{"id":27794,"date":"2016-11-10T17:29:14","date_gmt":"2016-11-10T17:29:14","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=27794"},"modified":"2016-11-10T17:29:14","modified_gmt":"2016-11-10T17:29:14","slug":"new-york-ramayana-colocviile-de-marti","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2016\/11\/10\/new-york-ramayana-colocviile-de-marti\/","title":{"rendered":"New York Ramayana – Colocviile de Mar\u021bi"},"content":{"rendered":"

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New\u00a0 York\u00a0 Ramayana<\/span><\/a><\/span><\/p>\n

Colocviile de Mar\u021bi <\/span><\/a><\/span><\/p>\n

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Mar\u021bi\u00a0 29 noiembrie\u00a0 2016, 5 pm, Calderon 39 <\/span><\/a><\/span><\/p>\n

\u00a0<\/a>Anul VII, nr. 12<\/span><\/a> (85).\u00a0 <\/span><\/a><\/span><\/p>\n

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Tema:\u00a0 <\/span><\/a>NEW\u00a0 YORK\u00a0 RAMAYANA<\/span><\/a><\/span><\/p>\n

New Partner: Bharata Vidya Bhavan (New Delhi)<\/span><\/a><\/span><\/p>\n

Parteneri: Asocia\u021bia Cultural\u0103 Rom\u00e2no-Indian\u0103, <\/span><\/a>Bharata Vidya Bhavan, <\/span><\/a>Academia<\/span><\/a>Interna\u021bional\u0103 <\/span><\/a>\u00a0<\/a>Mihai <\/span><\/a>Eminescu, Societatea de Etnologie\u00a0 <\/span><\/a>din Rom\u00e2nia, Centrul Antim Ivireanu, <\/span><\/a>Funda\u021bia <\/span><\/a>Dumitru <\/span><\/a>Dr\u0103ghicescu, <\/span><\/a>Funda\u021bia Alexandru Philippide, Asocia\u021bia Cultural\u0103 <\/span><\/a>Arom\u00e2measc\u0103, <\/span><\/a>Teatrul Robert Calul<\/span><\/a><\/span><\/p>\n

Anniversary Andrei Mure\u0219an 200 n (16)<\/span><\/a><\/span><\/p>\n

Recital Sergiu Cioiu<\/span><\/a><\/span><\/p>\n

Interven\u021bii<\/span><\/a><\/span><\/p>\n

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In memoriam Vasile Andru<\/span><\/a><\/span><\/p>\n

Pu\u0219i Dinulescu: <\/span><\/a>\u00a0<\/a>Dou\u0103 livezi<\/span><\/a><\/span><\/p>\n

George Anca:<\/span><\/a> Icoana cre\u0219terii rele<\/span><\/a><\/span><\/p>\n

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Teatru de Poezie<\/span><\/a><\/span><\/p>\n

Pu\u0219i Dinulescu, Gheorghe<\/span><\/a>D\u0103nil\u0103<\/span><\/a>, <\/span><\/a>Gabriela T\u0103nase , Vali Pena, \u0218tefan Opreanu <\/span><\/a><\/span><\/p>\n

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Lans\u0103ri de carte<\/span><\/a><\/span><\/p>\n

Dumitru Dr\u0103ghicescu (1875-1945)<\/span><\/a>, Rotipo, Ia\u0219i, 2016<\/span><\/a><\/span><\/p>\n

Antimiana III<\/span><\/a>, Rotipo, 2016<\/span><\/a><\/span><\/p>\n

Lumina lumii<\/span><\/a>, R\u00e2mnicu-V\u00e2lcea, 2016<\/span><\/a><\/span><\/p>\n

\u00a0<\/a>Coordonator: Dr. George Anca<\/span><\/a><\/span><\/p>\n

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DE\u00a0 LA\u00a0 AUGUSTIN\u00a0 LA\u00a0 DR\u0102GHICESCU<\/p>\n

\u00a0<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dup\u0103 traducerea-restituire rom\u00e2neasc\u0103,\u00a0\u00a0 Noua Cetate a lui Dumnezeu<\/em>, Paris, Marcelle Lessage, 1929,\u00a0 urmeaz\u0103 acum, \u00een dou\u0103 volume: Adev\u0103r \u0219i Revela\u021bie<\/em>, Paris, Felix Alcan, 1934, alc\u0103tuind o trilogie monumental\u0103 \u00eempreun\u0103 cu\u00a0 Dumnezeu \u0219i destinul omenirii<\/em>, scris\u0103 \u0219i publicat\u0103 \u00een rom\u00e2ne\u0219te. \u201eStudiul nostru, pe care-l d\u0103m sub vocabula pe care o utiliza sf\u00e2ntul Augustin, \u0219i sub invocarea sa, va fi ca o transpunere modern\u0103 a Cet\u0103\u021bii lui Dumnezeu.\u201d O edi\u021bie in spe \u00een zece volume a operei lui Dumitru Dr\u0103ghicescu propus\u0103 de profesorul Virgil Constantinescu-Galiceni\u00a0 ar include: I Ontologia uman\u0103<\/em>; II Din psihologia poporului rom\u00e2n<\/em>; III Problema Con\u0219tiin\u021bei. Realitatea spiritual\u0103<\/em>; IV Idealul creator<\/em>; V Marea Unie a rom\u00e2nilor cu rom\u00e2nii<\/em>; VI Partide politice \u0219i clase sociale<\/em>; VII Noua Cetate a lui Dumnezeu<\/em>; VIII Adev\u0103r \u0219i revela\u021bie<\/em>, partea I; IX Adev\u0103r \u0219i revela\u021bie<\/em>, partea II; X Dumnezeu \u0219i destinul omenirii.<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Din c\u0103r\u021bile lui\u00a0 Dumitru Dr\u0103ghicescu:<\/p>\n

Le Probl\u00e8me du d\u00e9terminisme social. D\u00e9terminisme biologique et d\u00e9terminisme social<\/em>, Editions de la \u2033Grande France\u2033, Paris, 1903;<\/p>\n

Du R\u00f4le de l’individu dans le d\u00e9terminisme social<\/em>. Th\u00e8se prsentee a la Faculte des lettres de Paris, F.-R. de Rudeval, Paris, 1904;<\/p>\n

Raporturile dintre drept \u015fi sociologie<\/em>, Tipografia Gutenberg, Bucure\u015fti, 1904;<\/p>\n

Le Probl\u00e8me de la conscience. Etude psycho-sociologique<\/em>, Editions Felix Alcan, Paris, 1907;<\/p>\n

Din psihologia poporului rom\u00e2n<\/em>, Libr\u0103ria Leon Alcalay, Bucure\u015fti, 1907; Reedit\u0103ri: Editura Albatros, Bucure\u015fti, 1996, 2003; Historia, Bucure\u015fti, 2006;<\/p>\n

L\u2019Id\u00e9al cr\u00e9ateur. Essai psycho-sociologique sur l’\u00e9volution sociale<\/em>, Editions Felix Alcan, Paris, 1914; Traducere: Idealul creator. Eseu psiho-sociologic asupra evolu\u0163iei sociale<\/em>, trad. Virgiliu Constantinescu Galiceni, Editura Albatros, Bucure\u015fti, 2006;<\/p>\n

Le renouveau religieux et la guerre mondiale<\/em>, Les Imprimeries \u201eL’Independance\u201d, Bucure\u015fti, 1916;<\/p>\n

La Bessarabie et le droit des peuples, esquisse historique, g\u00e9ographique, ethnographique et statistique<\/em>, Editions Felix Alcan, Paris, 1918;<\/p>\n

Les Probl\u00e8mes nationaux de l’Autriche-Hongrie. Les Roumains (Transylvanie, Bucovine, Banat)<\/em>, Editions Bossard, Paris, 1918;<\/p>\n

La Transylvanie: esquisse historique, g\u00e9ographique, ethnographique et statistique<\/em>, Editions Felix Alcan, Paris, 1918; Reeditare: Editura Albatros, Bucure\u015fti, 1997;<\/p>\n

