{"id":35191,"date":"2018-01-25T18:23:33","date_gmt":"2018-01-25T18:23:33","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=35191"},"modified":"2018-01-27T07:46:40","modified_gmt":"2018-01-27T07:46:40","slug":"mircea-doreanu-inocentul","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/01\/25\/mircea-doreanu-inocentul\/","title":{"rendered":"Mircea DOREANU: Inocentul"},"content":{"rendered":"

\"\"<\/a>Pentru a dob\u00e2ndi inocen\u021ba ca atitudine \u00een \u0219i fa\u021b\u0103 de ceea ce creeaz\u0103, arti\u0219tii muncesc pe rupte cu materia specific\u0103 artei lor: acest demers \u00eencepe la Br\u00e2ncu\u0219i cu \u201dCap de copil\u201d \u0219i se \u00eencheie abia cu \u201dCumin\u021benia p\u0103m\u00e2ntului\u201d, \u00eencep\u00e2nd cu care vor urma numai capodopere. Nu se poate face diferen\u021ba \u00eentre a avea \u0219i a mima excep\u021bional inocen\u021ba: J. D. Salinger o st\u0103p\u00e2ne\u0219te \u00een \u201dDe veghe \u00een lanul de secar\u0103\u201d \u0219i \u201dNou\u0103 povestiri\u201d, dar o pierde \u00een \u201d Franny \u0219i Zooey\u201d. \u00cen ce \u00eel prive\u0219te, este o problem\u0103 de m\u0103iestrie. La Emil Brumaru travaliul literar nu se vede, se b\u0103nuie\u0219te: chiar \u00een poemele licen\u021bioase el este un artizan al inocen\u021bei.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toth Arpad de\u021bine acest miracol \u00een mod genuin, prin natura\u00a0 sa individual\u0103 \u0219i \u00een acela\u0219i timp el este un artizan al inocen\u021bei.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toth Arpad de\u021bine acest miracol \u00een mod genuin, prin natura\u00a0 sa individual\u0103 \u0219i \u00een acela\u0219i timp \u00eei este d\u0103ruit de Mama Natur\u0103. Ca orice inocent, nu \u00ee\u0219i cunoa\u0219te \u00eenzestrarea i-o recunosc ceilal\u021bi, prin literatur\u0103. <\/span>Limba rom\u00e2n\u0103 \u00eei este a doua limb\u0103: o folose\u0219te cu un firesc f\u0103r\u0103 cusur. (Nu numai \u00een ce scrie, ci \u00een conversa\u021bie, nu l-am v\u0103zut s\u0103 \u00ee\u0219i caute, blocat, cuvintele; asta \u0219i pentru c\u0103 prefer\u0103 exprimarea simpl\u0103, direct\u0103.)<\/p>\n

\u201dIf just a single seed will fall<\/p>\n

Down on the ground it will sprout<\/p>\n

Its own gene will pass on<\/p>\n

To its offsporings, if seed will grow!\u201d<\/p>\n

( \u201dThe Wonder of Creation\u201d)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dac\u0103 Drago\u0219 Barbu, cel care rescrie excelent \u00een englez\u0103 acest poem, ar fi articulat cuv\u00e2ntul\u00a0 seed<\/span>, ultimul substantiv al poemului ar fi r\u0103mas la stadiul denomin\u0103rii acelui \u201dsingle seed\u201d \u00a0din primul vers citat, pe c\u00e2nd astfel s\u0103m\u00e2n\u021ba\u00a0 prime\u0219te at\u00e2t atributul de esen\u021b\u0103 a fiin\u021bei, primordial c\u00e2t \u0219i conota\u021biile universalit\u0103\u021bii la care se extinde, Pare un lucru de la sine \u00een\u021beles. Nu este a\u0219a dec\u00e2t pentru nepricep\u0103tori. Drago\u0219 Barbu este un traduc\u0103tor atent \u0219i fidel textului, De fapt preacunoscuta sintagm\u0103 traduttore-tradittore se refer\u0103 \u0219i la \u00eencercarea permanent\u0103 a bunilor traduc\u0103tori de a dep\u0103\u0219i originalul, de a-i da un plus valoric de frumuse\u021be, un bonus from the house.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Iat\u0103 un text de Beatles, at\u00e2ta senin\u0103tate, candoare \u0219i \u00eemp\u0103care degaj\u0103; sunt sigur c\u0103 a traduce poezia lui Artangel a fost o mare bucurie.<\/p>\n

\u201d Like a butterfly on a flower<\/p>\n

My soul is sitting on,<\/p>\n

Giving the colours of my life<\/p>\n

To everithing that I have done.\u201d<\/p>\n

Flower\u00a0 Power \u00een toat\u0103 gloria perioadei sale, eterne! Sim\u021bul ritmului \u00eel au deopotriv\u0103, autorul \u0219i traduc\u0103torul. Autorul \u0219i-a meritat de la bun \u00eenceput frumosul supranume literar, ca un brand de orfervru renascentist. Acum, \u00een englez\u0103, este mai Artangel dec\u00e2t oric\u00e2nd. \u00cen poetica acestuia nu omul \u00eenvinge natura cotropitoare, turbulent\u0103, de \u00eembl\u00e2nzit, ci natura cople\u0219e\u0219te omul cu bun\u0103tatea \u0219i darurile sale.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aceasta \u0219i \u00een paginile pe care le-am comentat la apari\u021bia lor \u00een rom\u00e2n\u0103, categoric cele mai originale ale autorului ” Man`s close encounters with the brown bear\u201d, cuceritoare prin inedit, cunoa\u0219terea pe din\u0103untru a celor povestite cu o candoare \u0219i o sinceritate pe care o au numai marii inocen\u021bi.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P.S.\u00a0 Aflu de la autor c\u0103 prin contribu\u021bia incontestabil\u0103 a traduc\u0103torului Drago\u0219 Barbu, poetul Artangel alias Toth Arpad, \u00een cadrul premiilor literare <\/strong>\u00a0<\/strong>ale lui Naji Naaman (2017), cu 2160 de participan\u021bi la concurs, din \u0219aizeci \u0219i patru de \u021b\u0103ri, scriind \u00een patruzeci \u0219i patru de limbi \u0219i dialecte, \u00a0a primit un mare premiu<\/strong> interna\u021bional, printre al\u021bi participan\u021bi la concurs, dup\u0103 cum urmeaz\u0103<\/strong>:<\/strong><\/p>\n

\u201d1 – Premii de merit:<\/strong> Ad\u0103o Wons (Brazilia); Marven Ghanem (Liban); Mostafa Ateia Jomaa \u0219i Rania Masoud (Egipt); Nayanika Dey (India); Sergiu Gabriel Berindea \u0219i\u00a0Toth Arpad (Rom\u00e2nia).<\/strong>\u201d<\/p>\n

—————————————<\/p>\n

Mircea DOREANU<\/strong><\/p>\n

\u00a0(Membru USR, Filiala Bra\u0219ov)<\/p>\n","protected":false},"excerpt":{"rendered":"

Pentru a dob\u00e2ndi inocen\u021ba ca atitudine \u00een \u0219i fa\u021b\u0103 de ceea ce creeaz\u0103, arti\u0219tii muncesc pe rupte cu materia specific\u0103 [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-35191","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/35191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=35191"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/35191\/revisions"}],"predecessor-version":[{"id":35196,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/35191\/revisions\/35196"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=35191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=35191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=35191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}