{"id":32400,"date":"2017-10-13T10:44:43","date_gmt":"2017-10-13T10:44:43","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=32400"},"modified":"2017-10-13T10:51:51","modified_gmt":"2017-10-13T10:51:51","slug":"marian-popa-hinduitate-dodiastica","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2017\/10\/13\/marian-popa-hinduitate-dodiastica\/","title":{"rendered":"Marian Popa: Hinduitate dodiastic\u0103"},"content":{"rendered":"

\"\"<\/a>Anca are dou\u00e3 iubiri: Rom\u00e2nia \u0219i o Indie \u00een care poate\u00a0 reg\u00e3si \u00een felul lui ceva din Rom\u00e2nia \u00een care s-ar g\u00e3si ceva din India.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bate la ochi \u00eenainte de toate celelate enciclopedizarea hinduistic\u00e3, redus\u00e3 la no\u021biuni \u0219i nume proprii mitologice, politice, culturale, cuvinte \u0219i sintagme ca imagini-borne pentru un labirint f\u00e3r\u00e3 ie\u0219ire \u0219i f\u00e3r\u00e3 sc\u00e3pare, uz\u00e2ndu-se de ceea ce Cicourel & Garfunkel au numit Principiul Etc.; se livreaz\u00e3 esen\u021bialul \u00een zbor, av\u00e2ndu-se cumva certitudinea c\u00e3 lectorul \u0219tie la fel de bine ca autorul despre ce este vorba. Termenii indieni sunt angaja\u021bi pentru a explica un context, ca elemente pentru asocia\u021bii, uneori aiurea, India e apropriabil\u00e3 metaforic, cu termeni rom\u00e2ne\u0219ti \u0219i europeni: \u201caici e vorba de a te l\u00e3sa vizitat de metaforele poetismului rom\u00e2nesc biciuit de prim\u00e3vara hindu.\u201d Astfel, se poate referi la \u201cromantismul lui Krishna\u201d (Ion Iuga \u00een India<\/em>). Rareori, \u00een poeme din New York Ramayana<\/em>, domin\u00e3 sapien\u021bialul descriptiv, dac\u00e3 nu \u0219i decriptat. Via-vai prin texte: Seeta, Rama, Hanuman, Ravana, Ganesh, Savitri, Radha, Kali, Vidu,Bali, Kalidasa, Gandhi.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rama\/yana constituie un soi de jolly joker: element de coordonare, compensare, de \u00eembog\u00e3\u021bire semnificativ\u00e3, de saturare. Doar c\u00e2teva din Rechinuri<\/em>: \u201cC\u00e3l\u00e3toria \u00een diaspora Ramayana\u201d, \u201cRama de treci codrii de aram\u00e3 crengu\u021be de font\u00e3 ram-ram…\u201d, \u201cmai toate ramayanele pre cre\u0219tet\u201d, \u201cpe rotile o pisic\u00e3-\u0219i\/toarce Ramayana\u201d, \u201ccopiii indieni englezi nu mai sunt cu Ramayana ci cu Harry Potter\u201d,\u201ctovar\u00e3\u0219ul Bengal Ramayana\u201d, \u201cRavana deghizat \u00een Rama\u201d, \u201cce sobru m\u00e3 port \u00een conferin\u021bele Ramayana nici eu nu m\u00e3 mai recunosc din khanda \u00een khanda\u201d, \u201crutina Shakespeare\/\u00een zarc\u00e3\/\u00een Ramayana\/alb \u00een nealb…\u201d A\u0219adar, dodieri const\u00e2nd \u00een c\u00e3utarea de distan\u021be geografice, enciclopedice, istorice, culturale \u00een cadrul unei sintagme raportabile la termenul unic sau \u00een diverse sintagme de confruntare. Dac\u00e3 s-ar avansa \u00een acest sens genealogic: Rama e al \u0219aptelea avatar al lui Vishnu, Parasurama, distrug\u00e3torul \u0219atriilor al \u0219aselea, Balarama e fratele mai mare al lui Krishna, s-ar putea afirma: Pancha Anca sau Paranca al 1946-lea. Sunt jucate personaje reale \u0219i literare din spa\u021biul indian: m\u00e3ritat\u00e3 cu Valmiki, Sita produce fiul Kusha (Rama better than Rama, New York Ramayana<\/em>). Se exploateaz\u00e3 personajele mitice \u00een alte rela\u021bii: \u201c\u00eentre ciclon \u0219i \u00eenec\/pe sub umbre de libelule\/Rama nu-l bate pe Ravana\/de-l va izbi pe demon el e Rama\/Ravana numai nu-l ucide nemuritor\u201d Se \u0219i transplanteaz\u00e3, se aclimatizeaz\u00e3 nume cu \u00eenc\u00e3rc\u00e3tura lor de semnifica\u021bii \u00een alte zone: \u201clord Hanuman\u201d (Rechinuri<\/em>). Hindusul e valorificat \u00een asocia\u021bii de aproximare a altor realit\u00e3\u021bi: \u201cGanesh \u00een America ar fi tema\u201d (Ganesh, New York Ramayana<\/em>). \u0218i \u00eenc\u00e3, se creeaz\u00e3 nume \u00een baz\u00e3 indian\u00e3 \u0219i european\u00e3, conferindu-li-se valori politice, etice, evalu\u00e3ri: Ravanaraja Marx (Ramaraja, idem).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Asocierile de realit\u00e3\u021bi spirituale \u0219i culturale rom\u00e2ne \u0219i indiene sunt numite \u201canimalit\u00e3\u021bi remitologiza(n)te\u201d. Anca se refer\u00e3 temerar la \u201cPoetica ramayanic\u00e3 a basmelor rom\u00e2ne\u0219ti\u201d (Rechinuri<\/em>), \u201cRama \u0219i Varaha ca Harap Alb\u201d; \u201cHarap Alb e Rama, Fata \u00cemp\u00e3ratului Ro\u0219 e Sita, Ravana Sp\u00e2n \u0219i Ro\u0219.\u201d; \u201cMaimu\u021ba (Hanuman) s\u00e3rise Himalaia \u00een China \u0219i de acolo pe drumul m\u00e3t\u00e3sii \u00een Harap Alb\u201d;\u201cBrahma Vishnu Shiva\/Rig Veda Voluspo Luceaf\u00e3rul\/Strigoii Memento Mori\/ devenirea nihilist\u00e3 bhava vibhava\u201d; \u201cRamayana e Sita Rom\u00e2nia\u201d. Raporturi uneori complicabile spa\u021bial: \u201copritu-m-am g\u00e2nd meteorilor\/vaporul tot pe ap\u00e3 ce-i pas\u00e3\/Indiei de un rom\u00e2n \u00een Egipt\/treceam la alt subiect\u201d (frumos mi-ai fi, partea nim\u00e3nui).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sanskritikon (2002) este cel mai voluminos \u0219i relativ cel mai complicat \u021b\u00e3c\u00e3nit montaj dodiesc determinat de hinduitate \u0219i de rela\u021biile ei cu rom\u00e2nitatea, \u00een m\u00e3sura \u00een care haosul prime\u0219te eventual un aspect cantitativ, nu structural relevant. Pentru cine a parcurs textul, titlul va implica dou\u00e3 realit\u00e3\u021bi prin vocabulele de baz\u00e3 unificate, dar \u0219i o trimitere latino-elin\u00e3, m\u00e3car la Petroniu. Volumul format A4, 530 pagini, include tot ce trebuie pentru a dezechilibra echilibre \u0219i a echilibra dezechilibre: proz\u00e3, documente, eseuri, adapt\u00e3ri, versiuni, retroversiuni, poezii populare rom\u00e2ne\u0219ti, poezii proprii. Motiva\u021bia apari\u021bii: un mod de a sus\u021bine o manifestare cultural-\u0219tiin\u021bific\u00e3 rom\u00e2noindian\u00e3, ocazia fiind un simpozion din anul 2001 \u0219i acordarea titlului de doctor honoris causa unui profesor indian de c\u00e3tre celebra Universitate din Oradea.