{"id":30694,"date":"2017-06-21T12:56:21","date_gmt":"2017-06-21T12:56:21","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=30694"},"modified":"2017-06-21T13:03:42","modified_gmt":"2017-06-21T13:03:42","slug":"eugen-dorcescu-despre-filia-agape-eros-about-philia-agape-eros","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2017\/06\/21\/eugen-dorcescu-despre-filia-agape-eros-about-philia-agape-eros\/","title":{"rendered":"Eugen Dorcescu: Despre filia, agape, Eros & About philia, agape, Eros"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Doamna Emilia \u0162u\u0163uianu<\/strong> apar\u0163ine acelor\u00a0 the happy few, despre care, pe urmele lui Shakespeare \u015fi Goldsmith, vorbe\u015fte Stendhal, definindu-i drept \u201e\u00e2mes sensibles\u201d. Doamna Emilia \u0162u\u0163uianu este, categoric, un \u201esuflet sensibil\u201d.\u00a0 Dup\u0103 cum este, totodat\u0103, nu doar un individ uman, pur \u015fi simplu, ci, mai cu seam\u0103, o persoan\u0103, \u00een accep\u0163iunea pe care eu \u00eensumi, \u00een smerenia mea, am conferit-o acestei no\u0163iuni.<\/p>\n

Anume: \u201ePersoana este acel exemplar uman, purt\u0103tor de excelen\u0163\u0103, care tr\u0103ie\u015fte pentru un ideal, care poart\u0103 cu sine \u015fi sentimentul, dar \u015fi cultul valorilor, care \u00ee\u015fi recunoa\u015fte necesit\u0103\u0163i spirituale con\u015ftientizate<\/em>\u201d.<\/p>\n

Poemele cuprinse \u00een aceast\u0103 carte probeaz\u0103, c\u00e2t se poate de conving\u0103tor, excelen\u0163a moral\u0103, reflexiv\u0103 \u015fi afectiv\u0103 a poetei, noble\u0163ea sim\u0163\u0103mintelor \u015fi g\u00e2ndurilor sale, chiar dac\u0103 \u00eencadrarea tipologic\u0103, altfel spus: competen\u0163a, nu angajeaz\u0103, neap\u0103rat, \u015fi pretutindeni, \u015fi indiscutabil, performan\u0163a textual\u0103, \u00eencadrarea axiologic\u0103.<\/p>\n

Tema poemelor \u2013 Iubirea<\/em> <\/strong>\u2013 este abordat\u0103 cu imense timidit\u0103\u0163i \u015fi delicate perifraze, dragostea neav\u00e2nd nimic instinctual, vehement, tenebros, ci consum\u00e2ndu-se \u00eentre aspira\u0163ii vagi, regrete discrete, dorin\u0163e intense, dar, pudic, strunite, poate chiar reprimate, potrivit unui cod al bunului sim\u0163, al onoarei, al purit\u0103\u0163ii.<\/p>\n

Drama, fiindc\u0103\u00a0 mereu avem, pare-se, a face cu o iubire e\u015fuat\u0103, se desf\u0103\u015foar\u0103 \u00een plin\u0103 lumin\u0103 (\u00een \u201eCetatea Luminii<\/em><\/strong>\u201d), e comunicabil\u0103 integral, fiindc\u0103 nu afecteaz\u0103 cu nimic imperativele decen\u0163ei: \u201eDin Adev\u0103r s-a z\u0103mislit lumina dragostei<\/em>\u201d. (S\u0103 se vad\u0103 \u015fi Joc<\/em><\/strong>).<\/p>\n

\u00cen alc\u0103tuirea ei intim\u0103, vital\u0103, Poezia Doamnei Emilia \u0162u\u0163uianu n\u0103zuie\u015fte spre sinteza dintre filia \u015fi agape, l\u0103s\u00e2ndu-i erosului un rol secund, deloc de neglijat, fire\u015fte, dar secund, totu\u015fi.<\/p>\n

Este aceasta o \u00eensu\u015fire de pre\u0163, \u00eentr-o vreme a dezinhib\u0103rilor comportamentale \u015fi a brutalit\u0103\u0163ii\u00a0 lingvistice, a dezastrului marilor iubiri. Poeta c\u00e2nt\u0103 o iubire care, chiar real\u0103 fiind, r\u0103m\u00e2ne ideal\u0103.<\/p>\n

Consecin\u0163a imediat\u0103 este deplasarea tensiunilor din evenimen\u0163ial \u00een mental \u015fi \u00een imaginar, ceea ce implic\u0103 \u015fi o selec\u0163ie riguroas\u0103 a receptorilor. Sufletele cultivate, educate, sensibile, de o alc\u0103tuire diafan\u0103, vor fi foarte atente la mesajul \u015fi la sonurile acestor stihuri. Ceea ce, presupunem, este pe placul, este dorin\u0163a, este n\u0103dejdea autoarei.<\/p>\n

