{"id":37501,"date":"2018-04-03T10:33:49","date_gmt":"2018-04-03T10:33:49","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=37501"},"modified":"2018-04-03T10:36:14","modified_gmt":"2018-04-03T10:36:14","slug":"adriana-mester-jurnal-din-oglinda-a-diary-in-a-looking-glass-poemepoems","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/04\/03\/adriana-mester-jurnal-din-oglinda-a-diary-in-a-looking-glass-poemepoems\/","title":{"rendered":"Adriana ME\u0218TER: Jurnal din oglind\u0103\/A diary in a looking glass (poeme\/poems)"},"content":{"rendered":"<p><strong><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/04\/MESTER-Adriana-brwb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-37502\" title=\"mester-adriana-brwb\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/04\/MESTER-Adriana-brwb-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/04\/MESTER-Adriana-brwb-224x300.jpg 224w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/04\/MESTER-Adriana-brwb.jpg 600w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a>ALCHIMIA IUBIRII<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Hai\u2026<\/p>\n<p>mi-a spus \u00eengerul,<\/p>\n<p>sufl\u00e2ndu-mi u\u0219or peste aripa,<\/p>\n<p>a\u0219 vrea s\u0103 te<\/p>\n<p>duc<\/p>\n<p>acum s\u0103 punem ni\u0219te puncte<\/p>\n<p>am g\u0103sit c\u00e2teva i-uri incomplete<\/p>\n<p>\u0219i ele vin de la<\/p>\n<p>iubire<\/p>\n<p>infinit iremediabil<\/p>\n<p>intens imaginat\u2026 \u0219i alte c\u00e2teva alte mii de cuvinte.<\/p>\n<p>(Am \u00een\u021beles jocul, e exact ce \u00eemi doresc)<\/p>\n<p>s\u0103 pun infinite i-uri<\/p>\n<p>pe toat\u0103 alchimia iubirii\u2026<\/p>\n<p>dar p\u00e2n\u0103 atunci, mai am de f\u0103cut<\/p>\n<p>pu\u021bin\u0103\u2026<\/p>\n<p>fizic\u0103.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ALCHEMY O LOVE<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><em>Come along,<\/em><\/p>\n<p><em>the angel urged me,<\/em><\/p>\n<p><em>gently blowing over my wing,<\/em><\/p>\n<p><em>I\u2019d like to<\/em><\/p>\n<p><em>take you<\/em><\/p>\n<p><em>to dot some \u201ei\u201ds<\/em><\/p>\n<p><em><!--more-->as I found some that were incomplete<\/em><\/p>\n<p><em>and they come from<\/em><\/p>\n<p><em>infatuation<\/em><\/p>\n<p><em>infinity irremediable<\/em><\/p>\n<p><em>intense imaginary\u2026 and several other thousands words.<\/em><\/p>\n<p><em>(I understood the game, it is exactly what I need)<\/em><\/p>\n<p><em>dotting \u201ei\u201ds<\/em><\/p>\n<p><em>for an entire alchemy of infatuation<\/em><\/p>\n<p><em>but until then, I still have to work<\/em><\/p>\n<p><em>a bit\u2026<\/em><\/p>\n<p><em>on\u00a0 my Physics.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>A2<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>C\u00e2nd am luat acel tren (a\u0219teptam de c\u00e2teva anotimpuri \u00eentr-o gar\u0103 pustie)<\/p>\n<p>nu \u0219tiam c\u0103,<\/p>\n<p>dup\u0103 c\u00e2\u021biva pasageri anonimi<\/p>\n<p>din c\u00e2teva sta\u021bii r\u0103zle\u021be,<\/p>\n<p>vei veni<\/p>\n<p>s\u0103 prive\u0219ti<\/p>\n<p>cu mine fluturii captivi \u00een neoane colorate\u2026<\/p>\n<p>Am uitat tot, chiar tot,<\/p>\n<p>chiar \u0219i o elementar\u0103 lec\u021bie de<\/p>\n<p>gramatic\u0103<\/p>\n<p>nu mai \u0219tiam unde s\u0103 pun cratima \u00eentr-un noiembrie t\u00e2rziu<\/p>\n<p>(de-acum te voi \u00eenv\u0103\u021ba c\u0103 noiembrie se scrie noi-embrie)<\/p>\n<p>\u0219i \u021bi-am cedat locul de la geam<\/p>\n<p>l\u0103s\u00e2ndu-te s\u0103 vezi lumea prin ochii mei\u2026<\/p>\n<p>c\u0103l\u0103torim clandestin, abandona\u021bi,<\/p>\n<p>sco\u0219i dintr-un timp \u00een care trebuie s\u0103 ne obi\u0219nuim<\/p>\n<p>cu<\/p>\n<p>o<\/p>\n<p>echilibristic\u0103 cumplit\u0103\u2026<\/p>\n<p>c\u0103l\u0103torim clandestin \u0219i,<\/p>\n<p>chiar dac\u0103 cineva ne va surprinde,<\/p>\n<p>vom cobor\u00ee<\/p>\n<p>\u00eempreun\u0103.