{"id":24941,"date":"2015-09-12T12:49:14","date_gmt":"2015-09-12T12:49:14","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=24941"},"modified":"2015-09-12T12:49:14","modified_gmt":"2015-09-12T12:49:14","slug":"george-anca-sanskrit-studies-in-romania","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2015\/09\/12\/george-anca-sanskrit-studies-in-romania\/","title":{"rendered":"George Anca: Sanskrit studies in Romania"},"content":{"rendered":"

\"\"<\/a>1 ianuarie 1982 D.<\/p>\n

La mul\u0163i ani, fe\u0163e posomor\u00e2te ale \u00eent\u00e2mpl\u0103rilor. Pa\u015fi. Sineitate atacat\u0103. Parc\u0103 \u015ftiusem. Vorb\u0103re\u0163-scriere\u0163. Deci UGC m-a cerut rom\u00e2nilor \u015fi pentru 1982-1983. Fratricid am\u00e2nat, am\u00e2nare fratricid\u0103. Lunea anului dup\u0103 nicio duminic\u0103. Big personality, Pig? Noapte dint\u00e2i f\u0103r\u0103 diminea\u0163\u0103.<\/p>\n

\n

2 ian. 1982 D.<\/p>\n

Am m\u00e2ntuit \u015fi a doua zi, dactilografiind 13 pagini de indo-crea\u0163ie a rom\u00e2nilor, iar po\u015fta\u015ful aduc\u00e2ndu-mi de la Iuga 13 dodii publicate \u00een 12 decembrie, \u00een Luceaf\u0103rul. Cu poz\u0103 \u015fi barb\u0103, de s\u0103 nu m\u0103 recunoas\u0103 Viorica. De mi-a scris prima oar\u0103 \u00een via\u0163a ei, \u015fi \u00eenc\u0103 \u015fi \u201cla mul\u0163i ani\u201d.<\/p>\n

Probele la poemul catalonian, Salg, Rosewicz, Pant \u015fi Surjit. Revista va exista. Au ap\u0103rut \u015fi traduceri \u00een Orizont, le voi primi de la acela\u015fi Iuga. Indodiile din Indore-77 \u015fi antidiplomatica din 78, probabil – \u201cHis impotency\u201d, sonet cu un vers \u015fi jum\u0103tate cenzurate. Semne bune anul are. Cu munc\u0103 \u015fi amor. Baciamo le mani pe invers. Buddhism hora\u0163ian?<\/p>\n

Cu Nana, uneori, ne mai amintim de copil\u0103ria mic\u0103. Pe c\u00e2nd nu-\u015fi g\u0103sea ciorapii, o costreie, un melc picat \u00een pu\u0163 \u015fi paletat de o salamandr\u0103 cu coada… Dar ast\u0103-sear\u0103, discoteca puilor din ou\u0103. Cu \u015farpele r\u00e2m\u0103 \u015fi copiii intra\u0163i \u00een locul puilor. Care-\u015fi luaser\u0103 valea, de-au luat b\u0103taie-n coaj\u0103. Apoi berzele, c\u0103 bibilici nu v\u0103zuse Nana.<\/p>\n

Dar \u015foarecii au stricat instrumentele, spune ea. Au ros corzile sitarului, veena. Nimic nu mai merge. Ba tabla, da. Un om, un singur om o b\u0103tea. \u015eoarecii, pe barb\u0103, pe musta\u0163\u0103, \u00eel g\u00e2dilau cu coada \u00een nas. \u00cel mai scuipau \u00een ochi. El bate tabla. \u015ei ne desp\u0103r\u0163im. C\u0103 a fost de la ea.<\/p>\n

\n

3 ianuarie 1982<\/p>\n

\u00cenc\u0103 un Paris. B\u0103nui, de sus. Dintr-un avion. A\u015ftept o mare dedesubt, pentru a s\u0103ri f\u0103r\u0103 para\u015fut\u0103. \u015ei sar, din slav\u0103, imediat, ca spa\u0163iu, \u00eenfiorat, ca timp, \u00een prundul ud, ierbos, al unei posibile Sene. De unde, cur\u00e2nd, m\u0103 petrec \u00eentr-un palat-piscin\u0103. N-am nevoie dec\u00e2t anamnezic\u0103 s\u0103 respir. \u015ei renun\u0163, spre a privi pere\u0163ii picta\u0163i clasic, paradisiac. Sculpturi \u015fi un sceptru, care se las\u0103 prins, dar nu se mai \u00eentoarce la loc.<\/p>\n

\u00cempins de ap\u0103, o ap\u0103 ca din\u0103untru, limpezime \u00eenc\u0103lzit\u0103 de s\u00e2ngele \u00eensu\u015fi, reflectat \u00een spiritul frescelor. Dar, mai apoi, \u00een curtea ca \u015fi a unui Louvre. Confirmat \u00eentr-o francez\u0103 vorbit\u0103 cu chip polonez. A la Times \u015fi chiar jurnale americane timpurii. Abia un grevist \u2013 orice conservator va fi fiind \u2013 \u00eemi r\u0103spunde bucuriei de a \u015fti \u00eentruc\u00e2t frescele din ape…<\/p>\n

Pe zi, ce zi, a\u015f face jur\u0103m\u00e2ntul t\u0103cerii, dar s-ar zice c\u0103 pozez. Oare, bat \u00een retragere? S\u0103 m\u0103 uit \u00een Istoria Bhutanului. Cu orhideele separat. Om ma-ne ma-ne padme hum. Lungi discursuri rom\u00e2ne\u015fti \u00een Nanaskar Nicodim<\/em>, romanul Nilimei. Corectate \u015fpalturile \u2013 revista, semn\u0103turi, autori. Va fi \u00een liter\u0103 polonez\u0103. \u201cThe Middle of Life\u201d, de Tadeusz Rosecwitz, \u00een traducerea lui Czeslaw Milosz. M\u00e2ine \u00eemi voi corecta \u015fi cartea conferin\u0163elor universitare.<\/p>\n

\n

4. 01. 82. D.<\/p>\n

Greva contabililor cronicizeaz\u0103 nepl\u0103\u0163ile \u2013 noroc cu rela\u0163iile personale (pre\u0163, un stilou) printre \u015fefii sp\u0103rg\u0103tori. Pl\u0103tit salariul, after all. O. M. Anujan \u00eemi va da poezii de el, mi le \u015fi va spune, le vom traduce. Shishir Das \u00eemi va da Br\u00e2ncu\u015fi \u00een Bengali (\u015fi cu alfabet latin).<\/p>\n