Partide politice \u015fi clase sociale<\/em>, Bucure\u015fti, 1922;<\/p>\n

La R\u00e9alit\u00e9 de l’esprit. Essais de sociologie subjective<\/em>, Librairie Felix Alcan, Paris, 1928; Traducere: Realitatea spiritului: eseuri de sociologie subiectiv\u0103<\/em>, trad. Luiza Dasc\u0103lu, Editor Mihai Dasc\u0103l, Bucure\u015fti, 2003;<\/p>\n

La nouvelle Cit\u00e9 de Dieu<\/em>, Marcelle Lesage, Paris, 1929;<\/p>\n

V\u00e9rit\u00e9 et R\u00e9v\u00e9lation<\/em>, 2 vol., Librairie Felix Alcan, Paris, 1934;<\/p>\n

America y la Liga de las Naciones<\/em>, Botas, Mexico, 1937;<\/p>\n

Marea Unire a rom\u00e2nilor cu rom\u00e2nii: 1918. Banatul \u015fi Transilvania; Bucovina \u015fi Basarabia<\/em>, Editura Albatros, Bucure\u015fti, 2001.<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ca Maurice Blondel ax\u00e2ndu-\u0219i opera pe doctoratul Action<\/em>, Dumitru Dr\u0103ghicescu \u00ee\u0219i aprofundeaz\u0103 determinismul sociologic doctoral, de la indestructibila structur\u0103\u00a0 Din psihologia poporului rom\u00e2n <\/em>la trilogia profetic\u0103 a sf\u00e2r\u0219itului de via\u021b\u0103. Actualiz\u00e2nd revelator nu numai De civitate Dei <\/em>a sf\u00e2ntului Augustin \u2013 cf\u00a0 Organon <\/em>de Aristotel, Novum Organum<\/em> de Bacon, Tertium Organum<\/em> de Uspensky -, dar purt\u00e2nd \u0219i ecouri poate subcon\u0219tiente din Via\u021ba lumii <\/em>de Miron Costin sau Memento mori <\/em>de Eminescu.<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dintru \u00eenceput, America l-a receptat, prin George H. Mead, cu recenzie-studiu asupra: Du Role de l’ individual dans le Determinisme Social<\/em> . D. Draghicesco . Paris , Felix Alcan , 1904 . Pp 367.Le Probleme du Determinisme Social , Determinisme Biologique et Determinisme Social<\/em> . D. Draghicesco . Paris , Editions de la Grande France , 1903 . Pp 99 .\u00a0 \u201eConcluzia \u00eentregii materii este c\u0103 psihologia este dec\u00e2t pedagogie aplicat\u0103, declara\u021bia \u00een termeni individuali ai opera\u021biei prin care societatea \u00ee\u0219i controleaz\u0103 membrii, \u0219i ia din timp m\u0103surile necesare pe care le implic\u0103 integrarea social\u0103. Astfel, sociologie \u0219i psihologie devenin identificate, fiind dec\u00e2t aceea\u0219i \u0219tiin\u021b\u0103 privind spre acela\u0219i domeniu prin ferestre diferite.\u201d (George H. Mead, Universitatea din Chicago .<\/p>\n

Publicat \u00een Psychological Bulletin 2<\/em>, (1905): 399-405.\u00a0\u00a0 Nota editorilor: \u201eDe peste un deceniu, am ortografiat gre\u0219it numele lui Draghicesco. Mul\u021bumim lui Filipe Carreira de Silva pentru corectare.\u201d)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Noua Cetate a lui Dumnezeu<\/em> reveleaz\u0103 \u2013 ca \u00eentraga trilogie – o construc\u021bie poliedric\u0103 \u2013 istorie, evolu\u021bie, profe\u021bie \u2013 de\u00a0 exhaustivitate epistemic\u0103\u00a0 afinitiv\u0103 cu empatii \u0219i alergii la\u00a0 personaje arhetipale, arti\u0219ti, g\u00e2nditori, o epopee socio-filosofic\u0103,\u00a0 un cronograf socio-religios \u00een jargon sorbonard, o hermeneutic\u0103 sociologic\u0103 a dumnezeirii \u00een umanitate. \u00cen \u021bes\u0103ura textual\u0103 rezoneaz\u0103 sentin\u021be\u00a0 de r\u0103d\u0103cin\u0103 biblic\u0103 sincronizate cu frunzi\u0219ul referin\u021belor, pe o tulpin\u0103 proprie. \u00cenl\u0103n\u021buirea de idei, sub\u00e2n\u021beles teoretizat\u0103, frazarea \u0219i cuvintele se desprind din continua demonstra\u021bie-fluviu a unei teze ce pare a se dispensa de discurs.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00centr-o terminologie deschis\u0103, continuu recizelat\u0103, cumulativ\u0103, spiral\u00e2nd repeti\u021bia \u0219i insisten\u021ba clarificativ\u0103, diferitele registre ideatic-stilistice se pot solda cu recept\u0103ri integrate, dac\u0103 nu preferen\u021biale, resping\u00e2nd sau admir\u00e2nd, retu\u0219\u00e2nd, induc\u00e2nd \u0219i cititorului o reactivitate pro sau contra. Neuit\u00e2nd patina de epoc\u0103 interbelic\u0103, Paris-Geneva, \u00een care chiar ne af\u0103m \u00eentru imens\u0103 gra\u021bie dr\u0103ghicescian\u0103, cu un limbaj conceptulal devenit \u00eentre timp literatur\u0103, precum revoluta dulaitate p\u0103g\u00e2nism-cre\u0219tinism. Cu avantajul unei percu\u021bii paraconceptuale, pe formul\u0103ri modelatoare, de g\u00e2ndire direct\u0103, de empatie diacronic\u0103 dispecerat\u0103 de tez\u0103, de ideal.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Urm\u0103torul volum, Adev\u0103r \u0219i revela\u021bie, <\/em>este atrage prin ideea de Dumnezeu: \u201eIdeea de Dumnezeu este cea mai \u00eenalt\u0103 expresie a sufletului uman; prelungind la infinit facult\u0103\u021bile acestui suflet, se poate anticipa asupra termenului evolu\u021biei progresive \u00een care este angajat\u0103 umanitatea istoric\u0103, realizarea lui Dumnezeu \u00een umanitate, sau pentru a spune mai bine la deificarea umanit\u0103\u021bii, \u0219i venirea Cet\u0103\u021bii lui Dumnezeu; c\u0103 sufletele bune \u00ee\u0219i eclozeaz\u0103 visele la umbra lui Bergson\u00a0 sau a lui Vivekananda, nu vedem niciun inconvenient.\u201d H. Corbin: D. <\/strong>Draghicesco, V\u00e9rit\u00e9 et R\u00e9v\u00e9lation <\/em><\/strong>(Biblioth\u00e8que de philosophie contemporaine), Paris, Librairie F\u00e9lix Alcan, 1934, 2 vol. in 8, XIV 1000p.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sau: \u201eAmploarea intereselor lui Draghicesco poate fi v\u0103zut \u00een c\u0103r\u021bile sale al c\u0103ror subiect variaz\u0103 de la America \u0219i Liga Na\u021biunilor la rolul individului \u00een societate, de la mintea omeneasc\u0103 la problemele monetare.<\/p>\n