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Primul text: Sanskritorium. O prezentare, s-ar putea \u00eendr\u00e3zni, un raport dodiesc al simpozionului: \u201csimpozionai pe \u0219coal\u00e3 sanscrit\u00e3\u201d. Puncte spa\u021biale centrale: Oradea \u0219i V\u00e2lcea. Din perspectiva Anca, deja excedarea printr-un tip de scris pe care nu-l agreeaz\u00e3: \u201cce de condens nealergizant o natur\u00e3 fic\u021bionezi personaje idee subiect pretext nu homosexualitate nu tutun nu mafie dharma de interior coagulant neirositor cu prindere \u00een miere \u0219i nici nor abia soare scutur\u00e3tor…\u201d Scrie, totu\u0219i. Sintetiz\u00e2nd \u00een func\u021bie de c\u00e2teva Schwerpunkte, revenind \u0219i chiar conferind textului sensul, oricum nonsintetizabil, text par\u021bial rimat, uneori succesiune de versuri de 6-7 silabe, \u00een manier\u00e3 folcloric\u00e3 \u0219i bolintinean\u00e3: Oradea, prostata cuiva, granguri centrali, locali, rom\u00e2ni, indieni, unguri, \u021bigani, laudatio, pisoare, circ politic curent \u00een ocazii festive, participan\u021bi f\u00e3r\u00e3 habar, totul \u00een perimetrul formalismului penibil \u0219i grotesc. \u201cnu m\u00e3 interesa nimic pe nimeni totul umplutur\u00e3\u201d…\u201cSatya Vrat cu Iliescu unu\u2019 zice c\u00e3 bine veni \u00een Rom\u00e2nia \u00e3l\u00e3lalt c\u00e3 mare fericire de l-ar vedea \u00een India ce-\u0219i puteau spune mai \u0219tii…\u201d Trimiteri \u00een toate p\u00e3r\u021bile \u2014 foc de artificii, paie \u0219i uneori rachete multifocoase: \u201c… se cantilenizeaz\u00e3 \u00een Nord poezia e numai revela\u021bie cantilatrizeaz\u00e3 P\u00e3unescu pia\u021ba Ferdinand Isaia rom\u00e2no-maghiar ce scrii acolo perle de boal\u00e3 concert fata asta indiat\u00e3 m\u00e2ini de pianist\u00e3 s\u00e3rman\u00e3 largo pianul monosilabe thai alb-galb suferi\u021bi-v\u00e3 incontinen\u021ba paraliziei ferici\u021bi mai repede thailandezii din Chicago…\u201d El \u00eensu\u0219i: \u201ccurran a \u0219i murit culoar albastru ce destele pe fulgiverzi pepiedest eyes wide shut meci maci m\u00e3 \u00eenecai cu biscui\u021bi \u00een vecin\u00e3tatea lui Iliescu ce n\u00e3p\u00e3d iar nu-mi mai trebuie India cum o s\u00e3 faci ce face pre\u0219edintele doamnefere ete \u0219i-n sanscrit\u00e3 pe o sare semene iasca ars\u00e3…\u201d Detalii extra \u0219tiin\u00feifice ale manifest\u00e3rii \u0219tiin\u021bifice formale cuplate cu cele politico-poli\u021biste oficiale: \u201csepepeul v\u00e3 roag\u00e3 s\u00e3 fi\u021bi c\u00e2t mai scurt sepepeul v\u00e3 roag\u00e3 s\u00e3 nu mai fi\u021bi deloc taie microfonul la guerra delle parole silenzio leni \u00eentrupate puiu\u021bi stresul se duse fetele s\u00e3-\u021bi fi ras caracterul \u00een India at\u00e2ta kitsch la v\u00e2rf stimula\u021bie persu\u021bionat\u00e3\u201d…\u201caici vorbi\u021bi-le ungure\u0219te din gesturi f\u00e3r\u00e3 secrete\u201d…\u201ccheam\u00e3-\u021bi c\u00e2inele ungure\u0219te\u201d…\u201cavan pe rom\u00e2ne\u0219te \u021big\u00e3ne\u0219te\u201d…\u201cA\u0219tept\u00e3m sanscriti\u0219tii \u0219i cu mine s\u00e3 ne ducem din Hurezi la R\u00e2mnic s\u00e3 ne conferen\u021biem ca la pia\u021b\u00e3 la b\u00e2lci subiectul fiind pe tapet onorariu i-am scris numele \u0219i nimic la sum\u00e3…\u201d Pe parcurs, versific\u00e3ri turistice \u00een maniera Apunake: \u201c…pe aceast\u00e3 coaj\u00e3 spart\u00e3 \u00een obrazul indiot \u00eemi acced pisica moart\u00e3 ka trei zile antidot ce-mi tragi biciul de sub coarne c\u00e3 te-ncornozez orez filigoarne de pe zer ne ceart\u00e3 \u00een auz Hurez c\u00e2nd \u0219i regele dormise pe aici o s\u00e3pt\u00e3m\u00e2n\u00e3 el \u0219tiuse ori trecutul nevoirii ori f\u00e2nt\u00e2n\u00e3 unde-i stan\u021ba mijlocit\u00e3 o-ngropar\u00e3\u021bi pe Anica hunduie hindu\u0219i faian\u021ba de titanic la m\u00e3mica.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen fine, cu ocazia acestui event, \u0219i lehamitea de India: \u201cnici a\u0219a n-am ce mai c\u00e3uta \u00een India precum nici \u00een America nic\u00e3ieri poate nici \u00een RSA\u201d, \u201csunt gata s\u00e3 m\u00e3 sp\u00e3l de India s\u00e3-mi n\u00e3p\u00e2rlesc zorzoanele organiza\u021bionale \u00eentru promovarea \u021biganiadei…\u201d, \u201cIndia e \u021big\u00e3nia lumii\u201d, \u201cnu m\u00e3 mai \u00eentorc \u00een iad indian mi-ajunge supraiadul rom\u00e2nesc sulfuric…\u201d Indienii sunt ho\u021bi de hoteluri \u0219i trenuri: \u201cun indian mai \u00eenainte la o reuniune ecumenic\u00e3 n-a mai l\u00e3sat nimic \u00een camer\u00e3 \u0219i omul din vagonul de dormit m\u00e3 pusese s\u00e3 le spun c\u00e3 nu sunt de unic\u00e3 folosin\u021b\u00e3 prosoapele \u0219i s\u00e3 nu le ia mai bine nu…\u201d India\u021biganii:\u201c…de-am pus-o-n priz\u00e3 pe coana mare ce se trezea cronc\u00e3nind ce unic se ucide indiene\u0219te c\u00e2t de obliga\u021bi om fi s\u00e3 ne l\u00e3ud\u00e3m \u021biganul cu ciocanul \u0219i d-\u00e3ilal\u021bi s\u00e3 ne doar\u00e3 piciorul lovindu-i cu predice…\u201d \u00cen ansamblu, \u201c… via\u021ba s-a tuciurit poza sanscrit\u00e3 m\u00e3 va \u00eenso\u021bi \u00een toat\u00e3 agonia n-am dec\u00e2t s\u00e3 m\u00e3 amuz de rafinamente cacofonice rom\u00e2nizate \u0219coal\u00e3 mai vedea ne-am pierdut idealismul\u201d. De aici, la ilustrarea prin hindu\u0219i a sensurilor globale ale aiurelii: \u201cdin vechi \u00ee\u0219i f\u00e3ceau via\u021ba a\u0219a nesuferit\u00e3 c\u00e3 se epopeizaser\u00e3 dup\u00e3 vede \u0219i upani\u0219ade apropia\u021bi a\u0219a evrei prin greci \u00een timp ce dacii precum cel\u021bii or noi ar\u00e3tarea \u00een scris prin nem\u021bi vreun artificiu studios ce pov\u00e2rnire de nonsens…\u201d Finalul, un soi de anacolut pentru textul anterior : \u201c\u0219i-ai lui Tiberiu zoaie otr\u00e3vite pe toat\u00e3 sp\u00e3l\u00e3tura sug \u0219i umbra