{"id":37450,"date":"2018-04-02T14:55:23","date_gmt":"2018-04-02T14:55:23","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=37450"},"modified":"2018-04-02T14:57:45","modified_gmt":"2018-04-02T14:57:45","slug":"octavian-constantinescu-cartea-apocalipsei%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/04\/02\/octavian-constantinescu-cartea-apocalipsei%e2%80%9d\/","title":{"rendered":"Octavian CONSTANTINESCU: ,,Cartea Apocalipsei\u201d"},"content":{"rendered":"

\"\"<\/a><\/p>\n

CARTEA APOCALIPSEI<\/strong><\/p>\n

\u2026un c\u00e2ntec de leb\u0103d\u0103,\u00a0 pl\u00e2ns pe-nfundate,<\/em><\/p>\n

\u00een \u00eenserare \u015fi-n singur\u0103tate\u2026<\/em><\/p>\n

 <\/p>\n

Adrian Botez scrie m\u0103re\u0163, hieratic, apoteotic, un ultim -dup\u0103 a sa m\u0103rturisire \u2013 volum de poezie atent selectat\u0103, un fel de crez poetic al s\u0103u, o sintez\u0103 a marilor sale teme, Cartea Apocalipsei<\/strong>, un fel de biblie poetic\u0103, structurat\u0103 \u00een patru mari cicluri: Cartea Apocalipsei <\/strong>(50 de poeme),\u00a0 Cartea Iluziilor \u015fi Puterilor<\/strong>\u00a0 (35 de poeme), Cartea Neamului<\/strong> (alte 35) \u015fi, \u00een fine, Cartea Poetului<\/strong> (50 de poeme)\u00a0 – precum \u015fi un capitol final: Epilog(uri)<\/strong>. La \u00eenceput, ca o poart\u0103 c\u0103tre universul propriu poetic, sau ca un fel de ghid de interpretare, poemul-Prolog<\/strong> (Povestea Duhului<\/strong>) pare s\u0103 adune \u00een el un fel de cheie a \u00eentregului volum. Aici g\u0103sim, ca o explica\u0163ie a ceea ce urmeaz\u0103, un fel de istorie, pe scurt, a ultimelor clipe ale omenirii, judecata final\u0103, prezidat\u0103 de Christ, un zeu al luminii –\u00a0 judec\u0103tor drept al elementelor, fie ele Fire ori Materie. E un fel de Cina-Cea-de-Tain\u0103\u00a0 final\u0103, a turmei luminii, unde toat\u0103 firea, cu bune \u015fi cu rele, va sta la judecata Cuv\u00e2ntului \u00eentrupat:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u2026cu Crist vor sta la cin\u0103 (sub Raze-Flori-Ninsori):<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Turma Luminii \u2013 Bl\u00e2nd-Harnicul Pl\u0103van<\/em><\/p>\n

Cum \u015fi Eroi-Iubirea \u2013Str\u0103bunii \u00een V\u0103p\u0103i \u2013Martiri<\/em><\/p>\n

Sfin\u0163i\u0163i de Neam\u2026<\/em><\/p>\n

\u2026pe treptele de zoaie \u2013 \u00een Astre ale Urii \u2013 <\/em><\/p>\n

\u015eerpi-Scorpii-R\u00e2ioase Broa\u015fte ori Lemurii<\/em><\/p>\n

s-or desf\u0103ta-n plesc\u0103ituri-<\/em><\/p>\n

cu R\u00c2VNA T\u00c2R\u00c2TURII\u2026\u201d<\/em><\/p>\n

Se poate observa,\u00a0 cu usurin\u0163\u0103, prezen\u0163a marilor teme poetice ale lui Adrian Botez, neamul, vatra, cetatea, martirii, eroii, sublimul, iubirea dezb\u0103rat\u0103 de contagiunea material, dar \u015fi\u00a0 derizoriul, mocirla, ura, fapta oarb\u0103, P\u0103m\u00e2ntul, Lumea, Universul \u015fi toate acestea st\u00e2nd sub marele semn al divinit\u0103\u0163ii\u00a0 umanizate, Dumnezeul \u00eentrupat, Christ, Treapta suprem\u0103 a iubirii universale, ghidul c\u0103tre des\u0103v\u00e2r\u015fire, cuv\u00e2ntul nepervertit, clar \u015fi curat, ca lacrima r\u0103stignitului.<\/p>\n

