{"id":24112,"date":"2015-06-07T17:56:15","date_gmt":"2015-06-07T17:56:15","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=24112"},"modified":"2015-06-07T17:57:00","modified_gmt":"2015-06-07T17:57:00","slug":"inteles-tarziu-%e2%80%93-a-late-understanding","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/06\/07\/inteles-tarziu-%e2%80%93-a-late-understanding\/","title":{"rendered":"\u00cen\u021beles t\u00e2rziu \u2013 A late understanding"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/06\/Inteles-tarziu-coperta-simpla-2015.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-24113\" title=\"Inteles tarziu -coperta simpla - (2015)\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/06\/Inteles-tarziu-coperta-simpla-2015-185x300.jpg\" alt=\"\" width=\"185\" height=\"300\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/06\/Inteles-tarziu-coperta-simpla-2015-185x300.jpg 185w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2015\/06\/Inteles-tarziu-coperta-simpla-2015.jpeg 368w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/a>La \u00eenceputul anului 2015, scriitoarea Vavila Popovici a ad\u0103ugat celor treizeci \u015fi dou\u0103 de c\u0103r\u0163i ale sale \u2013 de poezie \u015fi de proz\u0103 \u2013 \u00eenc\u0103 un volum. Al treizeci \u015fi treilea. Aproape dou\u0103 sute de pagini, cuprinz\u00e2nd poeme incitante deopotriv\u0103 prin con\u0163inutul ideatic \u015fi prin alc\u0103tuirea poetic\u0103 echilibrat\u0103, rezultatul fiind cel dorit de autoare \u015fi a\u015fteptat de cititor: tablouri armonice g\u00e2ndite vizual \u015fi v\u0103zute cu ochii min\u0163ii. Totul cuprins \u00eentre ni\u015fte coper\u0163i admirabil consonante cu substan\u0163a c\u0103r\u0163ii (Teodora Stoica).<\/p>\n<p style=\"text-align: justify;\">Poate pentru faptul c\u0103 ea tr\u0103ie\u015fte \u00een America , poate c\u0103 nu din acest motiv, Vavila Popovici \u015fi-a tradus poeziile \u015fi \u00een limba englez\u0103. Un gest generos, din care se poate \u00een\u0163elege c\u0103 lumea larg\u0103 trebuie s\u0103 afle c\u0103 nasc \u015fi la Rom\u00e2nia poe\u0163i. Dac\u0103 nu cumva o fi aflat-o p\u00e2n\u0103 acum. \u00cen orice caz, o felicit pe buna mea prieten\u0103 \u015fi o \u00eendemn s\u0103 nu renun\u0163e la idee. Iar eu, fiindc\u0103 nu \u015ftiu Limba Englez\u0103, m\u0103 limitez la varianta de baz\u0103. Cea \u00een Limba Rom\u00e2n\u0103.<\/p>\n<p style=\"text-align: justify;\">Chiar din titlul c\u0103r\u0163ii \u2013 \u201e\u00cen\u0163eles t\u00e2rziu\u201d \u2013 c\u00e2t \u015fi din moto-ul acesteia \u2013 <em>\u201eAmintirile, \/ asemenea crengilor prea pline sunt, \/ dar Doamne, \/ cum ar fi via\u0163a f\u0103r\u0103 ele?