{"id":34877,"date":"2018-01-15T18:57:07","date_gmt":"2018-01-15T18:57:07","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=34877"},"modified":"2018-01-15T19:19:05","modified_gmt":"2018-01-15T19:19:05","slug":"george-anca-eminescu-final","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/01\/15\/george-anca-eminescu-final\/","title":{"rendered":"George ANCA: Eminescu final"},"content":{"rendered":"

\"\"<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00eencepe \u015fi ziua asta din Gita sf\u00e2\u015fietoare \u00eenc\u0103 dou\u0103 zile pline ultima cu plecare totu\u015fi<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Mihai Sadoveanu cu lumina vine de la r\u0103s\u0103rit tocmai c\u00e2nd India se elibereaz\u0103 de englezi Rom\u00e2nia e ocupat\u0103 de ru\u015fi Mihai Eminescu este interzis mutilat ceea ce s-a reprodus \u00een anii 90 pe canale de aceea\u015fi teap\u0103<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00eencorporarea g\u00e2ndirii lui Tagore \u00een cultura rom\u00e2n\u0103 \u00een anii 20 \u015fi 30 a putut fi destructurat\u0103 chiar prin Tagore \u00eensu\u015fi sovietizat al treilea al patrulea Tagore vor fi iar \u015fi iar Tagore cel dint\u00e2i cel adev\u0103rat chiar dac\u0103 India s-ar dezice de Tagore ca mama de fiu el \u00eenc\u0103 ar \u00eenfiora pe rom\u00e2ni cobind tragic cu pre\u0163ul c\u0103 India ar face cuno\u015ftin\u0163a lui Eminescu alungat din \u0163ara lui deconstruit \u00een cheie rom\u00e2neasc\u0103 \u015fi pe demitiz\u0103rile formalizante o vishva bharati ar putea fi fondat\u0103 pe numele lui Tagore \u015fi Eminescu poetul Indiei \u015fi poetul Rom\u00e2niei ar da un exemplu de advaita<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>cu mintea \u00een Saint Michel o s\u0103 v\u0103d Mahabalipuram Hari Krishna Hari Krishna Rama Rama Hari Rama om namo bhagavate<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Inorogul \u015fi oceanul<\/em> lui Lucian Blaga \u2013\u00a0 \u201cEu nu strivesc corola de minuni a lumii\u201d –\u00a0 Lumin\u0103 lin\u0103 <\/em>de Tudor Arghezi – la Eminescu,\u00a0 nonviolent\u0103 e Rug\u0103ciunea unui <\/em>dac<\/em>,sau ahimsa finalului din C\u0103lin<\/em> (Kali\/dasa) – \u00a0\u201cMai e-n tot universul o stea plin\u0103 e pace,\/ Netulburat\u0103 vecinic de ur\u0103, de r\u0103zboi\u201d?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zricha Vaswani, \u00eenapoi pe p\u0103m\u00e2nt indian, a deschis, parc\u0103 altfel, ochii asupra scripturilor supreme ale vechii-noii Indii, a\u015ftern\u00e2nd un du-te-vino \u00eentre Od\u0103 \u2013 Katha Upanishad, Glossa \u2013 Sutta Nipata, Rug\u0103ciunea unui dac \u2013 Rig-Veda, Scrisoarea I \u2013 Rig-Veda, Luceaf\u0103rul \u2013 Srimad Bhagavad Gita, Kamadeva \u2013 Sakuntala, Mortua est \u2013 Budha-Karita. <\/em>Ciudat, sau asem\u0103n\u0103tor, doctoranzii rom\u00e2ni, petrecu\u0163i hindus, se v\u0103desc mai ad\u00e2nc submer\u015fi indianit\u0103\u0163ii, poate \u00eenc\u0103 un argument al afinit\u0103\u0163ilor rom\u00e2no-indiene. N-am curaj s\u0103 stilizez aparenta reg\u0103sire, la ei, a rom\u00e2nismului prin indianism (universitar).<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Yatindra Tiwari\u00a0 a r\u0103mas fascinat,\u00a0\u00a0 de Heliade (tradc\u0103tor al Legilor lui Manu sau Tirukural), anume de eufonia stelar\u0103 a laptelui, \u00een \u201cZbur\u0103torul\u201d.<\/p>\n

\u00centre Roma \u015fi Tomis, \u00eentre cer \u015fi p\u0103m\u00e2nt, \u00eentre Trachina \u015fi Tracia, glasul alcionilor, fii ai luceaf\u0103rului ubicuu \u015fi etern, \u00eeng\u00e2n\u0103 pe Ovidiu.<\/p>\n

\u00a0<\/em><\/p>\n

?<\/p>\n

Eminescu \u00een mare<\/em><\/p>\n

nemi\u015fcarea soarelui<\/em><\/p>\n

pe lun\u0103<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u015etefane M\u0103ria Ta<\/p>\n