Iat\u0103 aceast\u0103 Revenire:<\/p>\n

 <\/p>\n

\u201eCuprind \u00een bra\u0163e c\u0103ldura verii<\/p>\n

\u015fi-n suflet vreau s-o str\u00e2ng<\/p>\n

pentru tine, c\u00e2nd vei veni…<\/p>\n

Singur\u0103tatea, viclean\u0103 vietate,<\/p>\n

sfid\u00e2ndu-m\u0103 du\u015fm\u0103nos, m\u0103 privea\u2026<\/p>\n

M\u0103 ghemuiesc \u00een mine, obosit\u0103.<\/p>\n

\u015ei adun, \u00een bra\u0163ele ce-mi flutur\u0103\u00a0 \u00een v\u00e2nt,<\/p>\n

amintirile r\u0103mase,\u00a0 din alt timp.<\/p>\n

Inima se deschide ca o rodie,<\/p>\n

cu pic\u0103turi ro\u015fii, ce se-amestec\u0103,<\/p>\n

\u00een\u00a0 scurgerea hain\u0103 a Timpului,<\/p>\n

cu nisipul lucrurilor pierdute,<\/p>\n

cu osteneala trupului zbuciumat,<\/p>\n

cu ar\u015fi\u0163a febrei\u2026ce m\u0103 devor\u0103\u201d.<\/p>\n

 <\/p>\n

*<\/p>\n

 <\/p>\n

About philia, agape, Eros<\/strong><\/p>\n

 <\/p>\n

Mrs Emilia \u0162u\u0163uianu<\/strong> belongs to those happy few, about which, in the footsteps of Shakespeare and Goldsmith, Stendhal speaks, defining them as \u00e2mes sensibles. Mrs. Emilia \u0162u\u0163uianu is definitely a “sensitive soul”. As she is, she is not only a human individual, pure and simple, but most importantly a person, which, myself in my humbleness I conferred her to this notion. “The person is that human bearer of excellence who lives for an ideal that carries the feeling and the cult of values that recognizes its spiritual needs to be made aware of”.<\/p>\n

The poems contained in this book prove, as convincingly as possible, the moral, reflexive and affective excellence of the poet, the nobleness of her feelings and thoughts, even though the typological framing, that is to say, the competence does not necessarily uses everywhere and\u00a0 indisputably the textual performance and the axiological framing.<\/p>\n

The theme of the poems – Love – is approached with immense shyness and delicate periphrases; Love having nothing instinctual, vehement, shadowy, but consuming between vague aspirations, discrete regrets, intense desires but bashfully kept, perhaps even repressed, according to a code of common sense, of honour, of purity.<\/p>\n

Drama, because we always have to do with a love missed, unfolds in full light (in the “City of Light”), is fully communicable, because it does not affect the imperative of decency: “From the Truth the light of love was conceived”. (\u201cGame\u201d).<\/p>\n

In her intimate, vital composition, Emilia \u0162u\u0163uianu’s Poetry strives for the synthesis between philia and agape, leaving for Eros a secondary role, not neglected, of course, but less important. This is a priceless quality, in a time of behavioural disinhibitions and linguistic brutality, of the great love. The poet honours a love that, even real, remains ideal.<\/p>\n

This is indeed what the author wished to convey\u2026<\/p>\n

As in \u201cReturn\u201d<\/p>\n

“I embrace the heat of the summer<\/p>\n

wanting to fill my soul with it<\/p>\n

and to keep it for you, when you\u2019ll come.<\/p>\n

 <\/p>\n

Loneliness, a cunning creature,<\/p>\n

spitefully defying, was watching me.<\/p>\n

I find myself in me, tired<\/p>\n

and I gather in my waving arms in the wind<\/p>\n

the remaining memories of another time.<\/p>\n

The heart opens like a pomegranate,<\/p>\n

With red drops, mixing<\/p>\n

in the merciless flow of Time,<\/p>\n

with the sand of lost things,<\/p>\n

with the torment of the tumultuous body,<\/p>\n

with the burning fever … that devours<\/p>\n

 <\/p>\n

 <\/p>\n

—————————————–<\/p>\n

Eugen Dorcescu<\/strong><\/p>\n

Traducere \u00een limba englez\u0103, Dianu Sfrijan<\/strong><\/p>\n

~ Prefa\u021ba volumului bilingv de poezie \u201ePentru tine, c\u00e2nd vei veni…\/ For you when you come…\u201d,<\/strong> semnat de poeta Emilia \u00a0\u021aU\u021aUIANU<\/strong>, Editura SINGUR, 2017, Colec\u021bia SCRISUL DE AZI<\/strong> ~<\/p>\n","protected":false},"excerpt":{"rendered":"

Doamna Emilia \u0162u\u0163uianu apar\u0163ine acelor\u00a0 the happy few, despre care, pe urmele lui Shakespeare \u015fi Goldsmith, vorbe\u015fte Stendhal, definindu-i drept [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-30694","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/30694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=30694"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/30694\/revisions"}],"predecessor-version":[{"id":30697,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/30694\/revisions\/30697"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=30694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=30694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=30694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}