Suntem interesa\u021bi aici, cu toate acestea, \u00een special de lucrarea sa \u00een dou\u0103 volume de mai mult de o mie de pagini \u00een limba francez\u0103 intitulat\u0103 V\u00e9rit\u00e9 et<\/em> R\u00e9v\u00e9la<\/em>ion\u00a0 <\/em>( Paris, 1934). Aceasta \u021binte\u0219te s\u0103 formuleze o \u201enou\u0103 religie \u0219i o nou\u0103 idee a lui Dumnezeu\u201d pentru \u00a0\u00a0ra\u021bionali\u0219ti , necredincio\u0219i deranja\u021bi, \u0219i chiar atei.\u201d\u00a0 \u00centocmai cum cre\u0219tinismul, sus\u021bine Draghicesco, nu a fost un neo-iudaism, ci o nou\u0103 religie, astfel \u0219i noua, universala religie pentru timpul nostru nu poate fi un neo- cre\u0219tinism. De\u0219i autorul abordeaz\u0103 mai multe probleme \u00een aceast\u0103 lucrare uria\u0219\u0103, ne vom concentra aten\u021bia asupra\u00a0 punctului s\u0103u de vedere despre univers \u0219i a noii sale idei de Dumnezeu.\u201d John H. Hershey: Dumnezeu , om\u00a0 \u0219i Dimitrie Draghicesco.<\/strong> <\/em>In: Humanist (Buffalo, New York) (Published by The American Ethical Union)<\/em><\/strong> v.13 January 1,1953, pp.267-270.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Adecvarea traduc\u021bional\u0103 a avut de a face, pe de o parte cu o oper\u0103 veche de opt-nou\u0103 decenii, pe de alta, cu una nou\u0103 pentru noi, dup\u0103 o ignorare absolut\u0103, zguduitor de actual\u0103 \u0219i cu solu\u021bii-disolu\u021bii de viitor. \u0218i este vorba de a o pune \u00een circula\u021bie dup\u0103 \u201eschimb\u0103rile la fa\u021b\u0103\u201d (formula sa) anticipate de contemporanul lui Eminescu, Br\u00e2ncu\u0219i, Arghezi. Faustianismul lui Dr\u0103ghicescu\u00a0 este dublat tacit de model\u0103ri clasice rom\u00e2ne\u0219ti.<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Dumitru Dr\u0103ghicescu este un scriitor \u00een schi\u021be \u0219i arabescuri religios-\u0219tiin\u021bifice pe propria doctrin\u0103 a con\u0219tiin\u021bei-imortalitate. Poate oare fi, retro, receptat de-a valma ca tens, arid, utopic, socialist, tautologic, idealist, sinuciga\u0219, aristocrat, cosmopolit, moralist etc.? Am apelat \u0219i la eufonii-rom\u00e2no-franceze, ca de epoc\u0103, spre a da totu\u0219i impresia unei pledoarii tragice din viitor \u0219i iar din viitor.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vor putea fi atra\u0219i pasiona\u021bii de idei \u0219i istorie, fanta\u0219tii, pelerinii \u00een timp, poate \u0219i regizorii de teatru \u0219i film. Filosofii \u0219i sociologii vor m\u0103sura pierderea irecuperabil\u0103, cu ce consecin\u021b\u0103, a mesajului s\u0103u vizionar. Dac\u0103 i se admite pledoarismul, lectura poate fi de catehism, singura religiozitate auctorial\u0103 fiind aici Societatea Na\u021biunilor. Dac\u0103 recep\u021bia intr\u0103 \u00een dificultate \u2013 tematic, stilistic, ideologic \u2013 folosul va fi \u0219i mai substan\u021bial dec\u00e2t admira\u021bia pasiv\u0103 a unei crea\u021bii de evident\u0103 grandoare.<\/p>\n

PU\u0218I\u00a0 DINULESCU<\/a><\/p>\n

Din nou despre livad\u0103…<\/em><\/p>\n

Asear\u0103 am rev\u0103zut la televizor Livada de vi\u015fini. Pierdusem la prima vizionare pu\u0163in din \u00eenceput. \u015ei acum recuperam.
\nCam tenebros pentru gustul meu \u00eenceputul! Eu n-a\u015f fi f\u0103cut a\u015fa ceva. \u015ei dac\u0103 eram \u00een pielea Valeriei Seciu, nu i-a\u015f fi l\u0103sat. Fiindc\u0103 exist\u0103 un prag al decen\u0163ei, care nu trebuie trecut.
\nDecen\u0163\u0103 ca-n fa\u0163a mor\u0163ii sau \u00een fa\u0163a sexului, decen\u0163\u0103 \u015fi-n fa\u0163a ravagiilor pe care le face timpul \u00een carnea omului. \u015ei mai ales \u015fi c\u00e2nd e luminat trupul \u0103sta, ajuns unde-a ajuns, pentru a ni se explica unde-a ajuns…
\nDar m-am \u0163inut tare \u015fi-am trecut de \u00eenceputul \u0103sta brutal, prea voit epatant, iert\u00e2ndu-l p\u00e2n\u0103 la urm\u0103 pe regizorul cel t\u00e2n\u0103r, incapabil, \u00eenc\u0103, poate, s\u0103 con\u015ftientizeze groz\u0103via b\u0103tr\u00e2ne\u0163ii \u015fi a mor\u0163ii…
\nCu chiu, cu vai, am trecut. Noroc c-a fost scurt…
\n\u015ei-am intrat \u00eentr-un prezent al piesei, cu o Valeria Seciu seduc\u0103toare, \u00een ciuda senectu\u0163ii, frumoas\u0103 ca o sf\u00e2nt\u0103 \u015fi esen\u0163ial\u0103 ca un suflet.
\n\u00cen fine, o poveste, care, acum, la a doua vizionare, avea, parc\u0103, \u015fi mai mult relief, dirijarea m\u0103iastr\u0103 a personajelor se organiza febril, \u00eentr-un contact viu, nea\u015fteptat cu fiin\u0163a actorilor, care \u00ee\u015fi tr\u0103iau condi\u0163ia \u015fi situa\u0163ia momentan\u0103 a personajului, c\u00e2nd direct, implicativ, c\u00e2nd cu o oarecare deta\u015fare \u015fi acest mozaic fiind mult mai expresiv dec\u00e2t o banal\u0103 \u015fi cuminte reproducere de st\u0103ri \u015fi semnifica\u0163ii.
\nAceast\u0103 aparent\u0103, pentru un neavizat, ne-unitate de stil, este perceput\u0103 astfel doar de spectatorul incapabil de a se adapta simultan cu eliberarea mesajului scenic. E ca atunci c\u00e2nd nu po\u0163i s\u0103 \u0163ii pasul cu exprimarea vorbit\u0103 a unei limbi insuficient cunoscute, pe care nu o po\u0163i decripta dec\u00e2t \u00eentr-un text, care-\u0163i d\u0103 mult mai mult r\u0103gaz. S\u0103 prinzi din zbor e mult mai greu. Recomand, de aceea, pentru oamenii de bun\u0103 credin\u0163\u0103, o revedere.
\nAceast\u0103 modalitate de lucru, a rigorii, combinate cu dispozi\u0163ia improvizatoric\u0103, s\u0103 nu uit\u0103m c\u0103 este apanajul marilor regizori, cu acea capacitate de a combina inven\u0163ia cu un adev\u0103r natural.
\nDecorurile Danei Moraru, exuberante, dar pe alocuri cu tu\u015fe de o delicate\u0163\u0103 de filigram, costumele fabuloase ale Liei Man\u0163oc pentru Valeria Seciu, dar \u015fi celelalte costume (Silvia Porojnicu), imaginea (Cristian Stoian), pendul\u00e2nd cu personalitate \u00eentre lumin\u0103 \u015fi mister, ca \u015fi ceilal\u0163i profesioni\u015fti din echip\u0103, l-au anturat pe Alexandru Lustig \u00een acest spectacol de \u00eenalt\u0103 excep\u0163ie. Iar Demeter Andras Istvan, directorul teatrului din TVR, a fost cel f\u0103r\u0103 de care nimic n-ar fi fost posibil.
\nM\u0103-ntorc la problema cu Valeria Seciu. Ce-ar fi fost acest spectacol f\u0103r\u0103 ea, f\u0103r\u0103 acest abur de vis \u015fi sfin\u0163enie, care poate c\u0103 este numai al ei? Ce-ar fi fost, totu\u015fi, dac\u0103 Ranevskaia ar fi fost dintr-o genera\u0163ie mai t\u00e2n\u0103r\u0103? \u015ei avem destule actri\u0163e excep\u0163ionale, o Carmen T\u0103nase, o Maia Morgenstern, o Adriana \u015echuiopu, o Rodica Negrea, o Adriana Trandafir, o Maria Teslaru, o Dana Dogaru, o Manuela Ciucur… \u015fi enumerarea nu se opre\u015fte aici, la ce doar mi-a venit pe loc \u00een minte…
\nAr fi fost, desigur, bine, dar Cehov cred c\u0103 n-ar fi fost de acord , dac\u0103 s-ar fi putut s\u0103 fie \u00eentrebat…
\nLa \u00eenceputul anului 1904, anul premierei absolute a piesei, din p\u0103cate \u015fi anul, care avea s\u0103 fie ultimul din via\u0163a acestui legendar dramaturg, la solicitarea Verei Komisarjevskaia, o mare actri\u0163\u0103 a timpului, Anton Pavlovici \u00eei r\u0103spundea c\u0103 rolul central al acestei piese\u00eel \u00eel are o femeie b\u0103tr\u00e2n\u0103, absorbit\u0103 numai de trecut \u015fi pe care prezentul n-o intereseaz\u0103.
\nCum r\u0103m\u00e2ne atunci cu spectacolul lui Dodin, \u00een care rolul Ranevsk\u0103iei e jucat de o femeie care arat\u0103 cam de 30 de ani \u015fi care mai face \u015fi sex cu Lopahin?
\nNu e asta un sacrilegiu?
\nBatjocorit la el acas\u0103, Cehov se reg\u0103se\u015fte splendid, adev\u0103rat, cel pu\u0163in acum , \u00een spectacolul \u0103sta, de\u015fi exist\u0103 \u015fi-n teatrul rom\u00e2nesc Dodini d-\u0103\u015ftia cu ghiotura, care profit\u0103 de pe urma unui nume, \u00een care s-au b\u0103gat cu de-a sila, ca ni\u015fte \u0163igani oplo\u015fi\u0163i \u00eentr-o cas\u0103 f\u0103r\u0103 st\u0103p\u00e2n…<\/p>\n