\n

Nimic \u00een plus fr\u00e2nghiile<\/p>\n

peste giulgiul alb rubedeniile<\/p>\n

noi to\u0163i \u00een acela\u015fi cosmos<\/p>\n

unii dans\u00e2nd cu mortul<\/p>\n

singur pe spate tol\u0103nit<\/p>\n

spre foc \u00een Gayatri Mantra<\/p>\n

de-ai Savitri se \u00eendur\u0103<\/p>\n

\u015fi-mi las\u0103 rug\u0103ciunea lui Shiva<\/p>\n

 <\/p>\n

5. 01. 82. D.<\/p>\n

\u201cMuna Menuno\u201d, \u00eencepe o scrisoare datat\u0103 18.10. 1979, g\u0103sit\u0103-n oglinda-toalet\u0103 , dup\u0103 absen\u0163a noastr\u0103. \u015ease pagini de matematic\u0103, la dou\u0103 r\u00e2nduri, vreo mie de cuvinte. Traducere malayalam \u00een metru keka, al p\u0103unului.<\/p>\n

\n

s\u0103rutat\u0103 frunza de p\u0103un pierdut<\/p>\n

scutur\u0103-se noaptea bufni\u0163elor ved\u0103<\/p>\n

trupuri stele arse \u00een anacolut<\/p>\n

deslu\u015feasc\u0103-\u015fi limba-n rasa andromed\u0103<\/p>\n

pe p\u0103m\u00e2nt ungherul umbrei de pipal<\/p>\n

c\u0103tre zori se umple de oftatul ava-<\/p>\n

tarului de-alalt\u0103 ieri pe piedestal<\/p>\n

la s\u0103rit\u0103 scen\u0103 \u00eentru Abhinava<\/p>\n

suie-se \u00een munte une malabalabaraise<\/p>\n

a vedea z\u0103pada noastr\u0103 cum inund\u0103<\/p>\n

Gangele din s\u00e2nge \u00een Aranjuez<\/p>\n

frunza de p\u0103un se scutur\u0103 \u00een und\u0103<\/p>\n

 <\/p>\n

Eminescu \u2013 Baudelaire \u2013 Montale. At\u00e2t de fraged\u0103 – El desdichado \u2013 Verbotten \u2013 Vizitatori…<\/em><\/p>\n

Vickey a adus, \u00een fine, h\u00e2rtia de ivoriu japonez\u0103, pl\u0103tit\u0103 bine. Voiam s\u0103-mi \u00eenchei c\u0103rticica universitar\u0103.<\/p>\n

 <\/p>\n

6. 01. 82. D.<\/p>\n

Sear\u0103 Eliade, zi Margaret \u2013 pe 19 la 2.30 p.m., sala 22, Br\u00e2ncu\u015fi<\/em>. Scrisoare primit\u0103 \u00een dept. de la Bharatya Vidya Bhavan, Mumbay, \u00eempreun\u0103 cu un formular de membru. Bibliotec\u0103, Eliade, Bharati, Heidegger, Kierkegaard, sanscrit\u0103, francez\u0103, Baudelaire.<\/p>\n

Dr. Rao \u015fi fiica sa veniser\u0103 s\u0103 se intereseze de Shadow, afl\u00e2nd c\u0103 o mu\u015fcase Moti. Am vorbit despre c\u00e2ini, petrol, ru\u015fi, rom\u00e2ni, indieni. Moti, c\u00e2inele servitorilor, a b\u0103gat spaima-n c\u0103\u0163elu\u015fii burghzilor-dej-ilor. Shadow a noastr\u0103 \u2013 de dar pahari-himalaian \u2013 este cea mai de ras\u0103. Sfor\u0103ie ca mamaia Floarea. La trezire, se \u00eenv\u00e2rte\u015fte \u00een jurul cozii.<\/p>\n

\n

7. 01. 82. D.<\/p>\n

La mul\u0163i ani, Nansi. \u00cen Sahat, e anun\u0163at\u0103 o slujb\u0103 de ziar pl\u0103tit\u0103 \u00eensutit fa\u0163\u0103 de p\u00e2n\u0103 acum. Zicem s\u0103 trimitem scrisoare. Telefon bhutanez, de la Dorji \u2013 n-ar fi g\u0103sit taximetristul adresa. Ne repar\u0103m pudorile \u00een regrete. Ion la telefon \u00een Babilon engolpion.<\/p>\n

\n

auzisem umbra sf\u00e2nt\u0103<\/p>\n

a arborilor de kavya<\/p>\n

din atunci \u00eendep\u0103rtate glii<\/p>\n

ilumina\u0163i nestin\u015fi \u00een vaiet<\/p>\n

prin epoci tip\u0103rite rar<\/p>\n

cu anii necongratula\u0163i<\/p>\n

\u015fi totu\u015fi t\u0103ind visului ocale<\/p>\n

pe unde nimeni nu c\u0103l\u0103torea<\/p>\n

 <\/p>\n

miracole fum trupul cu ochi nep\u0103m\u00e2nteni<\/p>\n

urcioarele pe cre\u015ftet versetele \u00een vede<\/p>\n

retrase aripi aer de iarb\u0103 \u00een poieni<\/p>\n

cirezilor adaos zei\u0163a te repede<\/p>\n

din Kajuraho-n Lesbos pe Padmapani-l chemi<\/p>\n

\u00eempreuni magalsutra a doua oar\u0103 verde<\/p>\n

\u00een m\u00e2na \u0163iitoarei nev\u0103duv\u0103 \u00een vremi<\/p>\n

secunde prohibi\u0163ii barbilienei Gerde<\/p>\n

suratele de-o toart\u0103 cariatide vane<\/p>\n

s\u00e2ni zbur\u0103tori cu umbre pe stinse caravane<\/p>\n

de dumnezeu de\u015ftinse cu falduri c\u00e2te dou\u0103<\/p>\n

c\u00e2nd sine-\u015fi jum\u0103tatea r\u0103sare lun\u0103 nou\u0103<\/p>\n

miracole fum trupul de va orbi p\u0103m\u00e2ntul<\/p>\n

s\u0103 ne vedem chiar dac\u0103 va fi numai cuv\u00e2ntul<\/p>\n

 <\/p>\n

 <\/p>\n

8. 01. 82. D.<\/p>\n

Mesaje c\u0103tre Florence Hetzler (New York), D. S. Deshpande (Indore), Y. Bhatnagar (Aurangabad). Trimis \u015fi la Sahat. \u00cent\u00e2lnit Marek, vin disear\u0103, i-am cerut Mickiewicz, clasici (cu at\u00e2t mai antiru\u015fi?) Instintele patriei din noi ne vor fi diferen\u0163iind sau unind \u00eentr-at\u00e2t?<\/p>\n

Am reparat ieri heather-ul, azi a pocnit. Cinci rupii un pocnet. Ne-am pus fanteziile \u00een cadouri dup\u0103 gusturile fabuloase-fabulate ale rudelor \u015fi prietenilor \u2013 automobile, turme de oi crescute spacial pentru tricotat, un arab divor\u0163atei X, o ar\u0103boaic\u0103 nu mai \u015ftiu cui, l\u0103zi de whiskey, studio cinematografic.<\/p>\n

M\u00e2ine alt ziar \u2013 nu alt\u0103 zi \u2013 cu mentalit\u0103\u0163i ultra-politice. Bacovianisme \u00een fierbin\u0163eala golfului. Sindhu-ul-indigo, c\u00e2rm\u00e2zul revenit \u00eem krmi f\u0103r\u0103 anuna\u015fika \u015fi larghe\u0163ea bunului \u015funya I\u015fa oric\u00e2t \u015fabdaye.<\/p>\n

