{"id":26523,"date":"2016-06-15T17:06:30","date_gmt":"2016-06-15T17:06:30","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=26523"},"modified":"2016-06-15T17:06:30","modified_gmt":"2016-06-15T17:06:30","slug":"george-anca-secvente-de-indoeminescologie","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2016\/06\/15\/george-anca-secvente-de-indoeminescologie\/","title":{"rendered":"George Anca: Secven\u021be de Indoeminescologie"},"content":{"rendered":"

\"\"<\/a><\/p>\n

SECVEN\u0162E DE INDOEMINESCOLOGIE<\/p>\n

de George Anca<\/p>\n

Abstract<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 These sequences belong to Mantra Eminescu<\/em> \u2013 excerpts from author’s writings on Eminescu -, with chapters \u201cEminescu between Baudelaire and Tagore\u201d, \u201cMantras, dodii and sonnets\u201d, \u201cAmnesic stories\u201d, \u201cIndoeminescology\u201d. Here, the emphasis is drawn on the correspondences \u2013 in Swedwnborg’s and Baudelaire’s acceptance \u2013\u00a0 between Eminescu’s work and Sanskrit poetical thinking. Sanskrit alamkara system of literary theory is mixed, somehow, with Sanscrit cannon of treaties in verse.<\/p>\n

 <\/p>\n

Sanskritikon<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mihai Sadoveanu cu lumina vine de la r\u0103s\u0103rit tocmai c\u00e2nd India se elibereaz\u0103 de englezi Rom\u00e2nia e ocupat\u0103 de ru\u015fi Mihai Eminescu este interzis mutilat ceea ce s-a reprodus \u00een anii 90 pe canale de aceea\u015fi teap\u0103 ceea ce se caut\u0103 prin Tagore la fel o t\u0103iere o prefa\u0163are imbecilizant\u0103 de nevoie altfel cu o pedanterie indologic\u0103 sut\u0103 la sut\u0103 ruseasc\u0103<\/p>\n

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*<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 studen\u0163ii Amitei Bhose l-au gustat de mult \u00een original profesoara Tagore a putut s\u0103 evite chiar gustul mor\u0163ii inciner\u00e2ndu-se \u00een Bucure\u015fti l\u00e2ng\u0103 morm\u00e2ntul lui Eminescu \u00eempr\u0103\u015ftiindu-se \u00een cosmosul lui\u00a0 Orfeu \u015fi al lui Tagore deopotriv\u0103 doctrinele mileniului trei nu vor putea evita ceea ce se impusese filosofului N Bagdasar \u00een 1938 contrastul dintre civiliza\u0163ia european\u0103 acum pe acela\u015fi trend american\u0103 materialist\u0103 \u015fi cultura indian-oriental\u0103 a sufletului a interiorului dac\u0103 \u00eencorporarea g\u00e2ndirii lui Tagore \u00een cultura rom\u00e2n\u0103 \u00een anii 20 \u015fi 30 a putut fi destructurat\u0103 chiar prin Tagore \u00eensu\u015fi sovietizat al treilea al patrulea Tagore vor fi iar \u015fi iar Tagore cel dint\u00e2i cel adev\u0103rat chiar dac\u0103 India s-ar dezice de Tagore ca mama de fiu el \u00eenc\u0103 ar \u00eenfiora pe rom\u00e2ni cobind tragic cu pre\u0163ul c\u0103 India ar face cuno\u015ftin\u0163a lui Eminescu alungat din \u0163ara lui deconstruit \u00een cheie rom\u00e2neasc\u0103 \u015fi pe demitiz\u0103rile formalizante o vishva bharati ar putea fi fondat\u0103 pe numele lui Tagore \u015fi Eminescu poetul Indiei \u015fi poetul Rom\u00e2niei ar da un exemplu de advaita<\/p>\n

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*<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 discutam Tagore doar \u00eel contextualizam rom\u00e2ne\u015fte cel mai greu e cu Eliade dar lumea i-a \u00eemp\u0103cat \u015fi pe Caragiale canalia cu Eminescu mai greu cu Macedonscki n-o fi cazul Eliade era t\u00e2n\u0103r Tagore b\u0103tr\u00e2n cu 46 ani mai mult un Iorga a i-l aminti \u015fi idiosincrazia pac la r\u0103zboiu’ \u00een 26 Iorga acolo v\u0103zu\u0163i \u00eempreun\u0103 ipote\u015ftean post-Eminescu n-avea cum lipsi studentul Eliade a\u015fa i-o fi venit \u015fi ideea p\u00e2n\u0103-n Italia<\/p>\n

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*<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00een decembrie International conference on Indian culture 28-30 May 2000 simpozion Tagore \u00een anul Eminescu summer course un lucru r\u0103u n-are cum fi precum \u00eel g\u00e2ndesc dr George Anca has delivered two lectures Tagore in Romanian perspective Vidya Bhavan 22 November ’99 Tagore and Eminescu 23 November<\/p>\n

