{"id":29980,"date":"2017-05-16T13:59:01","date_gmt":"2017-05-16T13:59:01","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=29980"},"modified":"2017-05-16T16:29:09","modified_gmt":"2017-05-16T16:29:09","slug":"ioan-popoiu-aparent%e2%80%9d-un-volum-al-starilor-poetice-pure","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2017\/05\/16\/ioan-popoiu-aparent%e2%80%9d-un-volum-al-starilor-poetice-pure\/","title":{"rendered":"Ioan Popoiu: ,,Aparent\u201d un volum al st\u0103rilor poetice pure"},"content":{"rendered":"

\"\"<\/a>La editura ,,Singur\u201d din T\u00e2rgovi\u015fte a ap\u0103rut, la sf\u00e2r\u015fitul lui 2016, volumul de poeme ,,Aparent<\/em>\u201d (Illusory<\/em>), de Dacina Dan, edi\u0163ie bilingv\u0103 (rom\u00e2n\u0103-englez\u0103), \u00een traducerea M\u0103d\u0103linei Maria D\u0103ncu\u015f. Volumul, in manuscris,\u00a0 a fost premiat la Festivalul Na\u0163ional de Poezie ,,George Co\u015fbuc\u201d, edi\u0163ia a XIII-a.<\/p>\n

Volumul se deschide cu o Prefa\u0163\u0103<\/em>, substan\u0163ial\u0103, semnat\u0103 de Mihaela Gheorghiu<\/em> (autoarea copertei expresive \u015fi lector al prezentei edi\u0163ii), veritabil\u0103 radiografie a unei c\u0103r\u0163i atractive \u015fi profunde. Autoarea prefe\u0163ei noteaz\u0103, chiar din primele r\u00e2nduri, c\u0103 volumul este dominat de ,,ambivalen\u0163a real-imaginar, ideea reflexivit\u0103\u0163ii pierdute, imaginea deschis\u0103 \u015fi \u00een\u015fel\u0103toare a lumii, natura perisabil\u0103 a fiin\u0163ei umane, care \u015fi-a pierdut accesul la tot ce \u00eenseamn\u0103 etern\u201d. Ea subliniaz\u0103 apoi c\u0103 ,,tot ce e simbol consacrat se transform\u0103, \u00een poezia Dacinei Dan, \u00een contrasimbol\u201d.<\/p>\n

\u00a0Poezia ei se caracterizeaz\u0103 printr-o continu\u0103 c\u0103utare (,,un turn de nelini\u015fte, nedefinitivat, care se construie\u015fte mereu\u201d- poeziile Tu<\/em>, Fulg<\/em>): ,,m-am r\u0103t\u0103cit prin mine\/ zdren\u0163uindu-mi lumina\/ eram at\u00e2t de atent\u0103\/ s\u0103-mi str\u00e2ng sufletele\/ \u00eentr-o t\u0103cere nou\u0103 virginal\u0103\/ cu un profil inexorabil\/ reverberat de umbra troianului fictiv\u201d.<\/p>\n

\u00a0Dorin\u0163a de evadare din realitate se \u00eempline\u015fte prin somn: ,,cur\u00e2nd\/ m\u0103 voi pierde \u00een somn\/ dezbr\u0103cat\u0103 de g\u00e2nd\/ vreau doar s\u0103 hibernez un timp\u201d (Cur\u00e2nd<\/em>). Dar somnul aici nu sugereaz\u0103 moartea, ci cufundarea \u00eentr-o zon\u0103 de plenitudine \u015fi lini\u015fte.<\/p>\n

Universul conceptual, conform Mihaelei Gheorghiu, este mai degrab\u0103 bacovian, avem senza\u0163ia unei asfixii spirituale, a c\u0103derii totale \u015fi ireversibile a miturilor.<\/p>\n

