{"id":34651,"date":"2018-01-08T16:37:55","date_gmt":"2018-01-08T16:37:55","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=34651"},"modified":"2018-01-08T16:39:48","modified_gmt":"2018-01-08T16:39:48","slug":"george-anca-jaipur-echo","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/01\/08\/george-anca-jaipur-echo\/","title":{"rendered":"George ANCA: Jaipur Echo"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Jaipur Echo<\/p>\n

English \u2013 Romanian<\/p>\n

versions by George Anca<\/p>\n

 <\/p>\n

Authors<\/em><\/p>\n

George Alexe<\/p>\n

Lama Doboon Tulku<\/p>\n

Gulab Kothari<\/p>\n

Bharti Jain<\/p>\n

S. A. Chaturvedi<\/p>\n

Thomas Clough Daffern<\/p>\n

Jeremy Seligson<\/p>\n

George Anca<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

GEORGE ALEXE<\/p>\n

 <\/p>\n

Testifying to Simple Truths<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

My god has no eyes<\/p>\n

But He is the Sight of the world.<\/p>\n

 <\/p>\n

My God has no ears<\/p>\n

But He is the Hearer of the Cosmos<\/p>\n

 <\/p>\n

My God has no heart<\/p>\n

But He is the Lover of mankind.<\/p>\n

 <\/p>\n

My God Has no soul<\/p>\n

But He is the Life of earth and heaven.<\/p>\n

 <\/p>\n

My God has no hands<\/p>\n

But he is the Maker of all Creation.<\/p>\n

 <\/p>\n

My God has no legs<\/p>\n

But He is the Unmoved Mover of the universe.<\/p>\n

 <\/p>\n

My god has no tongue<\/p>\n

But he is poetically speaking<\/p>\n

To all the tribes and nations<\/p>\n

In their own languages.<\/p>\n

 <\/p>\n

(From The <\/em>Unknown Continent <\/em>by George Alexe, Gens Latina, p. 44).<\/p>\n

 <\/p>\n

 <\/p>\n

M\u0103rturisind Adev\u0103ruri Simple<\/strong><\/p>\n

Dumnezeul meu nu are ochi
\nDar El este Viziunea lumii.<\/p>\n

Dumnezeul meu nu are urechi
\nDar El este Ascult\u0103torul Cosmosului<\/p>\n

Dumnezeul meu nu are inim\u0103
\nDar El este Iubitorl omenirii.<\/p>\n

Dumnezeul meu nu are suflet
\nDar El este Via\u021ba P\u0103m\u00e2ntului \u0219i a Cerului.<\/p>\n

Dumnezeul meu nu are m\u00e2ini
\nDar el este Creatorul \u00eentregii Crea\u021bii.<\/p>\n

Dumnezeul meu nu are picioare
\nDar el este Nemi\u0219catul Mi\u0219c\u0103tor\u00a0 al universului.<\/p>\n

Dumnezeul meu nu are limb\u0103
\nDar el vorbe\u0219te poetic
\nTuturor\u00a0 triburilor \u0219i na\u021biunilor
\n\u00cen limbile lor.
\nLAMA DOBOOM\u00a0 TULKU<\/p>\n

 <\/p>\n

Wedge after wedge<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Wedge after wedge of swans<\/p>\n

Extending their wings wide,<\/p>\n

Fly beautifully,<\/p>\n

in the vast sky over the ocean.<\/p>\n

 <\/p>\n

Great minds<\/p>\n

Take flight,<\/p>\n

In the air over the ocean of enlightened state<\/p>\n

With wings of the wisdom of relative and absolute truths.<\/p>\n

 <\/p>\n

Praise or abuse, to the ocean<\/p>\n

no difference it makes; but<\/p>\n

To a few readers, these statements of reality<\/p>\n

in verse, will hopefully, some difference make.<\/p>\n

 <\/p>\n

(From Maxims of Ocean and Moon <\/em>by Lama Doboom Tulku, Heritage Publishers 2013, 32-34)<\/p>\n

 <\/p>\n

 <\/p>\n

Pan\u0103 de pan\u0103 <\/strong><\/p>\n

Pan\u0103 de pan\u0103\u00a0 lebedele
\n\u00centinz\u00e2ndu-\u0219i\u00a0 aripile vaste,
\nZboar\u0103\u00a0 frumos,
\n\u00een cerul vast peste ocean.<\/p>\n

