{"id":24051,"date":"2015-05-30T15:12:35","date_gmt":"2015-05-30T15:12:35","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=24051"},"modified":"2015-05-30T15:12:35","modified_gmt":"2015-05-30T15:12:35","slug":"george-anca-excerpte-pentru-conferinta","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/05\/30\/george-anca-excerpte-pentru-conferinta\/","title":{"rendered":"George Anca: Excerpte pentru Conferin\u021b\u0103"},"content":{"rendered":"

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Excerpte pentru Conferin\u021b\u0103<\/strong><\/p>\n

TEATRUL LIMBII ROM\u00c2NE \u00ceN INDIA<\/strong><\/p>\n

Namaste India, 6 iunie 2015, ora 12, Muzeul Satului<\/strong><\/p>\n

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Gayatri – sanscrit\u0103, rom\u00e2n\u0103<\/p>\n

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*<\/p>\n

Sion Sion \u0219i biblii scrise<\/p>\n

\u00een carne doina pl\u00e2nse-ni-se<\/p>\n

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Catolicei gratia plena<\/p>\n

ave Maria Magdalena<\/p>\n

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Apoi tot neb\u0103u\u021bi ne fie<\/p>\n

porumbul scrumului trezvie<\/p>\n

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Lumin\u0103 harului fiind<\/p>\n

\u00eempreun\u00e2ndu-i-se ind<\/p>\n

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Sion Sion \u0219i evanghelii –<\/p>\n

\u00een carne suflet doina ce li-i<\/p>\n

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asat oma<\/p>\n

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*<\/p>\n

Ziua Eminescu, toren\u021bial\u0103, se ar\u0103tase construc\u021bie a timpului, joc al tenta\u021biilor spirituale necunoscute p\u00e2n\u0103 \u00een clipa teatrului limbii rom\u00e2ne. De atunci, la cuv\u00e2ntul: \u201edeparte\u201d, mai fiecare izbucne\u0219te: \u201dmai departe\u201d, recitatorul continu\u0103: \u201emai \u00eencet\u201d: \u201etot mai \u00eencet\u201d. Umil\u0103 e gramatica \u00een fa\u021ba inimii. Eminescu \u00een sanscrit\u0103, un principial nonsens \u0219i totu\u0219i… traducerea din rom\u00e2ne\u0219te a lui Joshi… prima lectur\u0103… manuscrisul poemului s\u0103u dedicat b\u0103tr\u00e2nului dasc\u0103l \u00een metru aria … cu versuri din strof\u0103 de m\u0103rimi foarte diferite, dar \u00een plin\u0103 continuitate…<\/p>\n

Fervoarea eminescian\u0103 ce m-a cuprins de c\u00e2teva zile este legat\u0103 de yoga, poate, dar \u0219i de o intui\u021bie umil\u0103 a invalidit\u0103\u021bii metodelor \u00een aceste zone m\u00e2ndre, ermetice. Indianismul f\u0103r\u0103 India, m\u0103re\u021b la Max (Muller) poate (s)c\u0103dea la Arion (Ro\u0219u). O aud pe Amita (Bhose) cu shanti-repaos. Cicerone (Poghirc) cu mantra suprem\u0103. Cineva tot zic\u00e2ndu-mi s\u0103 \u00eenchid ochii, s\u0103-i deschid \u00een\u0103untru.<\/p>\n

F\u0103c\u00e2nd ori nu yoga, el era, el cuprindea dimensiunea religioas\u0103 a Vedelor \u0219i Upani\u0219adelor \u2013 doar temper\u00e2ndu-se prin cuno\u0219tin\u021ba filologic\u0103, dovedibil\u0103 \u0219i prin mijloace descriptiv-statistice. Am o reprezentare ciudat\u0103, o retragere \u00eentr-o societate compact-german\u0103, medieval\u0103, \u00eembr\u0103c\u0103minte, peruc\u0103 \u0219i sunet interpun\u00e2ndu-se modului cosmic real.<\/p>\n