s\u00e2ngelui de r\u00e3d\u00e3cin\u00e3 s\u00e3-\u021bi tot omoare p\u00e3rin\u021bii d\u00e3-le la rom\u00e2ni cancer la pl\u00e3m\u00e2ni lans\u00e3m Baudelaire cu Chirata Faust cu Coja interzis \u0219i de CIA \u0219i de KGB \u0219i de SRI nu se poate f\u00e3r\u00e3 diplom\u00e3 se include \u00een steganograma prezent\u00e3 zero imagina\u021bie pratibha\u201d. Cum s-a mai precizat, o unitate de realitate propriuzis\u00e3 sau descris\u00e3 nu e dodiac\u00e3, dar devine prin rela\u021bionarea cu o alta, cu un alt nivel de percep\u021bie spa\u00feial\u00e3, temporal\u00e3 sau, \u00een ansamblu, situa\u021bional\u00e3. Ra\u021biunea unui atare tip este aproximabil\u00e3 prin exemplul fractalelor, \u00een viziunea lui\u00a0 Mandelbrot: pe hart\u00e3, coasta american\u00e3 a Atlanticului e o linie de aproximativ 2400 kilometri, cifr\u00e3 ob\u021binut\u00e3 cu ajutorul unei sc\u00e3ri anexate h\u00e3r\u021bii de cartograf; concret, \u021bin\u00e2nd seama de ceea ce h\u00e3r\u021bile ignor\u00e3 obiectiv \u2014 golfuri, capuri, peninsule \u2014, aceea\u0219i coast\u00e3 m\u00e3soar\u00e3 peste 20000 kilometri. Dup\u00e3 Sanskritorium, urmeaz\u00e3 15 pagini cu documenta\u021bia \u201c\u00cent\u00e2lnirii Culturale Rom\u00e2no-Indiene\u201d din sept.-oct. 2001, tutelat\u00e3 de Academia Interna\u021bional\u00e3 \u201cMihai Eminescu\u201d, fondat\u00e3 \u00een 1981 \u00een New Delhi, av\u00e2nd ca misiune \u201cpromovarea studiilor eminesciene \u00een lume, organizarea unei \u0219coli de indianistic\u00e3 \u00een Rom\u00e2nia, cercet\u00e3ri de antropologie literar\u00e3\u201d Activit\u00e3\u021bi: \u201c\u00eent\u00e2lniri academice, expozi\u021bii, lans\u00e3ri de carte, publica\u021bii proprii, acordarea de premii \u0219i diplome.\u201d Scopul manifest\u00e3rii concrete: \u201cConferirea titlului de Doctor Honoris Causa a Universit\u00e3\u021bii Oradea, d\/lui prof. Univ. Satya Vrat Shastri, Sus\u021binerea unor conferin\u021be; Sinergia culturilor \u0219i civiliza\u021biilor.\u201d \u021ainte: speciali\u0219ti \u00een cultura indian\u00e3, cercuri academice \u0219i culturale, elevi, studen\u021bi, cei interesa\u021bi \u00een cunoa\u0219terea spiritualit\u00e3\u021bii altor popoare, reprezentan\u021bi ai minorit\u00e3\u021bii romanes. \u0219i tot a\u0219a, gazde, coordonatori, cazare, transport, exper\u021bi, buget, sponzori, precizarea etapelor itinerariului dus\u00b1\u00eentors… E suficient\u00e3 nu confruntarea, dar numai g\u00e2ndul automat al al\u00e3tur\u00e3rii celor dou\u00e3 prime sec\u021biuni ale c\u00e3r\u021bii pentru a produce fractalitatea-nonsens.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Norul vestitor<\/em>. Meghaduta, \u00een similimetru antic european, Kalidasa: so\u021bul trimite la soa\u021b\u00e3 un prieten care s\u00e3-i transmit\u00e3 intensele lui sentimente: \u00een locul lui vorbe\u0219te amicul, ocazie pentru o variant\u00e3 de uniune artificial\u00e3 mai complicat\u00e3, sf\u00e2r\u0219it\u00e3 echivoc. Imagini idilice \u00een cadru indian natural: \u201csp\u00e2nzurat peste unde neveste pierz\u00e2ndu-\u0219i printre trestii\/haine albastre prinse-n degete lunec\u00e2nd buci pe maluri\/greu adev\u00e3rul s\u00e3 le la\u0219i balt\u00e3 cine-a gustat dulcea\u021ba\/ \u00eend\u00e3r\u00e3t nu se mai d\u00e3 v\u00e3z\u00e2nd-o goal\u00e3 coapsa femeii\u201d Culori\u00a0 f\u00e3r\u00e3 nuan\u021be: \u201ccompacte iederi formulate a yeti verde pe zid ro\u0219u\/\u00eentre arcade c\u00e3l\u00e3torite f\u00e3r\u00e3 forme salutare arhitecte\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poemul frumos nescris, dificil de diferen\u021biat de adapt\u00e3ri; iar metru de anticariat, solemnitate; sarcasm; autobiografie, codificare a unei iubiri, voyeurism: \u201caburesc mon\u0219tri mistici\/\/se converseaz\u00e3 \u00een a\u0219teptarea dou\u00e3picioarelor sup\u00e3rate\/\u00een cazul supravie\u021buirii cu ce se va ocupa st\u00e2nga dreptul\/gr\u00e3ie\u0219te \u0219efa organiza\u021biei menopauze ca o soacr\u00e3\/fericit\u00e3 numai pentru at\u00e2t \u0219i totu\u0219i vai e diminea\u021b\u00e3\u201d \u201cfie-mi fumul f\u00e3r\u00e3 umor \u0219i negri pl\u00e3m\u00e2nii de r\u00e2s\/pe ziua de azi se g\u00e2ndi chiar zei\u021ba s\u00e3-mi zic\u00e3 prieten\/de fumez cu tat\u00e3l niponei f\u00e3r\u00e3 lotus \u00een minte\/o cafea marath\u00e3 \u0219i amabilit\u00e3\u021bi \u00eentru Ganesh\/\/de-am fumat asear\u00e3 la \u0219uet\u00e3 cu o zg\u00e2tie de stea\/numele bunicului ei \u0219i al unui cartier vecin \u00een sens opus\/pa\u0219ii domni\u0219oarei Saraswati p\u00e3r\u00e3sind de basant vecinii\/de-i vizitase cam pe jum\u00e3tate cred c\u00e3 \u0219i-n alt\u00e3 atmosfer\u00e3\u201d \u201ctext \u0219ah \u00een d\u00e9cor de nunt\u00e3 str\u00e3in\u00e3 chiria gustului de noi\/noaptea unei extinse scolii \u0219i b\u00e3t\u00e3i de farfurii iu\u00fei\/ mozartian consum de baterii \u00een apropierea coatelor\/mutasei vizuina pe nem\u00e2ncare mor\u021bii nunta\u0219e de ce\u201d Miroase a moarte, una \u00eent\u00e2mplat\u00e3 inspir\u00e2nd \u201cestetica sinuciderii\u201d; exist\u00e3 o copil\u00e3. \u201ccu pl\u00e3cerea vechilor incesturi \u00een neprotocolar remeber\u201d;\u201cnu dezgrop aluzia la sinucidere \u0219i asigurarea de tinere\u021be\/cronica \u0219i ea c\u00e2nta-n monorime prelungi de acoperire\/multe nun\u021bi ne-o fi dat soarta a maiascunde\/\u00een c\u00e2te-o scen\u00e3 de masturba\u021bie incestuoas\u00e3\u201d; e\u0219ti acolo prin na\u0219tere nunt\u00e3 \u0219i incinerare\/nu e\u0219ti acolo la na\u0219tere la nunt\u00e3 la incinerare\u201d; \u201cdemulta ruin\u00e3 se \u00eenc\u00e3lzea nev\u00e3zut\u00e3\u201d\/p\u00e2rjolind incestuoase limbi de balaur \u00eenverzit\u201d; \u201cs-a n\u00e3scut\/la noi fiind al vostru s-a n\u00e3scut la voi murindu-ne\u201d;\u201c perversiunea iubirii de orice fel h\u00e3r\u00e3zindu-se reflec\u021biei\u201d;<\/p>\n

