{"id":39993,"date":"2018-07-10T18:06:37","date_gmt":"2018-07-10T18:06:37","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=39993"},"modified":"2018-07-10T18:07:18","modified_gmt":"2018-07-10T18:07:18","slug":"ion-rotaru-o-istorie-a-literaturii-romane-de-la-origini-pana-in-prezent%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/07\/10\/ion-rotaru-o-istorie-a-literaturii-romane-de-la-origini-pana-in-prezent%e2%80%9d\/","title":{"rendered":"Ion ROTARU: ,,O Istorie a literaturii rom\u00e2ne de la origini p\u00e2n\u0103 \u00een prezent\u201d"},"content":{"rendered":"

\"\"<\/a>Ed. Dacorom\u00e2n\u0103, Bucure\u015fti 2009, pag. 916 ISBN 973-7782-42-9
\n,,Printre ultimii nem\u0163eni ap\u0103ru\u0163i \u00een aren\u0103, trebuie men\u0163ionat\u0103 neap\u0103rat \u015fi Emilia \u0162u\u0163uianu (n.12 iulie 1961, R\u00ee\u015fca, Suceava) absolvent\u0103 a facult\u0103\u0163ii de filozofie din Ia\u015fi, fondatoarea Editurii Mu\u015fatinia din Roman (2002) cu dou\u0103 c\u0103r\u0163i de poezie: Flori de m\u0103r \u015fi \u00cen amurg (editura Timpul, 2002).
\nCum era de a\u015fteptat (v. Finalul sec\u0163iunii de fa\u0163\u0103, unde apare \u00eentrebare: \u201ePoezia \u2013 \u00eencotro?\u201d) este o poet\u0103 liber\u0103 de orice veleit\u0103\u0163i- prejudec\u0103\u0163i post- trans- ultra etc. moderniste, nu caut\u0103 originalitatea cu orice pre\u0163.
\nEmilia \u0162u\u0163uianu este ea \u00eens\u0103\u015fi \u00een tot ce a scris, nu mult mai original\u0103 dec\u00e2t to\u0163i ceilal\u0163i din genera\u0163ia sa.
\nPrintr-o intui\u0163ie artistic\u0103 absolut normal\u0103, pe potriva temperamentului s\u0103u \u015fi talentului firesc, e o\u2026 neoeminescian\u0103 sau mai bine am zice, pioniera unui fel de nou dulce stil clasic retro \u015fi totodat\u0103\u2026 romantic, aproape unic \u00een c\u00e2mpul liric de azi. Se las\u0103 captat\u0103 \u00een curata anarhie a firescului, a naturii, \u00een chiar sensul schillerian \u015fi totodat\u0103, repet\u0103m, (neo) eminescian din celebrul eseu din Uber naive und sentimentalische Dichtung (1796-96).
\nCu asta vrem a spune c\u0103 poezia ei, poezie adev\u0103rat\u0103, liber\u0103 de orice \u201emode\u201d, rezid\u0103 \u00eentr-o fericit\u0103 fuziune dintre Natur\u0103 \u015fi Ideal, totodat\u0103 eliberat\u0103 de idealismul filosofic livresc, dar \u015fi de realismul vulgar, prin defini\u0163ie banal, artificial, contraf\u0103cut.
\nCa atare, poeta de la Roman c\u00e2nt\u0103 Casa bunicilor, Bunica, Bunicul, frumuse\u0163ea, \u00een spirit, a Agapiei, totul interpretat printr-o permanent\u0103 fuziune sentimental\u0103 \u00een sensul unui Ionel Teodoreanu sau Ibr\u0103ileanu \u015fi ceilal\u0163i nostalgici ie\u015feni \u015fi moldoveni \u201emiddle class\u201d de pe la \u00eenceputul secolului XX:<\/p>\n

