{"id":27545,"date":"2016-10-05T09:46:39","date_gmt":"2016-10-05T09:46:39","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=27545"},"modified":"2016-10-05T09:48:28","modified_gmt":"2016-10-05T09:48:28","slug":"dumnezeu-si-umbra","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2016\/10\/05\/dumnezeu-si-umbra\/","title":{"rendered":"DUMNEZEU \u0219i UMBRA"},"content":{"rendered":"

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Colocviile de Mar\u021bi <\/span><\/a><\/strong><\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

Joi 20 octombrie\u00a0 2016, 5 pm, Calderon 39. <\/span><\/a><\/span><\/p>\n

\u00a0<\/a>Anul VII, nr. 11<\/span><\/a> (84).\u00a0 <\/span><\/a><\/span><\/p>\n

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Tema:\u00a0 <\/span><\/a>SANSCRITA\u00a0 \u0218I\u00a0 EUROPA<\/span><\/a><\/span><\/p>\n

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Recital SILVIA CINCA<\/span><\/a><\/span><\/p>\n

Premier\u0103<\/span><\/a><\/span><\/p>\n

Niculae Urs: <\/span><\/a>\u00cenecatul <\/span><\/a>de A. P. Cehov<\/span><\/a><\/span><\/p>\n

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Interven\u021bii<\/span><\/a><\/span><\/p>\n

Pu\u0219i Dinulescu: <\/span><\/a>Cumin\u021benia rom\u00e2nilor<\/span><\/a><\/span><\/p>\n

\u00a0<\/a>George Anca: <\/span><\/a>Sanscrita \u0219i Europa<\/span><\/a><\/span><\/p>\n

Viorel Speteanu: <\/span><\/a>Codrii Cosminului<\/span><\/a><\/span><\/p>\n

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Teatru de poezie<\/span><\/a><\/span><\/p>\n

Gheorghe D\u0103nil\u0103, Gabriela T\u0103nase, Vali Pena, \u0218tefan Opreanu<\/span><\/a><\/span><\/p>\n

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Lans\u0103ri de carte<\/span><\/a><\/span><\/p>\n

Mariana Gurza: Dumnezeu \u0219i Umbra, D\u0103ncu\u0219, 2016 <\/span><\/a><\/span><\/p>\n

Mircea Colo\u0219enco: Convorbiri cu Mihai \u0218ora, Sera, B\u00e2rlad, 2016<\/span><\/a><\/span><\/p>\n

Constantin Cri\u0219an: Bioetica postmodernismului, Sera, 2016<\/span><\/a><\/span><\/p>\n

Vladimir Udrescu: <\/span><\/a>Telegarii de po\u0219t\u0103<\/span><\/a>, TipoMoldova, 2016<\/span><\/a><\/span><\/p>\n

Valentin R\u0103dulescu: <\/span><\/a>Supradoza de vise<\/span><\/a>, Amanda, 2016<\/span><\/a><\/span><\/p>\n

Dan Psatta: <\/span><\/a>Teatru. Comedia tragic\u0103<\/span><\/a> I, II, Anamarol<\/span><\/a><\/span><\/p>\n

Coordonator: Dr. George Anca<\/span><\/a><\/span><\/p>\n

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C\u0102R\u021aI INTERZISE<\/p>\n

C\u0103r\u021bile, de-a lungul istoriei, au avut \u00een dese r\u00e2nduri de suferit de pe urma cenzurii. Fie c\u0103 era vorba de politic\u0103, religie sau sex, oameni \u00eempin\u0219i de un exces de zel al ipocriziei au \u00eentors spatele unor romane care urmau s\u0103 devin\u0103 unele dintre cele mai importante capodopere literare ale lumii \u0219i care reprezint\u0103 azi lecturi obligatorii, \u00een ciuda etichetelor primite \u00een diverse perioade.
\nAst\u0103zi, \u00een Europa cel pu\u021bin, putem s\u0103 citim orice f\u0103r\u0103 teama c\u0103 exist\u0103 cineva care o s\u0103 ne bage la \u00eenchisoare. Lucrurile nu au stat tot timpul a\u0219a. Ne amintim c\u0103 \u0219i \u00een Rom\u00e2nia p\u00e2n\u0103 \u00een 1989 erau c\u0103r\u021bi la secret \u0219i volume pentru care ai fi putut face pusc\u0103rie pentru c\u0103 le de\u021bineai. Nu ne vom referi la cazul rom\u00e2nesc, ci vom \u00eencerca s\u0103 aducem \u00een fa\u021ba dumneavoastr\u0103 titluri celebre care au avut de suferit.<\/p>\n

1 \u00cemp\u0103ratul mu\u015ftelor – William Golding<\/p>\n

Interzis\u0103 \u00een mai multe state americane de-a lungul anilor \u201980, pentru c\u0103 a fost considerat\u0103 violent\u0103, obscen\u0103 \u015fi rasist\u0103, aceast\u0103 carte spune povestea unui grup de b\u0103ie\u0163i britanici care r\u0103m\u00e2n bloca\u0163i pe o insul\u0103 nelocuit\u0103 \u015fi se organizeaz\u0103 singuri. Rezultatele sunt dezastruoase \u015fi nu fac dec\u00e2t s\u0103 releve marile sc\u0103p\u0103ri ale naturii umane. Nu demult romanul a fost inclus pe lista celor mai bune 100 de romane \u00een limba englez\u0103 publicate \u00eentre 1923-2005, clasamentul fiind \u00eentocmit de revista \u201eTime\u201d. \u201e\u00cemp\u0103ratul mu\u015ftelor\u201d este primul roman al lui Golding, publicat \u00een 1954.<\/p>\n

