popula\u021bii, performan\u021be \u2013 pentru el, Cehoslovacia \u0219i Rom\u00e2nia produc trenuri, Japonia \u2013 aparate electronice, \u00een timp ce India: Ram-Ram-Ram \u2013 \u0219i pantomimeaz\u0103 pioasa rug\u0103ciune) \u0219i a istoriei (a, am zis, Mahatma Gandhi \u2013 E, Mahatma Gandhi e de-al nostru. \u0218i a reluat istoria primului \u0219i a celui de-al doilea r\u0103zboi); mama lor e o femeie f\u0103r\u0103 cuvinte, cu gesturi foarte largi, \u00eens\u0103, de mare comunicativitate \u0219i frumuse\u021be.<\/p>\n

Fratele de 17 ani al lui Yogindra e mai sobru dec\u00e2t \u201emy senior and junior brother\u201d, n-are pl\u0103cerea bombelor de toate neamurile care fac din Diwali un ideal teatru de r\u0103zboi. Mezinul e tr\u0103znitul familiei, plin de viitor, poate. Sora se preg\u0103te\u0219te s\u0103 devin\u0103 steno-dactilograf\u0103 \u0219i numai dup\u0103 ce g\u0103se\u0219te serviciu sper\u0103 s\u0103 se poat\u0103 m\u0103rita. B\u0103ie\u021bii mari \u0219i tat\u0103l lucreaz\u0103.<\/p>\n

Rug\u0103ciunile c\u0103tre Vishnu \u0219i Lakshmi s-au c\u00e2ntat pe la ora 8, \u00eentr-o ciudat\u0103 apatie. Peste prasad \u2013 fructe \u0219i pr\u0103jituri \u2013 fumegau smirne \u0219i mirodenii \u2013 apoi am primit fiecare c\u00e2te ceva, eu mai ales. Am stat de vorb\u0103, am aruncat crackers (nu eu \u2013 mie mi s-au dat, invariabil, artificii aprinse).<\/p>\n

13.11.77<\/p>\n

\u00centors de la Bal Bhavan Society, unde v\u0103zusem o demonstra\u021bie yoga a unor copii \u0219i adolescen\u021bi (\u00een fa\u021ba unor spectatori asemenea, \u00een majoritate, care dup\u0103 minutele respective au \u00eenceput \u0219i ei s\u0103 \u00eencerce diferite figuri, f\u0103c\u00e2nd ca leii) \u0219i dansuri fascinante, pentru mine, din Manipur, apoi pergrinasem prin New Delhi, l\u0103s\u00e2nd s\u0103-mi ias\u0103 \u00eenainte tot alt\u0103 perspectiv\u0103, m\u0103 sim\u021beam \u0219i fr\u00e2nt \u0219i tentat \u2013 mult \u2013 s\u0103 aud Devotional songs and Satsang \u2013 s\u0103 v\u0103d orice film, programele de la Agriexpo 77 sau ale anivers\u0103rii Nehru, m\u00e2ine. Am dat s\u0103 m\u0103 odihnesc, \u00eens\u0103, \u0219i m-am visat \u00een izlazul din satul copil\u0103riei, parc\u0103, eu a\u0219a credeam, cum \u00eemi \u0219i \u00eenchipuisem \u00een open-air-ul de la Bal Bhavan, nu o dat\u0103, \u00eent\u00e2lniri din trecutul meu, cu feluri de a fi, de a se juca, de a dansa, cu at\u00e2ta \u00eenfrico\u0219at\u0103 religiozitate sau pomp\u0103. (La etaj, se construie\u0219te alt etaj, ar trebui s\u0103 se inventeze procedeul s\u0103 se zideasc\u0103 de sus \u00een jos, la fel cum se d\u0103r\u00e2m\u0103 peste mine).<\/p>\n

A patra zi de nefumat. Pantofii au t\u0103lpile f\u0103r\u00e2mate. M\u0103 voi \u00eenscrie la sanscrit\u0103. Am fost ieri pus \u00een \u00eencurc\u0103tur\u0103 nu de scrisoarea primit\u0103 de la visi (Vice-Chancellor), ci de sugestia lui Mukarjee de a propune eu aceluia s\u0103 am\u00e2ne \u00eent\u00e2lnirea rom\u00e2neasc\u0103, pe motiv c\u0103 el va fi la Moscova \u00een perioada respectiv\u0103 (Mi-am amintit de poetul Beniuc, \u00een august 1968, c\u00e2nd l-am sunat din radiodifuziune s\u0103 dea o declara\u021bie \u0219i mi-a r\u0103spuns c\u0103 trebuie s\u0103 mearg\u0103 la ambasada sovietic\u0103).<\/p>\n

C\u00e2nd capul se afl\u0103 la Moscova, ar sta bine s\u0103 se mai spele \u0219i m\u00e2inile de origine latin\u0103 \u00een familie. E clar c\u0103 nu ideile ne dau afar\u0103 din India. Norocul c\u0103 sunetul \u0219i lumina dansului iradiaz\u0103 amintirea poe\u021bilor (Tulsidas, Denkar, Kalidasa, Tagore, Ghalib, Firdousi, Kabir, Hafiz, Omar Khayam) \u0219i ispita dumnezeirii(Kri\u0219na, Cristos, Gautama Buddha, Guru Nanak, Mohammed), afl\u00e2ndu-ne ame\u021bi\u021bi de simrang \u0219i satsang, asurzi\u021bi de havoc-ul din ziare, sau banjhauri, contraceptivul din p\u0103durea Kawakol, Bihar, risipindu-ne \u00een \u201eap ko bahut bahut bathaid ho\u201d.<\/p>\n

\u00cemi mai \u0219i vin \u00een minte r\u0103t\u0103ciri prin Roma, Trastevere \u0219i Parioli, c\u00e2ntece, filme. Poate \u0219i unde dau de poema Sicilia<\/em> a lui Ikbal: Now weep blood, oh eyes, for the tomb of the arts of Arabia stands there in sight… Spuze de scuze a la Pound \u0219i Eliot, interogatoriu \u00een limb\u0103 necunoscut\u0103.<\/p>\n

 <\/p>\n

16.11. 77<\/p>\n

Neap\u0103r\u00e2nd cei doi studen\u021bi de la grupa \u00een lichidare, i-am a\u0219teptat la nesf\u00e2r\u0219it \u0219i, cam dup\u0103 o or\u0103, s-a v\u0103dit, somnoros, unul dintre ei, urmat la cinci minute, ca \u00eentr-o inspec\u021bie, de \u0219eful departamentului \u0219i unul din secretarii s\u0103i: c\u0103 sunt tulbur\u0103ri, c\u0103 voi examina \u00een decembrie etc. Prof. Alhuwalia m-a prezentat prof. Joshi, \u0219eful catedrei de sanscrit\u0103, spre a \u00eencepe studiul acestei \u0219tiin\u021be \u0219i arte (pentru amfitrion, limba matern\u0103).<\/p>\n

Diplomatul de G\u00e2dea \u00ee\u0219i d\u0103duse \u00eent\u00e2lnire cu pro-vice- cancelarul, matematician, dar am scos eu fonction-ul din foc. Primindu-m\u0103, provisiul m-a \u00eentrebat dac\u0103 \u00eentre c\u0103r\u021bile rom\u00e2ne\u0219ti sunt \u0219i de matematic\u0103, apoi a pronun\u021bat numele lui Foia\u0219, la care am ad\u0103ugat pe Onicescu, Mali\u021ba, congres de cibernetic\u0103 \u0219i futurologie. Am revenit ieri la diploma de rom\u00e2n\u0103 \u2013 egalitate, a fost de acord (trebuie s\u0103-i scrie G.M, the head, c\u00e2nd se \u00eentoarce de la Moscova). Ceruse de mult cafea, ne-am desp\u0103r\u021bit dup\u0103 vreo jum\u0103tate de or\u0103 \u2013 vorbisem \u0219i despre Haret, despre poetic\u0103 matematic\u0103 -, el spun\u00e2ndu-mi s\u0103 mai trec \u0219i alt\u0103dat\u0103. La intrare, grupul de de disiden\u021bi abia se \u00eentrerupsese din scandarea sloganelor \u00eempotriva lui visi.<\/p>\n

Veena, Beri, Yogindra \u0219i Charanjid m-au \u00eenso\u021bit \u00een Expo. Cel din urm\u0103, ca \u201easistent\u201d al meu a primit \u0219i el permis (PRESS). Odissi et Bharatha Natyam, Sonal Mansingh a dansat dou\u0103 ore \u2013 Radha sau Sita, sau p\u0103m\u00e2ntene \u2013 a fost declarat\u0103 cea mai bun\u0103 dansatoare indian\u0103.<\/p>\n

 <\/p>\n

17.11. 77<\/p>\n

Spre sear\u0103, aud vocifer\u0103rile grupului de pe prispa Cancelariei. Peste zi, am scotocit, cu lum\u00e2narea, prin fi\u0219ele cataloagelor Bibliotecii Universit\u0103\u021bii. Prea pu\u021bine, aproximative, de neg\u0103sit titluri rom\u00e2ne\u0219ti. O carte de \u0219tiin\u021b\u0103 (\u0219i \u201davia\u021bie\u201d), Limbile lumii<\/em> de Kenneth Katzner, include \u0219i rom\u00e2na.<\/p>\n

Acea \u201efonction\u201d (dracul din c\u0103r\u021bi) se va \u021bine, totu\u0219i, \u00een 23 septembrie, \u00een amfiteatrul Tagore, chiar dac\u0103 nu te po\u021bi bizui nici pe partea A, nici pe partea U. Am lungit-o la Registrar, oarecum specialist \u00een analiza de con\u021binut, care mi-a tradus \u00een termeni neutri, demni de Pillat, scrisoarea visi-ului. La el \u00een birou, m-a abordat la sigur \u2013 \u00eel \u0219tia pe A \u2013 Tan Chung, Head of the Department of Chinese and Japanese studies.<\/p>\n

