{"id":41775,"date":"2018-11-05T10:47:37","date_gmt":"2018-11-05T10:47:37","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=41775"},"modified":"2018-11-05T10:47:37","modified_gmt":"2018-11-05T10:47:37","slug":"george-anca-ahimsa-eliadeana","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2018\/11\/05\/george-anca-ahimsa-eliadeana\/","title":{"rendered":"George ANCA: Ahimsa Eliadean\u0103"},"content":{"rendered":"<p><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/11\/ANCA-George-3-225x300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-41776\" title=\"anca-george-3-225x300\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2018\/11\/ANCA-George-3-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/a>Ahimsa Eliadean\u0103<\/p>\n<p>Ierusalim<\/p>\n<p>A Pierde<\/p>\n<p>Pas\u0103rea Br\u00e2ncu\u0219i<\/p>\n<p>Naufragiu Baudelaire<\/p>\n<p>Anonimul lui Rembrandt<\/p>\n<p>Depozi\u021bii<\/p>\n<p><strong><em>Ahimsa eliadean\u0103<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Abia se \u00eenfiin\u0163\u0103 nebunia-lacrim\u0103. Thomas f\u0103cu cercul. Fiecare ceva, eu c\u00e2ntai, Ast\u0103zi s-a n\u0103scut Hristos, Mesia chip luminos, L\u0103uda\u0163i \u015fi c\u00e2nta\u0163i \u015fi v\u0103 bucura\u0163i. To\u0163i pe Dumnezeu, cu amen, cu namaste. Jesus, the greatest embodyment of the non-violence, L.S. Gandhi. O lacrim\u0103 de-a Platei, Elisa, ikebaneza, indoneziano-australianul Effendi. Cercul omenirii-Cr\u0103ciun \u00een auditoriumul Palatului P\u0103cii Copiilor din Rajsamand pe deal mai \u00eenalt ca Golgota. Thomas f\u0103cuse rug\u0103ciunea. Subhash \u2013 om, shanti, om. Tamilezul, s\u0103-i scriu de Drago\u015f P\u00e2slaru (facem mi\u015fcare, acum ori mai pe urm\u0103). Ce biruitor cre\u015ftinism, la o adic\u0103. Ce zile ne-or mai veni dup\u0103 na\u015ftere, \u00een at\u00e2t ad\u00e2nc. Educa\u0163ia yoga, Mirceo. Nici asta nu e de Diwali. De rugat ne rugar\u0103m la lacrim\u0103. Acum plictisul. M\u0103 sc\u0103ldasem \u015fi p\u0103tura yoga numai praf, cenu\u015f\u0103 \u00een cap, Eliade, nu mahapranam.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mult m-a potrivit o soart\u0103, mam\u0103 moart\u0103, m-a n\u0103scut cre\u015ftin \u00een art\u0103. Culoarea e \u00een orient, linia \u00een vest. Ne culc\u0103 pe ureche. M\u0103 t\u0103v\u0103lesc \u00een nisipul verde al de\u015fertului. Mi se bulboac\u0103 s\u00e2ngele. (N-)am de murit. Cr\u0103ciuni\u0163e-ahimse. \u00cel saluta\u015fi pe Hristos fr\u0103\u0163e\u015fte. Nu ne pare r\u0103u. De bine ce ne pare, o lacrim\u0103. Vie\u0163i zidite \u00een ce alegere, tolerant\u0103, purificatoare, ahimsa. Cu Mahavir cunosc\u00e2ndu-m\u0103, cu Isus n\u0103sc\u00e2ndu-m\u0103, crucea a\u015ftept\u00e2nd-o.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Acharya Tulsi a recomandat s\u0103 nu se aplaude, c\u0103 sunt microbi \u00een aer \u015fi pot fi uci\u015fi. \u00cen schimb s\u0103 se ridice m\u00e2inile, copaci r\u0103sfira\u0163i rotindu-se \u00een aer.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mi-am serbat \u00een g\u00e2nd \u2013 cum am spus \u015fi Tat\u0103l Nostru la mas\u0103 -, 30 de ani de c\u00e2nd am venit \u00een India. Acum eram la Indore, cu Plata \u015fi fata, ba ne \u00eentorsesem. Cr\u0103ciun indian \u015fi atunci, neamule. Cum s\u0103 se fi \u00eent\u00e2mplat altfel acum. M\u0103car \u015fi italiencele, evreii, jainii, \u0163\u0103rile tot Bangladesh. Ce lum\u00e2nare luminoas\u0103. Apa din analiz\u0103. Masut Rana de Kazi Anwar Hussain, cu \u0163igani mistici din Rom\u00e2nia. Cu m\u0103icile nu \u015ftiu ce s\u0103 m\u0103 fac, ba o ahimsa de crizanteme. Coroana labirintului pedeaps\u0103 pe duc\u0103 odat\u0103 cu noi.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ahimsa jainilor mi s-a aninat de o poematizare. B\u0103tr\u00e2ni \u015fi ne-am mai relaxa pe via\u0163\u0103, nu de\u0163inu\u0163i ca sub sovietici. Islam \u00eenseamn\u0103 pace Vasile Lovinescu. N-avem cuno\u015ftin\u0163e s\u0103 ne convertim, precum Miguel \u015fi uite Thomas, Nicu., trebuindu-ne cre\u015ftini \u00eentr-o ghe\u0163\u0103rie a ar\u015fi\u0163ei de peste iarn\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gabriela, c\u0103-n India c\u2019e tutto. A ne vedea indianitate din nesf\u00e2r\u015fitele indianit\u0103\u0163i, poezii de dragoste jaine, rajsamandiene.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ahimsa-Memna\/Miori\u0163a, Spa\u0163iul mioritic, compara\u0163ia cu Mahabharata. Colind de cr\u0103ciun. Mama, maica Domnului. Deal-vale, troheu-anushtub. Violence of man against god. Hyperion. I belong to Jain sect.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahapragya prime\u015fte \u00een camera 13, unde dormisem sub decibeli. Sadhus. Intra\u0163i care n-a\u0163i fost. M\u0103tura\u0163i descul\u0163enia. Dup\u0103 Thomas, cu policolor, \u00eei ofer \u015fi eu dar galben, Cenu\u015fa lui Eliade. Prime\u015fte. Alb? \u00cemi d\u0103 voie s\u0103-l traduc. M\u0103 face ambasador ahimsa pentru Rom\u00e2nia\/Sud-Estul Europei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Manoj, din Hyderabad, vrea literatur\u0103 rom\u00e2n\u0103 (ascultase Miori\u0163a-Ahimsa \u015fi fusese la worksop-ul meu, primul, nu \u015fi la al doilea).S\u0103 se intereseze de Prabhu Vydiasagar Dyal, s\u0103-mi spun\u0103 \u015fi mi de amintirea lui postum\u0103, dac\u0103 se face ceva, semnez \u015fi eu. I-am dat Cenu\u015fa lui Eliade \u015fi ultimul prosop. Musulmanul fundamentalist din Sri Lanka a vrut documenta\u0163ie Miori\u0163a, i-am recomandat Mircea Eliade, The Vanishing God. Fusese \u00een Bulgaria \u015fi Ungaria.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zalmoxe \u015fi Isus, cu ahimsa, ne f\u0103cur\u0103 pe daci\/rom\u00e2ni prea ospitalieri cu invadatorii. De ajutor fir-ar India. La ie\u015firea de la Mahapragya, Thomas c\u0103 face mas\u0103 rotund\u0103 la Atena, s\u0103 m\u0103 duc \u015fi eu, c\u0103 el e eretic, c\u0103 n-am s\u0103-i dau o carte cu Eliade, o v\u0103zuse la Mahpragya, a fost ultima, i-am zis, adev\u0103rat.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Muni Kumar Shrman fu benjaminul. \u00centrebase at\u00e2t de senin unde e Rom\u00e2nia. Are vecini Bulgaria, Serbia, Ungaria, Ucraina, Moldova. E l\u00e2ng\u0103 Rusia. Rusia e \u015fi l\u00e2ng\u0103 India. \u00cen Rusia avem 25 campusuri, \u015fi \u00een Moldova. Ce \u0163\u0103ri sunt \u00een Europa de East? I le spun, Rom\u00e2nia e a \u015faptea din Europa, p\u00e2n\u0103 intr\u0103 Ucraina. Bine, e\u015fti ambasadorul lui Mahapragya \u00een Rom\u00e2nia. Se cucere\u015fte lumea nu \u015ftiind-o.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cred c\u0103 \u00eemi sunt \u00eencurcate \u015fi orele. \u00cen orice caz, e nor. Sunt primul afar\u0103. O fi \u00een 28. Fac revelionul de unul singur \u00een camera 13.. Uli\u0163a spre palat e abrubt\u0103, cer scuteri\u015ftii de zece ori mai mult.. I-am zis \u00een \u201977 unui yogin de Eliade \u015fi e l m-a \u00eentrebat, which swami. Asear\u0103, d\u00e2ndu-i lui His Holiness pe Eliade, nu l-a mai refuzat la culoare. Ce faci, iarno, nu mai arzi? Pe pr\u00e2nz, \u00een yarzi cu barzi. Ultima yoga, cel pu\u0163in. Secret India, 1934, Paul Brunton citat la medita\u0163ie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Blajinii sunt jainii de se \u015ftiau yoginii pierdui cu versuri crinii. Am greul subiectului pe nebunia sectului. \u00cen tradi\u0163ia sud-indian\u0103, dac\u0103 moare so\u0163ul unei femei tinere, primul b\u0103rbat cu care are voie s\u0103 se c\u0103s\u0103toreasc\u0103 este fratele mamei, unchiul ei. Nu \u015fi \u00een nord. Apropo de diversitate \u015fi relativitate. Tradi\u0163ia religioas\u0103 \u00ee\u0163i arat\u0103 calea spre fericire.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P\u0103r\u0103duim litere de nisip. Le la\u015fi cu spatele la c\u0103mil\u0103. \u00cen medina Rabatului, discul kuranic audiam. S\u0103 ne fi \u00eentrist\u00e2nd acum desp\u0103r\u0163irea de jaini?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cine ne mai poveste\u015fte secta, pas c\u0103tre mok\u015fa? Secta prazului, obrazului. Vrei s\u0103 controlezi pe altul \u015fi-\u0163i pierzi propriul control. Trupul nu e al meu. Solda\u0163i la frontiere. Sunt prieten cu toate fiin\u0163ele. N-am via\u0163\u0103-n mine dac\u0103 nu mor un pic nonviolent, restul ghilotin\u0103. \u00centre at\u00e2tea limbaje scriu automat spre ne\u00een\u0163elegerea niciunuia, cu dialectele misteriozit\u0103\u0163ii sectare. De unde punctua\u0163ie, c\u0103 s\u0103 nu ne l\u0103comim, s\u0103 nu ucidem incoeren\u0163a. M\u0103 v\u0103rs \u00een \u00eentunericul auditoriumului, c\u00e2te miliarde de Indii cu tot at\u00e2tea popula\u0163ii de raze. Romanul ahimsa nu se pricepe Rajsamand. Mai tari vor fi fiind bastoanele celor ce-l joac\u0103 pe Gandhi. N-am epic\u0103, dar coinciden\u0163a hazului, acolo, o Indie cu teme de \u0163\u0103r\u0103 nonviolent\u0103, \u00eentre mari. Plato, e\u015fti jain\u0103 din dragoste de animale. Profesorul de sanscrit\u0103 se declar\u0103 \u00eentre Gita \u015fi ahimsa, al\u0163ii \u00eentre Zalmoxe \u015fi Hristos.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cu b\u0103tr\u00e2nii, m-o l\u0103sa inima. Cu fata, \u00een tren. Am cobor\u00e2t \u00eentr-o gar\u0103 s\u0103 merg aproape la o gazd\u0103, nu \u015ftiu ce s\u0103 iau. Am uitat s\u0103 m\u0103 \u00eentorc. Am pierdut trenul. N-aveam bani s\u0103 pl\u0103tesc gazda. I-am explicat, f\u0103cea fe\u0163e. A ap\u0103rut fata \u015fi s-a rezolvat. \u00cen Rajsamand am scris poeme pe apucate, improviza\u0163ii printre medita\u0163ii. Angela recomand\u0103 pe evreica din Ancona pentru tratamente de fertilitate. Cod liber \u00een creierii Rajasthanului, cu Benazir moart\u0103. Violen\u0163\u0103 \u015fi-n cea mai mic\u0103 entitate.Contemplarea compasiunii. Intr\u0103m \u00een somn. Copii de 3-4 ani condamna\u0163i la yoga.<\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u0103 g\u00e2ndesc s\u0103 te scriu de c\u00e2nd nu te \u015ftiam. Ce r\u0103surar roz meditat Jaipur. \u00cen pace mai mult Benazir, ne-a \u0163inut t\u0103cerii ei Rupini. Funeralii anticipate. Ahimsa eliadean\u0103 din swami \u00een swami.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>Ierusalim <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Depresie \u00een jur, nici Shakespeare. S\u0103-mi fi muiat m\u00e2inile \u00een Dun\u0103re, ca fata, \u00een Nistru. Mergi pe v\u00e2rfuri. Pulbere-Dun\u0103re-Lautreamont. Nici lor nu le e limpede. Mi-a spus \u015fi \u0103sta c\u0103 nu se sinucide. De credincios. Ai chicotit la ciorile din tablou. Ieri am f\u0103cut o conferin\u0163\u0103 metapoetic\u0103. Lume atenta. Gazda a zis \u2013 minunatul discurs. Nu m\u0103 \u00eempu\u015fcar\u0103, vezi.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Welcome to Elsinore. In so profound abysm. God, how mine eyes throw gazes to the east. Ce poezii nebunilor \u015fi paji, femeile pe moarte, ca \u00een Raj. M-ai ucis. Ei,da, ce-s eu, Shakespeare? Marea Moart\u0103 a\u015fteapt\u0103 Sf\u00e2ntul Morm\u00e2nt. Copii murir\u0103 de Purim, noi ne ducem la Ierusalim, la al doilea sabat \u00een Ierusalim. Shalom, Jerusalem! Sarea \u00eenoat\u0103 moartea. Cine vrea ap\u0103?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 V\u0103 datorez o lum\u00e2nare. Mi-a dat, de zece \u015fekeli, ieri opt, azi nou\u0103 lum\u00e2n\u0103ri. Te duci de 11 ori la bere \u015fi o dat\u0103 la sf\u00e2ntul morm\u00e2nt. Fire-am piele de c\u0103prioar\u0103 de mai nainte rescris\u0103, recur\u015fi cu apa lemnului pe r\u0103masul intact al pietrei. \u00cemi placi, Mediterano. Turuiam tat\u0103l nostru mai ca pe ram-ram. Semne de pace exploziv\u0103 biblic. Speria\u0163i-v\u0103. Dou\u0103 leag\u0103ne \u00een nemi\u015fcare.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De s-ar \u015fti vreodat\u0103 despre ce e vorba. \u015ei dac\u0103 r\u0103zboiul ne vrea \u00een persoan\u0103. Desfacerea pomenii \u00een autopsie. Descompusu-m-am \u00een Ierusalim \u00een semn de alte semne, cum vom fi lichida\u0163i sau l\u0103sa\u0163i de aceea\u015fi s\u0103m\u00e2n\u0163\u0103. M-am retras.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Drama se face c\u0103ma\u015f\u0103. Furia cre\u015fte unghiile. Edentata cer\u015fe\u015fte patru \u015fekeli pe englez\u0103. Bere Macabee. Ru\u015fi furio\u015fi-unghio\u015fi. 180 de p\u0103cate-\u015fekeli lips\u0103. Ochi deschi\u015fi \u00een ap\u0103 \u2013 sentimentul mamei. Lunecasem pe st\u00e2nci proptindu-mi capul \u00eentr-o v\u0103g\u0103un\u0103, are you all right, yes, are your sure? Via\u0163a devine poveste de furturi \u00een pielea goal\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Solda\u0163ii ap\u0103rur\u0103 \u00een hotel ca asigur\u0103rile de s\u0103n\u0103tate produse de Tomer \u00een pustiu. B\u0103tr\u00e2n cu tichiu\u0163\u0103, \u00een poarta casei Ben Gurion. Ne poart\u0103 marea p\u00e2nzele albe. Parcul Spiegel, p\u0103m\u0103tuful Abesalom. Regress approach. L\u2019illuminateur. Lupta cea mare, retradus\u0103. C\u00e2t tr\u0103iesc, pierd bariu. Vis uitat. Milhama. Dac\u0103 \u00eencepe cu 9, nu e\u015fti din Tel Aviv. Am vrut s\u0103 intru, n-aveam tichie. Am luat trei beri Macabee, rest 8 + 10 + 20 + 100, ajuns \u00een camer\u0103, caut s\u0103 dau o datorie de 20, nimic, bine a zis Ben Gurion, c\u00e2nd nu avem ho\u0163ii no\u015ftri nu putem fi \u0163ar\u0103 serioas\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu e sf\u00e2nt\u0103 p\u00e2n\u0103 n-a venit \u00eenc\u0103 Mesia. E\u015fti evreu, nu, l-am cunoscut pe Ilie Grinberg, prieten cu Ceau\u015fescu. Am intrat \u00een mare dup\u0103 ea, \u015fi am f\u0103cut temperatur\u0103. C\u00e2nd m-am m\u0103ritat eu la Moine\u015fti, nu \u015ftiam c\u0103 trebuie s\u0103-mi fie team\u0103 c\u0103 sunt evreic\u0103, \u015fi nem\u0163ii ziceau zigoineri despre rom\u00e2ni, c\u0103 nu \u015ftiau s\u0103 fac\u0103 ce ziceau ei, eu \u015ftiam german\u0103 \u015fi traduceam, nu m\u0103 mai l\u0103sau, Frau, vino \u015fi ajut\u0103-ne. Fata trebuie s\u0103 trag\u0103 de b\u0103ie\u0163i, o fecioar\u0103 e ipohondr\u0103, tu e\u015fti \u00een 22, Reveca \u00een 23 \u015fi Ya\u015far \u00een 24 noiembrie. Dac\u0103 pune m\u00e2na pe tine, pune pe tinere, \u015fi dac\u0103 pune, e\u015fti invitatul meu, astea vorbesc de nu te mai spal\u0103 Iordanul.