C\u00e2t ar fi de greoi, prudent, la nivelul formei, P. are o intui\u021bie a Upani\u0219adelor \u00een latin\u0103 citite de Schopenhauer \u2013 de ce nu \u0219i de Eminescu, \u00eentr-adev\u0103r, spun\u00e2nd c\u0103 nu prea sunt citate c\u0103r\u021bile flosofiei indiene de c\u0103tre pesimistul german, \u0219i l\u0103s\u00e2nd, volens-nolens, s\u0103 se \u00een\u021beleag\u0103 a se \u00eent\u00e2mpla la fel lui Eminescu. Tain\u0103 transmis\u0103 \u00eentre ini\u021bia\u021bi, ermetizat\u0103 prin reexprimarea ei neistovit\u0103. Ieri (dup\u0103 ora yoga) \u2013 22 lecturi eminesciene \u00een clarobscur \u0219i ventila\u021bie.<\/p>\n

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\u00cen sf\u00e2r\u0219it, am First Epistle <\/em>\u00een 30 de exemplare, m\u0103 aflu foarte cur\u00e2nd \u00een fa\u021ba domnului Harbhajan Singh, am noroc de a-l fi g\u0103sit pe mas\u0103 cu Synthese<\/em>, sub direc\u021bia doamnei Bu\u0219ulenga, revist\u0103 pe care ar primi-o curent \u0219i ale c\u0103rei articole \u00een englez\u0103 le-ar citi cu pl\u0103cere (\u00een num\u0103rul din 1977 avea un articol Paul Cernavodeanu despre literatura american\u0103 \u00een Rom\u00e2nia).<\/p>\n

Am intrat imediat \u00eenc\u0103 o dat\u0103 \u00een subiect. Frumosul \u00een\u021belept (\u0219eful Departamentului de limbi moderne indiene) depl\u00e2nge moartea at\u00e2t de t\u00e2n\u0103r a poetului \u0219i sf\u00e2ntului na\u021bional rom\u00e2n, calculeaz\u0103 c\u0103 \u00een 1989 va fi centenarul acelei mor\u021bi, dore\u0219te s\u0103 citeasc\u0103 o biografie a lui \u00een englez\u0103. Scrisoarea I <\/em>va fi tradus\u0103 \u00een punjabi, malayalam \u0219i tamil\u0103 \u00een ritm, nu \u00een rim\u0103, \u00een telugu, sindi, gujarati, kannada, bengali, asamez\u0103 \u0219i marathi, \u00een proz\u0103.<\/p>\n

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Eminescu na\u021bional al lui C\u0103linescu nu poate fi \u00een\u021beles dec\u00e2t \u00een rom\u00e2ne\u0219te \u0219i \u00een Eminescu, dar \u0219i \u00een destinul complicat de ciroz\u0103 al profesorului pe care cei mai tineri \u00eel vedeam singur de\u0219i \u00eel \u00eenconjurau, ca m\u0103nu\u0219ile, discipolii de conjunctur\u0103, \u00eel auzeam spun\u00e2nd ca pe mantre strofe totu\u0219i eminesciene \u2013 c\u0103ci nu p\u0103rea s\u0103 coboare dincolo de strof\u0103, \u00een disec\u021bii \u0219i asocia\u021bii, rebarbative-i. Dante, v\u00e2rful de compara\u021bie \u0219i disjunc\u021bie \u00eemi justific\u0103 un Eminescu indian ca Dante neeminescian \u0219i Eminescu nedantesc; teorema indianismului, asiatismului, \u00een contextul viziunilor eminesciene o articuleaz\u0103 sonor, chiar retoric.<\/p>\n

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Csomo, Honigberger, Eliade \u2013 himalai\u021bii, Eminescu \u2013 modern, Budai \u2013 contemporan spiritului indian. Alter-ego-uri romanticilor vis\u00e2nd libertatea. M\u0103 voi sinucide vreodat\u0103? La \u021big\u0103nci<\/em> de M. Eliade, D\u0103-mi boierule \u021biganca <\/em>de V. V\u0103duva. Pasiunea indianist\u0103 este a v\u00e2rstei tinere. \u201ePoporul indian crede \u00een mod sincer c\u0103 dorin\u021bele \u0219i scopurile majore ale omenirii sunt, pretutindeni, acelea\u0219i, indiferent de ideologii \u0219i sistemul social\u201d (Ashok Kumar Ray, ambasadorul Indiei, la prezentarea scrisorilor de acreditare c\u0103tre pre\u0219ed. N. Ceau\u0219escu \u00een 27 aprilie 78).<\/p>\n