2 Lolita \u2013 Vladimir Nabokov<\/p>\n

Publicat\u0103 \u00een 1955, lucrarea a st\u00e2rnit vii controverse de la \u00eenceput. Editorul Sunday Express a numit-o \u201dcea mai murdar\u0103 carte pe care am citit-o vreodat\u0103\u201d, apoi autorit\u0103\u021bile au fost sesizate \u0219i au retras toate exemplarele de pe pia\u021b\u0103, sub pretextul c\u0103 \u00een carte era vorba despre pornografie. Francezii au interzis-o anul urm\u0103tor, \u00eens\u0103 a fost publicat\u0103 f\u0103r\u0103 probleme \u00een America. Dup\u0103 ce Marea Britanie a decis s-o interzic\u0103, a fost urmat\u0103 de Argentina \u00een 1959, Noua Zeeland\u0103, care a numit cartea \u201do lucrare indecent\u0103\u201d, apoi \u00een 1974, Lolita a fost interzis\u0103 \u0219i \u00een Africa de Sud. Cartea a r\u0103mas sub acest statut mul\u021bi ani p\u00e2n\u0103 \u00een 1982.<\/p>\n

3 Originea speciilor – Charles Darwin<\/p>\n

Cartea a fost interzis\u0103 \u00een Marea Britanie \u00een 1859, Iugoslavia \u00een 1935, Grecia \u00een 1937. Documentarea a durat cinci ani, petrecu\u0163i de Darwin pe mare. Potrivit teoriei lui, selec\u021bia natural\u0103 este mecanismul fundamental al evolu\u021biei speciilor de plante \u0219i de animale, const\u00e2nd \u00een eliminarea (prin lupta pentru existen\u021b\u0103), a indivizilor cu \u00eensu\u0219iri necorespunz\u0103toare \u0219i p\u0103strarea indivizilor cu \u00eensu\u0219iri avantajoase din punct de vedere biologic.<\/p>\n

4 Metamorfoza \u2013 Franz Kafka<\/p>\n

\u00cen primul r\u00e2nd toate lucr\u0103rile lui Kafka au avut de suferit din cauza originii sale evreie\u0219ti \u0219i au fost interzise sub regimul nazist \u0219i sovietic. Lucrarea Metamorfoza, publicat \u0103 \u00een 1915, a fost interzis\u0103 pentru c\u0103 era considerat\u0103 at\u00e2t decadent\u0103, c\u00e2t \u0219i \u201dplin\u0103 de dezn\u0103dejde.\u201d Mai mult, era un pericol \u0219i un atac la adresa conceptului de familie pe care \u00eel aveau sovieticii.
\n\u00cen Cehoslovacia au fost interzise pentru c\u0103 autorul a refuzat \u2026.s\u0103 scrie cartea (\u0219i) \u00een ceh\u0103.<\/p>\n

5 O lume se destram\u0103 \u2013 Chinua Achebe<\/p>\n

Este una dintre cele mai celebrate c\u0103r\u021bi ale culturii africane. Aceasta a ap\u0103rut \u00een\u00a0 1958. Totu\u0219i, motivul acesta nu a fost suficient de bun pentru biseric\u0103 \u0219i institu\u021biile religioase. Argumentele cu care aceste institu\u021bii au ob\u021binut interzicerea c\u0103r\u021bii au fost descrierile inadecvate ale vie\u021bii de apoi \u0219i criticile aduse bisericii.<\/p>\n

6 Amantul doamnei Chatterly – D. H. Lawrence<\/p>\n

Interzis\u0103 \u00een Marea Britanie \u015fi \u00een Statele Unite \u00eentre 1929-1959\/1960 \u015fi \u00een Australia \u00eentre 1929-1960, pentru c\u0103 a fost considerat\u0103 obscen\u0103, cartea a fost publicat\u0103 prima dat\u0103 \u00een Floren\u0163a, \u00een 1928. De-abia \u00een 1960 a fost tip\u0103rit\u0103 \u015fi \u00een Marea Britanie. Romanul cuprinde povestea de dragoste dintre o doamna Chatterly, o reprezentant\u0103 a clasei nobiliare, \u015fi un p\u0103durar \u015fi con\u0163ine c\u00e2teva scene erotice pentru care a fost considerat indecent.<\/p>\n

