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FIII LUCEAF\u0102RULUI<\/p>\n
Lumi eminesciene la Lawrence \u015fi Eliade<\/strong><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0George Anca<\/p>\n \u201eCa un luceaf\u0103r…<\/em>\u201d<\/p>\n <\/p>\n \u201eLumea iese din scen\u0103\u201d.<\/p>\n \u00a0Din \u015fcoal\u0103, ne urm\u0103resc ultimele cuvinte ale luceaf\u0103rului-geniu – \u201e\u00een lume mea m\u0103 simt \/ Nemuritor \u015fi rece\u201d. Din prima poezie publicat\u0103, din prima strof\u0103 aflasem c\u0103 \u201ese stinse un luceaf\u0103r\u201d, Aron Pumnul. Citim \u00eentr-un manuscris: \u201eUn luceaf\u0103r, un luceaf\u0103r\/…\/ \u00cen via\u0163a-mi de-ntuneric\/…\/ cu bra\u0163ele-am\u00e2ndou\u0103 c\u0103tr\u0103 d\u00e2nsa m\u0103 \u00eendrept\u201d. Dimitrie Vatamaniuc num\u0103r\u0103 19 subvariante la varianta (… dup\u0103 model german) Iar c\u00e2nd voi fi p\u0103m\u00e2nt<\/em>, printre care:<\/p>\n Luceferi \u00een cetini<\/p>\n Luceferi pe veci<\/p>\n Luceferi dulci pe lac<\/p>\n Luceferi ce apar<\/p>\n Luceferi bl\u00e2nd r\u0103sar<\/p>\n Luceferi bl\u00e2nzi ce rar<\/p>\n Se strecur\u0103-n cetini<\/p>\n Luceferi ce s-aprind<\/p>\n Luceferi mari de foc<\/p>\n Luceferii de foc<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centrebat, pe e-mail, de la Universitatea din T\u00e2rgu-Mure\u015f, ce titlu are comunicarea mea, am r\u0103spuns, din Washington Convention Center: Lumile lui Mircea Eliade<\/em> (literatura vs \u015ftiin\u0163\u0103?). Am precizat, dup\u0103 c\u00e2teva momente: Lumile eminesciene ale lui Eliade<\/em> (rom\u00e2ne\u015fti, luceferi?). Cititor, \u00een India, al lui D.H. Lawrence, mi-am amintit de morning star – Quetzalcoatl, din Plumed Serpent<\/em> \u015fi am \u00eenceput s\u0103 preg\u0103tesc un paper cu titlul (inten\u0163ie): Lumi eminesciene la Eliade \u015fi Lawrence <\/em>(luceaf\u0103r). <\/em>\u00cemi argumentam, cumva gen critical fiction, leg\u0103tura dintre cei trei, destul de ilustrabil\u0103 \u00een ce-i prive\u015fte pe rom\u00e2ni. Pentru traduc\u0103torul \u00een rom\u00e2ne\u015fte al Revoltei \u00een de\u015fert<\/em> a colonelului Lawrence (\u015fi cu un articol despre geniul personajului interpretat, mai t\u00e2rziu, \u00een film de Peter O\u2019Toole), ar putea scandaliza t\u0103cerea asupra scriitorului afin D. H. Lawrence, \u015fi totu\u015fi, \u00eenc\u0103 \u00een \u015eantier<\/em>, Eliade evoc\u0103: \u201eLa Uttarapara, zemindarul m\u0103 prime\u015fte iar\u0103\u015fi \u00een biblioteca lui magnific\u0103, \u015fi \u00eemi arat\u0103 ultimele achizi\u0163ii, printre care \u015fi Lady Chatterley\u2019s Lover<\/em>\u201d. D. H. Lawrence, se vedea, \u00eentr-o scrisoare, \u201equeer and desolate in my soul\u00a0 – like Ovide in Thrace\u201d (starea o transfer\u0103 \u015fi unui personaj feminin de roman). \u015ei f\u0103r\u0103 a substitui pe Ovidiu lui Eminescu, tema independent\u0103 a luceaf\u0103rului (\u015fi apocalipsului?) se oferea ca un subiect tentant. S-a spus, de altfel, c\u0103 Ovidiu este \u201eun D.H. Lawrence al antichit\u0103\u0163ii\u201d.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cum se \u00eent\u00e2lnesc lumile celor trei? Eliade vorbe\u015fte de Brahma locas comparabile sub\u00een\u0163eles lumilor eminesciene, Lawrence \u00ee\u015fi asum\u0103 cosmosul (chiar \u201e\u00eempreun\u0103\u201d cu Eminescu).