A\u015fa cum am mai scris, lumea poetic\u0103 a lui Adrian Botez e un cosmos aparte, o construc\u0163ie bazat\u0103 pe piloni ezoterici, pe magia semnelor \u015fi simbolurilor, t\u0103r\u00e2m pe care nu te po\u0163i aventura f\u0103r\u0103 o cunoa\u015ftere temeinic\u0103 a Semnelor, c\u0103ci toat\u0103 opera sa poetic\u0103 sta sub pecetea magic\u0103 a SEMNELOR<\/strong>, care sunt ca ni\u015fte semin\u0163e aruncate \u00een ogorul lumii, ca s\u0103 nasc\u0103 \u015fi s\u0103 rodeasc\u0103 Frumosul Adev\u0103rat, neatins de pecinginea materialit\u0103\u0163ii, un fel de rai luminat \u015fi binecuv\u00e2ntat, \u00een care doar cei chema\u0163i\u2026dac\u0103 se \u00een\u0163elege ce vreau s\u0103 exprim.<\/p>\n

\u00cen primul capitol, avem de-a face cu apocalipsa total\u0103, o de-structurare<\/em><\/strong> a universului, at\u00e2t a p\u0103r\u0163ii sale omene\u015fti, casnic-cunoscute, familiare, dar \u015fi dezastrul marilor structuri cosmice.\u00a0 Totul r\u0103sun\u0103 de marele zgomot al ruinei totale:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u2026se sfarm\u0103 p\u0103s\u0103ri \u00een v\u0103zduh \u2013 haos de sunet jubileaz\u0103\u2026\u201d<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 sau :<\/p>\n

\u201c\u2026Crea\u0163ia-i o \u0163op\u0103ial\u0103 \u2013 o parodie de Sabat\u2026\u201d<\/em><\/p>\n

(cf. Se sfarm\u0103 p\u0103s\u0103ri \u00een v\u0103zduh, pag. 11)<\/strong><\/p>\n

O moarte dospit\u0103, \u00eendelung clocit\u0103, pare s\u0103 guverneze \u00eentreaga f\u0103ptur\u0103, presim\u0163ind Judecata:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u2026deja nesf\u00e2nta carte s\u00e2ngereaz\u0103<\/em><\/p>\n

deja eu ard \u00een r\u0103ni eternitate<\/em><\/p>\n

mi\u015fcarea-n ceruri nu mai figureaz\u0103\u2026\u201d<\/em><\/p>\n

Toate tilurile poemelor, din acest ciclu-capitol, sunt \u2013 cu pu\u0163ine excep\u0163ii –\u00a0 prevestiri ale marelui cataclysm, \u00een care p\u00e2n\u0103 \u015fi materia va suferi, nu doar Fiin\u0163a: \u201cNoroi de s\u00e2nge curge-n ceruri<\/strong>\u201d, \u201cFrenezia judec\u0103\u0163ii<\/strong>\u201d, \u201cBalada mor\u0163ii aproximative<\/strong>\u201d, \u201cCa miasmele din mla\u015ftini<\/strong>\u201d etcaetera etcaetera.<\/p>\n

Poetul prefigureaz\u0103, de-a binelea, un\u00a0 rechizitoriu nemilos, ale c\u0103rui \u00eentreb\u0103ri sun\u0103 crunt, ne\u00eendur\u0103tor, oric\u0103rei con\u015ftiin\u0163e c\u00e2t-de-c\u00e2t treze:<\/p>\n

\u00a0<\/em><\/p>\n

\u201c\u2026ce-am f\u0103cut cu via\u0163a asta? \u2013 ce vom face \u00een cealalt\u0103?<\/em><\/p>\n

La ce-a folosit f\u0103ptura \u2013 c\u00e2t a fiin\u0163at \u2013 \u00eenalt\u0103?\u201d<\/em><\/p>\n

Iar posibilul r\u0103spuns-concluzie este unul dezam\u0103gitor \u015fi tragic, \u00een simplitatea goliciunii sale:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u2026tot ce-am vrut \u2013 r\u0103m\u00e2ne abur \u2013 ce putem \u2013 \u00eempotmolire<\/em>\u2026\u201d<\/p>\n