7 Versetele Satanice \u2013 Salman Rushdie<\/p>\n

Comunitatea islamic\u0103 a considerat c\u0103 aceast\u0103 carte este o blasfemie. A fost interzis imediat dup\u0103 apari\u021bie \u00een 1988 \u00een multe state islamice: Bangladesh, Egipt, India, Iran, Kenya, Kuweit, Liberia, Malaezia, Papua Noua Guinee, Pakistan, Senegal, Singapore, Sri Lanka, Tanzania \u015fi Thailanda. \u00cen Venezuela, vei primi 15 luni de \u00eenchisoare dac\u0103 e\u0219ti prins citind cartea, \u00een Japonia prime\u0219ti amend\u0103 dac\u0103 vinzi versiunea ei \u00een englez\u0103, iar \u00een America, dou\u0103 mari libr\u0103rii au refuzat s\u0103 v\u00e2nd\u0103 cartea dup\u0103 ce au primit amenin\u021b\u0103ri cu moartea. Iranul, \u00een 1999, a pus pe capul lui Rushdie o recompens\u0103 record de 2.8 milioane de dolari. Ea este valabil\u0103 \u0219i \u00een prezent. Din fericire, Serviciile Secrete Britanice \u0219i FBI au reu\u0219it s\u0103-l protejeze pe romancier.<\/p>\n

8 Ulise – James Joyce<\/p>\n

Interzis\u0103 \u00een anii \u201930 \u00een Marea Britanie, Statele Unite \u015fi Australia din cauza con\u0163inutului sexual, cartea lui Joyce descrie o zi din via\u0163a lui Leopold Bloom, exist\u00e2nd numeroase aluzii la opera latin\u0103 Odiseea. Ac\u0163iunea se petrece \u00een data de 16 iunie 1904 \u2013 ziua \u00een care Joyce a cunoscut-o pe partenera sa, Nora Barnacle \u2013 zi ce ast\u0103zi este cunoscut\u0103 drept Bloomsday. De la apari\u0163ie, cartea a atras controvers\u0103 \u015fi furie \u015fi a fost supus\u0103 mai multor procese, fiind considerat\u0103 obscen\u0103.<\/p>\n

9 1984 – George Orwell<\/p>\n

Romanul a fost interzis \u00een 1950 de Uniunea Sovietic\u0103, Stalin interpret\u00e2nd cartea drept o satir\u0103 la adresa regimului s\u0103u. De-abia din 1990 volumul a fost republicat \u00een Rusia. \u015ei Statele Unite \u015fi Marea Britanie au fost pe punctul de a interzice cartea \u00een anii \u201960. \u201e1984\u201d este o distopie plasat\u0103 \u00een Oceania, unde societatea se afl\u0103 sub tirania partidului \u015fi a ideologiei totalitare. Provincia Airstrip One se afl\u0103 \u00een conflict perpetuu \u015fi sub controlul dictat de un cerc privilegiat al partidului, care persecut\u0103 individualismul \u015fi g\u00e2ndirea independent\u0103.<\/p>\n

10 Frankenstein – Mary Shelley<\/p>\n

Romanul a ap\u0103rut prima dat\u0103 \u00een 1818, fiind publicat anonim. Numele autoarei a ap\u0103rut de-abia pe coperta celei de-a doua edi\u0163ii, publicate \u00een Fran\u0163a, \u00een 1823. Cartea spune povestea unui monstru creat \u00een urma unui experiment \u015ftiin\u0163ific. Volumul a fost interzis \u00een Africa de Sud \u00een 1955, pentru c\u0103 a fost considerat obscen \u015fi indecent.<\/p>\n

11. Abatorul Cinci \u2013 Kurt Vonnegut<\/p>\n

Pentru c\u0103 este vorba despre r\u0103zboi \u0219i despre viziunile pe care le are un soldat \u00een timp ce este \u021binut prizonier \u00eentr-un abator, America a decis c\u0103 ar fi mai bine s\u0103 nu-\u0219i lase copiii expu\u0219i unor astfel de subiecte, ceea ce a propulsat cartea \u00een listele celor mai controversate c\u0103r\u021bi.<\/p>\n

12 Arhipelagul Gulag – Aleksandr Soljeni\u0163\u00een
\nDe la apari\u0163ia c\u0103r\u0163ii \u015fi p\u00e2n\u0103 dup\u0103 c\u0103derea comunismului, opera lui Aleksandr Soljeni\u0163\u00een a fost interzis\u0103 \u00een Rusia pentru c\u0103 trateaz\u0103 subiectul sistemului de lag\u0103re de concentrare \u0219i munc\u0103 silnic\u0103 sovietic. Este o nara\u021biune bazat\u0103 pe relat\u0103rile martorilor \u0219i pe propriile experien\u021be ale autorului ca prizonier \u00eentr-un lag\u0103r de munc\u0103 din Gulag. Cartea a fost scris\u0103 \u00eentre 1958 \u0219i 1968 \u0219i publicat\u0103 \u00een 1973 \u00een Occident. \u00cen URSS, a fost publicat\u0103 \u00een 1990, c\u00e2nd politica glasnost al lui Mihail Gorbaciov a permis acest lucru.<\/p>\n

13. Tropicul Cancerului – Henry Miller<\/p>\n

Ambele lucr\u0103ri ale lui Henry Miller au avut de suferit persecutii. Imediat ce fusese scoas\u0103 pe pia\u021b\u0103, \u00een 1934, reprezentantul Cur\u021bii Supreme din Pennsylvania, Michael Musmanno, a afirmat despre carte c\u0103 este \u201do cloac\u0103, un canal, o groap\u0103 a putreziciunilor, locul unde s-a adunat toat\u0103 depravarea uman\u0103.\u201d Se pare c\u0103 oamenii nu au fost preg\u0103ti\u021bi pentru ceea ce George Orwell avea s\u0103 numeasc\u0103 mai t\u00e2rziu \u201dcea mai important\u0103 carte a anilor 30\u201d.<\/p>\n