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe Jabotinski, motociclist \u00eentins pe spate, cu scuterul peste picioare, capul \u015fi c\u0103ma\u015fa \u00een s\u00e2nge. \u00cel ocolesc ma\u015finile, doi \u00eel feresc, lume pu\u0163in\u0103. Deodat\u0103 mi\u015fc\u0103. Nu e mort. Chiotul \u015fuier\u0103tor al salv\u0103rii, fetele cu targa. \u00cei scot b\u0103ie\u0163ii casca, au ridicat scuterul, genunchii \u00een triunghiuri \u0163epene. Dou\u0103 perne ca de box, v\u00e2r\u00e2te dedesubt, targ\u0103 tare pe targa moale, glisat, suit, la vedere, anchilozat \u2013 exact cum eram eu c\u00e2nd am venit prima oar\u0103 \u00een Israel. Eu trebuia s\u0103 fiu \u00een locul lui. Nu spune. \u00cen aceea\u015fi clip\u0103 erau sute, spun ce-am sim\u0163it. \u015ei eu am c\u0103zut cu bicicleta \u00een Berkley.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cemi d\u0103 o zi noaptea. M-a\u015f da vie\u0163ii ne de pe lumea asta. Pe al\u0163ii, du\u015fm\u0103nia de noi \u00eei propulseaz\u0103. V\u0103 cunoa\u015fte\u0163i dup\u0103 alegerea cobailor. M\u0103 trage de m\u00e2nec\u0103 manuscrisul \u00een persoan\u0103, sculpturalizat, Eli Ino, dac\u0103 inox e culoare, neasem\u0103nare-n zenit, chip \u015fi asem\u0103nare \u00een persoan\u0103. Cine mai intr\u0103 \u00een rug\u0103ciune? Dumnezeu, str\u0103inul cel mai mare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ai v\u0103zut solda\u0163ii? Nu m\u0103 mai impresioneaz\u0103 nimic. M\u0103re\u0163i fa\u0163\u0103 de civili. De la ONU. Does man progress in discarnate life? Nu po\u0163i desp\u0103r\u0163i masa Ierusalimului de energie. C\u00e2nd e\u015fti numai spirit, e\u015fti to\u0163i la un loc. Unde este Iisus acum? E acolo unde este Dumnezeu, peste tot \u015fi nic\u0103ieri. Haiducii f\u0103ceau o fapt\u0103 rea \u015fi una bun\u0103. Piaza rea nu v\u0103zuse solda\u0163ii, eu da, i-am auzit vorbind nem\u0163e\u015fte, c\u00e2te-o vorb\u0103 \u00een englez\u0103, ce mai, the Impending New Age of interplanetary exploration. Tab\u0103ra militar\u0103 aproape goal\u0103, cu \u00eenc\u0103peri neumblate, de castru, dac\u0103 nu buzzattiene a la Masada.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I-or fi \u00eenchis botul c\u00e2inelui, c\u0103 nu se mai aude, a sosit frizeri\u0163a s\u0103-l tund\u0103. C\u00e2nd \u00eemi r\u00e2njeau \u015fi mie st\u00e2ncile c\u0103z\u00e2nd, iar cel ce m-a \u00eentrebat are you all right, yes, are you sure? \u00eenotase \u00eenaintea mea \u015fi eu tocmai nu-l l\u0103sasem s\u0103 ajung\u0103 pe dig tot \u00eenainte, o t\u0103iasem peste st\u00e2nci. Nu cumva tot el era dansatorul indigen, \u00eenalt, pus pe contra rom\u00e2no-ru\u015filor mi\u015fculan\u0163i? \u00cei crescuse doar chelia, nu m-oi fi bunghit data trecut\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u0103car \u015fi cazarma goal\u0103 adineauri, misiune sabbathic\u0103, eram \u00een Ierusalim, s\u0103pt\u0103m\u00e2na trecut\u0103. Ca \u015fi acum aproape trei ani, ne-am plimbat pe corso-ul pustiu vinerei, spre 11 noaptea. Ora\u015ful se popula cu tineri \u015fi amintiri meridional-biblice. Voi acolo tunde\u0163i. Ne \u00eentoarcem, \u00eencet-\u00eencet, la c\u00e2inii no\u015ftri, chiar dac\u0103 povestirea asta, neapar\u0163in\u00e2ndu-mi, m\u0103 poate \u00eentoarce ea prin p\u0103r\u0163i contrapuse, \u00eentre priveli\u015fti de pe pl\u0103ci tectonice lunec\u00e2nde, \u00een de ele. Veni\u0163i de pe Saturn, ziceai. Nadine, \u015fi ea, c\u0103 poate facem o bucat\u0103 de drum \u00eempreun\u0103, p\u00e2n\u0103-n America, sau s\u0103 r\u0103m\u00e2n eu la Chicago, ea continu\u00e2nd, singur\u0103, p\u00e2n\u0103 la L. A.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Congeografii de predispozi\u0163ii. Cum mi-a\u015f fi \u0163inut repira\u0163ia, potopindu-m\u0103 c\u00e2nd mantric \u00een Tat\u0103l nostru, c\u00e2nd m\u0103rii-morm\u00e2nt-sf\u00e2ntului pe b\u0103t\u0103ile inimii cu mam\u0103. P\u00e2n\u0103 \u015fi ima ima strigau copiii pe plaj\u0103, \u015fi ei. Eu, \u00een ap\u0103, \u00een aer de smirn\u0103, de-l \u00eennebunea, ca pe dracu\u2019, pe palmier (Tomer), c\u00e2t s\u0103 ridiculizeze pe f\u0103losul c\u0103lug\u0103r grec ori scara de la stau quo, mai simpatizant, altfel, cu kop\u0163ii \u015fi chelarul musulman.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ambasadorul Tripathi mi-a trimis filmul Gandhi de Attenborrough, pe caset\u0103, \u00een ajunul c\u0103derii de la putere a Partidului Congresului \u2013 Janata zindabad, altfel, cum \u015fi func\u0163ionasem sub Morarji \u2013 plus revenirea Indirei, totu\u015fi \u2013 da\u2019 acum prea s-a pupat \u00een pia\u0163a Ti An Men El\u0163\u00e2n cu Li Peng, seam\u0103n\u0103 a cauz\u0103 efect. Regele p\u0103r\u0103sit, Ila\u015fcu p\u0103r\u0103sit, \u0163ara p\u0103r\u0103sit\u0103. Ce le r\u0103m\u00e2ne tinerilor, prin cine?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bogdan l-a sp\u0103lat, pe bunicu-s\u0103u, f\u0103r\u0103 ca \u0103l b\u0103tr\u00e2n s\u0103-\u015fi dea seama, de ramolit. Acum asist\u0103 la tunsoare. Eu am misiunea s\u0103 nu dau drumul motanului, c\u0103-l irit\u0103 pe Bul\u0103. M\u00e2ncasem o ceap\u0103 \u2013 atunci s-o fi prip\u0103\u015fit pe canapea, surd, empatiz\u00e2nd vibratoriu cu fratele c\u00e2ine. Trena verde bate orice nunt\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mai nicio glum\u0103 \u00een literatura mea. Umor de nevoie, v\u0103ic\u0103reli contextuale, refuzul direc\u0163iei. Nici ra\u0163iune, nici delir. Amalirism dolorist. Pretextualism fractal-clepsidric. Din Zarand, oi trece \u015fi prin F\u0103lticeni. Var\u0103 de p\u0103cate, visul frunzi\u015furilor \u00een floare. C\u00e2nd nu-\u0163i vine, n-ai timp s\u0103 scrii, iar c\u00e2nd, totu\u015fi, \u00ee\u0163i dai drumul, cum nu te mai intereseaz\u0103 subiectul, nici pierderea labirintic\u0103 nu te mai adie dec\u00e2t a la fie ce-o fi.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dublul era de grup, cu obsesia zecelui \u00een unu, cu paralelul, 20. C\u00e2te combina\u0163ii \u015fi acoperire, pe psihoz\u0103 r\u0103mas\u0103, de filaj-turn\u0103torie \u00een foc continuu, destructivism. Revers \u00eennobilat, pe-o panoplie de agat\u0103, tomuri de comptains, roire de \u0163\u00e2n\u0163ari, Sfin\u0163ii Apostoli. A\u0163i tuns \u015fi telejurnalul, fetelor \u2013 mai bine, ne-om uita \u00een alte p\u0103r\u0163i, poate chiar pe la Popescu. M-am uitat cu religiozitate la frunze. Chiar iarna parc\u0103 \u00eenfrunzeam ramurile din ochi, ori g\u0103seam paralelul b\u0103tr\u00e2ne\u0163ii \u00een t\u0103rii. Toat\u0103 s\u0103pt\u0103m\u00e2na n-am avut loc \u00een pustiu, nici \u00een mine. M-au purtat, s\u0103ra\u0163i, destui solda\u0163i.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De ce trebuia s\u0103 ajung a doua oar\u0103 \u00een \u0163ara lui Israel? Jidanule, zice Liviu, \u015fi, repede, o s\u0103pt\u0103m\u00e2n\u0103 \u00een Zarand. Cioara-n tei. Perechea ta de st\u0103ncu\u0163e, \u00een plop? Plaja Tela Aviv-ului cum a\u015f mai uita-o? Spre neuitare \u015fi dublajul esoteric. Scrisul frumos nu m-a g\u0103sit, dac\u0103 m-o fi c\u0103utat. De la contele Nelidov la V\u00e2\u015finski.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cheia \u00eenso\u0163irilor spre Ierusalim \u0163i-am povestit-o abia acum, c\u00e2t c\u0103 \u015fi acum trei ani o v\u0103zusem: icoana na\u015fterii, cu stea, \u00een iesle, cu Maria \u015fi Iosif, el \u015fi cu baston, cu aure, cu pruncul cel mai de lumin\u0103, \u00eenf\u0103\u015f\u0103\u0163el. Era la urcarea din locul cu candel\u0103 al na\u015fterii, prin altar, mare, rar\u0103. Eu n-o mai \u015ftiu dec\u00e2t din casa p\u0103rinteasc\u0103, de i-am spus zilnicele rug\u0103ciuni ale copil\u0103riei. Ce premii, ce habotnicie, ce scrisuri din Mu s\u0103 m\u0103 mai comute la relele tulbur\u0103ri rituale?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oi fi spus de zeci de ori Tat\u0103l Nostru \u00een Bethleem \u015fi pe Golgota. Data trecut\u0103 eram schilod \u015fi m-am deznodat, acum ajunsesem \u00eentreg \u015fi mi-era s\u0103 nu m\u0103 fr\u00e2ng. L-am comparat pe Iov cu Arjuna. Icoana ne aduce Ierusalimului. M-am n\u0103scut \u00een lumina na\u015fterii din icoan\u0103. Am tr\u0103it cum a dat icoana. Fric\u0103 ne-a fost p\u00e2n\u0103 la g\u00e2ndul lui Dumnezeu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ia-mi abulia. Pierde-m\u0103 \u00een pierderea frunzelor. Piesele cele scrise n-au cum te \u00eempinge \u00een scen\u0103. Nemi\u015fcarea ta, \u015fi la mine. Dezbar\u0103 muzica \u00een mu\u0163enie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gyr. Blestem Vitleem Ierusalim Heruvim Troii strigoii. Piatra m\u0103 \u00eenfulec\u0103. Ne a\u015fteapt\u0103-n luceaf\u0103r Iisus. Vedenii gardienii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Necomutat nadir. \u015etampil\u0103 f\u0103r\u0103 tu\u015f. Blestem convertibil \u00een na\u015ftere-moarte. Noduri at\u00e2rn\u00e2nd de nadir nativ. St\u00e2nd de vorb\u0103 morm\u00e2nt la morm\u00e2nt. Hanuman zboar\u0103 cu un munte \u00een ap\u0103rarea lui Rama. \u00cen pe\u015fterile de la Marea Moart\u0103, p\u0103storul \u00ee\u015fi face aripi de pergamente scrise mare vie. Masca de\u015fertului, medita\u0163ia la nimic, medita\u0163ia m\u0103\u015ftii, nimicul de\u015fertului.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ocult golit, kenotic. Nu sunt postmodernist? Ba da, Pu\u015fi (GB, 1980). Oprise \u00een fa\u0163\u0103 la La Calu. Nu deschid sticla de vin de la el. M\u00e2ine. Secretul s\u0103 stea \u00een tine cum \u00ee\u0163i st\u0103 s\u00e2ngele-n vine, Florentine. Eram jos, \u00een ultimul orizont, la punctul cel mai ad\u00e2nc. Mitic\u0103, arde mina. A falsificat poeziile, nu respira. Norocul meu a fost cu Romic\u0103 \u015fi al lui Romic\u0103 cu mine. S-o ucidem pe Latifa pentru a salva poporul. Da, r\u0103spunse cu glas stins na\u015ful Ion. Scris mai vizibil, mai pline r\u00e2ndurile. Cea\u0163\u0103 neagr\u0103 cu sclipiri verzi. Arde ghea\u0163a, Hristo.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Comunicare prin vise, ui\u0163i ce scrii despre altcineva, cum ar fi citit. Nu ne mai auzir\u0103m de ani. Reten\u0163ie psiho. Nicolaide s-a luat de Kusturi\u0163a. Cine e Nicolaescu? Ch\u2019io mi scordi di te. Realitatea e comic\u0103, da\u2019 lumea se crispeaz\u0103. Cum ai merge pe ghea\u0163\u0103. Popor masochist, leprezentat, merry wives, deleni-v\u0103leni. Supersti\u0163ia macho de cuviin\u0163\u0103. Moartea tat\u0103lui, Dumnezeu-Hristos. Nimeni la busturi. Moartea c\u0103r\u0163ilor. Caietele, miile de pagini, cin\u2019 s\u0103 le scaneze, pe ce lectur\u0103, descifrare? Cazul s\u0103 mai despart steno de asteno.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mantre onirice cosmosului cameral, \u00een cer cu Shaun Davey, \u00een iad cu Downey, hai dislexie. Bereta proprie, neitalian\u0103, numai pe scen\u0103 \u015fi-n localuri, nu la radio, un folclor. \u015ei castrat \u015fi birj\u0103rea contele rus la \u015fosea. \u00censcrisuri, telegraf, berbera Piaf. Ai lui Sic\u0103, diegez\u0103 mai aproape de lumea lui Caragiale, o singur\u0103 femeie care conteaz\u0103, placa turnant\u0103. \u00cen domeniul teatral sunt mai ai dracului ca \u00een literatur\u0103. Lumea l-a pl\u0103cut c\u0103 e frumos. Matilda nu-l pomenise \u00een scris \u015fi la telefon, c\u00e2t c\u0103 scrisul o fi al lui \u015fi o semnase numai pe ea. Vine \u00een baston, a-\u015fi citi strig\u0103te-mantre din pu\u015fc\u0103rie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<!--more-->\u00a0 S\u0103 nu m\u0103 refuzi, dau un \u015fpri\u0163. D\u0103-mi am\u0103nunte, patru personaje se c\u0103n\u0103stec, unul dintre ei e poet, restul, copie dup\u0103 natur\u0103. Scrisei 2,5 p., blocat\u0103 tasta, terminate bateriile Duracell. Nu pot nici trimite. \u00cel sun. M\u0103 duc dup\u0103 baterii. M\u0103 \u00eentorc, adaug un final, cum femeile \u00eel ucid numeric, amazoane. R\u0103aspude c\u0103 a r\u00e2s, Bergson, s\u0103 mai scriu dou\u0103 \u2013 f\u0103cusem corp 16 \u2013 cu am\u0103nunte de canast\u0103. Plata, c\u0103 absurd, bine\u00een\u0163eles. Partea a doua, cu sculptur\u0103, inventez administra\u0163ia canastei, repreyentat\u0103 de Tanda, f\u0103r\u0103 Prist.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe\u015ftii nu m\u0103 \u00eensetar\u0103, \u00eei \u00eenecai \u00een ceai. Manifesto necitit, cine l-o fi pasti\u015fat. C\u0103 l-am semnat \u00een prefa\u0163\u0103, s\u0103 scriu \u015fi la pies\u0103, \u00een compensa\u0163ie, anonim, indent. A murit el Burebista \u015fi nu am pl\u00e2ns. Mingiarii. Antigen australian. Leo Tenguma. Gabriel Cadis. I-au fost atribuite mai multe sedative.