{"id":31092,"date":"2017-07-20T15:07:15","date_gmt":"2017-07-20T15:07:15","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=31092"},"modified":"2017-07-20T15:08:27","modified_gmt":"2017-07-20T15:08:27","slug":"vasilica-grigoras-frisonul-luminii-secventa-tanka","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2017\/07\/20\/vasilica-grigoras-frisonul-luminii-secventa-tanka\/","title":{"rendered":"Vasilica Grigora\u015f: Frisonul luminii (secven\u0163\u0103 tanka)"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Frisonul<\/strong> luminii<\/strong><\/p>\n

<\/strong>
\n<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Forfot\u0103 mare-n<\/p>\n

mu\u015furoiul de furnici<\/p>\n

de la o vreme \u2013<\/p>\n

\u015fov\u0103irile mele<\/p>\n

m\u0103 poart\u0103 spre lumin\u0103<\/strong><\/p>\n

x<\/strong><\/p>\n

Privind atent<\/p>\n

noroiul dezn\u0103dejdii<\/p>\n

m\u0103 lep\u0103d de mine \u2013<\/p>\n

\u00eencet dar sigur simt din nou<\/p>\n

frisonul luminii<\/strong><\/p>\n

x<\/strong><\/p>\n

copaci \u00eenflori\u0163i<\/p>\n

pe oglinda r\u00e2ului<\/p>\n

un bl\u00e2nd vitraliu \u2013<\/p>\n

\u00een zori de zi-mbr\u0103\u0163i\u015fez<\/p>\n

ad\u00e2ncimea luminii<\/strong><\/p>\n

 <\/p>\n

Shiver of light<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

To-and-fro in<\/p>\n

the anthill<\/p>\n

for some time past-<\/p>\n

my demurs<\/p>\n

take me to the light<\/strong><\/p>\n

x<\/p>\n

Carefully watching<\/p>\n

the desperation mud<\/p>\n

I abandon myself-<\/p>\n

slowly but surely I feel again<\/p>\n

the shiver of light<\/strong><\/p>\n

x<\/strong><\/p>\n

Blooming tree<\/p>\n

on the river\u2019s mirror<\/p>\n

a gentle stained glass \u2013<\/p>\n

I embrace in early bright<\/p>\n

the depth of the light<\/p>\n

 <\/p>\n

Comentariu \u2013 <\/strong>Cezar-Florin Ciob\u00eec\u0103<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Autoarei, o fin\u0103 observatoare, nu-i scap\u0103 nimic din ceea ce se \u00eent\u00e2mpl\u0103, se petrece \u00een lumea micilor vie\u0163uitoare. Detaliile \u015fi aspectele reperate \u00een\u00a0 periplul ei cotidian prin natur\u0103 se \u0163es insesizabil \u00eentr-un buchet de stimuli care-i genereaz\u0103 tot felul de semnifica\u021bii, de mesaje. De pild\u0103, forfota harnicelor furnici<\/em> o face s\u0103 mediteze asupra \u015fov\u0103ielilor ce o cople\u015fesc \u015fi \u00eei \u00eentunec\u0103 poate ra\u0163iunea, for\u0163a \u015fi s\u0103 g\u0103seasc\u0103 t\u0103m\u0103duitoarea cale spre lumin\u0103. De altfel, \u00een poemul urm\u0103tor, dezic\u00e2ndu-se de noroiul \u00eempov\u0103r\u0103tor al dezn\u0103dejdeii care-i pericliteaz\u0103 tr\u0103irile, eul liric, gra\u0163ie privirii atente, <\/em>care-i eviden\u0163iaz\u0103 t\u0103ria caracterului nestrivit de aparen\u0163e, de mizerii, simte din nou frisonul luminii izb\u0103vitoare, care-i lipsise o vreme din cauza\u00a0 r\u0103t\u0103cirilor primejdioase. Copacii \u00eenflori\u0163i din ultimul poem subliniaz\u0103 frumos \u015fi puternic ideea luminii, pe care o \u00eembr\u0103\u0163i\u015feaz\u0103 ad\u00e2nc, gestul tr\u0103d\u00e2nd poc\u0103in\u0163a, regretul celui care, fiu risipitor, a ignorat profunzimea \u015fi bog\u0103\u0163ia luminii.<\/p>\n

Este evident c\u0103 termeni precum \u015f<\/em>ov\u0103ieli, dezn\u0103dejdii, m\u0103 lep\u0103d <\/em>trimit la ideea zbuciumului sufletesc, a chinurilor care-l \u00eencearc\u0103 pe eul liric pe drumul reg\u0103sirii sacralit\u0103\u0163ii pierdute. Prins \u00een vertijul antonimiei \u00eentuneric (furnici, noroi) \u2013 lumin\u0103 (copaci \u00eenflori\u0163i), eul liric, lep\u0103dat de balastul cotidian, g\u0103se\u015fte \u00een cele din urm\u0103 calea ilumin\u0103rii \u015fi se salveaz\u0103. Se prefigureaz\u0103, astfel, un nou \u00eenceput (\u00een zorii zilei) aduc\u0103tor de speran\u0163e \u015fi \u00eennimbat de credin\u0163\u0103.<\/p>\n

X<\/p>\n

A fine observer, the author keeps an ear to the ground on what is happening in the world of the tiny inhabitants. The details and aspects located in her daily journey in the nature are intangibly woven in a bunch of stimuli that provide her with all kind of messages and meanings. For instance, the to-and-fro of the working ants make her contemplate on the hesitations that overwhelm her and maybe shadow her reason, her strength and make her find the healing path to light. As a matter of fact, the next poem, giving up the dispair that jeopardizes the feelings, the lyrical ego, due to the close look, which underlines the strength of the character uncrushed by appearances, by miseries, feels again the shiver of the redemptive light that had been missing for a while because of the dangerous errancies. The blooming trees from the last poem beautifully and strongly underline the idea of light that she is deeply embracing, the move betraying the repentance, the regret of the one, the prodigal son, who ignored the depth and richness of the light.<\/p>\n

It\u2019s obvious that terms such as hesitation, despair, I give up<\/em> point to the idea of the soul storm, of the ordeals that the lyrical ego is feeling on the way of regaining the lost sacrality. Caught up in the dizziness of the opposing dark (ants, mud) \u2013 light (blooming trees), the lyrical ego, broken by the daily rubble, is eventually saving itself. Therefore, a new beginning is\u00a0 foreshadowed (in the daylight), which brings hope and is haloed by faith.<\/p>\n

Cezar-Florin Ciob\u00eec\u0103<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

(Din volumul bilingv semnat de\u00a0 Vasilica Grigora\u015f, Ochi \u00een ochi cu luna: Tanka \u015fi pentastihuri = \u00a0Looking the moon in the eye: Tanka and pentastiches, Editura\u00a0 Scripta manent, Napier (NZ), 2017. Traducere\/ Translation: Alina Lavinia Grigora\u015f. Coperta\/ Cover: Radu Ticu Grigora\u015f. Consilier editorial\/ Editorial adviser: Valentina Teclici, Lectura \/ Proofed: Ana Urma).<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Frisonul luminii \u00a0 Forfot\u0103 mare-n mu\u015furoiul de furnici de la o vreme \u2013 \u015fov\u0103irile mele m\u0103 poart\u0103 spre lumin\u0103 x [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-31092","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/31092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=31092"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/31092\/revisions"}],"predecessor-version":[{"id":31096,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/31092\/revisions\/31096"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=31092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=31092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=31092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}