14 Tropicul Capricornului – Henry Miller<\/p>\n

C\u00e2\u021biva ani mai t\u00e2rziu la apari\u021bia acestei lucr\u0103ri povestea s-a repetat. Cartea a fost interzis\u0103 \u00een Statele Unite, timp de 30 de ani, p\u00e2n\u0103 c\u00e2nd Curtea Suprem\u0103 a dat un verdict c\u0103 nu este un roman obscen. A fost interzis\u0103 \u015fi \u00een Turcia \u00een 1986. Ac\u0163iunea se petrece \u00een 1920, \u00een New York \u015fi, de\u015fi fic\u0163iune, exist\u0103 elemente din biografia lui Miller care se reg\u0103sesc \u00een roman. Povestea cuprinde anii de tensiune cu so\u0163ia sa, June Miller \u015fi \u00eencercarea de a-\u015fi g\u0103si propria voce ca scriitor.<\/p>\n

15. Fructele M\u00e2niei – John Steinbeck<\/p>\n

De\u0219i a c\u00e2\u0219tigat Premiul Pullitzer \u0219i \u00een ciuda faptului c\u0103 a fost aplaudat\u0103 de mediul literar, cartea a fost interzis\u0103 \u00een America, iar popula\u021bia a pus-o pe foc. Oamenii s-au declarat \u0219oca\u021bi de descrierile celor s\u0103rmani \u0219i marginali, descrieri despre care Steinbeck avea s\u0103 declare mai t\u00e2rziu c\u0103 au fost ni\u0219te versiuni \u201daseptizate\u201d fa\u021b\u0103 de ceea ce se \u00eent\u00e2mpl\u0103 cu adev\u0103rat \u00een aceste p\u0103turi sociale.<\/p>\n

16. 1001 de nop\u0163i. Pove\u015fti arabe<\/p>\n

Pove\u015ftile au fost interzise \u00een SUA \u00een 1873, fiind considerate imorale. \u00cen 2010, mai mul\u0163i avoca\u0163i din Egipt au cerut interzicerea antologiei, tot pe considerente imorale, dar Uniunea Scriitorilor a reu\u015fit s\u0103 resping\u0103 aceast\u0103 idee.<\/p>\n

17. Decameronul – Giovanni Boccaccio<\/p>\n

\u0218i lucr\u0103ri destul de vechi au avut de suferit p\u00e2n\u0103 recent. \u00cen secolul XIX, cartea a fost interzis\u0103 \u00een Statele Unite, sub o lege anti-obscenitate, fiind considerat\u0103 obscen\u0103, nepotrivit\u0103 \u015fi indecent\u0103. \u201eDecameronul\u201d este o colec\u021bie de 100 de povestiri, scris\u0103 \u00een secolul al XIV-lea, de italianul Giovanni Boccaccio. Volumul este o alegorie medieval\u0103, tema esen\u0163ial\u0103 fiind iubirea, cu toate nuan\u0163ele ei, de la comedie la tragedie.<\/p>\n

18. Minunata Lume Nou\u0103 – Aldous Huxley<\/p>\n

Cartea lui Huxley a ap\u0103rut \u00een 1932. Din cauza controversatei abord\u0103ri a temei na\u0219terii copiilor, Irlanda a decis c\u0103 e mai bine s-o scoat\u0103 de pe rafturi, \u00eenainte de ini\u021biativa mai multor state americane de a o t\u0103ia din programa \u0219colar\u0103. Cauza: \u201dtema negativ\u0103\u201d ce r\u0103zbate din acest volum.<\/p>\n

19 Madame Bovary – Gustave Flaubert<\/p>\n

Din 1856 (anul apari\u0163iei) \u015fi p\u00e2n\u0103 spre finalul secolului al XIX-lea, cartea a fost interzis\u0103 pentru \u201eofens\u0103 adus\u0103 moralei publice\u201d. Romanul este povestea Emmei Bovary, so\u0163ia unui doctor, care are o rela\u0163ie \u00een afara c\u0103sniciei. Flaubert, cunoscut pentru pornirea sa de a g\u0103si \u201ele mot juste\u201d creeaz\u0103, f\u0103r\u0103 inten\u0163ie, un concept \u2013 bovarismul \u2013 care \u00eenseamn\u0103 dorin\u0163a de a sc\u0103pa din golul vie\u0163ii de provincie.<\/p>\n