\u00centre timp, niciun semn de la Nansi. Mai mult nu m\u0103 g\u00e2ndesc. S-o \u00eendura po\u0219ta interna\u021bional\u0103 s\u0103-mi aduc\u0103 vreun mesaj. M\u0103car, \u00een Agriexpo \u2013 culmea arhitecturii indiene \u2013 \u00eentr-un pavilion, te \u00eent\u00e2min\u0103 o mare fotografie, Thinker, de peste 5000 de ani, din Romania.<\/p>\n

23.11. 77<\/p>\n

O s\u0103 r\u0103sar\u0103 \u00eentre vis \u0219i cea\u021b\u0103<\/p>\n

Sonal sau dansatoarea-nm\u0103rmurit\u0103<\/p>\n

p\u0103r\u00e2ndu-\u021bi-se iar petrec\u0103rea\u021b\u0103<\/p>\n

\u00een dor de dor \u0219i f\u0103r\u0103 de iubit\u0103<\/p>\n

G\u00e2nduri din Veda dis de diminea\u021b\u0103<\/p>\n

vei auzi \u00een curgere sanscrit\u0103<\/p>\n

apoi \u00ee\u021bi vezi de dorul de via\u021b\u0103<\/p>\n

\u00een ziua lung\u0103 f\u0103r\u0103 o clipit\u0103.<\/p>\n

\u00centors pe-o parte-n c\u00e2nt s\u0103 nu te sperii<\/p>\n

c\u00e2nd parc\u0103 te trezesc mirate jurii<\/p>\n

dintru o nebunie a pl\u0103cerii<\/p>\n

cu sufletul peste sur\u00e2sul gurii<\/p>\n

Sub soare r\u0103scole\u0219te bananierii<\/p>\n

\u00een dans Kathakali \u0219i Manipuri<\/p>\n

18.11. 77<\/p>\n

Taic\u0103-meu \u00eemi spunea de o rud\u0103 a Jenic\u0103i care se m\u0103rita, apoi mi-a repetat, \u00een ciudatul vis, c\u0103 nu-\u0219i dore\u0219te altceva dec\u00e2t s\u0103 ajung\u0103 s\u0103 vad\u0103 cum fiica mea o s\u0103 se m\u0103rite f\u0103r\u0103 s\u0103 m\u0103 \u00eentrebe un cuv\u00e2nt. Apoi eram la ORESS, fusese ziua lui Bo\u0219man, m-am trezit, am adormit, m\u0103 \u00eentorsesem chiar acum \u00een \u201e\u021bar\u0103\u201d, dup\u0103 primele s\u0103pt\u0103m\u00e2ni, cu un profesor din Dept. \u0219i o combina\u021bie Mk-Provisi, \u0219i am stat de vorb\u0103 la o mas\u0103. Era \u0219i MC, care mi-a spus s\u0103 nu exagerez – \u201e\u0219i tu\u201d – \u00een discu\u021bii \u2013 vai, dar am a\u0219teptat s\u0103 vin aici pentru a vorbi a\u0219a.<\/p>\n

Lung\u0103 partid\u0103 de \u0219ah cu Artur Karp, ieri. Am c\u00e2\u0219tigat. Mi-a \u00eemprumutat, p\u00e2n\u0103 azi, o gramatic\u0103 sanscrit\u0103.<\/p>\n

 <\/p>\n

 <\/p>\n

P\u00c2N\u0102 LA INDORE<\/p>\n

 <\/p>\n

16.12. 1977<\/p>\n

Trei ore \u00een englez\u0103, dou\u0103 \u00een italian\u0103, una \u00een francez\u0103 cu b\u0103tr\u00e2nul \u00eenger ateu, fiul unei Krupenskaia credincioase, decorat\u0103 de Carmen Sylva. So\u021bia n-a vrut s\u0103-l urmeze \u00eenapoi \u00een \u021bara lui, unde a ajuns \u00eenv\u0103\u021b\u0103tor \u00eentr-un sovhoz, 3 camere \u0219i zeci de kilograme de vodc\u0103, apoi la Ta\u0219kent, iar\u0103\u0219i \u00een India, de convers\u0103m, aflat tot \u00een drum spre patria na\u0219terii \u0219i mor\u021bii, \u00eengrijorat de trai \u0219i trata\u021bie, uit\u00e2ndu-\u0219i, poate, fiul la Paris \u2013 n\u0103scut la Delhi, cu studii \u00een Leningrad. A (nu) crede \u00een Dumnezeu, a nu-\u021bi fi tot una \u2013 complexe budhice sau a fi persoan\u0103 complet\u0103, dostoievkizarea-ortodoxie, tu-persoan\u0103, clarit\u0103\u021bi apofatice, lumea ca dar.<\/p>\n

Teoria prostitu\u021biei, ca punct \u00een plus \u00een diferen\u021bierea de de folia, fobia \u0219i dragostea \u00eengerului. Tema: Eminescu nu mai este, religiozitatea \u00een limbaj, credin\u021ba \u00een cinstirea dialogului. Curentul unei crea\u021bii anti-curent \u0219i argumentarea \u00een dodii a actualit\u0103\u021bii vii sincrone, prinderea datei \u0219i difuzarea \u00een spa\u021biul simpatic sau submersibil, respiritualizarea \u00een genul incarn\u0103rilor, al ciclului logogogic creativ.<\/p>\n

Urmarea socratic scris\u0103 a anilor intim dialogici, palida umbr\u0103 a pietrei filosofale peste pix, imperativul criticii secunde ca prim\u0103 creatoare m\u0103rturisire \u00een timp a personalit\u0103\u021bii confiate. Vechea confiden\u021b\u0103 \u00een infidelitate, nespus\u0103, dar de amintit, interioar\u0103 irepresibilitate a afirm\u0103rii de sine, cea\u0219ca de cafea a noilor-veni\u021bi de alt\u0103dat\u0103, c\u00e2nd voi, Lofangel, \u021besea\u021bi p\u00e2nza zidurilor de-a doua via\u021b\u0103, c\u0103 eu nu voi p\u0103trunde cu for\u021ba nic\u0103ieri \u0219i nici for\u021ba.<\/p>\n

Venerabili pastori de dinozauri \u0219i rase b\u0103rbi cre\u0219tine, perne ca saltele intelectualizate, ochi umflat c\u00e2t trei hoteluri indiene, vizitatori ai suprarealismului dezis \u00een visul pentru La chute \u2013 <\/em>nu e nici melodram\u0103 dezgust\u0103toarea pentru voi noi to\u021bi inversiune uni-amant\u0103, dedesubtul fatal al pasiunii \u00een idee, cu magnetul morm\u00e2ntal al ba\u0219tinilor, sinuciderea simbolic\u0103 a actorilor \u0219i teatrelor \u0219i zonelor intraductibile dar de tradus.<\/p>\n

La pr\u00e2nz, un simetric al lui Lofangel (FalongGel?), profesorul de chimie de la Universitatea Seattle-Washington, c\u0103 din ce \u021bar\u0103, chimia – prima pasiune a rom\u00e2no-americanului Mircea Eliade, dup\u0103 ce m\u0103 repezisem s\u0103-i aduc\u0103 Nana Modern Romanian <\/em>de James Augerot, de la aceea\u0219i universitate.Vice-Chancellor-ul Mehrotra le-a fost oaspete \u00een cas\u0103 lui Mrs. \u0219i Mr. Khady. Un Parker evreu, coleg de universitate al americanului, a sosit din Rom\u00e2nia, \u00een timpul r\u0103zboiului.<\/p>\n

\u00cemi vine \u00een minte cantitatea. O sus\u021bin ca alibi al valorii, ca spa\u021biu mioritic sau fenomen originar insulare \u00een energia rom\u00e2neasc\u0103, vis al unduirii \u0219i Socrate bridge, ne\u0219ans\u0103 Nae, Drag(nea), Mir(cea Vulc\u0103nescu), \u021au\u021b(ea Petre). Br\u00e2ncu\u0219i-ul Swedwnborg \u00een Balzac Neagoe (cu Napoleon Trestioreanu). Geza Bethlenfalvi – Hungarian Indology and the Panchatantra in Hungary.<\/p>\n

Ne discut\u0103m na\u021bionalismele \u2013 Mary, spre povestea evreiasc\u0103 \u00een cheie epic\u0103, nu str\u0103in\u0103 de r\u0103urile vindicative ce ne c\u0103ptu\u0219esc orizonturile sentimental-cultural-na\u021bionale, \u00eentru regretul celor f\u0103r\u0103 patrie sau religie, \u021bip\u00e2ndu-\u0219i nefericirea. At\u00e2ta disgra\u021bie la un singur pol. \u0218tiam \u0219i asear\u0103 c\u00e2t de pu\u021bin \u00eenger a\u0219 fi, dar cu at\u00e2t mai dureroas\u0103 p\u0103rere de r\u0103u caut masca de lumin\u0103, g\u00e2ndind la Dun\u0103re ca Josef Atila, cu tat\u0103l s\u0103u rom\u00e2n \u2013 uni\u021bi de suprarealismul tinere\u021bii \u00een armonia consonant\u0103 a versurilor t\u00e2rzii.<\/p>\n

\u00cen curtea Universit\u0103\u021bii, la Guest House, auzit\u0103 \u00eent\u00e2i de Nansi, mi-a chir\u0103it veveni\u021ba, iar \u2013 \u00een copil\u0103rie, pentru puii ei din m\u00eeinile mele uciga\u0219e de copil, acum cinci ani, pentru a m\u0103 readuce la via\u021b\u0103, la suportarea viitorului-previziune a mor\u021bii fratelui Vasile. Poate va fi altfel orice. Viteazul de Beri se anun\u021base pentru azi s\u0103 ne repare re\u0219oul electric, s\u0103-\u0219i uite cancerul, dar n-a venit, \u0219i a c\u00e2ntat veveri\u021ba. Ro\u0219ie Coscie Indie vaporoas\u0103 veveri\u021b\u0103 moarte.<\/p>\n