\n

insomnie nu Sahat<\/p>\n

ziaristic\u0103 de sat<\/p>\n

guturai \u00een tropic lat<\/p>\n

moarte f\u0103r\u0103 \u00eemp\u0103rat<\/p>\n

\u015fi colac de c\u0103p\u0103tat<\/p>\n

n\u0103sc\u0103toare-n emirat<\/p>\n

foc de golf palatinat<\/p>\n

Eminescu revelat<\/p>\n

\u00een Bengal rarefiat<\/p>\n

spre o pamp\u0103 \u015fi-un arhat<\/p>\n

din los diavolos visat<\/p>\n

pui de gangur d\u0103-i p\u0103sat<\/p>\n

\u015fi-a dat foc \u015fi l-a luat<\/p>\n

nervi divor\u0163 nepronun\u0163at<\/p>\n

feudal \u00eenfeudat<\/p>\n

pelicanului castrat<\/p>\n

nici coco\u015ful n-a c\u00e2ntat<\/p>\n

de zi nu s-a luminat<\/p>\n

n-am zis Hari Om Tat Sat<\/p>\n

 <\/p>\n

spitalele ziarele continuitatea<\/p>\n

drumului spre moarte in corpore<\/p>\n

rarefiate genera\u0163ii amici\u0163ii de fum<\/p>\n

zadarnicele ierburi \u00een vremuri d\u0103r\u00e2mate<\/p>\n

dharma florii de amurg varul de ghetou<\/p>\n

a venit Mandirato am \u00eenceput clasa<\/p>\n

apoi Kurbreet \u015fi Mohan s\u0103-\u015fi ia raportul<\/p>\n

am \u00eent\u00e2lnit-o pe Radmila cu p\u0103rul t\u0103iat<\/p>\n

dup\u0103 noaptea doinei ne-am dezdoinit<\/p>\n

crunt melodramatiz\u00e2ndu-ne politica firii<\/p>\n

de-am plecat pe-afar\u0103 cu umbra \u015fi cea\u0163a<\/p>\n

dar seara doin\u0103 dinainte despietrit\u0103<\/p>\n

la r\u0103u izvor prin trestiile serii doin\u0103<\/p>\n

cu blond\u0103 po\u015ft\u0103 sur\u00e2z\u00e2nd \u00een dodii<\/p>\n

a exponen\u0163ial\u0103 cenzur\u0103 ironie<\/p>\n

mai nec\u0103jit\u0103 ca p\u0103catul rom \u015fi<\/p>\n

stelele muncind mai mult dec\u00e2t p\u0103m\u00e2ntul<\/p>\n

 <\/p>\n

Duminic\u0103 10. 01. 82. Delhi.<\/p>\n

Notes on Archaic and Universal. <\/em>Doina \u00een englez\u0103-hindi. Andre, cu \u201cMarxism, Pluralism and Orthodoxy\u201d, not for publication. Protest studen\u0163esc \u00eempotriva legii mar\u0163iale \u00een Polonia, programat pentru 16, dar am\u00e2nat pentru 30 ianuarie, odat\u0103 cu Solidaritatea \u00eens\u0103\u015fi, Indian Style.<\/p>\n

Paralelul italo-comunism-indianism (Krishnamurti). Dezgust critic la formularea din nota 6: \u201cThe fact that Marxism which, in its golden age, represented the highest expression of Western intellectual culture, could establish itself only in what was intellectually the most backward part of Europe, had notable consequences for the further development\u201d. Cu to\u0163i Lessek Kolakovski \u015fi Isaac Deutscher, ca referin\u0163e.<\/p>\n

\n

11. 01. 82. Delhi.<\/p>\n

Nansi \u00eemi finan\u0163eaz\u0103 publicarea romanului, care poate ap\u0103rea \u00een dou\u0103 luni. Memna \u2013 devanagari \u2013 Miori\u0163a \u2013 \u00een spalt. Gita Govinda?<\/p>\n

\n

13. 01. 82.<\/p>\n

\u201cDear Dr. Anca, You would be glad to learn that we are bringing out Authentic Grantha on the subject of Para-Vidya. Since you are interested in the subject…\u201d (M. C. Bhandari).<\/p>\n

De ce ne vis\u0103m mor\u0163i, \u00een prima lun\u0103 a anului? Subiectul meu este, \u00eenc\u0103 o dat\u0103, dracul. Sublimul druck himalaian, semiticul latinizat \u00een diabolus. Zon\u0103 clasic sub t\u0103cere, \u00eentre druck \u015fi diable.<\/p>\n

Din Canada, scrisoare de la Stephen Gill (cere 500 de exemplare din romanul meu contra alte c\u0103r\u0163i). \u015eedin\u0163\u0103 cu trei femei, c\u0103 nu i se \u015ftiu credentials, dar s\u0103 public romanul, \u015fi ele m\u0103 ajut\u0103 s\u0103 fie v\u00e2ndut \u00een India. Felicitare de la REPS. Bucure\u015fti, cer\u00e2ndu-mi colaborarea. C\u0103r\u0163i de la BCU. Scrisori din Los Angeles \u015fi Detroit. Psihologia genera\u0163iilor din exil. Traduse Rug\u0103 lui Budha<\/em> (Ion Pillat) \u015fi Dansul p\u0103unului <\/em>(Ion Sofia Manolescu).<\/p>\n

\n

14. 01, 1982. Delhi.<\/p>\n

De ce \u00eemi p\u0103rea r\u0103u c\u0103 nu mai eram \u00een India? Clas\u0103 cu a doua scrisoare Vidya \u015fi atomica nem\u0163easc\u0103 a lui Mobutu. Soare de astenie. Surya sanscrit. Depresivitatea luminii. La trei, sutra-tantra, via America.<\/p>\n

Un t\u00e2n\u0103r priz\u0103rit prepar\u0103 o tez\u0103 \u201cRasas in Bhavabuti\u201d – i-am comandat dou\u0103 pagini hindi, cu citate. Mi-a citit de Rama c\u0103 ar sacrifica iubirea Sitei pentru regat. Nansi \u015fi Nana \u00een poz\u0103 printre m\u00e2na de ufo-logi\u015fti indieni. Un hamal cu o butelie de aragaz, mai s\u0103 ne-o lase. Teoria refugia\u0163ilor, alt\u0103 depresiune. Cre\u015fterea taxelor de clase artistice op\u0163ionale. \u201cRondelul ora\u015fului din Indii\u201d, de Macedonski, e alegerea CBI-stului.<\/p>\n

Memorie \u00eendurerat\u0103. Barba cre\u015ftino-sanscrit\u0103, semn al prohibi\u0163iei sinuciga\u015fe. S\u0103 nu m\u0103 nenorocesc studiind sindicatele lui nea Nicu. Khullar vrea s\u0103 m\u0103 \u00eent\u00e2lneasc\u0103 la 2.30, Arts Faculty \u2013 Indo-German Fiction. Apologia diminutivului, diminutivei lokasya.<\/p>\n

