{"id":33448,"date":"2017-11-24T12:24:58","date_gmt":"2017-11-24T12:24:58","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=33448"},"modified":"2017-11-24T12:41:31","modified_gmt":"2017-11-24T12:41:31","slug":"mihaela-gheorghiu-aparent-illusory%e2%80%9d-o-noua-aparitie-editoriala-semnata-de-poeta-adriana-popa-la-targul-gaudeamus-2017","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2017\/11\/24\/mihaela-gheorghiu-aparent-illusory%e2%80%9d-o-noua-aparitie-editoriala-semnata-de-poeta-adriana-popa-la-targul-gaudeamus-2017\/","title":{"rendered":"Mihaela Gheorghiu: ,,Aparent\/ Illusory\u201d, o nou\u0103 apari\u021bie editorial\u0103 semnat\u0103 de poeta Adriana Popa la T\u00e2rgul Gaudeamus, 2017"},"content":{"rendered":"

\"\"<\/a>Inefabil \u015fi diafan, ca un desen transparent, \u00eens\u0103 de o ironie subtil\u0103, volumul \u201e Aparent \u201c al poetei Adriana Popa<\/strong>, premiat\u0103 la Festivalul Na\u0163ional de Poezie \u201e George Co\u015fbuc \u201c, edi\u0163ia a XIII-a, se impune cu naturale\u0163ea talentului.<\/p>\n

Ambivalen\u0163a real \u2013 imaginar, ideea reflexivit\u0103\u0163ii pierdute, imaginea deschis\u0103 \u015fi totu\u015fi, \u00een\u015fel\u0103toare, a lumii, natura perisabil\u0103 a fiin\u0163ei umane care \u015fi-a pierdut accesul la tot ce \u00eenseamn\u0103 etern, guverneaz\u0103 \u00eentregul volum.<\/p>\n

De asemenea, tot ce e simbol consacrat, se transform\u0103 \u00een poezia Adrianei Popa, \u00een contrasimbol.<\/p>\n

Fiin\u0163a poetic\u0103 se ridic\u0103 \u00een fa\u0163a noastr\u0103 ca un turn de nelini\u015fte ( Sartre \u2013 \u201e Turn de lini\u015fte \u201c ), \u00een sensul unei continue c\u0103ut\u0103ri prin sine \u00eens\u0103\u015fi, un turn nedefinitivat, care se construie\u015fte mereu : \u201e m-am r\u0103t\u0103cit prin mine \/ zdren\u0163uindu-mi lumina \/ eram at\u00e2t de atent\u0103 \/ s\u0103-mi str\u00e2ng sufletele \/ \u00eentr-o t\u0103cere nou\u0103 virginal\u0103 \/ cu un profil inexorabil \/ reverberat de umbra troianului fictiv \u201c ( Tu ), \u201e nu-mi pot sf\u0103r\u00e2ma lan\u0163urile \/ mi-am pierdut cheia \u201c ( Lan\u0163urile ), \u201e m\u0103 caut printre fulgi \u201c ( Fulg ).<\/p>\n

Dorin\u0163a de evadare din realitate se poate materializa \/ \u00eemplini, doar prin somn : \u201e cur\u00e2nd \/ m\u0103 voi pierde \u00een somn \/ dezbr\u0103cat\u0103 de g\u00e2nd \/ vreau doar s\u0103 hibernez un timp \u201c ( Cur\u00e2nd ). Somnul nu e aici, neap\u0103rat, o prefigurare a mor\u0163ii, ci o \u00eentoarcere la ritmul pur al materiei \u00een zona de plenitudine \u015fi de lini\u015fte.<\/p>\n

Universul conceptual e mai degrab\u0103 bacovian, d\u00e2nd senza\u0163ia unei asfixii spirituale, a c\u0103derii totale \u015fi ireversibile a miturilor. \u00cens\u0103, la nivel formal, dezideratul poetei r\u0103m\u00e2ne apropierea de mereu prezentul, Nichita.<\/p>\n