Min\u021bi luminate
\n\u00ce\u0219i iau zborul,
\n\u00cen aer peste oceanul\u00a0 iluminatei st\u0103ri
\nCu aripile \u00een\u021belepciunii adev\u0103rurilor relative \u0219i absolute.<\/p>\n

Laud\u0103 sau abuz, pentru ocean
\nnu fac nicio diferen\u021b\u0103; dar
\nPentru c\u00e2\u021biva cititori, aceste declara\u021bii de realitate
\n\u00een versuri, sper\u0103m, a face o anumit\u0103.<\/p>\n

(Di\u00a0 Maximele Oceanului<\/em> \u0219i\u00a0 ale Lunii<\/em> de Lama Doboom Tulku, Heritage Publishers 2013, 32-34)<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

GULAB \u00a0KOTHARI<\/p>\n

 <\/p>\n

God and ishwara<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

God and ishwara <\/em>are not one. They are different. God takes birth in the form of a human being or as a creature in the world. Ishwara <\/em>is a part of the creation. In the development and annihilation of the creation, ishwara <\/em>plays an important role. He is the lord of the creation. Above the ishwara <\/em>are the powers of the mahaishwara <\/em>(great soul) and\u00a0 parameshwara <\/em>(super soul). These hierarchies are the styles of the functioning of nature. The word\u00a0 ishwara <\/em>makes us aware of godliness. The word bhagavan <\/em>(God) comes from the root ‘bhag’ <\/em>or ‘yoni’. <\/em>The group of the six attributes i.e., prosperity, religion, fame, intellect, knowledge and renunciation is known as ‘bhag’. <\/em>One who exercises complete\u00a0 mastery over even one the attributes is also called god but such gods are known as ‘anshavatara’ <\/em>(partial incarnations). In ancient texts only lord Krishna has been regarded as the complete\u00a0 being, the incarnation of God. The remaining nine (up to know only eight) are considered\u00a0 only partial incarnations. According to different philosophies\u00a0 there are different definitions of God. One of them says that god is one who has complete mastery over creation and annihilation, motion and motionlessness and\u00a0 knowledge and ignorance.<\/p>\n

(From Maanas<\/em> by Gulab Cothari, Patrika Publication, 2011, English by S.L. Gandhi, p. 154-155)<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Dumnezeu \u0219i ishwara<\/strong><\/p>\n

Dumnezeu \u0219i ishwara<\/em> nu sunt una. Sunt diferite. Dumnezeu se naste sub forma unei fiinte umane sau ca o creatur\u0103 \u00een lume. Ishwara<\/em> face parte din crea\u021bie. \u00cen dezvoltarea \u0219i anihilarea crea\u021biei, ishwara<\/em> joac\u0103 un rol important. El este st\u0103p\u00e2nul crea\u021biei. Deasupra ishwara<\/em> sunt puterile mahaishwara<\/em> (suflet mare) \u0219i parameshwara<\/em> (supersuflet). Aceste ierarhii sunt stilurile func\u021bion\u0103rii naturii. Cuv\u00e2ntul ishwara<\/em> ne face s\u0103 fim con\u0219tien\u021bi de evlavie. Cuv\u00e2ntul bhagavan<\/em> (Dumnezeu) vine de la r\u0103d\u0103cina “bhag” sau “yoni”. Grupul celor \u0219ase atribute, adic\u0103 prosperitatea, religia, faima, intelectul, cunoa\u0219terea \u0219i renun\u021barea sunt cunoscute sub numele de “bhag”. Cel care exercit\u0103 o st\u0103p\u00e2nire complet\u0103 asupra unui singur atribut se nume\u0219te \u0219i Dumnezeu, dar ace\u0219ti dumnezei sunt cunoscu\u021bi ca “anshavatara” (\u00eencarn\u0103ri par\u021biale). \u00cen textele antice numai domnul Krishna a fost privit ca fiin\u021ba complet\u0103, \u00eentruparea lui Dumnezeu. Restul de nou\u0103 (p\u00e2n\u0103 acum la cunoa\u0219terea numai a opt) sunt considerate doar \u00eencarn\u0103ri par\u021biale. Conform unor filozofii diferite, exist\u0103 defini\u021bii diferite ale lui Dumnezeu. Unul dintre ei spune c\u0103 Dumnezeu este cel care are o st\u0103p\u00e2nire complet\u0103 asupra crea\u021biei \u0219i anihil\u0103rii, a mi\u0219c\u0103rii \u0219i nemi\u0219c\u0103rii, a cunoa\u0219terii \u0219i a ignoran\u021bei.
\n(Din Maanas<\/em> de Gulab Cothari, Editura Patrika, 2011, Englez\u0103 de S.L. Gandhi, p. 154-155)<\/p>\n