\u00a0\u00cen multe poeme predomin\u0103 sentimentul ne\u00eemplinirii, al germin\u0103rii interzise: ,,din scoica afroditei\/ am luat o singur\u0103\/ iluzie\/ cu care-am \u00eenflorit \u015fi-am germinat\/ izvorul ce l-am adus \u00een lume\/ de-atunci pedepsit\u0103-s s\u0103\/ port\/ acest trup secetos de femeie\/ pe care\/ nu vor mai clipi nicic\u00e2nd\/ gene de floare\u201d (N-am primit<\/em>). Astfel, semin\u0163ele, mirabile, \u00een poezia lui Blaga, sugereaz\u0103, la Dacina Dan, imposibilitatea rodirii \u015fi, prin aceasta, \u00eenchid accesul la eternitate, ca \u015fi contrasimbol, devin ,,semin\u0163e neadmise rodirii\u201d.<\/p>\n

\u00a0Tema iubirii nu este una real\u0103, plenar\u0103, ci o umbr\u0103 lipsit\u0103 de substan\u0163\u0103: ,,mi-am zdren\u0163uit g\u00e2ndul\/ \u00een m\u0103r\u0103cini\u015ful sufletului t\u0103u\/ mi-am rupt curcubeul\/ \u00een toamna privirii\/ mi-a-nghe\u0163at m\u00e2na-ntins\u0103\/ c\u0103tre macii iubirii\/ am r\u0103gu\u015fit c\u0103ut\u00e2ndu-\u0163i duio\u015fia\u201d (Portret<\/em>). Tema iubirii se coreleaz\u0103 cu aceea a iernii ce sugereaz\u0103 \u00eencremenirea: ,,\u00een mine \u00eens\u0103mi e iarn\u0103\/ visul meu\/ \u00ee\u015fi \u00eenghea\u0163\u0103 propria-i creang\u0103\u201d (Fulg<\/em>), dar albul semnific\u0103 \u00een acela\u015fi timp puritate \u015fi nerodire: ,,ce creang\u0103 invoc\u0103m\/ iubito iubitule\/ \u00een inima iernii\/ prin viscolul \u00eenstelat de semin\u0163e\/ neadmise rodirii\u201d (Necroz\u0103<\/em>).<\/p>\n

Citind poezia Dacinei Dan ai impresia c\u0103 divinitatea s-a retras parc\u0103 \u00een cele mai \u00eenalte sfere, abandon\u00e2ndu-\u015fi crea\u0163ia (Deus otiosus<\/em>), iar locul acesteia este luat de un simplu demiurg (regizor, spune autoarea), care elaboreaz\u0103 tot felul de scenarii \u015fi guverneaz\u0103 destinul individului la \u00eent\u00e2mplare: ,,regizorul ce mi-a semnat prezentul\/ a r\u0103sfoit o carte\/ \u015fi-a l\u0103sat-o deschis\u0103\/ pe-o mas\u0103 cu pietre\/ \u015fi-acum st\u00e2ncile-mi r\u0103nesc trupul\u201d (Regizorul<\/em>). Este vorba despre un destin nefericit, lipsit de finalitate, \u00eempotriva c\u0103ruia omul nu poate face nimic, el se va pr\u0103bu\u015fi oricum: ,,\u00een amintire\/ orizontul iar m\u0103 cheam\u0103\/ \u015fi-mi l\u0103crimeaz\u0103 pr\u0103bu\u015firea-n geam\/ rambursa\u0163i icarul \u00eendr\u0103gostitului \u015fi poetului\/ frunza\/ m\u0103 desparte de ram\u201d (Am visat<\/em>). Pe de alt\u0103 parte, oric\u00e2t de vulnerabil, individul are \u015fansa dedubl\u0103rii, \u00een fiecare din noi exist\u0103 o fiin\u0163\u0103 metafizic\u0103, nemuritoare, care aspir\u0103 la perfec\u0163iune, un arheu: ,,fulgii p\u0103\u015fesc\/ \u00een v\u00e2rful sufletului\/ \u00eentre mine \u015fi eul imaculat\u201d (Alb<\/em>).<\/p>\n

Motivul drumului, de pild\u0103, cu finalitate spiritual\u0103, str\u0103lucit ilustrat \u00een vechea Chin\u0103 (Dao-de-Jing), este aici o cale ,,care nu duce nic\u0103ieri\u201d, ,,f\u0103r\u0103 s\u0103 \u015ftiu unde se sf\u00e2r\u015fe\u015fte\/ drumul\u201d (Drum<\/em>), este un traseu \u00een cerc: ,,unde e glasul\/ cum doare pasul\/ ce se \u00eentoarce\/ ocolind\/ de unde a plecat\u201d (Tat\u0103<\/em>).<\/p>\n