Se remarc\u0103 de-a lungul mai multor poeme sentimentul ne\u00eemplinirii, al germin\u0103rii interzise \/ \u00eentrerupte : \u201e din scoica afroditei \/ am luat o singur\u0103 \/ iluzie \/ cu care-am \u00eenflorit \u015fi-am germinat \/ izvorul ce l-am adus \u00een lume \/ de-atunci pedepsit\u0103-s s\u0103 \/ port \/ acest trup secetos de femeie \/ pe care \/ nu vor mai clipi nicic\u00e2nd \/ gene de floare \u201c ( N-am primit ).<\/p>\n

Semin\u0163ele, care \u00een poezia lui Blaga sunt mirabile, semin\u0163e care con\u0163in \u00een laten\u0163\u0103 infinitul, se constituie \u00een poezia Adrianei Popa ca un contrasimbol, suger\u00e2nd finitul, imposibilitatea rodirii \u015fi prin aceasta interzicerea accesului la eternitate, sunt \u201e semin\u0163e neadmise rodirii \u201c.<\/p>\n

Ideea p\u0103durii, cuprins\u0103 \u00eentr-un s\u00e2mbure de ghind\u0103 ( Mihai Eminescu \u2013 S\u0103rmanul Dionis ) e inversat\u0103 \u00een versul \u201e ochii t\u0103i reduceau p\u0103durea din jur \/ la un singur punct \u201c \u00eentr-o \u00eencercare de regresiune la origini, ca \u015fi c\u00e2nd tot ceea ce a fost germinat s-ar reduce, concentr\u00e2ndu-se \u00een punctul ini\u0163ial, izvor a toate.<\/p>\n

Tema iubirii \u201e un copac \/ \u00een care-at\u00e2rn\u0103 str\u00e2mb \/ dou\u0103 inimi albastre \u201c, e din nou, doar aparent, o tem\u0103 a iubirii, deoarece principiul opus nu prinde contur, nu e o realitate, ci o umbr\u0103 lipsit\u0103 de materialitate : \u201e mi-am zdren\u0163uit g\u00e2ndul \/ \u00een m\u0103r\u0103cini\u015ful sufletului t\u0103u \/ mi-am rupt curcubeul \/ \u00een toamna privirii \/ mi-a-nghe\u0163at m\u00e2na-ntins\u0103 \/ c\u0103tre macii iubirii \/ am r\u0103gu\u015fit c\u0103ut\u00e2ndu-\u0163i duio\u015fia \u201c ( Portret ).<\/p>\n

\u00a0Tema iubirii, de fapt a neiubirii, se coreleaz\u0103 cu tema iernii care semnific\u0103 \u00eencremenire : \u201e \u00een mine \u00eens\u0103mi e iarn\u0103 \/ visul meu \/ \u00ee\u015fi \u00eenghea\u0163\u0103 propria-i creang\u0103 \u201c ( Fulg ), albul fiind \u00een acela\u015fi timp puritate \u015fi nerodire : \u201e ce creang\u0103 invoc\u0103m \/ iubito iubitule \/ \u00een inima iernii \/ prin viscolul \u00eenstelat de semin\u0163e \/ neadmise rodirii \u201c ( Necroz\u0103 ).<\/p>\n

Fiecare spirit e \u00een lupt\u0103 cu limita \u015fi con\u015ftientizeaz\u0103 tragic c\u0103derea, marcat\u0103 aici prin \u00eendoial\u0103 : \u201e …..poate \/ cine \u015ftie \/ nici nu exist\u0103 astfel de oameni \/ \u015fi nici infinit \u201c ( Poate ). Divinitatea parc\u0103 s-a retras \u00een cele mai \u00eenalte ceruri, p\u0103r\u0103sindu-\u015fi crea\u0163ia. Locul divinit\u0103\u0163ii e preluat de regizorul, un regizor care concepe diferite scenarii, guvern\u00e2nd la \u00eent\u00e2mplare destinul individului : \u201c regizorul ce mi-a semnat prezentul \/ a r\u0103sfoit o carte \/ \u015fi-a l\u0103sat-o deschis\u0103 \/ pe-o mas\u0103 cu pietre \/ \u015fi-acum st\u00e2ncile-mi r\u0103nesc trupul \u201c ( Regizorul ). E un destin f\u0103r\u0103 finalitate, \u00eempotriva c\u0103ruia individul nu poate lupta, c\u0103ci oricum se va pr\u0103bu\u015fi \u00een ocean : \u201c \u00een amintire \/ orizontul iar m\u0103 cheam\u0103 \/ \u015fi-mi l\u0103crimeaz\u0103 pr\u0103bu\u015firea-n geam \/ rambursa\u0163i icarul \u00eendr\u0103gostitului \u015fi poetului \/ frunza \/ m\u0103 desparte de ram \u201c ( Am visat ), \u201e fo\u015fnesc din verb \/ \u015fi \/ c\u00e2\u0163iva icari \u00eemi ies \u00eenainte \/ iar cerul are aripi \/ \u015fi tope\u015fte cuvinte \u201c ( Regizorul ).<\/p>\n