<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O c\u0103l\u0103torie prin lumea lumilor lui Eminescu n-are, probabil, sf\u00e2r\u015fit, continu\u00e2ndu-se p\u00e2n\u0103 \u015fi \u00een \u201et\u0103cerea\u201d-deconstruire pecetluit\u0103 pe crea\u0163ia lui mai cu seam\u0103 \u00een postmodernism. Poetul nostru \u00eemp\u0103rt\u0103\u015fe\u015fte \u201edamnarea\u201d cu Ovidiu, Eliade, Lawrence. \u00cenainte de a privi luceaf\u0103rul fiec\u0103ruia, ne amintim din universul de formul\u0103ri-lume eminesciene:<\/p>\n <\/p>\n F\u0103r\u0103 na\u0163iunea mea nu e lume<\/p>\n Mundus sensibilis \u015fi inteligibilis \u2013 Mundus phaenomenon, mundus noumenon<\/p>\n S\u0103 ne \u00eenchipuim lumea redus\u0103 la dimensiunile unui glonte<\/p>\n \n ARBORE<\/p>\n … Adeseori m-ad\u00e2ncesc \u00een noaptea acestui suflet b\u0103tr\u00e2n \u015fi rece, \u00een marea lui cea ad\u00e2nc\u0103 \u015fi \u00eentins\u0103… c\u0103ci alta-i lumea ce-o vezi cu ochii \u2013 \u015fi aceea trist\u0103, \u015fi alta-i lumea ce-o vezi \u00een oglinda speran\u0163ei \u015fi \u00een visul cel frumos al trecutului \u2013 \u015fi aceea-i frumoas\u0103… alta-i fundul cel amar al m\u0103rii, alta-i fa\u0163a apei cea lucie. Adeseori iau de la basmu, de la p\u0103zitorul cel posomor\u00e2t al trecutului, cheile lui de aur \u015fi deschid por\u0163ile inimii mele. Adeseori, \u00een sufletul meu, \u00eentorc \u00eenapoi roata cea uria\u015f\u0103 a timpului cu codrii s\u0103-i de secoli, cu popoarele sale… Cu cre\u015ftin\u0103tatea \u015fi P\u0103g\u00e2n\u0103tatea sa… \u00centr-un loc \u00eemi place s\u0103 opresc roata… s\u0103 privesc cu tot estasul lumea ce se-ntinde \u00eenaintea ochilor! Lumea… Roma! Roma, coroana de marmur\u0103 a p\u0103m\u00e2ntului, cu \u00eemp\u0103ra\u0163ii ei mari ca Dumnezeii seninului. \/\/ Pe tronuri cu trepte multe, \u00eembr\u0103ca\u0163i \u00een aur, fruntea lor \u00eencins\u0103 cu luceferi, privesc la lumea \u00eengenuncheat\u0103 la picioarele lor. (\u015etefan cel T\u00e2n\u0103r<\/em>)<\/p>\n \n \u015ei inima-i b\u0103tr\u00e2n\u0103 din nou o mai inspir\u0103,<\/p>\n De cuget\u0103 lumi nou\u0103 \u2013 cum cuget\u0103 o lir\u0103<\/p>\n \n Mira, Doamna lumii, ar fi \u00eenc\u0103 femeie, \u015fi eu vreau ca iubita sufletului meu s\u0103 fie o zeitate, s\u0103 domneasc\u0103 peste mult mai mult \u2013 adic\u0103 peste inima mea. Inima mea, acest pustiu nem\u0103rginit populat de urmele durerii, de lumile palide ale trecutului, tu ai \u00eenflorit-o cu z\u00e2nele r\u00e2z\u00e2nde ale viitorurilor. \/…\/ tu nu \u015ftii c\u0103 b\u0103t\u0103ile astei inimi sunt orologiul dup\u0103 care se-ndreapt\u0103 o lume, lume necunoscut\u0103, a c\u0103rei Dumnezeu sunt eu \u2013 b\u0103t\u0103ile astei inimi sunt destinul unei lumi \u2013 la tremurul ei tremur\u0103 lumea \u2013 la z\u00e2mbetul ei se-nsenin\u0103 pustiurile sale \u2013 \u015fi c\u00e2nd orariul st\u0103 \u2013 timpul st\u0103 \u2013 timpul neci nu mai esist\u0103 c\u0103ci se tope\u015fte-n vecinicie \u015fi lumile inimei mele s-a stins\/\/ca o clip\u0103. (Mira<\/em>)<\/p>\n Minuna\u0163i ginii ai p\u0103m\u00e2ntului cari luci\u0163i \u00een fier, cari p\u00e2lp\u00e2i\u0163i fl\u0103c\u0103ri, cari zv\u00e2cni\u0163i \u00een inima omeneasc\u0103, cu voi vreau s\u0103 \u00eenving lumea.