\u201cs\u00e3 v\u00e3 spun cum era\u021bi c\u00e2nd nu v\u00e3 eram aproape\/s\u00e3 v\u00e3 spun c\u00e2nd ve\u021bi fi c\u00e2nd nu v\u00e3 voi fi aproape\u201d;\u201cteanc astrogramele tanc incomunicabilitatea br\u00e2nci ancore\/diafanitatea arunc\u00e3 ochii \u00eenapoi privirlor afunde hor\u00e3\/coada se rupe \u00een ghea\u021b\u00e3 \u0219i totu\u0219i voi pierde laptele dublu\/\u00eenvrednicit\u00e3 disperare \u00eendestul\u00e2nd singur\u00e3tatea cu sare\u201d. \u201csemnul mur\u00e3turilor simetric re\u00eenvierilor tevaturate\/\u00eemp\u00e3cat nu numai cu \u021b\u00e3ru\u0219ul \u00eenfipt \u00een urechi str\u00e3bune\/nu numai cu g\u00e2ndul r\u00e3zg\u00e2ndirii neadormi\u021bilor\/relativi umilindu-se mai tuturor umilitorilor omili\/\/timp t\u00e3iat \u00eemprejur ras de cvasitotalitatea firelor\/carte format mare deschis\u00e3 pe genunchii toropi\u021bi \u00eentr-una\u201d Codific\u00e3ri de situa\u021bii prin numere, indic\u00e2nd dou\u00e3 v\u00e2rste diametrale copulabile: \u201cnu se vorbe\u0219te nu se tace noi zidurile \u0219i h\u00e2rtii peste n\u00e3ri\/nu a\u0219teptare nici amintire cu adev\u00e3r minciun\u00e3 cucu\/jucam lecturi mai liber c\u00e2t g\u00e2ndurile proprii pironindu-se\/trecu\u021bii patruzeci\u0219icincilor necop\u021bii unsprezecelui plus\/\/entuziasmul c\u00e3l\u00e3toritului \u00eenapoi apoi c\u00e3z\u00e2nda inadaptare\/proiec\u021bia falei \u0219i injuriei \u00eentr-o emisiune de autodistrugere\/dac\u00e3 nu cre\u0219tere dinspre unsprezece plus p\u00e2n\u00e3 la patruzeci \u0219i cinci\/\u0219i retragerea \u00eentr-un sat loc pretutindeni pentru cea cast\u00e3\/binele boicotului dintr-un fragment \u00eempuiat ca de limbi\/\u00eel discutar\u00e3m pe marginea acestei \u00eentreisprezeciri \u00een\/onoarea adulter\u00e3rii t\u00e3cerii \u0219i nu pe tema adulterului\/celei de-un aer fum\u00e3tor expirat nefum\u00e3torului ras\/\/de-l expirase \u0219i ea invitatoarei zecimale iart\u201d…\u201cacum copil\u00e3ria-i se \u00eensingurase\/c\u00e2t s\u00e3 permit\u00e3 dragoste \u0219i adulter \u0219i doliu \u00een amurg\u201d…\u201cla revedere limbilor reprimate vorbirii celui ce-ai fi fost\/a doua oar\u00e3 doar simetrie p\u00e3r\u00e3sit\u00e3 cu drag\u00e3 inim\u00e3-n zare\/accentul \u00eempins peste hazardul familiar \u0219i sf\u00e2r\u00e2indu-te\/nelimpede habar n-ai de ceart\u00e3 \u0219i cine te m\u00e2ng\u00e2ie acum.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Precizie voyeuristic\u00e3 \u0219i ambiguiz\u00e3ri prin ermetizare: \u201ccine la fel h\u00e3l\u00e3dui-se-va-n ore \u0219i ani infla\u021bionate\/\u00een dos de pervaz la distan\u021ba dosnicei misteriozit\u00e3\u021bi\/convertite dup\u00e3 cuv\u00e2ntul de-asear\u00e3 mai la urm\u00e3\/pe sobrietatea suferindu-se tot mai \u00eenghi\u021bit\u00e3 \u00eembuc\u00e3tur\u00e3\/n-ai ie\u0219it panseul \u0219i s-a exteriorizat \u00eens\u00e3 odalisca la \u021bint\u00e3 genunchii dep\u00e3rta\u021bi tangen\u021bi coatelor palmele pe obraz acum\/cotul drept sub palma st\u00e2ng\u00e3 strea\u0219in\u00e3 frun\u021bii p\u00e2lnie b\u00e3rbiei\/t\u00e2mpl\u00e3 \u0219i-n diagonal\u00e3 g\u00e2tul se ridic\u00e3 \u0219i reintr\u00e3-n \u00eentuneric\u201d Ultima strof\u00e3: \u201cdomnu\u2019 poreclit optimist \u0219i-a b\u00e3tut joc de respectabile bocitoare\/face pe prostu\u2019 p\u00e2n\u00e3 la ziu\u00e3 \u0219i nici nu se treze\u0219te nimic\/ceea ce chiar n-ar fi nimic preten\u021bia poemului r\u00e2de\u021bi\/cu alte g\u00e2nduri dec\u00e2t cele promise \u0219i necuvenite\u201d. Poemul frumos n-a mai fost scris pentru c\u00e3 fundamental\u00e3 este dodia.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ganesh<\/em>. Upani\u0219ad\u00e3 \u00een soninde. 126 buc\u00e3\u021bi de c\u00e2te 14 versuri. Ganesh? Cel determinat de Shiva, cel care \u00eendep\u00e3rteaz\u00e3 orice obstacol din cale? Zeu suprem, ca la o oarecare sect\u00e3? Remarcabil \u00eenainte de toate: Anca a renun\u021bat la bibliografia de inim\u00e3: Eminescu, Br\u00e2ncu\u0219i, Eliade. Colec\u021bia nu prezint\u00e3 semnifica\u021bie \u00een succesiune; se \u00eencepe \u00een mediu satirizabil sau chiar pamfletar local rom\u00e2nesc, se ancoreaz\u00e3 \u00een depresiv. \u201czilele-\u0219i f\u00e3ceau nevoile-n closetele vie\u021bilor noastre\/te rog s\u00e3 nu profanezi cu porc\u00e3rii trecutul\/vreau s\u00e3 spun p\u00e2n\u00e3 \u00een ziua de doisprezece\/trece pe dinaintea cur\u021bii de jos privegheatul\/oalele \u0219i ulcelele glazurate de \u00eenghe\u021b\/cum c\u00e3 la tropic asta nu se pomene\u0219te\/o lunge\u0219ti \u0219i sari spune ce ai de spus\/n-a\u0219 mai vrea cum deschid gura \u0219i a\u0219tept s\u00e3 v\u00e3 speria\u021bi \u0219i s\u00e3 \u00eencepe\u021bi s\u00e3 r\u00e2de\u021bi de\/mortul cu gura deschis\u00e3 pe nepus\u00e3 mas\u00e3\/c\u00e2nd noi \u0219tim c\u00e3 \u00eei este sete \u0219i nu poate bea\/poate doar din b\u00e3rbile l\u00e3sate \u00een amintirea lui\/din dumica\u021bi pica\u021bi din gur\u00e3 cu din\u021bii\/din m\u00e2n\u00e3 cu degetele din zile din zile\u201d (3) \u201cnu eu port crucea clopotului cu automobilul negru\/ nici ea nu m\u00e3 poart\u00e3 mi-am cenzurat lirismul\/de c\u00e2nd am plecat \u00een c\u00e3utarea fetelor rujate\/ce-\u0219i p\u00e3r\u00e3siser\u00e3 p\u00e3rin\u021bii fie \u0219i-ntr-un spital\/mi-am imaginat c\u00e3 sunt mama mea p\u00e3r\u00e3sit\u00e3 \/de tat\u00e3l meu c\u00e3 sunt sora mea p\u00e3r\u00e3sit\u00e3\/de b\u00e3rbatul meu ce fel de femeie crede\u021bi\/c\u00e3 poate fi o femeie de-o clip\u00e3 dou\u00e3 trei\/de p\u00e2n\u00e3 la sf\u00e2r\u0219itul zilelor numai\/de un timp mai scurt ca o liturghie\/g\u00e2ndindu-se \u00een capul lui Zeus din nou\/\u0219i \u00eenc\u00e3 nehot\u00e3r\u00e2t\u00e3 de a mai fi zeus\/de-a face curat \u00een oul lui Brahma \/acum \u0219i pururea \u0219i-n vecii vecilor amin\u201d (17)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Autoprezent\u00e2ndu-se f\u00e3r\u00e3 reticen\u021be: \u201c\u00eemi jurasem s\u00e3 m\u00e3 r\u00e3pun ori s\u00e3 fiu liber\/retoric \u00een toate lan\u021burile ocazionale aveam\/limba jurat\u00e3 m\u00e2inile b\u00e3t\u00e3torite