\u015fi<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u2026a fost duh? \u2013 n-a fost credin\u0163\u0103 \u2013 doar o oarb\u0103 zv\u00e2rcolire\u2026\u201d<\/em><\/p>\n

(cf. <\/em>\u00centreb\u0103ri uciga\u015fe<\/strong>, pag.46)<\/em><\/p>\n

Aceasta pr\u0103bu\u015fire total\u0103 nu este \u00eentru tot disperat\u0103, c\u0103ci, \u00een finalul acestui proces restaurator, prin judecata veacurilor, pare s\u0103 luceasc\u0103-str\u0103luceasc\u0103 o nou\u0103 na\u015ftere, anun\u0163at\u0103 \u015fi enun\u0163at\u0103 \u00een capitolul al doilea al volumului, Cartea iluziilor \u015fi puterilor<\/strong>, \u00een care poemele par mai optimiste, mai cur\u0103\u0163ate de zgura acidit\u0103\u0163ii din primul capitol:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u2026Frumuse\u0163ea va c\u00e2nta din desi\u015ful luminilor<\/em><\/p>\n

agonisite ad\u00e2nc \u2013 din abis de m\u0103ri \u015fi oceane \u2013 s-or<\/em><\/p>\n

desface \u2013 pe<\/em><\/p>\n

maluri \u2013 comorile crinilor<\/em><\/p>\n

nimeni nu va mai socoti nimic \u00een<\/em><\/p>\n

ceasuri \u2013 ci-n extatice <\/em><\/p>\n

edenice fructe\u2026\u201d<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Astfel, avem de-a face cu poeme mai optimist-luminoase, \u00een curgerea lor lin\u0103, vindecat\u0103 (\u201cToamna-\u00een ritm de vals\u201d<\/strong>, \u201cNu fi m\u00e2hnit<\/strong>\u201d), sau m\u0103car juc\u0103u\u015f-mul\u0163umite:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u201c\u2026\u015fi povestea merge <\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 de neoprit \u2013 mai<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 departe: n-ai nevoie de <\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 nicio carte\u2026\u201d<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

Iluziile<\/strong> din acest volum sunt toate omene\u015fti, justificate, naiv-asumate, aproape fire\u015fti:<\/p>\n

\u00a0<\/em><\/p>\n

La noi \u2013 salv\u0103rile (care nu salveaz\u0103 pe<\/em><\/p>\n

nimeni \u015fi nimic) \u2013 sunt<\/em><\/p>\n

albe \u2013 la englezi<\/em><\/p>\n

galbene<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

Puterile<\/strong>, \u00een schimb, sunt ale stihiilor, ale naturii, ale cosmosului,\u00a0 misterioase, guvernate de legi pe care poetul le str\u0103vede, dar le \u00eenv\u0103luie \u015fi mai abitir, ca s\u0103 le p\u0103streze \u00eentregi, neatinse de \u00een\u0163elegerea vulgar-p\u0103m\u00e2ntesc-omeneasc\u0103. Iat\u0103, \u00een acest sens, un \u00eentreg poem-c\u00e2ntec, o catedral\u0103 \u00een care r\u0103sun\u0103 un imn \u00eenchinat m\u0103re\u0163iei cosmosului:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toamna \u2013 \u00een ritm de vals<\/em><\/strong><\/p>\n