\u00cen acela\u015fi timp, omul are posibilitatea dedubl\u0103rii, \u00een fiecare individ exist\u00e2nd o fiin\u0163\u0103 perfect\u0103, metafizic\u0103, nemuritoare, un arheu \u201e fulgii p\u0103\u015fesc \/ \u00een v\u00e2rful sufletului \/ \u00eentre mine \u015fi eul imaculat \u201c ( Alb ).<\/p>\n

Motivul drumului, calea de urmat pentru atingerea des\u0103v\u00e2r\u015firii spirituale \u00een cultura antic\u0103 a Chinei, e aici un drum \u201e care nu duce nic\u0103ieri \u201c, \u201e f\u0103r\u0103 s\u0103 \u015ftiu unde se sf\u00e2r\u015fe\u015fte \/ drumul \u201c ( Drum ), un drum \u00een cerc \u201e unde e glasul \/ cum doare pasul \/ ce se \u00eentoarce \/ ocolind \/ de unde a plecat \u201c (Tat\u0103 ).<\/p>\n

Se pot remarca dou\u0103 registre \u00een volumul \u201e Aparent \u201c, unul care pl\u00e2nge \u015fi unul care sfideaz\u0103 \/ ironizeaz\u0103, precum \u015fi dou\u0103 ipostaze, una apar\u0163in\u00e2nd trecutului \u015fi alta prezentului : \u201e pletele unduite \/ de amintirea f\u00e2nului copt \u201c \u2013 iarna \u2013\u015fi \u201e pletele mele blonde pierdeau \/ inocen\u0163a gr\u00e2ului copt \u201c \u2013 vara -. Sau : \u201e am pumnii-at\u00e2t de plini \/ de soare \u015fi de verde \/ c\u0103 \/ dac\u0103 i-a\u015f deschide-acum \/ a\u015f luneca deodat\u0103 \/ \u00eentr-o alt\u0103 poveste mai lung\u0103 \/ cu ploaie frig \u015fi cea\u0163\u0103 \u201c ( Var\u0103 ). Oare cum am putut crede c\u0103 voi purta \u00eentotdeauna-n \u201e bra\u0163e f\u00e2n si-n buzunare stele \u201c \u015fi c\u0103 voi putea mereu \u00eenlocui \u201e cuvintele cu inefabile p\u0103s\u0103ri \u201c ? se \u00eentreab\u0103 poeta.<\/p>\n

Sarcasmul guverneaz\u0103 poezia social\u0103, o poezie de revolt\u0103 : Negocieri, Ziarul, Vacan\u0163\u0103, Necroz\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201e \u00eemp\u0103r\u0163irea tortului \/ se face doar \u00een func\u0163ie de merite \/ a \u2013 nu profesional-morale \u2013 bine\u00een\u0163eles\u00a0 \/ c\u0103 doar a \u00eenceput economia de pia\u0163\u0103 \/ …. \/ mass-media fusese acreditat\u0103 vocal \/ – doar c\u00e2nt\u0103 foarte bine \u00een cor \/ …. \/ ….se \u015foptea \/ c\u0103-n balan\u0163\u0103 au tras \u015fi cuno\u015ftin\u0163ele \u00een limbi str\u0103ine \/ limba babelian\u0103 \u2013 categoric – \/ pe care o vorbesc \/ cei mai mul\u0163i de la pupitrul dirijoral \u201c ( Negocieri ), \u201e cine-ar flirta cu asemenea \/ gratii-n care r\u0103sar \/ prin reluarea semin\u0163elor publice \/ ochii lui marx cuburi de umbre \/ ou\u0103 de cuc abera\u0163ii rotunde \u201c ( Ziarul ), \u201e pe unghia de la degetul meu mic \/ nivelul de trai \/ desenase indicatoare de avertizare \u201c ( Vacan\u0163\u0103 ).<\/p>\n