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*<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 conferin\u0163a e aranjat\u0103 pentru mar\u0163i la 1 30 avionul e la 5 direct de acolo \u00een aeroport Mircea Eliade and Romanian Indological studies a am citit Rug\u0103ciunea unui dac de Eminescu \u00een amintirea Amitei cum a fost ea de p\u0103rere c\u0103 Gramatica sanscrit\u0103 a fost lucrat\u0103 tradus\u0103 transcris\u0103 \u00een tinere\u0163e plus teoria cu terapia fizic-mental\u0103 prin desen de litere-cuvinte devanagari<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 se recunoa\u015fte mereu c\u0103 mai toate marile personalit\u0103\u0163i \u00eendeosebi Mihai Eminescu Constantin Br\u00e2ncu\u015fi Mircea Eliade Lucian Blaga au fost inspira\u0163i influen\u0163a\u0163i lega\u0163i de India cercetarea inspira\u0163iei indiene \u00een cultura \u015fi literatura rom\u00e2n\u0103 se face \u015fi prin \u015ftiin\u0163\u0103 demonstrativ\u0103 dar \u015fi prin intui\u0163ii uneori de nesus\u0163inut p\u00e2n\u0103 la a vedea \u00een limba rom\u00e2n\u0103 o form\u0103 a limbii sanscrite<\/p>\n

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cum s-ar defini un indianist rom\u00e2n de sorginte eliadesc\u0103 eminescian\u0103 br\u00e2ncu\u015fian\u0103 etc am folosit termenii de indo-eminescologie indo-br\u00e2ncu\u015fologie atunci c\u00e2nd eliade tr\u0103ia acum \u00een Calcutta realizez cov\u00e2r\u015fitoarea laten\u0163\u0103 a indo-eliadologiei un domeniu de data asta nu at\u00e2t indo-rom\u00e2nesc c\u00e2t universal-indian rom\u00e2nesc pe r\u0103d\u0103cini pe c\u00e2t de interiorizate \u015fi pierdute pe at\u00e2t de revelate \u00een sensibilit\u0103\u0163ile \u015fi inteligen\u0163ele indianistice noi comparatismul etimologismul indo-europenismul antropologismul estetismul medicinismul etc\u00a0 sunt printre cuvintele-cheie care ar putea caracteriza studiile formale \u00een indologia rom\u00e2neasc\u0103 tendin\u0163ele hermeneutice\u00a0 introduse de Eliade \u015fi aplicate de Sergiu Al-George au alternat cu preocup\u0103ri analitice pe subiecte specifice de la nonviolen\u0163\u0103-Miori\u0163a sau Eminescu-Veda la intense studii asupra lui Shankaracharya ori Vedanta ale genera\u0163iei tinere traducerile mai ales din sanscrit\u0103 c\u00e2\u015ftig\u0103 teren paralel cu cele dup\u0103 intermediar sau repovestirile cererea de literatur\u0103 indian\u0103 de orice fel fiind mai mare dec\u00e2t pot oferi speciali\u015ftii amatorismul comercial infla\u0163ioneaz\u0103 pia\u0163a cu o impresie de opulen\u0163\u0103 greu de dezamorsat fondul rom\u00e2nesc al Bibliotecii Na\u0163ionale din Calcutta nu este catalogat sau consultabil c\u00e2teva mii de volume reprezentative pentru cultura rom\u00e2n\u0103 fac loc \u015fi contribu\u0163iilor indologice \u00een v\u00e2rf cu vol XIV al Operelor lui Eminescu \u00een care este publicat\u0103 Gramatica sanscrit\u0103 de Franz Bopp \u00een traducerea acestuia exemplific\u0103rile foarte numeroase sunt \u00een devanagari \u00een caligrafierea lui Eminescu \u00een amurgul crea\u0163iei sau dup\u0103 Amita Bhose editoarea Gramaticii \u00een prima tinere\u0163e berlinez\u0103<\/p>\n

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*<\/p>\n

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Cosmologia eminescian\u0103 \u00eentre Vede \u015fi Edde<\/em><\/strong><\/p>\n

Cosmologia eminescian\u0103 \u00een rela\u0163ie cu Vedele, \u00een special Rig Veda<\/em>, \u015fi Eddele, \u00een cheie Voluspo<\/em>, ne-a \u00eensufle\u0163it, mul\u0163i ani, \u00een India (vide Apokali<\/strong>psa indian\u0103<\/em>, 9 volume; Indoeminescology<\/em>;\u00a0 The Buddha \u2013 letters from the buddhahood to Eminescu<\/em> etc) p\u00e2n\u0103 recent \u00een fa\u0163a morm\u00e2ntului lui Ibsen (Ibsenienii<\/em>, 6 volume). De la vedicul Hiranyagarbha ( preluat, ca titlu, \u015fi de Baronzi) la Cosmologia Generalis<\/em> a lui Christian Wolff (1783) \u015fi Luceaf\u0103rul<\/em> lui Eminescu (1883), prin (ne)devenirea bhava-vibhava sau nonuniversomorfism \u015fi fiin\u0163e noncosmomorfice, printre modelele cosmologice\u00a0 adoptive (Ioana Em. Petrescu) rezonan\u0163a arhetipal\u0103 ne-a acordat rigvedic primordial cu Scrisoarea I<\/em>, oarecum aparte de marea \u00eentunecat\u0103 egiptean\u0103, haosul-ou chinezesc, Tiamat t\u0103iat\u0103 \u00een cer \u015fi p\u0103m\u00e2nt (Medeea \u015fi-a t\u0103iat-tomi fratele doar \u00een buc\u0103\u0163i).<\/p>\n