\u201d<\/em> \u2013 am b\u0103gat de seam\u0103 c\u0103 scriitoarea r\u0103m\u00e2ne credincioas\u0103 propriului statut. Ea nu se abate de la problematica fundamental\u0103 ce o fr\u0103m\u00e2nt\u0103, \u015fi cu care se confrunt\u0103 de o via\u0163\u0103, una de amplu perimetru ideatic \u2013 filosofic, precum \u015fi de cotidian\u0103, dar semnificativ\u0103 \u00een simbolurile ei, tr\u0103ire \u00eentre cele dou\u0103 extreme: bucurie \u015fi triste\u0163e. Poetul se reediteaz\u0103 pe sine, f\u0103r\u0103 a se repeta dec\u00e2t tematic, cu un u\u015for sesizabil adaos de emo\u0163ie poetic\u0103, \u00eentr-o viziune de creator con\u015ftient de propriul destin, tocmai de aceea \u00eencurajat \u00een demersul s\u0103u. Dar, dincolo de adierile de triste\u0163e \u015fi de p\u0103rerile de r\u0103u \u2013 <em>\u201e\u015ei doruri rod din malul vie\u0163ii, \/ \u015fi clipele de aur \/ pierdute pentru totdeauna sunt\u201d; \u201eOrdinea lumii se destram\u0103 \/ precum p\u00e2nza m\u00e2ncat\u0103 de molii\u201d<\/em> \u2013 r\u0103m\u00e2ne \u00eencrederea c\u0103 totul este predestinat risipirii \u2013 <em>\u201e\u00centr-o lume tot mai rece, \/ sufletul g\u00e2nditor, prin lume trec\u0103tor, \/ dirijor pasionat la trupului, \/ p\u0103streaz\u0103 \u00eenc\u0103 bagheta ridicat\u0103\u201d; \u201eDe va avea solzi de pe\u015fte, \/ poemul va pluti \/ \u015fi-n razele soarelui va str\u0103luci\u2026\u201d<\/em><\/p>\n<p style=\"text-align: justify;\">Vavila Popovici \u00ee\u015fi organizeaz\u0103 materialul poetic \u00een dou\u0103 segmente \u2013 \u201eAmintiri\u201d \u015fi \u201eG\u00e2nduri\u201d \u2013 care nu separ\u0103, ci mai cur\u00e2nd coaguleaz\u0103 <em>amintirile<\/em>, ele \u00eensele fiind \u015fi <em>g\u00e2nduri<\/em>, iar <em>g\u00e2ndurile<\/em>, tot <em>amintiri<\/em> fiind \u015fi ele. Scrie Vavila Popovici \u00een moto-ul la cel de al doilea capitol al c\u0103r\u0163ii sale: <em>\u201eUndele g\u00e2ndurilor plutesc misterios, haotic, \/ uneori inutil se caut\u0103\/ alteori fermec\u0103tor se unesc.\u201d<\/em> Pentru c\u0103, la fel cum a procedat aproape \u00een toate celelalte c\u0103r\u0163i ale sale, scriitoarea se auto-portretizeaz\u0103 \u0219i aici, chiar \u015fi atunci c\u00e2nd face trimitere c\u0103tre alte direc\u0163ii: tata, mama, fiin\u0163a iubit\u0103 \u015f.a.m.d. Ea nu este exterioar\u0103 discursului poetico-filosofic, ci cuprins\u0103 \u00een miezul acestuia, autorul devenind \u015fi personaj, iar personajul fiind \u00eensu\u015fi autorul. <em>\u201eUn fluture \/ a\u015f vrea s\u0103 fiu, \/ s\u0103 te caut \/ \u00een razele de soare \/ \u015fi s\u0103 te ad\u0103postesc \/ sub aripile mele.\u201d<\/em><\/p>\n<p style=\"text-align: justify;\">Dorurile \u00eendeosebi, un fel de tablou floral al \u00eeng\u00e2ndur\u0103rilor melancolice, se structureaz\u0103 \u00een jurul acestui centru vital al existen\u0163ei umane, care are ca punct de plecare, dar \u0219i de \u00eentoarcere, la <em>casa p\u0103rinteasc\u0103<\/em>: <em>\u201eMi-e dor de iernile de-acas\u0103, \/ de torsul z\u0103pezilor prin v\u0103zduh, \/ de scr\u00e2\u015fnetul pa\u015filor prin z\u0103pad\u0103, \/ de m\u00e2ng\u00e2ierea v\u00e2ntului mut\u201d.<\/em> De acolo pornind \u015fi acolo \u00eentorc\u00e2ndu-se, autoarea se reg\u0103se\u015fte pe sine, cea devotat\u0103 \u00eentru ve\u015fnicie crezului s\u0103u uman \u015fi poetic. <em>\u201eS\u0103 \u015ftii s\u0103 pl\u00e2ngi de bucurie \/ c\u00e2nd \u00ee\u0163i iese fericirea \u00een cale, dar \u015fi numai \u2013 pentru c\u00e2teva clipe.