{"id":35212,"date":"2018-01-27T07:53:35","date_gmt":"2018-01-27T07:53:35","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=35212"},"modified":"2018-01-27T07:55:02","modified_gmt":"2018-01-27T07:55:02","slug":"georgeta-blendea-zamfir-margaritare-de-recunostinta-pentru-poezia-corinei-ligia-patrascu","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/01\/27\/georgeta-blendea-zamfir-margaritare-de-recunostinta-pentru-poezia-corinei-ligia-patrascu\/","title":{"rendered":"Georgeta BLENDEA-ZAMFIR: M\u0103rg\u0103ritare de recuno\u0219tin\u021b\u0103, pentru poezia Corinei Ligia P\u0103tra\u0219cu"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/01\/PATRASCU-CL-VAND-ROCHIE-DE-MIREASA-cop.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-35213\" title=\"patrascu-cl-vand-rochie-de-mireasa-cop\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/01\/PATRASCU-CL-VAND-ROCHIE-DE-MIREASA-cop-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" \/><\/a>\u00cenfiorat Universul declar\u0103: \u201eArs poetica\u2019, sugestivei intarsieri de elemente sensibile strecurate \u00een versurile Corinei Ligia P\u0103tra\u015fcu. Paradox metaforic de la alfa la omega, de la bine la r\u0103u, poezia include idei \u00eembr\u0103cate \u00eentr-o hain\u0103 halucinant de sugestiv\u0103. Alternan\u0163ele \u0163\u00e2\u015fnesc \u00een aria str\u0103lucit\u0103. Optzecist\u0103 dar mult \u00eembog\u0103\u0163it\u0103 ultramodern \u00een linia poe\u0163ilor contemporani \u00eembr\u0103\u0163i\u015fa\u0163i de nemuritoarea metafor\u0103, poeta surclaseaz\u0103 linia crea\u0163iei actuale: \u201edin s\u0103bii de foc se preling rubine\u201d. Rubinele \u00een s\u00e2ngeriul ro\u015fului se nasc \u00een fiecare vers al volumului: \u201eV\u00e2nd rochie de mireas\u0103\u201d. Simbolul ochilor de p\u0103un devoaleaz\u0103 impresionanta sensibilitate a poetei, fascinat\u0103 de splendori.<\/p>\n<p>\u00a0\u201eAlearg\u0103 zilele nop\u0163ile<\/p>\n<p>&#8230;<\/p>\n<p>s\u0103ruta m\u00e2na Cerului \u00eengenunchiate<\/p>\n<p>\u00eensetate de roua clopotni\u0163elor<\/p>\n<p>crinilor\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Voil\u00e0! Poveste de via\u0163\u0103 prins\u0103 ca fluturii \u00een boldurile de aur ai metaforelor, \u201eclopotni\u0163ele crinilor\u201d, m\u0103 poart\u0103 la George C\u0103linescu care l-a men\u0163ionat pe Mihai Eminescu \u00een \u201et\u0103ria unui crin\u201d. \u00cel reg\u0103sesc pe Nichita St\u0103nescu desf\u0103\u015fur\u00e2nd paradoxal cuvintele p\u00e2n\u0103 ajunge la necuvinte. C\u0103 \u00een \u201eBolero-ul\u201d lui Ravel, muzica interioar\u0103 a Corinei Ligia P\u0103tra\u015fcu desf\u0103\u015foar\u0103 tonul ambiental al ritmului \u00eenc\u00e2nt\u0103tor. Scorpionul din fiin\u0163a poetei se mi\u015fc\u0103 \u00eenainte \u015fi \u00eenapoi \u00een oceanul lui Odin eminescian, umplut cu fantastice comori lucrate de maestra bijutier\u0103. No\u0163iuni ca dorul, mirul comunic\u0103 basme din universul complex, ancestral al spa\u0163iul carpato-danubiano-pontic.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><!