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Albatros-Bibliotec\u0103<\/em><\/strong><\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Doamna (n-am cunoscut-o) Zricha Vaswani \u015fi-a luat nu demult doctoratul la Universitatea \u201cDr. Bhim Ambedkar\u201d cu teza \u201cEffect of Indian Thought on Mihai Eminescu\u201d. Mi-a trimis, colegial, capitole \u015fi traduceri. Entuziasmului ini\u0163ial i se vor al\u0103tura trimiteri, post-festum, la biblio-eminescologie, indo-eminescologie. \u00cen fapt, dr. Vaswani \u015fi-a tr\u0103it ani de adolescen\u0163\u0103 \u00een Bucure\u015fti \u015fi hipnoz\u0103 i-a fost, \u00een Biblioteca Universitar\u0103 din Ia\u015fi, manuscrisul traducerii gramaticii sanscrite al lui Eminescu.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cenapoi pe p\u0103m\u00e2nt indian, a deschis, parc\u0103 altfel, ochii asupra scripturilor supreme ale vechii-noii Indii, a\u015ftern\u00e2nd un du-te-vino \u00eentre Od\u0103 \u2013 Katha Upanishad, Glossa \u2013 Sutta Nipata, Rug\u0103ciunea unui dac \u2013 Rig-Veda, Scrisoarea I \u2013 Rig-Veda, Luceaf\u0103rul \u2013 Srimad Bhagavad Gita, Kamadeva \u2013 Sakuntala, Mortua est \u2013 Budha-Karita. <\/em>Ciudat, sau asem\u0103n\u0103tor, doctoranzii rom\u00e2ni, petrecu\u0163i hindus, se v\u0103desc mai ad\u00e2nc submer\u015fi indianit\u0103\u0163ii, poate \u00eenc\u0103 un argument al afinit\u0103\u0163ilor rom\u00e2no-indiene. N-am curaj s\u0103 stilizez aparenta reg\u0103sire, la ei, a rom\u00e2nismului prin indianism (universitar).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suntem pe terenul bibliotecii electronice, \u00een recuperare. Am ratat \u015fansa s\u0103 fi intrat \u00een bibliografia acestui doctorat, de\u015fi locul unde sunt cele mai multe din c\u0103r\u0163ile mele este anume Biblioteca Departamentului de Studii Germane \u015fi Romanice al Universit\u0103\u0163ii din Delhi. Totu\u015fi, Ms. Zricha a aflat de titlul Indoeminescology<\/em> de pe net, via Amazon. Nu e r\u0103u nici a\u015fa. Regener\u0103m.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Deodat\u0103 bibliotecile \u015fi universit\u0103\u0163ile se bucur\u0103 s\u0103 primeasc\u0103, aparent \u00een ocol, pe noi pun\u0163i, creativit\u0103\u0163i proasp\u0103t romantice, libere, \u00eembog\u0103\u0163itoare ale p\u0103durii de simboluri bibliografiabile. Printre referen\u0163ii doctorali, Dr. R. K. Shukla sesizeaz\u0103 deschiderea, prin aceast\u0103 cercetare, a unei \u00eentregi \u201cnew vista of orientalism\u201d, iar traducerile din Eminescu au \u201ca felicity and an elegance\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P\u00e2n\u0103 aici, am vorbit ca \u015fi cum m-a\u015f fi afalt \u00een albatrosul-bibliotec\u0103 din Baia-Mare. De aici \u00eencolo, m\u0103 adresez (tot din Maramure\u015f?) unei posibile audien\u0163e indiene, \u00eencep\u00e2nd cu virtuala noastr\u0103 comparatist\u0103.<\/p>\n

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T\u00e2rgovi\u015fte \u2013 India<\/em><\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mai apoi, parcurg\u00e2nd zile \u015fi s\u0103pt\u0103m\u00e2ni cu Yatindra Tiwari \u00een biroul meu de la Biblioteca Pedagogic\u0103 Na\u0163ional\u0103 antologii poetice rom\u00eene\u015fti, pentru una \u00een hindi, acesta a r\u0103mas fascinat,\u00a0 \u00een afar\u0103 de Eminescu, de Heliade, anume de eufonia stelar\u0103 a laptelui, \u00een \u201cZbur\u0103torul\u201d (o versiune de lucru tot voi \u00eencerca, doar a tradus Legile lui Manu sau Tirukural).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cititorului a\u015f avea s\u0103-i \u00eemp\u0103t\u0103\u015fesc secrete pe care, de fapt, le-am afla \u00eempreun\u0103. Cum mi s-a \u00eent\u00e2mplat, transcriind \u201cCopilul\u201d de Tagore, s\u0103 cad pe g\u00e2nduri amintindu-mi c\u0103 prin ’90 sau ’91, publicat \u00een \u201cLuceaf\u0103rul\u201d, eu, ca traduc\u0103tor, fiind entuziasmat de pruncul din iesle, altceva vor fi inten\u0163ionat editorii s\u0103 pun\u0103 \u00een circula\u0163ie, anume r\u0103spunsul : \u201dvictima\u201d la \u00eentrebarea \u201ccine ne va conduce\u201d (dup\u0103 asasinarea conduc\u0103torului).<\/p>\n

