{"id":2925,"date":"2012-03-16T20:23:58","date_gmt":"2012-03-16T20:23:58","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=2925"},"modified":"2017-06-09T13:53:35","modified_gmt":"2017-06-09T13:53:35","slug":"%e2%80%9einteleptul-din-america%e2%80%9c","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/03\/16\/%e2%80%9einteleptul-din-america%e2%80%9c\/","title":{"rendered":"\u201e\u00ceN\u021aELEPTUL DIN AMERICA\u201c"},"content":{"rendered":"

Alexandru Nemoianu \u2013 opera \u00een analize \u0219i exegeze<\/strong><\/p>\n

Documentar ini\u021biat, \u00eengrijit \u0219i prefa\u021bat de Artur Silvestri<\/strong><\/p>\n

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Volumul cuprinde analize, studii \u0219i comentarii despre c\u00e3r\u021bile lui Alexandru Nemoianu, ap\u00e3rute \u00een diferite reviste rom\u00e2ne\u0219ti sau, cele mai multe, alc\u00e3tuite special pentru aceast\u00e3 culegere cu caracter de sintez\u00e3 preliminar\u00e3.<\/em><\/strong><\/p>\n

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UN SENS AL N\u00c3DEJDII<\/strong><\/p>\n

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Soarta operei lui Alexandru Nemoianu este tot at\u00e2t de stranie ca \u0219i opera \u00eens\u00e3\u0219i. <\/strong>\u00ce<\/strong>n acest caz, un complex de \u00eemprejur\u00e3ri potrivnice opre\u0219te privirea calm\u00e3 \u0219i cuprinz\u00e3toare \u0219i am\u00e2n\u00e3 \u00een chip greu de \u00een\u021beles at\u00e2t valorificarea operei c\u00e2t \u0219i percep\u021bia ei dac\u00e3 nu chiar \u00eempiedic\u00e3 p\u00e2n\u00e3 \u0219i citirea \u00eens\u00e3\u0219i. Contribuie la aceasta, \u00eentre altele, dificult\u00e3\u021bile \u00een a fi clasificat\u00e3 ca gen \u0219i formul\u00e3. Scriitorul e socotit, prin simplificare stereotip\u00e3, c\u00e2nd istoric, c\u00e2nd prozator iar produc\u021biile lui, fiind neobi\u0219nuite, nu par s\u00e3 atrag\u00e3 aprioric sau intimideaz\u00e3. Dar nici tematica nu pare mai apropiat\u00e3 spiritului comun.<\/strong><\/p>\n

\u201eIstoria rom\u00e2nilor-americani\u201c (materie cu aspect specios \u0219i, \u00een aparen\u021b\u00e3, obiect de erudi\u021bie seac\u00e3 \u0219i arhivistic\u00e3), memorialistic\u00e3 \u201e\u021b\u00e3r\u00e3nismului\u201c afirmat violent\u00a0 \u00een \u201eBorloveni\u201c sau aceea i-revendicativ\u00e3 \u0219i elegiac\u00e3 din \u201ePuccini 4\u201c sunt tot ce poate fi mai rebarbativ \u00een viziunea <\/strong>intelectualului de atitudine creol\u00e3<\/em><\/strong> \u0219i a <\/strong>belferimii lucr\u00e2nd dup\u00e3 tipar<\/em><\/strong>. \u0218i cum scriitorul vie\u021buie\u0219te \u00eentr-o recluziune anahoretic\u00e3 \u00een \u021binuturi \u00eendep\u00e3rtate \u0219i nu cultiv\u00e3 prietesugul zgomotos \u0219i spiritul gregar, manifest\u00e2ndu-se \u00een manier\u00e3 grav\u00e3, reflexiv\u00e3 \u0219i tic\u00e3it\u00e3, incapabil nu a practica ci chiar a pricepe tocmeala, \u00eenvoielile \u0219i scara de valori rezultat\u00e3 din troc, r\u00e3sp\u00e2ndirea prin lectur\u00e3 e restr\u00e2ns\u00e3 de\u0219i opera exist\u00e3 cantitativ \u0219i, privita atent, ar trebui s\u00e3 impun\u00e3. \u0218i exegeza nu putea fi dec\u00e2t firav\u00e3 p\u00e2n\u00e3 la un punct, con\u021bin\u00e2nd o vreme mai mult recenzii \u00eent\u00e2mpl\u00e3toare \u0219i pu\u021bine.<\/strong><\/p>\n