--more-->Metafora Timpului nu lipse\u015fte din epopeea versifcat\u0103 a volumului \u2013 include urme argheziene, sugestii privind cultura poetic\u0103 a Corinei Ligia P\u0103tra\u015fcu:<\/p>\n<p>\u201enorii viseaz\u0103 furtun\u0103<\/p>\n<p>arm\u0103sarii pur-s\u00e2nge<\/p>\n<p>joac\u0103 macii \u00eenghi\u0163i\u0163i<\/p>\n<p>de jarul apusului\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Ca \u00eentr-un avion printre nori, prindem \u00een bra\u0163e diamante \u015flefuite \u00een armonia inspira\u0163iei, iubirea con\u0163in\u00e2nd podoaba ro\u015fie \u00eenfl\u0103c\u0103rat\u0103 a macilor se defuleaz\u0103 \u00een versuri de o frumuse\u0163e uimitoare \u00een care contrastul dintre no\u0163iunile poetice fascineaz\u0103: versul \u201esuspin\u0103 cump\u0103na f\u00e2nt\u00e2nii\u201d. Ca pe \u00eentinsa c\u00e2mpie cu f\u00e2nt\u00e2ni a spa\u0163iului nostru \u00een care primordial\u0103 e ospitalitatea se deruleaz\u0103 ideile intrinseci ale volumului, se pare c\u0103 vin dintr-o Preistorie a Daciei fundamentat\u0103 pe o cultur\u0103 uimitoare. Valen\u0163ele fosforescente diverg, ame\u0163esc printr-o lumin\u0103 binef\u0103c\u0103toare: \u201er\u0103s\u0103ritul a\u015fteapt\u0103 coacerea\u201d. Motivul soarelui se deruleaz\u0103 ca o aur\u0103 de mister p\u0103trunz\u00e2nd fiin\u0163a \u00een alveolele existen\u0163ei. Ondinele eminesciene \u00ee\u015fi devoaleaz\u0103 misterele prin curgerea \u00een nuditatea versului \u00eempodobit de perfec\u0163iune.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Poezia \u201eAmfora\u201d trimite g\u00e2ndul la Jacques Prevert, \u00een linia de comunicare; \u00eens\u0103 Corina Ligia P\u0103tra\u015fcu \u00eempodobe\u015fte ideea lui Prevert, o \u00eennobileaz\u0103 oferindu-ne fascina\u0163ia unei poezii \u00eembr\u0103cate amplu, \u00eentr-un buchet aromitor. \u201eAmprentele dulci\u201d pe care iubitul le prinde \u00een feminitate se definesc prin \u201em\u0103\u201d; \u201ein nuce\u201d, egoul poetei \u00eentr-un delir \u00een nevoia de a fi iubit\u0103. Coroana regal\u0103 pe care o prime\u015fte mireasa la nunta \u00een stil ortodox este \u00eempodobit\u0103 cu briliantele dorin\u0163elor cl\u0103dite \u00een feminitate.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Valoarea din poemul \u201eAur\u201d impune no\u0163iunea chihlimbarului care \u00een ancestralitate era cel mai pre\u0163ios. Exist\u0103 un Drum al chilimbarului, \u00eenainte de Drumul m\u0103t\u0103sii (vezi, \u201eStr\u0103mo\u015fii rom\u00e2nilor\u201d). \u015ei iat\u0103 c\u0103 \u00een \u201eRevela\u0163ie\u201d, raportarea la George Co\u015fbuc se poate face prin versul:<\/p>\n<p>\u201ea\u015ftern t\u0103cut\u0103 sufletu-mi<\/p>\n<p>\u00een trup de gr\u00e2u\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">E o traiectorie venind din toate razele poetice ale predecesorilor, misterios ajuns\u0103 \u00een c\u0103limar\u0103 cu pana shakespirian\u0103 a poetei Corina Ligia P\u0103tra\u015fcu. Voca\u0163ia de psiholog a incendiat subcon\u015ftientul autoarei cu valori care se sublimeaz\u0103 \u00een no\u0163iuni sugestiv-poetice duc\u00e2nd la fibrele ondulatorii ale con\u015ftiin\u0163ei cititorului. Anotimpurile nasc idei poetice devoal\u00e2nd minunile pe care ni le ofer\u0103 Mama Geea-Mama P\u0103m\u00e2ntului-Mama Ge\u0163ilor. D\u0103ruirea femeii scorpion este \u00eentr-o doz\u0103 ce nu se poate cuprinde \u00een exprimare. Ea ofer\u0103 tot ceea ce este mai frumos pe lume. Sacrificiul ei este continuu, valoros \u015fi eficient. Iat\u0103 ofrandele:<\/p>\n<p>\u201ea\u015f trece mun\u0163ii cu t\u0103lpile goale<\/p>\n<p>sfid\u00e2nd piscuri<\/p>\n<p>a\u015f cre\u015fte gr\u0103untele cu lacrimi<\/p>\n<p>fierbin\u0163i\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Plusul \u00eel aduce poemul \u201eTe provoc, iubire&#8230;\u201d, cu versul: \u201e te \u00eencit, privindu-te&#8230;\u201d Motivul privirii fixeaz\u0103 esen\u0163a iubirii. Energiile maxime se concentreaz\u0103 \u00een privire: \u201eOchii sunt oglinda sufletului\u201d (proverb) &#8211;<\/p>\n<p>\u201ecobor