<\/p>\n \n S\u0103lbatec fulger r\u0103sculat \u00eempotriva lumilor \u015fi esilat de univers \u00een sp\u0103im\u00e2nta lui \u00eentr-un ve\u015fted corp de om.<\/p>\n \n V\u0103d caosul c\u0103 este al lumilor s\u0103crii,<\/p>\n C\u0103 sori mai p\u00e2lp\u00e2i \u2013 ro\u015fii gigantice f\u0103clii \u2013<\/p>\n \u015ei-apoi se sting. Nimicul lin\u0163oliul se \u00eentinde<\/p>\n Pe spa\u0163iuri de\u015farte, pe lumile murinde (Mure\u015fanu<\/em>)<\/p>\n \u015ei ce nu se pun de-i cer trei luceferi de pe cer<\/p>\n O, Adonai! al c\u0103rui g\u00e2nd e lumea<\/p>\n Muzica sferelor: Seraphi adoar\u0103<\/p>\n Inima lumilor ce-o \u00eenconjoar\u0103<\/p>\n Ah! \u00eemi \u00eembl\u0103 ades prin g\u00e2nd<\/p>\n O c\u00e2ntare veche.<\/p>\n Parc\u0103-mi \u0163iuie-aiurind<\/p>\n Dulce \u00een ureche:<\/p>\n Lume, lume \u015fi iar lume!<\/p>\n Ca un luceaf\u0103r am trecut prin lume<\/p>\n \n (Citatele sunt extrase din: Eminescu Opere<\/em>, vol. I-V, Edi\u0163ie \u00eengrijit\u0103 de D. Vatamaniuc, Univers enciclopedic, Bucure\u015fti, 1999)<\/p>\n \n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lumi eminesciene ritmeaz\u0103 Mircea Eliade \u00een Secretul doctorului Honigberger<\/em> \u2013 \u201eEste o lume nou\u0103, dar r\u0103m\u00e2ne totu\u015fi o lume … lumea spectral\u0103… lumea supranormal\u0103… lumea noastr\u0103… zborul lui Buddha… zborul \u00eensemn\u0103, \u00een limbajul simbolic \u015fi secret, capacitatea omului de a transcende lumea sim\u0163urilor \u015fi, deci, de a avea acces \u00een lumile nev\u0103zute… lumea \u00eentreag\u0103, \u00een totalitatea ei, o vedea \u2013 ca s\u0103 citez din manuscrisul lui \u2013 \u2019cu totul contrarie dec\u00e2t pare unui om \u00een stare de veghe\u2019 … lumea celalt\u0103… lumea cunoscut\u0103-n extaz, \u2019cu totul contradictorie celei pe care o vedem cu ochii trupului\u2019 … \u2019noua viziune pe care o dob\u00e2nde\u015fte ini\u0163iatul prin acest ochi\u2019 nu are nimic de a face cu lumea formelor \u015fi a iluziilor, ci se refer\u0103 exclusiv la lumea spiritual\u0103, adic\u0103 are acces la niveluri suprasensibile\u201d.<\/p>\n \n \u201eLucifer e \u00een deplin\u0103 libertate numai \u00een R\u0103s\u0103rit\u201d (Medita\u0163ie asupra arderii Catedralelor<\/em>).<\/p>\n \n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Din lumile lui D.H. Lawrence: \u201eVrem s\u0103 sc\u0103p\u0103m de \u2019universul\u2019 nostru mic, \u00eenghesuit \u015fi ma\u015final, \u015fi s\u0103 revenim la marele cosmos \u00eensufle\u0163it al p\u0103g\u00e2nilor \u2019nelumina\u0163i\u2019 \u201d… \u201eSuntem una cu cosmosul\u201d… \u201e \u2019lumea\u2019 se sprijin\u0103 pe cifra doisprezece, num\u0103rul doisprezece este esen\u0163ial pentru tipul de cosmos stabilit. Ciclurile evolueaz\u0103 sprijinindu-se pe cifra \u015fapte\u201d. \u201eLuceaf\u0103rul de diminea\u0163\u0103 a fost \u00eentotdeauna un zeu, de c\u00e2nd au \u00eenceput s\u0103 existe zei. \u00cens\u0103 atunci c\u00e2nd cultul zeilor muribunzi \u015fi ren\u0103scu\u0163i a devenit frecvent \u00een toat\u0103 lumea veche, cam \u00een jurul anului 600 e.n., el a ajuns s\u0103-l simbolizeze pe zeul cel nou fiindc\u0103 domne\u015fte \u00een amurg, \u00eentre zi \u015fi noapte, \u015fi din acela\u015fi motiv se presupune c\u0103 este st\u0103p\u00e2nul ambelor \u015fi st\u0103 \u00een toat\u0103 str\u0103lucirea cu un picior pe \u00eentinderea nop\u0163ii \u015fi cu cel\u0103lalt pe lumea zilei, cu un picior pe mare \u015fi cu cel\u0103lalt pe uscat. \u015etim c\u0103 noaptea era o form\u0103 a aburilor sau a \u015fuvoaielor\u201d (Apocalipsul<\/em>, Holding Reporter, 1993, traducere de Radu Paraschivescu). Apokalypto<\/em>, filmul lui Mel Gibson din 2006, relanseaz\u0103 zeul aztec Popol Vuh, sf\u00e2r\u015fitul lumii fiind programat pentru 21 decembrie 2012.