\n

17\/22.12. 77<\/p>\n

Khadi se intereseaz\u0103 de dificult\u0103\u021bile cuiva din Rom\u00e2nia care vrea s\u0103 plece la ei. Eh, evreii, fetele de m\u0103ritat, cei c\u0103rora amicii le fur\u0103 nevestele dac\u0103 insist\u0103 se duc. Cum sunt ele goale bisericile \u00een R \u0219i \u00een R, nu \u00een I. Eh, sunt pline la Roma. Nu-i spun nimic restaurarea persoanei lui Isus, sfin\u021bii p\u0103rin\u021bi sau isihia lui Grigore Palamas etc.<\/p>\n

Mi se face cuno\u0219tin\u021b\u0103 cu un t\u00e2n\u0103r arheolog, american \u0219i so\u021bia lui. \u00cel invit \u00een numele lui Vulc\u0103nescu la congresul interna\u021bional de antropologie din decembrie de la Delhi, descriind coloana cerului. De altfel, m\u00e2ine, fericit, voi merge pe urmele lui Br\u00e2ncu\u0219i p\u00e2n\u0103 la Indore. Un trident de peni\u021b\u0103 \u00eemi deschide apele din creasta valului.<\/p>\n

Br\u00e2ncu\u0219i: (signs and forms bearing a significance far greater than the simple ornamental effect that could have revealed to searcher coming from outside this specific civilisation). 1907: Les Demoiselles d<\/em>‘Avignon<\/em> (Picasso) \u2013 Wisdom of the Earth<\/em> (Brancusi). Obsession for wood \u2013 constant longing for adventure \u2013 making a violin out of the shafts of an orange crate \u2013 the Craiova School of Arts and Crafts (1894) \u2013 a trip to Vienna (1897) \u2013 student of the National School of Fine Arts, Bucharest (1898) \u2013 Vitellius <\/em>(1898) \u2013 Basel, laid up in a hospital \u2013 arrived in Paris (1904) \u2013 Ecole des Beaux Arts (Paris, 1906, graduated 1907) \u2013 working in Rodin’s atelier: no other trees can grow in the shadow of an oak tree \u2013 (the stages of his life reflect the sculptor’s striving to carve in stone, marble and wood, an idea, a feeling or an intuition) \u2013 Pride <\/em>(1905), Child <\/em>(1906) \u2013 the child theme, 19 sculptures (the evolution of the forms in these portraits demonstrates a clear trend towards the simplification and concentration of the expression by a gradual elimination of any gesture… the dramatic intersection of angles and the organizing axes of volumes) \u2013 Torment <\/em>(1907) \u2013 (the physionomical traits or elements subordinated to the law of composition aiming at expressing the sculprutal object) \u2013 The Prayer <\/em>(1908) \u2013 Maybe pure poetry is prayer, but I know that the prayers of our old Oltenians were a form of meditation (Brancusi).<\/p>\n

Nanei \u00eei place Rug\u0103ciunea <\/em>fiindc\u0103 st\u0103 \u00een genunchi \u0219i e cu fundul gol. \u00cei plac copiii<\/em>, Cumin\u021benia p\u0103m\u00e2ntului \u2013 <\/em>fa\u021ba e ur\u00e2t\u0103, c\u0103 pl\u00e2nge. Muza adormit\u0103 <\/em>viseaz\u0103 c\u0103 se duce undeva \u2013 unde? Chipul din Somnul <\/em>viseaz\u0103 c-ar culege mere. Apreciaz\u0103 jum\u0103tate din perechea S\u0103rutului<\/em>, iar s\u0103rutul din Poart\u0103<\/em> e litera O \u2013 octoedrii mari ai por\u021bii \u00eei convin, cei mici, nu.<\/p>\n

D. L. Bapna, Joint Director Publicity \/ D. O. No. … \/ PUB \/ 77 \/ Government of Madhya Pradesh \/ B \u2013 B, State Emporia Complex \/ Baba Kharak Singh Marg \/ New-Delhi-110001 \/<\/p>\n

December 13, 1977<\/p>\n

My dear Vyasji,<\/p>\n

The bearer is Dr. G. Anca, Visiting Lecturer in Romanian, Deptt. of Modern European Languages, University of Delhi, Delhi. He is coming to Indore to visit the Indore Palace and other places. He is specially interested in Romanian Sculpture of Brancusi who was a guest of Maharaja of Indore in 1938. He would also like to visit the University and give a talk. I shall be grateful if you could put him in touch with the persons concerned and give him necessary guidance and help.<\/p>\n

Thanking you, \/ Yours sincerely, \/ (D. L. Bapna)<\/p>\n

Shri Shyam Vyas \/ Assistant Director \/ Govt. Of Madhya Pradesh \/ Regional Publicity Office\/ Rajwara Chowk \/ INDORE.<\/p>\n

Nana: … Mam\u0103, de ce mai iei o gur\u0103 de ceai, mai tragi un fum, te mai ui\u021bi ur\u00e2t, \u0219i mai pui \u021bigara \u00een tigaie?<\/p>\n

A modern contribution to the mythology of love \u2013 <\/em>mysterious menhirs \/ Dragobete-Head-of-Spring \u2013 The Kiss <\/em>(1909) \u2013 monolithic (1925) \u2013 (the mineral materiality of the stone)<\/p>\n

a version placed in the Montparnasse cemetry on the tomb of a young girl who had commited suicide \/ glorify the sun and light \/the eye is the dominant symbol of this profound rational process<\/p>\n

Gate of the kiss \u2013 <\/em>te embrace of two bodies, like the two halves of a seed, assume the perfect shape of a circle<\/p>\n

the fusion of the mineral with the organic.<\/p>\n

Herbert Read: every animal or human being, every tree and flower is vital but the work of art is in some sense concentration of this vital force<\/p>\n

The Wisdom of the Earth<\/em><\/p>\n

Constantin Br\u00e2ncu\u0219i: it would be natural for human beings to live like flowers in the fields, each seeking and finding his place to enjoy or to suffer the sunlight, the coolness of th wind, the blessing of Heaven and the violence of tempest<\/p>\n

Constantin Noica: the mystery of man’s human embodiment re-discovery of profound strata<\/p>\n

Mircea Eliade: Br\u00e2ncu\u0219i appears to heave found the source of \u201eRomanian\u201d inspiration, only after encountering certain \u201eprimitive\u201d and archaic artistic creations \u2013 a fact which seemed paradoxical to several art historians.<\/p>\n

The Sleep \u2013 The Dream \u2013 Te Sleeping Muse \u2013 Torment.<\/em><\/p>\n

Prometheus <\/em>(1911) (probably Brancusi’s first wark where the polished metal plays so great a part in suggesting the transformation of matter into spirit by the artist vision).<\/p>\n

Br\u00e2ncu\u0219i: Polishing is a necessity, dictated by the absolute forms of certain materials. It is of course not compulsory, why \u2013 for \u201ebeefsteak\u201d producers it may be even harmful.<\/p>\n

Rousseau le Douanier: Eh, bien, tu a transform\u00e9 l’antique en moderne<\/p>\n

(the synthesis of forms of expression deriving from diverse systems of philosophy)<\/p>\n

Br\u00e2ncu\u0219i: Beauty is absolute equity<\/p>\n

The Rodinian revolution in sculpture: the autonomy of the fragment.<\/p>\n

1911 \u2013 M\u0102IASTRA<\/p>\n

Peter Neagoe: traditional Romanian belief in a spiritual bird, a magic bird that guides lovers out of the frightening dark forest into a flood-lit paradise<\/p>\n

Br\u00e2ncu\u0219i: I wanted the M\u0103iastra<\/em> to raise its head to the sky without however expressing in this movement pride, vainglory of defince. This was the most difficult task ant it was only after a long and strenous effort that I succeded in rendering this motion integrating in the soaring flight.<\/p>\n

I do not sculpt birds but flights<\/p>\n

in chiseling the stone, we discover the spirit of matter its very essence: your hand thinks and follows the thoughts of the material.<\/p>\n

The Brancusian birds, strongly rationalized versions of natural beings.<\/p>\n

The yearning for the absolute<\/p>\n

1920, Ion Vinea: Let’s raise again the tower of Babel \/ And with our dreams build a vaulted nest for words. \/ Behold \u2013 a hallowed chant – \/ The bird of yearning, a feathery flame, \/ Carves its alluringly sacred Maiastra image \/ Crucified upon the altar \u2013 screen of our faith.<\/p>\n

Cubism (1912) \u2013 Apollinaire – Mlle Pogany <\/em>(1917) \u2013 Narcissus <\/em>(1910) \u2013 Narcissus fountain <\/em>(1913) \u2013 Golden Bird <\/em>(1919).<\/p>\n

Christian Zervos : La puissance de son instinct vital, son amour passionn\u00e9 pour les choses qui l’entourent, la joie si plein qu’il ressent aupr\u00e8s des femmes , l’ont pr\u00e9serv\u00e9 de prendre le chemin de l’acosmisme oriental qui peut concevoir le n\u00e9ant comme l’etre v\u00e9ritable.<\/p>\n

Brancusi: Art is not an escape from reality, but a flight into a new reality henceforward the only valid reality.<\/p>\n

The artist’s polemic criticism of \u201ebeefsteak\u201d sculpture (Torso <\/em>of<\/em> a Young Man<\/em>).<\/p>\n

Endless Column <\/em>(see the internal ratios between the rhombuses) Chimera \/ Sorceress \u2013 <\/em>(Isaku Noguchi) \u2013 The King of Kings <\/em>(1920) ( Brancusi’s most cryptic sculpture).<\/p>\n

Van Doesburg: 1907 however as the moment when Brancusi raised to the highest degree of perfection the simplification of European plastic art \u2013 Narcissus \u2013 Prometheus \u2013 Maiastra \u2013 Mlle Pogany \u2013 The Newborn \u2013 Sculpture for the Blind \u2013 Princess X.<\/em><\/p>\n

Brancusi: We shal never be able enough to the Earth that has given us all we possess… The fly! What bliss!<\/p>\n

Henri Poincar\u00e9<\/p>\n

a sculpture transformed into architecture<\/p>\n

Endles<\/em>s<\/em> Column \u2013 octahedral<\/em> modules; 29.33 meters \/ \u201ebead\u201d (180 centimeters); the axis \u2013 17.53; golden number, 16.2.<\/p>\n