Aceast\u00e3 situa\u021bie nici nu uime\u0219te \u00een climatul de grotesc, pestri\u0219 \u0219i de ierarhii de valori cl\u00e3dite anapoda ce domne\u0219te la noi unde \u00een tradi\u021bie ancilar\u00e3 se s\u00e3rut\u00e3 p\u00e2n\u00e3 \u0219i papucii boierimii depravate de prin divane \u00een vreme ce c\u00e3rturarului re\u021binut \u0219i g\u00e2nditorului eretic \u2014 socoti\u021bi a nu avea greutate \u00een<\/strong><\/p>\n

imediatul chiverniselilor de neam-prost \u2014 le r\u00e3m\u00e2n dispre\u021bul \u0219i omisiunile voite sau nep\u00e3s\u00e3toare. Concluzia ce s-ar fi ob\u021binut p\u00e2n\u00e3 deun\u00e3zi, indic\u00e2nd c\u00e3 exist\u00e3 opera dar lipse\u0219te penetra\u021bia nici nu ar fi avut importan\u021b\u00e3 c\u00e3ci nu at\u00e2t adula\u021bia contemporanilor d\u00e3 valoarea ci st\u00e3ruin\u021ba ecoului \u00een timp \u0219i puterea \u201escriselor\u201c de a \u00eenr\u00e2uri (fie \u0219i prin adagiu anonim \u0219i apoftegma devenit\u00e3 \u201efolklor\u201c) cre\u00e2nd interoga\u021bii periodice; acestea dac\u00e3 nu ar ilustra cazul dramatic c\u00e2nd, ignorat\u00e3 \u00een vremea ei, opera ar \u00eeng\u00e3dui abia probabile restituiri \u0219i n\u00e3dejdi \u00een descoperirea t\u00e2rzie. Cum \u00eens\u00e3 la noi, unde metoda \u201eingrop\u00e3rii de viu\u201c a celui inconform face furori \u0219i ridicarea sc\u00e3rii de valori se face cu exclusivism \u00eenc\u00e3 de azi (dac\u00e3 nu chiar de ieri prin selec\u021bia aprioristic\u00e3) \u00eencrederea \u00een dreptatea posterit\u00e3\u021bii trebuie s\u00e3 fie mai redus\u00e3 dec\u00e2t ne-ar \u00eent\u00e3ri-o vremurile neconvulsive cum nu sunt cele ce le tr\u00e3im. Rezult\u00e3 c\u00e3 <\/strong>ipoteza<\/em><\/strong> <\/strong>justi\u021biar\u00e3 \u00een forma ei metafizic\u00e3 <\/em><\/strong>trebuie mai degrab\u00e3 stimulat\u00e3 prin ajutor contemporan \u0219i contribu\u021bie f\u00e3r\u00e3 iluzii \u00eens\u00e3 cu sim\u021b\u00e3m\u00e2ntul viu al m\u00e3surilor echilibrate.<\/strong><\/p>\n

Cartea aceasta acoper\u00e3 \u00een fapt goluri anterioare de\u0219i fusese pl\u00e3nuit\u00e3 ca omagiu de v\u00e2rst\u00e3 rotund\u00e3 \u00eentr-un fel, totu\u0219i, diferit de obi\u0219nuitele \u201emelanges\u201c (incluz\u00e2nd evoc\u00e3ri de personalitate, \u201efortuna\u201c \u0219i studii \u00een subiecte de tot felul. \u00cen locul lor s-au adunat c\u00e2teva zeci de comentarii, eseuri \u0219i, pu\u021bine doar, cronici \u0219i recenzii care, de\u0219i c\u00e2nt\u00e3resc \u2014 ca majoritate \u2014 sufficient c\u00e2t s\u00e3 impun\u00e3, abia dac\u00e3 deschid un dosar al recept\u00e3rii \u00een felul unor pagini preliminare.<\/strong><\/p>\n

C\u00e3ci dep\u00e3\u0219ind prejudec\u00e3\u021bile, cititorul \u00eencepe a descoperi cu uimire c\u00e3 acolo unde pare a \u00eent\u00e2lni examinare de istoric este, de fapt, un gen rar de literatur\u00e3 sapien\u021bial\u00e3 cultiv\u00e2nd f\u00e3r\u00e3 model explicit apologul, \u201ecuv\u00e2ntul de<\/strong><\/p>\n