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31 mai 78 Dharamsala<\/p>\n

Am citit ieri, cu voce tare, pentru to\u021bi trei din Eminescu. Ne-a ap\u0103rut obsedat de sine, de Atman, de universul crud, desferecat, cu ploi de suflete \u0219i meteori, epopeic nu retoric, ritmic nu elocvent, ritual arhitectonic nu descriptiv, cult naturist nu idilic, tr\u0103indu-\u0219i continuitatea proprie \u00een re\u00eenvierea chipurilor \u0219i rostirilor dinainte, ca un istoric mistic, \u0219i a\u0219tern\u00e2nd cadrele literelor urma\u0219e m\u00e2nate de duhul bun dar trinitar, de guru, yogi, sigur, poetica pranei, a apropierii de un infinit ce s\u0103 sparg\u0103 \u00eenc\u00e2ntul fermec\u0103rii. Ca romantic, corespunde \u00een geniul temei, \u00een intui\u021bia fantasticului re\u00eencarn\u0103rii sau m\u0103car a strigoilor, \u00een muzicalitatea epopeii destinului. Clasic, cuprinde dezarmanta hipnoz\u0103 a perfec\u021biunii antume, trezia din intimitatea nev\u0103zut\u0103, a antitezei propriului spirit poetic, revan\u0219a contra comp\u0103timitorilor geniului \u0219i \u00eemp\u0103r\u021bitorilor crea\u021biei, autoironia frigidit\u0103\u021bii cosmice sc\u00e2rbite de refuzuri muritoare, for\u021ba \u0219i c\u0103ldura p\u00e2n\u0103 la lacrimi a acestora din urm\u0103, din via\u021b\u0103. Formele artistice \u0219i voin\u021ba creatorului merg \u00eempreun\u0103. Cine l-ar pl\u00e2nge a nu fi avut puterea s\u0103 se deosebeasc\u0103 de sine \u0219i a crea caractere, fie \u0219i dramatice: dar formele din versifica\u021bie, tonalit\u0103\u021bile mistico-morale, \u0219ivaismul, etapele \u2013 t\u00e2n\u0103r s\u0103-i cite\u0219ti cu toat\u0103 voluptatea poezia \u00eenceputurilor -, filosofia deschis\u0103, dumnezeul nem\u0103rturisit \u0219i netemut, kantianismul \u0219i critica lumii necutreierate, sublimate intelectual, buddhic \u0219i herculean, libertatea fa\u021b\u0103 de alte culturi \u0219i autonomia valorilor sale supraetnice, infrauniversale, robirea profetic\u0103 sub valurile vremii.<\/p>\n

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Anul trecut, de cum am sosit, colam extrase pentru exerci\u021bii cu studen\u021bii: a\u0219a a fi, n-a fi a\u0219a \u2013 r\u0103m\u00e2i, r\u0103m\u00e2i (Ram, Ram), ram (Ram) \u2013 de unde, cum, cine \u0219i pentru ce? \u2013 Tot pe aici?\/- Tot \u2013 s\u0103-i sar\u0103 ochii?\/-S\u0103-i \u2013 cum te cheam\u0103, m\u0103i copile? – nu sunt c\u0103lug\u0103r, sunt domn \u2013 apele pl\u00e2ng izvor\u00e2nd \u2013 vii, nu vii, ce faci? – ori te poart\u0103 cum \u021bi-e vorba, ori vorbe\u0219te cum \u021bi-e portul \u2013 nu pumnul ci ochii m\u0103 sperie… lac\u0103tele tale (tale, \u00een hindi: lac\u0103t).<\/p>\n