Mario de Michelli \u2013 Endless Column: symbol of the Romanian village, symbol joining the earth and the sky, a humanized bird, taken from a boundless ideal aspirations.<\/p>\n

Gate of the Kiss<\/em><\/p>\n

The Table <\/em>(spirit-thirsting)<\/p>\n

Brancusi: there is a purpose in all things. In order to group it, you must shed your own self… When we are no longer children, we are already dead.<\/p>\n

Zervos: (the work of Brancusi) la sensibilit\u00e9 et la pens\u00e9e se combinent pour r\u00e9soudre les graves conflits de l’art.<\/p>\n

(G. Anca) Dac\u0103 lui Mihai Eminescu i s-au dedicat statui, lui Constantin Br\u00e2ncu\u0219i i s-a reconstituit legenda \u00een teatru. Coloana nesf\u00e2r\u0219it\u0103<\/em>, piesa lui Mircea Eliade, \u00ee\u0219i plaseaz\u0103 ac\u021biunea la T\u00e2rgu-Jiu. Este ac\u021biunea spiritului mai presus de timp, care transform\u0103 spa\u021biul \u00eentr-un templu.<\/p>\n

P. Pandrea: Este un nou profet.<\/p>\n

M. \u0218ora: modul s\u0103u de a se acorda cu sine era acela al totalei libert\u0103\u021bi interioare.<\/p>\n

Karola Gideon Welker: Materia ascult\u0103 de Br\u00e2ncu\u0219i.<\/p>\n

Columna Traiana, 113, Roma \u2013 Coloana nesf\u00e2r\u0219it\u0103, 1937-38, T\u00e2rgu-Jiu.<\/p>\n

Br\u00e2ncu\u0219i: Beauty is absolute balance… It is not making things that is difficult, but puting ourselves in condition to make them… Direct cutting is the true road to sculpture, but also the most dangerous for those who do not.<\/p>\n

Metode creatoare: marmor\u0103 cu vine cenu\u0219ii (Pe\u0219te \/ Miracol<\/em>) \u2013 natura materialului \u2013 procesul\/procedeeul de crea\u021bie \u2013 gravita\u021bia \u2013 calit\u0103\u021bile tactile ale sculpturii \u2013 sculptura ca obiect \u2013 eliberarea ei de soclul fix \u0219i de uniformitatea instal\u0103rii \u2013 primul sculptor abstract \u2013 compozi\u021bie serial\u0103 (Copii\/Pogany\/P\u0103s\u0103ri) \u2013 reapari\u021bia motivelor favorite: bra\u021bul amputat(Copil\/Rug\u0103ciunea\/Supliciul); curbura exagerat\u0103 a g\u00e2tului (Pogany); capul adormit; planul oval puternic decupat; canelurile sculptate paralel (Adam\/Socrate).<\/p>\n

\n

din Delhi dou\u0103zeci de ore<\/p>\n

p\u00e2n\u0103 la Indore<\/p>\n

Ramgajmandi<\/p>\n

ars amandi<\/p>\n

lespezi gard<\/p>\n

Ramgajmand<\/p>\n

peisaj meridian<\/p>\n

\u00een sur\u00e2sul de maidan<\/p>\n

florile dalbe<\/p>\n

erau nalbe<\/p>\n

vacile negre<\/p>\n

muzici alegre<\/p>\n

Indore departele<\/p>\n

poetul fratele<\/p>\n

o niciodat\u0103<\/p>\n

\u00eensculpturat\u0103<\/p>\n

dodie fat\u0103<\/p>\n

gazd\u0103 de pandur<\/p>\n

Holkar Bahadur<\/p>\n

ce mi-ar fi \u00een satul meu<\/p>\n

s\u0103 fie lui Dumnezeu<\/p>\n

nici durere<\/p>\n

nici putere<\/p>\n

merge trenul<\/p>\n

cu himere<\/p>\n

s\u0103m\u00e2n\u021b\u0103 de rig\u0103<\/p>\n

la ziu\u0103 ne strig\u0103<\/p>\n

luminos e soarele<\/p>\n

bun Dumnezeu marele<\/p>\n

caprele bat c\u0103prioarele<\/p>\n

migrenele cangrenele<\/p>\n

supravie\u021buim cu dolmenele<\/p>\n

ascultasem cumin\u021bi<\/p>\n

cancerul pentru sfin\u021bi<\/p>\n

ne sf\u00e2r\u0219isem de dor<\/p>\n

c\u0103tre m\u0103ritatul Indor<\/p>\n

cu pas\u0103rea m\u0103iestrelor<\/p>\n

ciugulite ferestrelor<\/p>\n

NAI DUNIYA, p.1, 21.12. 77, Indore: \/ Cuplul Anca \u00een Indore \u00een memorie artistului Brancusi \/ <\/em>(foto:) Dr. Anca, so\u021bia \u0219i fiul (sic)<\/p>\n

Indore, 20 decembrie. – Cu 40 de ani \u00een urm\u0103, sculptorul de faim\u0103 mondial\u0103 Br\u00e2ncu\u0219i vine \u00een Indore la invita\u021bia lui Maharja Holkar. \u0218i ast\u0103zi, devotul lui Br\u00e2ncu\u0219i (1876-1957), Dr. Gheorghe Anca a vizitat (pe Constantin Br\u00e2ncu\u0219i \u00een) Colegiul Regional al Educa\u021biei \u0219i a \u021binut o conferin\u021b\u0103 de o or\u0103 asupra vizitei lui Br\u00e2ncu\u0219i la Indore. Dr. Anca este profesor de rom\u00e2n\u0103 la Departamentul Limbilor Europene al Universit\u0103\u021bii din Delhi.<\/p>\n

Potrivit Enciclopediei Britanice, Br\u00e2ncu\u0219i a fost un sf\u00e2nt al sculpturii \u0219i a avut o profund\u0103 \u00eenr\u00e2urire asupra artei mondiale \u00een scolul XX. A debutat \u00een sculptur\u0103 \u00een Rom\u00e2nia, s-a \u00eent\u00e2lnit la Paris cu Auguste Rodin, a ini\u021biat sculptura spiritual\u0103.<\/p>\n

\u00cen 1933, Maharaja Holkar l-a invitat la Indore. El a vrut s\u0103 \u00eenal\u021be un templu sub \u00eengrijirea lui Br\u00e2ncu\u0219i. Br\u00e2ncu\u0219i a putut s\u0103-l viziteze \u00een octombrie-noiembrie 1937. Cu toate acestea, templul nu a fost niciodat\u0103 ridicat, dar Br\u00e2ncu\u0219i a sculptat dou\u0103 p\u0103s\u0103ri \u00een marmor\u0103, care (pot fi v\u0103zute) se afl\u0103 \u00een muzeul Usha Raja.<\/p>\n

Pentru Dr. Gheorghe Anca, acesta a fost un pelerinaj aici unde Br\u00e2ncu\u0219i a stat aproape o lun\u0103. So\u021bia lui, Rodica, a fost, de asemenea, cu el. Ea este prima femeie rom\u00e2n\u0103 \u00een vizit\u0103 la Indore. Dr. Gheorghe Anca \u0219i-a luat doctoratul \u00een filologie la Universitatea din Bucure\u0219ti, iar acum el pred\u0103 literatur\u0103 universal\u0103 \u0219i comparat\u0103. Doamna Rodica Anca \u0219i-a ob\u021binut dipolm\u0103 de nivel universitar \u00een Ceramic\u0103.<\/p>\n

Ast\u0103zi, cuplul Anca a vizitat redac\u021bia ziarului Nai Duniya. Ei au vorbit unui redactor despre producerea unui film asupra lui Br\u00e2ncu\u0219i. Br\u00e2ncu\u0219i a creat mai multe sculpturi frumoase ale P\u0103s\u0103rii M\u0103iestre (poranic bird \/ magic\u0103?)<\/p>\n

Potrivit Enciclopediei Britanice, ofi\u021beri vamali americani au refuzat intrarea, f\u0103r\u0103 vam\u0103, a P\u0103s\u0103rii \u00een spa\u021biu<\/em>, o sculptur\u0103 \u00een bronz. De aici a \u00eenceput un cunoscut proces \u00eentre arta modern\u0103 \u0219i arta istoric\u0103. Dar c\u00e2\u0219tig\u0103tor a fost artistul modern Br\u00e2ncu\u0219i. Aceast\u0103 pas\u0103re sculptat\u0103, poate, a cucerit inima lui Maharaj Holkar Bahadur \u00een Paris.<\/p>\n

Dr. Anca a spus c\u0103 marele poet Mihai Eminescu (1850-1889) a tradus (versuri din) Rig Veda \u0219i a iubit foarte mult pe Kalidasa. Poeme ale sale au fost influen\u021bate de cultura indian\u0103.<\/p>\n

Care e cel mai mare indianist \u00een Rom\u00e2nia? Dr. Anca a spus c\u0103 Mircea Eliade poate fi numit primul. Acesta a scris (circa) zece c\u0103r\u021bi despre India \u0219i tr\u0103ie\u0219te la Chicago. Urmeaz\u0103 Teofil Simenski, Vlad B\u0103n\u0103\u021beau, Cicerone Poghirc.<\/p>\n

Dr. Anca a publicat trei c\u0103r\u021bi de poeme \u00een Rom\u00e2nia. Se m\u00e2ndre\u0219te cu na\u021biunea lui, care este liber\u0103 de ru\u0219i \u0219i este o \u021bar\u0103 liber\u0103. El a spus c\u0103 limba rom\u00e2n\u0103 este singura limb\u0103 latin\u0103 \u00een Estul Europei, o limb\u0103 indo-european\u0103. (Autor: Rajendra Mathur).<\/p>\n