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Domni\u015foara Christina<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Motto-ul din poemul filosofic Queen Mab<\/em> de Shelley (altfel nelipsit de \u201eluceaf\u0103r\u201d \u2013 \u201eAnd Vesper\u2019s image on the western main\/Is beautiful still\u201d, canto IV; ori, \u00een \u00a0The Revolt of Islam<\/em>, XXVI: \u201eA blood-red Comet and the Morning star\/Mingling their beams in combat) ales de Eliade pentru romanul s\u0103u Domni\u015foara Christina<\/em> \u2013 spre deosebire de cel \u00een bengali la Maytreyi<\/em> \u2013 nu pare direct legat, aici, de povestea r\u0103sturnat\u0103 a Luceaf\u0103rului eminescian. Totu\u015fi, \u201eThe perefect semblance of its bodily frame\u201d este ceea ce caut\u0103 mai orice personaj eliadian, mai orice b\u0103rbat iubind c\u00e2te dou\u0103 femei, una real\u0103, alta ideal\u0103, fie \u015fi strigoaic\u0103. \u201eNu i-au mai g\u0103sit corpul s\u0103 i-l \u00eengroape\/\u2026\/ oamenii spun c\u0103 s-a f\u0103cut strigoi\/\u2026am s\u0103 str\u0103pung inima strigoiului\u201d. \u201e\u015ei totu\u015fi, din bezna dezgustului, se \u00eempl\u00e2nta tot mai ad\u00e2nc otrava at\u00e2t de dulce a a\u015ftept\u0103rii; dezmierd\u0103ri cum nici \u00een vis\u2026\/ \u2019Nu mai vreau s\u0103 fiu \u00een vis, \u00eei continu\u0103 domni\u015foara Christina g\u00e2ndul. Nu mai vreau s\u0103 fiu rece \u015fi nemuritoare.\u201d<\/p>\n Avatar feminin al Luceaf\u0103rului, Christina preia replicile fetei de \u00eemp\u0103rat (de la prima, la ultima \u00eent\u00e2lnire), \u00een atmosfer\u0103 insinu\u00eendu-se autoral \u015fi o stan\u0163\u0103 de rol feminin din Strigoii<\/em>: <\/em><\/p>\n \u00a0<\/em><\/p>\n \u201eM\u0103 dor de crudul t\u0103u amor<\/p>\n A pieptului meu coarde,<\/p>\n \u015ei ochii mari \u015fi grei m\u0103 dor,<\/p>\n Privirea ta m\u0103 arde\u201d<\/p>\n \u201eArald, nu vrei pe s\u00e2nu-mi tu fruntea s\u0103 o culci?<\/p>\n Tu, zeu cu ochii negri\u2026 O, ce frumo\u015fi ochi ai\u2026<\/p>\n Las\u2019 s\u0103-\u0163i \u00eenl\u0103n\u0163ui g\u00e2tul cu p\u0103rul meu b\u0103lai\u2026<\/p>\n Via\u0163a, tinere\u0163ea mi-ai pref\u0103cut-o-n rai \u2013<\/p>\n Las\u2019 s\u0103 m\u0103 uit \u00een ochii-\u0163i uciz\u0103tori de dulci!\u201d<\/p>\n <\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ritualul luceaf\u0103rului \u2013 ca \u015fi al \u015earpelui <\/em>(\u00een romanul cu acest titlu) \u2013 are ceva de oper\u0103, de \u00eenscenare epistemic\u0103, la nivel de arii poetice (anti)macabre, \u00eenceput snob-boiere\u015fte cu lectura \u00een francez\u0103, din carte \u2013 \u2026\u201eJe pourrais pour ton sang t\u2019abandonner ma vie\/Et mon ame\u201d \u2013 pentru a suprapune, din memorie, \u00een delir, Luceaf\u0103rul<\/em>, p\u00e2n\u0103 la strofa de mai sus, \u201eM\u0103 dor de\u2026\u201d, \u201ecele mai frumoase versuri din Luceaf\u0103rul<\/em>\u201d.