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Corectur\u0103 oniric\u0103 de grup. Exerci\u0163ii gnomice pentru ochi. Nimeni s\u0103 nu vad\u0103, s\u0103 n-aud\u0103, uit tot. Basilica plin\u0103, femei pe st\u00e2nga, b\u0103rba\u0163i pe dreapta, clopote. Fragmentarea conduce la circula\u0163ia transna\u0163ional\u0103 suboptim\u0103. Profesioni\u015fti transfrontalieri. Fertilizarea \u00eencruci\u015fat\u0103 a ideilor. Lignina. Centenar Ilie Cleopa, Bram Stocker. Un rictus care nu e \u00een regul\u0103. Dac\u0103 n-ar fi suferin\u0163a.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mantra min\u0163ii exilate \u00een creanga de aur. Nedeia, alitera\u0163ie a Indiei. Bebe \u00eenf\u0103\u015furat \u00eentr-un steag cu chipul lui Eminescu. Spiral\u0103 negativ\u0103. Nu a\u0163i vrut s\u0103 face\u0163i imediat armisti\u0163iul. Sunt b\u0103iatul c\u0103pitanului. De-a\u0163i fi v\u0103zut Ozana. S\u0103 procedeze a\u015fa ceva. Azi e cu bani, m\u00e2ine e gratis. Ia cu l\u0103m\u00e2ie, bea cu sifon. La ordinul bocancilor ro\u015fii. A murit c\u0103 a\u015fa au vrut ru\u015fii. The global struggle. Mo\u015f Martin. Dar ce scriem pe bannere? Diaspora subteran\u0103. O \u0163ar\u0103 k afar\u0103. Salveaz\u0103 lumea cu un like. Nu este de controversat despre recursul la violen\u0163\u0103. Vizita\u0163i-ne mai repede.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd ne sc\u0103pa\u0163i de \u0103\u015ftia. Cel pu\u0163in o jum\u0103tate de drum \u00eempreun\u0103. Bulevardul Lasc\u0103r Catargiu este blocat, bulevardul Ana Ip\u0103tescu este, la fel, blocat (nume nou, nume vechi). Fur\u0103 prin rota\u0163ie. Tom la Acenture, \u00een China. Libertate pentru Swoboda. Tot mai multe petarde. Aceste zile minunate. Arme Albe. Orban se crede Voican. Solu\u0163ia Islanda. Jimenez, Marcos, Fujimori. Cu revolverele \u00een ham. O feerie. Il treno dei desideri nei miei pensieri all incontrario va (Adriano). I traveled each and ev\u2019ry highway (Frank). Hera I am in the land of the morning star (Scorpions). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ascensiunea radicalilor. Toate mul\u0163imile sunt ira\u0163ionale. Nu-\u015fi poate permite s\u0103 mai a\u015ftepte. Antisistemism la mod\u0103. Legea interesului de stat \u00een Italia. S\u00e2nm\u0103rtean, politicos cu vilegiaturi\u015ftii, n-a fost cancer, a r\u0103mas al\u0103ptarea. Copiii lui Kaufmann. Pierdut bolnavul. M-a sunat din dub\u0103. Mineri \u00eembr\u0103ca\u0163i \u00een jandarmi. Soarele mineral. Pancarte nescrise. Ini\u0163iere alawit\u0103, fraternitatea lui Hyperion. Tradus la o comand\u0103 blitz chiar de mine. S\u0103 nu m\u0103 mai sf\u0103deasc\u0103 baba c\u0103 apar la televizor.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ou ro\u015fu. O schinare de lovele. Legaliza\u0163i iarba. Poporul v\u0103 cunoa\u015fte mai bine. Sufl\u0103-mi \u00een cimpoi. Vocile sunt groase. Marcheaz\u0103 banul gros. Treponema palladium. Toate alegerile sunt anticipate, \u015fi cele spontane. Doar \u015ferpii s-au apropiat. Nimic nou \u00een lupta cu poporul. R\u0103m\u00e2i la subiect, nu divaga. M\u0103n\u00e2nc semin\u0163e, c\u0103 e plictiseal\u0103. Nimic legitim. Coc\u0103larul legum\u0103. Ce naiba se \u00eent\u00e2mpl\u0103? Nu are zv\u00e2c. Oul zbur\u0103tor. \u0162ar\u0103, nu coafor.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pluteam \u00een fum, alkyon stone, p\u00e2n\u0103 m\u0103 v\u0103zur\u0103\u0163i. Se l\u0103\u0163i vestea. Hai prin nori \u015fi st\u00e2nci, la o platform\u0103 de oracol. Terenul medita\u0163iei alergat interior, lansarea levitan\u0163ilor \u00een mers decolant. Bravo, retardule. Tu e\u015fti prototipul turn\u0103torului comunist de pe vremea comunismului. Totalitarismul este evident \u00een media. Butthead. Am f\u0103cut o gr\u0103mad\u0103 de gre\u015feli ortografice c\u00e2nd am v\u0103zut ce tupeu are tipa. A dat gata juma de Bucure\u015fti. Piatra be\u0163iv\u0103. Guzganii eunuci. Dac\u0103 nu aveai nume de ma\u015fin\u0103 nu te lua.<\/p>\n<p style=\"text-align: justify;\">Pe\u015ftii nu m\u0103 \u00eensetar\u0103, \u00eei \u00eenecai \u00een ceai. Manifesto necitit, cine l-o fi pasti\u015fat. C\u0103 l-am semnat \u00een prefa\u0163\u0103, s\u0103 scriu \u015fi la pies\u0103, \u00een compensa\u0163ie, anonim, indent. A murit el Burebista \u015fi nu am pl\u00e2ns. Mingiarii. Antigen australian. Leo Tenguma. Gabriel Cadis. I-au fost atribuite mai multe sedative.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Corectur\u0103 oniric\u0103 de grup. Exerci\u0163ii gnomice pentru ochi. Nimeni s\u0103 nu vad\u0103, s\u0103 n-aud\u0103, uit tot. Basilica plin\u0103, femei pe st\u00e2nga, b\u0103rba\u0163i pe dreapta, clopote. Fragmentarea conduce la circula\u0163ia transna\u0163ional\u0103 suboptim\u0103. Profesioni\u015fti transfrontalieri. Fertilizarea \u00eencruci\u015fat\u0103 a ideilor. Lignina. Centenar Ilie Cleopa, Bram Stocker. Un rictus care nu e \u00een regul\u0103. Dac\u0103 n-ar fi suferin\u0163a.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mantra min\u0163ii exilate \u00een creanga de aur. Nedeia, alitera\u0163ie a Indiei. Bebe \u00eenf\u0103\u015furat \u00eentr-un steag cu chipul lui Eminescu. Spiral\u0103 negativ\u0103. Nu a\u0163i vrut s\u0103 face\u0163i imediat armisti\u0163iul. Sunt b\u0103iatul c\u0103pitanului. De-a\u0163i fi v\u0103zut Ozana. S\u0103 procedeze a\u015fa ceva. Azi e cu bani, m\u00e2ine e gratis. Ia cu l\u0103m\u00e2ie, bea cu sifon. La ordinul bocancilor ro\u015fii. A murit c\u0103 a\u015fa au vrut ru\u015fii. The global struggle. Mo\u015f Martin. Dar ce scriem pe bannere? Diaspora subteran\u0103. O \u0163ar\u0103 k afar\u0103. Salveaz\u0103 lumea cu un like. Nu este de controversat despre recursul la violen\u0163\u0103. Vizita\u0163i-ne mai repede.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd ne sc\u0103pa\u0163i de \u0103\u015ftia. Cel pu\u0163in o jum\u0103tate de drum \u00eempreun\u0103. Bulevardul Lasc\u0103r Catargiu este blocat, bulevardul Ana Ip\u0103tescu este, la fel, blocat (nume nou, nume vechi). Fur\u0103 prin rota\u0163ie. Tom la Acenture, \u00een China. Libertate pentru Swoboda. Tot mai multe petarde. Aceste zile minunate. Arme Albe. Orban se crede Voican. Solu\u0163ia Islanda. Jimenez, Marcos, Fujimori. Cu revolverele \u00een ham. O feerie. Il treno dei desideri nei miei pensieri all incontrario va (Adriano). I traveled each and ev\u2019ry highway (Frank). Hera I am in the land of the morning star (Scorpions). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ascensiunea radicalilor. Toate mul\u0163imile sunt ira\u0163ionale. Nu-\u015fi poate permite s\u0103 mai a\u015ftepte. Antisistemism la mod\u0103. Legea interesului de stat \u00een Italia. S\u00e2nm\u0103rtean, politicos cu vilegiaturi\u015ftii, n-a fost cancer, a r\u0103mas al\u0103ptarea. Copiii lui Kaufmann.<\/p>\n<p style=\"text-align: justify;\"><strong><em>A pierde <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Intona\u0163ie<\/em>) Bun\u0103 ziua (\u00een 30 intona\u0163ii). Pa\u015fte, calule, iarb\u0103 verde. A venit tramvaiul. Blindleistung. Ce-am avut (nimic) \u015fi ce-am pierdut (tot).<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Din pierdere, pe z\u0103pad\u0103: Mefisto, la Muntele Nebun. Fugi, Argillan! Zgomotul \u00eel trezi pe Tripitaka. Infern, 1954, p 222 \u2013 Parpanghel sbur\u0103 pe urma lui. Beowulf cu-a sa via\u0163\u0103 a pl\u0103tit. Abdiel contra Satan. Ora Aurora.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Andromaha, Hecuba, Elena bocesc pe Hector \u015fi oasele nescrumite \u00eencap \u00een aur. Down-under, erosul supravie\u0163uirii permutat \u00een ini\u0163iere. Rik omeric cu Budai, nobil austru. T\u00e2rgovi\u015fte-Troia(Isar\u00e2k)-Kurukshetra. Satyrikon gitan, oper\u0103 buf\u0103. Nu \u015fi-au dat seama c\u0103 e taic\u0103-meu. Skanda. Yuddha-kanda. Ulis cu Diomed \u00een tab\u0103ra tra\u0163ienilor. Olimpischer Fruhling.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mor\u0163ii z\u0103pezii, aumbr\u0103. Indiliada. Sunase regina cealalt\u0103, de la potop. \u015eag\u0103 genocidar\u0103. Iohosemprevoglia. Mihai Gramatopol: \u201eun plat Petru Cre\u0163ia, un absolut inacceptabil Florea Fugaru care confunda pe Homer cu Budai-Deleanu\u201d. Pu\u015fi l-a v\u0103zut de mai multe ori m\u00e2nc\u00e2nd la scriitori. \u0162eap\u0103 Catavolinos. Bar Abbas. Z\u0103pada-ras\u0103-alb\u0103. Hora pe scut. Nu veni\u015fi de mlad\u0103 verde?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen filmul \u00eenghe\u0163ului, se pune \u00een vedet\u0103 scrisul Paradise Lost. \u00cen <em>Anatolida<\/em>, Abel \u00eencerc\u00e2nd s\u0103-\u015fi trezeasc\u0103 fratele, Cain, din somn: \u2018Mai bine jos despo\u0163ii! De jos, din r\u0103d\u0103cin\u0103 \/ S\u0103 moar\u0103 tirania!\u2019 r\u0103cne\u015fte, se r\u0103pede, \/ Ia furios m\u0103ciuca \u015fi capul drept \u00een dou\u0103 \/ Lui Abel \u00eei despic\u0103. Tot Heliade: O, Milton, treci la r\u00e2ndu-\u0163i! John Milton, sc\u0103pat de pu\u015fc\u0103rie, dar orbit, \u015fi-a dictat, la 60 de ani, Paradise Lost (1667) \u015fi totu\u015fi a fost acuzat de plagiat. Din Rai pierdu\u0163i, p\u00e2n\u2019 om mai ortoman \/ Ne-ntoarce-n locul binecuv\u00e2ntat. Cine s\u0103 mai aib\u0103 ochi pentru Paradise Regained? I who ere while the happy Garden sung, \/ By one Man\u2019s disobedience lost, now sing \/ Recovever\u2019d Paradise to all mankind.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Mache<\/em>) Toarasi, pai nu vedeti ca astia nen vatza sa facem ca iei ! Pai da, ca noi ie la ordinu lor ! Cine ia adus pa malagambisti la putere, nu americanii ? Siacum nen vatza sa fim cuminti, casa nu sa sparie aia de la FMiu si sa nu le mai dea bani la malagambisti !<br \/>\nToarasi, americanii astia nea pacalit de doo ori, odatan 44 si odatan 89 !<br \/>\nDaca vreti sa ne mai pacaleasca, odata , naveti decat, da sa stiti ca chinejii nu nea pacalit niciodata Iei ie singurii care ne mai puate scuate dinca catun care nea bagat malagambistii ! Sa stiti ! Ca daca vine 2 milioane da chineji la noi, ca sa copenseze peia dea plecat in Spania si Italia, pai noi in doi ani ne revenimim ! Sa vedeti dumneavoastra de no fi asa! Traiasca poporu chinez frate cu poporu roman !Asa sa nea jute Hu Jintao ! Semneaza: Mache Psderie Abasador Estraordinar si Plindapotential al Republicii Populare Chineze la ziare.com<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toarasi, sane fie rusine, finca ungurii sa strans 100000 da unguri ! Si noi nu ien stare nici sa ne strangem, ca sa nu mai spun ca si aia care sa strans, sa luat la bataie n3iei ! Pai iaz vazut voi peia la unguri ca sa batut intre iei ? Nu ! Pai sia tunci, ce vreti sa spuneti can Bucuresti nu ie unguri ? Ba sa stiti ca ie ! Da aia isi vede da treaba lor, ca nu cred i,o cai plateste aia de la Budapesta casa fie cuminti ! Asa ca cel mai bine ie tot cu chinejii ! ii punem sa aduca pestisoru ala da aur care indeplineste 3 dorinte, face zidu sil umple cu apa ! Si cu asta, am scapat da tuate grijile ! Sa traiti !Asa sa nea jute Hu Jintao !<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>\u00cenghe\u0163<\/em>) A v\u0103rsat pe piept \u015fi a \u00eenghe\u0163at. Cald\u0103 baliga vi\u0163eilor. Carne congelat\u0103 \u00een c\u00e2rlige. Ciorapii se deslipesc de talp\u0103. Renun\u0163 la oameni \u00eenghe\u0163a\u0163i, la arbori \u015fi societ\u0103\u0163i, pentru pojghi\u0163ele prinse pe tot ce \u00eent\u00e2lnesc. Nimic viu \u015fi uscat, \u00een spatele u\u015fii \u00een\u0163epenite a grajdului. Porcul orb l-a\u015f fi f\u0103cut s\u0103 se culce \u00een noroi \u00eenghe\u0163at, la g\u00e2dil\u0103turile mele.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe cas\u0103, \u015fi\u0163ele se lipiser\u0103 sub z\u0103pad\u0103. Tata-mare s-a mai uitat o dat\u0103 \u00een grajd. F\u0103r\u0103 s\u0103 spun\u0103 ceva, a m\u0103rit pasul dup\u0103 ce a ie\u015fit pe poart\u0103. Nu-\u015fi aminte\u015fte cine a trecut pe l\u00e2ng\u0103 el, dac\u0103 a trecut cineva. Eu credeam c\u0103 s-a petrecut vara, ar fi mai sigur, c\u0103 oile nu fug iarna la poalele p\u0103durii, \u015fi nici lupii nu se aud cu fo\u015fnet \u015fi jaf, b\u0103nuiesc. N-au cum s\u0103 se \u00eempart\u0103 pe dreapta \u015fi pe st\u00e2nga drumului, unii \u2013 spre fosta podin\u0103 a b\u0103tr\u00e2nului, c\u0103ci nu se mai cunoa\u015fte nimic \u00een marginile adev\u0103rate pe \u00eenghe\u0163. \u015ei c\u00e2nd i s-a ridicat p\u0103rul, v\u0103d asta tot pe var\u0103, dec\u00e2t sub c\u0103ciul\u0103, care i-ar fi diminuat poate chiar teama. Nu \u015ftiu nici de ce vorbea despre lumin\u0103 a serii sau a lunii. Seara, sau a doua zi seara, precis c\u0103 n-a gustat din carnea de oaie salvat\u0103. Nu \u015ftiu dac\u0103 era iarn\u0103, dar drumu-l cunosc.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Privesc \u015fi\u0163ele str\u00e2nse, gata s\u0103 se sf\u0103r\u00e2me sub un deget. \u00cemi \u00eenchipui c\u0103 plec pe zi, altfel m-a\u015f poticni \u00een coasta cu bolovani imobiliza\u0163i de huma \u00eencleiat\u0103. A\u015f dezveli, virtual sau cu v\u00e2rful bocancului, p\u0103m\u00e2ntul, s\u0103-l simt galben. Pe deal, am \u00een fa\u0163\u0103 vreo doi kilometri netezi, cu un contur etern, pe care \u015fi-l aminte\u015fte poate \u015fi un copil de trei ani, de c\u00e2nd l-am adus de m\u00e2n\u0103 pe drumul c\u00e2mpului. Atunci se dezghe\u0163aser\u0103 multe b\u0103l\u0163i \u015fi el se muia prin toate, incon\u015ftient, fa\u0163\u0103 cu limpezimea prin care iarba putred\u0103 ren\u0103\u015ftea. S\u0103 fi fost mai furios pentru b\u0103l\u0103cirea lui, g\u00e2ndindu-m\u0103 cum erau cu un timp \u00een urm\u0103, tr\u0103g\u00e2ndu-l de m\u00e2ini a\u015f fi crezut c\u0103 aud p\u00e2r\u00e2itul din care-l smulgeam inutil.