\"\"<\/a>Idei generoase, precum ideea de dreptate, de libertate, prin reflexii \u00een oglinzi succesive, se deformeaz\u0103, se degradeaz\u0103, \u00ee\u015fi pierd esen\u0163a \u015fi devin m\u0103\u015fti \u00eentr-o pies\u0103 macabr\u0103 : \u201e maestrul de ceremonii a anun\u0163at \/ c\u0103 n-a mai trimis invita\u0163ie \/ profesorului doctor inginer \/ a dat \u00eens\u0103 dispozi\u0163ie \/ s\u0103 i se trimit\u0103 acas\u0103 \/ o farfurie cu ajutor de \u015fomaj \/ … \/ maestrul de ceremonii \/ costumat \u00een p\u00e2ine \u015fi cu\u0163it \/ a st\u00e2rnit murmure de admira\u0163ie \/ mai ales printre prietenii lui \/ r\u0103pitorii \/ pe care i-a luat imediat \u00een bra\u0163e \u201c ( Negocieri ).<\/p>\n

Univers limitat formal, \u00eens\u0103 nelimitat conceptual, volumul prezint\u0103 o aparent\u0103 monotonie, datorit\u0103 aceluia\u015fi ton, oarecum elegiac. Aceast\u0103 monotonie e fragmentat\u0103 \u00eens\u0103 de episoade ironice care dinamizeaz\u0103 \u015fi \u201e dinamiteaz\u0103 \u201c limbajul, mai ales \u00een poezia Delta : \u201e serile de iulie \/ \u00eenotau spre mal \/ \u0163\u00e2n\u0163ari purtau pe bra\u0163e \/ … \/ tu \/ nu \/ sp\u0103lai tac\u00e2muri vase \/ nu \/ f\u0103ceai m\u0103m\u0103lig\u0103 ciorb\u0103 salat\u0103 de ceap\u0103 \/ nu \/ storceai l\u0103m\u00e2i \u00een ap\u0103 \/ nu \/ puneai ment\u0103 \u00een ceai \u201c. Ironia \u015fi autoironia pot guverna poezii \u00eentregi : Negocieri, Stagiatur\u0103, Necroz\u0103, Ziarul, Delta, Nelini\u015fte, sau pot fi episodice : \u201e rambursa\u0163i icarul \u00eendr\u0103gostitului \u015fi poetului \u201c ( Am visat ).<\/p>\n

Cuvintele nu sunt doar instrumente ale comunic\u0103rii, ci \u00eentr-un univers dens \u00een care totul semnific\u0103, ele trec din sfera conven\u0163ionalului \u00een planul realului ( sau cel pu\u0163in al posibilului ). \u00cen societ\u0103\u0163ile arhaice, r\u0103spunderea fa\u0163\u0103 de cuv\u00e2nt se \u00eencarc\u0103 de sugestii magice, demiurgice, odat\u0103 rostit, cuv\u00e2ntul nu mai poate fi luat \u00eenapoi ; dob\u00e2ndind o existen\u0163\u0103 proprie, independent\u0103 de voin\u0163a subiectului rostitor, el se putea \u00eentoarce \u00eempotriva acestuia, instituind.<\/p>\n