<\/em> Recitalul \u00een trans\u0103 al doamnei Moscu este partea luminoas\u0103 din vraja de roman erotic-thanatic al destrigoirii.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Plumed\u00a0 Serpent<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen the Plumed Serpent<\/em>, D. H. Lawrence rescrie mitul lui Quetzalcoatl, \u015farpele cu pene care une\u015fte cerul cu p\u0103m\u00e2ntul, moartea cu \u00eenvierea \u00een chip de luceaf\u0103r.<\/p>\n \u201eThen the drum began softly to beat, as if of itself. And a man began to sing, in a small voice:<\/p>\n The Lord of the Morning Star \u2018Listen!\u2019 said Ramon in the stillness. \u2018We will be masters among men, and lords among men. But lords of men and masters of men we will not be. Listen! We are lords of the night. Lords of the day and night. Sons of the Morning Star, sons of the Evening Star. Men of the Morning and the Evening Star.<\/p>\n \u2018We are not lords of men: how can men make us lords? Nor are we masters of men, for men are not worth it.<\/p>\n \u2018But I am the Morning and the Evening Star, and lord of the day and the night. By the power that is put in my left hand, and the power that I grasp in my right, I am lord of the two ways.<\/p>\n \u2018And my flower on earth is the jasmine flower, and in heaven the flower Hesperus.\u201d<\/p>\n \u00a0<\/em><\/p>\n Ceyks \u015fi Daedalion<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lucifer cre\u015ftin – de\u015fi \u00eensu\u015fi Cristos s-a v\u0103zut ca luceaf\u0103r – este mai adesea luat drept Satana, de Dante, Milton, Goethe. Diferit, Shelley \u00eel laud\u0103 pe Dante ca \u201ethe Lucifer of his age\u201d. Ca exilat, Eliade prefer\u0103 pe Dante lui Ovidiu, iar Lawrence se simte Ovidiu \u015fi crede luceaf\u0103rului mexican. P\u0103g\u00e2nismul, cosmismul, erotismul, genialismul, ritualismul par elemente comune luceaf\u0103rului la Eminescu, Lawrence, Eliade. Mai nimic din Satana miltonic. Eos, Usha, Quetzalcoatl genereaz\u0103 continuu parc\u0103 o lucerferie antiapocaliptic\u0103 fa\u0163\u0103 de luceferismul satanic \u00een vog\u0103.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen antichitate, Hesiod, Homer, Virgiliu, Ovidiu, Seneca pl\u0103tesc tribut lui Eosphoros-Lucifer. Ovidiu creeaz\u0103 genealogia mito-tragic\u0103 a lui Lucifer \u00een Metamorphoses<\/em>, pe care o re\u00eent\u00e2lnim \u00een modernitate, inclusiv \u00a0\u00een contextul prezentului colaj comparatist.<\/p>\n Keyx domnea \u00een Trachina f\u0103r\u0103 v\u0103rsare de s\u00e2nge \u015fi pe fa\u0163a \u00eemp\u0103r\u0103teasc\u0103 purta str\u0103lucirea tat\u0103lui s\u0103u, chiar dac\u0103 atunci, c\u00e2nd Peleus, fratricidul, venise s\u0103-i cear\u0103 ad\u0103post, el \u00a0pl\u00e2ngea cu durere pierderea propriului s\u0103u frate, Daedalion, acesta metamorfozat \u00een erete c\u00e2nd se aruncase de pe o st\u00e2nc\u0103 pentru c\u0103 Diana, jignit\u0103, \u00eei ucisese cu o s\u0103geat\u0103 fiica, pe frumoasa Chione. Keyx , pe c\u0103rarea p\u0103cii, \u015fi Daedalion, r\u0103zboinicul, erau fiii stelei care treze\u015fte zorii (Eosphoros\/Lucifer) \u015fi p\u0103r\u0103se\u015fte ultimul cerul. (Metamorphoses<\/em>, 11.270).