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Scena<\/em>) Copacii \u00eemi sunt fericirile. \u00cen fo\u015fnetul snopilor, pe Calea Robilor. Sunt o umbr\u0103 de porumbel. O iarb\u0103-nfipt\u0103-n v\u00e2nt. Goleam dovleacul de semin\u0163e, \u00eei f\u0103ceam dou\u0103 g\u0103uri pentru ochi, un nas, o gur\u0103, apoi mi\u015fele\u015fte aprindeam un foc \u00een el, cineva s\u0103 se sperie. Am mai v\u0103rsat din palm\u0103 un chip de argint viu, \u015fi c\u00e2\u0163i \u00eeneca\u0163i \u00een Olt, temelii argilei, p\u0103s\u0103ri, fl\u0103c\u0103ri \u00een vatr\u0103. Soarele a r\u0103s\u0103rit pentru cioc\u00e2rlie. Puteai trece din camera rece \u00een globul soarelui, s\u0103 \u00ee\u0163i tope\u015fti durerile na\u015fterii. Triste\u0163e fiec\u0103rui \u00een fredonare st\u0103rui. Cump\u0103r\u0103-mi pomul de la fa\u0163a cu semn de cu\u0163it, nu cea mai frumoas\u0103 din hainele vechi, nu z\u0103rile v\u00e2nz\u0103torului de minuni.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Capra-Dionysos, Berbecul-Apollo, Calul-Chiron. Atmosfera imperiului turc de odinioar\u0103. Dame, v\u0103luret. B\u0103ie\u0163ii \u00ee\u015fi \u00eengroa\u015f\u0103 vocea. Strig\u0103turi inocent pornografice, negare (a mioritismului?), nu c\u0103 baciul ar fi Zamolxe, iar uciga\u015fii Titanii. Zamolxe se joac\u0103 pe Gugu\/Cogaion, cu Prometeu spectator pe alt munte. Drumul de la dramaturg la piesa lui are form\u0103 de cerc, de zero, \u015fi numai \u00eentr-un miraj aceast\u0103 aureol\u0103 lumineaz\u0103 prologul \u00een proscenium. Succes la public, cel\u0103lalt autor. T\u0103cere \u00eenainte de trecerea la fapte. Compar\u0103-te cu pleava alchimi\u015ftilor. Ruda creatoare f\u0103ptuie\u015fte un paradis pentru nerude. Strad\u0103-bodeg\u0103, strad\u0103-grajd, strad\u0103-cas\u0103, \u00een <em>\u015eacote<\/em>, p\u0103i asemenea Turn-strad\u0103-palat \u00een <em>Richard al III-lea.<\/em>Ce face taic\u0103-meu, i-a putrezit \u015fi p\u0103rul? Peste fata din barc\u0103 se surp\u0103 malul. Teatrul lecuie\u015fte incoeren\u0163a.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Scena, cum vezi, e foarte larg\u0103. Masele corale \u015fi figura\u0163ia pot, prin urmare, circula \u00een culise cu \u00eenlesnire. Aceast\u0103 imens\u0103 l\u0103rgime a scenei se motiveaz\u0103 prin faptul c\u0103 podeala ei (platoul) e, \u00een realitate, compus\u0103 din cinci podele identice, culis\u00e2nd una dup\u0103 alta, pe \u015fine \u00eengropate \u00een parchetul de sub ele pot fi \u00eenlocuite una prin alta, rul\u00e2nd pe bile. Pe toate podelele (afar\u0103 de una, al c\u0103rei loc gol va fi totdeauna la dreapta podelei pe care joac\u0103 actorii) se monteaz\u0103 decorurile cerute de piesa care se prezint\u0103. Pe c\u00e2nd, pe o podea, joac\u0103 actorii \u00een decorul actului \u00een curs de reprezentare, ma\u015fini\u015fti, \u00een culise, demonteaz\u0103 decorul utilizat \u015fi monteaz\u0103 alt decor, dac\u0103 mai e nevoie. Cu modul acesta se pot face iute schimb\u0103rile de decoruri \u015fi se pot reprezenta capodopere nejucate pentru c\u0103 spectacolul ar fi prea lung. Astfel sc\u0103p\u0103m \u015fi de exigen\u0163ele scenei turnante (ma\u015fin\u0103rii complicate, decoruri greu de montat etc.), o vechitur\u0103 nepractic\u0103.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Str\u0103in<\/em>) Seara avem s\u0103 aud, pe motiv c\u0103 vorbisem despre str\u0103in\u0103tate, cum eu n-a\u015f vorbi rom\u00e2ne\u015fte pe \u00een\u0163eles. L-am repezit pe cel at\u00e2t de scrupulos f\u0103r\u0103 a fi rom\u00e2n. Dar nici rom\u00e2nii nu aveau \u00eentotdeauna chef s\u0103 m\u0103 asculte. M-am g\u00e2ndit c\u0103 pot \u00eens\u0103 irita limbajul \u015fi s\u0103-l accept doar eu \u00een devenirea lui spre inexpresivitate sau logic\u0103 sau ce s-o cere \u2013 poate coruptibilitate.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ce se \u00eent\u00e2mplase cu str\u0103inul din grupul nostru rom\u00e2nesc nici n-avea nevoie de vreo exprimare \u00een genul: nu pot s\u0103-mi \u00eenchipui cum este c\u00e2nd ai m\u00e2ncat, dormi, nu te treze\u015fte nimeni\u2026 \u015ei tot astfel. Nici n-o s\u0103 povestesc sau s\u0103 vorbesc despre \u00eent\u00e2mplarea aceasta. Doar \u00eenc\u0103p\u0103\u0163\u00e2narea str\u0103inului sus\u0163in\u00e2nd \u00eentr-o rom\u00e2neasc\u0103 perfect\u0103: o s\u0103-i scoat\u0103 ochiul \u2013 at\u00e2ta merit\u0103 s\u0103 spun.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd ne \u00eemp\u0103r\u0163isem \u00een dou\u0103, iar cei care plecaser\u0103 se desp\u0103r\u0163iser\u0103 \u015fi ei, \u00een grupul care trebuia s\u0103 fie urm\u0103rit se afla \u015fi alt str\u0103in, care nu voia s-o recunoasc\u0103, din cine \u015ftie ce mentalitate familial\u0103. Se hot\u0103r\u00e2se s\u0103-l lege, iar noi s\u0103 r\u00e2dem. Str\u0103inul nostru a spus \u00eentr-o doar\u0103 \u015fi n-a fost luat \u00een seam\u0103: o s\u0103-i scoat\u0103 ochiul.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De sus, z\u0103pada str\u0103lucea prea tare \u015fi d\u0103dea culorii \u00eenchise a siluetelor din vale ceva orbitor. Se distingea, de\u015fi violent, c\u0103 ultimul era cel urm\u0103rit. To\u0163i se \u00eenghesuiser\u0103 pe marginea dinspre vale. \u00cen urm\u0103, str\u0103inul p\u0103rea s\u0103 se conformeze silit.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Au t\u0103b\u0103r\u00e2t unii asupra altora, \u00een vale.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Numai pe unul, care se culcase singur neb\u0103nuind nimic, l-au legat cu sfoar\u0103 sub\u0163ire, i-au pus \u00een gur\u0103 un \u015fervet, iar c\u00e2nd \u00eel urcau pe coast\u0103 a c\u0103zut docil \u015fi poate c\u0103-\u015fi scosese ochiul \u00een vreo cut\u0103 de p\u0103m\u00e2nt \u00eenghe\u0163at.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>(<em>Pedepse<\/em>) <em>S<\/em>-au b\u0103tut, am auzit \u015fi parc\u0103 am \u015fi v\u0103zut, fra\u0163ii \u00eentre ei, dar \u015fi surorile au stricat ce aveau fra\u0163ii. Cred c\u0103 \u015fi merii de la sor\u0103 se \u00eenghesuiau la un timp cu ai fra\u0163ilor \u015fi celorlalte surori.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La partea opus\u0103, a treia, nu a doua, a fost unul care a tr\u0103it cu fiica lui, pe o uli\u0163\u0103 de care uitasem, adic\u0103 ocolisem f\u0103r\u0103 voie tot satul care \u00eencepea cu casa incestuoas\u0103. Tot acolo se mai \u015fi t\u0103iaser\u0103 cu toporul c\u00e2\u0163iva pentru avere \u015fi poate nu era chiar a\u015fa, dar satului str\u0103in nu-i \u015ftiam dec\u00e2t crimele, c\u00e2nd eram copil, satului meu doar miracolele, c\u00e2nd eram copil. Acum, s\u0103 se fi schimbat?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u0103 stau doar la scena de sub cire\u015ful amar, cu b\u0103rbatul gol \u015fi cu femeia goal\u0103, plus alte femei \u00eembr\u0103cate. Alt\u0103dat\u0103, h\u0103t \u00een p\u0103dure, doi aleg\u00e2nd \u2013 eu unul \u2013 \u00eengrozi\u0163i de urletul lupilor (uite c\u0103 nu \u00eempu\u015fcau v\u00e2n\u0103torii niciunul c\u00e2nd \u00eemi sp\u0103rgeam \u015fi eu capul ca s\u0103-i sperii \u015fi s\u0103-i h\u0103itui pe lupi). R\u0103t\u0103cit pe drumuri \u015fi cu mintea.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cemi vine \u00een minte \u00eenecatul, \u00eel cunosc cel mai bine. O femeie fericit\u0103 nu-mi vine-n minte, deci n-o s-o cunosc niciodat\u0103. Parc\u0103 a\u015f muri. Mort de t\u00e2n\u0103r \u015fi incapabil de nara\u0163ie. Venindu-\u0163i \u00een minte, parc\u0103 fiecare cer\u015fe\u015fte o pedeaps\u0103, iar eu caut una pentru fiecare, \u00eencep\u00e2nd cu mor\u0163ii.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0 <\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Simache<\/em>) M\u0103 plec respectului pentru trimi\u0163\u0103torul bucuriei, d\u0103ruitor \u015fi p\u0103rintesc.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O ceramic\u0103 de Rouen, mi-a dat-o mie. N-a furat-o nimeni, e un ciob. Cobili\u0163ar \u00een bronz, factura Hegel. Dodia, a patra dimensiune, din Tracia a venit. Dodona, Eleusis, Pithia. Ini\u0163iere. Fo\u015fnetul frunzelor. Toat\u0103 opera lui Joyce este o transpunere a inspira\u0163iilor lui Br\u00e2ncu\u015fi pe care le-a produs prin forme. Nu trebuie s\u0103 ne gr\u0103bim s\u0103 le pierdem, s\u0103 dobor\u00e2m mitul filologic c\u0103 ar fi aiurare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe bani s\u0103 nu ne cert\u0103m. S\u0103 nu ne m\u00e2nc\u0103m pe femei. Toate neprieteniile pleac\u0103 de la bani \u015fi de la femei. Bani mei sunt ai t\u0103i, ai t\u0103i sunt ai mei. Familiei mele \u00eei era ru\u015fine cu mine \u2013 du-te unde vrei, s\u0103 n-ajungi \u00een pu\u015fc\u0103rie, s\u0103 nu ne faci numele de r\u00e2s.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suntem fiii procesului lui Br\u00e2ncu\u015fi. Datul la cap hidrei. Forma vie\u0163ii \u00eent\u00e2i a fost vgetativ\u0103, to\u0163i am fost pomi, con\u015ftiin\u0163\u0103 geologic\u0103. Am devenit oameni c\u00e2nd inteligen\u0163a a luat locul instinctului. Mi-a tr\u0103znit \u00een cap piramida, coloana. Suntem \u00een m\u00e2na func\u0163ionarilor. Am descoperit a treia versiune a acuarelei Constitu\u0163ia, de Costache Petrescu, faptele nu se petrec la Bucure\u015fti, ci la Craiova, peisajul urban coincide cu cel al lui Theodor Amann.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M-am dus la foaia mea de varz\u0103. V\u0103 dau un text, a doua versiune. Aristarhi, milogi ca mine. Am identificat cine sunt revolu\u0163ionarii, \u00een v\u00e2rf cu stegarul Barbu Iscovescu. C\u0103 stegarul e un evreu. S\u0103 m\u0103 fac\u0103 escroc. Au stricat cli\u015feul. Nu e lucru curat. S\u0103 ne-o arate. Toat\u0103 oficialitatea s-a uitat str\u00e2mb la mine. Trebuie eliminat. M\u0103 ar\u0103tau cu degetul. Mai da\u0163i-v\u0103 dracu\u2019. M-am dus \u00een c\u0103utarea ei. Asta vine de la unul Simache.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M-am dus la Ploie\u015fti. Aflu c\u0103 a murit de \u015fase luni. Fotografia mea e doar o reproducere, unde e originalul: la el la \u0163ar\u0103. Dou\u0103 babe. Unde-s h\u00e2rtiile lui Simache? Tovar\u0103\u015fe, le-a luat partidul. Nu mai avem jurnale. S\u0103 \u00eentreb\u0103m la transpoarte. Toate-s la muzeul de istorie. Da\u2019 h\u00e2rtiile lui Simache? Vine o bab\u0103 l\u00e2ng\u0103 mine, dumneata ai fost cine ai fost. M\u0103 cuno\u015ftea dup\u0103 barb\u0103. Ai avut mult p\u0103m\u00e2nt. C\u00e2t s\u0103 m\u0103 \u00eengrijesc, 300, n-am fost bestie mo\u015fiereasc\u0103. Sunt femeie de serviciu aici, ce cau\u0163i? Ni\u015fte h\u00e2rtii. Ce h\u00e2rtii, 17 ani l-am servit \u015fi-i f\u0103ceam \u015fi c\u00e2te-o cafea. O \u015ftiu, era pus\u0103 pe dulap. Comitetul revolu\u0163ionar, pre\u015fedinte Ioan Maiorescu. Stegar, Levaditti. \u0162ambalagiu cu fes, doi copii (ce nu-s \u00een celelalte versiuni).<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cine a comandat acuarela: Neofit al Munteniei (a f\u0103cut parte din guvernul provizoriu). Costache Petrescu este arestat pentru arderea Regulamentului organic. Craiovenii au organizat parodia unei \u00eengrop\u0103ciuni, un cl\u0103ca\u015f simbolic, pe carul de boi \u015fase bocitoare, a murit bietul organ, nu l\u0103cr\u0103mau, scuipau pe el, precedat de Comitet, pornit spre T\u00e2rgul de afar\u0103, lumea r\u00e2z\u00e2nd, hohot unanim \u015fi urban. Sp\u00e2nzur\u0103toarea. Toat\u0103 \u0163\u0103r\u0103nimea venea. Un pop\u0103 cu jumate de barb\u0103 \u015fi tuns ca popii de azi, sac \u00een loc de patrafir \u015fi doi ciocli care s\u0103pau la repezeal\u0103 o groap\u0103. Au pus l\u0103di\u0163a jos, catran, fe\u015ftil\u0103. A ars Regulamentul Organic. Toat\u0103 lumea voioas\u0103. C\u00e2nd a fost Craiova ocupat\u0103, au fost aresta\u0163i mul\u0163i popi \u015fi toate c\u0103peteniile au fugit \u00een Fran\u0163a, fra\u0163ii Romane\u015fti, Ion Maiorescu. Au r\u0103mas Levaditti \u015fi Costache Petrescu, du\u015fi la Bucure\u015fti. 9 luni a z\u0103cut \u00een \u00eenchisoare. Al\u0163ii, deporta\u0163i la Brusa, au murit.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Dao<\/em>) Dodie nu este delir. Mai de grab\u0103 \u00eenseamn\u0103 a vorbi \u00een gol, \u00een z\u0103p\u0103ceala golului (dorului?). Brahma-logos, Vishnu-cuv\u00e2nt, Shiva-dodie. Fizic-astral-strigoi. Iar\u0103\u015fi gol, cercuri, ape. Unde a\u0163i r\u0103mas, mor\u0163ii mei? Respira\u0163ie re\u00eenceput\u0103 \u00een avatar. Drumul continuu de alalt\u0103ieri, odihna mor\u0163ii de ieri, \u00eenflorirea de azi. Lucifer \u00een yoga.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiin\u0163a este \u015fi nu este, n-a fost \u015fi este, nu este \u015fi va fi. R\u0103m\u00e2n \u00een locul de unde nu pot pleca. Van\u0103 deplasare, plin lin, umor. Bananier \u00een medita\u0163ie, frunze \u00eentinse, mai \u00eentinse. Genereaz\u0103 \u00een\u0103untrul fiin\u0163ei neantul formei sale de r\u0103s\u0103rire f\u0103r\u0103 r\u0103d\u0103cin\u0103 \u015fi \u00eenflorire f\u0103r\u0103 tulpin\u0103. Fiin\u0163a zeului \u00eentru zei\u0163\u0103 face semn.