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Let regard an instant also the Romanian culture like a poetical universal being, evoking in this World Institute of profound universal Bangalore some values of that Romanian Carpathian-Danubian history and civilisation, its latinity, orthodoxy, perpetual humanism, the philosophy of existence and the spirit of construction, the ecuation of popular mind and universal personalities, the Romanian vocation of synthesis, an axis between Orient and Occident, as single like miraculously preserved Latin Oriental Country, Romanian culture of today, and last but not least India in Romanian culture.<\/p>\n

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Trebuie s\u0103 deschid cursurile. Studen\u021bii, risipi\u021bi printre etaje. O comisie asist\u0103. C\u00e2\u021biva s-au str\u00e2ns \u00een sal\u0103. \u00cemi spun \u00een minte fraze ad\u00e2nci, de efect. Am deschis cursul. Oare castelul din fundul m\u0103rii al milionarului va fi fiind la fel de umid? Ai mei vor recita \u2013 \u00eenceputul teatrului de limb\u0103 rom\u00e2n\u0103 al Universit\u0103\u021bii din Delhi \u2013 Peste v\u00e2rfuri<\/em>, La steaua<\/em>, Facerea rigvedic\u0103 \u00een rom\u00e2n\u0103, cor, rom\u00e2n, apoi Eu nu strivesc corola de minuni a lumii <\/em>de Blaga, \u00een englez\u0103, P\u0103unul <\/em>de Barbu \u2013 rom\u00e2n\u0103, hindi, Shatranj <\/em>de Sorescu, hindi, Cartea <\/em>de Anca, punjabi. C\u00e2nt\u0103re\u021bi de sitar \u0219i veena. Studen\u021bii se \u00eenscriu la universitate, pl\u0103tesc taxa, dar renun\u021b\u0103, ating\u00e2ndu-\u0219i scopul de a ob\u021bine permise de autobuz.<\/p>\n

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Pies\u0103 f\u0103r\u0103 text. Sau Examenul. Sikhul va fi Sic\u0103, Viki r\u0103m\u00e2ne a\u0219a, Vina \u2013 la fel, Vadwa apare cu numele mic de Yogindra, iar alte apari\u021bii o s\u0103 le anun\u021be el. Copii \u0219i studen\u021bi, \u00een teatrul nostru, transformat \u00een loc de \u00eent\u00e2lnire \u0219i de examen. Suntem \u00een scen\u0103, pe o pagin\u0103, desp\u0103r\u021bi\u021bi \u00een silabe, f\u0103r\u0103 s\u0103 ne d\u0103m seama c\u00e2nd sf\u00e2r\u0219e\u0219te ori \u00eencepe paragraful. E a doua via\u021b\u0103 a mea, pe care n-o tr\u0103iesc, nu obi\u0219nuiesc s\u0103 v\u0103d piesele mele. Fi\u021bi f\u0103r\u0103 grij\u0103, o s\u0103 auzi\u021bi replici bine jucate, o s\u0103 vede\u021bi chipuri \u0219i sugestii din lumea larg\u0103. Nu e un teatru de c\u0103l\u0103torie, dori\u021bi conferin\u021be? V\u0103 \u021bin una despre repertoriu, reclama, separat, ve\u021bi pleca dup\u0103 o mic\u0103 durere de fericire.<\/p>\n

The translations can just impress for only first year of Study of Romanian language, also from the writer Geo Bogza’s adaptation. Geo Bogza, eu \u0219i studen\u021bii indieni, care, primii, \u0219i-au dat examenul pentru certificat \u00een limba rom\u00e2n\u0103. Au tradus c\u00e2teva r\u00e2nduri din Tablou Geografic<\/em> \u2013 cum, ca la Cantemir, str\u0103mo\u0219ii rom\u00e2nilor au privit Dun\u0103rea \u0219i Marea, din Capa\u021bi, la r\u0103s\u0103ritul soarelui. Dup\u0103 autorul C\u0103r\u021bii Oltului<\/em>, Dun\u0103rea a f\u0103cut s\u0103 se vorbeasc\u0103 cel mai mult despre Rom\u00e2nia, ea \u00eens\u0103\u0219i a vorbit. Familiaritatea cu Eminescu a dat gafa unuia c\u0103 Rom\u00e2nia ar avea un singur poet. Am rev\u0103zut \u00eempreun\u0103 filmul Constantin Br\u00e2ncu\u0219i<\/em>, realizat pe scenariul meu de Sorin Stratilat, \u00een lectura Irinei Petrescu. Caragiale e \u201etradus\u201d cu \u201escrisoarea ei pierdut\u0103\u201d, \u201escrisorile mele\u201d \u201escrisoarea mea\u201d. Dup\u0103 ce surs\u0103 insidioas\u0103, Iorga a fost \u201ereac\u021bionar omor\u00e2t de copiii lui, legionarii\u201d, figur\u0103 luminoas\u0103 a fost Lumini\u021ba Filipovici.<\/p>\n