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Arundhati<\/em><\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u0103t\u0103lina-Kate-Christina iubesc p\u00e2n\u0103 la identificare avataric\u0103 luceaf\u0103rul bl\u00e2nd \u015fi atotputernic \u00een dedublarea sa cosmic-erotic\u0103. Prin 1980, c\u00e2nd Eliade a salutat (\u00eentr-o scrisoare c\u0103tre noi) versiunea sanscrit\u0103 a Luceaf\u0103rului eminescian, Dyviagraha, de Urmila Rani Trikha, va fi avut \u00een minte personajul s\u0103u Domni\u015foara Christina, – …avatara divyagraha … – dar poate \u015fi pe divina Arundhati, \u00eentruchipare a luceaf\u0103rului vedic \u015fi a \u015farpelui spiral kundalini, so\u0163ie ideal\u0103 – a lui Vashista – invocat\u0103 de Sita \u00een Ramayana<\/em> lui Valmiki.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La D.H. Lawrence, Kate se abandoneaz\u0103 luceaf\u0103rului dincolo de lumea tauromahic-militar\u0103, dincolo de bine \u015fi de r\u0103u, \u00een rol de\u00a0 Malintzi:<\/p>\n

\u201eSo, when she thought of him and his soldiers, tales of swift cruelty she had heard of him: when she remembered his stabbing the three helpless peons, she thought: Why should I judge him? He is of the gods. And when he comes to me he lays his pure, quick flame to mine, and every time I am a young girl again, and every time he takes the flower of my virginity, and I his. It leaves me insouciante like a young girl. What do I care if he kills people? His flame is young and clean. He is Huitzilopochtli, and I am Malintzi. What do I care, what Cipriano Viedma does or doesn\u2019t do? Or even what Kate Leslie does or doesn\u2019t do!\u201d (The Plumed Serpent<\/em>, XXV)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centre Roma \u015fi Tomis, \u00eentre cer \u015fi p\u0103m\u00e2nt, \u00eentre Trachina \u015fi Tracia, glasul alcionilor, fii ai luceaf\u0103rului ubicuu \u015fi etern, \u00eeng\u00e2n\u0103 pe Ovidiu. Dup\u0103 cum indienii Pawnee se \u015ftiu n\u0103scu\u0163i de fiica luceaf\u0103rului de diminea\u0163\u0103 masculin (Marte) \u015fi a luceaf\u0103rului de sear\u0103 (Venus).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Plecarea \u00een lume, cu iubita, are, pentru C\u0103t\u0103lin, un t\u00e2lc momentan antip\u0103rintesc \u015fi anti-luceaf\u0103r:<\/p>\n

Vom pierde dorul de p\u0103rin\u0163i<\/p>\n

\u015ei visul de luceferi.<\/p>\n

(Eminescu, Luceaf\u0103rul<\/em>)<\/p>\n

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Rechinuri<\/em><\/strong><\/p>\n

*<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E u\u015for de ajuns dincolo,<\/em><\/p>\n

dar ui\u0163i cine e\u015fti \u015fi ce-ai f\u0103cut pe malurile noroaielor, pe t\u0103p\u015fane, prin hale \u015fi ora\u015fe nem\u0163e\u015fti, \u00eentre Eminescu \u015fi Ramayana. Guan Yin, Avalokiteshwara, Fecioara Maria. Cuv\u00e2ntul \u015fi \u00een\u0163elesul s\u0103u sunt dou\u0103 entit\u0103\u0163i exclusive. Sabia taie aripile cunoa\u015fterii \u2013 m\u0103iastra Manjusri.<\/p>\n

*<\/p>\n

Dylan Thomas n-ar fi departe, nici Stratford, nici London. Poetica ramayanic\u0103 a basmelor rom\u00e2ne\u015fti. Se duce \u015fi verdele. We expect to depart shortly. \u00cen trecere prin trecere, Hanuman prin gr\u0103dina lui Ravana, spre vest, India, China, Rom\u00e2nia, Anglia. No step beyond this line. Luna lui Kalidasa-Eminescu, (ne)num\u0103rat\u0103 de Co\u015fbuc, \u00eentre Ayodhya \u015fi Sundara Kanda. Rama-Sita, F\u0103t-Frumos-Ileana Cos\u00e2nzeana. Hobbitayana.<\/p>\n

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la noi \u00een Stratford upon Aven pe Green Hill col\u0163 cu Arden respir\u0103m acela\u015fi Will \u015fi el pe noi ce s\u0103-\u0163i spun de c\u00e2nd nu ne-am v\u0103zut s-a f\u0103cut lumea mai mult\u0103 rea Tallula dolphin Old Thatch Taverne turnule\u0163ul unde casa 5 case Birth Place Nash Anne Hathaway Mary Arden Countryside Museum for the living memory of William Shakespeare funda\u0163ie 1962 de prin\u0163esa Alexandra of Kent Johannes Factotum elves only son Hamnet died at eleven so\u0163iei the second best bed ceva \u015fi pentru the poor of Stratford \u00eenmorm\u00e2ntat la 25 aprilie 1616 la 52 de ani<\/p>\n