\u201ePere\u0163ii casei bunicilor<\/em>
\n sunt pr\u0103fui\u0163i cu dureri,<\/em>
\n Pere\u0163ii casei bunicilor<\/em>
\n sunt v\u0103rui\u0163i cu lacrimi\u2026<\/em>
\n Icoanele de pe pere\u0163i,<\/em>
\n Vorbesc despre IUBIRE!\u201d etc.<\/em>
\n \u201e\u00een celesta lumin\u0103 sidefat\u0103,<\/em>
\n Cu stiraxe pleoape de fum<\/em>
\n \u00een Agapia tainic s-arat\u0103,<\/em>
\n Al reginei nop\u0163ii parfum\u201d.<\/em><\/p>\n

Anticul adagiu, fugit irreparabile tempus, filtrat prin proustianism, este de rigoare:<\/p>\n

\u201eVreau s\u0103 retr\u0103iesc totul\u2026<\/em>
\n pentru c\u0103 timpul devine un ho\u0163
\n<\/em>al v\u00e2rstelor \u015fi fuge\u2026 fuge\u2026 fuge\u201d.<\/em> (Pio\u015fenie).<\/p>\n

De ast\u0103 dat\u0103 \u201eInima\u201d, \u201epetic de cer\u201d, protejat de un pumn de p\u0103m\u00e2nt, \u0163ine loc de turn de filde\u015f al eului liric:<\/p>\n

\u201e\u00een inima mea<\/em>
\n s\u0103l\u0103\u015fluie\u015fte un petic de cer<\/em>
\n \u015fi un pumn de p\u0103m\u00e2nt\u2026<\/em>
\n Pentru a-mi proteja inima,<\/em>
\n de buruieni omene\u015fti,<\/em>
\n des\u0163elenesc p\u0103m\u00e2ntul<\/em>
\n cu eclata carului mic,<\/em>
\n pentru a afla \u00een ad\u00e2ncuri<\/em>
\n Misterele Eleusiene,<\/em>
\n le ascund fericit\u0103,<\/em>
\n \u00een al meu petic de cer\u201d<\/em> (Inima mea).<\/p>\n

V\u00e2ntul \u201ese plimb\u0103\u201d prin p\u0103rul poetei, \u201etimid\u201d, \u00een chip de suav Sbur\u0103tor \u2013 \u201eZefir\u201d care o urm\u0103re\u015fte \u201ecu pasu-i u\u015for\u201d \u015fi-i \u015fopte\u015fte:<\/p>\n

\u201eCui vrei s\u0103 te d\u0103rui<\/em>
\n Cu at\u00e2ta iubire \u015fi dor?\u201d.<\/em><\/p>\n

Ninsoare cu flori de m\u0103r, un laitmotiv \u00een poezia Emiliei \u0162u\u0163uianu, sugereaz\u0103 interpenetrarea elementelor, tr\u0103iri inefabile acute ale erosului adolescentin etern: \u201eDe c\u00e2te ori ninge (sintagm\u0103 nichitian\u0103, v. p. 740 \u015fi urmat nota de subsol, supra) cu flori de m\u0103r,\/ simt c\u0103 tr\u0103iesc miracolul devenirii\u2026\/ Le iau \u00een palme, le s\u0103rut dar ele se metamorfozeaz\u0103\/ \u00een lacrimi, ce cad una c\u00e2te una\u2026\/ pentru a \u00eembr\u0103\u0163i\u015fa p\u0103m\u00e2ntul\/ cu flac\u0103ra iubirii\u2026\u201d (Secven\u0163e).
\nUnda satiric\u0103 la adresa stric\u0103rii frumosului sentimental-impresionistic abia se simte, discret \u00een ,,Iubire prin Internet\u201d. Piesa dateaz\u0103 violent momentul c\u00e2nd tehnica ultramodern\u0103 ur\u00e2\u0163e\u015fte iubirea:<\/p>\n

