{"id":34944,"date":"2018-01-18T09:46:12","date_gmt":"2018-01-18T09:46:12","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=34944"},"modified":"2018-01-18T09:46:12","modified_gmt":"2018-01-18T09:46:12","slug":"roni-caciularu-minunate-gravuri-pe-suflet-%e2%80%93-expozitia-pictoritei-miriam-cojocaru","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/01\/18\/roni-caciularu-minunate-gravuri-pe-suflet-%e2%80%93-expozitia-pictoritei-miriam-cojocaru\/","title":{"rendered":"Roni C\u0102CIULARU: Minunate gravuri pe suflet \u2013 Expozi\u021bia pictori\u021bei Miriam Cojocaru"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/01\/The-Dialog1-Miriam-COJOCARU.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-34945\" title=\"the-dialog1-miriam-cojocaru\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/01\/The-Dialog1-Miriam-COJOCARU-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/01\/The-Dialog1-Miriam-COJOCARU-195x300.jpg 195w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/01\/The-Dialog1-Miriam-COJOCARU.jpg 600w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a>Totul a \u00eenceput la etajul cinci al imensei Sta\u0163ii Centrale de Autobuze, din Tel Aviv. \u00centr-una din s\u0103lile mai retrase, se afl\u0103 un a\u015fa zis Muzeu Ydish. O amestec\u0103tur\u0103 de obiecte, c\u0103r\u0163i, colec\u0163ii de ziare. Praf \u015fi ecou de istorie, de via\u0163\u0103 \u015fi bucurii ori triste\u0163i, lucruri aflate \u00eentr-o dezordine fascinant\u0103, prin aerul evocator \u015fi printr-o frumuse\u0163e aproape secret\u0103. Via\u0163\u0103 disp\u0103rut\u0103, \u015fi totu\u015fi p\u0103strat\u0103, via\u0163\u0103 care ar putea fi oric\u00e2nd re\u00eenviat\u0103&#8230;<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u00cen acest context \u2013 mult prea sumar descris acum \u2013 \u00ee\u015fi avea atelierul \u015fi un \u00eenc\u00e2nt\u0103tor profesor t\u00e2n\u0103r de xilogravur\u0103, Alexander Vojik, de la Asocia\u0163ia Pictorilor \u015fi Sculptorilor telavivieni. \u015ei, pritr-un minunat miracol (de fapt un an \u00eentreg de munc\u0103 \u015fi crea\u0163ie) via\u0163a evreiasc\u0103 a oamenilor c\u0103r\u0163ii, fibra de istorie a ren\u0103scut, sugerat\u0103 acum de o fascinant\u0103 serie de gravuri ale pictori\u0163ei Miriam Cojocaru.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Dar iat\u0103 ce ne poveste\u015fte autoarea \u00eens\u0103\u015fi:<\/p>\n<p style=\"text-align: justify;\"><em>\u201eIntr-o zi , Alex (z.l.), ne-a invitat acolo, la etajul al cincilea din Sta\u0163ia Central\u0103 de autobuze. Nu departe de Teatrul \u201erom\u00e2nului\u201d nostru, Nicu Nitai&#8230; Sala cu nr. 5008. Am deschis u\u015fa, \u015fi priveli\u015ftea care mi se deschidea, m-a fermecat, mi-a t\u0103iat respira\u0163ia! Imagineaz\u0103-\u0163i o sal\u0103 imens\u0103, plin\u0103 cu c\u0103r\u0163i pe rafturi, \u00een c\u0103rucioare de supermarchet, ori , pur \u015fi simplu, \u00een cutii de carton. Iar tot acest imperiu, avea ca fundal o scen\u0103 pe care era construit un zid de c\u0103r\u0163i. De fapt, \u00een aceast\u0103 mare sal\u0103 sunt nu numai c\u0103r\u0163i, ci \u015fi tot felul de lucruri \u2013 pentru mine deosebit de impresionante: b\u0103nci de la sinagogi, covoare persane, tradi\u0163ionale lum\u0103n\u0103ri de amintire a celor pierdu\u0163i \u00een negura timpului, o roab\u0103, fotolii, o biciclet\u0103, alte numeroase obiecte de alt\u0103 dat\u0103, care au fost folosite de semenii mei, \u015fi-ai t\u0103i, \u015fi-ai\u00a0 at\u00e2tor al\u0163ii din neamul nostru. \u015ei tot acest amalgam doveditor de via\u0163\u0103, iubire, z\u00e2mbet, g\u00e2ndire munc\u0103 \u015fi lacrimi, se afla aici \u00eentr-o dezordine boem\u0103, cu o secret\u0103 tr\u0103ire estetic\u0103 aproape de neexprimat. Dar ea era!&#8230; Plutea \u00een aerul muzeal, odat\u0103 cu istoria \u015fi vorbele celor de alt\u0103dat\u0103, odat\u0103 cu amintiri fantomatice \u015fi-at\u00e2t de concrete! <\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0<\/em><\/p>\n<p style=\"text-align: justify;\"><em><!