{"id":34164,"date":"2017-12-13T10:57:21","date_gmt":"2017-12-13T10:57:21","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=34164"},"modified":"2017-12-13T10:58:11","modified_gmt":"2017-12-13T10:58:11","slug":"renata-alexe-dimensiuni-poetice-postfata-cartii-%e2%80%9eas-vrea-sa-stii%e2%80%9d-de-lia-ruse","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2017\/12\/13\/renata-alexe-dimensiuni-poetice-postfata-cartii-%e2%80%9eas-vrea-sa-stii%e2%80%9d-de-lia-ruse\/","title":{"rendered":"Renata ALEXE: Dimensiuni poetice (Postfa\u0163a c\u0103r\u021bii \u201eA\u015f vrea s\u0103 \u015ftii\u201d de Lia Ruse)"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2017\/12\/Lia_Ruse.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-34165\" title=\"lia_ruse\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2017\/12\/Lia_Ruse-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a>\u201eA\u015f vrea s\u0103 \u015ftii\u201d<\/strong>, volum semnat de Lia Ruse, continu\u0103 linia tematic\u0103 \u00eent\u00e2lnit\u0103 \u00een majoritatea scrierilor anterioare, definind personalitatea scriitoarei. A nou\u0103sprezecea carte con\u0163ine cincizeci de poezii, \u00een care suavitatea sentimentelor, imagina\u0163ia \u015fi mobilitatea g\u00e2ndirii creeaz\u0103 un sistem original, metaforic. Poeta se purific\u0103 prin iubirea evocatoare pe care o c\u00e2nt\u0103 \u00een versuri de imn.<\/p>\n<p style=\"text-align: justify;\">Tremur\u0103 \u00een iubire, z\u00e2mbe\u015fte nostalgic amintirilor, atinge note \u00eenalte, plute\u015fte \u00eentr-un univers, pendul\u00e2nd \u00eentre astral \u015fi teluric: \u201eNe-am \u00eenf\u0103\u015fat \u00een crini albi de candoare\u201c (\u201eNe-a mai r\u0103mas\u201c). Sentimentul se consum\u0103 \u00eentr-un decor adecvat: \u201e\u00cen ploaia unui tei sub lun\u0103 plin\u0103,\/ Ce-a aruncat argint\u201c&#8230;<\/p>\n<p style=\"text-align: justify;\">Efectul este de transfigurare m\u0103rturisit\u0103 cu extaz:<\/p>\n<p style=\"text-align: justify;\">\u201eAm fost lumin\u0103\u201c (\u201eNe-a mai r\u0103mas\u201c). Teiul intervine frecvent \u00een lirica sa, evoc\u00e2nd un spa\u0163iu luminos, intensific\u00e2nd iubirea (\u201eClip\u0103&#8230; r\u0103m\u00e2i\u201c).<\/p>\n<p style=\"text-align: justify;\"><!--more-->Sufletul pur accentueaz\u0103 emo\u0163ia cu specificul v\u00e2rstei adolescentine; se simte fericit\u0103 vara, \u00een mijlocul unei naturi viguroase. Toamna \u201edulce\u201c r\u0103m\u00e2ne anotimpul \u00eent\u00e2lnirilor spirituale, petrecute undeva, \u00eentr-un mediu rural silvestru, cu sfiala cuplului Daphnis \u015fi Chloe: \u201eOchiul t\u0103u prea duios, timpul t\u0103u plin de vis,\/Ne-am atins \u00eentr-o toamn\u0103, a\u015fa ne-a fost scris\/\u00centr-un sat ne\u015ftiut, cu chip armonios&#8230;\/Am zburat \u00eentr-un dans, ferici\u0163i, prin livezi&#8230;\u201c (\u201eToat\u0103 via\u0163a\u201c).<\/p>\n<p style=\"text-align: justify;\">Privirea de pastelist alunec\u0103 de la vara torid\u0103 la toamna bl\u00e2nd\u0103, la iernile canadiene, \u00een care frigul \u015fi z\u0103pada devin elementele unui imaginar apocaliptic: \u201eDin nord se \u00eenv\u00e2rte\u015fte viforul \u00een om\u0103t,\/Sub coastele z\u0103pezii p\u0103m\u00e2ntul se-ascunde&#8230;\/Timpul se \u00eenfioar\u0103 \u015fi st\u0103 pe l\u00e2ng\u0103 foc\/ Repovestindu-se \u00een ore \u015fi-n secunde\u201c (\u201eS-au r\u0103zvr\u0103tit\u201c). Dorul devine \u015fi \u00een acest volum un motiv central. Este un dor constant, care o transpune, deseori, \u00een trecut. O memorie afectiv\u0103 involuntar\u0103 deschide ferestre ferecate de timp (\u201eUn pandantiv\u201c).<\/p>\n<p style=\"text-align: justify;\">\u00centoarcerea \u00een timp &#8211; tem\u0103 c\u0103reia \u00eei r\u0103m\u00e2ne fidel\u0103 &#8211; este f\u0103cut\u0103 prin toate sim\u0163urile; eul \u00eei percepe graiul:<\/p>\n<p style=\"text-align: justify;\">\u201eS-auzea timpul&#8230;\u201c (\u201eCrinii\u201c), iar Cronos, personificat, \u00eei devine aliat: \u201eOrnicul clipe\u015fte nedumerit\u201c, \u201eclipele bat alungite pe cadranul de argint\u201c, \u201etimpul (&#8230;.) se fr\u00e2nge\u201c (\u201eT\u0103cerea iernii\u201c). Clipa \u201ecomplice te-aduce-n amintire\u201c, mai mult, \u201epic\u0103 din ornicul ce pl\u00e2nge\u201c (\u201eTe-aduce clipa\u201c).