\u00cenv\u00e3\u021b\u00e3tur\u00e3\u201c \u0219i \u201epova\u021b\u00e3\u201c precum \u00een alte vremuri c\u00e2nd nu literatura ci cercetarea ziditoare constituia formula predilect\u00e3 \u0219i cu efect \u0219i c\u00e3 autorul tinde nu spre dizerta\u021bie de catedr\u00e3 ci \u2014prin adagiu \u0219i apoftegm\u00e3 \u2014 la \u201eexemplar\u201c \u0219i \u00een\u021belep\u021bire.<\/strong><\/p>\n

Proza \u00eens\u00e3\u0219i nici m\u00e3car nu-i fic\u021biune propriu-zis\u00e3 ci pove\u0219ti libere extrase<\/strong><\/p>\n

din via\u021b\u00e3 sau, mai bine zis, fulgura\u021bii de un fel memorialistic de o ingenuitate uimitoare \u0219i unde adeseori aripa angelic\u00e3 a poeziei bate rar, ritmic \u0219i impresionant precum \u00een prea pu\u021bine din crea\u021biile de seam\u00e3 care nici nu au gen, specie \u0219i asem\u00e3n\u00e3ri. Literatura \u00eens\u00e3\u0219i, de fapt \u201ecrea\u021bia\u201c (c\u00e3ci aceste \u00eentocmiri sunt literatura dar situat\u00e3 \u00een alt\u00e3 v\u00e2rst\u00e3, poate coetanee cu \u00eensemn\u00e3rile medievale de scriptoriu) e un fel de \u0219ir prelung \u0219i rapsodic de \u201eeseuri\u201c adic\u00e3 de \u201e\u00eencerc\u00e3ri\u201c \u00een sensul originar unde, dac\u00e3 ar trebui s\u00e3 se cuprind\u00e3 \u00eentreaga lor semnifica\u00feie, chiar \u00een\u00feelesul mistic ar fi prezen\u00fea de c\u00e3p\u00e3t\u00e2i.<\/strong><\/p>\n

Dar \u0219i tematic\u00e3 se dovede\u0219te a fi altfel dec\u00e2t pare. Ceea ce, \u00een cercet\u00e3rile<\/strong><\/p>\n

despre \u201erom\u00e2nul american\u201c, d\u00e3 sentimentul studiului de erudi\u021bie pe subiect impus (fiind, \u00een fond, dovezi de spirit c\u00e3rtur\u00e3resc \u00eenzestrat \u0219i meticulos) se reveleaz\u00e3 deopotriv\u00e3 ca reflec\u021bii asupra \u201emodelului existen\u021bial rom\u00e2nesc\u201c, \u00een fond un originism consubstan\u021bial ce se poart\u00e3 cu sine inerent peste incidentalul geografic \u0219i contextul \u00eeng\u00e3duitor sau ostil. \u201e\u021b\u00e3r\u00e3nismul\u201c \u00eensu\u0219i al <\/strong>Borlovenilor <\/em><\/strong>se adaug\u00e3 acestui mister de conforma\u021bie prin ecou de unit\u00e3\u021bi organice \u0219i, de oriunde am lua-o, se r\u00e3sfr\u00e2nge \u00een impresionantele dovezi de <\/strong>materie medular\u00e3 <\/em><\/strong>c\u00e3linescian\u00e3 \u00eentruchipate de \u201espiritul getic\u201c, de sadovenism \u0219i de <\/strong>regresiunea c\u00e3tre arhaic<\/em><\/strong>. Filosofia \u00eens\u00e3\u0219i este aici ie\u0219it\u00e3 din realit\u00e3\u021bile necontingente \u0219i nu-i de mirare c\u00e3 \u00een satul primordial, codificat de ritualuri, hotare, obiceiuri \u0219i cutume enigmatice, sentimentul vie\u021bii \u00een spiritual comunal, de \u201eloc de origine\u201c dezvoltat prin \u021binuturi, plasi \u0219i \u201e\u021b\u00e3ri\u201c, triumf\u00e3 ca legitimitate. Acesta este, la drept vorbind, \u0219i argumentul memorialisticii \u201ebucure\u0219tene\u201c din <\/strong>Puccini 4 \u0219i \u00eemprejurimi <\/em><\/strong>care nedumere\u0219te printr-un <\/strong>bucure\u0219tenism <\/em><\/strong>de cartiere tradi\u021bionale, de \u201emahalale\u201c str\u00e3vechi \u0219i de lume a\u0219ezat\u00e3 \u00een m\u00e3surile vie\u021bii la \u021bar\u00e3 inevitabil\u00e3 \u00eentr-o federa\u021bie de sate precum Bucure\u0219tii originari.<\/strong><\/p>\n