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>A2<\/em><\/strong><em><\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>When I got on that train (after waiting several seasons on an empty quay)<\/em><\/p>\n<p><em>I didn\u2019t know that,<\/em><\/p>\n<p><em>after several random stops,<\/em><\/p>\n<p><em>you\u2019ll come<\/em><\/p>\n<p><em>to watch with me<\/em><\/p>\n<p><em>butterflies stuck in colourful neon signs\u2026<\/em><\/p>\n<p><em>I have forgotten everything, literally everything,<\/em><\/p>\n<p><em>even my basic grammar <\/em><\/p>\n<p><em>training<\/em><\/p>\n<p><em>I didn\u2019t know how to put a hyphen between a late November anymore<\/em><\/p>\n<p><em>(I\u2019ll teach you from now on to hyphenate now-ember)<\/em><\/p>\n<p><em>andI let you stay in my window-seat<\/em><\/p>\n<p><em>allowing you to see the world through my eyes\u2026<\/em><\/p>\n<p><em>clandestine travellers, abandoned,<\/em><\/p>\n<p><em>out of a time where we are forced to run on<\/em><\/p>\n<p><em>a<\/em><\/p>\n<p><em>very<\/em><\/p>\n<p><em>thin, atrocious rope\u2026<\/em><\/p>\n<p><em>clandestine travellers, and,<\/em><\/p>\n<p><em>should\u00a0 somebody spot us,<\/em><\/p>\n<p><em>eager to get down<\/em><\/p>\n<p><em>together.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LEC\u021aIA DE EXTROSPEC\u021aIE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>C\u00e2nd a sunat de intrare \u00een lumea noastr\u0103<\/p>\n<p>nu \u0219tiam r\u0103spunsul la nicio \u00eentrebare<\/p>\n<p>vedeam doar cum luna se \u00eemp\u0103m\u00e2ntene\u0219te \u00een idei, interoga\u021bii \u0219i demonstra\u021bii<\/p>\n<p>despre cum se deconstruie\u0219te o utopie<\/p>\n<p>despre cum fiecare lacrim\u0103 reconstruie\u0219te o frond\u0103 a emo\u021biei\u2026<\/p>\n<p>profesorul scria cu sufletul pe tabla colorat\u0103<\/p>\n<p>oglindind decadent aparen\u021bele simple<\/p>\n<p>&#8211; nu \u0219tim nimic&#8230;. \u00eemi \u0219opteau percep\u021biile \u00eentoarse pe dos<\/p>\n<p>ca o m\u0103nu\u0219\u0103 cu sute de degete \u00eencurcate de c\u0103utare\u2026<\/p>\n<p>&#8211; vei avea cel mult un 1 la purtare\u2026\u0219i asta cu indulgen\u021ba for\u021bat\u0103<\/p>\n<p>a celui care scrie demonstra\u021bii pe tabla colorat\u0103<\/p>\n<p>uit\u00e2ndu-\u0219i sufletul r\u0103t\u0103cit \u00een nevoia de timp \u0219i alte nimicuri<\/p>\n<p>&nbsp;<\/p>\n<p>\u2026dar, p\u00e2n\u0103 vei \u00eenv\u0103\u021ba s\u0103 scrii din nou cu sufletul<\/p>\n<p>(\u0219i dac\u0103 nevoia de timp nu se spulber\u0103 \u00een pauz\u0103)<\/p>\n<p>am \u0219ters tabla\u2026ca s\u0103 o putem lua de la cap\u0103t\u2026<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>A LESSON ON EXTROSPECTION<\/em><\/strong><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>When the bell went for class in our world<\/em><\/p>\n<p><em>I\u00a0 knew the answer to no question<\/em><\/p>\n<p><em>I saw the moon coming down to earthwith ideas, interrogations and demonstrations<\/em><\/p>\n<p><em>on how to deconstruct a utopia<\/em><\/p>\n<p><em>on how each tear reconstructs a revolt of emotion\u2026.