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Hastividyarnava \u2013 Amrita Pritam, the reigning queen of twentieth century Punjabi literature. – D. R. Mankekar: One way free flow. – Indian writing in English (Tagore,Sri Aurobindo, Gandhi, Nehru, Radhakrishnan). – Mulk Raj Anand: Album of Indian Paintings.<\/p>\n

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Voi citi spaniol\u0103, francez\u0103, italian\u0103, probabil \u0219i rus\u0103, voi c\u0103uta neap\u0103rat accesul la opere \u00een limbi indiene, voi (re)deveni zalmoxolog, eminescolog, br\u00e2ncu\u0219olog, poate poet greco-latin, din perspectiva eternit\u0103\u021bii rom\u00e2ne\u0219ti, voi traduce din Dylan Thomas \u0219i Ezra Pound.<\/p>\n

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23 martie 1978<\/p>\n

\u00cen presa rom\u00e2neasc\u0103, e la mod\u0103 jurnalul (refulat!), \u00een care Marino se converte\u0219te, Paler e mexican (mexicanii stau la p\u00e2nd\u0103 \/ s\u0103 v\u00e2neze un curcan), Blandiana la Napoli, iar pe verso Adina Darian \u00een Avoriaz (avortatul titlu \u00een ultima pagin\u0103 a revistei lui Iva\u0219cu & Ga\u0219cu).<\/p>\n

Caraghiaos\u0103 linearitate a jurnalelor, narcisismul lui Manolescu \u00een sudorile lui Simion: in\u0219i care au \u0219tiut ceva \u00eenainte de a mai fi fost nevoie de vreo \u0219tiin\u021b\u0103 real\u0103 \u2013 oricum, vremea lui Iorgulescu e mai bor\u00e2t\u0103, ca \u0219i umbrosul meu coleg de grup\u0103, 556.<\/p>\n

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Ce puteam face dec\u00e2t s\u0103-i cred pe al\u021bii mai intelectuali g\u00e2ndindu-i pe-ai no\u0219tri mai tr\u0103d\u0103tori. Le spui ce e cu tine \u0219i \u021bi-o taie c\u0103 au auzit ei de la prieteni ca Orlov a\u0219a \u0219i a\u0219a, \u00eei la\u0219i s\u0103 moar\u0103 pro\u0219ti, \u021bipi c\u0103 te dai la fund de zile mari pe care le maimu\u021b\u0103resc abject. Acest sistem de impoten\u021b\u0103 a l\u0103sat satele goale \u0219i s-a f\u0103cut oficiu diplomatic.<\/p>\n

C\u0103-i ofenseaz\u0103 Eminescu, Br\u00e2ncu\u0219i, Blaga, ce tradi\u021bie re\u00eencarneaz\u0103, ce perpetuitate \u00een dedublarea unei societ\u0103\u021bi pe capul unui popor c\u00e2ntat \u00een trompete ne\u00eenregistrate? O bl\u00e2nde\u021be de ironie generalizat\u0103, o \u00eencruci\u0219are turmentat\u0103 de m\u00e2ini \u00een fa\u021ba l\u0103rgirii \u0219i trecerii timpului, un turism prin via\u021b\u0103, istorie \u0219i antifapte, o v\u00e2njoas\u0103 \u2013 cotropitoare din r\u0103d\u0103cin\u0103 \u2013 triste\u021be, \u00eennobilat\u0103 de disperare mioritic\u0103.<\/p>\n