Eminescu nu mai sta<\/p>\n

\n

\u00a0<\/em><\/p>\n

\u0163ara mea e Eminescu<\/p>\n

\u0163ara ta e ce e ce-s cu<\/p>\n

\n

\u00a0<\/em><\/p>\n

m\u00e2ine de mai vie\u0163uia<\/p>\n

doina-\u015fi eminescia<\/p>\n

\n

\u00a0<\/em><\/p>\n

de c\u00e2n\u0163i bande mataram<\/p>\n

nu mai e\u015fti de niciun neam<\/p>\n

ca rom\u00e2nii ce t\u00e2rziu<\/p>\n

doina zor eminesciu<\/p>\n

\n

\u00a0<\/em><\/p>\n

abia du\u015fmanul \u00een necuno\u015ftin\u0163\u0103<\/p>\n

de limb\u0103 canibalii lui Eminescu<\/p>\n

\n

\u00a0<\/em><\/p>\n

am mai stat \u00een Washington<\/em><\/p>\n

pe b\u0103nci de lemn din Eminescu<\/p>\n

\n

\u00a0<\/em><\/p>\n

candoarea re\u00eencarn\u0103rii<\/p>\n

poetice ne \u00eent\u0103re\u015fte<\/p>\n

\n

\u00a0<\/em><\/p>\n

I am from Boston<\/p>\n

that is from Romania<\/p>\n

\n

\u00a0<\/em><\/p>\n

de prea mult timp<\/p>\n

ne seac\u0103 sufletul<\/p>\n

\n

\u00a0<\/em><\/p>\n

din s\u00e2ngele asasina\u0163ilor \u015fi tu<\/p>\n

Tahar Djaut la 39 d’ani<\/p>\n

\n

\n

od\u00e2r America r\u0103m\u00e2i cui e\u015fti<\/p>\n

\u015fi nu \u00eentoarce capul spre G\u0103e\u015fti<\/p>\n

c-ai bombarda suflerul<\/p>\n

pe Eminescu \u015fi bananierul<\/p>\n

\n

\n

cont de lep\u015fe \u0163epoase<\/p>\n

tip\u0103riturile supravie\u0163uirii<\/p>\n

\n

\u00a0<\/em><\/p>\n

popor ucis \u00een\u00a0 s\u0103rb\u0103toare<\/p>\n

testamentu-l\u00a0 citesc luneti\u015ftii<\/p>\n

\n

\u00a0<\/em><\/p>\n

din ce soare ne tragem<\/p>\n

bomb\u0103nind pe p\u0103m\u00e2nt<\/p>\n

\n

\u00a0<\/em><\/p>\n

d\u0103 crima omoar\u0103-m\u0103<\/p>\n

astfel s\u0103-\u0163i\u00a0 mul\u0163umesc<\/p>\n

\n

\n

aceea\u015fi iubire sanscrit\u0103<\/p>\n

p\u00e2n\u0103 pe strada Lenau<\/p>\n

\n

\n

ahimsa gandhian\u0103<\/p>\n

gramatica lui Bopp<\/p>\n

\n

\n

\u00eemi prenum\u0103r r\u0103chita<\/p>\n

pluralului eminescian<\/p>\n

\n

\n

atmanic fir de zare \u00een p\u0103rul orizon<\/p>\n

de inim\u0103 ocolul sinuciga\u015ful gnom<\/p>\n

\n

\n

c\u00e2nd muri\u015fi lui Creang\u0103<\/p>\n

ro\u015fii-verzi convulsii<\/p>\n

galben val pe Gang\u0103<\/p>\n

versuri ca de Tulsi<\/p>\n

\n

\n

\u00een port \u00een ramadan \u00een tapas<\/p>\n

z\u0103pezile topindu-se ca apa-s<\/p>\n

\n

\n

p\u0103m\u00e2nturile s-au iubit oameni<\/p>\n

virginit\u0103\u0163i aprinse cu triste\u0163e<\/p>\n

v\u0103duva lui Eminescu<\/p>\n

\u00een gura lui C\u0103linescu<\/p>\n

\n

\n

am fi putut vorbi mai<\/p>\n

mult despre Kalidasa<\/p>\n

\n

\n

n-am scris via\u0163\u0103 n-am murit<\/p>\n

\u00eemi e\u015fti mam\u0103 \u00ee\u0163i sunt schit<\/p>\n

ce de nervi copii \u015fi tat\u0103<\/p>\n

adormire respirat\u0103<\/p>\n

zilele de c\u0103tre popi<\/p>\n

nu te na\u015fti nu te \u00eengropi<\/p>\n

pierzi \u00een umbr\u0103 de oglinzi<\/p>\n

d\u0103ruite c\u00e2nd le vinzi<\/p>\n

\n

te-ai uitat de anonim<\/p>\n

Eminescu \u015fi cel mim<\/p>\n

de ce latri pe \u00eenalt<\/p>\n

pe sub codrii de cobalt<\/p>\n

cancerele s-or mai cerne<\/p>\n

s\u00e2ngeratelor lucerne<\/p>\n

\n

\n

\u00eentre datorie \u015fi patim\u0103<\/p>\n

niciun roman doar o cratim\u0103<\/p>\n

dou\u0103 egaluri vidu\u015faka<\/p>\n

lui Creang\u0103 pun\u00e2nd Eminescu tilaka<\/p>\n

bind alt\u0103dat\u0103 c\u00e2te upani\u015fade<\/p>\n

c\u00e2nd altcineva dinainte ne \u015fade<\/p>\n

mai cu noi ca din p\u0103rin\u0163i suferind\u0103<\/p>\n

umbra femeii pe fa\u0163a de oglind\u0103<\/p>\n

\n

\n

pe necitite pe nescrise<\/p>\n

tu vei mai prefera narcise<\/p>\n

cine-n Suceava te g\u0103sise<\/p>\n

la Zamka-n clopot iarb\u0103-\u0163i-se<\/p>\n

\u00een ascultare nu de misse<\/p>\n

\u00een voce tremur\u00e2nd abise<\/p>\n

striga\u0163i copii crescute vise<\/p>\n

pe necitite pe nescrise<\/p>\n

\n

\n

Eminescu \u00een Mexico \u00een inim\u0103<\/p>\n

la mijloc New-York-ul \u00eencrimin\u0103<\/p>\n

natur\u0103 pelerin\u0103 poetul comunal<\/p>\n