cu tremurici\/sexul masturbat de mu\u0219te anticoncep\u021bionale\/c\u00e3 nu eram b\u00e3rbat c\u00e3 nu eram femeie nici \/bou nici vac\u00e3 \u0219i c\u00e2nd spun vac\u00e3 mi-e bine\/\u00eemi jurasem s\u00e3 intru ori s\u00e3 ies dintr-o vac\u00e3\/nu abia dac\u00e3-mi dorisem abia dac\u00e3-mi l\u00e3sasem\/ochii \u00een ochii lor de m\u00e3 \u00eempiedicam de orbi \u0219i ei de mine\/c\u00e3ci ei \u0219tiau suprema decen\u021b\u00e3 de a nu se\/ciocni cu vacile \u0219i nu c\u00e3-mi doream s\u00e3 fiu vaca\/orbilor nici nu e vorba despre mine nici despre\/orbi doar c\u00e3 nu m\u00e3 v\u00e3d niciodat\u00e3 \u00een cei mai mari ochi\u201d (42)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Timpul: \u201cn-a venit nimeni ieri a venit cineva azi\/cel ce n-a venit ieri poate vine m\u00e2ine\/\u00eempreun\u00e3 cu cel de azi noi ne ducem\/care ieri care azi care m\u00e2ine s\u00e3 nu\/mai venim nici ieri nici azi nici m\u00e2ine\/nu se poate zice cum se zice a\u0219a nu mai merge…\u201d (26)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O gagic\u00e3: Dora. \u201cCe s-a ales de Dora s-a ales \u0103i de cei cu Dora\/ce s-a n\u00e3scut din \u00eempreunarea lor a\/venit a plecat \u0219i Dora se f\u00e3cea c\u00e3 vine\/noaptea s\u00e3 pizduie strigoii prostitua\u021bi\/ \u00een oficii altfel impotent o \u0219tie toat\u00e3 lumea\/am o ame\u021beal\u00e3 o v\u00e3d pe Dora bipeda\/unisexuala pi\u0219\u00e3cioasa \u0219i pe ochii curviei\/ arde soarele peste nimic dec\u00e2t peste\/pr\u00e3jina de Dora s-a pi\u0219at din picioare\/s-a-nv\u00e2rtit \u0219i parc\u00e3 se mi\u0219c\u00e3 nu se\/\u0219tie \u00eencotro spre a potrivi ochiul \u00een c\u00e3tare\u201d (53)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Scene bazate pe grotescul definit kayserian: \u201cne-a ie\u0219it \u00eenainte un cap de femeie de elefant fum\/t\u00e3iat de sabie \u00een cea\u021b\u00e3 de totdeauna ro\u0219u\/ca un penis de c\u00e2ine ca un slogan ca umbra\/urinei pe zi de pe copac aruncat\u00e3 pe c\u00e2ine\u201d (50) Ultimele versuri din 126: \u201chomeopatie patie lini\u0219tit\u00e3 de simptomele\/nedezv\u00e3luite din asem\u00e3narea cu Ganesh.\u201d Care Ganesh? Unul care s-a n\u00e3scut pentru dodii.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tulsidas<\/em>. \u201cmai bine a\u0219 porni \u00eenapoia parodiei pe rom\u00e2ne\u0219te r\u00e3zboiul nun\u021bii \u00eentr-un echilibru tulsidasian C\u00e3lin Nebunul Sf\u00e2nt Hanuman mena ar vorbi omene\u0219te mierl\u00e3 darmite o\u0219tenii lui dumnezeu ne scenariz\u00e3m ori str\u00e3ini pe maidan ori pe surpriza ultimului cr\u00e3ciun\u201d \u201cdin zece-n zece zile \u00eenshumarea c\u00e2te unei litere insinucrate ca pentru lungirea kuberal\u00e3 de la al banilor puber omului i-o mai fi \u0219i fric\u00e3 \u0219i nu de ce-a auzit copii \u0219i la business exagerat caietul \u0219i ziua simbologic am r\u00e3mas de c\u00e3ru\u021b\u00e3 moren\u00e3.\u201d Tulsidas, c\u00e3lc\u00e2nd peste dou\u00e3 veacuri, autorul lui R\u00e3mcaritm\u00e3nas, al unui Rama care este al lui ca<\/p>\n

Tulsidas al lui Anca.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Milarepa<\/em>: versete de aproape patru r\u00e2nduri, (totu\u0219i: le\u0219ia versetelor, se scrie), rimare p\u00e2n\u00e3 \u00een final, unde se permite rostogolirea vorbelor f\u00e3r\u00e3 ritm. De asemenea, pentru referin\u021ba la dodii: \u201c\u00eentr-o cas\u00e3 din Dode\u0219ti mi-am adus aminte ve\u0219ti dodie pe unde e\u0219ti prin delirul indigo zise Iona lui Godot du copacul dincolo cheia ochelarilor lachei chel\u00e3l\u00e3itei dependen\u021be a literelor \u00een haos unde-am scris ligninei stai pe o scorpie de scai s\u00e3rut\u00e2nd-o prost \u00eencai \u00eempotrivindu-\u021bi blonda prin\u021bes\u00e3 indian\u00e3 aici apelam la metru\u201d; \u201c… \u0219i nu-s bucuria de iubire la Tismana-n m\u00e2n\u00e3stire logos cuv\u00e2nt dodie Brahma Vishnu Shiva se limpezesc \u00een ceart\u00e3 ne \u00een\u021belegem iar pentru un c\u00e2ntec de Milarepa\u201d Evident, inevitabilul Milarepa, ca Br\u00e2ncu\u0219i: \u201cMilarepa f\u00e3r\u00e3 Milarepa Br\u00e2ncu\u0219i f\u00e3r\u00e3 Milarepa Milarepa\u00a0 f\u00e3r\u00e3 Br\u00e2ncu\u0219i adio re\u00eencarnare vis liberat repet\u00e3m regretul nimicului din jur dus\u00e3 traducere via\u021ba o ducere\u201d Triada: \u201caud \u00eentr-una vocea Eminescu-Milarepa-Br\u00e2ncu\u0219i.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verbe pentru dou\u00e3 propozi\u021bii sau dou\u00e3 predicate \u00een\u00eenserierea ororii: \u201c… c\u00e3dere\/m\u00e2ine\/poim\u00e2ine numai crima \/face bine zarul zv\u00e2rle criminalul\/din castelul de pe timbru\u201d.<\/p>\n

Orori \u00een cea mai smucit\u00e3 dintre realit\u00e3\u021bi: \u201cnebunii-n morg\u00e3 mor\u021bii-n balamuc ne pare r\u00e3u ne pare bine cuc vrei \u0219ase versuri la morm\u00e2nt aduc \u0219i cucul \u00eemi ia foc p\u00e2n\u00e3 la muc pe pagina cu literar flaimuc monoritmat mason \u0219i mantracuc cititul scris pe orient n\u00e3uc nebunii-n morg\u00e3 mor\u021bii-n balamuc sorei noastre Augustina fie-i dumnezeu odihna \u0219i brazda-ne de chin d\u00e3-ne s\u00e3 o \u00eenflorim\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahavir<\/em> \u00eentru ahimsa este textul cel mai bogat \u00een indica\u021bii pre\u021bioase pentru medita\u021bionism derivat ici \u0219i colo dodiesc. Sunt multe cuvintele \u0219i sintagmele create pentru necesit\u00e3\u021bi contextuale: grecitur\u00e3 hindimorf\u00e3, Capodimente Piciordemunte, \u00eenv\u00e3\u021b\u00e3torizare, giulgiu losangeliu. Construc\u021bii monstre: \u201co artilerie tr\u00e3g\u00e3toare de pre\u0219uri de sub picioarele corvezilor or mai fi \u0219i bolnavi…\u201d Asocia\u021bia dodiesc\u00e3 cu ajutorul unui \u00e3la oficial: \u201cbhagavan Mahavir ultimul thirtankar suflet liberat atarang \u00een englez\u00e3 de his holiness lucr\u00e2nd \u00eempreun\u00e3 fra\u021bi surori papa \u00een India Vigyan bhavan polite\u021be lotus pentru anuvrat nu-s grani\u021be ca pentru o scrisoare \u00een fraza final\u00e3 Mahapragya exemplific\u00e3 fiin\u021ba uman\u00e3 cu Rom\u00e2nia cre\u0219tin\u00e3 Om Brahma Murariah Tripurantkari Bhanuha Shashi Bhoomi Suto Buddhscha Guruscha Shani Rahu Ketvah Sarve Graha Shanti karah Bavantu.