Adriana Popa are o atitudine oscilant\u0103 \u00een ceea ce prive\u015fte cuvintele \u015fi ceea ce se poate f\u0103uri cu ele : versurile. Pe de o parte poeta construie\u015fte din cuv\u00e2nt \/ vers un refugiu \u00een fa\u0163a realului : \u201e dac\u0103 plou\u0103 cu versuri \/ lumea r\u0103m\u00e2ne \u00een spatele ploii \u201c\u00a0 (Var\u0103), se autodefine\u015fte prin intermediul cuv\u00e2ntului : \u201e g\u00e2nd \u015fi cuv\u00e2nt \/ \u00eengem\u0103nate ad\u00e2nc \/ scutur\u00e2ndu-\u015fi de nins aripa \/ fiind eu sunt \u201c ( Alb ), dar \u00een acela\u015fi timp, utilizeaz\u0103 cuv\u00e2ntul pentru a-\u015fi \u0163ese \u201e p\u00e2nza la un r\u0103zboi arhaic \u201c, \u00een a\u015fteptarea unui Ulise : \u201e sunt doar o anacruz-a penelopei \u201c ( Sau ), care s\u0103-i sf\u0103r\u00e2me lan\u0163urile cu care e legat\u0103 simbolic de v\u00e2rful muntelui, \u00een timp ce vulturul prometeic \u00eei ciugule\u015fte versul : \u201e de ce \/ mie \/ nu mi se regenereaz\u0103 versul \/ ciugulit de vultur \u201c ( A\u015f vrea ).<\/p>\n

Pe de alt\u0103 parte, cuv\u00e2ntul \u015fi-a pierdut din puterea sa ini\u0163ial\u0103, aceea de a institui realul, \u00eens\u0103 nu \u00een sensul unor necuvinte, ci \u00een sensul unei pierderi a transcendentalului, a unei demitiz\u0103ri. Cuvintele se umilesc prin t\u0103cere : \u201e ca \u015fi c\u00e2nd \/ s-ar fi umilit cuvintele \/ \u00eentr-un copac t\u0103cut \/ f\u0103r\u0103 ramuri \u201c ( Portret), s\u00e2ngereaz\u0103 : \u201e \u00eentorc ziua noaptea cu silabe \/ \u015fi-mi curge s\u00e2nge din cuv\u00e2nt \u201c ( Lan\u0163urile ), cuvintelor le este sete : \u201e \u00een lacrim\u0103 \/ …. \/ silabe-nsetate \u201c ( Exerci\u0163iu ), iubesc : \u201e vino cuv\u00e2ntule \/ \u015fi-mi deseneaz\u0103 m\u00e2na prelung\u0103 \u015fi mireasma de toamn\u0103 \/ vino \/ iube\u015fte-te \u201c ( Vers ), primind astfel atribute ale omenescului.<\/p>\n

\u00cen ciuda acestor atribute \u201c profane \u201c, ele mai p\u0103streaz\u0103 latura divin\u0103 : \u201e m\u0103 \u00eenchin \/ \u00een genunchii lacrimii pe cuv\u00e2nt \u201c ( Nichita, mereu ), simboliz\u00e2nd natura dual\u0103 a unui Iisus \u201e \u00een care cred \u201c : \u201e zbor alb \/ \u00een frunza de apoi \/ \u00een care cred \u201c ( Punct ).<\/p>\n

Poeta e imperativ\u0103 \u00een aceste versuri : \u201e lua\u0163i \u015fi citi\u0163i \/ acesta-i zborul meu \/ r\u0103stignit \u2013 c\u00e2nd e gr\u00e2u – \/ ploaie \u2013 c\u00e2nd e t\u00e2n\u0103r – \/ anamorfoz\u0103 \u2013 c\u00e2nd albul se tope\u015fte- \u201c.<\/p>\n

Adriana Popa<\/strong> \u00ee\u015fi ofer\u0103 simbolic cuvintele \u2013 adic\u0103 pe sine \u00eens\u0103\u015fi \u2013 lumii \u00eentregi.<\/p>\n

———————–<\/p>\n

Mihaela Gheorghiu<\/strong><\/p>\n

(Prefa\u021ba volumului bilingv (rom\u00e2n\u0103-englez\u0103) de versuri \u201eAparent\/ Illusory\u201d,<\/em> Editura PRINCEPS, 2017)<\/em><\/p>\n

Traducere \u00een englez\u0103: M\u0103d\u0103lina Maria D\u0103ncu\u0219<\/p>\n

Coperta: <\/em>Mihaela Gheorghiu<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Inefabil \u015fi diafan, ca un desen transparent, \u00eens\u0103 de o ironie subtil\u0103, volumul \u201e Aparent \u201c al poetei Adriana Popa, [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-33448","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/33448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=33448"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/33448\/revisions"}],"predecessor-version":[{"id":33452,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/33448\/revisions\/33452"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=33448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=33448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=33448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}