cu s\u00e2ngele stricnin\u0103 \u00een gur\u0103 de canal<\/p>\n

scalp tras pe frunte perii ascunz\u0103tori de coarne<\/p>\n

mercado tot cu\u0163ite c\u00e2nt\u00e2nd \u00een pui de carne<\/p>\n

\n

\n

Creang\u0103 Hanuman<\/p>\n

\u00a0la Eminescu \u00een Coran<\/p>\n

iar la bojdeuc\u0103 Al Rahimi<\/p>\n

Rama Crist Eminescu<\/p>\n

\n

\n

pl\u0103nuiam cl\u0103nuiam tl\u0103nuiam<\/p>\n

faraonul Tla d\u2019Eminescu<\/p>\n

\n

\n

ziua lui Eminescu<\/p>\n

am \u00eenceput-o la foaia 30<\/p>\n

\n

\n

Eminescu s\u0103 m\u0103 omoare<\/p>\n

\u00a0prioritate rom\u00e2no-indian\u0103<\/p>\n

\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 L-am uitat pe Creang\u0103, de-am spus, dac\u0103 Bucure\u015ftiul e morm\u00e2ntul lui Eminescu, Eminescu \u00eei aduce \u00eenvierea. Zi de zi, spusesem.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ultima dat\u0103 \u00eemi istorisise n\u0103vala ata\u015fatului cultural \u015fi apoi a ambasadorului rus la ambasada rom\u00e2n\u0103 s\u0103-l urecheze pe \u0163igan c\u0103 publicasem Doina <\/em>lui Eminescu, de l-am crezut, acum, c-a primit dou\u0103 telefoane anonime, crede c\u0103 de la comandorul peremist de avia\u0163ie \u00een retragere, de beau la M\u0103gura, vizavi de bordelul bunc\u0103r ne\u015ftiut nici de poli\u0163ie, cum c\u0103 la mine la bibliotec\u0103 se vorbe\u015fte prea mult engleze\u015fte \u015fi eu nu \u015ftiu c\u0103 limba oficial\u0103 e rom\u00e2na?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1985. N-are dec\u00e2t tiparul s\u0103 \u00eennegreasc\u0103 toat\u0103 z\u0103pada, niciun liliac alb. Alb f\u0103r\u0103 teritoriu. C\u0103ldura vine de la s\u00e2ngele \u015fi respira\u0163ia persoanelor. Tot ce auzi e \u00eenjur\u0103tur\u0103. \u00cenjur\u0103tura frigului. Gaz \u00een Bhopal. M\u00e2ini calde. M\u00e2ini \u00eenghe\u0163ate. Cum nu-i era frig lui Milarepa, a\u015fa s\u0103 nu-mi fie nici mie. Iarna asta \u00eemi moare copilul. Fumatul, surs\u0103 de c\u0103ldur\u0103. La dumneavoastr\u0103 e cel mai frig. Furnica alb\u0103 Moby Dick. Eminescu gol. Timpul se va preface \u00een Vinod. Te-ai schimbat mult, foarte mult, dumneavoastr\u0103 nu v-a\u0163i schimbat. De \u00een\u0163eles c\u0103-s interzis. Cine n-o fi? Puiule, s\u0103 te fere\u015fti de adjective.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Doamn\u0103, ac\u0163iunea se petrece \u00een Marseille. Peste un sfert de or\u0103 e miezul nop\u0163ii. Pot spune lucruri frumoase, dar ar trebui, probabil, spuse \u015fi lucruri interesante. Secretara comitetului ar fi fost aspru scuturat\u0103 pentru programul Eminescu al bibliotecii politehnice. Teroare, i se pare lui Nansi. Drago\u015f a citit o poezie din taic\u0103-s\u0103u. Am b\u0103ut \u0163uic\u0103 \u015fi vin. Amitei i-am fumat o BT. Nana, c\u0103 nu m-am uitat la ea, c\u0103 de ce am amestecat \u015fi grecii \u2013 se \u015fi intimidase c\u00e2nd i-a vorbit Har Dev Bhalla.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen copil\u0103rie te pasioneaz\u0103 animalele, la tinere\u0163e oamenii, b\u0103tr\u00e2n dumnezeu. Muzica se aude dinainte de na\u015ftere \u015fi dup\u0103 moarte cu condi\u0163ia s\u0103 ai ureche. Istrate o numise muz\u0103, \u0163inea de scara mecanicului pun\u00e2nd becuri, balconetul \u015fi calea\u015fca, sarmale de nuc\u0103, le-am ghicit norocul \u00een Eminescu, pentru Irina Dumnezeu \u015fi om<\/em>, pentru Romeo \u00cemp\u0103rat \u015fi proletar<\/em>, \u00ee\u0163i ghicesc \u015fi eu a zis el deschiz\u00e2nd la M\u0103nu\u015fa<\/em>, \u00een sanscrit\u0103 manushi e femeie, le-am spus.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1997. Rom\u00e2nul nu \u015ftie s\u0103 urasc\u0103. Bine c-am g\u0103sit \u015fi eu un loc unde \u00eenc\u0103 n-ai fost, mi-a fost foarte greu s\u0103-l g\u0103sesc, dar oricum cred c\u0103 trebuie s\u0103 ajungi aici s\u0103 \u00eenfiin\u0163ezi o filial\u0103 a Academiei<\/p>\n