Un Schneider blond a citit proz\u0103 scurt\u0103 publicat\u0103 \u00een anii 70 de cinci scriitoare indiene, conchiz\u00e2nd c\u0103 ele \u015fi-au spus s\u0103 \u00eencerce op\u0163iuni noi, s\u0103 chestioneze, mai mult ca deceniile dinainte, valorile indiene. Trat\u00e2ndu-se pe sine, adic\u0103 femeia, nu ca mam\u0103 ori ca fiic\u0103, neap\u0103rat, dar ca individ, p\u0103r\u0103sind imaginea Savitri-Sita. Kamala Markandeya \u015fi Kamala Das, Madasveta Devi, Rama Mehta, Anita Desai, discutate de audien\u0163\u0103 ostil\u0103. Pu\u015ftiul b\u0103rbos se ro\u015fise la umbra masculinit\u0103\u0163ilor \u00een<\/p>\n

scuturare. Femeile\u00ee\u015fi \u00eencercau sexul din surdin\u0103. Neocomparati\u015ftii se preg\u0103teau de refreshments. Eu, cu sinistra\u0163ii polonezi.<\/p>\n

Macedonski, Blaga, Barbu, tradu\u015fi \u2013 Rondelul ora\u015fului din Indii, Pelerini, Increat. Margaret a adus The Patriot din 9 decembrie (dup\u0103 dou\u0103 s\u0103pt\u0103m\u00e2ni \u015fi journey-ul ei \u00een Hawaii) cu \u201cA Great Indologist\u201d – necrolog lui Sergiu Al-George. Eliade se va mi\u015fca. Ro\u0163ile p\u0103trate, ba.<\/p>\n

\n

15. 01. 82. Delhi.<\/p>\n

29 ian. ora 3 p.m, Seminar Room (de ieri, 56), Sanskrit Studies in Romania.<\/em> Aici mi-am \u0163inut lec\u0163iile anul trecut, dimine\u0163ile, cu pu\u0163ini, mira\u0163i studen\u0163i \u2013 acum vor fi vice-cancelarul, decanul, Mitic\u0103.<\/p>\n

You are invited to a series of talks on \u201cSanskrit Studies abroad\u201d begining on January 29, 1982, at 3 p.m in the Seminar Room (room 56) of the Art Faculty. The opening talk is Sanskrit Studies in Romania. <\/em>The Vice-Chancellor of Delhi University, prof. Gurbaksh Singh, has kindly consented to preside. H. E. the ambassador of Socialist Republic of Romania, Dr. D. Niculescu, will be Chief Guest. In memoriam of Romanian Sanskritologist Sergiu Al-George will speak Professors Margaret Chatterjee and Satya Vrat.<\/p>\n

Nansi are \u00eenc\u0103 o carte de ilustrat, tot p\u00e2n\u0103 la 15 februarie. Mai mult de una pe lun\u0103. E str\u0103vezie cum a fost c\u00e2ndva p\u0103m\u00e2ntul lui Blaga. Ieri \u015fi azi ne-am \u00eentre\u0163inut despre femei \u015fi curve \u00een design.<\/p>\n

\n

femeile \u00ee\u015fi amintesc<\/p>\n

de ceai cu lapte b\u0103rb\u0103tesc<\/p>\n

\u015fi zece cu vocabular<\/p>\n

de timbru tipograf co\u015fmar<\/p>\n

traducere dup\u0103 dicteu<\/p>\n

oxonian \u015fi Asmodeu<\/p>\n

plus \u00eenc\u0103 un ali\u015f-veli\u015f<\/p>\n

neg\u00e2nda org\u0103 de ha\u015fi\u015f<\/p>\n

 <\/p>\n

 <\/p>\n

S\u00e2mb\u0103t\u0103, 16. 02. 82. D.<\/p>\n

Fug\u0103 cu Shadow \u2013 venise Zarina s\u0103 spele pe jos. Vecina c\u0103uta o sticl\u0103 de lapte, \u00eei vine sora. Nansi a lucrat p\u00e2n\u0103 la 4 diminea\u0163a. Am reparat \u00een Camp heather-ul, s-a stricat \u00een 10 minute. Seara, \u00een Kamla, doar Iuga, Alboiu, \u015eora, V\u0103duva, Andrei\u0163\u0103 cule\u015fi. H\u00e2rtia, c\u0103rat\u0103. Coperta va fi grena, ca la masoni. Romanul m-ar costa 3.600 de rupii, \u00een 1000 de exemplare, 2900 \u00een 500 exemplare.<\/p>\n

\u00cen 1979 meditam d\u00e2rd\u00e2ind la Eminescu. \u00cen 14 ianuarie, R. K. Mehrotra, fostul vice-cancelar, a \u015fi tradus Kamadeva. Sardarul de acum vine la indologie, apoi la aniversarea lui Br\u00e2ncu\u015fi.<\/p>\n

\n

19. 01. 1982.<\/p>\n

Vinod, mai surprins dec\u00e2t mine de scrisoarea de la Bhandari, care \u00een\u0163elesese de la Mitic\u0103 despre mine c\u0103 sunt un criminal (\u00een linia lor?). Nu r\u0103spund, deci, la Para-vidya. Am Spaniile mele, cu \u015fi f\u0103r\u0103 castele.<\/p>\n

 <\/p>\n

21. 01. 1982. Delhi.<\/p>\n

 <\/p>\n

umorul ne a\u015fteapt\u0103 spre sf\u00e2r\u015fitul vie\u0163ii, Hora\u0163iu<\/p>\n

\u015ftii tu de al grecilor mai pu\u0163in \u015fi al latinilor<\/p>\n

vorbe de ap\u0103 amnezii de \u00eemp\u0103ra\u0163i inexisten\u0163i<\/p>\n

decret\u00e2nd sentin\u0163e la r\u00e2s dup\u0103 ce nu mai e nimic<\/p>\n

de decretat \u00eenc\u0103 o na\u015ftere o istorie o poliloghie<\/p>\n

toate \u00een ianuarie s\u0103 r\u0103m\u00e2n\u0103 timp de sf\u00e2r\u015fit, Hora\u0163iu<\/p>\n

 <\/p>\n

cuplu de bine pereche de rai \u00eentreit\u0103 p\u0103catului cuplu de r\u0103u<\/p>\n

rig nu nu se g\u0103se\u015fte nici sama adio la Rolland<\/p>\n

sati de nimic \u00eentru nimicnicul la propriu \u015fi realizatul<\/p>\n

mai bine nimic dec\u00e2t tot \u015fi mai nimic sinucis \u00een aur<\/p>\n

s\u0103 n-ai \u00een lume nicio yajur s\u0103 m\u0103n\u00e2nci varz\u0103 cu mor\u0163ii<\/p>\n