<\/em><\/p>\n<p><em>the teacher was writing on the\u00a0 coloured blackboard with his soul<\/em><\/p>\n<p><em>mirroring decadently the simple appearances.<\/em><\/p>\n<p><em>&#8211; we know nothing\u2026 whispered the perceptions turned inside-out<\/em><\/p>\n<p><em>as a glove with hundreds of fingers mingled in a search\u2026<\/em><\/p>\n<p><em>&#8211; you\u2019ll get a One in Behaviour at best\u2026 and this with the forced indulgence<\/em><\/p>\n<p><em>of the one writing demonstrations on the coloured blackboard<\/em><\/p>\n<p><em>forgetting his lost soul in his need for time and other odds and ends<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u2026but, until you\u2019ll learn to write again with your soul<\/em><\/p>\n<p><em>(and if the need for time doesn\u2019t vanish during the break)<\/em><\/p>\n<p><em>I cleaned the blackboard\u2026to be able to start it all over again.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>REINVENTARE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>\u201eRegret<\/p>\n<p>c\u0103 nu \u021bin un jurnal<\/p>\n<p>(mi-a spus Prometeu juc\u00e2ndu-se cu fluturii)<\/p>\n<p>fluturii, florile, fericirea<\/p>\n<p>sunt at\u00e2t de fragile<\/p>\n<p>a\u0219 vrea s\u0103 le cuprind \u00een mine<\/p>\n<p>ve\u0219nic\u2026<\/p>\n<p>f\u0103r\u0103 uitare<\/p>\n<p>f\u0103r\u0103 minciuni<\/p>\n<p>f\u0103r\u0103 remu\u0219c\u0103ri<\/p>\n<p>utopic\u201d<\/p>\n<p>\u0218i atunci<\/p>\n<p>da, atunci, am reinventat mitul<\/p>\n<p>parc\u0103 sacrificiul nu era destul (ce folos dac\u0103 totul se regenereaz\u0103)<\/p>\n<p>\u0219i am for\u021bat pas\u0103rea<\/p>\n<p>s\u0103 coboare \u00een cercuri, deasupra inimii<\/p>\n<p>pentru a visa acolo<\/p>\n<p>despre minuni, enigme \u0219i alte r\u0103t\u0103ciri<\/p>\n<p>p\u00e2n\u0103 c\u00e2nd, \u00eentr-un final, a ajuns, utopic,<\/p>\n<p>acas\u0103.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>REINVENTING<\/em><\/strong><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u2018I regret<\/em><\/p>\n<p><em>not keeping a diary<\/em><\/p>\n<p><em>(Prometheus told me playing with the fireflies)<\/em><\/p>\n<p><em>fireflies, flowers, felicity<\/em><\/p>\n<p><em>are things of such fragility<\/em><\/p>\n<p><em>I\u2019d like to keep them inside me<\/em><\/p>\n<p><em>forever\u2026<\/em><\/p>\n<p><em>without oblivion<\/em><\/p>\n<p><em>without lies<\/em><\/p>\n<p><em>without remorse<\/em><\/p>\n<p><em>ideally.\u2018<\/em><\/p>\n<p><em>And then,<\/em><\/p>\n<p><em>yes, precisely then, I re-invented the myth<\/em><\/p>\n<p><em>as if sacrifice weren\u2019t enough (what\u2019s the use if everything regenerates)<\/em><\/p>\n<p><em>and I forced the bird<\/em><\/p>\n<p><em>to descend in circles, above the heart<\/em><\/p>\n<p><em>to dream there<\/em><\/p>\n<p><em>about miracles, enigmas and other wanderings<\/em><\/p>\n<p><em>until the moment when, finally, he ideally<\/em><\/p>\n<p><em>reached home.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>NORDUL<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>\u00cen fiecare zi<\/p>\n<p>te simt c\u0103ut\u00e2nd nordul<\/p>\n<p>indiferent de r\u0103s\u0103rituri \u0219i apusuri<\/p>\n<p>ce se \u00een\u0219ir\u0103 aproape ritmic<\/p>\n<p>\u00eentr-un rollercoaster de senza\u021bii infinite\u2026<\/p>\n<p>m-a\u0219 opri<\/p>\n<p>o secund\u0103, un anotimp<\/p>\n<p>at\u00e2t c\u00e2t s\u0103 pun \u00een text monotypecorsiva\u0219i14<\/p>\n<p>dar e at\u00e2t de perfect \u0219i de fragil totul<\/p>\n<p>\u00eenc\u00e2t voi continua s\u0103 scriu \u00een acela\u0219i timesnew roman<\/p>\n<p>pe care<\/p>\n<p>l-am descoperit, \u00eempreun\u0103,<\/p>\n<p>acum,<\/p>\n<p>odat\u0103 cu<\/p>\n<p>nordul.