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Inginerul ambasador umple table negre cu nemaiamintite formule. Cu automatism psihologic, interzisese La steaua<\/em> \u0219i alte recit\u0103ri \u00een rom\u00e2ne\u0219te ale studen\u021bilor indieni ca neating\u00e2nd armonia l\u0103l\u0103it\u0103 de excrescen\u021ba sa.<\/p>\n

Ea e din Kashmir, \u00eei zic, va recita \u00een hindi \u201e\u0218ah\u201d, de Sorescu. – despre ce e poezia? – despre \u0219ah, albe contra negre \u2013 dar care e ideea poeziei? – are o anecdotic\u0103 a luptei, l-am auzit citit de autor, e dramatic, \u0219ahul e joc na\u021bional indian \u2013 toate b\u0103lm\u0103jelile alea copiii s\u0103-le spun\u0103 \u00eenainte de a recita \u00een engleze\u0219te (at\u00e2t de prost!) M-a \u00eentrebat ce zic de \u201einterpret\u0103rile\u201d! lui, care a fost profesor \u2013 sunte\u021bi tare, pute\u021bi fi comb\u0103tut, dar sunte\u021bi tare.<\/p>\n

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Mihai Eminescu: Revedere (recit\u0103 Kashyap Manica); Vasile Alecsandri: C\u00e2ntecul gintei latine (recit\u0103 Yogindra Vadwa); George Co\u0219buc: Trei, Doamne, \u0219i ti\u021bi trei (recit\u0103 Devesh Mohan); Mihai Eminescu: La steaua (recit\u0103 Charanjit Singh); Marin Sorescu: \u0218ah (recit\u0103 Veena Rani Gupta); Ashok Beri: G\u00e2ndul meu (hindi:)<\/p>\n

g\u00e2ndul meu sub arc de munte limpezit de r\u00e2uri sfinte peste-a ierburilor frunte izvor\u00e2tele cuvinte Rom\u00e2nia g\u00e2ndul meu<\/p>\n

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29.11. 78 Delhi(r)<\/p>\n

Ieri, la 2.15, \u00een Deptt. of history, invitat de P. S. Gupta, \u0219eful deptt, mi-am sus\u021binut, \u00een catedr\u0103, seminarul despre Unire (1918) \u2013 conferin\u021ba de pace de la Paris, aprecierea evenimentelor interne, ecoul \u00een India. Unirea din 1859 \u00eei este familiar\u0103 profesorului Gupta.<\/p>\n

Azi, la 12, \u00een sala colegiului Khalsa, \u021bin conferin\u021ba \u201eCultura rom\u00e2n\u0103 \u0219i idealul unit\u0103\u021bii na\u021bionale\u201d. Prezen\u021bi, mai mul\u021bi profesori \u0219i 80 de studen\u021bi. Prof. Lamba s-a referit la latinitatea limbii \u0219i culturii rom\u00e2ne. S-au pus \u00eentreb\u0103ri despre stadiul dezvolt\u0103rii istoriei \u0219i culturii contemporane \u00een Rom\u00e2nia, despre elementele sanscrite \u00een limba rom\u00e2n\u0103, despre pozi\u021bia rom\u00e2nei \u00eentre limbile romanice.<\/p>\n

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I am a Romanian writer. Currently I teach Romanian for the first time at Delhi University, preparing, too, one D.Litt. – Sanskrit Romanian Poetics, Nirvana a.o, also a reflective book on Indian thought and beauty.<\/p>\n

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To the President of Delhi University Women’s Association. Dear Mrs. President, As homage to India we propose the organization of an exhibition entitled Indian Flowers painted by a Romanian girl from Romania \u2013 <\/em>Alexandra-Maria Anca, student in the school of Association. We are happy to remember that she has received the first prize in drawing competition, last year.<\/p>\n

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*<\/p>\n

Spirit sanscrit \u00een \u021aiganiada, \u00een c\u00e2ntece \u021big\u0103ne\u0219ti sau \u00een Sacuntala voiculescian\u0103. Poate \u0219i \u00een Poveste cu \u021bigani a lui Leonida M\u0103m\u0103lig\u0103? Oricum, \u00een La \u021aig\u0103nci, de Mircea Eliade.<\/p>\n