\u015fi numai lor s\u0103 le pice bine \u015fi femeile lor s\u0103-\u0163i cear\u0103 lacrimi<\/p>\n

dumnezeu s\u0103 primeasc\u0103 \u015fi s\u0103 ierte cu ochiul \u00eenchis<\/p>\n

 <\/p>\n

 <\/p>\n

25. 01. 1982. Delhi.<\/p>\n

Cinci sute exemplare \u201cInedited\u201d, pl\u0103tite cu 1000 Rs. Copert\u0103 pe carton cretat, cernel\u0103 c\u0103r\u0103mid\u0103 (masonic\u0103, \u00een tipografia respectiv\u0103). Pu\u0163\u0103 s-a \u00eenfiin\u0163at \u015fi \u015fi-a luat partea. Va fi de dou\u0103 sute de ori mai atentativ \u00een schizofrenia lui, la care n-am luat seama din cauza alei mele. O \u015fans\u0103 dincolo de lenea nevoin\u0163ei, de voin\u0163a nulit\u0103\u0163ii. Numai mizeria \u2013 \u00een care a r\u0103s\u0103rit lotusul, \u00eemi orbe\u015fte \u00eenc\u00e2ntul simbolului \u015fi lucrului gata. Plus oboseala maratonistului sub clopot. \u00centre timp, \u00eemi dactilografiez conferin\u0163a De ziua republicii, cu un rege spaniol onor\u00e2nd-o. Lumea-n jur st\u0103 la p\u00e2nd\u0103, f\u0103r\u0103 a face nimic dec\u00e2t s\u0103 prefabrice injurii.<\/p>\n

\n

27. 01. 82. Delhi.<\/p>\n

L-am \u00eent\u00e2lnit pe Satya, \u00een aceea\u015fi pas\u0103 poetic\u0103, elitist\u0103. Indieni, neam\u0163ul, ungurul, studen\u0163i, c\u0103 vor veni. Nag Publishers vor pl\u0103ti ceai \u015fi dulciuri pentru o sut\u0103 de persoane. Se conteaz\u0103 pe 150 de participan\u0163i. Am toat\u0103 libertatea de conferin\u0163\u0103. \u00cemi sunt singur cenzor, plus Nansi \u015fi el.<\/p>\n

Studen\u0163ilor le-am citit poemele \u201cindiene\u201d, puse \u00een englez\u0103, din rom\u00e2ne\u015fte. Au obiectat la Blaga \u201cPelerini\u201d, nepopulari \u00een India, ca \u015fi hyppies. S-au \u00eentors la Eminescu, f\u0103r\u0103 a fi citit azi din el. Au agreat \u201cRug\u0103 lui Buddha\u201d, ca tem\u0103. Dep\u0103\u015fisem timpul.<\/p>\n

Unele ziare probabil \u00ee\u015fi vor deschide rubrica de \u00eent\u00e2mpl\u0103ri zilnice cu povestea mea. Nici nu m\u0103 mai impresioneaz\u0103. S. Stratilat, St. Gill, E. Bestazzi, A. Amrung, F. Tola, R. Cunninghame, R. Creeley, I. Iuga, G. Alexe, M. Eliade, A. Bhose, D. Al-George, I. Express, T. Ricardi, Sridhar Gavali (Marathi), Bhartya Vidya Bhavan, Illustrated Weekley of India.<\/p>\n

\n

The stars are only for sky<\/p>\n

The moon is only for night<\/p>\n

Air is a living media for human<\/p>\n

Sun gave us light and heat<\/p>\n

Like om Anca gives us education<\/p>\n

to know about Romania<\/p>\n

Country of dor. Peace.<\/p>\n

Fun of enjoiment is for me my<\/p>\n

Country Romania<\/p>\n

Ashok Berri<\/p>\n

 <\/p>\n

Zi pierrotian\u0103? Pe alocuri. Adrese (Nansi \u015fi Nana, la Oxford), apoi \u00een Camp, la Bathra, pentru rom Simla (\u00eel beau de c\u00e2teva ore), po\u015ft\u0103, repeti\u0163ie sanscrit\u0103, proverbele sociale \u2013 pe r\u0103zbunare?<\/p>\n

Berri se \u00eensoar\u0103 s\u00e2mb\u0103t\u0103, s-a \u00eenfiin\u0163at cu Charanjit, a scris, cu greu, aici \u00een caiet, destul de proptocolar \u015fi dr\u0103gu\u0163. To D. Niculescu: I will be very thankful to you if you kindly come to join us on my marriage.<\/p>\n

Conferin\u0163a mea are destul\u0103 aiureal\u0103 \u00een \u00eens\u0103\u015fi hiperbola organiz\u0103rii. \u00cen Camp, Narayana: conferin\u0163ele mele rom\u00e2ne\u015fti au fost \u00eentregistrate \u00een anuarul universit\u0103\u0163ii. Careva m-ar invidia. D. Lit. Se poate avea. N-am a-i da 20 Rs.? I-am.<\/p>\n

\n

28. 01. 82. Delhi<\/p>\n

 <\/p>\n

Down ushers in light<\/p>\n

umbra-penumbra<\/p>\n

and the Punctuation<\/p>\n

of birds parrot-tailed,<\/p>\n

sparrow, crow-like, dove-songed<\/p>\n

panther the sky<\/p>\n

with the shedding<\/p>\n

fir of a playful apso pop.<\/p>\n

Nilima Das<\/p>\n

 <\/p>\n

Azi e m\u00e2inele conferin\u0163ei mele sanscrite. Clas\u0103 \u00een draci. Tiwari, \u015feful buddhismului. Khular mi-a trimis, prin Bhose, A.P.T., cu articolul meu. La English, un lungan ritos. Marek \u2013 vin acas\u0103. Nansi nu se simte bine \u015fi, ca pentru distrac\u0163ie, \u00eemi taie deodat\u0103 barba, insist\u00e2nd s\u0103 \u0163in musta\u0163a. Valensa? Nu mod\u0103, un cod? M-am ras vorbind despre Sergiu? Era pl\u0103cerea \u015fi luxul lui.<\/p>\n

Vinod \u00eemi trimite prin po\u015ft\u0103 un poem lung pentru Salg, \u00een hindi \u015fi-n englez\u0103 \u2013 \u00eel voi pune-n plicul cu poeme \u015fi traduceri, pentru Iuga. Pr\u0103jesc cartofi. O a\u015ftept pe Nana. Trebuie s\u0103-mi comand copii dup\u0103 fotografia cu barb\u0103. Acum, \u00eentre Flaubert \u015fi Valensa, dar \u015fi Eminescu \u2013 \u015fi, totu\u015fi, m-a\u015f dezmust\u0103\u0163i, dac\u0103 Nansi n-ar \u0163ine at\u00e2t.<\/p>\n