Perspectiva este pretutindeni \u201eeretic\u00e3\u201c av\u00e2nd, de fapt, o inactualitate ce se \u00eent\u00e2lne\u0219te cu greu la noi unde stereotipul impus const\u00e3 \u00een semidoctismul<\/strong><\/p>\n

petulant, \u201eur\u00e2tul\u201c steril \u0219i o maladie a urii fa\u021b\u00e3 de sine ce stric\u00e3 p\u00e2n\u00e3 \u0219i destule suflete tari. \u00cens\u00e3 aduc\u00e2nd reac\u00feiune \u0219i argument, aceasta treze\u0219te, impresioneaz\u00e3 pe c\u00e3i nel\u00e3murite \u0219i stimuleaz\u00e3. Fiindc\u00e3, \u00een ultim\u00e3 analiz\u00e3, aceast\u00e3 carte cuprinde un \u0219ir de revela\u021bii \u0219i desf\u00e3\u0219oar\u00e3 un sens al n\u00e3dejdii care, la r\u00e2ndul ei, este reg\u00e3sit\u00e3 cu uluire ca \u0219i cum spiritul colectiv se treze\u0219te dintr-un lung somn dogmatic \u00een luminile pure, calme \u0219i aurorale.<\/strong><\/p>\n

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ARTUR SILVESTRI<\/strong><\/p>\n

25 Aprilie 2008, \u00een Vinerea Mare<\/em><\/strong><\/p>\n

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O REALITATE DE CARE AVEM NEVOIE <\/strong><\/p>\n

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Alexandru Nemoianu, admirabilul nostru contemporan din America, \u201er\u00e3mas \u2014 acolo unde e \u2014 un adev\u00e3rat reazem al spiritului tradi\u021biei rom\u00e2ne\u0219ti\u201c, vegheaz\u00e3 \u0219i tr\u00e3ie\u0219te clipa \u0219tiind c\u00e3 \u201enimeni nu este singur\u201c; cu noi fiind Dumnezeu. De peste ape, \u00eendemnul cald \u201es\u00e3 nu ne fie fric\u00e3\u201c, s\u00e3 ne p\u00e3str\u00e3m credin\u021ba mo\u0219tenit\u00e3, ca ni\u0219te adev\u00e3ra\u021bi \u201etradi\u021bionali\u0219ti\u201c, cu inima sus c\u00e3tre Dumnezeu, \u00eencrez\u00e3tori \u00een noi \u0219i \u00een taina locului, vine \u0219optit prin paginile c\u00e3r\u021bilor Domniei Sale.<\/strong><\/p>\n

C\u00e3r\u021bile Domnului Alexandru Nemoianu \u201edezvolt\u00e3 \u00een mod natural opera de g\u00e2nditor cre\u0219tin, fiind un punct de vedere nou \u0219i articulate asupra modelului existen\u021bial rom\u00e2nesc\u201c. Este OMUL care crede \u00een ADEV\u00c3R, \u0219tiind c\u00e3 doar El ne face liberi. \u201eAdev\u00e3rul este o Persoan\u00e3 \u0219i mai exact, Una care cuprinde, \u00eentr-un \u00eentreg de o fiin\u021b\u00e3, Adev\u00e3rul, Calea \u0219i Via\u021ba.\u201c<\/strong><\/p>\n

\u0218i mie \u00eemi place expresia D-lui Artur Silvestri \u201eEnigma prin Neamuri\u201c. \u201eCeva nev\u00e3zut, de demult, ce une\u0219te \u0219i \u00eentrege\u0219te indiferent de timp \u0219i spa\u021biu. Venind din v\u00e3ile Alm\u00e3jului, unde \u201eoamenii lui sunt doina, \u00eenceput\u00e3 cine \u0219tie c\u00e2nd \u0219i care se continua mereu acea\u0219i \u00een fond \u0219i mereu t\u00e2n\u00e3r\u00e3 \u0219i fermec\u00e3toare \u00een form\u00e3, \u00een forma nou\u00e3 \u00een care se \u00eembrac\u00e3\u201c, \u00eel reg\u00e3sim adesea pribegind prin locurile dragi, cu ochi de prunc, cu ochi de adult, cu sufletul \u00eenc\u00e3rcat de acela\u0219i miraj. Probabil \u00een tainicul lumii \u00eendep\u00e3rtate, asemenea unui c\u00e3lug\u00e3r vizionar, prin rug\u00e3ciunile sale, retras din r\u00e3utatea lumii, ne-a facut o radiografie complet\u00e3 a vremurilor ce le tr\u00e3im.<\/strong><\/p>\n