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*<\/p>\n

David e pasionat de Wagner, de poe\u021bii din Ahmedabad, de prietenii \u0219i c\u0103l\u0103torii. \u0218i el e de p\u0103rere c\u0103 un popor nu poate fi cotat numai practic sau numai religios. Anglia ar fi acum modest\u0103 \u00een compara\u021bie cu Statele Unite, care ele impun limba englez\u0103 \u00een lume.<\/p>\n

Vorbe\u0219te de o tragedie a limbii urdu, pe care o asimileaz\u0103 limba hindi (care ar scrie pustak \u0219i ar pronun\u021ba kitab). Fusese sincer curios s\u0103 citeasc\u0103 versuri \u00een rom\u00e2ne\u0219te \u0219i-l corectase ferm pe Faruqi care se interesa dac\u0103 rom\u00e2na este asemeni bulgarei sau maghiarei \u2013 nu, este rom\u00e2n\u0103, spusese englezul \u0219i dezvoltase tema seduc\u0103tor, v\u0103zuse la Londra \u0219i un manual de \u00eenv\u0103\u021bat limba rom\u00e2n\u0103 f\u0103r\u0103 profesor.<\/p>\n

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*<\/p>\n

Am recitit seara Shakuntala <\/em>de Vasile Voiculescu, dup\u0103 ce, diminea\u021b\u0103, sf\u00e2r\u0219isem Ramayana<\/em>, traducerea rom\u00e2neasc\u0103 a versiunii repovestite \u00een engleze\u0219te de Rajagopalachari. Cheia eminescian\u0103 din Luceaf\u0103rul <\/em>psihanalizeaz\u0103 ortodoxist consacrarea persoanei sau cunoa\u0219terea apofatic\u0103.<\/p>\n

Vorbisem despre Sita ca destin sf\u00e2nt prin Rama, sacrificiu. Shakuntala rom\u00e2nului Voiculescu este destinul \u00eensu\u0219i . Sita concretizase absolutul, Shakuntala-Rada absolutizase realul existen\u021bei. Persoana-Dumnezeu se realizeaz\u0103 \u00een stadii brahmanice, poate \u0219i kierkegaardiene, str\u0103luce\u0219te \u00een iluzia Shakuntalei – Maya, Dulcineea-Shakuntala.<\/p>\n

Gala Galaction recrease o imagine bucure\u0219tean-const\u0103n\u021bean\u0103 a Mariei Magdalena.<\/p>\n

Voiculescu s-a emancipat, \u00een aparen\u021b\u0103, de morala evanghelic\u0103. P\u0103catul Shakuntalei nu exist\u0103. Ea incarneaz\u0103 frumuse\u021bea indiscutabil\u0103, ca o religie \u00een sine. Este tot at\u00e2t iluzie, halucina\u021bie sau reminiscen\u021b\u0103, c\u00e2t \u0219i sens al regener\u0103rii, eroismului \u0219i \u00eendumnezeirii.<\/p>\n

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*<\/p>\n

\n

26.3. 78<\/p>\n

Dezvoltarea artei, la fel de important\u0103 ca prosperitatea economic\u0103 (N. S. Redy, pre\u0219edintele Indiei, la acordarea premiilor Sangeet Natak Akademi). Recitalul Odissi al tinerei Bijoilaxmi Mohanti, sem\u0103n\u00e2nd cu Domni\u0219oara Pogany.<\/p>\n