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>THE NORTH<\/em><\/strong><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Every day<\/em><\/p>\n<p><em>I feel you searching for the North<\/em><\/p>\n<p><em>irrespective of dusks and dawns<\/em><\/p>\n<p><em>creating an almost rhythmical chain<\/em><\/p>\n<p><em>on a merry-go-round of infinite sensations\u2026<\/em><\/p>\n<p><em>I\u2019d stop<\/em><\/p>\n<p><em>for a second, for a season.<\/em><\/p>\n<p><em>just to use monotypecorsiva and 14 for my text<\/em><\/p>\n<p><em>but everything is so fragile and so perfect<\/em><\/p>\n<p><em>that I\u2019ll go on using the same old times new roman<\/em><\/p>\n<p><em>which<\/em><\/p>\n<p><em>we discovered, together,<\/em><\/p>\n<p><em>now,<\/em><\/p>\n<p><em>together with<\/em><\/p>\n<p><em>the North.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>A FI SAU A NU FI<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>\u00centr-o zi (bun\u0103 sau rea, alb\u0103 sau neagr\u0103)<\/p>\n<p>&#8211; a\u0219a cum e tenta\u021bia oamenilor de a face doar confesiuni paralele \u2013<\/p>\n<p>am s\u0103 \u00eemi iau scena \u00een primire \u0219i la schimb<\/p>\n<p>voi da o felie de suflet t\u0103iat\u0103 cu precizia unui bisturiu<\/p>\n<p>(doar a\u0219a putem observa toate tr\u0103irile, replicile, axiomele \u00eeng\u00e2ndurate)<\/p>\n<p>deci\u2026.<\/p>\n<p>m\u0103 va lua scena \u00een primire \u0219i de acolo<\/p>\n<p>de sus,<\/p>\n<p>d<\/p>\n<p>e<\/p>\n<p>&nbsp;<\/p>\n<p>f<\/p>\n<p>o<\/p>\n<p>a<\/p>\n<p>r<\/p>\n<p>t<\/p>\n<p>e<\/p>\n<p>sus<\/p>\n<p>voi putea s\u0103 monologhez despre o nou\u0103 (dez)ordine amoroas\u0103,<\/p>\n<p>despre\u00a0 teatru \u0219i parfumuri, despre nimicuri \u0219i zgomote, despre regretul de a nu fi fost c\u00e2nd eram<\/p>\n<p>despre fobii \u0219i cli\u0219ee, artificii mocnite, ceasuri inventate<\/p>\n<p>dar<\/p>\n<p>p\u00e2n\u0103 atunci<\/p>\n<p>a venit Regizorul, m-a luat de m\u00e2n\u0103 \u0219i m-a trimis, cu un z\u00e2mbet condescendent<\/p>\n<p>s\u0103 mai \u00eenv\u0103\u021b\u2026c\u00e2teva replici.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>TO BE OR NOT TO BE<\/em><\/strong><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>One day (good or bad, white or black)<\/em><\/p>\n<p><em>&#8211; the way the temptation of people to make only parallel confessions is-<\/em><\/p>\n<p><em>I\u2019ll take the stage into my stride and in exchange<\/em><\/p>\n<p><em>I\u2019ll give a slice of soul surgically severed<\/em><\/p>\n<p><em>(the only way to grasp al the feelings, the lines, the thinking axioms)<\/em><\/p>\n<p><em>so&#8230;<\/em><\/p>\n<p><em>I\u2019ll make the stage my own, and from up<\/em><\/p>\n<p><em>above,<\/em><\/p>\n<p><em>w<\/em><\/p>\n<p><em>a<\/em><\/p>\n<p><em>y<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>u<\/em><\/p>\n<p><em>p<\/em><\/p>\n<p><em>above<\/em><\/p>\n<p><em>I\u2019ll be able to discourse on a new love (dis)order,<\/em><\/p>\n<p><em>on theatre and scents, on sweet nothings and furious sounds, on the regret<\/em><\/p>\n<p><em>of not having been when I was<\/em><\/p>\n<p><em>of phobias and clich\u00e9s, smoldering fireworks and invented hour<\/em><\/p>\n<p><em>but<\/em><\/p>\n<p><em>until then<\/em><\/p>\n<p><em>the director came, took me by the hand and sent me, with a lofty smile,<\/em><\/p>\n<p><em>to learn &#8230; some more lines.