Stimate Domnule Mircea Eliade, \/ V\u0103 scriu a treia oar\u0103 (dup\u0103 Bucure\u0219ti \u0219i Roma), ner\u0103bd\u0103tor s\u0103 divulg o existen\u021b\u0103 rom\u00e2neasc\u0103 \u00eentr-o Indie alta dec\u00e2t cea a Maytreyi-<\/em>ei, poate. Oricum, am fost \u00een pelerinaj la Indore \u0219i, cu o conferin\u021b\u0103 la Colegiul de Art\u0103 al Universit\u0103\u021bii, \u00een 20 decembrie 77, am cinstit 40 de ani de c\u00e2nd Br\u00e2ncu\u0219i, pentru o lun\u0103, \u00een curtea palatului maharajal \u0219i risipit printre ruinele de la Mandu, \u00ee\u0219i des\u0103v\u00e2r\u0219ea (dou\u0103) m\u0103iestre \u00een spa\u021biul indian.<\/p>\n

\u00centr-o vizit\u0103 la cel mai mare ziar indorian, Nai Dunyia<\/em>, am vorbit despre Dumneavoastr\u0103, iar articolul publicat \u00een 21.12. 77, pe pagina \u00eent\u00e2i, a re\u021binut numele celui mai mare indianist rom\u00e2n. \u00cen plus, un ziarist a sugerat c\u0103 teatrul din Indore ar juca piesa D-str\u0103 Endless Column.<\/em><\/p>\n

M\u0103 ispite\u0219te un al doilea doctorat (indo-rom\u00e2no-american?) dup\u0103 Baudelaire-ul de la Bucure\u0219ti (ghidat de Noica, St\u0103niloae, Cuclin, Franco Lombardi, \u0218ora, Grigore Popa, Mihail Celarianu, V. G. Paleolog, Z.D.- Bu\u0219ulenga, conduc\u0103toarea de doctorat). Ce anume vi se pare de f\u0103cut, obiectiv, \u00een marginea viei culturi indiene?<\/p>\n

\n

23.22. 77<\/p>\n

Asear\u0103, la Netty Bossert, s-au c\u00e2ntat colinde engleze\u0219ti \u2013 un actor cu nevasta lui din America \u0219i \u00eenc\u0103 o pereche tot de acolo, cu un copil blond, familia adult-adolescent\u0103 (b\u0103iat \u0219i fat\u0103) a unui func\u021bionar (coreean) ONU (voce bas-bariton), Faruqi, Mary cu Balint, noi cu Nana, indieni. Un discurs pe post de povestire de Cr\u0103ciun (vizit\u0103 la Ierusalim \u0219i-n Africa de Sud), urmat\u0103 de audi\u021bia colindelor rom\u00e2ne\u0219ti oferite de mine (la C\u0103lu\u0219, Balint a dansat cearda\u0219). Sup\u0103, chiftele, pr\u0103jituri, fructe. Nu alcool, nu tutun. (Vis, dup\u0103: am o pu\u0219c\u0103 \u00een m\u00e2n\u0103, o \u00eendrept spre cel mai bun prieten, Vasile, voi fi condamnat la moarte, a\u0219 prefera galerele pe via\u021b\u0103).<\/p>\n

\n

27.12. 77<\/p>\n

un rom\u00e2n odat\u0103 a plecat de-acas\u0103<\/p>\n

nu s\u0103 scoat\u0103 ap\u0103 nici s\u0103 dea la coas\u0103<\/p>\n

\u0219i-a luat muierea \u0219i copila bl\u00e2nd\u0103<\/p>\n

\u0219i s-a dus \u00een lumea asta de os\u00e2nd\u0103<\/p>\n

c\u00e2nd la poale mun\u021bii s\u0103-l a\u0219tepte nu-s<\/p>\n

a luat-o invers nu c\u0103tre apus<\/p>\n

tot spre miaz\u0103-ziu\u0103 p\u00e2n\u0103 la Indor<\/p>\n

s\u0103-\u0219i mai uite grinda pref\u0103cut\u0103-n dor<\/p>\n

s-a \u00eentors pe urm\u0103 unde avea treab\u0103<\/p>\n

nimeni nu-i r\u0103spunde nimeni nu-l \u00eentreab\u0103<\/p>\n

c\u00e2nd a doua ploaie iarna a fost jos<\/p>\n

tare o poveste \u00ee\u0219i visa pe dos<\/p>\n

ca pe engleze\u0219te refuzat \u00een dodii<\/p>\n

\u00eencepu s\u0103 tac\u0103 s\u0103 rodeasc\u0103 rodii<\/p>\n

ah \u0219i papagalii \u0219i maimu\u021bele<\/p>\n

m\u00e2n\u0103 p\u00e2n\u0103-n ceruri lung c\u0103ru\u021bele<\/p>\n

\u00een calea\u0219c\u0103 brun\u0103 coada veveri\u021bei<\/p>\n

o dr\u0103coaic\u0103 maic\u0103 goal\u0103 \u00eentre i\u021be-i<\/p>\n

se c\u0103l\u0103tore\u0219te-n nor s\u0103 se m\u0103rite<\/p>\n

eu s\u0103-i c\u00e2nt la nunt\u0103 s\u0103-i dau gr\u00e2u \u0219i vite<\/p>\n

bine dar \u00een via\u021b\u0103 n-am singur\u0103tate<\/p>\n

poate lin ascult\u0103-mi las\u0103-te pe spate<\/p>\n

rug\u0103 f\u0103r\u0103 coarde uit\u0103-m\u0103 \u0219i h\u00e2d\u0103<\/p>\n

mirele din zare o s\u0103 \u00ee\u021bi sur\u00e2d\u0103<\/p>\n

prea m\u0103 vede schiaun f\u0103r\u0103 str\u0103vezime<\/p>\n

\u0219i cu umbr\u0103 oam\u0103 rob viclean la \u0219time<\/p>\n

c\u00e2t c\u0103 m-ai preface \u00een pustii vapori<\/p>\n

masca ta \u00een bezn\u0103 mie mi-o omori<\/p>\n

c\u0103ci ascuns \u00een pl\u00e2nsu-mi am r\u0103mas vioi<\/p>\n

cu trei coaste rupte \u0219i plin de nevoi<\/p>\n

st\u0103 dr\u0103coaica-n g\u00e2nduri se face la mod\u0103<\/p>\n

\u0219i m\u0103 ia de unul singur drag\u0103 dod\u0103<\/p>\n

eh nu mi-era vorba dar v\u00e2nam chitin\u0103<\/p>\n

greierilor muz\u0103 moar\u0103 \u0219i cre\u0219tin\u0103<\/p>\n

str\u00e2ns-am o gr\u0103mad\u0103 rugului de mine<\/p>\n

s-o aprind cu suflet roiuri de albine<\/p>\n

eu s\u0103 n-am vedere ele dodii nu<\/p>\n

stau la o fereastr\u0103 cu ochii hindu<\/p>\n

doar \u00een taina str\u00e2ns\u0103 dodiilor fa\u021ba<\/p>\n

o s\u0103-mi fie fric\u0103 s\u0103 nu trag\u0103 a\u021ba<\/p>\n

\n

No. Estate \/ Allot \/ 3 R \/ 77 \/ Delhi \/ the 27th<\/sup> December 1977<\/p>\n

Dear Sir, \/ I write to informe you thar the Vice-Chancellor has been pleased to allot you a 3-Roomed flat No 38\/15, Probyn Road for duration of your stay in the Department. \/ Please note that the accomodation would be furnished and rent-free. \/ Please arrange to take possession of the said flat from the Assistant Security Officier of the University. \/ Yours faithfully \/ Registrar.<\/p>\n

\n

30.12. 77<\/p>\n

Seara suntem mai s\u0103raci \u2013 de ce? \u2013 p\u0103i dac\u0103 st\u0103m cu pu\u021bine? ziua suntem mai boga\u021bi \u2013 de ce? \u2013 p\u0103i ne bucur\u0103m \u2013 ce faci? \u2013 stau a\u0219a \u00een pat ca mamaia \u0219i zic c\u0103 am murit, n-a avut nimeni grij\u0103 de mine.<\/p>\n

Povestea a \u00eenceput \u00eentr-un tren \u00een care am urcat noi \u0219i fata. Era \u0219i Beri. Vine \u0219eful de gar\u0103 \u0219i spune c\u0103 ne \u0219tie din poza din ziar. N-aveam bilete, dar ne permite s\u0103 s\u0103rim din mers \u00een tren. Aveam dou\u0103 bagaje r\u0103mase jos. Cam \u00een ultimul vagon, singuri. Ne urc\u0103m. Nu mai era vagon.<\/p>\n

Dispare Nana. Coboar\u0103 Nansi pe o scar\u0103 \u00een beci, o sperie. \u00centr-un pat, sub a\u0219ternut \u2013 mamaia dormea. \u0218tia c\u0103 e moart\u0103. Era strigoi, \u0219tia, venea cu ea de m\u00e2n\u0103 sus \u2013 nu i-a f\u0103cut pomenile.<\/p>\n

O femeie despre care \u0219tia ceva, c\u0103 ar avea cumva leg\u0103tur\u0103 cu cei de dedesubt, cum era s\u0103rac\u0103 \u0219i avea o bluz\u0103. Trateaz\u0103 cu femeia s\u0103-i dea bluza, a\u0219a \u0219i a\u0219a, \u0219i \u00eei d\u0103 de \u00een\u021beles c\u0103 \u201ei-o\u201d fac necur\u0103\u021bii. Dintr-un \u0219ifonier \u00een perete, vine una, croitoreas\u0103 gr\u0103su\u021b\u0103. O s\u0103rut\u0103, apoi i s-a str\u00e2ns inima c\u0103 a s\u0103rutat pe necuratul. \u00cen timp ce era la prob\u0103, apare alta, gras\u0103, sup\u0103rat\u0103, vai, am fost cu ma\u0219ina \u0219i am omor\u00e2t-o pe fata lui Alexandru, un accident. Croitoreasa: vai, ce nenorocire pentru cine a omor\u00e2t-o. Cealalt\u0103: da, \u00eemi \u00eenchipui ce-o fi \u00een capul lui (vorbea ca despre un str\u0103in, de fa\u021b\u0103, necunoscut \u2013 Nansi \u2013 \u0219i spunea c\u0103 minte).<\/p>\n