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Ibsenienii<\/em><\/strong><\/p>\n

 <\/p>\n

Ibsen<\/em>, C\u0103linescu<\/p>\n

…Sociologice\u015fte, s-a luat ca exemplu de inadaptare cazul lui Eminescu. \u00cens\u0103 Eminescu nu este un inadaptat. Nimeni nu este \u00een m\u0103sur\u0103 de a se adapta pe toat\u0103 \u00eentinderea vie\u0163ii, ci \u00ee\u015fi adun\u0103 for\u0163ele \u00eentr-un singur punct. Eminescu avea ca direc\u0163ie a spiritului s\u0103u gloria. Nici un rom\u00e2n nu \u015fi-a \u00eenf\u0103ptuit aceast\u0103 \u0163int\u0103 mai din plin, \u00eenc\u00e2t, \u00een sfera superioar\u0103 \u00een care vroia s\u0103 tr\u0103iasc\u0103, poetul Luceaf\u0103rului<\/em> este un mare adaptabil, care a trebuit s\u0103 renun\u0163e prin chiar izb\u00e2nda lui la mul\u0163umiri mai m\u0103runte, de ordin mai mult pecuniar. Eroii lui Ibsen au aceast\u0103 fals\u0103 aparen\u0163\u0103 de inadaptare. \u00cens\u0103 ei sunt ni\u015fte adapta\u0163i superiori, care, urm\u0103rind dup\u0103 un plan hot\u0103r\u00e2t realizarea idealului \u00een genera\u0163iile urm\u0103toare, se abstrag din prezent. Putem oare s\u0103 numim pe martir un inadaptat? Exist\u0103 o tehnic\u0103 a martiriului prin care cel rezistent la \u00eencerc\u0103rile seculare \u00ee\u015fi atinge \u00een mod infailibil \u0163inta. (p.578)<\/p>\n

… Prea mult\u0103 poezie, ibsenismul, adic\u0103 conflictul de idei, mitologismul, o anume \u0163inut\u0103 expresionist\u0103, const\u00e2nd \u00een schematism \u015fi o relativ\u0103 stilizare \u015fi deci caricare a gesturilor, \u00eempiedic\u0103 teatrul lui Lucian Blaga de a fi reprezentabil, de\u015fi nu e deloc lipsit de patos \u015fi de repeziciune scenic\u0103.. (p.880)<\/p>\n

…Dac\u0103 geniul lui N. Iorga era viforos sau \u015f\u0103galnic, acela al lui V. P\u00e2rvan era muzical \u015fi solemn. C\u00e2nd, dup\u0103 c\u00e2teva clipe de a\u015fteptare, studen\u0163ii priveau spre u\u015fa ce se deschidea, ap\u0103rea \u00een fa\u0163a lor Brand. Pastorul Brand al lui Ibsen, cu haina neagr\u0103 \u00eencheiat\u0103 auster p\u00e2n\u0103 sus, c\u0103lc\u00e2nd pe un ghe\u0163ar. \u00cens\u0103 v\u0103zut de aproape, pastorul n-avea \u00een ochii s\u0103i p\u0103trunz\u0103tori durit\u0103\u0163i nordice, iar triste\u0163ea \u00eencruntat\u0103 \u00eentr-o ironie grav\u0103 \u00eei d\u0103dea \u00eenf\u0103\u0163i\u015farea unui actor tragic. \/…\/ C\u00e2nd sf\u00e2r\u015fea, actorul tragic redevenea Brand. Brand al lui Ibsen, care ie\u015fea cu haina \u00eencheiat\u0103 p\u00e2n\u0103 sus, cu o \u00eencruntare vis\u0103tor-ironic\u0103 \u00een col\u0163ul gurii, c\u0103lc\u00e2nd \u00eenv\u0103luind \u00een neguri, ca pe un ghe\u0163ar. (p.950-951)<\/p>\n

Istoria literaturii rom\u00e2ne de la origini p\u00e2n\u0103 \u00een prezent<\/em>, 1986.<\/p>\n

 <\/p>\n

*<\/p>\n

\n

Ast\u0103-sear\u0103 se joac\u0103 Noica<\/em><\/strong><\/p>\n

 <\/p>\n

Noica s-a vrut bucurie, \u00eentr-o ordo gaudii, cu Augustin-Rafail – \u201cbucur\u0103-te \u015fi f\u0103 ce vrei\u201d, cu un personaj al lui D. H. Lawrence – \u201cNulla dies sine laetitia\u201d. \u201cCa pe o bucurie am sim\u0163it \u015fi ultimii ani de \u00eenchisoare.\u201d Soka (durere) se face sloka (verset) la Valmiki, melancolia se face vers la Eminescu, filosofie la Noica. Bucurie (sukha) dup\u0103 durere (dukha) \u2013 Wulf is on an island, I on another (poem celt). Filosoful rom\u00e2n \u015fi-a g\u0103sit moartea alerg\u00e2nd dup\u0103 un \u015foarece, altfel, servitorul zeului elefant Ganesh, al cunoa\u015fterii. Poetul tamil Subramanian Bharati fu ucis \u00een templu de elefantul c\u0103ruia i se \u00eenchina, iar Gianni Rodari dobor\u00e2t \u00een Africa, de alt elefant. Via\u0163a e jiva, jiva e Shiva, Shiva e jiva. \u201cFie-\u0163i mil\u0103, Doamne, de cei care te-au omor\u00e2t\u201d.<\/p>\n