Pu\u015fi Dinulescu<\/a><\/p>\n

MEGYN\u00a0 KELLY<\/a><\/p>\n

Megyn Kelly had been booked on Live With Kelly<\/em> long before election night, and despite having stayed up into the middle of the night co-anchoring Fox News\u2019 coverage, she showed up, hand in hand with Ripa, on Wednesday morning. Megyn \u2014 I\u2019ll call her by her first name to avoid the Kelly\/Kelly confusion \u2014\u00a0was there to plug her new book, Settle for More<\/em>, but first she had to address the obvious.<\/p>\n

\u201cYou\u2019ll never have a result this shocking,\u201d Megyn said about the election results, and she proceeded with a string of phrases we\u2019re going to be hearing from many TV news personalities in the coming days. Phrases like, \u201cThere really was a \u2018hidden Trump vote\u2019\u2026 It wasn\u2019t at all what we had been told [by the polls]\u00a0\u2026\u00a0It all winds up being OK.\u201d<\/p>\n

Megyn\u2019s essential message to her viewers regarding Trump: \u201cKeep an open mind; see what he does.\u201d Ripa added that she hoped \u201cwe can get back to treating each other with a little kindness and generosity.\u201d Megyn was silent, looking politely dubious.<\/p>\n

Ripa held up the cover of the New York Daily News,<\/em> which showed the White House beneath the headline \u201cHouse of Horrors,\u201d with the American flag hung upside down, the signal for distress. The studio audience laughed at the grim image. The only alternative was to cry, I suppose, and studio audiences aren\u2019t encouraged to do that. Pretty soon they were off on typical Live With Kelly<\/em> banter, chatting about raising kids and makeup they can\u2019t do without (Megyn: \u201cfoundation and eyeliner and concealer and bronzer\u2026\u201d).<\/p>\n

Flipping channels, I saw an ad for tonight\u2019s Kelly File<\/em>. It was promoting an interview with \u201cPresident Donald Trump, breaking down his big win and first steps as commander in chief\u00a0\u2026\u00a0on The Kelly File<\/em>!\u201d This is the new normal: We\u2019ll be getting our information from a president-elect who likes to do what they call in the TV-news biz a \u201cquick hit\u201d on one cable news channel he finds most sympathetic to him. And next week, Megyn Kelly hits the promotional trail in earnest\u00a0\u2014 she\u2019ll be appearing with her guru<\/p>\n

Megyn Kelly had been booked on Live With Kelly<\/em> long before election night, and despite having stayed up into the middle of the night co-anchoring Fox News\u2019 coverage, she showed up, hand in hand with Ripa, on Wednesday morning. Megyn \u2014 I\u2019ll call her by her first name to avoid the Kelly\/Kelly confusion \u2014\u00a0was there to plug her new book, Settle for More<\/em>, but first she had to address the obvious.<\/p>\n

\u201cYou\u2019ll never have a result this shocking,\u201d Megyn said about the election results, and she proceeded with a string of phrases we\u2019re going to be hearing from many TV news personalities in the coming days. Phrases like, \u201cThere really was a \u2018hidden Trump vote\u2019\u2026 It wasn\u2019t at all what we had been told [by the polls]\u00a0\u2026\u00a0It all winds up being OK.\u201d<\/p>\n

Megyn\u2019s essential message to her viewers regarding Trump: \u201cKeep an open mind; see what he does.\u201d Ripa added that she hoped \u201cwe can get back to treating each other with a little kindness and generosity.\u201d Megyn was silent, looking politely dubious.<\/p>\n

Ripa held up the cover of the New York Daily News, which showed the White House beneath the headline \u201cHouse of Horrors,\u201d with the American flag hung upside down, the signal for distress. The studio audience laughed at the grim image. The only alternative was to cry, I suppose, and studio audiences aren\u2019t encouraged to do that. Pretty soon they were off on typical Live With Kelly <\/a>Flipping channels, I saw an ad for tonight\u2019s Kelly File. It was promoting an interview with \u201cPresident Donald Trump, breaking down his big win and first steps as commander in chief\u00a0\u2026\u00a0on The Kelly File!\u201d This is the new normal: We\u2019ll be getting our information from a president-elect who likes to do what they call in the TV-news biz a \u201cquick hit\u201d on one cable news channel he finds most sympathetic to him. And next week, Megyn Kelly hits the promotional trail in earnest\u00a0\u2014 she\u2019ll be appearing with her guru<\/a>banter, chatting about raising kids and makeup they can\u2019t do without (Megyn: \u201cfoundation and eyeliner and concealer and bronzer\u2026\u201d).<\/a><\/p>\n

\u00a0<\/a><\/p>\n

DIMITRIE GRAMA<\/a><\/p>\n

\u00a0<\/a>In ciuda ambitiei mass-mediei mondiale (pentru ca in acest caz nu este vorba doar de mass-media unui stat) de al descredita total pe Donald Trump in timpul campaniei acestuia pentru presidentia SUA, pina la urma acest “monstru” dizgratios, este ales ca Presedinte al SUA!<\/p>\n

Cum este posibil? Ce catastrofa! exclama presa, care doar ieri dupa masa, sustinea ca Hillary Clinton are 80% sanse sa castige!<\/p>\n

Sondajele de opinii au dat in bara!<\/p>\n<\/div>\n

\n

\n

Presa\u00a0 a dat in bara si toti se intreaba uimiti si ingroziti: “Cum este posibil asa ceva?!”<\/p>\n<\/div>\n

\n

\n

Exista insa o explicatie foarte simpla: Mass-media nu are contact cu masele largi si habar nu are ce nevoi si ce aspiratii are muncitorul si intelectualul de rand. Ce nelinisti bantuie masa cenusie a clasei de jos si de mijloc.<\/p>\n<\/div>\n

\n

\n

Sondajele de opinii s-au bazat pe ceeace crede intelectualul din New-York sau Los-Angeles, s-au bazat pe cei care au ajutor social (de multe ori) de lene si care nu vor sa fie siliti sa munceasca si pe ceeace crede un tineret entuziast, dar prost educat, prost informat si “globalizat”<\/p>\n<\/div>\n

\n

\n

Aceasta categorie de alegatori, cea care propavaduia sfarsitul lumii daca D Trump va iesi invingator, a fost tot timpul plimbata prin fata camerelor de TV sau a fost citata la radio si gazete de o mass medie incompetenta si partinica. Nu numai in SUA s-a intamplat acest lucru, ci si in UE , Canada si Scandinavia. Probabil ca si mass-media din Romania, campioana a democratiei, si-a dat cu parerea si probabil ca a favorizat-o indiscriminatoriu pe Hillary Clinton.<\/p>\n<\/div>\n