Schimbare \u2013 nu mai e vorba despre bluz\u0103. Se preface \u00een diavol cu coarne \u0219i pleac\u0103. \u00cen urm\u0103, fata t\u00e2n\u0103r\u0103, cu papuci de cauciuc \u00een m\u00e2n\u0103, ce-o \u021binea de copil. Nansi se uita \u00een noapte cum a luat-o. \u00cei pune \u00een bra\u021be p\u0103pu\u0219a, urma\u0219\u0103. Apoi, iar, croitoreas\u0103. Nansi \u0219tia c\u0103 e p\u0103pu\u0219\u0103 dar o trata ca pe un copil \u0219i trebuia s-o \u00eempu\u0219te. C\u0103 voia s\u0103 vad\u0103 dac\u0103 are puterea asta. N-a azv\u00e2rlit-o.<\/p>\n

N-a \u00eenceput s\u0103 \u00eennebuneasc\u0103. Episod intercalat: se vede ca \u00eentr-un muzeu care era iadul, dar se uita ca la Antipa la animale cu mediul lor \u2013 vede, din afar\u0103, un grajd plin cu vaci (schi\u021b\u0103 copioas\u0103) \u2013 cu gunoi \u0219i r\u0103sufl\u0103tori \u2013 vede un cap \u00eencoronat \u021bin\u00e2nd \u00een gur\u0103 un cap de leu din care curgeau nenum\u0103rate trupuri \u0219i f\u0103r\u00e2mi\u021bau gunoiul, care era, acum, mul\u021bime de p\u0103c\u0103to\u0219i, iar dup\u0103 ei draci cu \u021b\u0103poaie.<\/p>\n

Era iar \u00een camera cu croitoreasa, chipurile (bluza-i venea o nebunie, \u021bin minte modelul \u2013 \u0219i-o face \u00eempu\u021bit\u0103.) Trebuia s\u0103 \u00eempu\u0219te p\u0103pu\u0219a-copil \u2013 cea cu ma\u0219ina-accident, venise s\u0103 caute adresa lui Alexandru \u00een scrisorile mele, eu ie\u0219isem din vis. Nansi trebuia s-o bage-n sperie\u021bi \u2013 deduce acum \u2013 aaa, tare, fata noastr\u0103 \u00eempu\u0219cat\u0103, un singur a din toate puterile. La trezire nu mai putea respira bine. Expira greu, judec\u00e2ndu-se c\u0103 a \u00eennebunit.<\/p>\n

Aceea omor\u00e2se fata lui Alexandru, dar parc\u0103 Nansi trebuia s\u0103 \u00eempu\u0219te p\u0103pu\u0219a. Croitoreasa, la sf\u00e2r\u0219it, era drac, \u0219i aproba ce face \u2013 ca pre\u021b al bluzei (schi\u021b\u0103 nobil\u0103).<\/p>\n

Film \u00een relief. Iadul. (\u00cen M\u0103iastra.) Aspiratoarele suflau \u0219i m\u0103turau resturile \u2013 stilul de lucru. Leul cu trupuri cro\u0219etate care mergeau \u0219i ele. Nansi se va apuca s\u0103-l fac\u0103. Singurul loc din vis \u00een care i-a fost fric\u0103 \u2013 banul mamaiei.<\/p>\n

Con\u0219tiin\u021ba nu i-a scos ochii \u0219i pentru creionul, tu\u0219ul de ochi. C\u00e2nd a s\u0103rutat-o pe croitoreas\u0103 a sim\u021bit inima goal\u0103. Invidia pe cele cu ma\u0219ina (v\u00e2ndut\u0103 de ea pentru bilet?) Aceea venise s\u0103 caute \u00een coresponden\u021ba dintre mine \u0219i Vasile.<\/p>\n

Nansi zice c\u0103 n-avea niciun motiv s\u0103 viseze un a\u0219a vis, n-avea o con\u0219tiin\u021b\u0103 \u00eenc\u0103rcat\u0103, era foarte lini\u0219tit\u0103. S-a sim\u021bit foarte prost c\u00e2nd am glumit c\u0103 a negociat cravata pentru mine f\u0103r\u0103 s\u0103 o cumpere.<\/p>\n

Tot visul era colorat. Fata, c\u00e2nd se pitulase, era \u00eentr-o pijama bleu (\u00een \u0219opuri, aici, culori tari de n-ai ce s-alegi) cu floricele. Leul avea capul ocru, coama maronie, corpul ro\u0219u-englez. \u0218i dracii erau cam maro. C\u00e2nd pleac\u0103 aceea cu p\u0103pu\u0219a-copil \u00een bra\u021be \u2013 ca-n tramvaiele albumului \u00een viscol, dar nu tramvaie \u2013 cei doi, \u00een uniformele de aici \u2013 se \u00eentoarce \u0219i i-o pune \u0219i ei \u00een bra\u021be.<\/p>\n

Nansi: o con\u0219tiin\u021b\u0103 limpede nu na\u0219te asemenea… Puteam s\u0103 m\u0103 visez m\u00e2ine-sear\u0103 la Revelion, cum n-o s\u0103-mi plac\u0103. Doamne, p\u0103ze\u0219te-m\u0103, totu\u0219i.<\/p>\n

\n

IUBE\u0218TI INDIA?<\/p>\n

\n

4.I. 1978<\/p>\n

Iube\u0219ti India? – Yes! – Ce? – C\u0103r\u0103mizile. Father Christmas, 31.13.77, plugu\u0219or, boeuf, whiskey, sarmale, pui \u2013 apleca\u021bi \u2013 duminica z\u0103cut\u0103. Seara, la Ashoka Hotel, la vizita lui Carter \u2013 documenta\u021bie cu Charanjit. Beri a plecat alalt\u0103ieri la Bombay. A fost o desp\u0103r\u021bire \u2013 venise primul la clas\u0103, pentru foarte scurt\u0103 vreme, \u00eel a\u0219teptam.<\/p>\n

All education that you are receiving will be reduced to nothing, if it is not built on the foundation of a pure character… (M. K. Gandhi).<\/p>\n

Ieri, suferind cu greu, a nu fuma \u2013 \u00een Kamla Nagar sau \u00een Timar Pur, Nansi ar fi fumat cu tot dinadinsul; seara am auzit muezinul (masjid) anun\u021b\u00e2nd patetic apusul soarelui. Ne-am culcat p\u00e2n\u0103-n opt \u0219i ne-am perpelit din lips\u0103 de tutun. Azi, dup\u0103 cea\u021ba de diminea\u021b\u0103, e un soare bl\u00e2nd, sub care Nana se joac\u0103 \u00een nisip, eu \u00eencerc o cale spre sanskrit\u0103, Nansi, a\u0219tept\u00e2ndu-\u0219i propria aniversare, \u00eemi cro\u0219eteaz\u0103 mie primul (al doilea, al treilea…) pulover. Invita\u021bie la sf\u00e2r\u0219itul lui februarie la nunt\u0103 \u00een Punjab, Nansi nu vrea, eu da.<\/p>\n

Fic\u021biunea atrage timpul. Grija liric\u0103 este a nota\u021biei metafizice, a revela\u021biei re\u021binute \u00een p\u0103m\u00e2ntescu-i schelet. Am \u00eenapoiat bibliotecii Sahitya Akademi The last Romantic: Mihai Eminescu<\/em>, versions by Mac Gregor-Hastie. \u00cen comentariu exist\u0103 India. Sf\u00e2r\u0219itul evoc\u0103 obscenitatea. Un Eminescu semitizat? Memento mori<\/em>, op\u021biune pentru traducere.<\/p>\n

\u021ainuta noastr\u0103 se va eleva \u00een apartamentul \u0219i ambian\u021ba din Probyn Road. Nana va avea unde s\u0103 se joace, eu cum s\u0103 lucrez, Nansi unde picta. Vom putea primi oaspe\u021bi \u0219i scrisori. Vom avea de unde s\u0103 plec\u0103m acas\u0103 la noi.<\/p>\n

Sunt numai al pred\u0103rii pentru studen\u021bi, sau ei pentru mine. \u00cencerc s\u0103 privesc obiectiv, nu compensator, rela\u021bia real\u0103. Ea singur\u0103 se va consolida, indiferent de sinceritate sau efecte. Oare prietenii lui Karp au existat? Mi-e dor de \u0219ah, de Vasile, \u0219ahul ne-a ad\u00e2ncit prietenia dincolo de timp \u2013 ce fericit e\u0219ti tu, mi-a spus la plecarea \u00een Italia \u2013 dar acum, \u00een \u021bara \u0219ahului, ce mi-ar mai fi spus?<\/p>\n

\n

6 ianuarie 1978, Nansi’s birth-day<\/p>\n

Ne ferim de limba p\u0103m\u00e2ntului. Diminea\u021ba asta te \u00eenconjor cu sufletul \u00een glum\u0103. Mul\u021bi meteori mi-au plouat \u00een oase. \u00ce\u021bi sunt din cet\u0103\u021bi, dintre dodii p\u00e2n\u0103-n Ayodhya. Femeie de spus \u00een dans \u2013 leela, Ramleela -, lapsus \u00eempreun\u0103. P\u0103r\u0103se\u0219te-m\u0103 \u00een echinoxuri, nu \u00een prea lungi anotimpuri.<\/p>\n

Am recitit seara Shakuntala <\/em>de Vasile Voiculescu, dup\u0103 ce, diminea\u021b\u0103, sf\u00e2r\u0219isem Ramayana<\/em>, traducerea rom\u00e2neasc\u0103 a versiunii repovestite \u00een engleze\u0219te de Rajagopalachari. Nuvela rom\u00e2nului e un original plin de mister heraldic. Cheia eminescian\u0103 din Luceaf\u0103rul <\/em>psihanalizeaz\u0103 ortodoxist consacrarea persoanei sau cunoa\u0219terea apofatic\u0103. Verv\u0103 poetic\u0103, past\u0103 de culori cerebrale, ragas din dsisimulate orchestra\u021bii.<\/p>\n