\u201eS-au cunoscut pe Internet<\/em>
\n Ea brunet\u0103 \u2013 El blond,<\/em>
\n El brunet \u2013 Iar ea blond\u0103 \u2013<\/em>
\n ei blonzi am\u00e2ndoi\u2026<\/em>
\n sau am\u00e2ndoi brune\u0163i\u201d<\/em><\/p>\n

Ea numai o\u2026 juc\u0103rie care denot\u0103 compunerea calculat\u0103, automatismele de r\u00e2nd, radotajul \u00een gol nefiind \u00een stilul poetei de la Roman, repet, o cunosc\u0103toare a \u201eclasicilor\u201d, de la Eminescu \u00eencoace, mai ales cu tot cu simboli\u015ftii.
\nStilul frumos retro, c\u00e2t se poate de nimerit \u00een contextul volumului intitulat ,,\u00cen amurg\u201d se poate vedea bine \u015fi \u00een\u2026 pantumul din Via\u0163a \u015fi Moartea, reluare cu mare demnitate epigonic\u0103, la vedere, dup\u0103 baudelaire-iana Harmonie du Soir, secven\u0163a a XLVII-a din Les fleurs du mal, parc\u0103 anume \u0163in\u00e2ndu-se seam\u0103 de Bolileau care \u00eendeamn\u0103 imitatoarea (creatoare!) a marilor mae\u015ftri. Exoticile ritmuri malayeze sun\u0103 \u015fi \u00een rom\u00e2ne\u015fte c\u00e2t se poate de exact, denun\u0163\u00e2nd cultura \u015fi me\u015fte\u015fugul:<\/p>\n

\u201e\u00cen zori, c\u00e2nd soarele cu \u015foapte se r\u0103sfr\u00e2nge,<\/em>
\n Lumina cu steli\u0163e pite\u015fte-n ea ivirea\u2026<\/em>
\n Suav parfum de roze m\u0103rturisesc iubirea,<\/em>
\n \u015ei \u00een t\u0103cute vise,chemarea lor se fr\u00e2nge\u2026<\/em>
\n Lumina cu steli\u0163e pite\u015fte-n ea ivirea\u2026<\/em>
\n Clipa str\u0103vezie ca amintire trece,<\/em>
\n \u015ei-n t\u0103cute vise, chemarea lor se fr\u00e2nge,<\/em>
\n P\u0103m\u00e2ntul re\u00eenvie ca dintr-o lume rece.<\/em>
\n Clipa str\u0103vezie ca amintirea trece,<\/em>
\n Cu g\u00e2nduri grele, crengi de cais s-apleac\u0103,<\/em>
\n P\u0103m\u00e2ntul re\u00eenvie ca dintr-o lume rece,<\/em>
\n S\u0103 le adune-n vise ce vin, tr\u0103iesc \u015fi pleac\u0103.<\/em>
\n Cu g\u00e2nduri grele, crengi de cais s-apleac\u0103,<\/em>
\n \u00cembr\u0103\u0163i\u015f\u00e2nd p\u0103m\u00e2ntul cu am\u0103giri de\u015farte<\/em>
\n S\u0103 le adune-n vise ce vin, tr\u0103iesc \u015fi pleac\u0103.<\/em>
\n Tot ce a fost via\u0163\u0103 \u015fi neatins de moarte.\u201d<\/em><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

Ion Rotaru \u2013 ,,O Istorie a literaturii rom\u00e2ne de la origini p\u00e2n\u0103 \u00een prezent\u201d p. 915-916<\/p>\n","protected":false},"excerpt":{"rendered":"

Ed. Dacorom\u00e2n\u0103, Bucure\u015fti 2009, pag. 916 ISBN 973-7782-42-9 ,,Printre ultimii nem\u0163eni ap\u0103ru\u0163i \u00een aren\u0103, trebuie men\u0163ionat\u0103 neap\u0103rat \u015fi Emilia \u0162u\u0163uianu [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-39993","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/39993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=39993"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/39993\/revisions"}],"predecessor-version":[{"id":39998,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/39993\/revisions\/39998"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=39993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=39993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=39993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}