 <\/p>\n

 <\/p>\n

BHARTI\u00a0 JAIN<\/p>\n

 <\/p>\n

Vow<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

I promise that nothing can disturb my pace of mind.<\/p>\n

I promise that no anger, no fear, no jealousy, no ego<\/p>\n

can disturb my pace of mind, my life marbles.<\/p>\n

I forget the mistakes of the past and forgive everybody.<\/p>\n

 <\/p>\n

 <\/p>\n

Jur\u0103m\u00e2nt<\/strong><\/p>\n

Promit c\u0103 nimic nu-mi va putea\u00a0 ritmul min\u021bii.
\nPromit c\u0103 nici furie, nici team\u0103, nici gelozie, nici\u00a0 ego
\nnu vor putea tulbura\u00a0 ritmul meu de g\u00e2ndire,<\/p>\n

marmorele vie\u021bii
\nUitat gre\u0219elile trecutului \u0219i iert pe toat\u0103 lumea.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

S.A. CHATURVEDI<\/p>\n

 <\/p>\n

Blessing the world ‘2030’<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

The whole globe is busily engaged in bringing ‘sustainable development and peace’, with last preference to ‘spiritual transmission and transformation’. This is just like aiming for a ‘cake’ without having any ‘idea or interest’ in getting the base; ‘flour’. Without bringing the ‘spirit<\/strong>‘ in the ‘activists, mentors, leaders and finally in the complex mass community beneficiaries’, ‘mere zeal, academic\u00a0 strains, policies, innovations and activism’ can bring only exterior and passing impact.<\/p>\n

A spiritual companion\u00a0 to all these human measures is much expected. A grand ‘renaissance’ in the youth community is also anticipated\u00a0 and being planned. Starting from ‘mother community’; women, to the child-bearers, infants, kids, boys and girls; all need molding and motivation, as they only make the ‘<\/em>foundation and future<\/strong>‘ <\/em>of youth.<\/p>\n

On constant and speedy action will hopefully create a battalion of spiritual soldiers and saviors in our target year ‘2030’<\/strong> who in turn will kindle the ‘World Wide Wild’ <\/strong>positive fire to accomplish the ‘evil cleansing’ mission. Let us be in constant soul touch, united and prepared to commit ourselves to complete this mission.<\/p>\n

 <\/p>\n

 <\/p>\n

Binecuv\u00e2ntare lumii “2030”<\/strong><\/p>\n

\u00centregul glob este implicat activ \u00een aducerea “dezvolt\u0103rii durabile \u0219i a p\u0103cii”, cu ultim\u0103 preferin\u021b\u0103 fa\u021b\u0103 de “transmiterea \u0219i transformarea spiritual\u0103”. Acest lucru este la fel ca\u00a0 pentru un “tort”, f\u0103r\u0103 a avea nici o “idee sau interes” \u00een ob\u021binerea bazei; ‘f\u0103ina’. F\u0103r\u0103 a aduce “spiritul” \u00een “activi\u0219ti, mentori, lideri \u0219i, \u00een final, \u00een beneficiarii comunit\u0103\u021bii de mas\u0103 complexe”, “simplul zel, tensiuni academice, politici, inova\u021bii \u0219i activism” pot aduce numai un impact exterior \u0219i trec\u0103tor.
\nUn companion spiritual pentru toate aceste m\u0103suri umane este mult a\u0219teptat. O mare “rena\u0219tere” \u00een comunitatea de tineret este, de asemenea, anticipat\u0103 \u0219i planificat\u0103. Pornind de la “comunitatea mam\u0103”; femei, la \u00eens\u0103rcinate, prunci, copii, b\u0103ie\u021bi \u0219i fete; toate au nevoie de formare \u0219i motiva\u021bie, deoarece creeaz\u0103\u00a0 “funda\u021bia \u0219i viitorul” tineretului.
\nAc\u021biunea constant\u0103 \u0219i rapid\u0103 va crea, \u00een speran\u021ba noastr\u0103, un batalion de solda\u021bi spirituali \u0219i salvatori \u00een anul \u021bint\u0103 2030, care la r\u00e2ndul s\u0103u va aprinde focul pozitiv “World Wide Wild” pentru a \u00eendeplini misiunea de “cur\u0103\u021bire a r\u0103ului”. S\u0103 ne afl\u0103m \u00een contact constant cu sufletul, uni\u021bi \u0219i preg\u0103ti\u021bi s\u0103 ne angaj\u0103m s\u0103 \u00eendeplinim aceast\u0103 misiune.<\/p>\n