\n

\n

A fost, asa, o solidaritate si o unitate mass-mediala internationala! Bazata nu pe sentimentalism demagogic, ci pe analize obiective impartiale. Caci nu este oare adevarat, deja inainte de a vedea de ce este un om in stare, sa-ti dai categoric opinia despre actiunile viitoare si despre efectul pe care aceste actiuni le va avea asupra omenirii?<\/p>\n<\/div>\n

\n

\n

Nu este oare la locul potrivit, sa descrii razboaie atomice si sfarsitul lumii bazat pe interviul cu o tinara cretina cu cosuri pe frunte care se balbaie ca nu stie ce se va face daca Donald Trump va iesi Presedinte!??<\/p>\n

Si, in fond, de unde stie mass-media internationala, cum va fi Donald Trump ca Presedinte al SUA? Pe ce-si bazeaza mass-media siguranta in “preziceri”?<\/p>\n

 <\/p>\n<\/div>\n

\n

\n

Imi aduc aminte ca inainte ca SUA si NATO sa atace Irakul ca sa-l “detroneze” pe Sadam Husein, mass-media libera, democrata, internationala, l-au descris pe Sadam H. ca fiind unul din cei mai periculosi ucigasi ai omenirii, care pe linga ca este un dictator odios, are la dispozitie un arsenal urias de arme chimice si biologice si sta pregatit sa le foloseasca, doar asa ca sa se afle in treaba.<\/p>\n<\/div>\n

\n

\n

Presa internationala ne sperie si noi ne bucuram atunci cand invazia este un lucru implinit si cu toate ca nu se gasesc arme chimice si biologice, totusi e bine ca monstrul Sadam este casapit si cu el inca cateva sute de mii sau poate un milion de oameni.<\/p>\n<\/div>\n

\n

\n

Urmeaza apoi Libia si mai nou Siria. In numele democratiei, asa cum o vrea puterea de la noi de aici din Vest, asa cum o vrea mass-media noastra! Milioane de oameni pusi pe drumuri, fara casa, scoala sau viitor si mass-media noastra da vina acum pe ISIS, da vina pe aia pe care SUA si NATO si mass-media i-a creat.<\/p>\n<\/div>\n

\n

\n

Imi aduc aminte, traind-o la fata locului in Gibraltar care este parte din UK, isteria creata de mass-media mondiala in legatura cu Brexitul. “Foamete mondiala”, “distrugerea comertului”, “razboi mondial”, in general “sfarsitul civilizatiei” umane, ca sa amintesc doar cateva din “prezicerile” mass-mediei, daca cumva UK va indrazni sa voteze pentru Brexit. Totul bazat pe declaratiile unor studenti istoric, social-politic si economic virgini si a unor alti inconstienti cu pretentii!<\/p>\n<\/div>\n

\n

\n

Dar nimic din catastrofele prevazute nu s-au adeverit reale cu ocazia Brexitului. Sunt sigur ca la fel va fi si cu viziunile intunecate cu privire la Donald Trump. Cine stie, posibilitatea ca D Trump sa devina un excelent conducator de stat este el putin la fel de reala ca si aceea ca el sa fie un Presedinte slab. Nu stim, doar viitorul ne va lumina atunci cand va deveni actualitate.<\/p>\n<\/div>\n

\n

\n

In retrospectiv, imi este lesne sa declar ca predictiile mass-medeiei au fost complet aiurea, fara nici o valoare. Zero!<\/p>\n<\/div>\n

\n

\n

Deci mass-media ori este total incompetenta, ori total corupta, ori amandoua aceste atribute. Intr-un sistem logic si obiectiv de gandire nu pot sa-i acord mass-mediei nicio credibilitate.<\/p>\n<\/div>\n

\n

\n

 <\/p>\n<\/div>\n

\n

Utopic ma gandesc ca si roamnul ar putea invata ceva de la americanul de rand, care de data asta a sfidat indoctrinarea mass-mediala si a votat cu inima si cugetul lui de om simplu. A votat pentru el si nu pentru ca sa satisfaca opinia publica mondiala.<\/p>\n

\n

D. Grama, Uppsala 8\/11\/2016 <\/a><\/p>\n

T. BASILISC<\/a><\/p>\n

Domnule Cartarescu, inteleg ca sunteti suparat pe “StarSystem”-ul american ca a sprijinit-o pe Hillary (tradus Razareatza”).
\nImi sunteti tare drag si regret din toata fiinta in generalul romanesc, aceea ca nu am avut sansa unei limbi de circulatie internationala cum ar spune G. Calinescu, altfel am fi numai cu Nichita Stanescu deja in Aurora Boreala a expresiei poetice universale.
\nPoate ca suntem la originea limbii latine si nu invers precum se minunat straduia Scoala Ardeleana.
\nImi place nespus aceasta ipoteza de lucru si ii dau curs nestavilit, fiindca am inteles ca limba romana este foarte aproape de onomatopee, de interjectie, este de o muzicalitate in primul rand alarmanta si port convingerea ca suntem din toata ginta latina, cel mai aproape de expresia frusta, emotionala, iscata din sentimente primordiale ca teama, placerea, bucuria simturilor sau durerea lor.
\nSunt absolut convins ca limba romana are ancestralitatea de dinainte de mesajul articulat, forma de “Posta-n padure” si o spun fara nici un fel de deriziune.
\nDe aceea sunt mandru de injuraturile limbii mele si de vastitatea lor, fiindca ele exprima patzania durerii inca de la barna peste deshte si degetul in gura.
\nSuntem incercati razbit si incerc sa cred ca poate de aceea si imobilismul nostru.
\nVa rog sa cititi “Nemuritorul” lui Borges in care tacerea personajului se rupe intr-o singura si zgarcita vorba, care are darul sa irumpa.
\nPronunta acolo doar numele cainelui lui Ulisse.
\nCand deja toate i s-au terminat ca noutate intr-o lume despre care altunde, acelasi Borges spune ca un general Argentinian moare ucis de glontul fiului sau, precum Cezar de lama lui Brutus doar fiindca istoria are naravul sa se repete, singura tacerea si nemiscarea neamului meu, raspunsul detasat al injonctiunii : “Daca te-ai nascut, indura” imi este pretioasa explicatie. Expresii ca “Geaba vii, geaba te duci, geaba rupi ai tai papuci”, sau “Si-asa-i rau si-asa nu-i bine, cum o pui de-aiurea vine” imi par de o expresivitate definitorie in vesnicia trairilor sale, dupa cum si in “imediatul” istoric. A muncit, a vaslit poporul acesta precum un condamnat la galere si numai in amonte, asta doar ca sa “traduca in fapte” cuvantul deja devenit intim romanului :
\n“Orice-ai face, orice-ai spune, peste toate o lopata de tzarana se depune”.
\nRegret ca nu traiti in mai multe limbi, altfel ati scapa de provincialismul de care nu te scapa “Buletin de Bucuresti”.
\nNu stiu cate limbi vorbiti, referinta mea este legata de limbile traite.
\nIn ce ma priveste, va spun ca radacina aparentului meu cinism este iscata din aceea ca nu vorbesc si Ebraica si limba dulfilor.
\nMa imbie gandul ca “Oda bucuriei” este doar o invitatie la ultrasunete pentru cel ce are urechi de auzit, dupa cum lui Beethoven auzul ii venea pe bagheta dintre dinti si pian.
\nDemocratii au invatat de la penticostali bucuria Sperantei, de la slavii afro.<\/p>\n

 <\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

George Anca<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

NEW YORK RAMAYANA<\/em><\/strong><\/p>\n

\n

BOJPURI<\/p>\n

\n

\u00eenz\u0103pezi\u0163i t\u0103tarii lui Buzzati spre Vatican<\/p>\n

\u00eenchin\u0103ciune de prim\u0103var\u0103 sc\u0103p\u0103ratei Americi<\/p>\n

oper\u0103 gospel ramayanic enescian<\/p>\n

\n

ar fi \u015fi r\u0103muri\u015ful lalelelor l\u0103sate<\/p>\n

paletele o roat\u0103 pictura \u00eenl\u0103nciat\u0103<\/p>\n

lumina pe canale p\u00e2n\u0103-n pr\u00e2nz<\/p>\n

\n

de cap c\u0103p\u0103stru bri\u015fc\u0103 ascu\u0163it\u0103 pe r\u0103bdare<\/p>\n