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24.I.78<\/p>\n

*<\/p>\n

La Muzeul de Art\u0103 Modern\u0103, vedem galeria francez\u0103, asigurat\u0103 cu 65 crore rupii, c\u00e2t popula\u021bia Indiei socotit\u0103 la o rupie persoana, comenta v\u0103rul lui Charanjit, din echipa de paz\u0103. A\u0219a se face c\u0103 poli\u021bi\u0219tii indieni sunt la ora asta printre cei mai buni cunosc\u0103tori ai tablourilor franceze. Ador\u0103 un Cezanne (The Three Bathers), apoi, \u00een ordinea evalu\u0103rii, un b\u0103tr\u00e2n cu bastonul, datorat lui Gaugain, apusul soarelui de Monet, gust\u0103 Pissaro, Renoir, Bonnard, Signac. Mai oriental – ? – Delacroix le scap\u0103, aparent, dar \u0219i Ingres sau David, ori Lautrec-Toulouse, Gericault… Sunt 62 tablouri de o cumplit de rafinat\u0103 frumuse\u021be. I-am spus studentului meu, care umbla zilele trecute cu un American Impressionism c\u0103 tot nu valoreaz\u0103 c\u00e2t acel Sunset at Lavacourt, din 1880 (Manet). Pentru pl\u0103cerea mea mallarmeean\u0103 am \u00eent\u00e2rziat asupra iernii lui Puvis de Chavannes. Sentimentul unei arte predestinat moderne.<\/p>\n

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*<\/p>\n

Bhagavan Shri Rajneesh. Sannyas. Daily Ashram programme: Dynamic Meditation; Discourse by B. Shree; Kundalini Meditation; Darshan. Special programmes, classes and therapies: Groups: Enlightenment Intensive, Bioenergetics, Shaj, Hypnotherapy, Centering, Primal, Soma, Encounter, Shynyam, Tantra, Satori, Tao, Vipassana, Relation Leela Intensive, Gestalt. Other classes: Rolfing, Massage, Postural Integration, Alexander, Shiatsu, Individual Therapy Counsselling, Prassadan Women’s Group, Tai Chi, Mime, Polarity Balancing, Neo-Rolfing, Sufi Dancing, Hatha Yoga, Karate, African Dance, Nadam Music and Dance, Chanting.<\/p>\n

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*<\/p>\n

Perechea era t\u00e2n\u0103r\u0103, 21 \u0219i 18 ani. P\u0103rin\u021bii, foarte prieteni, asocia\u021bi. Mireasa privise pe fereastr\u0103 c\u00e2nd venise mirele, nepermis fiindu-i acestuia s-o vad\u0103 \u00eenainte de ceremonial. (\u0218i au pornit-o \u00eempreun\u0103, \u00een ma\u0219in\u0103, spre ora\u0219ul mirelui, \u00een alt stat, Uttar Pradesh, \u00een spate cu pl\u00e2nsul tradi\u021bional al rudelor \u0219i p\u0103rin\u021bilor, \u00eenaint\u00e2nd prin huma vie a cer\u0219etorimii). Femeile zorn\u0103ind br\u0103\u021b\u0103ri de aur \u0219i giuvaericale corect anun\u021bate \u00een discu\u021bii, f\u00e2\u0219\u00e2ind \u00een \u0219alvari kilometrici, sau \u00een sariuri abundent sclipitoare, cu spatele, p\u00e2ntecul \u0219i gu\u0219a \u00een mica slav\u0103 a plin\u0103t\u0103\u021bii de sine familial-religios-capitaliste.<\/p>\n

Mese bogate, meseni boga\u021bi \u0219i fl\u0103m\u00e2nzi (ziua, de afar\u0103 se auzeau cer\u0219etorii implor\u00e2nd spre cei ce \u00ee\u0219i puneau diferite feluri iu\u021bi sau dulci pe farfuria alb\u0103). La sf\u00e2r\u0219it, se d\u0103r\u00e2m\u0103 repede \u00eentregul cort \u00een care c\u00e2teva sute de oameni se rugaser\u0103, pl\u0103tiser\u0103, dansaser\u0103, m\u00e2ncaser\u0103, se afi\u0219aser\u0103 pentru fotografi \u0219i operatorul de film.<\/p>\n

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Excerpte pentru Conferin\u021b\u0103 TEATRUL LIMBII ROM\u00c2NE \u00ceN INDIA Namaste India, 6 iunie 2015, ora 12, Muzeul Satului       [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-24051","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=24051"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24051\/revisions"}],"predecessor-version":[{"id":24054,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24051\/revisions\/24054"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=24051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=24051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=24051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}