Universul poetic este limitat formal, \u00eens\u0103 nelimitat conceptual, fiecare spirit e \u00een lupt\u0103 cu limita proprie \u015fi con\u015ftientizeaz\u0103 tragic c\u0103derea, marcat\u0103 \u00een volum prin \u00eendoial\u0103: ,,…poate\/ cine \u015ftie\/ nici nu exist\u0103 astfel de oameni\/ \u015fi nici infinit\u201d (Poate<\/em>).<\/p>\n

\u00a0Ideea p\u0103durii, cuprins\u0103 \u00eentr-un s\u00e2mbure de ghind\u0103 (cf. Mihai Eminescu) ne apare aici inversat\u0103 (,,ochii t\u0103i reduceau p\u0103durea din jur\/ la un singur punct\u201d), \u00eentr-o tentativ\u0103 de regresiune la origini, \u00eentr-o lume genuin\u0103, din care izvode\u015fte totul.<\/p>\n

\u00a0\u00cen sf\u00e2r\u015fit, autoarea inspirat\u0103 a prefe\u0163ei scrie c\u0103, \u00een volumul ,,Aparent<\/em>\u201d, se pot distinge dou\u0103 registre, unul care pl\u00e2nge (depl\u00e2nge) \u015fi altul care sfideaz\u0103 (ironizeaz\u0103). \u00cen acela\u015fi timp, descoperim, la Dacina Dan, dou\u0103 ipostaze, una proiectat\u0103 asupra trecutului \u015fi alta asupra prezentului, precum \u00een Var\u0103: ,,am pumnii-at\u00e2t de plini\/ de soare \u015fi de verde\/ c\u0103\/ dac\u0103 i-a\u015f deschide-acum\/ a\u015f luneca deodat\u0103\/ \u00eentr-o alt\u0103 poveste mai lung\u0103\/ cu ploaie frig \u015fi cea\u0163\u0103\u201d. Ea se \u00eentreab\u0103, oare cum am putut crede c\u0103 voi purta mereu ,,\u00een bra\u0163e f\u00e2n\/ \u015fi-n buzunare stele\u201d, c\u0103 voi putea \u00eenlocui ,,cuvintele cu inefabile p\u0103s\u0103ri\u201d (Stagiatur\u0103<\/em>).<\/p>\n

Dincolo de considera\u0163ii estetice \u015fi metafizice, noi credem c\u0103 ceea ce frapeaz\u0103, \u00een poezia Dacinei Dan, este tonalitatea aparte de inefabil \u015fi diafan, ,,ca un desen transparent\u201d. Este un volum al st\u0103rilor poetice pure, f\u0103r\u0103 trimiteri extra-poetice, autoarea nu filosofeaz\u0103, nu \u0163ine discursuri (revolta ei este pasager\u0103), ci zugr\u0103ve\u015fte, cu elemente simple, cu pu\u0163ine mijloace, un t\u0103r\u00e2m poetic \u00een care se instaleaz\u0103 ca la ea acas\u0103. Sunt nenum\u0103rate poezii \u00een care nota accentuat\u0103 de inefabil este definitorie, pare s\u0103 cople\u015feasc\u0103 totul.<\/p>\n