\u0163ie accentul nu-\u0163i strepeze\u015fte globula<\/p>\n

pandit din Guyana c\u00e2nt\u0103rea\u0163\u0103 din Surinam<\/p>\n

\n

R\u0102PIT\u0102<\/p>\n

\n

America e Ravana Seeta e lumea<\/p>\n

r\u0103pit\u0103 Rama nu s-a schimbat<\/p>\n

mama noastr\u0103 e a dumnezeirii<\/p>\n

\n

mai \u00eendr\u0103git\u0103 \u00eendr\u0103gitoarea Seeta<\/p>\n

nu e nici Radha \u00een Vraja<\/p>\n

nici Savitri de mortul \u00eenviat-a<\/p>\n

\n

\u00eeng\u0103duire kri\u015fnai\u0163i savitrini<\/p>\n

m\u0103 rog Maicii Domnului pentru Seeta<\/p>\n

m\u0103 rog Seetei pentru Maica Domnului<\/p>\n

\n

MAMEI MAMELOR<\/p>\n

\n

a\u015f pierde neauzita plecare spre Lanka<\/p>\n

de dragul unei inspira\u0163ii cum pierdui<\/p>\n

pe mama r\u0103pit\u0103 \u00een b\u0103t\u0103i de tata apoi pe am\u00e2ndoi<\/p>\n

\n

a\u015f pierde avionul de New York<\/p>\n

din maturul Amsterdam prins \u00een<\/p>\n

justi\u0163ia improvizat\u0103 de somnie<\/p>\n

\n

a\u015f pierde recuno\u015ftin\u0163a mor\u0163ilor<\/p>\n

pe o via\u0163\u0103 de alt\u0103dat\u0103 \u015fi ras\u0103 la ordin<\/p>\n

interior ca acum \u00een neor\u00e2nduial\u0103<\/p>\n

\n

ARNAM<\/p>\n

\n

arnam Brahma hrana e dumnezeu<\/p>\n

Sri Chinmoy a c\u00e2ntat la cin\u015fpe instrumente<\/p>\n

apoi a t\u0103cut medita\u0163ie \u015fi a \u00eemp\u0103r\u0163it dvd-uri<\/p>\n

\n

cin\u0103 cu trandafiri pe chestionar am scris<\/p>\n

close to god through songs and<\/p>\n

still more through resulting silence<\/p>\n

\n

panditul c\u0103 e un scriitor la telefon<\/p>\n

prima oar\u0103 nu atunci deja yankee<\/p>\n

\u00een New York numai pentru Ramayana dom\u2019le<\/p>\n

\n

MERRICK<\/p>\n

\n

no standing anyway ba-s leoarc\u0103<\/p>\n

dup\u0103 to\u0163i cire\u015fii de pe Hook Creek<\/p>\n

r\u0103mase eldoradianul de mine Lal cu Lalan<\/p>\n

\n

sub podul \u0103sta femeia na\u015fte r\u0103zboiul<\/p>\n

cu p\u0103catul spre pace Merrick trecut<\/p>\n

croaziera ploii do not lean on door<\/p>\n

\n

m\u0103 scriu Ramayana Pa\u015fte ortodox<\/p>\n

\u00een evanghelie Seeta Maria magnoliu<\/p>\n

scuturat fata coboar\u0103 \u00eenainte de bibliotec\u0103<\/p>\n

\n

WASTE ELIOT<\/p>\n

\n

funda\u0163ie de zg\u00e2rie-nor \u00een Time Square<\/p>\n

comportament simulat \u00een context dinamic<\/p>\n

black studies ai grij\u0103 Lincoln Center<\/p>\n

\n

imigrant f\u0103r\u0103 englez\u0103 digital images<\/p>\n

leul este simbolul acestei biblioteci<\/p>\n

vapoare \u0163ig\u0103ri Milton orb dict\u00e2nd Paradise Lost<\/p>\n

\n

arta decora\u0163iei pe vremea lui Napoleon<\/p>\n

dou\u0103 declara\u0163ii de independen\u0163\u0103 ale lui Jefferson<\/p>\n

femei extraordinare before Victoria<\/p>\n

\n

LATIN\u0102<\/p>\n

\n

mese electrificate pentru computer<\/p>\n

fata mic\u0103 privind la dictatorul paradisului<\/p>\n

biblia latin\u0103 a lui Gutenberg adnotat\u0103<\/p>\n

\n

Quintus Smirnaeus\u00a0 The Fall of Troy<\/p>\n

John Quinn The Man from New York<\/p>\n

Iliada r\u0103zboi Ramayana dharma<\/p>\n

\n

du-te \u00een c\u00e2t\u0103 America vrei \u00eentoarce-te<\/p>\n

din cet\u0103\u0163enie secund\u0103 somn nedormit<\/p>\n

sala de lectur\u0103 c\u00e2t un stadion NYPL<\/p>\n

\n

DRAGO<\/p>\n

\n

Drago shoe repair extrogenius Dracula<\/p>\n

by grace of god who is Rama shanti<\/p>\n

seriocomic extreme the god of hell<\/p>\n

\n

ploaie prin fereastra teatralit\u0103\u0163ii<\/p>\n

potopul peste newyorkezul Ganesh<\/p>\n

filde\u015fii gemeni i se duser\u0103 pe copc\u0103<\/p>\n

\n

mai greu ca New Yorkul nici porcul \u00eentorcu-l<\/p>\n

fetele se l\u0103sar\u0103 pe-a lui Arhimede<\/p>\n

turn\u00e2ndu-\u015fi aur\u0103ria din tunet<\/p>\n

\n

ACTOR<\/p>\n

\n

glob de pace nu de r\u0103zboi Rama face legea<\/p>\n

nu Ravana pe Lincoln l-a \u00eempu\u015fcat un actor<\/p>\n

uitasem caietul \u0103sta \u00een tren Sir nici nu clipisem<\/p>\n

\n

r\u0103zboi \u00eenve\u0163i la \u015fcoal\u0103 \u00een r\u00e2s mol\u00e2u de pace<\/p>\n

oi face \u015fi eu umbr\u0103 deas\u0103 prin Jamaica<\/p>\n

Antinous Denzel \u00een Iulius to\u0163i Brutus<\/p>\n

\n

dharma trezvie ne fie m\u0103 zbici ploaia<\/p>\n

de-oi mai \u00eendr\u0103zni m\u00e2ine \u00eentors la Van Vick<\/p>\n

do not hold doors c\u0103r\u0163i l\u0103sate acas\u0103<\/p>\n

\n

\n

GOYA<\/p>\n

\n

iar Van Vick nu dormi \u00eel trezesc da nu Manhatan<\/p>\n

jumate de cruce sp\u00e2nzur\u0103toarea magnoliului<\/p>\n

diagonala merrickan\u0103 coafeze prin geam<\/p>\n

\n

soarele fostei ploi pace de marmor\u0103<\/p>\n

\u00een v\u00e2rful rezervorului cravata str\u00e2mb\u0103<\/p>\n

din laundry \u00een Londra pe pern\u0103 peren\u0103<\/p>\n

\n

r\u0103zbel big spre pax mic sub moarte sans souffrir<\/p>\n

multiple listening bate-te tob\u0103 no standing<\/p>\n

o boy Goya pe trenul t\u0103u cire\u015fi b\u0103tu\u0163i<\/p>\n

\n

\n

PARTLY SUNNY<\/p>\n

\n

alt\u0103dat\u0103 se t\u0103iaser\u0103 \u00een cu\u0163ite pe somnul meu<\/p>\n