\u00centr-o societate bulversat\u00e3 de mult\u00e3 \u201epolitichie\u201c \u0219i confuzie, m-am aplecat \u00een aceste zile asupra c\u00e3r\u021bilor Domniei Sale, \u0219i m-am oprit asupra unor \u201eFragmente din vremea persecu\u021biilor\u201c, o carte de eseuri \u0219i \u201e\u00eensemn\u00e3ri r\u00e3zle\u021be\u201c \u0219i adnot\u00e3ri scrise de autor \u00een anii 2005 \u0219i 2006. Dac\u00e3 nu a\u0219 cunoa\u0219te drumul Domniei sale, citindu-l, a\u0219 fi fost convins\u00e3 c\u00e3 m\u00e3 aflu \u00een fa\u021ba unei c\u00e3r\u021bi scrise \u00een chilia unui bl\u00e2nd monah ce \u00eencearc\u00e3 s\u00e3 descifreze ecua\u021bia lui Dumnezeu. \u0218i cred c\u00e3 pentru d\u00e2nsul nu exist\u00e3 necunoscute. Biblia i-a fost abecedarul, istoria, \u0219i celelalte \u0219tiin\u021be. Harul divin se prime\u0219te prin credin\u021b\u00e3 \u0219i mult\u00e3 rug\u00e3ciune. Dumnezeu l-a m\u00e2ng\u00e2iat la vreme pentru vremuri… Pentru Alexandru Nemoianu \u201elumea aceasta, \u00een care tr\u00e3im, este o stare c\u00e3zut\u00e3, contaminat\u00e3 de r\u00e3u, sub p\u00e3cat. Ea este st\u00e3p\u00e2nit\u00e3 de puterile r\u00e3ului \u0219i acestea nu pot oferi dec\u00e2t o iluzie, o minciun\u00e3 \/ o fraud\u00e3, singurul rod ce \u00eel poate z\u00e3misli \u201etat\u00e3l minciunii\u201c.<\/strong><\/p>\n

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Suntem \u00een prag de alegeri. Poate ar fi bine s\u00e3 medit\u00e3m la spusele \u201e\u00cen\u021beleptului din America\u201c. Fiecare din noi av\u00e2nd un \u201erol unic\u201c: \u201eDiversitatea uluitoare a evenimentelor istorice, \u201eschimb\u00e3rile\u201c de care vorbeam, sunt toate ocazie, posibilitate, pentru fiecare persoan\u00e3 de a alege \u00eentre bine \u0219i r\u00e3u \u0219i, astfel, putin\u021ba de m\u00e2ntuire. Formele sub care suntem chema\u021bi la participare sunt mereu noi \u0219i f\u00e3r\u00e3 precedent \u0219i de aceea al\u00e3turarea la bine sau la r\u00e3u tot mereu va fi f\u00e3r\u00e3 echivoc.\u201c<\/strong><\/p>\n

Dl. Alexandru Nemoianu ne avertizeaz\u00e3 c\u00e3, \u201e\u00eemplinirea personalit\u00e3\u021bii umane, m\u00e2ntuirea ei, nu vine <\/strong>\u00een <\/em><\/strong>\u0219i <\/strong>prin Istorie <\/em><\/strong>ci <\/strong>la cap\u00e3tul ei<\/em><\/strong>. Dar cele spuse la nici un caz nu \u00eenseamn\u00e3 c\u00e3 \u00een existen\u00fea sa<\/strong> <\/em><\/strong>p\u00e3m\u00e2nteasc\u00e3 omului i se cere s\u00e3 fie pasiv, deta\u0219at, \u201eneangajat\u201c. E<\/strong> <\/em><\/strong>dovada ad\u00e2ncii \u00een\u021belegeri pravoslavnice a rostului individului c\u00e3ci<\/strong> <\/em><\/strong>a\u0219a arat\u00e3 Sf\u00e2ntul Teofan Z\u00e3voratul \u201e<\/strong>Nimic nu vine f\u00e3r\u00e3 trud\u00e3. Ajutorul lui Dumnezeu este \u00eentotdeauna al\u00e3turi de noi \u0219i gata s\u00e3 se iveasc\u00e3, dar el se d\u00e3ruie doar acelora care caut\u00e3 \u0219i trudesc \u0219i \u00eenc\u00e3 mai v\u00e2rtos acelora care c\u00e3ut\u00e2nd \u00ee\u0219i istovesc tot talentul ce le-a fost dat \u0219i abia atunci, cu toat\u00e3 inima \u00ee\u0219i \u00eenal\u021b\u00e3 glasul strig\u00e2nd: \u00abDoamne ajut\u00e3-m\u00e3!\u00bb<\/em><\/strong><\/strong><\/p>\n