 <\/p>\n

 <\/p>\n

THOMA\u00a0 CLOUGH\u00a0 DAFFERN<\/p>\n

 <\/p>\n

Towards a comparative Diabology <\/strong><\/p>\n

 <\/p>\n

Talk given at the University of Oxford in Feb 2015, calling for the establishment of a new discipline, \u201cComparative Diabology\u201d<\/em> which would study objectively, historically, \u00a0scientifically and psychologically, the ideas and teaching of the various thinkers and faith traditions on the nature of the Devil, or Devils (Lucifer, Satan, Mara, Ahriman, Angra Mainyu etc.) \u00a0and how they have arisen in the first place and what we can do about them, arguing that these ideas negatively impact on the possibility of solving and healing the current conflicts blighting the planet which are inter-faith and inter-religious in nature with each side accusing the other of being \u201cdiabolic\u201d. The talk includes discussion of the extent to which Masonic and anti-Masonic rhetoric has contributed to the demonisation of the freemason in popular modern culture, and to what extent this was a throw back from mediaeval attitudes towards the Templars as diabolic, or Cathars and other victims of crusading mentality. <\/strong><\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Spre o Diabologie comparativ\u0103<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Prelegere \u021binut\u0103\u00a0 Oxford \u00een februarie 2015, care solicit\u0103 instituirea unei noi discipline “Diabologia comparativ\u0103” care s\u0103 studieze \u00een mod obiectiv, istoric, \u0219tiin\u021bific \u0219i psihologic, ideile \u0219i \u00eenv\u0103\u021b\u0103turile diferitelor g\u00e2nditori \u0219i tradi\u021bii ale credin\u021bei cu privire la natura diavolului sau diavolilor (Lucifer, Satan, Mara, Ahriman, Angra Mainyu etc.) \u0219i cum au ap\u0103rut \u00eent\u00e2i\u00a0 \u0219i ce putem face cu ei, argument\u00e2nd c\u0103 aceste idei au un impact negativ asupra posibilit\u0103\u021bii de a rezolva \u0219i vindeca conflictele curente care lupt\u0103 \u00eempotriva planetei, care sunt de natur\u0103 inter-credin\u021b\u0103 \u0219i inter-religioas\u0103, fiecare parte acuz\u00e2nd cealalt\u0103 de a fi “diabolic\u0103”. Cuv\u00e2ntul s\u0103u include discu\u021bia despre m\u0103sura \u00een care retorica masonic\u0103 \u0219i anti-masonic\u0103 a contribuit la demonizarea masoneriei \u00een cultura modern\u0103 popular\u0103 \u0219i \u00een ce m\u0103sur\u0103 aceasta a fost o aruncare \u00eenapoi de la atitudinile medievale la\u00a0 templieri v\u0103zu\u021bi ca diabolici sau catari \u0219i alte\u00a0 victime ale mentalit\u0103\u021bii cruciate. <\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