\u201d Pentru un ignorant, cuvinte inventate, oricum, dodie \u0219i pentru neignorant.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mi\u0219toul \u00ee\u0219i are un pretext \u00een exerci\u021biile de respira\u021bie medita\u021bional\u00e3: \u201cegal inspiri-expiri altfel Vivekananda alt pranayam vine g\u00e2ndul ne fie indiferent r\u00e3s\u00e3ritul coloreaz\u00e3 apa dup\u00e3 vas apa din sticl\u00e3 ro\u0219ie are efect energetic radia\u021bia leshya s\u00e3 nu gre\u0219e\u0219ti culoarea psihic\u00e3 vizualizeaz-o mereu pe cea str\u00e3lucit\u00e3 faci temperatur\u00e3 medit\u00e2nd copile\u201d; \u201c\u00een circul trup\/de respira\u021bii\/puru\u0219a zdup\/\u00een acroba\u021bii\/pl\u00e3cere cu p\/l\u00e3cere ia-\u021bi-l\/puru\u0219a zdup\/\u00een respira\u021bii\/a cere cer\/reia azur\/val efemer\/ad\u00e2ncul pur\/sperjur oier\/poporul pur\u201d (Dodii<\/em>); \u201cm\u00e2ini pe corzi schingiuie lorzi ao a om f\u00e2r\u0219i-ne-om sabie \u00eenfipt\u00e3 \u00een cutia milelor…\u201d, apoi… aum (idem); \u201cmare e India ta doamne ce-om mai scrie \u0219i azi t\u00e3cerea ca medita\u021bia arunc\u00e3 \u00een p\u00e3r\u021bi g\u00e2ndirea \u0219i memoria ce ambi\u021bii ce \u00een\u021belegere a lui Mahavir for\u021ba ashramurilor de \u00een\u021beles aici intelectual \u00een zidiri de marmor\u00e3 namoarihantaam namo sidhaanam namo ayariyanam namo loye sava sahunam c\u00e3ut\u00e3m sufleul prin puterea adev\u00e3rului dincolo de sim\u021buri mantre \u00een traducere d\u00e3-le s\u00e3 te faci moralist s\u00e3 te purifici \u0219i pac \u00eenc\u00e3 un geet\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalul prelucreaz\u00e3 comic reprimarea penibil\u00e3 a medita\u021biei transcendentale \u00een Rom\u00e2nia lui Ceau\u0219escu: \u201c…de unde at\u00e2ta medita\u021bie v\u00e3d efectul a\u0219a \u0219i epopeile mantr\u00e3 \u0219i avionul cu sor\u2019sa muream de somn \u0219i-mi doream kayota unde \u0219i preksha m-o fi crestat cucurigu s\u00e3 nu m\u00e3 pun r\u00e3u cu comuni\u0219tii dac\u00e3 am tv nu mai fac preksha se alege praful de roman d-aia Thailanda a fost ideal\u00e3 f\u00e3r\u00e3 somn sonete thai tetha thai liber ci cuprins p\u00e2n\u00e3 ajungi la simpatia nediscriminatorie Mahavirule anuvrata mici jur\u00e3minte\u201d Secven\u021be de context de re\u021binut pentru absurdul lor \u0219i pentru prelucrarea \u00een regimul absurdului: \u201cUite m\u00e3icu\u021b\u00e3 din paranoia ne frec\u00e3m de praful picioarelor chinezoaica \u021bine la trapez\u00e3 conferin\u021be despre evrei la dou\u00e3 indience confirmate impenetrabilit\u00e3\u021bi pe indiscutabilitate a-\u021bi fi v\u00e3zut dosar cum seam\u00e3n\u00e3 vocile dup\u00e3 ceart\u00e3 dup\u00e3 mantr\u00e3 \u0219i sex irecuperabil eu o s\u00e3-mi dau drumul din ascez\u00e3 \u00een luxuria recunoa\u0219terii de form\u00e3 \u0219i apoi \u00een papucii lui Sergiu…\u201dBurlesc: deschisesem gura s\u00e3 zic ai m\u00e2ini de criminal am zis de artist oineal deranjat\u00e3 omul ajunge bestie mid brain part mi se par spart pituitara maser gland tiroida fluture sub m\u00e3rul lui Adam timol celulele T ale imunit\u00e3\u021bii insulele din pancreas orchestra endocrin\u00e3 m\u00e3 adoarme pe glan\u00e3 sistemul neuroendocrin al treilea ochi te adoarme omul \u0219i-n picioare chakra settled in Seattle \u00eencepu b\u00e2rfa postpineal\u00e3 pe trezie se mai d\u00e3 jugoslav\u00e3 alt\u00e3 \u00baarl\u00e3 bine c\u00e3 m\u00e3 sp\u00e3lai pe cap nesoamne radiologul ia singur singura sticl\u00e3 de ap\u00e3 p\u00e2n\u00e3 nu mai vorbir\u00e3m de rom\u00e2ni americani Ivanka \u00ee\u0219i face mitinguri m\u00e3car \u0219i pletosul sug\u00e2ndu-\u0219i degetele dup\u00e3 modelul lui Truman te dai actor cum se d\u00e3 Blaier evreu am plecat la ceai acum contempla\u021bie nu \u0219tiu ce s\u00e3 fac cu p\u00e3rul sp\u00e3lat apropo de dubla cet\u00e3\u021benie Joseph indianul cu fra\u021bii lui la faraon Tagore, Gandhi \u00bai Hanuman sunt texte cu care e ilustrabil un alt aspect dodiesc: cu c\u00e2t numele este mai mare, cu at\u00e2t textul se ocup\u00e3 mai pu\u021bin de el. Un soi de asindeton radicalizat: termenul principal este zadarnic c\u00e3utat \u00een h\u00e3\u021bi\u0219ul sintactic care urmeaz\u00e3. Un pasaj oarecare din compactul de zeci de pagini: … i-a\u0219 spune lui Tagore ce \u0219tie spune-ne ce ne\u0219tiind vom afla de la tine tu vei vizita cenu\u0219a lui dumnezeu absorbind cataclismele a le dirija \u00een feerii indiferente frumuse\u021bea popoarelor \u00eentr-o revebera\u00feie c\u00e2te andrade \u00eemi vine s\u00e3 dantelez darnicia arniciului nemaisangvin abia \u00een zori de voi mai abrevia aluviul fluviului cu numele t\u00e3u \u0219i pod tot tu ajung\u00e2ndu-\u021bi ne \u00eenfrupt\u00e3m \u0219i noi din gloria postum\u00e3 a bucuriei bine stinsei vie\u021bii \u00eentrup\u00e3rile nimeni nici Goliat nici Gandhi fiecare \u0219i Eminescu \u0219i Tagore mai bine pe p\u00e3m\u00e2nt dec\u00e2t \u00een subp\u00e3m\u00e2nt gardi\u0219ti prostesc \u0219i rasismul curmalei toat\u00e3 mardaua pe spinarea spinal\u00e3 supin suspin m\u00e3g\u00e3rit m\u00e3rg\u00e3rint \u00een toat\u00e3 poasada santiniketan\u00e3 pe o a\u0219teptare c\u00e3lug\u00e3r\u00e3 bac negrul mi-a insinuat antiro\u0219ul cinic \u00eemb\u00e2csirii de o fiin\u021b\u00e3 flautul de pe la radio melopee pee aveam o coad\u00e3 \u00een sonoritatea ascult\u00e3rii… Dac\u00e3 nu Tagore, atunci Amita Bhose, unchiul ei, circumstan\u021be ale vie\u021bii ei, Eliade, Sergiu Al-George, \u0219i el \u00eensu\u0219i, acaparat de eventul rom\u00e2no-indian definit de \u201ccuv\u00e2ntologia laudativ\u00e3\u201d: \u201c…a\u0219a e biblioteca mai t\u00e2rziu acum batem marginile mari \u0219i mici