M . Eminescu, prin acutul lui sim\u0163 poetic mi se pare un seychelois avant la lettre.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Floren\u0163a pa\u015faport l\u0103m\u00e2ie mirodonize crize Eminescu new-age clacsoane cercei Cristoase Shiva Parvati \u0163easta spinilor ce r\u0103u \u00eencredin\u0163at genom shinto p\u0103zit de maimu\u0163e \u00een g\u00e2t cu Fuji chineze\u015fte cu dao da.<\/p>\n

Vikingi pe vikingi, pe bri\u0163i fri\u0163i cel\u0163i daci. Victoria icter. Surorile neveste musulmanului. Eminescu \u00eentre Valhalla \u015fi Vede. Nici zvastika nici valkiria \u2013 gender-ul e ca holocaust-ul. Personaj, cnut, din tine \u2013 \u00eei e foame \u015fi-\u015fi sf\u00e2\u015fie manuscrisul \u2013 hagi rupea din el \u00een contra-arhipelag. Interdic\u0163ie profunzimii. Fuga pozei. R\u0103cit \u2013 \u00eenotul \u00een fiord.<\/p>\n

Concertele vibrau indianitate iluzionant\u0103 chihlimbarului fiordiu dou\u0103 trei ceasuri pe m\u0103cel de animale cu istorie omeneasc\u0103 aimless ori \u00een Bremen fractal poundian C\u00e2mpulungul piatr\u0103 Dan Barbilian cnutul Mure\u015fene nehamsunian echo Eminescu soldat c\u0103pitan.<\/p>\n

Welcome to your home in Oslo. His portrait is no on banknote. An equestrian statue born in Lom Vaga\/Vogo. Max von Sydow plays Hamsun. Hansen: if you want to meet idiots go to Norway.<\/p>\n

Goma \u00een coma rom\u00e2nismului, cnutului, r\u00e2ndunea cu timp ap\u0103 de timpan, \u015fi uite a\u015fa plecai \u00een nord c\u0103ptu\u015fit de \u0163ipetele urechilor p\u00e2n\u0103 deasupra fiordului Oslo, se puse, timpule, copilul islamului t\u0103u imigrat, \u015fi unde nu asurzi motoarele, nu se \u00eenfomet\u0103 de semilun\u0103, \u0103ilal\u0163i frustra\u0163i de gelozia campionului precum D\u0103nil\u0103, un institut Eminescu, timpule, treac\u0103 de la tine, pil\u0103 du\u015fmanilor, alta se b\u00e2\u0163\u00e2ie crez\u00e2ndu-se \u00een New York, sta\u0163i, norvegieni, rom\u00e2na\u015fi, dus\u0103-i Plevna, plec\u0103 \u015fi-oi mai scrie na\u015fa vreme, surato, grab\u0103 m\u0103tu\u015fa lene, licuritura minutarului din scris \u015fi statuile sub secundar, o estetic\u0103 necompara\u0163ie, izvor\u00e2t\u0103 dintr-un fiord de-o fi \u00eenghe\u0163\u00e2nd umbra schiorului.<\/p>\n

Je le donne Eminescu en sanscrite en echange de leurs oeuvres. Donosteea nu Noosteea, cu stea s\u0103 stea voosteea, a cause d\u2019Eminescu. Prolog de sine, c\u0103utam subiectul piesei, gene despletite, treaba actului, acatistului, n-o mai poreclesc, de-ar \u00eenvia actele \u2013 o reconstituire aruncat\u0103 la hazard, sticl\u0103 \u00een mare, coco\u015f \u00een Tihu\u0163a, cu poveste-v\u00e2n\u0103tori altc\u00e2nd \u00eempu\u015fcat\u0103.<\/p>\n