un telefon de la femeia din Thailanda azi-noapte<\/p>\n

s\u00e2ngele Asie nu se face trecusem iarba veveri\u0163a<\/p>\n

\n

world warpeace p\u0103ci r\u0103zboiului dedublare<\/p>\n

cavalerii cavalului albul ochilor<\/p>\n

zero alb ce pl\u0103ti \u00een plus infinirii la zar<\/p>\n

\n

Chauncey nu Ceau\u015fescu yet chanson shanti<\/p>\n

afi\u015ful \u015fcolii de filosofie practic\u0103<\/p>\n

distan\u0163ele lungi ale New Yorkului cal verde<\/p>\n

\n

\n

TRINITY<\/p>\n

\n

pretext \u00eenconjur New York Vatican<\/p>\n

unde v\u0103 duce\u0163i unde m\u0103 duce\u0163i necunoscu\u0163ilor<\/p>\n

am dep\u0103\u015fit \u00eengrozitor pacea str\u0103in\u0103<\/p>\n

\n

creuzet om mai fi av\u00e2nd r\u00e2nd Fulton<\/p>\n

ce-ar zice Malavika \u00een scrierea de-a Ganesh desh<\/p>\n

equinox Wall Street v\u0103d pe-a libert\u0103\u0163ii<\/p>\n

\n

Trinity Church the fifth Sunday of Easter<\/p>\n

in transition from nationalism to both tribalism and globalism<\/p>\n

from hierarchy to networks from me to me Maynard<\/p>\n

\n

PE THALES<\/p>\n

\n

mul\u0163i de pe aici nu te cunosc d\u0103-ne senin\u0103tate<\/p>\n

\u00eentre lucruri curajul de a le schimba<\/p>\n

\u00een\u0163elepciunea de a vedea diferen\u0163a<\/p>\n

\n

\u00een Lower Manhatan clopot tsunami m\u0103 rog<\/p>\n

s\u0103 nu m\u0103 las de Ramayana zilele astea<\/p>\n

vitralii orga flac\u0103r\u0103 apa leg\u0103n\u00e2ndu-ne ca pe Thales<\/p>\n

\n

atrium Battery acvariu balenelor de sare<\/p>\n

far amsterdamez castel Clinton verdanta \u015fi versanta<\/p>\n

chinezul le cite\u015fte alor lui din Francis Bacon liber<\/p>\n

\n

SCUMP<\/p>\n

\n

love have come back to me life is lonely again<\/p>\n

awfal again caldarari vi\u0163a in New York City<\/p>\n

I am last but certainly I am not lazy<\/p>\n

\n

inspiration of motivation americana cu pace<\/p>\n

mai mult\u0103 ca britanica pe bulk \u015fi nedormita<\/p>\n

clasa de jazz ritual erotic improvizat<\/p>\n

\n

din Broadway \u00een Soho nec\u0103zut pe fifth \u0163inut<\/p>\n

l\u0103mpile vecinei \u00een Washington Square<\/p>\n

scump New York Silicon Valley San Francisco<\/p>\n

\n

\n

ZZ<\/p>\n

\n

nu mai aude de-at\u00e2ta jazz basma verde<\/p>\n

ochi cu albastru jurnal pierdut nici ikebana<\/p>\n

\u015faten\u0103 artificial piesa s-a jucat nescris\u0103<\/p>\n

\n

body found in B\u2019klyn a black man not yet me<\/p>\n

na\u015fte \u00een tunelul Lincoln Fatma el Zahraa<\/p>\n

Ibrahim ajutat\u0103 de trei poli\u0163i\u015fti \u015fi trei tunelari<\/p>\n

\n

retro a\u015f c\u00e2na cucuvea \u00een babilonie tren\u00a0 Z<\/p>\n

civiliza\u0163ie neagr\u0103 la sfat indian vag \u00een Durban<\/p>\n

sar fetele de-o Ramayana \u00eenc\u0103 dou\u0103 nop\u0163i<\/p>\n

\n

SUBIECT<\/p>\n

\n

pe l\u00e2ng\u0103 jur\u0103m\u00e2nt dalits cu Seeta \u015fi Ravana<\/p>\n

st\u0103 scris \u00een dic\u0163ionar indo-american tu m\u0103 cite\u015fti<\/p>\n

pe limba ta ochit\u0103 cum nu m\u0103 las opririi \u00eentunecate<\/p>\n

\n

apari s\u0103 consta\u0163i la fa\u0163a locului juc\u0103ria impalpabilit\u0103\u0163ii<\/p>\n

brownian\u0103 apokalips\u0103 \u00een s\u0103pt\u0103m\u00e2na patimilor<\/p>\n

ortodoxe new-yorkeze uit\u00e2nd tuia undei<\/p>\n

\n

foarte bun subiectul Ramayana\u00a0 genele vederii peste<\/p>\n

gean\u0103 Chinmoy pandit Satya acharya Roop<\/p>\n

Ramanand Sagar a pus \u00een film \u015fi din Radhesyam<\/p>\n

\n

\n

PANDIT RAM LALL<\/p>\n

\n

Pandit Ram Lall nu sf\u0103tuie indienii s\u0103 vin\u0103<\/p>\n

\u00een America nu ce s\u0103 faci aici orice talent<\/p>\n

se cump\u0103r\u0103 acas\u0103 e mai recunoscut<\/p>\n

\n

Chand coleg cu ei bogat \u015fi ce rece<\/p>\n

fiecare cum \u00eei e fire fair he is claming<\/p>\n

seniority to me I am older uncle John nea Ion<\/p>\n

\n

to\u0163i arti\u015ftii \u00een r\u00e2ndul doi jai sri Ram Tulsidas Valmiki<\/p>\n

oameni mari\u00a0 visul panditului s\u0103 aduc\u0103 Ramayana \u00een<\/p>\n

New York Hanuman Chalisa sanathana dharma<\/p>\n

\n

ARYA SAMAJ<\/p>\n

\n

e\u015fti american sunt idian mam\u0103 guyanez\u0103<\/p>\n

engleza din George Town din suburb\u0103<\/p>\n

la tine \u00een templu nu se aprinse lumina<\/p>\n

\n

m\u0103 \u00eentrebasei dac\u0103 vreau s\u0103-l v\u0103d<\/p>\n

Hristos a \u00eenviat \u00een Arya Samaj<\/p>\n

ferchezuindu-ne \u00eenvierea de tinere\u0163e<\/p>\n

\n

ce \u015fi-n b\u0103tr\u00e2n s-o drege a \u00eentoarce troace<\/p>\n

tu-\u0163i cron\u0163\u0103ni beregata comunic\u0103m de ne \u015fi desp\u0103r\u0163im<\/p>\n

plstifiere chinul se deconteaz\u0103 chinez<\/p>\n

\n

VINO S\u0102 VEZI<\/p>\n

\n

v\u0103 da\u0163i invitatori de invitabili Ramerica Ramses<\/p>\n

cucut\u0103 cire\u015fii silaba lungit\u0103\u00a0 cerc peste cerc<\/p>\n

\u00een b\u0103l\u0163ile ploii hipnotiz\u00e2ndu-te d\u00e2ndu-te de p\u0103m\u00e2nt<\/p>\n