<\/em><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p style=\"text-align: justify;\"><strong>ME\u0218TER Adriana<\/strong>, (n. 17 iunie 1976). Poet. Profesor de limba \u0219i literatura rom\u00e2n\u0103 (Colegiul Na\u021bional \u201eGh. \u0218incai\u201d, Baia Mare). Studii: Licen\u021b\u0103: Universitatea Babe\u0219 \u2013 Bolyai, Facultatea de Litere, specializarea rom\u00e2n\u0103 \u2013 etnologie. Masterat: Universitatea de Nord, Baia Mare, Facultatea de Litere (Drepturile omului, democra\u021bie, pace \u0219i toleran\u021b\u0103). Doctorat: Universitatea \u201eBabe\u0219-Bolyai\u201d, Cluj-Napoca &#8211; doctor \u00een filologie.<\/p>\n<p style=\"text-align: justify;\"><strong>Publica\u021bii: <\/strong><\/p>\n<ul style=\"text-align: justify;\">\n<li>Structura ceremonialului de nunt\u0103 pe Valea Izei, \u00een volumul Antropologie \u015fi studii culturale, Editura Mega, Cluj-Napoca, 2012, ISBN 978-605-543-318-2<\/li>\n<li>Componentele scenariului ritualic \u00een obiceiurile vie\u0163ii de familie, \u00een volumul Teme actuale \u00een cercetarea etnologic\u0103 \u015fi antropologic\u0103. Studii \u015fi comunic\u0103ri \u015ftiin\u0163ifice, Editura Funda\u0163iei Pentru Studii Europene, Cluj-Napoca, 2011, ISBN 978-606-526-086-3;<\/li>\n<li>Geometria sunetului \u015fi a t\u0103cerii \u00een poezia lui Ion Pop, \u00een Mi\u015fcarea literar\u0103, anul X, nr. 1 (37), 2011, Bistri\u0163a, ISSN 1583-1957<\/li>\n<li>Daniel Turcea \u2013 Voca\u0163ia absolutului, \u00een Mi\u015fcarea literar\u0103, anul VIII, nr. 2 (30), 2009, Bistri\u0163a, ISSN 1583-1957<\/li>\n<li>Aspecte ale ceremonialurilor de trecere: elemente de poetic\u0103 folcloric\u0103 \u00een strig\u0103tura de nunt\u0103 din S\u0103li\u015ftea de Sus, Maramure\u015f, lucrare sus\u0163inut\u0103 la Conferin\u0163a Interna\u0163ional\u0103 \u201eSpa\u0163ii culturale \u015fi fond arhaic\u201d, \u015fi publicat\u0103 \u00een volumul <em>\u201eSpa\u0163ii culturale \u015fi fond arhaic<\/em>\u201d, editura Universit\u0103\u0163ii de Nord Ethnologica, Baia Mare, 2008, ISBN 978-973-1729-81-7; ISBN 978-973-88841-1-3;<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">Premii pentru poezie acordate de revista \u201eCronica\u201d, Ia\u0219i \u0219i \u201eFamilia\u201d, Oradea. Poeziile de mai sus sunt din volumul \u201eJurnalul din Oglind\u0103\/ A diary in a looking glass\u201d, \u00een curs de apari\u021bie la editura \u201eLimes\u201d din Cluj-Napoca. <strong>(George ROCA. Rexlibris Media Group, 30 martie 2018)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ALCHIMIA IUBIRII &nbsp; Hai\u2026 mi-a spus \u00eengerul, sufl\u00e2ndu-mi u\u0219or peste aripa, a\u0219 vrea s\u0103 te duc acum s\u0103 punem ni\u0219te [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-37501","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/37501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=37501"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/37501\/revisions"}],"predecessor-version":[{"id":37504,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/37501\/revisions\/37504"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=37501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=37501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=37501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}