JEREMY\u00a0 SELIGSON<\/p>\n

 <\/p>\n

Froggie Bottoms <\/strong><\/p>\n

 <\/p>\n

Coda<\/p>\n

 <\/p>\n

1000s of\u00a0 frogs<\/p>\n

hop up from the stream<\/p>\n

 <\/p>\n

They\u2019re filling the halls!<\/p>\n

They\u2019re taking over the temple!<\/p>\n

 <\/p>\n

Gray monks cry<\/p>\n

Green ones croak<\/p>\n

 <\/p>\n

The Emerald Buddha<\/p>\n

smiles upon us<\/p>\n

 <\/p>\n

from a lotus throne<\/p>\n

on a lily pad floor<\/p>\n

 <\/p>\n

We bow to our Buddy,<\/p>\n

and shout, \u201cFreddie the Frog!\u201d<\/p>\n

 <\/p>\n

We join the Frog Chorus<\/p>\n

and chant the frog Sutras<\/p>\n

 <\/p>\n

In the public bath,<\/p>\n

giant frogs open mouths<\/p>\n

 <\/p>\n

& pour hot, green tea<\/p>\n

on the people<\/p>\n

 <\/p>\n

They squirm and<\/p>\n

stroke about in glee<\/p>\n

 <\/p>\n

We soak human bodies<\/p>\n

in frog love<\/p>\n

 <\/p>\n

& steam them<\/p>\n

with frog joy<\/p>\n

 <\/p>\n

We leave them<\/p>\n

in frog peace<\/p>\n

 <\/p>\n

Afterward,<\/p>\n

our humans<\/p>\n

hop home<\/p>\n

 <\/p>\n

 <\/p>\n

Happy for once,<\/p>\n

they catch flies<\/p>\n

and croak<\/p>\n

 <\/p>\n

 <\/p>\n

Dosul broa\u0219telor <\/strong><\/p>\n

Coda<\/p>\n

1000 de broa\u0219te
\n\u021bop\u0103ie din \u0219uvoi<\/p>\n

Umplu s\u0103lile!
\nOcup\u0103 templul!<\/p>\n

Pl\u00e2ng\u00a0 c\u0103lug\u0103rii c\u0103run\u021bi
\nVerzile or\u0103c\u0103ie<\/p>\n

Budha smarald
\nsur\u00e2de\u00a0 peste noi<\/p>\n

de la un tron de lotus
\npe o podea de lilieci<\/p>\n

Ne plec\u0103m spre Buddy,
\n\u0219i strig\u0103m\u00a0 “Freddie the Frog!”<\/p>\n

Ne al\u0103tur\u0103m Corului broscar
\n\u0219i c\u00e2nt\u0103m Sutras bro\u0219te\u0219ti<\/p>\n

\u00cen baia public\u0103,
\nbroscoi gigan\u021bi deschid gura<\/p>\n

&\u00a0 toarn\u0103 ceai verde
\nfierbinte pe oameni<\/p>\n

Ei se r\u0103sucesc \u0219i
\nse dezmiard\u0103 euforici<\/p>\n

Noi ne muiem corpurile omene\u0219ti
\n\u00een dragoste de broasc\u0103<\/p>\n

& le aburim
\ncu bucurie de broasc\u0103<\/p>\n

Le p\u0103r\u0103sim
\n\u00een pacea bro\u0219teasc\u0103<\/p>\n

Dup\u0103 aceea,
\noamenii no\u0219tri
\nhop acas\u0103<\/p>\n

Ferici\u021bi deodat\u0103, t pentru o dat\u0103,
\nei prind mu\u0219tele
\n\u0219i or\u0103c\u0103ie<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

GEORGE\u00a0 ANCA<\/p>\n

 <\/p>\n

Eliade’s ash <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

…<\/strong><\/p>\n

blind hell amen<\/p>\n

Elena Constntin<\/p>\n

11 death<\/p>\n

Strathford Breath<\/p>\n

seamanship moth<\/p>\n

Israely tarot<\/p>\n

pub ship<\/p>\n

grave steel<\/p>\n

scato telegraph<\/p>\n

Narnia crash<\/p>\n

song two<\/p>\n

swim the dew<\/p>\n

all in she<\/p>\n

salty sea<\/p>\n

dark you us<\/p>\n

sing in trance<\/p>\n

search atoll<\/p>\n

ocean at all<\/p>\n

Ulysses on Walsh que<\/p>\n

Ilie Ila\u015fcu<\/p>\n

sea stays goes island<\/p>\n

as Circe moves garland<\/p>\n

postponed kin tongues<\/p>\n

over the cart auras<\/p>\n

no pensioner without two cars<\/p>\n

a mercedes and a volvo boyars<\/p>\n

muy the beaten in pays<\/p>\n

salve proscribed paradis<\/p>\n

it started at midnight<\/p>\n

after two hours might<\/p>\n

…<\/strong><\/p>\n

Eliade poem unread<\/p>\n

\u00a0she doctor repeats that hadn’t money<\/p>\n

ashes Chicago Moldovian editions<\/p>\n

Australians request you from America<\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/em><\/p>\n