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Alexandrul Nemoianu – \u201eun truditor\u201c al neamului! Sfin\u021benia \u201elocului\u201c o tr\u00e3ie\u0219te tainic. \u0218tie c\u00e3 d\u00e3ruind, va dob\u00e2ndi! Un OM puternic,av\u00e2ndu-l pe Dumnezeu al\u00e3turi.<\/strong><\/p>\n

Alexandru Nemoianu – un scriitor complex. O profunzime \u0219lefuit\u00e3, al\u00e3turi de oameni, natur\u00e3, necuv\u00e2nt\u00e3toare, \u00eentr-un \u201eRai \u00een care ne-a vrut Dumnezeu\u201c. Un fin observator al Lumii, ce \u0219tie ce \u00eenseamn\u00e3 \u201ejertfa\u201c, ar\u00e3t\u00e2ndu-ne drumul spre ADEV\u00c3R, SPRE M\u00c2NTUIRE.<\/strong><\/p>\n

Nu am citit niciodat\u00e3 ceva at\u00e2t de compact \u00een c\u00e2teva fraze. O trecere fireasc\u00e3 de la adev\u00e3r \u0219i religie, loc \u0219i lume. Domnia sa merit\u00e3 s\u00e3 fie \u00eencurajat! Mai are multe de spus! R\u00e3m\u00e2n chiar la convingerea c\u00e3 ar trebui s\u00e3-i scoatem separat, \u00eentr-o carte, frazele \u00een\u021belepte pline de t\u00e2lc \u0219i adev\u00e3r, adev\u00e3rate pove\u021be.<\/strong><\/p>\n

Citindu-l, m-am cutremurat cum a g\u00e2ndit \u00een anii trecu\u021bi \u0219i ce se \u00eent\u00e2mpl\u00e3 ast\u00e3zi; modul Domniei Sale de a vedea lumea este impresionant.<\/strong><\/p>\n

A\u0219a o v\u00e3d \u0219i eu… o nebunie \u00een plus. Globalizarea, religia, problemele social-economice sunt prinse perfect. A\u0219a \u0219i este. Un curaj uimitor! Nici nu ai spune c\u00e3 ar fi arheolog sau istoric… mai degrab\u00e3 sociolog… \u0219i cred c\u00e3 ar fi fost un Parinte bun… Un vrednic ucenic al Parintelui Justin P\u00e2rvu \u2026<\/strong><\/p>\n

Alexandru Nemoianu \u201ee o realitate izbitoare\u201c. O realitate de care avem nevoie.<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0Cu Dumnezeu \u00eenainte, Domnule Alexandru Nemoianu!<\/strong><\/p>\n

Mariana Gurza<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

( Fragmment din volumul: \u201e\u00ceN\u021aELEPTUL DIN AMERICA\u201c -Alexandru Nemoianu \u2013 opera \u00een analize \u0219i exegeze.Documentar ini\u021biat, \u00eengrijit \u0219i prefa\u021bat de Artur Silvestri, <\/strong>INTERMUNDUS, 2008)<\/strong><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Alexandru Nemoianu \u2013 opera \u00een analize \u0219i exegeze Documentar ini\u021biat, \u00eengrijit \u0219i prefa\u021bat de Artur Silvestri \u00a0 \u00a0 Volumul cuprinde [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2925","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/2925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=2925"}],"version-history":[{"count":1,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/2925\/revisions"}],"predecessor-version":[{"id":2928,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/2925\/revisions\/2928"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=2925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=2925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=2925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}