Vorbisem despre Sita ca destin sf\u00e2nt prin Rama, sacrificiu. Shakuntala rom\u00e2nului Voiculescu este destinul \u00eensu\u0219i (dinspre infinitul \u00eemp\u0103r\u0103\u021biei spre pierdutul din via\u021ba pasional\u0103). Sita concretizase absolutul, Shakuntala-Rada absolutizase realul existen\u021bei. \u00cen locul ursitei purit\u0103\u021bii, puritatea ursitei. Un imn iubirii mai pu\u021bin, prin parodia de sine dandist-bacovian\u0103. Persoana-Dumnezeu se realizeaz\u0103 \u00een stadii brahmanice, poate \u0219i kierkegaardiene, str\u0103luce\u0219te \u00een iluzia Shakuntalei-Maya, Dulcineea-Shakuntala.<\/p>\n

\n

7 ianuarie 1978 (La mul\u021bi ani, tat\u0103, \u0219i Ioane Creang\u0103)<\/p>\n

Gala Galaction recrease o imagine bucure\u0219tean-const\u0103n\u021bean\u0103 a Mariei Magdalena, care, f\u0103r\u0103 hermeneutica autorului, ar friza melodrama romantic\u0103 (am citit romanul cu pl\u0103cere \u0219i ciud\u0103, la Mangalia, cu Nansi; dar aici notez, \u00een schi\u021b\u0103, argumente pentru studiul Shakuntalei \u00een Rom\u00e2nia). Ea se m\u00e2ntuie prin credin\u021b\u0103, slogan\u00e2nd \u0219i emanciparea femeii, dac\u0103 nu mizandria.<\/p>\n

Voiculescu s-a emancipat, \u00een aparen\u021b\u0103, de morala evanghelic\u0103. P\u0103catul Shakuntalei nu exist\u0103. Ea incarneaz\u0103 frumuse\u021bea indiscutabil\u0103, ca o religie \u00een sine. Este tot at\u00e2t iluzie, halucina\u021bie sau reminiscen\u021b\u0103, c\u00e2t \u0219i sens al regener\u0103rii, eroismului \u0219i \u00eendumnezeirii. Nu discursiv, nici constructivist \u2013 mai degrab\u0103 limbajul se derealizeaz\u0103, tablourile se interpun spre a ascunde pasiunea misterului revelat \u00eenapoia cuvintelor.<\/p>\n

Dar povestea aceasta, f\u0103r\u0103 a fi cuv\u00e2nt, n-ar fi fost, \u00een lipsa limbajului, a t\u0103cerii post-oraculare. Numele personajului lui Kalidasa, dar \u0219i al replicii lui carpatine, se \u00eentrevede drept ra\u021biune a revela\u021biei \u0219i, astfel, a retr\u0103irii. Dyonis ar fi fost Hyperion, dac\u0103 nu \u00eensu\u0219i Eminescu \u2013 doar c\u0103 prezen\u021ba lui spiritual\u0103, amestecat cre\u0219tin\u0103 \u0219i pan-indian\u0103, se datoreaz\u0103 unei patimi mitomane.<\/p>\n

El iube\u0219te \u00een locul femeii iubite \u0219i este nevoie de un alter-ego b\u0103rbat care s\u0103 se \u00eendr\u0103gosteasc\u0103 de aceea. Este nevoie de realitatea ei absolut\u0103, ca \u0219i de cea p\u0103m\u00e2nteasc\u0103 \u2013 dispari\u021bia la propriu a b\u0103rbatului, ca un zeu t\u00e2rziu, a scenei feerice din atmosfera anglo-sanskrit\u0103 a unei lecturi donquijote\u0219ti (\u00een cheia Ciulendrei <\/em>lui Rebreanu), singura moarte (sinucidere) a Kivei, la r\u0103scrucea \u00eentre adev\u0103rul mizer \u0219i posibilitatea viselor imperiale \u2013 dar sunt numeroase elemente de construc\u021bie, sus\u021binute de discursuri ca atare, asupra cunoa\u0219terii apofatice.<\/p>\n

Povestirea este reminiscen\u021ba unui nume, a dramei iscate de reincarnarea (avatarul) acelui nume. Dup\u0103 dou\u0103zeci de ani, relatarea se va preface \u00eentr-o proz\u0103 conven\u021bional\u0103, cu \u00eengrijite preg\u0103tiri pentru efectul literar; un \u00eenceput de jurnal de boal\u0103 \u0219i convalescen\u021b\u0103, un elogiu mun\u021bilor patriarhali conserv\u00e2nd r\u00e2nduieli de p\u0103r\u0103ginit\u0103 curte boiereasc\u0103, de st\u00e2n\u0103 \u0219i \u0219atr\u0103 (cur\u021bile se cern spre \u00een\u0103l\u021bimi, \u00eentr-o arhitectur\u0103 a peisajului rom\u00e2nesc \u00eensu\u0219i, nu lipsit de coresponden\u021be \u00een arhitectonica cerurilor).<\/p>\n

Ca s\u0103 izbucneasc\u0103, asemeni unui fenomen natural, dar nu al unei persoane \u2013 ci, tocmai, al unui dublu -, iubirea pentru o t\u00e2n\u0103r\u0103 frumuse\u021be, \u0219i mit etern totodat\u0103, cobor\u00e2t din poezia sanskrit\u0103. \u0218i totul s\u0103 se spulbere mai pu\u021bin surprinz\u0103tor dec\u00e2t ap\u0103ruse. Intransmutabilitate. Solu\u021bia s-ar putea afla \u00een esen\u021ba limbajului povestirii \u2013 un nume disparent, ca o sinucidere.<\/p>\n

Persoana \u00eent\u00e2i a povestirii este aproape ironic\u0103, simul\u00e2nd timpul ca atare al existen\u021bei, \u00eentr-un spa\u021biu simbolic-deschis-iluzoriu. Nuvela se autosacrific\u0103, Sakuntala a fost \u0219i nu mai este. Un refuz al ei? Numai Chiva, sinuciga\u0219a b\u0103tr\u00e2n\u0103, mai fr\u0103m\u00e2nt\u0103 g\u00e2nduri de ibovnicie.<\/p>\n

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8.I. 1978<\/p>\n

Ambasadorul n\u0103scut, poate, \u00een Ujjain, \u00eemi suger\u0103 comentarea consider\u021biilor diplomatice din Voiculescu. Chimistul Robert Kunninghame, de la Universitatea din Otago, Dunedin, New Zealand, auzindu-ne vorbind rom\u00e2ne\u0219te, pe Nansi, Alexandra \u0219i pe mine crezuse c\u0103 vorbim addiritura italiene\u0219te, i-am f\u0103cut obi\u0219nuita precizare asupra rom\u00e2nei ca latin\u0103. Very vrighete veri\u0219oare. Masih ne-a invitat pe acas\u0103. Geza c\u0103 s\u0103 \u00eenv\u0103\u021b urdu. Prin copaci se oplo\u0219esc papagali \u0219i r\u0103pitoare.<\/p>\n

\n

9.I. 78<\/p>\n

Schimnic, priculici, maxim dedubl\u0103rii romantice? Ora 5, tobe , cimpoaie. Ne-am mutat lucrurile \u00een Probyn Road. Uitasem pe zi la superbazar o geant\u0103 de piele, am g\u0103sit-o seara. Dup\u0103 a opta zi de nefumat, Nansi se viseaz\u0103 la recep\u021bii, fum\u00e2nd. Ultima noapte la Guest House, dup\u0103 aproape trei luni.<\/p>\n

Yogindra primise o aerogram\u0103 din Bombay de la Beri, scris\u0103 \u00een spital. \u00cen avion scuipase de dou\u0103 ori s\u00e2nge \u0219i \u00eenc\u0103 o dat\u0103 \u00een spital. Dup\u0103 teste \u0219i rezultate \u2013 \u00eentoarcerea \u00een Delhi, la clasa noastr\u0103, sau r\u0103m\u00e2nerea intern acolo. F\u0103r\u0103 tine, Veena \u0219i dr. Anca, scria Ashok, nimic nu e bun. Yogindra, c\u0103 nu \u0219i-ar mai dori rom\u00e2na, f\u0103r\u0103 prietenul s\u0103u. Mai mult de o or\u0103 i-am povestit suferin\u021ba lui Vasile V\u0103duva, cum fiecare putem fi cel\u0103lalt.<\/p>\n

Mi-e dor s\u0103 ne viziteze Alda, o s\u0103-i scriu Domni\u021bei. Shakuntala lui Voiculescu este Rusoaica lui Gib. Fanfar\u0103 sanskrit\u0103, Sciascia, Lombardi \u0219i compania, Baudelaire-ul meu, aceast\u0103 lume. Pe la 11 din noapte, Nana pune scaune \u0219i sertare pe mas\u0103, \u00eei cere mamei o portocal\u0103, s-o v\u00e2nd\u0103. Pozi\u021bii \u0219i propozi\u021bii, Cristea-Crist, Bihar \u2013 Biharia bihorean\u0103, Crishna-Cri\u0219-Cri\u0219ana (la noi, locuim pe Izvorul Cri\u0219ului). Tobo\u0219aul \u0219i cimpoierul jeluindu-se, \u00een cur\u00e2nd se va face ziu\u0103, vom ie\u0219i din cenu\u0219\u0103, din muzic\u0103 \u0219i ragas.<\/p>\n

Timpul trecut nu se va mai \u00eentoarce, cel ce urmeaz\u0103 va trece \u0219i mai repede, aici, oriunde. Voma accepta mitologia, nu vom dicta romane. Vom cam brava p\u00e2n\u0103 la moarte, l\u0103s\u00e2ndu-ne uita\u021bi de bun\u0103 voie. Ca \u00eentr-o a(n)cademie br\u00e2ncu\u0219ian\u0103. Palmierii se torc \u00eentruchipare a vie\u021bii noastre \u00een cer.<\/p>\n