\u00een ritm de vals \u2013 rotind v\u0103zduhu-n vr\u0103ji<\/em><\/p>\n

cad ploi de sateli\u0163i \u00eeng\u0103lbeni\u0163i:<\/em><\/p>\n

\u00a0frunzele \u2013 tot mai distilate str\u0103ji<\/em><\/p>\n

palat-copacii-i p\u0103r\u0103sesc \u2013 zb\u00e2rci\u0163i<\/em><\/p>\n

\u00a0<\/em><\/p>\n

o \u2013 nu sunt frunze \u2013 duhuri sunt de oaze<\/em><\/p>\n

cu tifla d\u00e2nd \u2013\u00eenscriu \u00een aer fraze<\/em><\/p>\n

s-a\u015ftern ocean de galben peste drumuri<\/em><\/p>\n

din superbia lumii au r\u0103mas doar fumuri<\/em><\/p>\n

\u00a0<\/em><\/p>\n

iar eu \u2013 califul \u2013 iau pocal de raze<\/em><\/p>\n

\u015fi beau dintr-\u00eensul muzici \u015fi extaze<\/em><\/p>\n

eu nu mai \u015ftiu furtuni \u2013 ci numai rai<\/em><\/p>\n

\u00a0<\/em><\/p>\n

prin umbra-mi trec n\u0103lucile de cai<\/em><\/p>\n

\u2026\u00eentre at\u00e2tea turnuri \u015fi comori<\/em><\/p>\n

\u0163i-e lene s\u0103 tr\u0103ie\u015fti \u2013 dar \u015fi s\u0103 mori\u2026<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Poetul Adrian Botez scrie ca \u015fi c\u00e2nd s-ar sf\u00e2\u015fia pe sine, dezvelindu-\u015fi inima \u00een plin vifor al veacului acestuia desuet, de\u015fucheat, vulgar \u015fi nestatornic, nerecunosc\u0103tor \u015fi necunosc\u0103tor \u00eentru ale Frumosului, Eternului<\/strong>, \u00eentru ale Iubirii<\/strong> \u015fi ale Iert\u0103rii. <\/strong>Toate aceste de\u015fucheri, aceste r\u0103ni puroinde \u00eei provoac\u0103 poetului r\u0103ni suflete\u015fti \u015fi de con\u015ftiin\u0163\u0103, care r\u0103zbat, r\u0103bufnit, \u00een versuri amare, auto-flagelante. \u00cen capitolul al treilea, Cartea Neamului<\/strong>, acestea de mai sus sunt mai vizibile ca nic\u0103ieri, con\u015ftiin\u0163a de neam si de t\u0103r\u00e2m dacic magic fiind una din obsesiile poetice ale acestui autor care ar merita o soart\u0103 literar\u0103 mai de soi, dac\u0103 starea lucrurilor n-ar fi aceea care este:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2026nu v\u0103 juca\u0163i cu focul \u2013 r\u00e2njind trufa\u015fii din\u0163i<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ve\u0163i fi cu to\u0163ii scrum bandi\u0163ii de hotare<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 to\u0163i lacom av\u00e2nta\u0163ii pe p\u0103m\u00e2nt de sfin\u0163i<\/em><\/p>\n

\u00a0<\/em><\/p>\n

vor fi-ngropa\u0163i ca pulberi \u2013 lungi \u015fi-amare\u2026<\/em><\/p>\n

\u2026iar noi h\u0103l\u0103dui-vom \u00een vecii de-altare<\/em><\/p>\n

gust\u00e2nd cu Zeii-Fra\u0163i ambroziile rare\u2026<\/em><\/p>\n

\u00a0<\/em><\/p>\n

(cf. Avertisment c\u0103tre bandi\u0163ii ce vin spre patrie \u2013 pag. 101)<\/strong><\/p>\n

Toate titlurile din acest capitol sunt ele \u00eensele ni\u015fte elegii \u00eenchinate neamului rom\u00e2nesc \u015fi plaiului dacic, un exemplu, ilustrativ\u00a0 \u00een acest sens, fiind Re\u00eenviata epopee daco-valah\u0103 (\u00een cinci c\u00e2nturi cu Prolog \u015fi Epilog)<\/strong><\/p>\n

\u00centreg capitolul poart\u0103 aceast\u0103 pecete, titlurile poemelor –\u00a0 unele de o frumoas\u0103 muzicalitate divin\u0103 –\u00a0 amintind de acelea\u015fi obsesiv-asumate teme: Domnii, Voievozii, Fe\u0163i-frumo\u015fii, Neamul, glia : Urmarea ie\u015firii din neam, R\u0103zboiu-i s\u0103 nu-\u0163i ui\u0163i sfin\u0163ii martiri<\/strong>, Hora Bucovinei<\/strong>, Calpul Cr\u0103ciun<\/strong> (un fel de aprig colind c\u00e2ntat, a\u015fa cum spune poetul, zarafilor venetici \u015fi autohtoni laolalt\u0103), Lupul dacic<\/strong>, Iarn\u0103 daco-valah\u0103 <\/strong>etc.<\/p>\n