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ea este aici, respir\u0103 lumin\u0103, este lumin\u0103, are lumina \u00een fa\u0163\u0103, aproape, un soare. Lumin\u0103 aproape, aici, \u00een sine \u015fi pretutindeni, mai departe dec\u00e2t a mers vreodat\u0103, p\u00e2n\u0103 \u00eentr-a doua lumin\u0103, alta. Din nou. Respir\u0103 lumin\u0103, este lumin\u0103, \u00eemprejur la nesf\u00e2r\u015fit lumin\u0103, totul e lumin\u0103. Ea este deodat\u0103 \u00eentunecoas\u0103. Totul \u00een jur lumin\u0103. Respir\u0103. Se vede \u00een padma, \u00eentuneric. Totul \u00eentuneric \u00een jur, se lumineaz\u0103. Respir\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Respiri (ca ieri) lumin\u0103 (respiri ieri), ai \u00een fa\u0163\u0103 soarele, e\u015fti \u00een lotus, e\u015fti lumin\u0103 dinaintea altei lumini. Este \u00eentuneric \u00een juru-\u0163i c\u00e2t lumina tuturor sorilor \u015fi c\u00e2t alt\u0103 lumin\u0103. Respir\u0103, e\u015fti \u00eenconjurat\u0103 de o lumin\u0103 mare, e\u015fti respira\u0163ia tuturor copiilor. Sunt \u00een lumin\u0103, respir, lotus, lunec, ap\u0103, aer, padma, respir, rod, m\u0103 ridic, lunec. Lumin\u0103. Ochi drept. Ochi st\u00e2ng. Ooomm.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E cald. Mi-e sete. Merg c\u0103tre apa \u0163\u00e2\u015fnind. N-o g\u0103sesc. Privesc iar \u00eentr-acolo. \u00cemi torn fiin\u0163a privirii, cad \u00een f\u00e2nt\u00e2n\u0103, se rup izvoarele, m\u0103 scufund p\u00e2n\u0103 \u00een fundul p\u0103m\u00e2ntului. Sorbirea \u00een ad\u00e2ncul absolut lansase aripi p\u0103r\u0103site \u00een cr\u00e2nguri, cu care nici pas\u0103re nici \u00eenger nu zburar\u0103. Pe cer se z\u0103rea un munte, c\u00e2nd alb, c\u00e2nd albastru. Miri str\u0103lucir\u0103. Nunt\u0103 s\u0103 fi fost? Mama ar \u015fti s\u0103 re\u00eenvie toate nun\u0163ile, numai pe a ei nu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Str\u0103inul nu te \u00een\u0163elege, te face s\u0103 te sim\u0163i str\u0103in. Te prive\u015fte de sus, te tenteaz\u0103 g\u00e2ndirea lui. \u00cencetezi dedublarea \u00eentr-o decaden\u0163\u0103 schimbat\u0103 pe contemplarea mirilor din izvoare. Pierderea mi-o m\u0103sor \u00een c\u00e2ntec de temelie irosit\u0103, funia clopotului, pielea mor\u0163ilor, fl\u0103c\u0103rile comorilor. Naiba o fi viol\u00e2nd mormintele s\u0103 se nasc\u0103 oameni nebuni.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recit\u0103 tirada, rogu-te, cum \u0163i-am rostit-o eu, u\u015for curg\u0103tor; ci dac\u0103 o r\u0103cne\u015fti, a\u015fa cum fac mul\u0163i dintre actorii \u0103\u015ftia, mai bine \u00eel pun pe crainicul ora\u015fului s\u0103-mi recite versurile\u2026 Nu fi nici prea moale, ci las\u0103-te c\u0103l\u0103uzit de bunul sim\u0163 pe care-l ai: potrive\u015fte-\u0163i gestul dup\u0103 cuv\u00e2nt, cuv\u00e2ntul dup\u0103 gest\u2026 Iar cei ce fac pe paia\u0163ele, s\u0103 nu spun\u0103 un cuv\u00e2nt mai mult peste ce este scris; c\u0103ci sunt unii care se apuc\u0103 s\u0103 r\u00e2d\u0103, ca s\u0103 fac\u0103 o liot\u0103 de spectatori nerozi s\u0103 r\u00e2d\u0103 \u015fi ei, de\u015fi tocmai atunci se joac\u0103 o scen\u0103 important\u0103 la care lumea ar trebui s\u0103 ia aminte: asta-i o tic\u0103lo\u015fie \u015fi dovede\u015fte o ambi\u0163ie vrednic\u0103 de mil\u0103 la neispr\u0103vitul care se ded\u0103 ei\u2026<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Durere<\/em>) Nimeni s\u0103 nu-\u015fi toarne vinul nou \u00een burdufuri vechi, c\u0103ci vinul nou va sparge burdufurile vechi \u015fi vinul se va \u00eempr\u0103\u015ftia \u015fi burdufurile se vor pierde, ci vinul nou trebuie turnat \u00een burdufuri noi (Ulfila). A dat la lumin\u0103 unul dintre cele mai necesarie opuri pentru buna crescere \u00een cercul familiei sub titlul Icoana crescerei din care a \u00eemp\u0103r\u0163it gratis la ambele regimente de rom\u00e2ni c\u00e2te o sut\u0103 exemplare. Parte pierdut\u0103, parte distrus\u0103, nev\u00e2nz\u00e2ndu-se, spre \u00eennebunirea traduc\u0103torului editor Andrei Mure\u015fanu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Temni\u0163a se perpetueaz\u0103, \u00een via\u0163a \u015fi cultura indo-europenilor, cu u\u015file deschise spre strad\u0103 (Kalidasa), panopticon (Bentham), gulag (Soljeni\u0163\u00e2n). Cel\u0103lalt poet al durererii pu\u015fc\u0103riilor comuniste din Rom\u00e2nia, \u015etefan Vl\u0103doianu: Aprins de goana-n haturi \u015fi coclauri \/ cu Orion \u2013 grea cucur\u0103 \u2013 la \u015fold \/ \u00eenghimpe-l pururi otr\u0103vitul bold \/ pe-acela care s\u0103geta centauri.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mircea Eliade se va fi l\u0103sat incinerat spre a evita profanarea cadavrului s\u0103u. Eminescu \u015fi indianistul, \u00een continuitate empatic\u0103 mai ales cu Buddha \u015fi Odin-Wodan, confirm\u0103 c\u0103 Prajapathi e sacrificiul, c\u0103 totul e durere, dukkha. Dukkha nu se traduce numai prin durere \u015fi suferin\u0163\u0103, dar \u015fi ca euforie a medita\u0163iei, dup\u0103 cum, \u00een cazul ge\u0163ilor nemuritori, Eliade revede traducerea lui athanatizein drept a se face nemuritor.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boal\u0103 natural\u0103, personal\u0103, emo\u0163ional\u0103, de nu provocat\u0103 de vr\u0103jitori sau strigoi. Durerea este de introdus \u00een curriculum-ul \u015fcolar. Vide Kirkegaard. Doctorul nebun, bestia atomic\u0103, monstrul interplanetar sunt cele trei categorii majore ale filmelor horror. Jur pe Apollon, medic, pe Esculap, pe Hygeia \u015fi pe Panaceu. \u00cen teoriile kashmirene ale recunoa\u015fterii, poe\u0163ii orbi din na\u015ftere sunt capabili s\u0103 descrie ceea ce nu au v\u0103zut niciodat\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sc\u00e2rba m\u0103-nva\u0163\u0103-a c\u00e2nta \/ \u015fi necazu-a \u015fuiera (Bucovina). Gange \/ falange. Durere \/ pl\u0103cere. Dolore \/ amore \/ dottore\u2026<\/p>\n<p style=\"text-align: justify;\">Per me si va ne la citta dolente,<\/p>\n<p style=\"text-align: justify;\">per me si va ne l\u2019eterno dolore,<\/p>\n<p style=\"text-align: justify;\">per me si va tra la perduta gente.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Dante)<\/p>\n<p style=\"text-align: justify;\"><strong><em>Pas\u0103rea Br\u00e2ncu\u0219i <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Nonagenar<\/em>) Ce \u0163i-e \u0163ie, pas\u0103re, cu pene de lasere? Cr\u0103un z\u0103rcii b\u0103rcile \u0103rcii, carena sl\u0103vii mie cor\u0103bii. Moarta alb\u0103 \u00eenflore\u015fte salb\u0103. Romb chiomb. Satul se \u00eentemeiaz\u0103 m\u00e2ine la amiaz\u0103. Arde scutecul cu desc\u00e2ntecul.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trec\u00e2nd pe sub Poart\u0103, pe inima goal\u0103, spre Mas\u0103. T\u0103cerea dodiei \u00een cuv\u00e2nt \u015fi \u00een hran\u0103, \u00een vecin\u0103tatea rug\u0103ciunii, departe de cel rugat. Doisprezece fl\u0103m\u00e2nzi contradictorii, din c\u00e2te dou\u0103 jum\u0103t\u0103\u0163i opuse, ou pe ou, form\u0103-antiform\u0103. Carnea mesei, interirorizat\u0103 peisajului, sub p\u0103s\u0103ri, \u00eentre ape, \u00eencol\u0163it\u0103 de scaune, n-ar \u00eenc\u0103pea printre ele, \u00eempins\u0103 de piciorul sufocat, de n-a cunoscut dec\u00e2t umbra t\u0103bliei. Iuda, cu spatele la mas\u0103. Nu difer\u0103 unul din doisprezece, c\u00e2t unul din doi, prin cel de-al treisprezecelea. Comeseni str\u0103ini \u00een uniune pe calea Mesei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Z\u0103ri\u015f z\u0103ri\u015fi, Br\u00e2ncu\u015fi. Pythia, Poarta. Destin provocat din viitor, izvor tras de pierderea \u00een unde, epigonism al genezei, pietre rotunde \u00eenh\u0103itate de acum 250 milioane de ani. Masa fusese autoportret. Decorul Por\u0163ii e iubirea, Zbur\u0103torul. Feminitatea Por\u0163ii vine dup\u0103 masculinitatea Mesei. Matriarhat aur\u0103 \u00eembr\u0103\u0163i\u015f\u0103rilor c\u0103rnii de b\u0103rbat \u015fi de femeie din aceea\u015fi piatr\u0103 androginic\u0103. Ermetismul decora\u0163iei, cump\u0103nit de neproblematizarea semnifica\u0163iilor. Femeia constantinian\u0103. Pantocratorul nu e absent la spovedania Magdalenei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I-am aprins lum\u00e2nare \u00een Biserica Sfin\u0163ii Apostoli. C\u0103r\u00e2ndu-\u0163i oasele nonagenare, \u00een a\u015fteptarea aprob\u0103rii pentru azil. Gesturi exegetice. Cine a f\u0103cut-o, din ce e, cu ce seam\u0103n\u0103? M\u0103sur\u00e2ndu-te cu ea, vis\u00e2nd c\u0103 se d\u0103r\u00e2m\u0103, r\u0103sturn\u00e2ndu-te \u00een locul ei, dodind \u00een fiecare secund\u0103. Militari \u00eenso\u0163i\u0163i de subrete pariziene (nu vezi c\u0103 \u00een\u0103untru e piatr\u0103? cioc, cioc, e gol), exper\u0163ii. Nu te duce, nonagenare, la azil. Nu fugi, copile, de dup\u0103 Coloan\u0103 s\u0103 te ascunzi \u00eentre tufe.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La anu\u2019 are o sut\u0103 de ani, dar a murit mai t\u00e2n\u0103r, \u015fi nu cum ar fi dorit, \u00een p\u0103m\u00e2nt cump\u0103rat de aici, mai spre Dun\u0103re. Iart\u0103-mi amestecul \u015fi \u00eemi pare bine c\u0103 m-ai \u00eentrerupt. Tot ce se spune despre el este cum o spui mata. Num\u0103rul \u00eent\u00e2lnirilor noastre este nesf\u00e2r\u015fit, vorbele se \u00eenso\u0163esc cu apostrofe din documentul memoriei dumitale. Scaune \u00een jurul mesei, singuri \u00een abisul por\u0163ii, 16 \u00bd. Hai \u015fi st\u00e2lp, greul p\u0103m\u00e2ntului, \u015fi el \u00eentrerupt, ca orice scar\u0103 la cer. S-a retezat, altcineva s\u0103 continue. Piciorul mesei sufocat, v\u00e2rful coloanei retezat, spre a se instala acolo un bec, cum \u015ftia nonagenarul de 89 de ani.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Dodii<\/em>) Te culege de diminea\u0163\u0103, te \u00een\u015fir\u0103 pe a\u0163\u0103, al poamei pom \u00een har de om. Om cu ochi de zale sc\u0103p\u0103ra\u0163i la jale. Te m\u0103rit\u0103, m\u0103 termit\u0103. D\u0103-mi-l viu sau mort, s\u0103-l \u00eenv\u0103\u0163 \u00een cort. Da\u2019 ce dodie \u0163i-e tragodie. Rumegu\u015f de piatr\u0103 \u00een fumul din \u015fatr\u0103, g\u0103lbenu\u015f de mort \u2018n al oului cort, lav\u0103 de fiertur\u0103 n\u0103ruit\u0103-n gur\u0103, st\u00e2lp de os b\u0103rbat ce m-a dodiat. Cine s\u0103-l alelui mut \u00een noul felu-i, f\u0103r\u0103 ocol duhul gol, direct erect, pe moale cu bale, \u00een flori cu zori.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ei se cer de mor\u0163i, eu \u00eei \u0163in \u00een sor\u0163i cu o pan\u0103 fiart\u0103 \u00een zeam\u0103 de moar\u0103. Tristul prunc de trist\u0103 p\u0103s\u0103ri \u00eel exist\u0103. Bogat\u0103 \u00een rod recelui norod, o ling miere o v\u0103rs fiere, susure n\u0103du\u015feala gudure pricopseala, nemi\u015fcat\u0103 de prad\u0103 retezat\u0103 iscoad\u0103. Cu aripi cu naut umerii mi-i caut. Las\u0103-te pe br\u00e2nci groapa s-o ad\u00e2nci. Nimeni cu pedeapsa de pe lumea asta, mie cum mi-or da-o lor \u015fi-o ar lua-o, mie de mi-o iau lor nu le-o mai dau, privind c\u0103tre cer pas\u0103re m\u0103-n\u015fel, zbur\u00e2nd \u00een p\u0103m\u00e2nt pas\u0103re m\u0103 zv\u00e2nt, \u00een apa opus\u0103 le\u015fie de spuz\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tat\u0103l mai r\u00e2de \u015fi m\u00e2ine mama se fr\u0103m\u00e2nt\u0103 \u00een p\u00e2ine cu p\u00e2inea se fr\u0103m\u00e2nt\u0103 \u015fi tat\u0103l \u015fi mama sf\u00e2nt\u0103. Mai bun e frate-meu ca Bartolomeu. Nu te l\u0103sa \u015fi trage cu arcul \u00een desage, unii vorbesc ingli\u015f eu \u00eenv\u00e2rtesc igli\u0163i, nu te duce s\u0103 te spurce, de nu-i dai un sfan\u0163 \u00ee\u0163i arde-un g\u0103ina\u0163, dac\u0103 e\u015fti goril\u0103 d\u0103 foc la \u015findril\u0103, dac\u0103 dormi pe tine te d\u0103 la albine, bunicului pas\u0103rea s\u0103 i-o d\u0103m c-a\u015failea. A\u0163i v\u0103zut ceva mai frumos ca furtuna mai rotund ca luna, mai dulce ca zah\u0103rul e aurul, mai ur\u00e2t ca dracul este b\u0103rbatul.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mai urcat\u0103-n semn ramur\u0103 de lemn lunecat\u0103-n bronz pentru v\u0103rul bonz, sumbr\u0103 din o\u0163el pentru Nansi Bel, supt\u0103 din colastr\u0103 pas\u0103re m\u0103iastr\u0103, trezit\u0103 s-adormi \u015fi s\u0103 n-o mai torni. Somn de clopo\u0163el \u00ee\u0163i bat \u00een o\u0163el, vis de lamur\u0103 sar balaur\u0103 fierbinte de-a pururi te desfac din \u015fnururi. Cu dolii orgolii cu b\u0103tr\u00e2ne\u0163e \u00een\u0163eleapt\u0103 o arip\u0103 \u00een cer tot te a\u015fteapt\u0103, numai ea numai tu a\u0163i oprit \u00een loc sufletu a\u0163i oprit zborul cu piciorul. Copil \u00eemi dau start eu s\u0103 v\u0103 despart, n-o mai fi pe vale fl\u0103c\u0103ul \u00een zale, nu s-o mai dunga fecioarei frunza. \u00cen alt zbor mi-l \u015ftiu p\u0103rintele viu, niciun zbor nu \u015ftiu de p\u0103rinte viu.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Pas\u0103rea<\/em>) \u00centors de la T\u00e2rgu-Jiu, i-am \u00eent\u00e2lnit pe Velci. M-au \u00eentrebat de dodii. Poate iese bine povestea. La T\u00e2rgovi\u015fte, am avut o criz\u0103 de gastrit\u0103. \u00cenapoi \u00een Bucure\u015fti, nici fata, nici nimeni n-a vrut s\u0103 m\u0103 tulbure, sub cuv\u00e2nt c\u0103 aveam de scris la dodii. Am refuzat chiar pu\u0163inul alcool oferit de Nansi. Am plecat la Pas\u0103rea, la m\u0103n\u0103stire. Nimeresc \u00een Pas\u0103rea Frumu\u015fani, f\u0103r\u0103 m\u0103n\u0103stire.