 <\/p>\n

*<\/p>\n

\n

EMINESCOLOGICE<\/em><\/strong> (George Anca)<\/em><\/p>\n

Publica\u0163ii<\/strong><\/p>\n

C\u0103r\u0163i<\/strong><\/p>\n

1970<\/p>\n

Eres \/ Heresy<\/em>, Editura Eminescu, Bucure\u015fti<\/p>\n

1975<\/p>\n

Baudelaire \u015fi poe\u0163ii rom\u00e2ni. Coresponden\u0163e ale spiritului poetic.<\/em>Resume, Universitatea Bucure\u015fti; teza de doctorat \u00een volum, 2001, Academia Interna\u0163ional\u0103 Eminescu (AIME\/IAME)<\/p>\n

\u00a0<\/em><\/p>\n

1979<\/p>\n

Mihai Eminescu’s First Epistle <\/em>(Romanian, English, Sanskrit, Hindi, Malayalam, Pujabi, Tamil), Delhi<\/p>\n

1981<\/p>\n

Ek shanti<\/em>, The Milky Way, 1981, Delhi<\/p>\n

1983<\/p>\n

Mihai Eminescu’s Luceaf\u0103rul\/Divyagrah<\/em> (Sanskrit version), editor, IAME, Delhi<\/p>\n

Romanian Classics in Sanskrit<\/em>, editor, IAME, Delhi<\/p>\n

1994<\/p>\n

Indoeminescology & Other Anthropological Papers<\/em>, Central Educational Library, Bucharest<\/p>\n

The Buddha. Letters from the Buddhahood to Eminescu, <\/em>C. E. Library, Bucharest<\/p>\n

1995<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haos, temni\u0163\u0103 \u015fi exil la Eminescu, Cotru\u015f, Gyr \u015fi Stamatu. Spre o hermeneutic\u0103 a versului \u00eentemni\u0163at \u015fi exilat, <\/em>Ed. Majadahonda, 1995<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Literary Anthropology, <\/em>Ed. Bibliotheca, T\u00e2rgovi\u015fte, 1995<\/p>\n

Doina. Cu varia\u0163iuni<\/em>, AIME, 15.01. 1995<\/p>\n

2009<\/p>\n

Sfin\u0163i \u00een Nirvana<\/em>, Ed. Antim Ivireanu, 2009, Rm. V\u00e2lcea<\/p>\n

Film<\/strong><\/p>\n

1974<\/p>\n

Statuile lui Eminescu \/ The Eminescu’s Staues<\/em>, Tv Bucure\u015fti<\/p>\n

\u00a0<\/em><\/p>\n

Studii \u015fi Articole<\/strong><\/p>\n

1980<\/p>\n

\u201cBiblioteca Mihai Eminescu \u00een Delhi\u201d, in Luceaf\u0103rul<\/em>, 15 august 1980, Bucure\u015fti<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cSanskrit and Romanian Poetics\u201d, in Studies on Indo-Asian Art and Culture<\/em>, vol. VI, International Academy for Indian Culture, Octobre 1980, New Delhi<\/p>\n

\u00a0<\/em><\/p>\n

1981<\/p>\n

\u201cSanskrit Romance Ontopoetics\u201d, in Modern Art and Poetry<\/em>, New Delhi<\/p>\n

\u00a0<\/em><\/p>\n

1985<\/p>\n

\u201cAcademia Interna\u0163ional\u0103 Eminescu \u00een India\u201d, \u00een Vatra<\/em>, 1\/1985, T\u00e2rgu-Mure\u015f<\/p>\n

1987<\/p>\n

\u201cPoe\u0163i indieni traduc\u0103tori ai lui Eminescu\u201d, \u00een \u201cAteneu\u201d, Bac\u0103u, 1\/1987<\/p>\n

1988<\/p>\n

\u201cPapers on indoeminescology\u201d \u00een \u201cL’enseignement et la pedagogie en Roumanie, vol. 7, Bucure\u015fti, 1988<\/p>\n

1990<\/p>\n

\u201cSan Francesco, Eminescu e revoluzioni\u201d, Tv Montecarlo, ian. 1990<\/p>\n

\u201cEminescu \u015fi poezia sanscrit\u0103 de dragoste\u201d, Radiodifuziunea Rom\u00e2n\u0103<\/p>\n

\u201cEminescu \u015fi Br\u0103ila\u201d, \u00een Lui Eminescu<\/em>, Br\u0103ila<\/p>\n

\u201c\u00centre\u00a0 indoeminescologie \u015fi culturologie\u201d, \u00een Emigrantul<\/em>, 2\/1990<\/p>\n