a nu te inhiba c\u00e2nd ai prins argumente oi fi fost dezl\u00e2nat dar ritmic astelalte zece zile cum mi-a zis Noica de-a\u0219 merge pe inteligen\u021b\u00e3 s\u00e3-mi ordonez asocierile sursele documentele chiar s\u00e3-mi ritmez programul s\u00e3-l fac norocos nu prea tare extrasistola venise imediat dup\u00e3 conferin\u021b\u00e3 \u00eemi pare bine c-am \u021binut-o p\u00e3cat c\u00e3 m\u00e3 \u00eendoisem c\u00e2nd mersesem cu Sunil s\u00e3 v\u00e3d sala mai bine f\u00e3r\u00e3 tabl\u00e3 scriam corect avem turbulen\u021b\u00e3 depresie dou\u00e3 ore \u0219i 50 sau \u0219i 5 le-om trece noi c\u00e3 suntem indienei-voinicei diminutiv\u00e3 \u0219i via\u021ba noastr\u00e3 c\u00e2t de \u021big\u00e3nit\u00e3…\u201d \u0219i toropeala: \u201cm\u00e3 trezeam notific\u00e2nd trecerea te\u0219ind elanul conven\u021biei cum \u0219i sub scaunul din fa\u021b\u00e3 cite\u0219ti ss line austriac neneam\u00fe corsican nefrancez american neevreu c\u00e2nd \u0219i crima nanterii de mam\u00e3 acela\u0219i copil de la venire or\u00e3c\u00e3ie…\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen \u00eencheierea lui Tagore, poezii traduse care nu sunt de Tagore. Una e Dodiei<\/em> de Nilima Das, care , poate, nu este cine este: \u201cdodie dodon\u00e3\/vak \u0219i chip\/m\u00e3iastr\u00e3\/pene de fiin\u021b\u00e3 \/bronz Br\u00e2ncu\u0219i\/albastr\u00e3.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gandhi<\/em>: Frecvent ca numele din titlu este acela al lui Martin Luther King. Dar exist\u00e3 \u0219i folclor comparat constant: \u201cse \u00eembrac\u00e3 femeia-sati \u00een mireas\u00e3 Parvati \u00eenc\u00e3 sup\u00e3rat\u00e3 pe neglorificarea so\u021bului Savitri l-a p\u00e3c\u00e3lit \u0219i pe Yama a\u0219a \u0219i mireasa ciobanului nostru moartea nun\u021bii zidirea \u00een nefoc.\u201d B\u00e2rf\u00e3raia academic\u00e3: \u201cconferin\u021ba Ramayana n-ar fi numai academic\u00e3 dar \u0219i spiritual\u00e3 iar lui inspira\u021bia impulsul divin i le-a dat el arat\u00e3 spre Hanuman seam\u00e3n\u00e3 cu Stoberski \u0219i S\u00e3hleanu\u201d; \u201c\u0219antier chelios cu ochi alba\u0219tri pe z\u00e2mbet albastru da un fel de nu te l\u00e3sa am auzit nu \u0219tii nu \u0219tie nimeni cum a pus-o Mary s\u00e3-l rad\u00e3 pe M\u00e2rza \u0219i M\u00e2rza a pasat-o lui Omer de care ea iar s-a \u00eendr\u00e3gostit cum face sex cu cineva cum se \u00eendr\u00e3goste\u0219te dup\u00e3 ultimul a \u00eent\u00e2lnit \u0219aptezeci de-aia z\u00e2mbeai nentule un punjabi v\u00e3duv de opt ani are rituri mergi pe colo umbli pe dincolo nu prea se acomodeaz\u00e3 pe cine s\u00e3 mai violeze virgini trecu\u021bi de 50 de ani nu r\u00e2de…\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe l\u00e2ng\u00e3 toate celelalte, constatarea c\u00e3 indienii, de fapt orice popor, nu trebuie cunoscut prin ai lui, ci prin al\u021bii, din alte \u021b\u00e3ri, sau plasa\u021bi tactic \u00een alte \u021b\u00e3ri: un german se ocup\u00e3 de indieni la Oxford. Rom\u00e2nii \u00eens\u00e3, n-au parte nici de at\u00e2t: \u201ccine s\u00e3 mai \u00eenoate p\u00e3s\u00e3rilor cer\u0219etorilor le dai firimituri din poart\u00e3 sup\u00e3 de grab de rom\u00e2n plictis de cinci stele piscina supa de rom\u00e2n supa de raci \u00een toat\u00e3 vaporos vaporeana hul\u00e3 barbeque fripturi vegetale nescriptoriale vac\u00e3-n India noi cu boul mai lup dac…\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0218i Hanuman<\/em> este rareori deranjat \u00een textul consacrat lui prin titlu.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hindu\u0219ii r\u00e3zboinici au zei cu arme Jinnah m\u00e2nca zilnic carne de porc era \u00een al treilea stadiu de tuberculoz\u00e3 Phulpur al florii pur purpur c\u00e2t\u00e3 vopsea ro\u0219ie pe frunte at\u00e2ta oaie pe munte strigat a mia oar\u00e3 pe numele Hanuman Chalisa nahi he ba e nu e literatur\u00e3 \u00een literatur\u00e3 e foarte literatur\u00e3 \u00een neliteratur\u00e3 ai mai zis-o odat\u00e3 tat\u00e3 a\u0219chia s\u00e3rit\u00e3 departe deAsia nepalezul citind c\u00e3 Gandhi de la 32 de ani nu s-a mai atins de nevast\u00e3 12 ani \u0219i-a neatins-o \u0219i el pe a lui \u00een timp ce \u0219amanii de c\u00e2mp \u0219i de munte cotorosesc o zi-dou\u00e3 feele prea menstruate m-am dus la fereastr\u00e3…<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Comparatism \u00een final: \u201cde la noi Eliade dup\u00e3 Alecu Ghica apoi Sergiu Al George \u0219i noi abia mai nimerir\u00e3m plecarea v\u00e3zui adev\u00e3rul Ganga coada ochiului citind Hanuman Chalisa C\u00e3lin Nebunul e Hanuman kalidasianeminescian cryta tretha satya kali.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dodii<\/em>, 44 pagini din Sanskritikon<\/em>, text \u00een mare parte versificat, adesea rimat, alt\u00e3 parte prozificat, dar tot versuri \u00een parte rimate; Anca nu mai face aici teorie, ci ofer\u00e3 modele de dodii.<\/p>\n

…ce e-n minte printre expresii din alt\u00e3 c\u00e3c\u00e3n\u00e3rie\/se cheam\u00e3 fric\u00e3 de mintea \u00eens\u00e3\u0219i ie\u0219it\u00e3 din ea\/cu groaza expresiilor de dincolo\/\/jur mitului credin\u021b\u00e3 neomeneasc\u00e3 de piatr\u00e3 \u00een a\u0219teptare\/prin mit \u00een\u021beleg\u00e2nd dispre\u021bul mitologic\/ pentru hait\u00e3 \u0219i h\u00e3ita\u0219i ciocnindu-se \u00een sine h\u00e3ulind… …numai c\u00e2inii r\u00e3i sunt de \u00een\u00fe\u021bles\/m\u00e3 \u00een\u021beleg \u0219i pe mine \/l\u00e3tr\u00e2ndu-m\u00e3 \u00een somn de un avatar\/de-aia e dumnezeu\/a nu se putea face nimic\/a-l invita etern chiar \u0219i pe la noi\/s\u00e3 i ne d\u00e3m de poman\u00e3\/de sufletul celor ce n-am\/avut de g\u00e2nd s\u00e3 fim\/fiindc\u00e3 nu se putea f\u00e3r\u00e3 el\/\/r\u00e3m\u00e2n ce las nu ce m-a l\u00e3sat de l\u00e3sata eului\/accept canibalii afl\u00e2ndu-m\u00e3 s\u00e3tul\/\u00eemi pierd ruralitatea urbanitatea min\u021bile\/m\u00e3 hot\u00e3r\u00e3sc pentru m\u00e3suri nedep\u00e3\u0219ind o zi\/\u00eenceputul or sf\u00e2r\u0219itul incredibilului… …Bistri\u021ba \u0219i