Harald nu \u015fi-a t\u0103iat p\u0103rul, iubito, p\u00e2n\u0103 n-a \u00eenvins du\u015fmanul \u015fi nu a unit Norvegia. Pe Arald, copilul zburdalnic, i l-ai cerut just lui Arald, \u015fi acum. Vorbeai numai tu, \u015fi atunci, smulg\u00e2ndu-l cu \u00eembr\u0103\u0163i\u015farea. Cum, strigoaic\u0103, i-ai fi dat na\u015ftere strigoi din iubirea lui, tot cuplu viking-dun\u0103rean (Eminescu, Strigoii<\/em>,1876), halucina\u0163ie v\u0103duvei Alving, \u00een fiord (Ibsen, Strigoii<\/em>, 1881), \u00een perifrastic arhipelag (Kabanelis, Iakovos: Ibsenland<\/em>, translated by Marjorie Chambers, Athens 2001). V\u0103duvul avar se unise cu strigoaica dac\u0103 din aceea\u015fi dragoste de la \u00eenceput. De ce s-o fi mut\u00e2nd grecul din vatra trgediei \u00een tema sifilisului? Helena mai s\u0103-l violeze pe pastor, retro (voi ce s\u0103 mai juca\u0163i, mai bine a\u0163i \u00eencerca \u00een norvegian\u0103).<\/p>\n

Mihai Eminescu: \u201eLimbajul cel lunecos al diploma\u0163iei, care \u00eembl\u00e2nze\u015fte toate expresiile c-o art\u0103 stilistic\u0103 rar\u0103, nu e f\u0103cut pentru a ne lumina asupra cestiunei \u2013 sed relata referro.\u201d (Rom\u00e2nia \u015fi cestiunea Orientului).<\/p>\n

Nordul din amintire o mai \u0163ine visele petrecute \u00een raza lui, Odin, Gynt, Eminescu, calotele au \u00een g\u00e2nd noi fiorduri pentru neomeniri din nevise. Verdland, Kanya Kumari, pier 3. La chiesa ha bisogna di santi. Nessuno mai ha visto dio. B\u0103iat t\u00e2n\u0103r, 20 de ani, satisfac orice fantezie doamnelor. Nu omori berbecul pentru un purice, nu dai foc p\u0103durii s\u0103 fug\u0103 lupul. Stalin a renun\u0163at la Grecia, pentru englezi. Maniu ar fi v\u0103zut Transilvania o Elve\u0163ie. Go-Mo-Jo \u015fi-a renegat opera. Numai cine c\u00e2nt\u0103 se m\u00e2ntuie.<\/p>\n

 <\/p>\n

\u015ei nu te temi c\u0103 glasul t\u0103u<\/p>\n

Va-ndulci ve\u015fnicia cea amar\u0103<\/p>\n

A m\u0103rii!<\/p>\n

Am venit pe jos de la slujb\u0103. Mai de diminea\u0163\u0103, m\u0103 rugase un adjunct s\u0103-i dau o carte a \u015fefului s\u0103u, ministrul, \u015fi venisem acas\u0103 \u00een Mercedes negru, \u015fi a\u015fa aveam impresia c\u0103 s-au \u00eenmul\u0163it. Ai un tic nou, \u201ede fel\u201d, \u00eemi place. Cald \u00een film, frig \u00een camer\u0103. E o cea\u0163\u0103 care te cheam\u0103 aici. Speram c\u0103 voi scrie la piesa Norul. L-am vizitat pe Mihai Velcescu asear\u0103, era singur, a ap\u0103rut \u015fi T\u0103b\u0103ra\u015f. S-a certat (M.V.) cu socrii. Ca tine. C\u0103 nu lucreaz\u0103. I-am tot spus c\u0103-l iau \u00een bojdeuc\u0103 oric\u00e2nd cum l-a luat Creang\u0103 pe Eminescu. A\u015fa era asear\u0103.<\/p>\n

N-am primit \u00eenc\u0103, dar sper s\u0103 g\u0103sesc scrisoare acas\u0103. O \u00eencep aici pe cea de r\u0103spuns, \u00een holul teatrului ( pe genunchi), unde a\u015ftept s\u0103 intru la \u201eO scrisoare pierdut\u0103\u201d.<\/p>\n

Am petrecut o sear\u0103 fascinant\u0103 ieri la domnul Noica. Ajuns acas\u0103, am citit un extras pe care mi-l d\u0103ruise. De\u015fi ne-am dat \u00eent\u00e2lnire joia viitoare, am vrut s\u0103-i spun mai repede p\u0103rerea \u015fi am \u00eenceput o scrisoare pe care am sf\u00e2r\u015fit-o la slujb\u0103 (spuneam, \u00een final, parc\u0103 nu v-a\u015f trimite-o; motiv: m\u0103 \u00eentrebase dac\u0103 tu mi-ai da voie doi-trei ani la \u00eenv\u0103\u0163\u0103tur\u0103 \u015fi f\u0103ceam afirma\u0163ia, azi, c\u0103 nu \u015ftiu c\u0103 da), am pus-o \u00een plic, cu timbru, \u015fi o duceam \u00een m\u00e2n\u0103, merg\u00e2nd cu \u015eora, dincolo de minister. \u015ei am ajuns la mere, vizavi de Sf. Iosif \u2013 am luat \u015fi eu 1 kg. Ne-am desp\u0103r\u0163it (la revedere mere) \u015fi \u00een drum spre Ci\u015fmigiu, ba \u00een parc, mi-am adus aminte de scrisoare \u2013 pierdut\u0103. Pre\u0163ul ideilor cuprinse a crescut. Mergeam la Mazileasca s\u0103-i duc m\u0103rgelele, apoi la bibliotec\u0103, apoi la teatru. Pierderea mi-a dat un sentiment \u00eenalt \u015fi nu de comedie. Am sim\u0163it un fior c\u00e2t marele frig. \u015ei dup\u0103 ce i-am dat prin u\u015f\u0103 m\u0103rgelele, am n\u0103z\u0103rit \u00een libr\u0103ria Eminescu de-am cump\u0103rat c\u0103r\u0163i de to\u0163i banii (un dic\u0163ionar de estetic\u0103, Eminescu despre teatru, dou\u0103 volume de m\u0103rturisiri ale scriitorilor vechi \u015fi noi). Pe urm\u0103 am intrat iar pe prima u\u015f\u0103 deschis\u0103: Facultatea de matematic\u0103, \u00een bibliotec\u0103, o or\u0103, la fi\u015fier. Deci \u00een loc de a fi scris un poem, un capitol de nuvel\u0103, un conspect-dou\u0103 pentru examen, le-am l\u0103sat pe toate s\u0103 curg\u0103 ca vai de lume.<\/p>\n