\u201c\u00centre \u015ftiin\u0163a culturii \u015fi indoeminescologie\u201d, \u00een \u201cEmigrantul\u201d, 3\/1990<\/p>\n

1991<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cCu ghidu\u015ful Vidu\u015faka \u015fi C\u0103lin Nebunul \u00een c\u0103utarea comediei sanscrite\u201d \/ With the playful Vidushaka and C\u0103lin the Fool in search of the Sanskrit comedy, \u00een Lucr\u0103rile \u201cColocviului de eminescologie\u201d, 14-15 ianuarie 1989<\/em>, Bucure\u015fti, 1991<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cEminescu \u2013 New York \u2013 Br\u0103ila\u201d \u00een Lui Eminescu<\/em>, Br\u0103ila, ianuarie 1991<\/p>\n

\u201cSentimentul Eminescu\u201d, \u00een Libertatea<\/em>, 15 ianuarie 1991, Bucure\u015fti<\/p>\n

2000<\/p>\n

\u201cAnul Eminescu\u201d, \u00een \u201cPovestea vorbei\u201d, 2-3\/2000, Rm. V\u00e2lcea<\/p>\n

2004<\/p>\n

\u201cDe la Kalidasa la Eminescu\u201d, \u00een \u201cPoveste vorbei\u201d, Rm. V\u00e2lcea, 1-2\/2004<\/p>\n

2009<\/p>\n

\u201cNe na\u015ftem cu Eminescu\u201d, \u00een \u201cForum V\u201d, 1-2\/2009<\/p>\n

\u201cEminescologie cu N. Georgescu\u201d, \u00een \u201cForum V\u201d, 1-2\/2009<\/p>\n

\u00a0<\/em><\/p>\n

 <\/p>\n

Prezent\u0103ri \/ Papers<\/strong><\/p>\n

 <\/p>\n

1966<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Mitul lui Zalmoxis \u00een poezia lui Mihai Eminescu \u015fi a lui Lucian Blaga \/ The myth of Zalmoxis in Mihai Eminescu’s and Lucian Blaga’s poetry, <\/em>tez\u0103 de licen\u0163\u0103 \/ MA thesis;<\/p>\n

\n

1978<\/p>\n

\u201cAnthropomorphism in Mihai Eminescu’s Creation. Around an Anthro-Poetry\u201d;<\/p>\n

\u201cEminescu’s First Epistle and Translation of Cultures\u201d, comunic\u0103ri la \/ papers at Xth International Congress of Anthropological and Ethnological Sciences, New Delhi;<\/p>\n

 <\/p>\n

1980<\/p>\n

\u201cEminescu \u015fi India\u201d, conferin\u0163\u0103, ian. 1980, R\u00e2mnicu-V\u00e2lcea;<\/p>\n

 <\/p>\n

1981<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cMihai Eminescu and Sanskrit-Latin Rasa-Dhvaniah\u201d, comunicare la \/paper at 5th<\/sup> International Conference of Sanskrit, Varanasi;<\/p>\n

1982<\/p>\n

\u201cMihai Eminescu in Sanskrit\u201d, IAME, March 1982, Delhi<\/p>\n

 <\/p>\n

1983, \u201cJayadeva and Eminescu\u201d, lecture, Comparative Indian Literature Association, 3.05, 1983, Delhi University;<\/p>\n

 <\/p>\n

1985<\/p>\n

\u201cEminescu, \u015ftiin\u0163\u0103, poezie\u201d, Institutul Politehnic Bucure\u015fti, ian. 1985<\/p>\n

\u201cMari g\u00e2nditori rom\u00e2ni \/Great Romanian Thinkers in India: Eminescu, Br\u00e2ncu\u015fi, Mircea Eliade\u201d, R\u00e2mnicu V\u00e2lcea;<\/p>\n

 <\/p>\n

1986<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cVecinicia cea amar\u0103 \/ A m\u0103rii. Teoantropoezie eminescian\u0103 \/ Eminescian Theoanthropoetry\u201d, Institutul Politehnic, Bucure\u015fti;<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cAcademia Interna\u0163ional\u0103 \u00een India\u201d, Biblioteca Academiei Rom\u00e2ne;<\/p>\n

1987<\/p>\n

\u201cPoe\u0163i indieni traduc\u0103tori ai lui Eminescu\u201d, Institutul Politehnic Bucure\u015fti;<\/p>\n

 <\/p>\n

1988<\/p>\n

\u201cLuceaf\u0103rul <\/em>lui Eminescu \u015fi Mahbharata<\/em>\u201d, Biblioteca Central\u0103 Pedagogic\u0103, Bucure\u015fti;<\/p>\n

 <\/p>\n

1989<\/p>\n

\u201cOrfism na\u0163ional la Eminescu\u201d<\/p>\n

\u201cCoresponden\u0163e eminesciene \u00eentre poetica indo-european\u0103 \u015fi postmodernism\u201d<\/p>\n

\u201cEminescologie \u015fi pedagogie\u201d<\/p>\n

\u201cEduca\u0163ia lecturii \/Reading Education \u015fi eminescologia\u201d<\/p>\n