Capitolul al patrulea, Cartea poetului<\/strong> \u2013 r\u0103zbaterea prin bezne \u015fi dincolo de crim\u0103<\/strong> este unul aproape auto-biografic, dar nu \u00een sensul de simpl\u0103 \u00een\u015firare de fapte ale eului, ci o asumare a propriei fiin\u0163e, o raportare a eului la veacul \u00een care poetul-om e silit s\u0103-\u015fi duc\u0103 crucea p\u0103timirii. Iat\u0103 c\u00e2teva mostre:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2026pumnii mei \u2013 grei prec\u00e2t<\/em><\/p>\n

to\u0163i norii de ploaie \u2013 aduna\u0163i \u00een<\/em><\/p>\n

suprema furtun\u0103 \u2013 se sprijin\u0103 \u2013 vag<\/em><\/p>\n

amenin\u0163\u0103tori \u2013 sublim<\/em><\/p>\n

tun\u0103tori \u2013 de t\u0103blia<\/em><\/p>\n

lumii \u2013 gata s\u0103 se<\/em><\/p>\n

porneasc\u0103 –\u00a0 vijelios<\/em><\/p>\n

apocalyptic \u2013 spre a v\u0103<\/em><\/p>\n

strivi\u2026<\/em><\/p>\n

Con\u015ftiin\u0163a social\u0103 a poetului, ve\u015fnic treaz\u0103, nicic\u00e2nd amor\u0163it\u0103, s\u00e2ngereaz\u0103 la durerile neamului, f\u0103r\u0103 putin\u0163\u0103 de vindecare:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Niciodat\u0103<\/em><\/strong><\/p>\n

pansamentul<\/em><\/p>\n

nop\u0163ii – aplicat peste rana<\/em><\/p>\n

lucidit\u0103\u0163ii<\/em><\/p>\n

\u2026chinuitor \u2013 spasmodic \u2013 somnul lipe\u015fte<\/em><\/p>\n

pansamentul de ran\u0103: niciodat\u0103<\/strong><\/em><\/p>\n

rana nu se va<\/em><\/p>\n

cicatriza \u2013 cu seninul<\/em><\/p>\n

uit\u0103rii<\/em><\/p>\n

Adrian Botez este un poet plenar, un mistic pritocitor de sensuri bogat-semantice, metaforele sale sunt vii, t\u0103inuitoare de vraj\u0103 poetic\u0103 deplin\u0103, greu de cuprins \u00een \u00een\u0163elegerea pu\u0163in\u0103 a contemporaneit\u0103\u0163ii.\u00a0 Versul s\u0103u ustur\u0103 \u015fi arde, ca acidul sulfuric, atunci c\u00e2nd nu m\u00e2ng\u00e2ie, oblojitor, r\u0103ni suflete\u015fti, ne\u00eenchise de veacuri.\u00a0 Toate durerile neamului \u015fi gliei acesteia, blestemate s\u0103 fie \u00een veci la \u00eentret\u0103iere de pofte \u015fi poftiri neru\u015finat-cotropitoare, par s\u0103 r\u0103zbat\u0103 din fiece vers. Carte-hotar, aceast\u0103 biblie \u00een vers scr\u00e2\u015fnit va binemerita, poate, de la urma\u015fi mai treji \u00een sim\u0163ire \u015fi g\u00e2nd, un gr\u0103unte de pio\u015fenie. Iar dac\u0103 nu se va \u00eent\u00e2mpla nici aceasta, fiindc\u0103 nu mai putem fi de nimic siguri pe lumea aceasta, la Judecata cea de Dincolo, poetului Adrian Botez \u00eei vor fi, cu siguran\u0163\u0103, drept-c\u00e2nt\u0103rite, toate aceste lacrimi de duh<\/strong>.<\/p>\n

——————————————<\/p>\n

Octavian\u00a0 CONSTANTINESCU<\/strong><\/p>\n

2 aprilie 2018<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

CARTEA APOCALIPSEI \u2026un c\u00e2ntec de leb\u0103d\u0103,\u00a0 pl\u00e2ns pe-nfundate, \u00een \u00eenserare \u015fi-n singur\u0103tate\u2026   Adrian Botez scrie m\u0103re\u0163, hieratic, apoteotic, un [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-37450","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/37450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=37450"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/37450\/revisions"}],"predecessor-version":[{"id":37453,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/37450\/revisions\/37453"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=37450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=37450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=37450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}