{"id":23502,"date":"2015-04-26T16:31:27","date_gmt":"2015-04-26T16:31:27","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=23502"},"modified":"2015-04-26T16:31:51","modified_gmt":"2015-04-26T16:31:51","slug":"radu-satcau-despre-%e2%80%9edrumul-nostru%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/04\/26\/radu-satcau-despre-%e2%80%9edrumul-nostru%e2%80%9d\/","title":{"rendered":"Radu Satc\u0103u: Despre \u201eDrumul nostru\u201d"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/04\/0.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-23503\" title=\"0\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/04\/0-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/04\/0-300x225.jpg 300w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/04\/0.jpg 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Filmul \u201eDrumul nostru\u201d desf\u0103\u015foar\u0103 \u00een fa\u0163a ochilor un spa\u0163iu \u015fi un timp aproape oniric, Ciudanovi\u0163a \u015fi \u00eemprejurimi devenind, sub camera de filmat a realizatorului Ben Todic\u0103, un topos echivalent cu Macondo-ul marquesian ori faulkneriene ora\u015fe imaginare.<\/p>\n<p style=\"text-align: justify;\">Autorul e parte din lumea diegetic\u0103, participant activ la dialoguri, voce din off, comentator prin text subtitrat, parte din amintirile altora, personaj gata s\u0103 evoce fapte, oameni, \u00eent\u00e2mpl\u0103ri, subiect al\u00a0 prezentului narativ \u015fi al trecutului personal.<\/p>\n<p style=\"text-align: justify;\">Comentariul muzical al unor imagini de arhiv\u0103 pare s\u0103 elogieze activismul de alt\u0103dat\u0103 al unor locuri care nu mai sunt ce au fost\u2026 un film c\u0103l\u0103torie, evocator de dureri \u015fi r\u0103ni personale \u015fi sociale necicatrizate \u00eenc\u0103; mai mult, marasmul prezentului pare s\u0103 domine vechiul complex urban al unei foste prospere mine de uraniu; numele muntelui Golgota sugerez\u0103 \u015fi el chin, suferin\u0163\u0103, nedreptate. Dar printre toate r\u0103zbate via\u0163a, cu evenimentele ei mai m\u0103runte, via\u0163a care trebuie s\u0103 reziste, s\u0103 continue, leg\u00e2ndu-se de o piatr\u0103, de un brad, sau de alt\u0103 via\u0163\u0103.<\/p>\n<p style=\"text-align: justify;\">Din c\u00e2nd \u00een c\u00e2nd versuri nostalgice sunt insertate, ca \u015fi secven\u0163a intr\u0103rii locomotivei cu aburi \u00een gara Ciudanovi\u0163a, marc\u00e2nd timpul \u015fi erodarea lucrurilor. Soarta \u015fi ironia ei se insinueaz\u0103 sau umplu ecranul l\u0103\u0163indu-se violent \u00een imagine, re-aranj\u00e2nd straturi de istorie.<\/p>\n<p style=\"text-align: justify;\">Ruine, povestiri, anii 60\u2019 \u015fi salariile lor exorbitante, puse \u00eempreun\u0103 cu prezentul derizoriu, improvizat pe ce a mai r\u0103mas; copii cresc\u00e2nd \u00een acest context, juc\u00e2ndu-se pe s\u0103niile iernii; p\u0103relnic \u00eent\u00e2mpl\u0103toare, nara\u0163iunea adun\u0103 aluviunile \u00eentr-un \u00eentreg care, \u00een final, continu\u0103 s\u0103 vorbeasc\u0103 prin \u00eentreb\u0103ri despre destin \u015fi adaptare, despre condi\u0163ia vie\u0163ii oamenilor de aici, c\u00e2t \u015fi despre destin ca atare.<\/p>\n<p style=\"text-align: justify;\">Mici am\u0103nunte sau mari contexte istorico-sociale sunt \u00eencrustate \u00een ridurile unui personaj sau altul, sau \u00een t\u0103ceri expresive. Filmul red\u0103 demnitatea unor oameni \u00eenghi\u0163i\u0163i lent de gaura neagr\u0103 a timpului istoric, st\u00e2nd m\u0103rturie \u00eempotriva uit\u0103rii ca un refuz de a-\u015fi renega originea.<\/p>\n<p style=\"text-align: justify;\">Iarna prezentului narativ devine anotimp semnificativ, ca un timp de odihn\u0103, reculegere \u015fi recuperare. \u00centre toamn\u0103 \u015fi prim\u0103var\u0103, \u00eentre apus \u015fi est, dimensiunea rom\u00e2neasc\u0103 spa\u0163io-temporal\u0103 diegetic\u0103 supravie\u0163uie\u015fte \u00eentr-o paradigm\u0103 quasi pre-renascentist\u0103. O boal\u0103 ciudat\u0103 izoleaz\u0103 pe povestitor \u015fi pe ascult\u0103tor \u015fi pe cei povesti\u0163i.<\/p>\n<p style=\"text-align: justify;\">Autenticitatea mesajului se probeaz\u0103 mai ales prin faptul c\u0103 filmul nu omagiaz\u0103 nici socialismul, nici timpul c\u00e2nd Uniunea Sovietic\u0103 profita de clauze\u00a0 postbelice favorabile, nici contemporaneitatea neo-liberal-a\u015fa-zis-democratic\u0103, c\u00e2nd autorul are dreptul a se \u00eentoarce \u00een \u0163ar\u0103 ca s\u0103 filmeze, f\u0103r\u0103 a fi \u00een pericol de a fi arestat.<\/p>\n<p style=\"text-align: justify;\">Prin textul imagistic transpare un subiect afectat de tribula\u0163iile vremurilor, dar care \u00ee\u015fi p\u0103streaz\u0103 puritatea originar\u0103, amintind versurile eminesciene: \u2026\u201dtu ai \u015fi-acum comoara-ntreag\u0103, ce-n suflet pururi ai avut\u201d\u2026<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><em>Radu Satc\u0103u, Melbourne 2015<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Filmul \u201eDrumul nostru\u201d desf\u0103\u015foar\u0103 \u00een fa\u0163a ochilor un spa\u0163iu \u015fi un timp aproape oniric, Ciudanovi\u0163a \u015fi \u00eemprejurimi devenind, sub camera [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-23502","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/23502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=23502"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/23502\/revisions"}],"predecessor-version":[{"id":23506,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/23502\/revisions\/23506"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=23502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=23502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=23502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}