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Revin \u00een Bucure\u015fti, nu sun acas\u0103 \u015fi, pe la trei, schimb\u00e2nd multe tramvaie \u015fi autobuze, ajung \u00een p\u0103durea Pustnicului, f\u0103r\u0103 s\u0103 g\u0103sesc loc \u00een c\u0103su\u0163e, travers\u00e2nd apoi lacul, pe l\u00e2ng\u0103 troi\u0163\u0103, condus de un t\u00e2n\u0103r m\u0103celar, 23 de ani. \u2018Ajut\u0103-mi doamne\u2019, scrie pe pieptul lui, sub un desen reprezent\u00e2nd un leu care \u015fi-a c\u0103scat botul asupra unei flori. Tatuajele \u00eenfloresc \u00een toate periferiile ora\u015fului. Ghidul meu nu t\u0103iase o g\u0103in\u0103 \u00eenainte de a g\u0103si slujba, dar, \u00een perioada \u2018studiilor\u2019, v\u0103z\u00e2nd \u00een dreapta dac\u0103 se ferea s\u0103 vad\u0103 \u00een st\u00e2nga \u015fi fiindu-i nevoie de bani, ajunsese cel mai mare criminal.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Dac\u0103 merge treaba, disear\u0103 te vizitez. Femeii la care te duc i-a murit de trei s\u0103pt\u0103m\u00e2ni b\u0103rbatul. E, cum s-ar spune, o curv\u0103. Are un copil cam damblagiu\u2019. \u00cei spun c\u0103 s\u0103 vin\u0103 la ea, eu voind s\u0103 lucrez. Norocul meu c\u0103 nu e acas\u0103 \u015fi, ajutat de o familie, ajung la b\u0103tr\u00e2nul Viciu, tat\u0103l unui coleg. M\u0103 prime\u015fte, suspicios, \u00eei mul\u0163umesc, mai ales c\u0103 aduce cu Br\u00e2ncu\u015fi. Bl\u00e2nde\u0163ii ochilor aceluia, lips\u0103 la gazda mea, s\u0103-i fi asociat gesturile de la f\u00e2nt\u00e2na ad\u00e2nc\u0103 unde \u00ee\u015fi \u0163inea m\u00e2ncarea \u015fi apa adus\u0103 de la alt\u0103 f\u00e2nt\u00e2n\u0103?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mama Pas\u0103rea, Tata Pas\u0103rea, poart\u0103 moart\u0103 \u00een g\u00e2nd e g\u00e2de, m\u00e2ng\u00e2iere de t\u0103cere, bra\u0163ele pas\u0103re, mun\u0163ii mu\u0163ii, popa cu graiul mutul cu v\u0103traiul de jude aude se sinucide \u00een auzite.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Conflictul dodiei, mi\u015fcarea zodiei, c\u0103 s-o ating nu pot. Nici metafor\u0103 la anafur\u0103, rima nu e prima, omul nu e domnul, pas\u0103rea nu toarcerea, voi de apoi, cu mine de bine, nu suntem f\u0103r\u0103 blestem, de balaur m\u0103 mai tem. Renun\u0163 idee dodiei cheie, dodist exist (autor mor) templier pier. C\u0103ru\u0163a e-n genunchi, pas\u0103rea \u00een unghi, nu \u00een triunghi. Cuv\u00e2ntul spal\u0103 g\u00e2ndul, apa spal\u0103 groapa, a\u015ftepta\u0163i a teatru din cinci p\u00e2n\u2019 la patru acte dou\u0103 sau un pact e, acte \u015fi cu pacte, lapte cataracte, nu v\u0103 b\u0103l\u0103ci\u0163i s\u0103 nu vremui\u0163i. Poate ne m\u00e2ntuie ce ne b\u00e2ntuie \u015fi ne pa\u015fte ce ne na\u015fte \u015fi Eva cu seva \u015fi mama cu zeama \u015fi pas\u0103rea cu stoarcerea. S\u0103 nu v\u0103 uita\u0163i \u00een lume c\u0103 nu are nume. L\u0103sa\u0163i-v\u0103 ascun\u015fi \u00eentre pe\u015ftii un\u015fi, v\u0103 va prinde acu pescarului dracu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bocitoare, \u00eengrop\u0103toare de n\u0103sc\u0103toare. R\u0103t\u0103citu-te-ai mai t\u00e2n\u0103r c\u00e2t pot eu s\u0103 te r\u0103scump\u0103r, fiule, copilule, n\u0103scut dintr-o pas\u0103re, pas\u0103re de marmore s\u0103pat\u0103 de ma\u015ftere dintr-un mut din pe\u015ftere. Astfel singur pe p\u0103m\u00e2nt me\u015fterul are cuv\u00e2nt, f\u0103r\u0103-nt\u00e2ie bocitoare cu mo\u015fneagul la picioare, f\u0103r\u0103 mutul \u00een dureri, f\u0103r\u0103 fiu \u015fi m\u00e2ng\u00e2ieri. Dar a lumii desp\u0103r\u0163ire el o schimb\u0103 pe iubire cu fire \u015fi f\u0103r\u0103 fire, pas\u0103re ademenire \u2013 cum i-o bate clopotul \u00eei r\u0103sare bobotul, cum s-o opri toaca \u00eenvie s\u0103raca (m\u0103iastr\u0103), cum se \u00eensereaz\u0103 se ia dup\u0103 raz\u0103, v\u00e2ntul o \u00eenfoaie aripa se moaie. Me\u015fter, pas\u0103re \u015fi fiu numai mutul mai e viu, n-a vorbit, v-a dumirit \u00eenc\u00e2lcit \u00een labirint, dodie e me\u015ftera \u015fi mutul e pe\u015ftera, me\u015ftera e pas\u0103rea \u015fi mutul cu ma\u015ftera, mo\u015fi str\u0103mo\u015fi cu bocitoare s\u0103 ne fac\u0103 de m\u00e2ncare, bl\u00e2nd copil ce te-am iubit \u015fi tu nu m-ai auzit, am pus muma de-a bocit, un munte de te-a mo\u015fit, pas\u0103rea c\u00e2nd s-a ivit me\u015fterul l-am deslu\u015fit f\u0103r\u0103 grai \u015fi f\u0103r\u0103 rai c\u0103l\u0103tor din vai \u00een vai. Fericit\u0103 zodie c\u0103 m-am f\u0103cut dodie s\u0103 se nasc\u0103 ea (el) din masc\u0103 \u015fi s\u0103 creasc\u0103 p\u0103s\u0103reasc\u0103.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Zoriastra<\/em>) R\u00e2ca pe olteni n-are dec\u00e2t, s\u0103 m\u0103 joace la Ia\u015fi ai lui Ciolca, dac\u0103 nu m-ar fi prins la Matache M\u0103celaru Velcescu \u015fi Marina lui.Voi scrie lui Mircea Eliade. Vin verde pe lacul Pas\u0103rea. \u00a0\u00a0\u00a0\u00a0\u00a0 B\u0103tr\u00e2nul se \u00eencuie, \u00eengrije\u015fte florile \u015fi pomii, simpatizeaz\u0103 cu nem\u0163ii. A v\u0103zut muzeul satului din Munchen, nu \u015fi pe cel din Her\u0103str\u0103u. La 73 de ani, vrea s\u0103 mearg\u0103 la Moscova, pe dou\u0103 permise.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dodii, monografii euclidiene, romanul vie\u0163ii. A\u015f medita la cercuri, mi-a\u015f cump\u0103ra biciclet\u0103, \u015fi ma\u015fin\u0103 Nanei. A\u015f a\u015feza picturile lu\u2019 Nansi pe pere\u0163i \u00eenainte de a le risipi pe toate \u00een dar. \u015ei m-a\u015f ocupa de p\u0103rin\u0163i.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trec la partea penultim\u0103 (finalul e scris). Sinuciderea m\u0103iastrei \u00eemi st\u0103 \u00een g\u00e2t de la \u00eenceput, dar c\u00e2t de ibsenian. Trebuie s\u0103 merg la Capri. Dup\u0103 ce trec pe la Eduardo. Gata transcrierea, improviza\u0163ie nerimat\u0103 \u2013 m-a tentat tot mai pu\u0163in marea rim\u0103, olteneasc\u0103, aproape belg\u0103: dodie jigodie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mugetul umbrei de taur. Vitejii p\u0103m\u00e2ntului sufletul v\u00e2ntului. \u00cen scorbur\u0103 barba-\u015fi \u00eenvolbur\u0103. Jelesc la izvoare \u00eenecatul din mare. Copil din flori de nuf\u0103r. Care e a mea din dodiile altora. C\u0103lirea calului m\u0103luirea malului. \u00cen p\u0103m\u00e2nt cu trupul \u00een zbor cu sufletul. \u00cen loc de sear\u0103 s-a l\u0103sat p\u0103m\u00e2ntul. Aripi zbur\u0103toare via\u0163\u0103 nemuritoare. Taic\u0103-meu vrea s\u0103-mi transcrie manuscrisele (vreau s\u0103 te ajut). Prevaleaz\u0103 aten\u0163ia art\u0103. \u00cengropa\u0163i-m\u0103 cu groparii. B\u0103taia v\u00e2ntului umple cerul cu icoane. A murit nebunul am r\u0103mas noi. Pl\u00e2nge fiindc\u0103 nu a murit. Soare ve\u015fnic \u00een sfe\u015fnic. La poale de codru verde balaur sf\u00e2\u015fie Gheorghe.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am ales dintre tablourile lui Bub\u0103 <em>Corali. <\/em>Nana l-a pl\u0103cut \u015fi ea c\u00e2nd l-am dus acas\u0103 (apoi am plecat la permanen\u0163\u0103, unde-s \u0163\u00e2n\u0163ari, dar am citit \u015fi \u00eensemn\u0103ri de la inunda\u0163ii). Ghinionul dodiei de a fi cuv\u00e2nt din expresie. Parole che non sono e che sono impossibili (da Vinci). Fantezia moarte e via\u0163a, ceea ce se nume\u015fte via\u0163\u0103 e moarte. Cu c\u00e2t \u00eenaint\u0103m \u00een timp, adev\u0103rata via\u0163\u0103 e tot mai pu\u0163in\u0103, cu c\u00e2t ne \u00eentoarcem este mai adev\u0103rat\u0103. Prima este a noastr\u0103 f\u0103r\u0103 s\u0103 vin\u0103 de la noi, f\u0103r\u0103 s\u0103 fim ea, \u00eei zicem g\u00e2nd \u015fi nu e nici asta, c\u0103ci dac\u0103 cineva \u00ee\u0163i d\u0103 o t\u00e2mpenie pe cap, primul g\u00e2nd e : pizda m\u0103-sii, al doilea: e o t\u00e2mpenie, al treilea: cum a\u015f face s-o ia altul? Descrierea d\u0103 poem, amintirea \u2013 nuvel\u0103, vederea \u2013 roman. Dar s\u0103 l\u0103s\u0103m chefirele \u015fi s\u0103 lu\u0103m iar dodiile.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u00e2ngelui pl\u00e2nge-lui. Pl\u00e2nsul p\u0103s\u0103rilor bucuria gr\u0103un\u0163elor. Ceap\u0103 de m\u0103\u015fti, coas\u0103 de clopote, fulgere ugere, r\u00e2sul potopului.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Marcus<\/em>). Marcus il Buono, dieci crimini sulla pagina. Mandalo a noi, ufficio fondo corte, condotto di uno piccolo vecchio senza una mano e zoppo. Quella donna mi sentiva tutto che dicevo, adesso e morta. Anche la morte del polziotto non e la mia opera. Ucido altre bestie, piu familiari, stranni, stranieri.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mi dispiace il morto. L\u2019oddio piu che vivo. Cerco appena una penna. Non la trovo. Vedo la stessa casa con granda, sinuosa corte. Nuove forme di halucinazioni. Cerco la mia stessa morte, nel uno monde senza cadaveri reali. La mia ragione di nonessere. Parlo con te, morto.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vedo il diavolo, lo capisco. Uomini senza diavolo, morite, mi dica. Amico mio, non credi che c\u2019e tragico il tuo destino, anche se ti lo dico io? Sono il tuo diavolo nuovo, Marco il Buono, si, buono per l\u2019inferno.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Le forme sono morte. Adio alle arte. Non le cerca. Hai rasso la verita del mistero suprastorico. Omicidio per amore c\u2019e piu forte che il suicido. Eccolo cosi interdetto a me, ancora, sempre.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Perche desideravi parlare delle torture riservate a te? Credi che la sapevo? Hai uciso tutte le sfumature della gelosia. Oggi ho uciso uno piu socratico di te. Mi e piaciuta la sua sagezza quando ti liquido. Vorrei negare anche il pessimismo onesto degli morti per la patria.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Il mio crimine c\u2019e tua felicita. Ciao, turco.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>\u00cent\u00e2lniri<\/em>)Vremuri demne de ultimul dispre\u0163. Ochi terifia\u0163i a ne numi c\u0103 am rezistat. Dup\u0103 na\u015ftere, se sinucid senza zucchero, cu mintea \u00een dodii. A m\u00e2nat m\u0103g\u0103ri\u0163a s\u0103 ajung\u0103 acas\u0103 ne\u015ftiind c\u0103 o s\u0103 plece iar pe la Georgic\u0103 \u015fi mai ales c\u0103 o s-o fac\u0103 cu pl\u0103cere dup\u0103 ce va mai fi pl\u00e2ns o dat\u0103 c\u0103 tot nu se \u00eembr\u0103ca. Se mai iart\u0103 din soart\u0103, se mai d\u0103 c\u00e2te-o rait\u0103 de ru\u015fine sau de necaz \u00eens\u0103 mai pe la amiaz ca \u00een somn f\u0103r\u0103 vise calea sf\u00e2r\u015findu-mi-se.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am retranscris dodiile ascult\u00e2nd Bucure\u015fti IV. S\u0103 le las cum sunt, pe unde se afl\u0103, s\u0103 le despart \u015fi s\u0103 le adun totalitarist, s\u0103-le p\u0103r\u0103sesc pentru totdeauna (adic\u0103 s\u0103 mor \u015fi nimeni s\u0103 le editeze?) Nu avem secrete, suntem oameni mor\u0163i. Ni se cunoa\u015fte totul, \u015ftim dictatura, ne consol\u0103m cu autodistrugerea \u015fi sf\u0103r\u00e2marea valorilor \u2013 necesar\u0103. Toate g\u00e2ndurile au replici \u00een co\u015fmar. N-am v\u0103zut icoana adev\u0103rat\u0103 asupra c\u0103reia am pl\u00e2ns. Detest\u0103m creierul ca pe orice comandament ultracentral \u015fi d\u0103m m\u00e2inii, ochiului, picioarelor, sexului, urechilor autonomie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Era odat\u0103 nasul Vandei. \u015ei \u00eentr-o zi s-a r\u0103smirosit s\u0103 mai fie al Vandei \u015fi a vrut s\u0103 fie al Dianei. Diana, mic\u0103, avea un nas uite at\u00e2tica. Nasul Dianei \u00eei spune nasului mamei ei, care odat\u0103 se str\u00e2mb\u0103. Nasurile mamelor vecine \u00eei sar \u00een ajutor. Vanda, nemaisim\u0163indu-\u015fi nasul, se repede \u00eencoace pl\u00e2ng\u00e2nd, ca \u015fi Diana. E al meu, \u015fi l-a luat, l-a pus la locul lui, dar sc\u0103zuse, nu chiar c\u00e2t al Dianei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Asud c\u00e2nd pun la cale chiar o fantezie. Dict\u00e2nd m\u0103 transform \u00een manuscris, Creang\u0103 mi-l concureaz\u0103 pe Ezra Pound \u00een dodia cibernetic\u0103. Bucure\u015fti IV \u00eel declarase ultimul n\u0103ist \u015fi cartea \u00eei \u015fi fusese retras\u0103 din editur\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cel v\u0103zusem pe \u015eora, m\u0103 sunaser\u0103 azi C\u00e2ndea \u015fi Ghelmez, avusesem de a face cu doi mini\u015ftri \u015fi un viceprimministru, repezisem un secretar general de redac\u0163ie de la TV, refuzasem contacte \u015fi telefoane, m\u0103 b\u0103l\u0103b\u0103nisem printre directori \u015fi inspectori, printre propriile mele priviri deodat\u0103 \u00eentortocheate \u2013 c\u0103 dac\u0103 visezi c\u0103 nu po\u0163i alerga \u015fi vrei \u015fi nu mai po\u0163i \u015fi nu alergi \u00eenseamn\u0103 c\u0103 inima \u00een cur\u00e2nd te va l\u0103sa. Pornisem dup\u0103 zah\u0103r \u015fi ulei, c\u00e2nd l-am \u00eent\u00e2lnit pe George Alboiu \u015fi am stat c\u00e2teva ore de m-a durut capul. Primesc telefon de la Paul Tutungiu s\u0103 scriu ce doresc \u00een stagiunea viitoare \u015fi \u00eencerc s\u0103 bat la ma\u015fin\u0103 o variant\u0103 a br\u00e2ncu\u015fiadei noastre \u2013 Velce\u015ftii \u015fi cu mine. La kefir, Al. G.\u015fi Damian N. se v\u0103ic\u0103reau c\u0103 le-au picat c\u0103r\u0163ile.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Semne de alt\u0103 \u00eent\u00e2lnire, la ie\u015fire din aprozar. M\u0103 \u00eentreab\u0103, nu \u015ftiu cine e, vorbim de Br\u00e2ncu\u015fi. Ne desp\u0103r\u0163im. Altcineva, vorbim despre surori, accidente de menisc, sor\u0103-mea vitreg\u0103 nu e frigid\u0103, foarte bine, avusese de g\u00e2nd \u015fi s\u0103 se m\u0103rite. Dar cum \u00ee\u0163i mai spune, te \u015ftiu numai de Gigi. La zoo \u00eempreun\u0103 cu Nana \u015fi maica Veta. Fata s-a jucat cu veveri\u0163ele, apoi cu cerbul lop\u0103tar \u015fi c\u0103milele. Doi flamingi s-au luat la ceart\u0103, duel\u00e2ndu-se cu \u015ferpii g\u00e2turilor \u015fi ciocnindu-\u015fi ciocurile. Mama se mira c\u00e2t de ur\u00e2te erau maimu\u0163ele, \u015fi se mai zice c\u0103 omul e f\u0103cut din maimu\u0163\u0103. Leul a atras-o cel mai mult, mai ales url\u00e2nd.