 <\/p>\n

29 ianuarie 1982, Delhi.<\/p>\n

Ziarele \u00een hindi \u00ee\u015fi deschid rubricile de anun\u0163uri cultural-\u015ftiin\u0163ifice cu conferin\u0163a mea. Indian Express m\u0103 anun\u0163\u0103 numai pe mine \u015fi pe Mitic\u0103. TOI, numai pe mine \u015fi Gurbaksch. The Hindustan Times ne anun\u0163\u0103 pe to\u0163i trei, iar The Statesman \u015fi Patroit, pe nici unul (sigur, nu li s-a trimis invita\u0163ie).<\/p>\n

Conferin\u0163a-mi ia 20 (30-40) de minute. M\u0103 las\u0103 vocea. Cons\u0103tenii vin \u015fi pe acas\u0103, ap\u0103. Vor s\u0103 nu-i fac de r\u00e2s. Dumnezeu cu mila. Romul Simla nu e bun de nimic. Studen\u0163ii au tradus \u00een rom\u00e2ne\u015fte din poemul hindi al lui Vinod pentru Sergiu. Am lucruri de zis. De n-a\u015f ap\u0103rea liric. \u0162ara poate fi sigur\u0103 c\u0103 este \u00eendumnezeit\u0103 dup\u0103 puteri.<\/p>\n

Aud de rug\u0103ciuni, s\u0103 ies bine, adic\u0103 s\u0103 nu beau \u00eenainte \u015fi s\u0103-mi scad\u0103 vocea. Voi fi \u015fters, \u00een semiton. Nansi \u015fi Nilimariana, plus Neetu, s-au \u00eentors din Kamla. Parc\u0103 Simla e un rom de rom\u00e2ni, or vodc\u0103 de-a noastr\u0103, bine-otr\u0103vitoare \u015fi at\u00e2t.<\/p>\n

Poetul sanscrit era \u00een plin\u0103 verv\u0103 \u015fi a\u015fteptare. L-am paralelizat \u015fi, la 3, zece minute dup\u0103, dup\u0103 ce c\u0103runtul cu turban ro\u015fu cobor\u00e2se din ma\u015fin\u0103, m-am dus \u015fi eu dup\u0103 ei. Un reporter hindi m\u0103 solicita. Mitic\u0103 s-a \u00eenfiin\u0163at \u00een timpul imprim\u0103rii \u015fi Visi a edictat s\u0103 mergem \u00een sala de conferin\u0163e.<\/p>\n

Acolo, lume, poate cum n-am mai v\u0103zut \u015fi n-o s\u0103 mai v\u0103d. Mangalam, cu armoniu. Ghirlande (\u015fi pentru mine). Declarat specialist \u00een alamkara. Mul\u0163umiri \u00een sanscrit\u0103. Ceai de la Nag. Alhuwalia, c\u0103 n-a mai fost a\u015fa function \u00een universitate. Mitic\u0103 \u015fi-a luat special la revedere de la mine, pe c\u00e2nd m\u0103 aflam cu lume.<\/p>\n

Rug\u0103ciunea a prins. Vinod a luat poze. Am lungit-o la noi. Cu press-release. Fratele meu Marek, dup\u0103 musta\u0163\u0103, m-a declarat Valensa. A uitat \u201cceva important\u201d – s\u0103 vin\u0103 la conferin\u0163\u0103, a dormit. Ne vrea la un party, duminic\u0103. S\u0103 nu uit\u0103m? Cine m\u0103 ur\u0103\u015fte, cine m\u0103 iube\u015fte? Satya a fost cumsecade.<\/p>\n

30.01. 1982. Delhi.<\/p>\n

S\u00e2mb\u0103t\u0103 Gandhi: aniversarea asasin\u0103rii lui. Memorii de asear\u0103, din camera bacovian\u0103, \u00eentru Al-George. One Pygmalion in India. A. V. Esaulov, the most senior professor of Russian in India, signs the novel The End of a Life<\/em>, dedicated to a harijan woman. For the reader, \u201cShe\u201d is the essential woman, overcoming all petty connventions.<\/p>\n

Regina intr\u0103 f\u0103r\u0103 s\u0103 bat\u0103 la u\u015f\u0103. \u00cen cod Radha, \u00een\u0103untru a\u015ftept\u00e2nd numai pe Krishna. Discut\u0103m femeia harijan\u0103 \u015fi c\u00e2te ceva din vie\u0163ile noastre, \u00eentrerup\u0163i fericit de o scrisoare de la Nase. Ieri am avut noroc. Mi s-a zis \u201ca man of paths\u201d. Alamkarist, continuator al lui Sergiu Al.-George. Complezen\u0163a \u00eentru sanscrit\u0103.<\/p>\n

Badminton cu Nana \u2013 am obosit am\u00e2ndoi repede, bate v\u00e2ntul. Ne-am retras din somnolen\u0163a amiezii, dar ea s-a av\u00e2ntat din nou s\u0103-i \u00eenapoieze Tarei minuscula minge american\u0103, pierdut\u0103 de diminea\u0163\u0103. Pu\u0163in\u0103 \u201cMaseillese\u201d \u015fi ceva mai mult \u201cMalbrough s’en va-t en guerre\u201d.<\/p>\n

\n

pe unde iarna \u015ftie<\/p>\n

de prunele uscate<\/p>\n

\u00een cer popic\u0103rie<\/p>\n

cu pop\u0103 de p\u0103cate<\/p>\n

cu nop\u0163ile o mie<\/p>\n

\u015fi una apucate<\/p>\n

ianuariopatie<\/p>\n

februarie se poate<\/p>\n

t\u0103cere hindustan\u0103<\/p>\n

udat\u0103 de otrav\u0103<\/p>\n

Iocast\u0103 castanie<\/p>\n

Priam spi\u0163\u0103 pandav\u0103<\/p>\n

pe unde iarna \u015ftie<\/p>\n

da boddhisatva a v\u0103<\/p>\n

 <\/p>\n

 <\/p>\n

31. 01. 82.<\/p>\n

Nag publishers i-au publicat cartea d-nei U.R.T. \u201cThe Concept of Religion in Mahabharata<\/em>\u201d \u015fi ea nu \u015ftia, a aflat alalt\u0103ieri, la conferin\u0163a mea. La fel va fi proced\u00e2nd Umesh cu \u201cAbhinava \u2013 Baudelaire\u201d-ul meu?<\/p>\n

\n

1. 02. 1982. Delhi.<\/p>\n

Flac\u0103ra, Contemporanul, Sc\u00e2nteia \u2013 provincialism organic, esen\u0163ial\u0103 estompare a valorilor \u015fi contrapunerea simbolic\u0103 a jup\u00e2nilor. Informa\u0163ia, oric\u00e2t de benefic\u0103, \u00eenc\u0103 ascunde jena de a fi \u00een via\u0163\u0103. Haq-Mizil \u00een Sc\u00e2nteia, \u201cInedited\u201d \u00een Contemporanul, Sergiu Al-George \u00een Flac\u0103ra (nemort). Pres\u0103 cu adres\u0103. Din \u00eent\u00e2mplare, mesajele hazardului se aga\u0163\u0103 totu\u015fi de amintire. Ne vedem f\u0103r\u0103 slujb\u0103 \u00eentr-acolo. Dezm\u0103\u0163ul provincialist m\u0103car l-am pierdut.<\/p>\n