\u201d <\/em>Pentru c\u0103: <em>\u201eNu toate zilele sunt la fel \/ \u015fi nu sim\u0163im la fel \u00een toate zilele. \/ Nu toate iubirile sunt la fel \/ \u015fi nu iubim la fel \u00een toate clipele vie\u0163ii. \/ E prim\u0103var\u0103 \u015fi iubirea pleac\u0103 din noi \/ ca dintr-un culcu\u015f \u00een care-a iernat.\u201d<\/em><\/p>\n<p style=\"text-align: justify;\">Vavila Popovici este autorul tuturor anotimpurilor. Fiin\u0163a ei se contope\u015fte, \u00eentre altele, cu elementele esen\u0163iale ale naturii, a\u015fa cum a exprimat-o, \u00eentotdeauna, creatorul popular. Nu \u015ftiu de ce, sau poate chiar \u015ftiu, \u00eens\u0103 \u00eel las pe cititor s\u0103 descopere, dar am impresia c\u0103 dou\u0103 din cele patru anotimpuri sunt preferatele poetei: prim\u0103vara \u015fi toamna. Prim\u0103vara \u2013 timpul \u00een care toate melancoliile iernii \u00eenmuguresc \u015fi dau \u00een frunze \u015fi \u00een flori. G\u00e2ndul revigorat se face fluture \u015fi pas\u0103re, iar toate cele ale vie\u0163ii cap\u0103t\u0103 nu doar o alt\u0103 \u00eenf\u0103\u0163i\u015fare, ci \u015fi un alt con\u0163inut. Cu un nou sens, cu o proasp\u0103t\u0103 speran\u0163\u0103. De\u015fi \u201e\u2026 <em>nu iubim la fel \u00een toate clipele vie\u0163ii, \/ dar, a\u015f vrea s\u0103 sim\u0163i tot at\u00e2t de intens \/ aceast\u0103 Prim\u0103var\u0103\u201d; \u201eAm r\u0103mas \u00een gr\u0103din\u0103 \/ \u015fi-n loc de flori, am s\u0103dit vise\u201d; \u201ePrim\u0103var\u0103, soare, \/ flori, dragoste, culoare\u201d. Iar \u201eFlorile str\u0103lucesc \u00een lumina soarelui, \/ adeverind triumful dragostei, \/ \u00eenfr\u00e2ngerea durerii.\u201d<\/em><\/p>\n<p style=\"text-align: justify;\">Iat\u0103, \u00eens\u0103, c\u0103, dup\u0103 o var\u0103 (\u201eSear\u0103 cald\u0103 de var\u0103\u201d) \u00een care <em>\u201eVegheate de lumina palid\u0103 a lunii \/ \u0219i alintate de sunete, \/ frunzele copacilor adormeau, asemeni pruncilor, \/ \u00een bra\u021bele visului\u2026\u201d,<\/em> a venit toamna \u0219i <em>\u201eAceia\u0219i arbori, alte frunze, o nou\u0103 toamn\u0103\u2026 \/ V\u00e2ntul tandru \u00eemi m\u00e2ng\u00e2ie obrajii, \/ \u00eemi r\u0103scole\u0219te suvi\u021bele de p\u0103r.\u201d \u201eCrengile trosnesc din \u00eencheieturi, \/ frunzele \u00eensp\u0103im\u00e2ntate pleac\u0103 prin aer plutind.\u201d <\/em>Autoarea face \u0219i \u201e\u00een direct\u201d o declara\u021bie de dragoste Toamnei: <em>\u201eMi-e dor de c\u0103ldura pl\u0103cut\u0103 \/ a dimine\u021bilor de toamn\u0103\u201d; \u201ede dulcea\u021ba strugurilor cop\u021bi\u201d, \u201egaroafele ro\u0219ii mirosind a iubire\u201d, \u201ede zborul naiv al g\u00e2ndului printre stele\u201d, \u201ede fiorii trupului, de melancoliile sufletului, \/ de acel spa\u0163iu\u2026 mi-e dor!