Eu zic c\u0103 mi-ai scris.<\/p>\n

Nu mi-ai scris.<\/p>\n

S\u00e2ngele cur\u0103\u0163e\u015fte de orice p\u0103cat. S\u00e2ngele lui Isus Hristos. 13: g\u00e2ndurile rele, preacurviile, curviile, uciderile, furti\u015fagurile, l\u0103comiile, vicle\u015fugurile, \u00een\u015fel\u0103ciunile, faptele de ru\u015fine, ochiul r\u0103u, hula, trufia, nebunia. 13 000 primir\u0103m numai \u00een Bucure\u015fti, de Arhangheli. Lum\u00e2n\u0103ri la vii \u015fi mor\u0163i, pe Icoanei, \u015fi lui Mihai Eminescu, la intersec\u0163ie. Pastorul, altfel, trimisese la Cronici, la Roboam, nu spune tu, s-o spun\u0103 el. Triburi emigrate \u00een India \u015fi venite \u00een Balkani, azi sup\u0103r\u00e2nd Italia.<\/p>\n

V\u0103 aduce\u0163i aminte, dac\u0103 n-ar fi dec\u00e2t o prepozi\u0163ie, s-ar putea spune c\u0103 \u00eentru este un sistem de filosofie.<\/em> Caz din c\u0103dere, cazanie. C\u00e2nd nu te vede nimeni, \u00eenc\u0103 nu se cade s\u0103 faci de nef\u0103cutul. <\/em>Goethe? Petrecere, cump\u0103t, \u00eentruchipare, mai ales \u00eempieli\u0163are \u015fi ba. Eminescu \u015ftie s\u0103 vorbeasc\u0103 filosofic \u015fi \u015ftie s\u0103 vorbeasc\u0103 rom\u00e2ne\u015fte.<\/p>\n

Durga blond\u0103, eminescian\u0103, \u00een colonia bengalez\u0103 a Delhiului,<\/p>\n

brun\u0103 totu\u015fi \u00een Shiva Mandir \u015fi Asur nemaiangrez, tot \u00eentunecat,<\/p>\n

Kali, Kali, maha Kali, o, Durga, pumni de petale aruncate p\u00e2n\u0103 la cele bra\u0163e ale dumnezei\u0163ei, Lak\u015fmi \u015fi Gane\u015f \u00een st\u00e2nga, Saraswati cu un sitar \u015fi Kartikeya-Apollo,<\/p>\n

focul din vas arz\u00e2ndu-ne palmele de trei ori \u015fi ni le ducem unii dup\u0103 al\u0163ii netezindu-ne p\u0103rul \u015fi capetele, supraritual mamele la copii<\/p>\n

(Eminescu, \u00een miez de p\u00e2ine). Ni\u015fte chestii conteaz\u0103 mai ales c\u00e2nd te sprijini pe ele p\u00e2n\u0103 la ultimul punct, p\u00e2n\u0103 la gravita\u0163ie – \u00ee\u0163i dai seama ce bine m-a\u015f fi \u00een\u0163eles cu Eminescu \u2013 frumoas\u0103 sunt, bucovineanc\u0103 sunt, materialist\u0103 nu, exact ce-i trebuia. Nu-\u0163i rezist\u0103 nici mor\u0163ii, mai ales dac\u0103 sunt argonau\u0163i. Dr. Iason, te rog deranjeaz\u0103-te \u015fi m\u0103n\u00e2nc\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alicia leit Veta. Nicole cu-al ei ilizibil nombre d’or. Maria guadelupana. Agencia de inhumaciones \u2013 excelencia en servicios funerarios. Vii f\u0103r\u0103 mor\u0163i, mor\u0163i f\u0103r\u0103 vii. Doina \u015fi Nelu contra legionarilor, Mircea \u015fi Nelu contra regelui, Nichi \u015fi Nelu contra lui Eminescu, Strul \u015fi Nelu contra universit\u0103\u0163ii, Augustin \u015fi Nelu contra rom\u00e2nilor. Vetala transpirase sub cadavru.<\/p>\n

 <\/p>\n

Almost sound in all inheritage blood and brain<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 spread at imaginary wolves visits<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 jumps on temples forests Eminescu<\/p>\n