--more-->Acesta a fost primul meu contact cu Muzeul Ydish: un adev\u0103rat \u015foc pozitiv, care parc\u0103 m-a paralizat. De abea a doua oar\u0103, la o a doua vizit\u0103 aici, dup\u0103 vreo s\u0103pt\u0103m\u00e2n\u0103, am \u00eenceput s\u0103 cunosc mai atent, s\u0103 percep mai profund \u015fi mai limpede locul acesta fascinant. I-am g\u0103sit aici pe to\u0163i clasicii literaturii idi\u015f, am r\u0103sfoit albume, am v\u0103zut imagini ale celor din trecutul nostru, litografii, almanahuri, ziare ale unei lumi aproape disp\u0103rute. M\u0103 aflam \u00een mijlocul evreimii R\u0103s\u0103titului Europei, cu o bun\u0103 parte din cultura sa. Evreii &#8211; ferment \u015fi energie. Ei dau suflet din sufletul lor. Lumea progreseaz\u0103. Dar, tot acolo, eu am avut parte &#8211; \u015fi desigur, nu numai eu \u2013 de nea\u015fteptate \u015fi adev\u0103rate cutremure.Treceau autobuze deasupra capetelor noastre, amintindu-mi cumva de destinul cutremur\u0103tor al at\u00e2tor cona\u0163ionali ai mei&#8230; Lumina, \u00een acest loc special venea de afar\u0103, \u015fi parc\u0103 \u015fi din trecut, filtrat\u0103 \u015fi schimb\u0103toare, p\u0103trunz\u00e2nd \u015fi d\u00e2nd via\u0163\u0103, prin ni\u015fte geamuri \u00eenguste \u015fi foarte \u00eenalte&#8230; <\/em><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">A fost apoi \u015fi o alt\u0103 vizit\u0103, a treia oar\u0103, c\u00e2nd am venit aici mai familiarizat\u0103 cu locul \u015fi imaginile, \u015fi atunci am reu\u015fit s\u0103 fac unele schi\u0163e, unele fotografii. Am oprit timpul, ca s\u0103-l <em>pot sugera \u00een continu\u0103 mi\u015fcare. Materialul acesta, aflat sub impulsul emo\u0163iei \u015fi al tr\u0103irii autentice mi-a folosit, \u00een continuare, s\u0103 gravez impresiile mele, g\u00e2nduri \u015fi sim\u0163\u0103minte, pe pl\u0103ci de metal, cu care am imprimat pagini speciale de h\u00e2rtie. \u015ei uite-a\u015fa, m-am g\u00e2ndit c\u0103-l onorez, \u015fi pe fostul meu profesor Alexander Vojik ( cu xilogravurile sale lirice, de o mare frumuse\u0163e). De fapt onorez un artist, un muzeu \u015fi \u00eemi retr\u0103iesc, \u00eentr-un fel, propriul meu popor&#8230; <\/em><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><em>Am lucrat un an \u015fi mai bine asupra pl\u0103cilor mele de metal, imprim\u00e2ndu-le desenele mele, peste care am trecut apoi cu acid, pentru a transpune prin incizie imaginile, g\u00e2ndurile, sugestiile izvor\u00e2te din locul aparte de care \u0163i-am vorbit&#8230; Dar nu \u00eentotdeauna inten\u0163ia artistic\u0103 se materializeaz\u0103 a\u015fa cum vrei; metalul e rece, acidul e orb, eu fiind aceea care trebuie s\u0103 dea c\u0103ldur\u0103 \u015fi expresivitate pl\u0103cii rebele. Asta \u00eenseamn\u0103 munc\u0103, migal\u0103, nenum\u0103rate relu\u0103ri pe alte \u015fi alte pl\u0103ci, ori, dac\u0103 sim\u0163i \u015fi te \u00eenc\u0103p\u0103\u0163\u00e2nezi, \u00eencerci s\u0103 intervii \u00a0pe aceea\u015fi plac\u0103, acolo unde crezi \u015fi se poate, prin tot felul de mijloace specifice \u015ftiin\u0163ei \u015fi artei gravurii. Astfel, cu dexterit\u0103\u0163i aparte, cu r\u0103bdare \u015fi talent, po\u0163i chiar \u00eembog\u0103\u0163i imaginea final\u0103. E vorba de o gam\u0103 variat\u0103 de intensit\u0103\u0163i ale desenului, de ob\u0163inerea unui anume relief, de accentuarea calit\u0103\u0163ilor ascunse ale texturii. O anumit\u0103 culoare a cernelii de imprimare poate introduce o alt\u0103 atmosfer\u0103, special\u0103, poate sugera semnifica\u0163ii originale. Uneori, efecte speciale le-am ob\u0163inut prin imprimarea succesiv\u0103 a dou\u0103 pl\u0103ci pe aceea\u015fi h\u00e2rtie. Dar ceea ce apare \u00een final, \u00een expozi\u0163ie, este urmarea a numeroase \u00eencerc\u0103ri pe care le resping \u00een cele din urm\u0103, p\u00e2n\u0103 ce ajung la rezultatul care cred c\u0103 e satisf\u0103c\u0103tor. Se-n\u0163elege c\u0103 de la o imprimare la alta fac scimb\u0103ri de tactic\u0103 \u00een realizarea scopului propus. E adev\u0103rat, este o munc\u0103 titanic\u0103, care cere migal\u0103, r\u0103bdare, desen sigur \u015fi expresiv, viziune anticipativ\u0103 clar\u0103, aproape exact\u0103. Inseamn\u0103 fizic\u0103, \u00eenseamn\u0103 chimie, \u00eenseamn\u0103 priceperea de a privi negativul cu finalitatea lui pozitiv\u0103. Este o munc\u0103 dificil\u0103, dar c\u00e2nd reu\u015fe\u015fti, satisfac\u0163ia \u00ee\u0163i r\u0103spl\u0103te\u015fte \u00eenzecit efortul. Parc\u0103 ai fi un un fel de demiurg, \u00een care oamenii pot s\u0103 cread\u0103!