Putem exemplifica din abunden\u0163\u0103 \u00een sensul acesta: ,,ploaia este altar \u015fi rug\/ m\u0103 \u00eenchin\/ \u00een genunchii lacrimii pe cuv\u00e2nt\u201d (Nichita, mereu<\/em>); ,,dac-a\u015f r\u0103s\u0103ri diminea\u0163a\/ a\u015f avea mireasm\u0103 de tei\/ toamna\/ a\u015f \u00eenfrunzi \u00een \u0163ip\u0103t de cocori\/ prim\u0103vara\/ m-a\u015f ofili de g\u00e2nd \u00een ghiocei\u201d (Zbor<\/em>); ,,soarele\/ mi-a aruncat azi\/ cu fluturi \u00een geam\/ tres\u0103ream sub privirea ta\/ ca un mugur\/ sub pic\u0103tura de ap\u0103\/ versul t\u0103u de dragoste\/ purta toamna pe obraz\u201d (Singur\u0103tate<\/em>); ,,p\u0103rul meu \u00eenc\u0103 miroase\/ a fluturi\/ \u00ee\u0163i str\u00e2ng t\u0103cerile\/ din vie\/ \u015fi-n bra\u0163ele mele\/ \u00eencepe s\u0103 plou\u0103 (Nostalgie<\/em>); ,,\u00eemi pun inima pe-o frunz\u0103 de vie\/ \u015fi-mi acoper g\u00e2ndul cu-o desp\u0103r\u0163ire-albastr\u0103\u201d (Regizorul<\/em>); ,,n-am primit \u00een dar\/ nici o petal\u0103 de\/ roz\/ nu mi-am v\u0103zut umbra\/ \u00een z\u0103pada-mp\u0103c\u0103rii\u201d (N-am primit<\/em>); ,,ai plecat subit \u00een lacrima toamnei \/ \u00eentre tine \u015fi noi\/ fulguiesc dep\u0103rt\u0103rile\/ e vremea ploilor de frunze\/ ochii mei spal\u0103 copacii\u201d (Tat\u0103<\/em>); ,,printre at\u00e2tea frunze care cad…\/ anotimpul se lipe\u015fte de c\u0103lc\u00e2i\/ vulnerabil \u00een genele ierbii\/ peste ochiuri de timp\/ sublimat \u00een ecou\u201d (Rug<\/em>); ,,z\u0103pada-mi acoper\u0103 diminea\u0163a\/ rece\/ palma ninsorii\/ pe pletele unduite\/ de amintirea f\u00e2nului copt\/ \u00een priviri de v\u0103i cu apus de f\u00e2nt\u00e2ni\u201d (Alb<\/em>); ,,desenez cu migal\u0103\/ petal\u0103 cu petal\u0103\/ diminea\u0163a albastr\u0103 \u00een care visezi\/ printre gene de soare\/ c\u0103 \u0163i-ai reg\u0103sit frumuse\u0163ea\u201d (Poem<\/em>); ,,va fi toamn\u0103\/ peste alei de silabe\/ pl\u00e2nge-un castan\/ \u00een locul ochiului\/ c\u0103zut…\/ am m\u00e2inile pline de greieri\u201d (Cur\u00e2nd<\/em>); ,,b\u0103ut-am rou\u0103\/ din potir de nuf\u0103r\/ \u00een timp ce b\u0103rcile\/ r\u0103neau albastru\/ trupul deltei\/ serile de iulie\/ \u00eenotau spre mal\u201d (Delta<\/em>); ,,cu mine \u00eens\u0103mi\/ la o margine de var\u0103\/ l\u00e2ng\u0103 mare\/ \u00eentr-un asfin\u0163it oarecare\/ p\u00e2n\u0103 aici\/ m-a c\u0103l\u0103uzit soarele\u201d (Aparent<\/em>); ,,purtam\/ e\u015farfe de iluzii verzi\/ c\u00e2nd ne \u00eent\u00e2lneam\/ \u00eentre anotimpuri\/ tu-mi risipeai culoarea\/ ca s\u0103-\u0163i pictezi pe suflet\/ trandafiri japonezi\u201d (Efemer<\/em>); ,,am v\u0103zut azi\/ toamna\/ urc\u00e2ndu-se \u00een copaci\/ \u015fi num\u0103r\u00e2ndu-mi sentimentele din m\u00e2n\u0103\/ i-am spus s\u0103 coboare\/ dar ea a \u00eenceput\/ s\u0103-mi despleteasc\u0103 frunzele din ochi\u201d (Sentiment<\/em>); ,,sunt\/ ca o potec\u0103\/ dintr-o p\u0103dure verde\/ p\u0103r\u0103sit\u0103 de c\u0103prioare\/ mi-am r\u0103t\u0103cit\/ ecoul\/ printre copaci\u201d (Peisaj<\/em>).<\/p>\n