Mahavira of late old gods ladies evangelizing<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 one recited from Eminescu in the end<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 changing house by country of fools I left<\/p>\n

Under all circumstances you seem to be under the observation of the intelligence-people of your own Socialist Country who are doing this social service to harass you a great deal in any near future and certain people including the \u201cambassador\u201d (the mathematician one!) in the Romanian Embassy here in Delhi are trying to molest your good name in India by spreading rumors about you and your being a \u201crogue\u201d and say to people here that \u201cyou\u201d are going to be exiled from Romania and\/or are going to be punished in some way. You are simple sincere poet like Mihai Eminescu and all your life you will remain simple & sincere to Romania as you always expressed and praised Mihai Eminescu and worked sincerely for the cause of deeper understanding between India and Romania.<\/p>\n

I also published Mihai Eminescu’s poem on page number 11 viz. The Elfland Damsel and in a footnote told how great a poet Mihai Eminescu was and how many new Romanian poets he has influenced. But this sick person, the very much sick person, your Romanian ambassador Mr. Mitu Nicu spoiled everything by raising a lot of hue and cry and luckily he also revealed the very confidential things of your government that they were about to frame cases against you and were about to \u201cexile\u201d you from Romania and that you were a \u201crogue\u201d and argued with me for five hours (from 4.45 p.m. To 9.50 p.m. On 18.9.1979) in the Romanian embassy about many things on page 9 and also criticized why this person Gheorghe Anca who is not a poet at all and is not a representative of Romanian poetry has had been published by me in their National Day issue and of the magazine and if you had written the introduction (I wrote it myself) and if the photograph and poems were supplied by Anca?<\/p>\n

*<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I like to confirm our \u201cInternational Academy Mihai Eminescu for Culture. Poetry & Arts\u201d and also the Eminescologistic human love for human race. I am happy that \u201cTagore Institute of Arts\u201d (India) and \u201cHafiz Iran Society\u201d (Iran:Teheran) are all cooperating with us and in 1989 we hope to reach Bucharest at his anniversary.<\/p>\n

*<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I attended then the full Mexican Week celebrated in New Delhi and met poet Octavio Paz of Mexico who writes in Spanish. There also I mentioned you and hundred Romanian poets. I saw through 15 days World Trade Fair in November as also we had a British Council workshop on Poetry on November 27th<\/sup> where my two poems were taken and one was cyclostyled for discussion. Mention of International Academy Mihai Eminescu is very automatic then. It penetrates the ears of the listener: \u201c100 Romanian poets\u201d.<\/p>\n

 <\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Subject: Eminescu bust by sculptor Ion M\u00e2ndrescu & matters of Book\/journals exchange, etc. with Romanian Educational Library & and poetry exchange with individual Romanian poets in Eminescu Year.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Thank you for your dated nil on 15.4.1989 and I was at International Academy Mihai Eminescu in fact waiting for Ion M\u00e2ndrescu created bust which is however still awaited. If there is some technical difficulty you can get sent its pictures and\/or articles and essays appearing about it in papers, as clippings, for our file and general reference purpose to others who may need.<\/p>\n

The International Academy Mihai Eminescu<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>First draft \u2013 1991 \u2013 to be completed by acknowledgments, other names of poets, thinkers, artists, translators, eminescologists, educators, desiring to be together unto poetry\/shanti.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Albania, Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Czechoslovakia, Chile, China, Denmark, Egypt, Finland, France, Germany, Greece, Hungarx, India, Iran, Irak, Israel, Italy, Japan, Mexico, Moldova, Netherlands, New Zealand, Nigeria, Philippines, Poland, Portugal, Romania, Senegal, South Africa, Spain, Sweden, Switzerland, Tanzania, Thailand, United Kingdom, USSR, USA, Yugoslavia<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MEMBERS \/ HONORARY INVITED<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rafael Alberti, Robert Bly, Emil Cioran, Rosa del Conte, Yolanda Eminescu, Evgheni Evtushenko, John Fowles, Vaclav Havel, Daisaku Ikeda, Eugen Ionesco, Octavio Paz, Amrita Pritam (president since 1981), Salman Rushdie, Leopold Sedhar Senghor, Bogdan Suhodolsky, Grigore Vieru.<\/p>\n