20. De veghe \u00een lanul de secar\u0103- J.D. Salinger<\/p>\n

Poate una dintre cele mai controversate lucr\u0103ri, azi ea apare \u00een toate bibliografiile obligatorii. La \u00eenceput a fost interzis\u0103 \u00een majoritatea bibliotecilor \u0219colare din America \u0219i nu numai din cauza faptului c\u0103 p\u0103rin\u021bii consider\u0103 c\u0103 limbajul folosit este ofensator \u0219i de natur\u0103 sexual\u0103, \u0219i pentru c\u0103 descrie alienarea, prostitu\u021bia \u0219i depresia. De la publicarea sa \u00een 1951 \u015fi p\u00e2n\u0103 la finalul anilor \u201990 cartea a fost interzis\u0103 \u00een mai multe state americane, detractorii lui Salinger sus\u0163in\u00e2nd c\u0103 romanul este imoral \u015fi sexist. Romanul a devenit popular \u00een r\u00e2ndul cititorilor adolescen\u0163i pentru discursul despre confuzie, team\u0103, alienare \u015fi revolt\u0103. A fost tradus \u00een toate limbile importante \u015fi vinde anual 250.000 de copii. Protagonistul c\u0103r\u0163ii, Holden Caulfield, a devenit simbolul revoltei adolescentine.<\/p>\n

21 Moarte la Vene\u0163ia – Thomas Mann<\/p>\n

Interzis\u0103 \u00een Germania nazist\u0103, cartea, care este foarte intertextual\u0103, spune povestea unui scriitor ce sufer\u0103 de blocajul scriitorului \u015fi se elibereaz\u0103 de-abia c\u00e2nd viziteaz\u0103 Vene\u0163ia, unde devine obsedat de frumuse\u0163ea unui adolescent. De\u015fi nu intr\u0103 \u00een leg\u0103tur\u0103 cu acesta, imaginea lui \u00eel urm\u0103re\u015fte. Scriitorul se \u00eemboln\u0103ve\u015fte de holer\u0103 \u015fi moare la Vene\u0163ia.<\/p>\n

22. Aventurile lui Huckleberry Finn -Mark Twain<\/p>\n

Lucrarea, azi extrem de popular\u0103 \u00een bibliografiile \u0219colare, a fost interzis\u0103 din cauza limbajului argotic \u0219i pentru c\u0103 \u00een carte, negrii erau numi\u021bi \u201dcioroi\u201d. \u201dUn gunoi dintre cele mai veritabile\u2026..o carte mai potrivit\u0103 pentru marginali \u0219i proscri\u0219i dec\u00e2t pentru oamenii inteligen\u021bi \u0219i respectabili.\u201d Mark Twain a fost sf\u0103tuit s\u0103 se lase de scris \u201ddac\u0103 nu are ceva mai bun de oferit copiilor no\u0219tri cu minte inocent\u0103\u201d. Twain a ripostat spun\u00e2nd: \u201dCenzura e ca \u0219i cum i-ai spune unui om c\u0103 nu are voie s\u0103 m\u0103n\u00e2nce friptur\u0103 doar pentru c\u0103 un bebelu\u0219 nu o poate mesteca.\u201d \u00cen 1998, ni\u0219te p\u0103rin\u021bi din Tempe, Arizona, au dat \u00een judecat\u0103 \u0219coala acelui ora\u0219 pentru c\u0103 a pus pe lista de lecturi obligatorii aceast\u0103 carte. Cazul a ajuns p\u00e2n\u0103 la curtea suprem\u0103. P\u0103rin\u021bii au pierdut.<\/p>\n

23 Hamlet – William Shakespeare<\/p>\n

Hamlet este cu siguran\u021b\u0103 una dintre cele mai cunoscute piese de teatru din lume \u0219i cu siguran\u021b\u0103 cea mai cunoscut\u0103 pies\u0103 a lui William Shakespeare. Ea prezint\u0103 r\u0103zbunarea prin\u0163ului Hamlet, care afl\u0103 c\u0103 unchiul s\u0103u, Claudiu, l-a omor\u00e2t pe tat\u0103l s\u0103u pentru a-i lua tronul \u015fi so\u0163ia. Piesa exploreaz\u0103 \u015fi tr\u0103darea, incestul, corup\u0163ia \u015fi nebunia, fiind cea mai influent\u0103 tragedie din literatura englez\u0103. Cu toate acestea piesa a fost interzis\u0103 \u00een Rusia stalinist\u0103 (1922-1953), drama lui Hamlet fiind considerat\u0103 incompatibil\u0103 cu regimul stalinist. \u00cen 1989, Israelul a interzis piesa \u00een taberele de deten\u0163ie palestiniene. Pasaje din pies\u0103 au fost cenzurate de-a lungul timpului \u015fi \u00een Marea Britanie.<\/p>\n<\/div>\n

***<\/p>\n

\u00a0\"\"<\/a><\/p>\n

MARIANA GURZA<\/p>\n

DUMNEZEU \u0218I UMBR\u0102 <\/em><\/p>\n

God and Shadow<\/em><\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Lacrimi t<\/strong>\u0103cute<\/strong><\/p>\n