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lectur\u0103 R. Vulc\u0103nescu, \u201ePraxitele\u201d \u2013 Marina, Puiu, Paul T. \u015fi eu. Ahoe, azi: \u015ftii,Anca, \u015fi tu ai f\u0103cut pu\u0163in rugby. Capul \u00eemi spune vinde ce ai mai de pre\u0163 dar pe mine nu m\u0103 vinde, p\u0103r\u0103se\u015fte tot ce te \u0163ine \u00eemi spune m\u00e2na \u015fi pe mine nu m\u0103 l\u0103sa, \u015fi piciorul calc\u0103-m\u0103 dar nu m\u0103 abate gropii. Am zis a\u015fa, ca \u00een teatru, nu m-a vrut Ciucu, m-a primit Eugenia Popovici. Predat\u0103 iar cartea. De ce m\u0103 public\u0103 Astra?<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<em>Chele\u015f<\/em>): Dumnezeu e omul bun, omul r\u0103u e (Dumnezeu). S\u0103 reprezin\u0163i puterea suprem\u0103, nu un mo\u015fneag. Br\u00e2ncu\u015fi nu era vob\u0103re\u0163, de departe, ziceai c\u0103 e mut, c\u0103 nu are ton de vorb\u0103. Dar \u00een sufletul vie\u0163ii lui se ascundeau taine care nu se v\u0103d pe fa\u0163\u0103. Am fost licen\u0163iat la liceul de sculptur\u0103, la Ia\u015fi; la modelaj \u00een p\u0103m\u00e2nt am avut un italian, Celeste Fabio, la modelaj \u00een lemn, un slovac \u2013 Firfibocek.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M-am \u00eent\u00e2lnit cu Br\u00e2ncu\u015fi la Liga na\u0163ional\u0103 a femeilor rom\u00e2ne. \u00cel adusese so\u0163ia lui T\u0103t\u0103r\u0103scu. P\u0103i uite cine m-a adus \u00eencoace, de\u015fi aveam multe treburi, mi-a spus Br\u00e2ncu\u015fi. Ea f\u0103cuse liceul la Paris \u2013 b\u0103rbatul ei fusese s\u0103rac \u2013 \u015fi avea cuno\u015ftin\u0163ele ei acolo. Doamnele i-au spus despre Br\u00e2ncu\u015fi. De\u015fi e scund, are calit\u0103\u0163i.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Atelierul unde am lucrat, unde se f\u0103ceau expozi\u0163iile, se afla \u00een locul Teatrului Na\u0163ional de ast\u0103zi, peste drum de Universitate. L-am cunoscut \u00een 1936, c\u00e2nd a venit, a stat \u00een 1937, p\u00e2n\u0103 \u00een 1938 c\u00e2nd a lichidat lucr\u0103rile. Discu\u0163iile cu el erau \u00een privin\u0163a artei. Era foarte g\u00e2nditor, p\u0103rea c\u0103 vede ceva \u00een fa\u0163\u0103 \u015fi deseori se \u00eentrerupea, \u00ee\u015fi cerea \u015fi scuze. Pe l\u00e2ng\u0103 c\u0103 citise, avea ceva \u015fi \u00een sufletul lui, \u00een s\u00e2ngele lui. Parc\u0103 era sculptor n\u0103scut, \u015fi n\u0103scut era, natural. Era \u0163\u0103ran. Era un bun modelor. F\u0103cea un modelaj \u015fi apoi c\u0103uta s\u0103-i dea ni\u015fte linii mai drepte sau mai str\u00e2mbe.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu avea vicii, nu fuma, nu bea alcool, dormea pu\u0163in, de citit citea foarte mult. Reviste (\u015fi str\u0103ine), c\u0103r\u0163i diferite. Se interesa de diferite epoci, de domnitori, ce fel de via\u0163\u0103 petreceau. Era foarte curios \u00een felul lui.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vorbea cu oamenii, era foarte popular, dar nu vorbea mult, numai dac\u0103 g\u0103sea pe cineva s\u0103 stea de vorb\u0103, altfel nu. Nu vorbea mult cu fiecare. Cu anumi\u0163i oameni cu care putea s\u0103 se \u00een\u0163eleag\u0103. Dodii, \u00eemi dau seama, ceva parc\u0103 din Ion Creang\u0103, avea el ceva din felul lui. \u00cen anturajul lui se afla un lucr\u0103tor venit de la Paris. \u015ei era \u015fi o femeie. Da\u2019 vorbea fran\u0163uze\u015fte, vobea bine fran\u0163uze\u015fte. \u00cencepuse bietul de el pu\u0163in de tot s\u0103 \u00eemb\u0103tr\u00e2neasc\u0103. \u00cen \u201938 a lichidat lucr\u0103rile \u00eencepute aici, c\u0103 la Paris avea lucr\u0103ri. Tot lucr\u0103ri care vorbesc mult. \u00centr-o lucrare de-a lui se ascund multe taine.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Geniu, l-am cunoscut \u015fi chiar m-am \u015fi convins. De dou\u0103 ori m-a invitat s\u0103 m\u0103 duc cu d\u00e2nsul la Paris. Discu\u0163iile le cam aveam pe via\u0163a asta rom\u00e2neasc\u0103 \u015fi c\u0103 poporul rom\u00e2nesc, lumea de jos cum tr\u0103ie\u015fte, lumea de sus. Avea felul lui de a depl\u00e2nge mult s\u0103r\u0103cimea. Chele\u015f, am f\u0103cut asta din modestie, din s\u0103r\u0103cie, t\u0103ietura asta. Nu m\u0103 l\u0103sa sufletul, a\u015fa trebuia s\u0103 fac, fiindc\u0103 natura asta ne st\u0103p\u00e2ne\u015fte pe to\u0163i. Via\u0163a e un bun al omului cuminte \u015fi cinstit (e vorba lui). A\u015fa m\u0103 prindea (peste umeri): \u00eemi rup din suflet c\u00e2nd \u00ee\u0163i spun c\u0103 trebuie s\u0103 mergi cu mine. \u00ce\u0163i voi ar\u0103ta drumul t\u0103u. Din ad\u00e2ncul sufletului am rupt.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mi-a scris nu numai o scrisoare, vreo zece, la Ia\u015fi, la Bucure\u015fti. \u015ei c\u00e2nd i-am scris c\u0103 predau la liceul industrial, mi-a spus, \u00een r\u0103spuns, regre\u0163i c\u0103 n-ai mers cu mine, acum e prea t\u00e2rziu, nu po\u0163i s\u0103 iei calea pe care o luai atunci. Nu mai am scrisorile, pentru c\u0103 m-am str\u0103mutat de la Ia\u015fi la Bucure\u015fti, m-am retras la Neam\u0163 \u015fi apoi la Arge\u015f. Mi-am risipit tot. Sculpturi, un pat, ni\u015fte figurine.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am 80 de ani f\u0103r\u0103 c\u00e2teva luni. \u00cen 1916, la 25 decembrie, m-am dat voluntar. Ce patriot eram eu, dac\u0103 credeam c\u0103 dau cu nem\u0163ii afar\u0103? \u00centr-o s\u0103pt\u0103m\u00e2n\u0103, am fost pu\u015fca\u015f mitralior. Atunci nu se murea prea mult de gloan\u0163e, mai mult de mizerie. Dup\u0103 ce a trecut iarna ne-a dat cojoace \u015fi p\u00e2slari ruse\u015fti. Administra\u0163ie proast\u0103. Tat\u0103l meu se afla la garnizoan\u0103. Fusese s\u0103rac, mama avusese pu\u0163in p\u0103m\u00e2nt. Am plecat de acas\u0103 s\u0103rac. M\u0103 duceam la Paris, dar am avut o sor\u0103 infirm\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P\u00e2n\u0103 acum am avut elevi la Bellearte. Corcescu era cu mine la T\u00e2rgu-Jiu, un b\u0103ie\u0163el bun. E sculptor monumental \u015fi eu l-am \u0163inut la a\u015fa ceva, \u00eel ocroteam, \u00eel ajutam (c\u0103 directorul nu-l l\u0103sa, \u00eei lua figurinele \u015fi i le arunca). \u015ei Ene \u2013 \u00een stil rom\u00e2nesc era bun. Hu\u0163anu \u2013 o buc\u0103\u0163ic\u0103 de rom\u00e2n cu mult suflet \u00een el, foarte mult. Are lucr\u0103ri frumoase. Cu d\u00e2nsul am vorbit \u015fi port coresponden\u0163\u0103. M\u0103, s-avem \u015fi noi un album cum avea Austro-Ungaria pe timpul gloriei \u2013 f\u0103cuse o enciclopedie, o aveam eu, am dat-o directorului de la Urziceni \u015fi n-o mai scot, de doi ani, de la el, dar la Hu\u0163anu a stat 15 ani, o aveam de la tata.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oamenii spuneau despre Br\u00e2ncu\u015fi, fiindc\u0103 era retras, c\u0103 e un dement, dar nu-i a\u015fa. Eu v\u0103 spun, sunt om de 80 de ani, eram t\u00e2n\u0103r c\u00e2nd l-am v\u0103zut \u015fi l-am cunoscut, un om destul de \u00eentreg \u015fi cuvintele lui nu le pot uita p\u00e2n\u0103 mor. (Transcrierea e a patra \u00eemp\u0103rt\u0103\u015fire, aproximativ\u0103 fa\u0163\u0103 de cea dint\u00e2i, de la b\u0103tr\u00e2nul P\u0103v\u0103luc\u0103 \u2013 nu m\u0103 putea auzi din cauza r\u0103gu\u015felii mele \u015fi a vetei lui din urechi, \u015fi atunci vorbea tare el, \u00een compensa\u0163ie. \u00cen drum spre tramvai, a mai afirmat \u00eenc\u0103 o dat\u0103:) Cred c\u0103 era Dumnezeu. Spunea: Dumnezeu e omul bun, omul r\u0103u e dracul. (L-am invitat s\u0103-mi scrie el, dar mai bine i-a\u015f scrie tot eu, orient\u00e2ndu-i, m\u0103car \u015fi gre\u015fit, cheful de moldovenizare sublim\u0103 a lui Br\u00e2ncu\u015fi).<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu mai sunt poli\u0163i\u015fti pentru romane poli\u0163iste, emigran\u0163i pentru exterior. \u0162i-ai luat adio de la cuv\u00e2nt. Cuv\u00e2ntul e ironie, t\u0103cerea nu. Cu cine vorbesc? Cui m\u0103 na\u015fti? Hai acas\u0103, b\u0103tr\u00e2ne.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nebun\u0103 pentru c\u0103 eram copil, \u015fi ce copil nu se ascunde-n b\u0103l\u0103rii? Adu-\u0163i \u00eens\u0103 aminte c\u0103 eu nu m-am ascuns \u015fi am atacat pe fa\u0163\u0103 strig\u00e2nd pe drumul mare eu m\u0103 m\u0103rti cu Marin. Pienjenii o luar\u0103 \u00een sus. Se las\u0103 dou\u0103 seri deodat\u0103. Clopotul din a doua viziune.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O mutare te desparte de-al partidei noastre tron \u2013 cu nebunul \u00eentr-o parte regele e campion. Cine m\u0103 taie a t\u0103iat mai \u00eenainte pe cel ce-l t\u0103iase ca s\u0103 nu m\u0103 taie. Borges \u00eendoindu-se de Montale, pentru Malraux. Montale a primit Nobel-ul fiindc\u0103 m\u0103 primise pe mine, mai \u00eenainte, \u00een vizit\u0103, spre deosebire \u00eenc\u0103 de Malraux \u015fi Borges. Lui Malraux, e drept, \u00eei dedicasem <em>Perseu<\/em>, dar mi s-a t\u0103iat dedica\u0163ia.<\/p>\n<p style=\"text-align: justify;\">ando da Basarab a T\u00e2rgovi\u015fte<\/p>\n<p style=\"text-align: justify;\">con il treno che l\u2019aspetto<\/p>\n<p style=\"text-align: justify;\">nella stazione da poco tempo<\/p>\n<p style=\"text-align: justify;\">lettera del mio occhio<\/p>\n<p style=\"text-align: justify;\">guarda una parola-uomo<\/p>\n<p style=\"text-align: justify;\">viaggio tutto nuovo<\/p>\n<p style=\"text-align: justify;\">freddo tra gli treni<\/p>\n<p style=\"text-align: justify;\">non pensando a Bacovia<\/p>\n<p style=\"text-align: justify;\">beve amico dimentica il vagone<\/p>\n<p style=\"text-align: justify;\">imperio vivo guardi les lettres<\/p>\n<p style=\"text-align: justify;\">paese viva che non esiste<\/p>\n<p style=\"text-align: justify;\">ti prego accettare essere mio padre<\/p>\n<p style=\"text-align: justify;\">anche del mio personaggio<\/p>\n<p style=\"text-align: justify;\">con chi sta saturatore in civita<\/p>\n<p style=\"text-align: justify;\">che passe incoretto nella lingua<\/p>\n<p style=\"text-align: justify;\">che fa il maestro da lontano<\/p>\n<p style=\"text-align: justify;\">la sera a Madrid con torrero<\/p>\n<p style=\"text-align: justify;\">si scende una colomba<\/p>\n<p style=\"text-align: justify;\">in ambiento di tutti questi stranieri<\/p>\n<p style=\"text-align: justify;\">giovanino facia dell\u2019aqua<\/p>\n<p style=\"text-align: justify;\">spettacolo di coraggio epoca nuda<\/p>\n<p style=\"text-align: justify;\">guerriero sul cavallo a vale sua<\/p>\n<p style=\"text-align: justify;\">inamorati cieci perduto linguagio<\/p>\n<p style=\"text-align: justify;\">nessun\u2019 scienza nell\u2019 carrozza Montale<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Spionism la boi, marca tr\u0103d\u0103rii de nimicuri, a nu mai fi urlete pe la Urla\u0163i, poli\u0163i\u015fti, transfugi. Escal\u0103 \u00een sculptur\u0103. Ca s\u0103 dai \u00eenapoi, trebuie s\u0103 ai cuno\u015ftin\u0163e \u00een iad, viitorul singuraticilor cu g\u00e2nduri negre, salvat de cafea, \u00eenver\u015funat de cancer. Numai cauze peste tot. Da, tat\u0103, luna se joac\u0103 \u015fi ea pe afar\u0103, toat\u0103 noaptea, \u015fi cine o las\u0103 afar\u0103, Bau-bau.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Te-am dus cuminte, cu tandre\u0163e, dezv\u0103luindu-\u0163i c\u0103 nu mergem la control at\u00e2t de diminea\u0163\u0103, c\u0103 ne vom \u00eent\u00e2lni cu un prieten al doctorului (s-a \u015fi prezentat, formal \u2013 s\u0103 fi \u00een\u0163eles de la el neputin\u0163a noastr\u0103, a tuturor?) Dac\u0103 \u00eemi iert c\u0103 te-am l\u0103sat acolo, \u00een seama lui Mache \u015fi a fi\u015fierului, \u00eenseamn\u0103 c\u0103 \u00eemi iert satrapii care m\u0103 f\u00e2r\u015fesc asemeni cobaltului pe tine. Dar \u00eentorc\u00e2ndu-m\u0103 \u015fi neg\u0103sindu-te, plec\u00e2nd cu fata \u015fi repezindu-te la \u00eent\u00e2lnire (cu o t\u0103g\u00e2r\u0163\u0103 de te coco\u015fa \u015fi s\u0103n\u0103toas\u0103), la ce-\u0163i mai trebuia iar s\u0103 pl\u00e2ngi, s\u0103-\u0163i vin\u0103 s\u0103 pleci acas\u0103 la \u0163ar\u0103, ori s\u0103 te str\u00e2ngi de g\u00e2t? M-ai n\u0103scut cu team\u0103 de cum se va petrece.<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>Naufragiu Baudelaire <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong> <em>Pentru Alexandra<\/em><\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 St\u0103p\u00e2ne\u0219te-m\u0103, limb\u0103, nu m\u0103 musc\u0103li, c\u00e2nd \u021bi-a fi mai greu de chin, s\u0103 fii ca mine str\u0103in, s\u0103 te v\u0103d umbl\u00e2nd pribeag, \u00een opinc\u0103 \u0219i toiag, cer\u00e2nd mil\u0103 de la prag.