\u201d&#8230;<\/em><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u015ei iat\u0103-ne, acum, la Casa Arti\u015ftilor din Tel Aviv, admir\u00e2nd Expozi\u0163ia de gravuri a pictori\u0163ei Miriam Cojocaru, intitulat\u0103 \u201eInsula c\u0103r\u0163ilor, de la etajul cinci\u201d. Avem \u00eenaintea ochilor o colec\u0163ie de imagini desprinse din Muzeul amintit, ni\u015fte bijuterii de art\u0103, deosebite prin fine\u0163e \u015fi expresivitate. Parc\u0103 un diamantar, cu totul aparte, a dat str\u0103lucire \u015fi elegan\u0163\u0103, putere magic\u0103 \u015fi farmec, materiei inerte, devenit\u0103 lumin\u0103 \u015fi via\u0163\u0103, \u015foapt\u0103 \u015fi umbr\u0103 \u015fi c\u00e2ntec \u015fi vis. Privind gravurile de pe simeze, \u00eemi dau seama c\u0103 \u00eentr-un r\u00e2nd,\u00a0 gre\u015feam spun\u00e2nd: \u201eMiriam Cojocaru este \u015fi doctor \u00een chimie, \u00eens\u0103 nu cred c\u0103 exist\u0103 vreo leg\u0103tur\u0103 direct\u0103 \u00eentre omul de \u015ftiin\u0163\u0103 \u015fi artista unui echilibru foarte expresiv.\u201d Gravurile acestea m\u0103 fac s\u0103 \u00een\u0163eleg acum chiar contrariul. In schimb, aveam at\u00e2ta dreptate s\u0103 afirm, \u00een continuare, c\u0103 miracolul artistic \u201ese \u00eent\u00e2mpl\u0103 \u00een planul al doilea al pictori\u0163ei M.C., dincolo de con\u015ftient, dincoace de real. Sunt sigur c\u0103 avem de a face cu o \u201ealchimie\u201d de mare valoare. E farmec \u015fi minunat\u0103 reverie, e atmosfer\u0103 \u015fi g\u00e2ndire profund\u0103. E art\u0103 adev\u0103rat\u0103 \u015fi filozofie. (&#8230;) Asist\u0103m la relevarea unui \u201eJoc secund\u201d, care se refer\u0103 la profunzimea existen\u0163ei\u201d&#8230;<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">A\u015f mai avea de reliefat delicate\u0163ea \u015fi rafinamentul acestor gravuri, magia jocului dintre desen, culoare \u015fi relieful elegant al negrului pe alb, transpunerea unor impresii aproape abstractizate, dar cu o delicat\u0103 vigoare plastic\u0103, mesaje explicite ori, dimpotriv\u0103, sugestii secrete, impalpabile; fine \u0163es\u0103turi de linii incizate, structuri, laviuri, ha\u015fur\u0103ri care alc\u0103tuesc o lume, o atmosfer\u0103, o dinamic\u0103 anume \u015fi-un tandru gust nostalgic, al\u0103turi de vibra\u0163ia tr\u0103irii \u00een lumea cea mai frumoas\u0103 din c\u00e2te exist\u0103: cea a artei.<\/p>\n<p style=\"text-align: justify;\">Dar ce rost are s\u0103 insist\u0103m?! Numai privitul cu inima, poate justifica o cald\u0103 medita\u0163ie \u015fi admira\u0163ia fa\u0163\u0103 de acest mare artist, care este Miriam Cojocaru!<\/p>\n<p style=\"text-align: justify;\"><strong>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Roni C\u0102CIULARU<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Petah Tikva, Israel<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>10 ianuarie 2018<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Totul a \u00eenceput la etajul cinci al imensei Sta\u0163ii Centrale de Autobuze, din Tel Aviv. \u00centr-una din s\u0103lile mai retrase, [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-34944","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=34944"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34944\/revisions"}],"predecessor-version":[{"id":34947,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/34944\/revisions\/34947"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=34944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=34944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=34944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}