\n

veghe de zeghe ruga potmolului distinc\u0163ia dichisului<\/p>\n

Arya Samaj n-are temple vino s\u0103 vezi templul<\/p>\n

pe \u00eentuneric swami Dayanand fresce \u00een Shakti Nagar<\/p>\n

\n

r\u0103pitor ideal \u00eemi ironizez pl\u0103cerea inutilit\u0103\u0163ii<\/p>\n

v\u0103zui Ellis nu libertatea\u00a0 la transcriere<\/p>\n

n-o s\u0103 \u0163in nici m\u0103sura nisipului albastru<\/p>\n

\n

\n

TACHINARE<\/p>\n

\n

nu sufer\u0103 nimeni to\u0163i se distreaz\u0103 ca \u00eenainte<\/p>\n

s\u0103 nu-l trezim pe pandit ni s-a n\u0103scut Pa\u015ftele<\/p>\n

tr\u0103iesc f\u0103r\u0103 el \u00een America tot cam ca-n India<\/p>\n

\n

s-ar v\u0103rsa lacrima \u00een Gange sfin\u0163enia s-ar plimba<\/p>\n

cu oltenii vreo tachinare China tare copiii o memorie<\/p>\n

de unde r\u0103bdarea tot altui tricolor adio \u0163\u0103ri<\/p>\n

\n

obstacole paxale pascale Goe a c\u00e2ntat toat\u0103 noaptea<\/p>\n

f\u0103r\u0103 mine epitropul de tac-so a r\u0103mas cu Tibi<\/p>\n

\u00eei m\u00e2ncam pe Pope\u015fti pacea m-a dat jos de pe cal<\/p>\n

\n

GEMENI OPU\u015eI<\/p>\n

\n

lumea s-a schimbat na\u015ftere trecut\u0103\u00a0 gemeni opu\u015fi<\/p>\n

idei plimbate canon Trianon bun\u0103tate pastoral\u0103 albine<\/p>\n

m\u0103 ploconesc temei Rama c\u00e2nd lumea zice mama Sita<\/p>\n

\n

sec\u0163ia mea cu sacrificiul meu pa\u015fte \u00eenviat \u00een Queens<\/p>\n

a noastr\u0103 \u015ftergere de pe linia de tramvai ne<\/p>\n

conferen\u0163iem tat\u0103 ai face bine s\u0103 \u00eenviezi<\/p>\n

\n

conduci ma\u015fina comunitatea hindu ladino Dante<\/p>\n

ante portas frumuse\u0163ile satului nostru te audiau<\/p>\n

mama \u015fi ea de nu la vite neramayanic\u0103 nedreptate<\/p>\n

\n

\n

JUR\u0102M\u00c2NTUL SPIRALEI<\/p>\n

\n

zilele-mi plouar\u0103 surioar\u0103 nu mi-ai spune Tulsidas<\/p>\n

ce s\u0103 te mai caut ce s\u0103 ne spunem ne auzisem<\/p>\n

r\u0103d\u0103cini de prisos copil\u0103rie \u015ftiin\u0163a vygyan<\/p>\n

\n

pelin din Lexington Scarlet negres\u0103 a war in Europe<\/p>\n

de r\u00e2s Caderousse cade rus karma Carmen in Cavaillon<\/p>\n

anacronismul postmodern al vacilor melancoliilor<\/p>\n

\n

jur\u0103m\u00e2ntul spiralei ceas cea\u015fca de neant newyorkez<\/p>\n

jos din ermetism lumineaz\u0103-te totala obi\u015fnuin\u0163\u0103<\/p>\n

cu ora\u015ful total prin lentilele de contact jadis<\/p>\n

\n

\n

CE MI-A SCRIS ELIADE<\/p>\n

\n

vestit\u0103 carbonizare de fulger veveri\u0163a neagr\u0103<\/p>\n

\u0163i-am tradus ce mi-a scris Eliade e\u015fti mai mult<\/p>\n

dec\u00e2t America\u00a0 nepr\u0103ji\u0163i cartofi\u00a0 lost libido<\/p>\n

\n

intrasem \u00een film decolor\u00e2ndu-m\u0103 fresc\u0103 postcatolic\u0103<\/p>\n

unghiile \u00een ochi ciocurile \u00een scoar\u0163a copacului<\/p>\n

care mai transpiri lupt\u0103toarea s-o filmeze Giordana<\/p>\n

\n

capsomani money capse \u00eent\u0103r\u00e2tat\u0103 T\u0103rt\u0103ria imita\u0163ia<\/p>\n

p\u0103durii \u00een locul tartorilor dans\u00e2ndu-\u015fi r\u0103stignirea<\/p>\n

cine omor\u00ee copiii Medeei din America \u00een Colhida<\/p>\n

\n

\n

\u00a0<\/em><\/p>\n

\n

\n

TATA \u00ceN AMERICA<\/p>\n

\n

platin\u0103 clatin\u0103 a nu vorbi de America \u00een casa<\/p>\n

americanului geam\u0103n cu dezgem\u0103narea suspicionai<\/p>\n

albul dar nici plicurile ro\u015fii albastre nu te \u00eembujorau<\/p>\n

\n

pl\u00e2nsul copiilor \u00eendr\u0103ge\u015fte dreptatea opiomanului Homer<\/p>\n

giurgina \u00een Giurgiu Ramayana \u00een R\u00e2mnic s\u00e2n de S\u00e2mnic<\/p>\n

ap\u0103 de pandit peste surinamezi olandezi li\u0163\u0103 vi\u0163\u0103 strugure<\/p>\n

\n

trezvia caravanei c\u0103lc\u00e2nd de laud\u0103 pust\u0103 mansarda<\/p>\n

de ce \u015fi-ar l\u0103sa India zvastica \u00een macazul lui Hitler<\/p>\n

prosperitatea \u015fi-o dore\u015fte \u015fi tovar\u0103\u015ful pe tovar\u0103\u015fa<\/p>\n

\n

\n

CIUPIT \u015eI \u00ceN NEW YORK DE B\u0102TR\u00c2NE\u0162E<\/p>\n

\n

Rama lunar F\u0103t-Frumos \u00eempu\u015fc\u0103 \u00een lun\u0103 ramayanic\u0103<\/p>\n

pax la pas tetraedric sub cedru \u00eencununat de sp\u00e2nzur\u0103toare<\/p>\n

aur\u0103 maur\u0103 m\u0103 deromantizasem \u00eenc\u0103 din via\u0163\u0103<\/p>\n

\n

meloa moale serpentin\u0103 prin broderia degener\u0103rii<\/p>\n

nil Nil Ramses Rama iarb\u0103 nisipoas\u0103 desen\u00e2ndu-se c\u0103mila<\/p>\n

la noi \u00een Berceni doi albesc barba \u00een bangra<\/p>\n

\n

admira\u0163i asiaticii p\u00e2n\u0103 nu orbi\u0163i \u00een cle\u015ftii norilor<\/p>\n

electrocuta\u0163i ciupit \u015fi \u00een New York de b\u0103tr\u00e2ne\u0163e<\/p>\n

mai neatent ca \u00een tinere\u0163e la blana furtului pe furtun\u0103<\/p>\n

\n

M\u00c2NTUIT NEW YORK<\/p>\n

\n

ne traducem \u00eentre noi identitatea respira\u0163iei<\/p>\n

ne ilustr\u0103m claustrul \u00een reverie neobsesiv\u0103<\/p>\n

avem loc mai to\u0163i \u00een propria Americ\u0103<\/p>\n

\u015fi-om exploda \u00eentr-o \u00eensemnare sarmat\u0103<\/p>\n

\n

transa codobaturei trubadure aripi de calcan<\/p>\n

ne-o mai cre\u015fte frunza a ne recunoa\u015fte<\/p>\n

cap de elefant dintr-un dinte energia rezonan\u0163ei<\/p>\n

extraordinar s\u0103 m\u0103 faci pe mine martalog<\/p>\n

\n

exil ubicuu localnici \u00een sp\u00e2nzur\u0103toare<\/p>\n

i\u0163e \u00een cruce primul lucru te castrez<\/p>\n

harism\u0103 risipit\u0103 lectic\u0103 dialectic\u0103<\/p>\n

\u00een vise cinmantonice m\u00e2ntuit New York<\/p>\n

\n

HIBISCUS<\/p>\n

\n

mirare mirror o moar\u0103 omoar\u0103 gr\u00e2na<\/p>\n

pe rupte versionabil\u0103 New York Ramayana<\/p>\n

relibido ter\u0163inele din Queens \u00een Manhatan<\/p>\n

rasa clemet\u0103 m-a lovit cu leag\u0103nul \u00een cap<\/p>\n

\n

zeama de l\u0103m\u00e2ie eugenie spermicid<\/p>\n

s-o \u00eent\u00eempla Penelopa \u00een Pamplona<\/p>\n

New York Ramayana Trivium Tatiana<\/p>\n

Hide and Seek Hyde and Jeckyll<\/p>\n

\n

nu po\u0163i muri p\u00e2n\u0103 nu-\u0163i spui p\u0103catul<\/p>\n

p\u0103rin\u0163ii lacrimi portocalii al buio<\/p>\n

ter\u0163inele schimbate pe catrene se r\u0103zbun\u0103<\/p>\n

te transformi \u00een hibiscus p\u00e2lnie autodevor\u0103rii<\/p>\n

\n

\n","protected":false},"excerpt":{"rendered":"

  New\u00a0 York\u00a0 Ramayana Colocviile de Mar\u021bi Mar\u021bi\u00a0 29 noiembrie\u00a0 2016, 5 pm, Calderon 39 \u00a0Anul VII, nr. 12 (85).\u00a0 [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-27794","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/27794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=27794"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/27794\/revisions"}],"predecessor-version":[{"id":27797,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/27794\/revisions\/27797"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=27794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=27794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=27794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}