Oltul apele cu mortul\/Dun\u00e3rea \u0219i Rinul barcagiu destinul\/dodii indodii \u00een India dodei\/f\u00e3r\u00e3 mam\u00e3 pe p\u00e3m\u00e2nt luminat\u00e3 a morm\u00e2nt…<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Uneori, \u00een manier\u00e3 epigramatic\u00e3 abandonat\u00e3 \u00een zona poantei, substituit\u00e3 cu un epifonem ca poant\u00e3, \u00een sensul unor exers\u00e3ri de goetheene \u0219i eminesciene: \u201chuma noaptea ne tresare\/stea \u00eemp\u00e3m\u00e2ntenitoare\/bl\u00e2nd ierbi de stej\u00e3rei\/b\u00e3tr\u00e2ne\u0219ti turme de miei\/lene\u0219 muls nevrednic supt \/laptele pe dedesubt\u201d Sau scurt, asiatic: \u201cceruri joase atinse de v\u00e3rfurile ierbii\/cad din levita\u021bie bronzul\/femeii ochi f\u00e3r\u00e3 hotar\/coapse m\u00e3tase\/pl\u00e2ns oglind\u00e3\/saree verde\/inim\u00e3 alb\u00e3\u201d \u201cGermaine nu era proast\u00e3\/cum o s\u00e3 moar\u00e3 toat\u00e3\/\u00een muritoare ast\u00e3\/indodie de fat\u00e3\/mai are timp de alte\/religii s\u00e3 \u00eencete\/doar stelele mai salte\/\u00eenalte \u0219i tibete\u201d; \u201cm\u00e3 tot duc \u00een Himalaya de vreo patru s\u00e3pt\u00e3m\u00e2ni\/de la patru\u0219cinci de grade la r\u00e3coarea de la st\u00e2ni\/un g\u00e2ndac m\u00e3 gulereaz\u00e3 \u0219i cu aripi mari mai azi-noapte\/a mea are alergie zice yoga face fapte\/credem Buddha citim Budai indienii \u0219i \u021biganii\/\u0219i rom\u00e2nii \u0219i romanii to\u021bi indoeuropanii\u201d;<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alte tipuri epigramatice, ca table de materii ale vie\u021bii, bilan\u021buri reflexive:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cce e via\u021ba noastr\u00e3 prim\u00e3var\u00e3 nun\u021bi\/lamp\u00e3 cu ulei de castor pe la nun\u021bi\/stele deplasate ocn\u00e3 \u00eendulcit\u00e3\/cu un cal de zah\u00e3r din bazar clipit\u00e3\/or\u00e3 zi de munc\u00e3 lun\u00e3 de vacan\u021b\u00e3\/b\u00e3tr\u00e2n\u00e3 balad\u00e3 s\u00e3lt\u00e3rea\u021b\u00e3 dan\u021b\u00e3\/movul zeit\u00e3\u021bii \u00eengerul de paz\u00e3\/care dodioara asta \u00eemi scurteaz\u00e3.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u021bi-am smuls din limb\u00e3 viermii cu din\u021bii mei de div\u00e3\/ prin vise-\u021bi fierbe gr\u00e2ul s\u00e3 te treze\u0219ti coliv\u00e3\/din veac de a\u021b\u00e3 rupt\u00e3 \u00een ape c\u00e2nepii\/t\u00e2r\u00e2ndu-te sub troscot te-ai na\u0219te pe c\u00e2mpii\/at\u00e2t c\u00e3-n rug\u00e3ciune nea\u0219tept\u00e2nd t\u00e3m\u00e2ie\/un scrum de greier mie din mine-o s\u00e3 r\u00e3m\u00e2n\u00e3\u201d \u201cmi se vor duce zilele \u00eentoarcerile\/doar cerul cu stelele greierii ierburile\/niciodat\u00e3 cernicile mumele apele\/zei\u021bele avataruri g\u00e3telile leli\u021bele\/eram nunt\u00e3 erai mireas\u00e3 era dansul\/de unde venise \u0219i \u00eencotro s\u00e3 c\u00e3l\u00e3toreasc\u00e3\/at\u00e2t ne-am \u00eenv\u00e2rtit via\u021b\u00e3 de via\u021b\u00e3\/am progresat \u0219i am dat \u00eenapoi \u00een ritmul\/eternei \u00eentoarceri \u00eentoarcerile\/zilele stelele greierii ierburile.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haoticul tot mai dens, \u0219i asta \u00een cadru indian:<\/p>\n

\u201c…prin turbanele dintre Chandiharh \u0219i le Corbusier visam o ven\u00e3 \u00een ochi aed orb m\u00e2na cotrope\u0219te propriul g\u00e2t coloana vertebral\u00e3 \u00eemproa\u0219c\u00e3 cenu\u0219\u00e3 \u00een creieri niciun \u00eenceput t\u00e3lpile plutelor pe ape \u00eens\u00e2ngerate foi \u00een sp\u00e2nzur\u00e3toare cuvinte \u00een delir sudori plebee toamna decapiat\u00e3 de fum \u00eencins cu s\u00e3b\u00e3\u00e3 lucrat balan\u021bele o-ul oribilului concentric la tot ce se rote\u0219te…\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aiureala cre\u0219te, cu temei \u00een precizia numerelor:<\/p>\n

\u201c\u00eenchidem hora repede de la antipod \u0219i tropice cu Bob \u0219i Rose \u0219i surioara bate \u00eengerii obraznici deci un num\u00e3r \u00eenmul\u021bit cu sine \u00eensu\u0219i rezult\u00e3 c\u00e2t \u0219i num\u00e3rul imediat mai mic plus suma celor dou\u00e3 numere \u00eenmul\u021bite cu ele \u00eensele ex doi or doi egal unu or unu plus unu plus doi sau 1982×1982=1981×1981+1982 sau 555×555= 554×554+ 554+555 yoga \u00een matca azurului…\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalul: \u201cA murit Christos Christos a \u00eenviat iertare idolilor ce te rod anume zbur\u00e3t\u00e3cindu-te din coada de p\u00e3un dans\u00e2nd \u00een Arya Figaro adu-ne pepene \u00een patratul dimine\u021bii de dup\u00e3 paralelipipedul nop\u021bilor \u00een ochi de om de floare induus tri a l\u00e3 eu cu m\u00e2na salutam\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u0219adar, \u00een propria evaluare: \u201cindodii \u00een dodii\/\u00een India dodii\/cu taina jocului\/de mama focului\/adev\u00e3r de babe\/ palavre sahabe\/\u00eentru dorul lelii\/Delhi perihelii\/munte Meru gur\u00e3\/vulturul ne fur\u00e3.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cum s-ar putea defini pe scurt Sanskritikon? Cu un citat definitiv din Mahavir: \u201ca fost mi\u0219to Mahabharata asta\u201d.<\/p>\n

Sursa : http:\/\/georgeanca.blogspot.ro\/2017\/10\/hinduitate-dodiastica.html<\/p>\n

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Anca are dou\u00e3 iubiri: Rom\u00e2nia \u0219i o Indie \u00een care poate\u00a0 reg\u00e3si \u00een felul lui ceva din Rom\u00e2nia \u00een care [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-32400","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/32400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=32400"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/32400\/revisions"}],"predecessor-version":[{"id":32403,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/32400\/revisions\/32403"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=32400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=32400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=32400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}