\u201cR\u00e2sul lui Eminescu \/ Eminescu’s Laugh\u201d<\/p>\n

\u201cEminescu \u015fi \u015fcoala\u201d<\/p>\n

\u201cC\u0103pitanul \u015fi \u00cengerul \u2013 alegoria mor\u0163ii la Baudelaire \u015fi Eminescu\u201d<\/p>\n

\u201cPoezia lui Eminescu, coresponden\u0163\u0103 a crea\u0163iei cu limbajul natural\u201d<\/p>\n

\u201cConstruc\u0163iile imaginarului eminescian\u201d<\/p>\n

\u201cEminescu \u2013 biografie \u015fi universalitate\u201d<\/p>\n

\u201cSculptorul orb \u00een vizualitatea poemului eminescian\u201d<\/p>\n

\u201cIubire \u015fi ur\u0103 la Eminescu\u201d<\/p>\n

\u201cEminescu \u00een con\u015ftiin\u0163a lumii\u201d<\/p>\n

\u201cScrisoarea \u00cent\u00e2i<\/em> \u00een versiuni indiene\u201d<\/p>\n

\u201cEminescu \u00een pedagogia na\u0163ional\u0103, continuitate \u015fi viitor\u201d<\/p>\n

\u201cDe la Dun\u0103re la Gange\u201d <\/em><\/p>\n

\u201cMira \u00eentre glosolalie \u015fi destin\u201d<\/p>\n

\u201cIndoeminescologie\u201d etc.<\/p>\n

(at universities, research institutions, schools from Bucharest, Gala\u0163i, R\u00e2mnicu-V\u00e2lcea, Predeal, Baia de Cri\u015f, Teremia Mare, national\/local symposia in Bucure\u015fti, Cluj, Boto\u015fani, Br\u0103ila, 12th<\/sup> ICAES Zagreb, Romanian Academy, national Art Museum etc.)<\/p>\n

1990<\/p>\n

\u201cIndian Myths to Eminescu and Camoens\u201d, IUAES Inter-Congress, Lisbon, 5-12 September<\/p>\n

1991<\/p>\n

\u201cCrea\u0163ia eminescian\u0103 \u00een spiritualitatea universal\u0103\u201d, conferin\u0163\u0103, Biblioteca Jude\u0163ean\u0103, 14.01.1991, T\u00eergu-Mure\u015f<\/p>\n

\u201cRug\u0103ciunea lui Eminescu \u2013 Rug\u0103ciunea lui Br\u00e2ncu\u015fi\u201d, iul. ’91, CCD Buz\u0103u<\/p>\n

1992<\/p>\n

\u201cEminescu \u00een scrierile lui Onisifor Ghibu\u201d, Chi\u015fin\u0103u, Moldova, martie 1992<\/p>\n

\u201cEminescu \u015fi Buddha\u201d, conferin\u0163\u0103, T\u00eergu-Jiu, 15 iunie 1992<\/p>\n

\u201cEminescu sanscrit\u201d, nov. 1992, B.C.U., Ia\u015fi<\/p>\n

1993<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cPrivind \u00een oglind\u0103 nu ne vedem pe noi, ci pe Eminescu \/ Looking into the mirror we don’t see ourselves but Eminescu\u201d, Zilele Eminescu<\/em>, Chi\u015fin\u0103u, 15-17 iunie 1993<\/p>\n

1994<\/p>\n

\u201cLa Roumanie de Mihai Eminescu\u201d, CITI, Bucure\u015fti, 1 ianuarie 1994<\/p>\n

\u201cDoina <\/em>\u00a0lui Eminescu \u00een versiuni str\u0103ine\u201d, Rm. V\u00e2lcea, 12 ianuarie<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cPrivire bibliografic\u0103 asupra coresponden\u0163elor rom\u00e2no-sanscrite\u201d, la Colocviul na\u0163ional \u201cBibliografia rom\u00e2n\u0103 azi\u201d, iunie 1994, Constan\u0163a<\/p>\n

1995<\/p>\n

\u201cEminescu, Basarabia \u015fi Bucovina\u201d, 14.1. ’95, Dalles, Bucure\u015fti<\/p>\n

1996<\/p>\n

\u201cEminescu la Paris\u201d, Bibl. \u201cAntim Ivireanu\u201d, 14.01.1996, Rm. V\u00e2lcea<\/p>\n

2001<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cSaintliness in Kabir and Eminescu\u201d, at \u201cSant Kabir Sixth Centenary International Conference\u201d, 6.01.2002, Couva, Trinidad-Tobago<\/p>\n

2009<\/p>\n

\u201cAU(M): Au cine-i zeul c\u0103rui plec\u0103m a noastre inimi\u201d<\/em>, 14.01.2009, Rm. V\u00e2lcea<\/p>\n","protected":false},"excerpt":{"rendered":"

SECVEN\u0162E DE INDOEMINESCOLOGIE de George Anca Abstract \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 These sequences belong to Mantra Eminescu \u2013 excerpts from author’s writings on [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-26523","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/26523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=26523"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/26523\/revisions"}],"predecessor-version":[{"id":26526,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/26523\/revisions\/26526"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=26523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=26523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=26523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}