MEMBERS AT LARGE<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anna Aalten, B. Abanuka, Tawfik El Abdo, Prachoomsuk Achava-Amrung, Ioan Alexandru (organizer), Ion Andrei\u0163\u0103, O. M. Anujan, Lourdes Arizpe, Werner Bahner, Andrei Banta\u015f, Romano Baroni, Georges Barthouil, Al Bayati, Enric Becescu, Eva Behring, Amita Bhose, Danuta Bienkowska, Carlo Bernardini, Eveline Blamont, Ana Blandiana, Lucian Boz, Ion Caramitru, Margaret Chatterjee, Mary Ellen-Chatwin, Mihai Cimpoi, Silvia Chi\u0163imia, Henri Claessen, Georges Condominas, Lean-Louis Courriol, Robert Creeley, Petru Cre\u0163ia, Marco Cugno, Nicolae Dabija, Rodny Daniel, Nilima Das, Sisir Kumar Das, Mahendra Dave, Guenther Deicke, Francis Dessart, Stanislaw Dobrowolski, P. Vidyasagar Dayal, Metoda Dodic-Fikfak, Mihai Dr\u0103gan, Livia Dr\u0103ghici, Jules Dufur, Zoe Dumitrescu-Bu\u015fulenga, Anton Dumitriu, Monika Egde, Christian Eggebert, Didona Eminescu, Roland Erb, Jiri Felix, Galdi Laszlo, Roy Mac Gregor-Hastie, Al Giuculescu, Allain Guillermou, Herbert Golder, Klaus Heitmann, Helena Helva, Gerard Herberichs, Carmen Hendershott, Anna Hohenwart, Peter Hook, Alexandra Hortopan, Kazimiera Illakowiczowna, Philip Iseley, Judith Isroff, Ion Iuga, Vilenka Jakac-Bizjak, Rafik Vihati Joshi, Elena M. Koenigsberg, Maria Kafkova, Iuri Kojevnikov, Henrik Konarkovski, Omar Lara, Leonida Lari, Maria Teresa Leon, Catherine Lutard, Keshav Malik, Muhamed Maghoub, Fidelis Masao, Liliana M\u0103rgineanu, Pino Mariano, Constantin Mateescu, Anna Mathai, Dumitru Matkovski, Charles Mercieca, Ion Milos, Baldev Mirza, George Munteanu, Chie Nakane, Ion Negoi\u0163escu, Wanda Ostap, Ayappa Panikar, Sheila Pantry, Daniel Perdigao, Augustin Petre, Irina Petrescu, Max Demeter Peyfuss, Jane Plaister, Franco Prendi, Carlos, Queiroz, Zorica Rajkovic, Lisa Raphal, Peter Raster, Ruprecht Rohr, Marcel Ro\u015fcule\u0163, Mario Ruffini, Angelo Sabbattini, A. M. Sadek, Zeus Salazar, Patricia Sarles, Monika Segbert, Joachim Schuster, Vinod Seth, Satyavrat Shastri, Andrei Simic, Norman Simms, William Snodgrass, Mihai Stan, Dumitru St\u0103niloae, Sygmunt Stobersky, Sanda Stoleru, Sorin Stratilat, Arcadie Suceveanu, Eric Sunderland, Bathelemy Taladoire, Akile Tezkan, Eugen Todoran, Fernando Tola, Mona Toscano-Pashke, Urmila Rani Trikha, Kliment Tsacev, Mihai Ursachi, Bruno Uytersprot, Nelson Vainer, Isabela Valmarin, Dimitrie Vatamaniuc, Romulus & Mihu Vulc\u0103nescu, J.L. Vig, Brenda Walker, Xu Wende, Reinhold Werner, Rudolf Windish, Mario Zamora<\/p>\n

MEMBERS IN MEMORIAM<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anna Ahmatova, Sergiu Al-George, Gheorghe Anghel, Tudor Arghezi, George Bacovia, Ion Barbu, Lucian Blaga, Samson Bodn\u0103rescu, Alexandru Bogdan, N.N. Botez, Petre Br\u00e2nzeu, Victor Buescu, Anta Raluka Buzinschi, George C\u0103linescu, I. L. Caragiale, Iorgu Caragiale, Toma Chiricu\u0163\u0103, Pompiliu Constantinescu, Aron Cotru\u015f, Ion Creang\u0103, Dimitrie Cuclin, Mihail Dragomirescu, Mircea Eliade, Gheorghe Eminescu, Gheorghe Eminovici, Franyo Zoltan, Galgi Laszlo, Gala Galaction, Mozes Gaster, Onisifor Ghibu, Petre Grimm, Ion Gora\u015f, N.I. Herescu, G. Ibr\u0103ileanu, Nicolae Iorga, Petru Iroaie, Josef Sandor, Ivan Krascko, Mite Kremnitz, Franco Lombardi, E. Lovinescu, Titu Maiorescu, Alfred Margul-Sperber, Veronica Micle, Matei Millo, Gheorghe Nedioglu, Constantin Noica, Ramiro Ortiz, Sylvia Pankhurst, Vasile P\u00e2rvan, Perpessicius,\u00a0 Ioana Em. Petrescu, Gheorghe Pitu\u0163, Miron Pompiliu, Augustin Z. N. Pop, Cornelui M. Popescu, Aron Pumnul, Salvatore Quasimodo, Ianis Ritsos, Mihail Sadoveanu, George Bernard Shaw, Ioan Slavici, Nichita St\u0103nescu, Carmen Sylva, Carlo Tagliavini, Fani Tardini, Vasile V\u0103duva, Tudor Vianu<\/p>\n

———————————–<\/p>\n

\u00a0Dr. George ANCA<\/strong><\/p>\n

Bucure\u0219ti<\/strong><\/p>\n

15 ianuarie 2018<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00eencepe \u015fi ziua asta din Gita sf\u00e2\u015fietoare \u00eenc\u0103 dou\u0103 zile pline ultima cu plecare totu\u015fi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mihai Sadoveanu cu [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-34877","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=34877"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34877\/revisions"}],"predecessor-version":[{"id":34880,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34877\/revisions\/34880"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=34877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=34877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=34877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}