Lacrimile tale t\u0103cute
\nle-am adunat \u00een cupe de cristal.
\nE\u015fti frumoas\u0103!
\nA\u015f fi dorit s\u0103-i dau lui, celui drag,
\ntainica licoare a dorului nesf\u00e2r\u015fit.
\n\u201eIubirea\u201d, floarea vie\u0163ii adev\u0103rate,
\nte \u00eenv\u0103luie \u015fi clocote\u015fte
\n\u015fi acum \u00een tumultul fraged
\nc\u00e2nd suntem cu to\u0163ii mai tri\u015fti\u2026
\nBoarea zilei de azi este un balsam
\na\u015fa cum \u00een fiecare prim\u0103var\u0103
\nlacrima iubirii \u015fi-a pus s\u0103rutul
\n\u00een inima celui ce \u00eengenuncheaz\u0103
\ncutez\u00e2nd a te iubi a\u015fa cum o face
\nani de-a r\u00e2ndul,
\ns\u0103rut\u00e2ndu-\u0163i, f\u0103r\u0103 s\u0103 vezi, urma pa\u015filor,
\ng\u00e2ndul lui este plin de iubire,
\niubirea fiind tu;
\n\u201eEul\u201d lui este pretutindeni,
\na\u015fa cum \u00eel sim\u0163im noi;
\nochii s\u0103i tri\u015fti, tri\u015fti de prea mult\u0103 dragoste,
\nr\u0103t\u0103cesc \u00een miez de noapte c\u0103ut\u00e2ndu-te.
\nEternul Dumnezeu mai poate rivaliza
\ncu marea dragoste a vie\u0163ii lui\u2026<\/p>\n

 <\/p>\n

Silent tears<\/strong><\/p>\n

Your silent tears silent
\nI gathered in crystal cups.
\nYou’re beautiful!
\nI wished to give him, to loved one,
\nmysterious elixir of endless longing.
\n“Love,” the flower of true life,
\nenvelops you and seethes
\nand now in tender turmoil
\nwhen we are all sadder …
\nBreeze today is a balm
\nlike in each spring
\nlove tear has put its kiss
\nin the heart of that who kneels
\ndaring to love as\u00a0 does
\nyears in a row,
\nkissing, without seeing, your footsteps,
\nhis mind is full of love,
\nthe love being you;
\nHis “I”\u00a0 is everywhere
\nas we feel it;
\nhis eyes sad, sad for too much love,
\nwande in the middle of the night looking for you.
\nOnly eternal God can rival
\nthe great love of his life …<\/p>\n

 <\/p>\n

Iubitule, voi fi umbra ta<\/strong><\/p>\n

Eu \u00eenc\u0103 mai sper
\ns\u0103 am o plecare provizorie,
\ns\u0103 m\u0103 pot \u00eentoarce,
\n\u015fi s\u0103 fiu t\u00e2n\u0103ra femeie din vis.
\nS\u0103-\u0163i spun: Vezi, n-am murit,
\nn-am vrut s\u0103 te las
\nsingur cu umbra mea!
\nCu toate c\u0103 moartea
\ne doar un drum\u2026
\nDe-aceea,
\neu n-am s\u0103 mor niciodat\u0103
\ncu adev\u0103rat.
\nTotul e un simulacru
\nde moarte.
\nE doar \u015farada.<\/p>\n

 <\/p>\n

 <\/p>\n

Honey, I’ll be your shadow<\/strong><\/p>\n

I still hope
\nto have a temporary departure,
\nto come back,
\nand\u00a0 be the\u00a0 young woman from the dream.
\nTo tell you: See, I did not die,
\nI didn’t want to leave you
\nalone with my shadow!
\nAlthough the\u00a0 death
\nit’s just a road …
\nThatfore,
\nI’ll never ever die
\nreally.
\nIt’s all a simulacrum
\nof death.
\nIt’s just charade.<\/p>\n

 <\/p>\n

 <\/p>\n

C<\/strong>\u0103derea stelelor<\/strong><\/p>\n

Trecerea timpului m\u0103 \u00eenfioar\u0103
\nnu \u015ftiu de cine ar trebui s\u0103 m\u0103 tem;
\nde tinere\u0163ea pierdut\u0103
\nsau de b\u0103tr\u00e2ne\u0163e.
\n\u00cencerc s\u0103 zbor \u00eentre cele dou\u0103
\nap\u0103r\u00e2ndu-mi aripile
\nde r\u0103ceala nop\u0163ilor
\n\u015fi de vuietul apelor.
\nC\u0103derea stelelor
\no percep ca o scurgere
\nde clepsidr\u0103\u2026
\nDin c\u00e2nd \u00een c\u00e2nd,
\nmai prind c\u00e2te-o stea
\npitind-o dup\u0103 un nor
\nsper\u00e2nd
\nca odat\u0103 s\u0103 o reg\u0103sesc\u2026<\/p>\n

 <\/p>\n

 <\/p>\n

falling of the stars<\/strong><\/p>\n

The passage of time thrills me
\nI do not know of whom should I fear;
\nof lost youth
\nor old age.
\nI try to fly between the two
\ndefending my wings
\nfrom the cold nights
\nand the roar of water.
\nFalling of the stars
\nI perceive it as a leak
\nof clepsydra …
\nOccasionally,
\nI catch\u00a0 a star
\nhiding it after a cloud
\nhoping
\nthat once I’ll find it…<\/p>\n