<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ne\u00eenduplecat pornind pe mare, nu pe uscat, s\u0103 consulte oracole, Keyx \u00eei spune so\u0163iei sale at\u00e2t de iubit\u0103 Alcyone: Ard cu lucirea tat\u0103lui meu \u00een jur\u0103m\u00e2nt, dac\u0103 \u00eemi \u00eeng\u0103duie Fata (Moirai, Fates) m\u0103 voi \u00eentoarce p\u00e2n\u0103 ce luna s\u0103-\u015fi umple de dou\u0103 ori orbita. (Metamorphoses<\/em>, 11.42).<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Corabia fiindu-i distrus\u0103 de furtun\u0103, cu m\u00e2na ce odat\u0103 a purtat sceptrul, Ceyx se prinde de o sc\u00e2ndur\u0103, cer\u00e2nd \u00een zadar ajutor de la tat\u0103l so\u0163iei sale, Aiolos\/Eol, \u015fi de la propriul tat\u0103, Eosphoros\/Lucifer. Un val negru \u00eel \u00eeneac\u0103 \u00een timp ce el o tot cheam\u0103 pe Alcyone. Tat\u0103l s\u0103u, acel Lucifer de ziu\u0103, ar\u0103ta stins \u015fi ascuns, neput\u00e2nd p\u0103r\u0103si cerurile, \u00ee\u015fi \u00eenv\u0103luia fa\u0163a \u00eendurerat\u0103 \u00eentr-un acoper\u0103m\u00e2nt des de nori pl\u00e2ng\u0103tori. (Metamorphoses<\/em>, 11.452). Din gra\u0163ie divin\u0103, cei doi so\u0163i sunt pref\u0103cu\u0163i \u00een p\u0103s\u0103ri (alcioni \u2013 poate pesc\u0103ru\u015fi, poate albatro\u015fi; cf. Ovidiu, Metamorfoze<\/em>, 1972, traducere de David Popescu)<\/p>\n Lucifer ne \u00eent\u00e2mpin\u0103 peste tot \u00een c\u0103r\u0163ile (liberi) lui Ovidiu:<\/p>\n Metamorphoses<\/em>:<\/p>\n Lucifer et caeli statione novissimus exit.\u00a0(II)<\/p>\n quanto splendidior quam cetera sidera fulget \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 dum Lucifer ignes (IV)<\/p>\n Lucifer ortus erat (IV)<\/p>\n \u00a0 \u00a0\u00a0Lucifero cadit Eurus (VIII)<\/p>\n \u00a0\u00a0Quae dum Lucifero genitus miracula narrat (IX) \u00a0\u00a0Roscida luciferos cum dea iungit equos<\/p>\n \u00a0Tristia\u00a0:<\/p>\n \u00a0\u00a0Lucifer ortus erat. ( I)<\/p>\n \u00a0Lucifer albus equo!( III)<\/p>\n Lucifer amborum natalibus affuit idem (III)<\/p>\n Ex Ponto:<\/p>\n qualis ab Eois Lucifer ortus aquis (II)<\/p>\n Fasti:<\/p>\n non habet officii Lucifer omnis idem. ( I)<\/p>\n Quintus ab aequoreis nitidum iubar extulit undis nec tamen haec ultra, quam tot de mense supersint Restat ut inveniam quare toga libera detur \u00a0Tres ubi Luciferos veniens praemiserit Eos, Sed iam praeteritas quartus tibi Lucifer Idus \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Lucifero praeveniente, dies? ( V)<\/p>\n muneris est tempus qui Nonas Lucifer ante est (VI)<\/p>\n et vigil Eois Lucifer exit aquis ( VI)<\/p>\n \u00a0Lucifero subeunte Lares delubra tulerunt ( VI)<\/p>\n Heroides:<\/p>\n iam noviens erat orta soror pulcherrima Phoebi ut tibi luciferas adferat illa manus? ( XX)<\/p>\n praevius Aurorae Lucifer ortus erat; ( XVII)<\/p>\n ut tibi luciferas adferat illa manus? (Heroides XX)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arundhati<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u0103t\u0103lina-Kate-Christina iubesc p\u00e2n\u0103 la identificare avataric\u0103 luceaf\u0103rul bl\u00e2nd \u015fi atotputernic \u00een dedublarea sa cosmic-erotic\u0103. Prin 1980, c\u00e2nd Eliade a salutat (\u00eentr-o scrisoare c\u0103tre noi) versiunea sanscrit\u0103 a Luceaf\u0103rului eminescian, Dyviagraha, de Urmila Rani Trikha, va fi avut \u00een minte personajul s\u0103u Domni\u015foara Christina, – …avatara divyagraha … – dar poate \u015fi pe divina Arundhati, \u00eentruchipare a luceaf\u0103rului vedic \u015fi a \u015farpelui spiral kundalini, so\u0163ie ideal\u0103 – a lui Vashista – invocat\u0103 de Sita \u00een Ramayana lui Valmiki.