Margaret m\u0103 \u00eentreab\u0103 dac\u0103 nu merg la po\u015ft\u0103. O refuz \u00een fran\u0163uze\u015fte. L-a vizitat pe ungur, \u00eemi spun polonezii. Trimis Inedited: Vidyasagar Dayal, Vinay Tatwar, Renuka, Dimri, Desphande, Kulkarni, Upadhyaya (Bhabha), Bushan Verma, J. S. Bains (Ludhiana).<\/p>\n

M\u00e2ine: Mulk Raj Anand, Dash, Kirpalani, italieni, spanioli, Lokesh C., Umesh M., Maytreyi Devi (?), Prabhakaran, Fereira, Jain, N.N. Chaudhuri, Dr. Nagendra, S. K. Das (Dept.), P. K. Thakar, B. Satyanarayan Reddy, S. Krishnamoorthy, B.D. Tuljapurkar, R. R. Rao, Rajendra Mathur, Sophia Tan Brolek, Isabel Klein, Harry G. Barnes, Rev. W. S. Rajpal.<\/p>\n

\n

Vasile Voiculescu \u00een India cunun\u0103<\/p>\n

p\u0103unii \u00een corole de scrum re\u00eenviat<\/p>\n

ea \u00ee\u015fi desface focul pe vatr\u0103 drept sub lun\u0103<\/p>\n

el p\u00e2n\u0103-n sud sf\u00e2nt metru \u00eel c\u00e2nt\u0103 pe Bharat<\/p>\n

R\u0103zboiul prin lumin\u0103 de pene altfel sun\u0103<\/p>\n

la nunta Sitei Rama \u00eei este \u00eemp\u0103rat<\/p>\n

al Himalaiei pustnic din ochi nu se \u00eembun\u0103<\/p>\n

p\u0103m\u00e2ntul rug de cinste pe to\u0163i ne-a-mbujorat<\/p>\n

Din r\u0103d\u0103cini de p\u0103s\u0103ri \u00een florile sati<\/p>\n

privim \u00een sus arare frunzi\u015furi de trecut<\/p>\n

eram c\u0103tre Br\u0103ila orbind cu Isaii<\/p>\n

\u00een dansul cu altarul de carte \u00eenc\u0103put<\/p>\n

se vars\u0103 broderia pove\u015ftilor \u00een rut<\/p>\n

\u00eencercuind \u00een gene mi\u015fcate cununii<\/p>\n

 <\/p>\n

\u00cent\u00e2mpl\u0103rile serale cu traduceri de voin\u0163\u0103 \u00een copii \u015fi \u00eent\u00e2mpl\u0103ri serale tradus voit \u00een copiii de copii cum am fost \u00een \u00eent\u00e2mpl\u0103ri de cu sear\u0103 netraduse \u00een voin\u0163a de copii ce s-ar \u00eent\u00e2mpla s\u0103 fim \u00een voin\u0163a serii \u00eent\u00e2mpl…<\/p>\n

Iarn\u0103 umbra muntelui ne acoper\u0103 cu carne vara a\u015ftept\u0103m musonul s\u0103 ne fiarb\u0103 oasele august gal\u0103 funerar\u0103 o scrisoare de o toamn\u0103 muzic\u0103 \u00een cruci istori(ce) \u015fi literare mor\u0163ii au sur\u00e2sul ca Vasile Voiculescu \u015fi Vasile cel ce-l \u015ftim ziua \u015fi noaptea cu Domni\u0163a lui \u00een veac.<\/p>\n

C\u00e2nd voi \u00eennebuni \u00eent\u00e2i voi sf\u0103r\u00e2ma \u015fahul de plastic uit\u00e2nd c\u0103 \u00ee\u015fi va reveni peste cadavrul min\u0163ii mele-ntre florile de bananier de dragosti sinucise makbethit Moldove Transilvanii din Shakespeare cum traduceam \u00een tronu-i alte provincii ale timpului pierdut \u015fi nedans\u00e2ndu-se romantic r\u0103zboinic ori\u015ficum numai s\u0103 tac\u0103 dint\u00e2ia nebunie \u015fahul.<\/p>\n

\n

2. 02. 1982.<\/p>\n

\u00cen 36: cap spart sun\u0103 engleze\u015fte \u00eentre v\u0103i de triste\u0163e la fel parc\u0103 ar fi chestiune de durat\u0103 mai scurt\u0103 \u00een India femeilor ca o r\u0103splat\u0103 \u00een existen\u0163a asta a mai multor p\u0103cate dintre vii de via\u0163\u0103.<\/p>\n

Clas\u0103 latin\u0103 C\u0103linescu. Ca la spovedanie. Dup\u0103 noapte liber\u0103, \u00een fine, de \u201cCatch 22\u201d, Iossaraian \u00eencep\u00e2nd \u015fi sf\u00e2r\u015find aparetnt \u00een Dostoievski. Heller mi-o fi dezgropat euforii italiene \u015fi automatisme militare.<\/p>\n

\n

3. 02. 82. Delhi.<\/p>\n

Clas\u0103 trezit\u0103-n c\u00e2ntecul Somnoroaselor. Apoi acas\u0103, \u00een Camp, \u00een somn, \u00een traducere (seara de pe urm\u0103, leit\u0103 celei dint\u00e2i? Recenzie (casteist\u0103?) la Esaulov. Suntem reac\u0163ionari. Eres <\/em>3 al meu e tr\u0103it \u00een c\u00e2mpia decapita\u0163ilor \u015fi-n khoti-ul sp\u00e2nzura\u0163ilor, cu haz \u015fi lume. Propriu mi croitor.<\/p>\n

\u0162\u0103ranul din Burari, \u00eenso\u0163it de o rud\u0103. Num\u0103rul 2 din \u201cInedited\u201d, \u00een cheie \u201cAir India\u201d. Dar fiul i-a dat numai jum\u0103tate din banii transmi\u015fi de tat\u0103-s\u0103u. Ce num\u0103r 2? Opera\u0163ia pe inima cui? Tat\u0103 \u015fi fiu se mint \u00een draci. Accha nahi. Jaldi, romanul la tipar.<\/p>\n

\n

4. 02. 82.<\/p>\n

\u00cenc\u0103 un final de clas\u0103 c\u00e2nt\u00e2nd Eminescu. Mandirata a deschis un radio Bomby de-a recitat Luceaf\u0103rul pe rock indian. M. Preda, E. Barbu, R. K. Narayan, M. R. Anand.<\/p>\n

\n

5. 02. 82. Delhi.<\/p>\n

Clas\u0103 test, pre-test. La tipografie, \u00een fa\u0163\u0103, proprietarul st\u0103 de vorb\u0103 cu un b\u0103rbat cu turban, din Kabul. Nu vorbe\u015fte englez\u0103, ci persan\u0103, urdu, pushto \u015fi arab\u0103. Domnul Arora nu \u015fi-a f\u0103cut puja, a\u015fa c\u0103 ne las\u0103 cu Allah. Fakir Ulah scoate o h\u00e2rtie de una sut\u0103 dolari \u015fi citim: God, traducem iar: Allah . Mai zicem: Inshallah Hoshiar. M\u0103 tratase cu Kent, r\u0103spuns la refuzatul meu Charminar (de zile mari).<\/p>\n