 <\/p>\n

 <\/p>\n

Nu ne l<\/strong>\u0103sa s\u0103 r\u0103t\u0103cim<\/strong><\/p>\n

 <\/p>\n

Triste\u021bea ta, este \u0219i a mea<\/p>\n

Trec\u0103torule!<\/p>\n

Ochii tri\u0219ti \u00eemi arat\u0103<\/p>\n

Sufletul.<\/p>\n

Doamne, unde am gre\u0219it?<\/p>\n

Maic\u0103?<\/p>\n

Fiecare zi, un nou urcu\u0219<\/p>\n

Golgota.<\/p>\n

Doamne, n\u0103dejdea mea<\/p>\n

M\u00e2ntuire.<\/p>\n

Nu ne l\u0103sa s\u0103 r\u0103t\u0103cim!<\/p>\n

Ve\u0219nicie.<\/p>\n

 <\/p>\n

Let us not wander<\/strong><\/p>\n

Your sadness is also mine
\nPasserby!
\nSad eyes show my
\nSoul.
\nLord, where was I wrong?
\nMother?
\nEach day, a new ascent
\nGolgotha.
\nLord, my hope
\nSalvation.
\nLet us not get lost!
\nEternity.<\/p>\n

 <\/p>\n

 <\/p>\n

Ruga o port \u00een mine<\/strong><\/p>\n

 <\/p>\n

Azi, sunt prins\u0103 \u00een tenebre<\/p>\n

Doar ruga o port \u00een mine<\/p>\n

Ne\u0219tiiut\u0103 , \u00eentre umbre<\/p>\n

Te implor, iart\u0103 a mele vine…<\/p>\n

 <\/p>\n

Sunt doar o ml\u0103di\u021b\u0103<\/p>\n

Din vi\u021ba Ta Doamne<\/p>\n

\u00cent\u0103re\u0219te-m\u0103-n credin\u021b\u0103<\/p>\n

\u00cenal\u021b\u0103-m\u0103 prin Sfinte Taine<\/p>\n

 <\/p>\n

Doamne, nu te \u00eendep\u0103rta de noi<\/p>\n

Ai mil\u0103 \u0219i iertare<\/p>\n

Suntem \u00eengloda\u021bi \u00een noroi<\/p>\n

Prin orgolii \u0219i manipulare…<\/p>\n

\u00a0<\/strong><\/p>\n

Prayer I carry in me<\/strong><\/p>\n

 <\/p>\n

Today, I’m caught in the darkness
\nJust prayer I carry in me
\nUnknown between shadows
\nI beg you to forgive my\u00a0 faults …<\/p>\n

I’m just an offshoot
\nOf thy vine God
\nStrengthen me in faith
\nRaise me through the Sacraments<\/p>\n

Lord, do not remove us
\nHave mercy and forgiveness
\nWe got stuck in the mud
\nBy vanities and handling …<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

(Prefa\u021b\u0103 \/ Preface)<\/em><\/strong> <\/em><\/strong><\/p>\n

Frumoasa doamn\u0103 \u00eentru Dumnezeu \u0219i umbr\u0103<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Mariana Gurza atinge gra\u021bia poeziei prin\u00a0 \u00eemp\u0103rt\u0103\u0219irea tr\u0103irilor sale cu p\u0103rin\u021bi \u0219i copii, eroi \u0219i sfin\u021bi, Bucovina \u0219i Zenon. A\u0219a cum la Eminescu melancolia se face vers, la Valmiki soka (durere)\u00a0 devine sloka (verset), aici umbra se face litanie. Singur\u0103tatea de neam \u0219i nemaineam poart\u0103 rezisten\u021ba prin logos, \u00eenviere la \u00eenviere. Unul c\u00e2te unul, poemele se caut\u0103 liturgic rev\u0103rs\u00e2nd pietatea domestic-zenonian\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201dEram frumoas\u0103, <\/em>\/ <\/em><\/strong><\/em>c\u00e2nd te a\u015fteptam.\u201d (<\/strong>Eram frumoas\u0103<\/strong>).<\/strong> \u201eAm crezut c\u0103 travestindu-m\u0103 \/ \u00een lumin\u0103, \/ \u00een disperare \/ am s\u0103-\u0163i adorm imagina\u0163ia.\u201d (Cerul pl\u00e2nge\u00a0 \u00een inima mea). \u201eAm crezut c\u0103 \u015ftii \/ cine sunt. \/ Eu m\u0103 credeam, \/ deopotriv\u0103 c\u0103 sunt \/ \u015fi umbr\u0103 \u015fi fiin\u0163\u0103.\u201d (<\/strong>Spune-mi cine sunt<\/strong>). <\/strong>\u201eSe f\u0103cea c\u0103 sunt pas\u0103re-n zbor. \/ A c\u00e2ta din num\u0103r\u0103toarea \/ lui Dumnezeu?\u201d (<\/strong>Zbor printre nori<\/strong>). <\/strong>\u201em\u0103 uime\u0219ti, prieten \/ cu dorin\u0163a ta de a merge \/ pe urmele sfin\u0163ilor, \/de a te \u00eentoarce spre tine \u00eensu\u0163i.\u201d (M\u0103 uime\u0219ti, prietene<\/strong>). \u201eUnde e\u015fti bunicule, uitat printre str\u0103ini \/ aruncat \u00eentr-un col\u0163 de p\u0103m\u00e2nt, \/ \u0163i-o fi pus cineva o cruce, \/ fiind rom\u00e2n, \/ sau te-au batjocorit \/ \u015fi te-au f\u0103cut scrum?\u201d (<\/strong>Unde e\u0219ti bunicule<\/strong>). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201e\u2026 <\/strong>Alergam \u00eenfrigurat\u0103 \/ spre un sfe\u015fnic\u00a0 pribeag \/ \u00eentocmai ca Zenon. \/ Ne-am surprins am\u00e2ndoi \/ \u00een noapte \u00eentreb\u00e2nd…\u201d (<\/strong>Pe urmele lui Zenon<\/strong>)<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201eVrea s\u0103 detoneze egoismul din jur\u201d (Adrian Dinu Rachieru), \u201et\u0103cerea nu-i va z\u0103g\u0103zui sufletul\u201d (Eleonora Schipor), \u201eversurile devin universul \u015fi salvarea sa\u201d (Nina Ceranu).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ne except\u00e2nd roman\u0163ioase declara\u0163ii erotice, poemele Marianei Gurza (bucovineanc\u0103 n\u0103scut\u0103 \u00een Banat, mam\u0103 de copii, bunic\u0103), au mai mereu dimensiunile rug\u0103ciunii Tat\u0103l Nostru.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Traduc\u0103torul a ascultat, concomitent, \u015fi c\u00e2ntece de Frank Sinatra, aleg\u00e2nd abia c\u00e2teva fulgura\u0163ii cvasi-mistice a\u015fternute de-a lungul anilor \u015fi publicate \u00een volumele: Paradox sentimental, Ed. Augusta, 1998; G\u00e2nduri nocturne, Ed. Augusta, 1999; Nevoia de a sfida t\u0103cerea, Ed. Augusta, 2000, Lumini \u015fi umbre, Ed.Augusta, 2001; Lacrima iubirii Ed. Artpress, 2003) . Ultimul strig\u0103t Eubeea, 2006).<\/p>\n