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La D.H. Lawrence, Kate se abandoneaz\u0103 luceaf\u0103rului dincolo de lumea tauromahic-militar\u0103, dincolo de bine \u015fi de r\u0103u, \u00een rol de \u00a0Malintzi:<\/p>\n \u201eSo, when she thought of him and his soldiers, tales of swift cruelty she had heard of him: when she remembered his stabbing the three helpless peons, she thought: Why should I judge him? He is of the gods. And when he comes to me he lays his pure, quick flame to mine, and every time I am a young girl again, and every time he takes the flower of my virginity, and I his. It leaves me insouciante like a young girl. What do I care if he kills people? His flame is young and clean. He is Huitzilopochtli, and I am Malintzi. What do I care, what Cipriano Viedma does or doesn\u2019t do? Or even what Kate Leslie does or doesn\u2019t do!\u201d (The Plumed Serpent, XXV)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centre Roma \u015fi Tomis, \u00eentre cer \u015fi p\u0103m\u00e2nt, \u00eentre Trachina \u015fi Tracia, glasul alcionilor, fii ai luceaf\u0103rului ubicuu \u015fi etern, \u00eeng\u00e2n\u0103 pe Ovidiu. Dup\u0103 cum indienii Pawnee se \u015ftiu n\u0103scu\u0163i de fiica luceaf\u0103rului de diminea\u0163\u0103 masculin (Marte) \u015fi a luceaf\u0103rului de sear\u0103 (Venus).<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Plecarea \u00een lume, cu iubita, are, pentru C\u0103t\u0103lin, un t\u00e2lc momentan antip\u0103rintesc \u015fi anti-luceaf\u0103r:<\/p>\n Vom pierde dorul de p\u0103rin\u0163i<\/p>\n \u015ei visul de luceferi.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Eminescu, Luceaf\u0103rul<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":" FIII LUCEAF\u0102RULUI Lumi eminesciene la Lawrence \u015fi Eliade \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0George Anca \u201eCa un luceaf\u0103r…\u201d \u201eLumea iese din scen\u0103\u201d. \u00a0Din [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-26652","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/26652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=26652"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/26652\/revisions"}],"predecessor-version":[{"id":26654,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/26652\/revisions\/26654"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=26652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=26652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=26652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nStood between the day and the night:
\nAs a bird that lifts its wings, and stands
\nWith the bright wing on the right
\nAnd the wing of the dark on the left,
\nThe Dawn Star stood into sight. \/…\/<\/p>\n
\nLucifer, et quanto quam Lucifer aurea Phoebe (II)<\/p>\n
\nArs amatoria:<\/p>\n
\nLucifer, et primi tempora veris erunt. ( II.)<\/p>\n
\nLuciferi, quot habent carmina nostra pedes. (Fasti, II, 567-568)<\/p>\n
\nLucifero pueris, candide Bacche, tuo (III)<\/p>\n
\ntempora nocturnis aequa diurna feres. ( III)<\/p>\n
\nrespicit; hac Hyades Dorida nocte tenent. ( IV)<\/p>\n
\net nova luciferos Luna movebat equos; \u00a0( XI)<\/p>\n