serpentine<\/p>\n<p>s\u0103rut\u00e2ndu-le\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Ca \u00eentr-un v\u00e2rtej de dragoste, dorin\u0163ele se unduiesc \u00een serpentine sub luciul galben al lunii, trimi\u0163\u00e2nd raze tainice printre tulpini. Poezia Corinei Ligia P\u0103tra\u015fcu te face s\u0103 devii c\u0103l\u0103tor prin lume, prin tr\u0103iri, prin penetrante sentimente, prin sublim\u0103ri ale unui subcon\u015ftient uimitor de vast; Univers de imagini. Motivul mamei \u00eenregistreaz\u0103 penetrante sentimente a\u015fezate \u00een rama \u00eempodobit\u0103 cu infinit\u0103 sugestie a simbolurilor. Amarul iubirii, ve\u015fm\u00e2ntul pe care ea \u00eel \u00eembr\u0103c\u0103 \u00een not\u0103 tragic\u0103 reflect\u0103 istoria poeziei. Se spune c\u0103 triste\u0163ea este haina poetului. S\u0103 sper\u0103m c\u0103 vom \u00eenv\u0103\u0163a s\u0103 iubim f\u0103r\u0103 suferin\u0163\u0103. Exist\u0103 multe teorii pe aceste coordonate pe planet\u0103. Simbolul \u201emesei\u201d, venind din ancestralitate, trec\u00e2nd prin Lancelot, culmin\u00e2nd br\u00e2ncu\u015fian pe tot mapamondul , este construit \u00een poemul \u201eTrezit\u0103\u201d, prin no\u0163iuni implic\u00e2nd sugestii universale.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Poemul \u201ePromisiune\u201d include acel perpetuu atu al femeii scorpion uimitoare \u00een c\u0103ut\u0103rile mirobolante pentru devenire. Paradoxal, \u00eenc\u0103 o \u201eArs poetica\u201d, devoal\u00e2nd poezia \u00een cuvinte nod, aureolat\u0103 tandru, de soarele talentului. Motivul \u201edansului\u201d concentreaz\u0103 nobilul vals. Valsul miresei este \u00een opozi\u0163ie cu titlul volumului: V\u00e2nd rochie de mireas\u0103\u201d, magicul hallo al poeziei rotunje\u015fte trecerea \u00een linii ascendente \u00een volum. Familiarizat cu intimitatea poetic\u0103 a autoarei, cititorul se mir\u0103 mereu, este fermecat de picurii ritma\u0163i interior, sclipitori, inspiratori propu\u015fi de poet\u0103.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">\u201eTrebuie s\u0103 c\u0103ut\u0103m \u00een c\u0103r\u0163i numai subiectivitatea autorului\u201d, subliniaz\u0103 Ion Itu, distinsul critic trecut \u00een nefiin\u0163\u0103, \u00een cartea: \u201eCritica de tranzi\u0163ie\u201d, incluz\u00e2nd numele litera\u0163ilor bra\u015foveni.<\/p>\n<p>Poezia \u201eNu-m\u0103 \u2013uita\u201d, cu versurile:<\/p>\n<p>\u201e\u015falul coboar\u0103 umerii dezgoli\u0163i<\/p>\n<p>un bob de rou\u0103 se prelinge<\/p>\n<p>f\u0103r\u2019 de glas<\/p>\n<p>pe silueta fin\u0103 a toamnei au r\u0103mas<\/p>\n<p>copaci cu trupuri nude<\/p>\n<p>mir\u00e2nd oglinzile cerului<\/p>\n<p>c\u0103 le-a crescut pe frunte<\/p>\n<p>flori de nu-m\u0103-uita\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">C\u00e2nd te reg\u0103se\u015fti \u00een intimitatea subiectivit\u0103\u0163ii poetului, nu-\u0163i r\u0103m\u00e2ne dec\u00e2t s\u0103 strigi: Evrika! O femeie frumoas\u0103 invoc\u0103 simbolul feminit\u0103\u0163ii \u2013 Venus \u2013 \u00eempodobind versurile cu \u015ftiin\u0163a culturii grece\u015fti. V\u0103lul c\u0103utat \u00een acoperirea intimit\u0103\u0163ii va trebui s\u0103-\u015fi extind\u0103 tremurarea \u00een lumea contemporan\u0103 care se deznudeaz\u0103 cu orice pre\u0163 \u2013 cum numai la psiholog, la preot , la cel mai bun prieten, se face&#8230;<\/p>\n<p>\u201eVenus\u201d:<\/p>\n<p>\u201e&#8230;<\/p>\n<p>dup\u0103 un timp<\/p>\n<p>g\u0103sit\u0103 r\u0103t\u0103cind prin Milo<\/p>\n<p>cu p\u0103rul despletit umil\u0103<\/p>\n<p>\u00een m\u00e2ini nu mai \u0163inea nimic<\/p>\n<p>\u015fi-a dat tribut singurul m\u0103r<\/p>\n<p>cu