\u00a0<\/strong><\/p>\n

George Anca <\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

Beautiful Lady unto God and shadow<\/p>\n

Mariana Gurza touches the grace of poetry by sharing her experiences with parents and children, heroes and saints, Bucovina and Zenon. As at Eminescu the \u00a0melancholy turns into verse, and \u00a0at Valmiki soka (grief) becames sloka (verset), here the shadow is litany. Loneliness of nation and no more nation\u00a0 \u00a0carry resistance through logos, resurrection at resurrection. One by one, the poems search each other liturgical\u00a0 pouring domestic-Zenonian piety.<\/p>\n

\u201eI was beautiful \/ when waiting for you.\u201d\u00a0 (I was beautiful). \u201eI thought you know \/ who I am. \/ I thought I was \/equally \/ shadow and being. \u201d (<\/strong>Tell me who I am<\/strong>). <\/strong>\u201eIt came as if I was a bird in flight. \/ Which one in the God’s \/\u00a0 counting?\u201d (<\/strong>Flight amidst clouds<\/strong>). \u201e <\/strong>you amaze me, friend \/ with your desire to walk \/ on traces of the saints \/ to return toward self.\u201d (<\/strong>You amaze me, friend<\/strong>). \u201e<\/strong>Where are you grandpa, forgotten among strangers \/ thrown into a corner of ground, \/ did someone put to you a cross, \/ being Romanian, \/ or they have mocked you \/ and made you ash?\u201d (<\/strong>Where are you grendpa<\/strong>). \u201e<\/strong>I ran trembling \/ toward a vagrant candlestick \/ just like Zeno. \/\u00a0 We surprised each other \/wondering in the night…\u201d (<\/strong>On Zeno’s footsteps<\/strong>) <\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eShe wants to detonate the selfishness around\u201d (Adrian Dinu Rachieru), \u201esilence will not restrain her soul\u201d (Eleonora Schipor), \u201elyrics become her universe and salvation\u201d (Nina Ceranu). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Not excepting romantic erotic statements, the poems of Marianei Gurza (with roots in Bucovina, born in Banat, mother of children), have almost always lengyh of Lord’s Prayer. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Translator listened, concomitantly, also songs by Frank Sinatra, choosing only few quasi-mystical recalls written over the years and published in volumes: Paradox sentimental \/ Sentimental Paradox, Ed. Augusta, 1998; G\u00e2nduri nocturne \/ Night thoughts, Ed. Augusta, 1999; Nevoia de a sfida tacerea \/ Need to defy silence, Ed. Augusta, 2000, Lumini \u015fi umbre \/ Lights and shadows, Ed.Augusta, 2001; Lacrima iubirii \/ Tears of love, Ed. Artpress, 2003, Ultimul strig\u0103t \/ Last cry, Eubeea, 2006.<\/p>\n

George Anca <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

  Colocviile de Mar\u021bi \u00a0 Joi 20 octombrie\u00a0 2016, 5 pm, Calderon 39. \u00a0Anul VII, nr. 11 (84).\u00a0   Tema:\u00a0 [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-27545","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/27545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=27545"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/27545\/revisions"}],"predecessor-version":[{"id":27549,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/27545\/revisions\/27549"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=27545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=27545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=27545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}