\u201d<\/em><\/p>\n<p style=\"text-align: justify;\">\u015ei \u00een aceast\u0103 \u00een\u0163eleapt\u0103 carte de poezie, Vavila Popovici strecoar\u0103 o sumedenie de interoga\u0163ii. Unele iscate de <em>necunoscutul<\/em> care se afl\u0103 \u00een fa\u0163a fiec\u0103ruia dintre noi; altele cu r\u0103spuns implicit (sau implicat), retorice, cum li se mai spune. \u015ei unele, \u015fi alele, \u00eens\u0103, au \u00een vedere starea fireasc\u0103 de fiin\u0163\u0103 ispitit\u0103 s\u0103 descopere c\u00e2t mai multe din tainele Universului. M\u0103car pe cele apar\u0163in\u0103toare de \u201eMica Sfer\u0103\u201d \u2013 <em>\u201eP\u0103m\u00e2ntul \u2013 sfer\u0103 din marea sfer\u0103\u201d (\u2026) \u201eUnivers \u2013 perfect, f\u0103r\u0103 de moarte, \/ P\u0103m\u00e2ntul \u2013 imperfect, fascinant, \/ de iubire \u015fi moarte dominat.\u201d<\/em> Pentru toate acestea, inima omului este <em>\u201eSupernova din galaxia trupului, \/ cu vibra\u0163ii \u00een ritmul simfoniei p\u0103m\u00e2ntului.\u201d <\/em>Cea care sus\u0163ine, fie \u015fi numai emo\u0163ional, efortul min\u0163ii de a \u00eemplini c\u00e2t mai util dorin\u0163a cunoa\u015fterii, \u015fi nu numai sub \u00eenf\u0103\u0163i\u015fare poetic\u0103, despre care spun cei ce se pricep c\u0103 nu ar fi mai prejos dec\u00e2t cea \u015ftiin\u0163ific\u0103.<\/p>\n<p style=\"text-align: justify;\">C\u0103tre sf\u00e2r\u015fitul volumului, Vavila Popovici a introdus o admirabil\u0103 poezie. De data aceasta, dedicat\u0103 anotimpului alb, care, \u00een opinia mea, nu este deloc hibernal. Nici chiar pentru ur\u015fi\u2026 Pentru c\u0103 \u00eemi place foarte mult, o reproduc integral: <em>\u201eNinge peste copaci, \/ peste p\u0103m\u00e2nt \/ ninge. \/ Ninge peste ora\u015ful gri, \/ ninge peste o parte a planetei, \/ ninge. \/ Ninge-n cimitir \/ \u015fi mor\u0163ii-\u015fi pierd identitatea, \/ ninge. \/ Ninge peste g\u00e2ndul trist, \/ ninge.\u201d Ceea ce poate s\u0103 \u00eensemne c\u0103 \u201eA mai trecut un an,\/ o via\u0163\u0103 va trece\u2026\u201d<\/em> Aceast\u0103 implacabil\u0103 trecere \u00eensemn\u00e2nd, \u00een mod sigur, alte c\u0103r\u0163i semnate de Vavila Popovici \u015fi alte semne care s\u0103 r\u0103m\u00e2n\u0103 pentru totdeauna \u00een panoplia Ve\u015fniciei. \u015ei ea trece, dar nu se risipe\u015fte. Se d\u0103ruie\u2026<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\" align=\"right\"><strong>Vasile Filip \u2013 Ia\u0219i, aprilie 2015<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La \u00eenceputul anului 2015, scriitoarea Vavila Popovici a ad\u0103ugat celor treizeci \u015fi dou\u0103 de c\u0103r\u0163i ale sale \u2013 de poezie [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-24112","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=24112"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24112\/revisions"}],"predecessor-version":[{"id":24115,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24112\/revisions\/24115"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=24112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=24112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=24112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}