trupul gol cer\u015find un v\u0103l<\/p>\n<p>s\u0103 prind\u0103 nurii speria\u0163i de noapte\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Poematica Corinei nu e doar mirific metaforic\u0103 purt\u00e2ndu-ne \u00een nori- cor\u0103bii romantice \u00een spa\u0163iul albastru al inefabilului poetic. Intrinsec preg\u0103tirea psihologic\u0103 \u00ee\u015fi \u00eenfige teoriile \u00een crea\u0163ia poetic\u0103. Echilibrul masculin-feminin; ying-yang, se cere \u00een universalitatea devenirii. \u201e\u00cenv\u0103\u0163a\u0163i regulile succesului \u2013 g\u00e2ndi\u0163i la scar\u0103 mare\u201d, ne \u00eendeamn\u0103 David J. Schwatz \u00een cartea: \u201eMagica putere a g\u00e2ndului\u201d.<\/p>\n<p style=\"text-align: justify;\">Corina Ligia P\u0103tra\u015fcu p\u0103\u015fe\u015fte pe treptele succesului red\u0103rii cuno\u015ftin\u0163elor teoretice \u00eembr\u0103cate \u00een flamida \u00eemp\u0103r\u0103teasc\u0103 a imaginilor artistice; o va a\u015ftepta Globul de aur al \u00cenving\u0103torului \u00eentr-un spa\u0163iu al Noului P\u0103m\u00e2nt ce se prefigureaz\u0103. Natura cu minun\u0103\u0163iile ei, care trebuie devoalat\u0103 lumii, o prezint\u0103 autoarea \u00een poemul care prezint\u0103 iubirea subtil: \u201ePatima\u201d. Iubirea duce \u00een spate planeta. Polenizarea prin pistilul incisiv induce procreerea. \u201eAten\u0163ia trebuie \u00eendreptat\u0103 asupra obiectului dorin\u0163ei nu asupra lipsei lui\u201d, citat din Esther \u015fi Jerry Hicks. (\u201e\u00cenv\u0103\u0163\u0103turile lui Abraham\u201d).<\/p>\n<p style=\"text-align: justify;\">Dorin\u0163a, coad\u0103 multicolor\u0103, oval\u0103 de p\u0103un \u00eembr\u0103c\u0103 o carte a figurilor de stil; s\u0103de\u015fte s\u00e2mburii florilor ro\u015fii de maci; \u00ee\u015fi \u00eendrept\u0103 capul ca o credincioas\u0103 floare a soarelui dup\u0103 magicul ei adorat; induce o melodie intrinsec\u0103 beethovenian\u0103 purt\u00e2nd spre triumf existen\u0163a zbuciumat\u0103, poart\u0103 r\u0103suflarea cititorului \u00een mun\u0163i, c\u00e2mpii, pe capete de flori multicolore \u00een desf\u0103\u015fur\u0103ri fascinante sugerate de poet\u0103. Prindem \u00een bold de insectar poemul: \u201eToamn\u0103 t\u00e2rzie\u201d, c\u0103 s\u0103 anun\u0163\u0103m minunata venire pe lume a poetei:<\/p>\n<p>\u201edogoarea soarelui apus\u0103<\/p>\n<p>bat ploile url\u00e2nd prin mine<\/p>\n<p>strivind celule tremur\u00e2nde<\/p>\n<p>cu fe\u0163e triste<\/p>\n<p>&nbsp;<\/p>\n<p>pietrele r\u00e2d \u00een hohote<\/p>\n<p>privind v\u00e2ltoarea frunzelor<\/p>\n<p>din mine&#8230;\u201d<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p><strong>Georgeta BLENDEA-ZAMFIR <\/strong><\/p>\n<p><strong>Bra\u015fov, 10 ianuarie 2018<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cenfiorat Universul declar\u0103: \u201eArs poetica\u2019, sugestivei intarsieri de elemente sensibile strecurate \u00een versurile Corinei Ligia P\u0103tra\u015fcu. Paradox metaforic de la [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-35212","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/35212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=35212"}],"version-history":[{"count":5,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/35212\/revisions"}],"predecessor-version":[{"id":35215,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/35212\/revisions\/35215"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=35212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=35212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=35212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}