alamkarika declined Gange reading<\/p>\n

food of rise with onion symbols of crushing teeth<\/p>\n

eaten tearing sillyness versus phantom<\/p>\n

a car from other world carying him as myths<\/p>\n

\u00a0<\/em><\/p>\n

speak for we aren’t animals we have names<\/p>\n

he wouldn’t demythize with any of us<\/p>\n

you laughed with Jews in part even Saul<\/p>\n

overturned again the buddhic sack<\/p>\n

…<\/strong><\/p>\n

\u00a0the ashes of Eliade<\/p>\n

you said to the poem<\/p>\n

asked me Mrinal Sen<\/p>\n

how is Mircea<\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/em><\/p>\n

cloudy am I up to maps<\/p>\n

more way or some else<\/p>\n

nobody would miss<\/p>\n

your ashes<\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/em><\/p>\n

orgy David<\/p>\n

prayer Kahlil<\/p>\n

devi Mircea<\/p>\n

ashes George<\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/em><\/p>\n

reverse abreast<\/p>\n

light of return<\/p>\n

Kalipso apokalipso<\/p>\n

mritior ma amritam gamaya<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

cenu\u0219a lui Eliade<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

….<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

orb iadubluin<\/p>\n

Elena Constantin<\/p>\n

11 moarte<\/p>\n

Stratford Itacarte<\/p>\n

marin\u0103rie molie<\/p>\n

israelie anatolie<\/p>\n

c\u00e2rcium\u0103 corabie<\/p>\n

morm\u00e2ntului sabie<\/p>\n

scato telegraf<\/p>\n

Narnia perdaf<\/p>\n

c\u00e2ntul de-a doua<\/p>\n

\u00eenoat\u0103 roua<\/p>\n

toate \u00een una<\/p>\n

m\u0103rii s\u0103runa<\/p>\n

\u00eentunec\u0103-te-ne<\/p>\n

pe vapor c\u00e2nte-ne<\/p>\n

caut\u0103-ne atol<\/p>\n

ocean mototol<\/p>\n

Ulisse pe Walsh cu<\/p>\n

Ilie Ila\u015fcu<\/p>\n

marea st\u0103 insula merge<\/p>\n

cum purcese Circe cerge<\/p>\n

nat am\u00e2nat limbi<\/p>\n

\u00een cotru\u0163\u0103 \u00eennimbi<\/p>\n

nici un pensionar f\u0103r\u0103 dou\u0103 ma\u015fini<\/p>\n

un mercedes \u015fi un volvo beduini<\/p>\n

muy b\u0103tu\u0163ii din pays<\/p>\n

salve paradis proscris<\/p>\n

la miezul nop\u0163ii \u00eencepu<\/p>\n

\u015fi dup\u0103 dou\u0103 ore du<\/p>\n

…<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/em><\/p>\n

poemul Eliade pe necitite<\/em><\/p>\n

doctori\u0163a repet\u0103 n-avea \u0103la bani<\/em><\/p>\n

cenu\u015f\u0103 Chicago edi\u0163ii moldovene<\/em><\/p>\n

australienii te cer din America<\/em><\/p>\n

\u00a0<\/em><\/p>\n

alamkarika sc\u0103p\u0103tat cititul gangetic<\/em><\/p>\n

m\u00e2ncare de orez cu ceap\u0103 simboluri de rupt din\u0163ii<\/em><\/p>\n

m\u00e2ncat\u0103 ruptoare fadoare versus fantasm\u0103<\/em><\/p>\n

o ma\u015fin\u0103 din alt\u0103 lume purt\u00e2ndu-l mituri<\/em><\/p>\n

\u00a0<\/em><\/p>\n

vorbi\u0163i c\u0103 nu suntem animale avem nume<\/em><\/p>\n

nu s-ar demitiza cu niciunul din noi<\/em><\/p>\n

r\u00e2deai cu evreii \u00een parte c\u00e2t c\u0103 Saul<\/em><\/p>\n

a mai r\u0103sturnat de un pol sacul budhic<\/em><\/p>\n

…<\/em><\/strong><\/p>\n

cenu\u015fa lui Eliade<\/p>\n

ai zis poemului<\/p>\n

m\u0103 \u00eentreba Mrinal Sen<\/p>\n

ce face Mircea<\/p>\n

mi-e nor p\u00e2n\u0103 la h\u0103r\u0163i<\/p>\n

ar mai fi ori altcineva<\/p>\n

n-ar lipsi nimeni<\/p>\n

din cenu\u015fa dumneata<\/p>\n

orgie David<\/p>\n

rug\u0103ciune Kahlil<\/p>\n

devi Mircea<\/p>\n

cenu\u015f\u0103 George<\/p>\n

al c\u00e2telea revers<\/p>\n

lumin\u0103 de \u00eentors<\/p>\n

Kalipso apokalipso<\/p>\n

mritior ma amritam gamaya<\/p>\n","protected":false},"excerpt":{"rendered":"

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