\n

10 ianuarie 1978 Delhi, 38\/15 Probyn Road 110 007<\/p>\n

Prima noapte \u00een Probyn, dou\u0103 silabe, ca Orzari. C\u00e2nd ne fixasem, la sacrificiu \u00een Izvorul Cri\u0219ului (dup\u0103 Orzari \u0219i Aleea Bac\u0103u\/Humule\u0219ti) cochetasem poate \u0219i cu desimea domiciliilor lui Baudelaire. Vorba lui Thusu, registrarul \u2013 fiecare-i mul\u021bumit? – fiecare… A\u0219 \u00eencerca la anul \u0219i cursuri prin coresponden\u021b\u0103 dac\u0103 s-ar g\u0103si \u00een ora\u0219e sau \u0219i sate indiene amatori de rom\u00e2n\u0103.<\/p>\n

Trec\u00e2nd ast\u0103-sear\u0103 pe la Guest House, s\u0103 v\u0103d dac\u0103 nu cumva au dat drumul la apa cald\u0103, \u0219i a preda cheia, am primit vizita unui Sharma (cu o zi \u00eenainte de a veni Nansi, vizitasem, duminica, pe sanskritistul Joshi, condus de acest t\u00e2n\u0103r, pe care-l \u00eentrebasem ce autobuz merge \u00een Model Town, \u0219i care, \u00een consecin\u021b\u0103, m\u0103 purtase pe la un v\u0103r, absent de acas\u0103, apoi pe la dou\u0103 veri\u0219oare ce ne-au primit bine). Era \u00eenso\u021bit de un prieten al lui, Varma, gros, s\u0103rit de 50 de ani, nepot al so\u021bului Svetlanei Aleluieva, tat\u0103 a trei b\u0103ie\u021bi \u2013 cel mare poate-mi va fi student -, cu un v\u0103r \u00eensurat cu o bulg\u0103roaic\u0103 \u00een Canada, alte rude \u00een alte \u021b\u0103ri, necredincios \u00een Dumnezeu, m\u00e2ndru \u00eens\u0103 c\u0103, dac\u0103 religia sichit\u0103 are 500 de ani, a sa are zece mii, proprietarul unei ferme \u00een Himalaia, av\u00e2nd un tractor rom\u00e2nesc, unul sovietic \u0219i unul american. Himalaia e aproape. Vom merge cu automobilul lui.<\/p>\n

O fi merg\u00e2nd tineretul rom\u00e2n la biseric\u0103? Dar musulmani sunt? Dar Ildico e nume rom\u00e2nesc? Suntem vecini cu grecii? Italienii ne \u00een\u021beleg limba? Rom\u00e2nii seam\u0103n\u0103 la \u00eenf\u0103\u021bi\u0219are cu bulgarii, ungurii, ru\u0219ii?<\/p>\n

\u00cen Alkyon sau diavolul alb<\/em>, de Voiculescu, Murad, calul unui rus e furat de un rom\u00e2n, r\u00e2vnit de un ungur \u0219i rec\u00e2\u0219tigat de st\u0103p\u00e2nul s\u0103u. Un alt rom\u00e2n, pop\u0103, \u00eempreun\u0103 cu grecul Yani, vrusese s\u0103-l fure lui Amoa\u0219ei, r\u0103m\u00e2n\u00e2nd pe-a st\u0103p\u00e2nului din step\u0103 sau din munte. Voi merge \u00eentr-o zi la ferma lui Varma (el, c\u0103 vorbe\u0219te cu visi s\u0103-mi dea mai multe zile).<\/p>\n

\n

11.1. 78<\/p>\n

Nansi a g\u0103sit \u00eentr-una din g\u0103le\u021bile pline (de team\u0103 s\u0103 nu se opreasc\u0103 apa de tot) \u0219op\u00e2rla noastr\u0103 \u00eenecat\u0103. O regreta, dar ce destin. Pe la jum\u0103tatea clasei, a ap\u0103rut Beri, sosise luni din Bombay, ne-am bucurat to\u021bi \u0219i am fost la cafea \u00eempreun\u0103, ascult\u00e2nd muzic\u0103 (eu, ceilal\u021bi \u2013 meciul) \u0219i vorbind vrute \u0219i nevrute.<\/p>\n

Am purtat o discu\u021bie cu dl Masih. Oi fi vr\u00e2nd eu s\u0103 ajung\u0103 fata mea ambasador \u00een India, dar a lui este mai mare \u0219i va merge \u00een Rom\u00e2nia mai \u00eenainte. Spun\u00e2ndu-i c\u0103 eu \u00eensumi sunt o carte, cred c\u0103 va aranja s\u0103 avem mai multe rafturi, \u00een plus, a cedat heater-ul de la el din birou, a f\u0103cut s\u0103 am o ma\u0219in\u0103 de scris, portabil\u0103, care nu func\u021bioneaz\u0103, dar, poate, va…<\/p>\n

Mai e un pic p\u00e2n\u0103 la miezul nop\u021bii. Fata, neadaptat\u0103 la frig, d\u0103dea noaptea trecut\u0103 s\u0103 pl\u00e2ng\u0103 uneori \u00een somn. Pr\u00e2nzul l-am luat \u0219i azi la Guest House, pe iarb\u0103, dar ea nu s-a atins de orez, ba a alunecat \u0219i a c\u0103zut de pe scaun cu fruntea \u00eentr-un pahar plin. Ast\u0103-sear\u0103, st\u0103m mai bine cu c\u0103ldura.<\/p>\n

Sunt dup\u0103 lectura unor ziare \u0219i reviste rom\u00e2ne\u0219ti din noul an \u0219i r\u0103sfoirea unei gramatici sanscrite, f\u0103r\u0103 dat\u0103, probabil mai veche de 100 de ani. Predomin\u0103 impresiile con\u0219tiente rom\u00e2ne\u0219ti, sc\u0103z\u00e2nd dorin\u021ba de programare gramatical\u0103, ca sistem de g\u00e2ndire. Teatrul, o revist\u0103 pentru sufleuri. Abia a\u0219tept deceniul viitor, cu limba lui rom\u00e2n\u0103 ziaristic\u0103 de atunci.<\/p>\n

P\u00e2n\u0103 una-alta, D.N. \u00eemi spune c\u0103 \u0219i Universitatea Nehru ar urma s\u0103 deschid\u0103, cu mine, cursuri de rom\u00e2n\u0103; \u201ea doua problem\u0103\u201d, s\u0103 traduc eu ceva din Vajpayye, pentru a fi trimis omologului s\u0103u rom\u00e2n (biblioteca nu are o versiune englez\u0103 din versurile ministrului; a\u0219tept\u00e2ndu-l pe amabilul bibliotecar, am r\u0103sfoit o carte-catalog al marilor biblioteci din lume, publicat la Londra \u0219i New York \u00een 1976, \u00een care Rom\u00e2nia, pe c\u00e2teva pagini, este prezent\u0103 cu cinci biblioteci \u2013 BCS, BAR, BCUB, BCUC, BCUI \u2013 cu toate am rela\u021bii directe -, fa\u021b\u0103 de India cu patru (Aligarh, dou\u0103 Calcutta \u0219i Delhi).<\/p>\n

Nimic nu se \u00eenv\u00e2rte\u0219te f\u0103r\u0103 o alt\u0103 con\u0219tiin\u021b\u0103 \u00eensp\u0103im\u00e2ntat\u0103 de speran\u021ba divin\u0103.<\/p>\n

\n

12-18 ianuarie 1978 (conspecte)<\/p>\n

Comparative Literature Studies<\/em>, vol XIV. No 2, June 1977, Published by the University of Illinois press at Urbana \/…\/ The Case of Rumania <\/em>Fran\u00e7ois Jost (177-179) \/ … \/ Rumanian comparativism finds its point of departure in the study of mutual influences, Rumania being most of the either the terminus a quo <\/em>or the terminus ad quem. \/…\/ <\/em>Nearly all comparatists in the West are familiar with the names of Basil Munteano and Alexandru Cioranescu. \/…\/ Goethe thinking of living culture rather than dead tradition, could have said \u201eR\u00fcm\u00e4nien, du hast es besser\u201d.<\/p>\n

O prostituat\u0103 m\u0103 ia drept spaniol spun\u00e2ndu-mi c\u0103 mi-a pl\u0103cut mucho. Cine-mi \u0219tie c\u00e2rlion\u021bii aurii de la un an, toaca de la zece, aiureala de la 20, Italia de la 28 n-are cum s\u0103 m\u0103 arate \u00een pozele lui Eminescu, dar mai \u0219tii? Cea mai profund \u0219i sincer argumentat\u0103 p\u0103rere despre un condamnat o are c\u0103l\u0103ul, dar g\u00e2dea tace. Universitarul urban elogiaz\u0103, suit \u00eentr-un copac f\u0103r\u0103 r\u0103d\u0103cini, un p\u0103m\u00e2nt neaevea. Dar de ce, cu toate acestea, m\u0103 simt purt\u00e2ndu-i recuno\u0219tin\u021b\u0103?<\/p>\n

Watson-Hitchins, compila\u021bii anglo-americane, ajutate de ex-rom\u00e2ni, iriga\u021bii sub ploi, mari bunevoin\u021be sau nevoin\u021be. Copiii desp\u0103r\u021birii, porunc\u0103 de nebuni. Cadavrem. Cum tr\u0103ir\u0103m rou\u0103-n zbor. Clain identified the Rumanians of the eighteenght century with the ancient Romans and dated the biginnings of Rumanian history to the founding of Rome by Romulus and Remus.<\/p>\n

In spite of their loquacity and inactivity, the Gypsies served Budai-Deleanu well as spokesmen for his own political ideas. He was eager to rose his people to struggle against the oppressive rule of three nations, but knew how dangerous it was for a Rumanian to involve himself in political controversy. It was not accidentally therefore that he selected the rein of Vlad \u021aepe\u0219 as the time for and the Gypsies as the protagonists of this epic.<\/p>\n

 <\/p>\n

\u00a0George ANCA<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

PARTID\u0102 DE \u0218AH   27 octombrie 1977, Delhi Sosire mar\u021bi seara, dup\u0103 ora 10. A\u0219teptat de G\u00e2dea \u0219i transportat la [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-23027","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/23027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=23027"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/23027\/revisions"}],"predecessor-version":[{"id":23030,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/23027\/revisions\/23030"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=23027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=23027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=23027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}