Cuvintele au semnifica\u0163ii multiple \u00een poezia autoarei, pot fi un refugiu \u00een fa\u0163a realului: ,,dac\u0103 plou\u0103 cu versuri\/ lumea r\u0103m\u00e2ne \u00een spatele ploii\u201d (Var\u0103<\/em>), o modalitate de autodefinire: ,,g\u00e2nd \u015fi cuv\u00e2nt\/ \u00eengem\u0103nate ad\u00e2nc\/ scutur\u00e2ndu-\u015fi de nins aripa\/ fiind eu sunt\u201d (Alb<\/em>), dar la fel de bine, un mijloc pentru a-\u015fi \u0163ese ,,p\u00e2nza la un r\u0103zboi arhaic\u201d, \u00een a\u015fteptarea unui Ulise salvator: ,,sunt doar o anacruz-a penelopei\u201d (Sau<\/em>), cel care s-o elibereze din lan\u0163urile ce-o leag\u0103 simbolic de munte: ,,de ce\/ mie\/ nu mi se regenereaz\u0103 versul\/ ciugulit de vultur\u201d (A\u015f vrea<\/em>).<\/p>\n

Mihaela Gheorghiu face unele considera\u0163ii interesante \u00een Prefa\u0163\u0103<\/em>, \u00een leg\u0103tur\u0103 cu ,,rostul\u201d cuvintelor, pe care nu le putem omite \u00een aceast\u0103 recenzie. Astfel, \u00een societ\u0103\u0163ile tradi\u0163ionale (arhaice), ,,r\u0103spunderea\u201d fa\u0163\u0103 de cuv\u00e2nt se \u00eencarc\u0103 de sugestii magice, demiurgice: cuv\u00e2ntul, odat\u0103 rostit, nu mai poate fi luat \u00eenapoi, dob\u00e2ndind o existen\u0163\u0103 proprie, de-sine-st\u0103t\u0103toare, el se putea \u00eentoarce \u00eempotriva celui care-l rostea. \u00cen poezia modern\u0103, cuv\u00e2ntul \u015fi-a pierdut mult din puterea sa originar\u0103, aceea de a institui realul, \u00een sensul unei pierderi a transcendentalului, a unei de-mitiz\u0103ri. La Dacina Dan, cuvintele suport\u0103 un soi de umilin\u0163\u0103 prin t\u0103cere: ,,ca \u015fi c\u00e2nd\/ s-ar fi umilit cuvintele\/ \u00eentr-un copac t\u0103cut\/ f\u0103r\u0103 ramuri\u201d (Portret<\/em>), s\u00e2ngereaz\u0103: ,,\u00eentorc ziua noaptea cu silabe\/ \u015fi-mi curge s\u00e2nge din cuv\u00e2nt\u201d (Lan\u0163urile<\/em>), \u00eenseteaz\u0103: ,,\u00een lacrim\u0103\/ …\/ silabe-nsetate\u201d (Exerci\u0163iu<\/em>), iubesc: ,,vino cuv\u00e2ntule\/ \u015fi-mi deseneaz\u0103 m\u00e2na prelung\u0103 \u015fi mireasma de toamn\u0103\/ vino\/ iube\u015fte-te\u201d (Vers<\/em>).<\/p>\n

\u00cen ciuda dec\u0103derii lor \u00een dimensiunea ,,profan\u0103\u201d, cuvintele mai p\u0103streaz\u0103 ceva din aura divin\u0103: ,,m\u0103 \u00eenchin\/ \u00een genunchii lacrimii pe cuv\u00e2nt\u201d (Nichita, mereu<\/em>), ,,zbor alb\/ \u00een frunza de apoi\/ \u00een care cred\u201d (Punct).<\/p>\n

Aceasta este poeta Dacina Dan, versurile ei, ca ni\u015fte trofee nepre\u0163uite, cea care \u00ee\u015fi ofer\u0103 fiin\u0163a lumii \u00eentregi, prin cuvintele ei inspirate, incantatorii: ,,lua\u0163i \u015fi citi\u0163i\/ acesta-i zborul meu\/ r\u0103stignit\u201d.<\/p>\n

\n

\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

IOAN POPOIU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

La editura ,,Singur\u201d din T\u00e2rgovi\u015fte a ap\u0103rut, la sf\u00e2r\u015fitul lui 2016, volumul de poeme ,,Aparent\u201d (Illusory), de Dacina Dan, edi\u0163ie [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-29980","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/29980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=29980"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/29980\/revisions"}],"predecessor-version":[{"id":29983,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/29980\/revisions\/29983"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=29980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=29980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=29980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}