Are cinci copii mari \u00een Kabul. Vrea s\u0103 \u00eenv\u0103\u0163 urdu: ne bucur\u0103m de musafir<\/em>, nu \u015fi de du\u015fman. <\/em>\u015etie de Rom\u00e2nia, nu de la ru\u015fi, prin ei. Am l\u0103udat \u00eempreun\u0103 India. Aprinzi Kent-ul \u00een Kabul \u015fi tragi fumul \u00een Delhi. M-a n\u0103p\u0103dit portretistica imaginar\u0103 a lui Sadoveanu, ca pentru al treilea eres.<\/p>\n

Bains nu m\u0103 mai cuno\u015ftea f\u0103r\u0103 barb\u0103. \u00ce\u015fi a\u015ftepta fetele din America, \u00een mai, cu licen\u0163e. E-n fierberea preparativelor de nunt\u0103. Cu cine? L-am v\u0103zut argument\u00e2nd cu nevast\u0103-sa pe Mallroad. Se afl\u0103 \u00een vizite intense de aranjament. Turbanele \u015fi America.<\/p>\n

Ce urdu? dzonga. Nu<\/em> (moneda). Nansi, invitat\u0103 s\u0103 lucreze \u00een Bhutan, prin UNICEF. Eres <\/em>3 \u00een Timphu? Bucuria mun\u0163ilor. Amestecul lucrurilor \u015fi timpurilor, mai la urm\u0103, pe o strad\u0103 ca Chatra. Doi in\u015fi mi-au dat o carte sanscrit\u0103, chipurile a mea, tip\u0103rit\u0103 de ei. Ilustrat\u0103 cu un tribunal cu public, \u00een st\u00e2nga, singur, Iisus, galben, himalaian.<\/p>\n

Totu\u015fi, o basilic\u0103, un teatru, o oper\u0103. Ame\u0163isem printre lume. Vedeam numai lumina, c\u00e2nd mi s-a interpus ca o femeie. Schimb\u00e2ndu-mi limba, ori \u00een\u0163eleg\u00e2ndu-mi-o \u2013 m\u0103 cuno\u015fti? am \u00eentrebat-o, sim\u0163ind c\u0103 m\u0103 oprise \u2013 da, sunt a lui \u2013 condu-m\u0103 spre stalul din spate. M-a condus p\u00e2n\u0103 la balcon, dar am revenit \u00een fa\u0163\u0103. Acum, \u00een spate era un b\u0103iat, sfios s\u0103 stea \u00een r\u00e2ndul \u00eent\u00e2i. Pe scen\u0103, baletul se f\u0103cuse cor, plin de lingviste cunoscute, p\u0103r\u00e2nd \u00eemb\u0103tr\u00e2nite.<\/p>\n

Poate Timphu \u015fi timpul \u015fi locul sunt \u00een noi. Ca \u015fi istoria, geografia nu e icoan\u0103, ba piatr\u0103 de g\u00e2t. Adic\u0103 scoate limba la dumnezeu dec\u00e2t s-o pictezi. Dinner aniversar, Memna. To\u0163i publisherii, zice el, sunt neone\u015fti. Tehnici de a nu publica public\u00e2nd \u015fi apublica nepublic\u00e2nd \u2013 a tip\u0103ri e altceva. O \u0163ar\u0103 se distruge prin distrugerea universit\u0103\u0163ilor.<\/p>\n

\n

6.02. 81. Delhi.<\/p>\n

Clasa 36: friguri de prim\u0103var\u0103 azi-noapte m\u0103 junghiar\u0103 la gr\u0103mad\u0103 \u00een\u015firat\u0103 cu b\u0103taie dep\u0103rtat\u0103 se mai f\u0103cu s\u00e2mb\u0103t\u0103 trezindu-m\u0103 r\u00e2nced\u0103 \u00eentr-un cronc\u0103nit de cioar\u0103 plugurile cum m\u0103 ar\u0103<\/p>\n

 <\/p>\n

prin mun\u0163i \u00een dzonga mai uman\u0103<\/p>\n

ca lapte praf de la Rar\u0103u<\/p>\n

familia ne bea stacan\u0103<\/p>\n

orez\u0103rie fer\u0103str\u0103u<\/p>\n

desenul rege pe corman\u0103<\/p>\n

encounter ca la Mir\u0103sl\u0103u<\/p>\n

ne\u00eencheind nici otoman\u0103<\/p>\n

nici rom\u00e2neasc\u0103 dzonga-n h\u0103u<\/p>\n

valaho-turc\u0103 dec\u00e2t par\u0103<\/p>\n

bizan\u0163 buhar dec\u00e2t cremcrin<\/p>\n

humana zero ghea\u0163\u0103 iar\u0103<\/p>\n

c\u00e2ntec str\u0103luminat de tiar\u0103<\/p>\n

\u015fi rev\u0103rsat \u00een cristalin<\/p>\n

 <\/p>\n

mi-era team\u0103 de trecut<\/p>\n

de c\u00e2nd t\u00e2n\u0103r mi-am p\u0103rut<\/p>\n

umbrelor necunoscut<\/p>\n

col\u0163ilor ca un scorbut<\/p>\n

dar acuma f\u0103r\u0103 dinte<\/p>\n

a\u015f m\u00e2nca p\u0103m\u00e2nturi sfinte<\/p>\n

pline \u015fi de oseminte<\/p>\n

\u015fi de limb\u0103 de p\u0103rinte<\/p>\n

c\u0103 s\u0103 nu m\u0103 tem m\u0103 tem<\/p>\n

doar de domnul anatem<\/p>\n

\u015fi de diavolul boem<\/p>\n

n-oi muri dac\u0103-o s\u0103 mor<\/p>\n

n-oi tr\u0103i de-at\u00e2ta dor<\/p>\n

\u00een Delhi pe deli\u015for<\/p>\n

 <\/p>\n

Nansi: sonete de a\u015fteptat studen\u0163ii. \u201cSonninds\u201d by Horace Gange. Sonetele English ad foram, \u00een alt caiet. \u00cen sus de San Pietro, oranj \u00een rug\u0103 sanscrit\u0103.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

1 ianuarie 1982 D. La mul\u0163i ani, fe\u0163e posomor\u00e2te ale \u00eent\u00e2mpl\u0103rilor. Pa\u015fi. Sineitate atacat\u0103. Parc\u0103 \u015ftiusem. Vorb\u0103re\u0163-scriere\u0163. Deci UGC m-a [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-24941","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=24941"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24941\/revisions"}],"predecessor-version":[{"id":24944,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/24941\/revisions\/24944"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=24941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=24941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=24941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}