<\/p>\n<p style=\"text-align: justify;\">Subtil\u0103 \u015fi trist\u0103, declara\u0163ia ap\u0103sat\u0103 de certitudinea timpului c\u0103l\u0103tor se reia \u00een \u201eMelancolie\u201c: \u201eDin potoape de lumin\u0103,\/ Ochii t\u0103i \u0163es o iubire,\/ Numai doru-mi d\u0103 de \u015ftire\/ Cu nesa\u0163 de tain\u0103 lin\u0103\u201c. O angoas\u0103 produce, totu\u015fi, timpul care \u201eadulmec\u0103 ca un lup fl\u0103m\u00e2nd\u201c \u00een toamna generoas\u0103 \u00een culori \u015fi melancolie (\u201eNelini\u015fte\u201c).<\/p>\n<p style=\"text-align: justify;\">\u00cen cristalul erosului apare imaginea romantic\u0103 a iubitului. Rela\u0163ia, clasic\u0103 prin excelen\u0163\u0103, re\u0163ine aten\u0163ia prin discre\u0163ia \u015fi pudoarea exprim\u0103rii, prin incandescen\u0163a tr\u0103irilor. Elegant: \u201e\u00cen \u015foapt\u0103 aud:\/Te iubesc, doamn\u0103!\u201c (\u201eNelini\u015fte\u201c), discret: \u201eTu \u00eencerci s\u0103 mi-alin\u0163i cu gest fin&#8230;\u201c (\u201eVisez\u201c), tandru: \u201eTu m\u0103 prinzi tot merg\u00e2nd, printre cupe de crini,\/Ce fiori mi-ai aprins \u00een artere puls\u00e2nd (\u201eNe \u015ftim\u201c), seduc\u0103tor, prin puterea sentimentului: \u201eOchiul t\u0103u prea duios, timpul t\u0103u, plin de vis&#8230;\/Cu tine parc-am fost \u00een Paradis\/ \u015ei sufletele noastre erau sfinte\u201c (\u201eCu tine\u201c), iubitul \u00eei ofer\u0103 clipe de extaz: \u201eVorbim \u00eentr-o mireasm\u0103 vis\u0103toare\/ Cu sufletele descheiate \u015fi \u00een \u015foapt\u0103\u201c (\u201eClip\u0103&#8230; r\u0103m\u00e2i\u201c).<\/p>\n<p style=\"text-align: justify;\">Exist\u0103 mult\u0103 delicate\u0163e \u00een \u0163es\u0103tura imaginilor poetice, calitate specific\u0103 autoarei. Epitete, metafore, sinestezii brodeaz\u0103 versul \u015fi dezv\u0103luie o mi\u015fcare interioar\u0103: vremea se a\u015faz\u0103 \u201esub fluturi de nori\u201c, \u201eun fluture se prinde de suflet\u201c cu gra\u0163ie, \u00een timp ce \u201ecai s\u0103lbatici alearg\u0103 prin s\u00e2nge\u201c (\u201eTe aduce clipa\u201c), \u201eminune cu ochi de diminea\u0163\u0103\u201c, g\u00e2nd \u201esentimental\u201c, \u201epur\u201c, zi \u201emoale \u015fi pufoas\u0103\u201e, \u201eumbrele cu chipuri gra\u0163ioase\u201c, \u201evreme aromat\u0103\u201c, \u201efiori vi\u015finii\u201c.<\/p>\n<p style=\"text-align: justify;\">Reminescen\u0163e ale copil\u0103riei, satul natal, familia, divinitatea, istoria, limba \u015fi neamul, poezia dominat\u0103 de personalitatea lui Eminescu reprezint\u0103 alte dimensiuni ale volumului prezent. Lia Ruse parcurge un traseu sentimental, al amintirilor, pe care trecerea vremii nu-l \u015fterge, dimpotriv\u0103, \u00eel \u00eembrac\u0103 \u00een aura iubirii, \u00een metafore proaspete, medita\u0163ii \u015fi solilocuri.<\/p>\n<p style=\"text-align: justify;\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p style=\"text-align: justify;\"><strong><em>Renata ALEXE<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>\u201eA\u015f vrea s\u0103 \u015ftii\u201d, volum semnat de Lia Ruse, continu\u0103 linia tematic\u0103 \u00eent\u00e2lnit\u0103 \u00een majoritatea scrierilor anterioare, definind personalitatea scriitoarei. [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-34164","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=34164"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34164\/revisions"}],"predecessor-version":[{"id":34167,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34164\/revisions\/34167"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=34164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=34164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=34164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}