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 16 (28) mai 1812: Prutul, din locul unde acest r\u00e2u p\u0103trunde \u00een Moldova p\u00e2n\u0103 la \u00eent\u00e2lnirea sa cu Dun\u0103rea, apoi pornind din acest loc, \u021b\u0103rmul st\u00e2ng al acestui din urm\u0103 fluviu p\u00e2n\u0103 la Chilia \u0219i p\u00e2n\u0103 la v\u0103rsarea \u00een Marea Neagr\u0103, vor face hotarul celor dou\u0103 \u00eemp\u0103r\u0103\u021bii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (2002). Conferin\u021ba pl\u0103nuit\u0103 pentru 15 ianuarie, c\u00e2t n-ar putea fi t\u0103cut\u0103, bine, oarecare inrostire \/ decomunicare. Z\u0103pada lunec\u0103 de pe tabla foi\u0219orului. S\u0103 juri, n-ai cui, m\u0103car \u0219i poruncile de sub alt cer. Rupt de India, rupt de Ierusalim, ce suflet m-o mai sufla. Deocheate \u0219i sursele antropologice, din noi \u00een nenoi. G\u0103se\u0219te imnul de la 1877, de-l c\u00e2ntar\u0103 la Plevna, prin curcani, inventeaz\u0103-l. Cuvintele nici nu le scriu, le folosesc, cum \u0219i noi suntem folosi\u021bi. De n-a\u0219 glumi. Bine din Aldine, Mo\u021ba \u0219i Marin, crimele de fa\u021b\u0103. Inocen\u021bia Sturges, arheologul \u00een cea\u021b\u0103. Mithra \u2013 Christos \u00een Kashmir-Ierusalim, prea persoan\u0103. Milton, c\u0103 deodat\u0103 cu tat\u0103l, preluciferic. Gambinio, sacrificiu spre un avantaj. Dup\u0103 50 de ani, m-a recunoscut dup\u0103 mers.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prea mult\u0103 lume (re)vine ca spre a ne ucide comic, la timp. Pe compliment-complement. Ce pierdere embolic\u0103 s-o ascunde. Trimis al libert\u0103\u021bii de sine prin ini\u021biere s\u0103-i zicem arghezian\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nici singur \u00een C\u0103r\u0103st\u0103u, poate \u00een Timi\u0219 mai la verde. (5 mart) Precum n-ar pleca \u0219i n-ar sosi niciun tren \u00een gara fiin\u021bei noatre, \u0219i aia, nemutat\u0103, ar fi perpetuu pe-un destin concomitent.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 India, dac\u0103 nu r\u0103spunde, Kashmir, cu fostul institut filosofic Indira-Margaret, poate umiditate, hai, Jane, \u00eentr-o or\u0103, s\u0103 vezi \u0219i cartea, \u0219i s\u0103 v\u0103d unde \u00eenghesui pe-ale mele. Se judec\u0103 fondul la curtea de apel, schimbare de procedur\u0103, din 2000. Nimeni n-ajut\u0103 cu nimic. Cine \u0219tie nu spune, ori au rupt contactul cu realitatea. Ocuparea a fost \u00een scop militar, nu era translativ\u0103 de proprietate, nu e titlu, \u00eenseamn\u0103 c\u0103 se \u00eentoarce ilegal na\u021bionalizat\u0103.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tokyo. Mai fiece concept, o sabie. M\u0103 aflu \u00eentr-o c\u0103l\u0103torie corporal\u0103. De unde \u0219i ochii, de nu \u00eenmorm\u00e2ntarea tatei, c\u00e2nd \u021bara ta poate s\u0103 respire \u00een septembrie 2002. Norii \u0103\u0219tia m-or fi recunoasc\u00e2nd. Nu ne rupsesem din pumnii stru\u021bului. Nu ne-am opri din marea aventur\u0103 nici mor\u021bi. Nu mai are nimeni nicio putere.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alura voastr\u0103 pe mine m\u0103 dezn\u0103d\u0103jduie\u0219te, oricine-a\u021bi fi, izvor\u00e2te din vulpea soarelui. \u00cemi e\u0219ti Sicilie p\u00e2n\u0103 la moarte. Pies\u0103 de-a\u0219 scrie, mi-a\u0219 \u0219i juca-o, fata asta o \u0219tie pe-a lor. Din trans\u0103 \u00een trans\u0103 cu pe\u0219te \u00een poala oceanelor. Dac\u0103 noi am fi cuvintele noastre.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Miez de ispit\u0103 a reacapara plaja plata de-a sufletul tinere\u021bii eternizarea vitalit\u0103\u021bii proprii prin canibalizarea simbolic plagiatoare a celuilalt am pasti\u0219at \u0219i eu ucideri alter-ego fizicalitatea sunetului cosmic om<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sandule, te citeam ieri ca pe-un japonez, reversible archetypes, mutilare regeneratoare prin retragere \u00eenainte de regenerare a entit\u0103\u021bii paracorporale. Re\u00eencarnarea n-ar fi a trupului prezent, mi\u0219c\u00e2nd, g\u00e2ndire \u00een trup cu veleitatea patimii, timp acorporal, acreat. Barba mi se ca\u021b\u0103r\u0103 dup\u0103 arsenic. Antropologia p\u0103rului cre\u021b. Animale \u0219i plante, prelungiri ale trupului omenesc, \u00eentruc\u00e2t dispari\u021bia omului ar salva celelalte specii. De nu l-or fi omor\u00e2t \u0103ilal\u021bi pe Satyavrat, a\u0219a \u0219i cu rom\u00e2nii, vreo discre\u021bie, sunt ceva mai englezi ca japonezii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u0103 voi mi\u0219ca pe p\u0103m\u00e2nt, \u0219i \u00eenc\u0103 al Japoniei, cu vulcani. Pe\u0219tele \u00eel privisem cu ochii lui Shiva. Trup tradi\u021bional, trup postmodern. C\u00e2t s\u0103 nu ne mai fie fric\u0103 de ap\u0103. Ar\u0103t carbonizat de becul-vulpe-lun\u0103. Mai ajunsesem noaptea \u00een Mauritius. O \u00eencondeiem de lemn, s-o cumpere \u0103i din Seattle.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vine vorba de ritm, supersti\u021bii (ne)str\u00e2ng\u0103toare de g\u00e2t, luna \u021bi-o apune ca orice halucina\u021bie. Soare pe dreapta, fost\u0103 lun\u0103, ca-n Eminescu, spre a nu-l actualiza japonez. Bizoni niponi, nizoni biponi. Sf\u00e2rcul lui Fuji. Musashimaru bate.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u0103bii sur\u00e2z\u0103toare. Tehnologia r\u00e2de. Expresia operatic\u0103 d\u0103 \u00een rictus-scumpete. Dirijorul chiar pl\u00e2nge. A\u0219a \u0219i Tokyo, din c\u0103tun de pescari, citadel\u0103 stelar\u0103. Sabie no, no ho. Sur\u00e2sul, o yoga-evantai. Prospectul Floren\u021ba. Mi-a p\u0103rut bine de ciori. Tot se pl\u00e2nse cu mine Chie Nakane de izolarea Japoniei. Obsedat\u0103 sabie de alt\u0103 sabie. Copacii imit\u00e2nd umanitatea gra\u021bioas\u0103. Sine-le shinto, Hie \u0219i maimu\u021bele asem\u0103n\u0103toare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ne str\u00e2ngem \u00eentr-un pas al aerului din noi, ne-am tot apleca dinaintea dumitale, pe scar\u0103, Confucius, v\u0103d c\u0103 sui la Hie, confuzie nedemn\u0103 de un cititor al lui Blaga. N-am \u00eent\u00e2lnit nic\u0103ieri at\u00e2\u021bia rom\u00e2ni ca \u00een Japonia. Kanasawa, mai Gigel ca Otoro, la a c\u0103rui m\u00e2n\u0103 voi mai putea fi desear\u0103, la banchet \u2013 f\u0103r\u0103 loc, \u00eens\u0103 pl\u0103tit \u2013 banul \u0219i gata, c\u00e2nd cu Edo, un milion. \u00cel \u00eentrebasem ce zice de conceptul de ras\u0103, c\u0103 nu exist\u0103, dac\u0103 e voie s\u0103 expui \u021beste, c\u0103 da. Japonie, iube\u0219te-m\u0103 \u0219i pe mine. Drag\u0103 mi-era lumina cire\u0219elor din coast\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ulrich fu condamnat la moarte \u00een Pataya pentru bordeluri, de nu profanarea c\u00e2inilor no\u0219tri, avem surplus de profanatori, \u00een\u0219ine magnet de pe lume, o rezerva\u021bie de profanare, maica leprozeria lui Lebedev \u0219i armata a 14-a a lui Lebed, tocmai \u00een\u0219iruit\u0103 de Ila\u0219cu. Nimeni s\u0103 se recunoasc\u0103 b\u0103tut, atunci nici eu, samuraiule. Dac\u0103 a\u0219 damblagi acum, a\u0219 r\u0103m\u00e2ne japonez. Arrigato gozaimasu.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nou\u0103, nu veche, vou\u0103, nu nou\u0103. M-o piept\u0103na coada coco\u0219ului ori creasta mun\u021bilor. If Rama will give me a comb I will never comb myself. Zbur\u0103m \u00een limba dodo \u00een dodii. Pu\u021bin ne-a mai r\u0103mas \u00eenvierii tale \u00eentru a oricui \u0219i nondispari\u021bii. F\u0103ceam o indianistic\u0103 diasporean-global\u0103. Glob solar, comenzi cu b\u0103taie de alt clopot, de vorb\u0103 reflect\u0103rii globulare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Incia valorosului val valatholic. Dormitor ne era Mauritius. Voi a\u021bi \u00eenceput apelurile caden\u021bei ens. La noapte, peste ecuator \u0219i mai jos, zbur\u0103t\u0103cindu-v\u0103 goelanzi. Cal avanti, Cavalcanti. Alinare pantagruelic\u0103 Transvaal. Tu e\u0219ti mai mult oase. Torment aulic. Curepipe. M\u0103 culc \u0219arpe. Cea mai necunoscut\u0103 noapte, peregrinarea alternativ\u0103 harapnic, curentate de Africa fe\u021be incognito, ies din bidimensionalitate de-a bu\u0219ilea.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cemi sunt crampa c\u0103r\u0103u\u0219it\u0103 la \u00eent\u00e2mplare \u00eentre transe de m\u00e2na a doua prin peninsula m\u0103slinie. Recalcul\u0103m prestigiul, nemurire spre cealalt\u0103 emisfer\u0103, estetic\u0103 de accident, autobumerang geto-celt, snobism sud-african dup\u0103 green. S-a oprit \u0219i fabrica amurgului. Majoritate alb\u0103 \u00een curs\u0103 african\u0103. Clan\u021ba c\u00e2t Fran\u021ba. Stele \u00eentunec\u0103\u021bele. Dun\u0103re punere runere. Adusul haosului mai devreme., trec\u00e2nd ecuatorul peste Atlantic.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rugii dintre p\u0103durile spre M\u0103z\u0103raru. Fantezii sexuale cu o leoaic\u0103. Pe c\u00e2nd mai tr\u0103im \u015fi nucului t\u0103iat spre a-i pl\u0103ti tronul mamei. Danseaz\u0103 \u015fi tu s\u0103 te dezmor\u0163e\u015fti. Oameni a iubire n-au fost m\u00e2ntuire, zbor de poc\u0103ire mai de\u015fteptuire. Schimba\u0163i-v\u0103, convoaie, vama, anestezie dep\u0103rtarea pogor\u00e2toare, ne potolim potopirea la o parol\u0103. \u015ei ce s\u0103 ne mai zicem pe \u0163\u0103ri \u015fi oceane c\u00e2t nici \u00eentr-o piuli\u0163\u0103 pierdu\u0163i sub pis\u0103logirea acelora\u015fi fiare? Secretul e mic \u015fi s\u0103 vezi dr\u0103covenie carantin\u0103 de sine \u00een ferice obscurantism.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dac\u0103 nu sunte\u0163i stele, atunci eu ce v\u0103d? Ne vorbisem prin copii, tu \u015fi nepo\u0163ii. Fuga scrisului de orice realitate. Scrise mai pu\u0163in curate, nescrise preacurate. Scrise\u015fi sup\u0103rarea, muri\u015fi. Carte citit\u0103, \u00eentoars\u0103 f\u00e2nea\u0163\u0103. Lun\u0103 paramatma, tr\u0103deaz\u0103-m\u0103, ca orice corp. \u00cen Gange min\u0163i zee\u015fti m\u0103 aflar\u0103 fraz\u0103, astenia ecuatorului, inghinali Carp\u0163i prin Kilimandjaro, Covurlui infinit. Blonda car\u0103 copilul negru de-a berbeleacul \u00een balade sco\u0163iene: mul\u0163i copii blonzi c\u0103ra\u0163i de negrese, copii negri c\u0103ra\u0163i de albe. F\u0103r\u0103 piept\u0103n \u015fi f\u0103r\u0103 Johanesburg m\u0103 descurg. Ignorant aventurier la negru, ceilal\u0163i \u015ftiu tot, n-au dec\u00e2t s\u0103 se distreze, s\u0103 nu le fie frig, cald. M\u0103 africanizez pe loc. Te po\u0163i \u00eendr\u0103gosti de propria patrie, f\u0103r\u0103 leoaice. Tot scrie pe caiet Natonal Library of Scotland.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu m\u0103 tem de ore. Din Rilke, vreo run\u0103. Mai ai 11 minute africane. \u00ceno\u021bi strigoiul Baudelaire \u00een Oceanul Indian. Se cheam\u0103 neprogramare, oarecare libertate de \u00eenec. De-or fi av\u00e2nd \u0219i cartea c\u0103pitanului. Sunt un biet om din Mauritius. Prima or\u0103 \u00een Africa, \u00een aeroportul din Johanesburg, a m\u0103 \u00eentoarce la orele lui Rilke, tr\u0103ite de Baudelaire cu nevasta doctorului. I am Mauritius. Numai diamante, p\u0103l\u0103rii Malawi, safari. Pas\u0103rea secretar. Noir Peak, Ruisseau Creole. E frumoas\u0103 limba voastr\u0103, ca sco\u021biana, r\u00e2s\u0103, oameni de treab\u0103, o\u021bi fi ni\u0219tr intelectuali. \u0218i \u0103le dou\u0103 muieri \u0219i b\u0103rbatul r\u00e2d.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Adorm \u00een co\u0219 spre Mauritius. Hanuman e gata \u00een Curepipe. A\u0219 fi \u00eenceput stan\u021ba safari \u00een necuno\u0219tin\u021b\u0103 de sf\u00e2\u0219iere. Aceast\u0103 ordine m\u0103 nelini\u0219te\u0219te. At\u00e2ta lux pe pu\u021bini. Invading guawa. Ne-om afirma sco\u021biene\u0219te. Las vou\u0103 sanskritikon. \u0218ederea e accident al atingerii, eflorescen\u021b\u0103. Argument indian al rom\u00e2nismului, caut \u00een dodii disp\u0103ruta dodo, m-a\u0219 face ea, dodo \u0219i alt\u0103 pas\u0103re \u00een f\u0103r\u0103-viza-noastr\u0103, printre tunuri vechi, nu telescoape Hubble. O relaxare ne\u00eens\u00e2ngerat\u0103 din lips\u0103 de timp.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mare primejdie pistolul t\u0103u cu aer. Fura\u021bi de maternitatea timpurie a salva\u021bilor, nu-\u021bi mai trebuie p\u0103rin\u021bii lumii tale, na\u0219ti prin partenogenez\u0103 libertatea, mai \u0219i crescu, a \u021bi-o fura zmeii. Rar s\u0103n\u0103tos ca-n ochi cu marea ast\u0103zi, nu v\u0103 telefonez din \u021binta atins\u0103, ce glon\u021b se mai \u00eentoarce gol pu\u0219c\u0103? Oricum, n-am piept\u0103n. Oceanul mult mai vechi ca fulgurarea \u00eentrup\u0103rii raphus cucullatus. Trepideaz\u0103 genera\u021bii sub\u00e2n\u021belese paradisul sinuciderii atins tot pe naufragiu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paul \u0219i Virginia, ea de aici. Creol\u0103 baudelairean\u0103, avatar de \u021bestoas\u0103 \u00eentr-o pies\u0103 de-a apelor \u00eenotate \u00een Malabar. Iubeasc\u0103-te necititorii ofi\u021berilor regali \u0219i eu te cunun l\u00e2ng\u0103 banyan cu lemurienii. \u0218i voi la mun\u021bi \u00eemp\u0103rt\u0103\u0219indu-v\u0103 gra\u021bia mai t\u00e2n\u0103r\u0103 dec\u00e2t familia \u00eendr\u0103gostit\u0103. Cu zece ani mai mult pe\u021bitorul Josef \u0219i tot pe acolo avocatul c\u0103tre ahimsa. Mai avem de bun\u0103-voie \u0219i naufragii pauliene, ne-or fi absorbind \u00een insule. Furtuna s-o tot l\u0103sa a\u0219teptat\u0103 \u00eenger. Puterea vie\u021bii pe vapoare, pe avion \u00eentr-o coresponden\u021b\u0103 a vulcanilor de aici p\u00e2n\u0103 la Edinburgh duce.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ieri am venit cu Charles \u00een Mauritius. O sut\u0103 \u0219aizeci \u0219i unu plus 20 minus 58. Numai doctori, cas\u0103 l\u00e2ng\u0103 cas\u0103. Nevasta hipnotistului plecat\u0103. Tu te duceai de unde ei veniser\u0103 \u00een explozia trestiei dulci. Se \u00eentunec\u0103 devreme, cum apare Cythera ce ne-ar tonitrua aici, ori c\u0103pitanul moarte ini\u021biindu-te prin oceanul rupt, opiat colonialistul de peste m\u00e2nec\u0103, a\u0219a numai aici pidgin pe femile iubite de voi \u00een fran\u021buze\u0219te, hai s\u0103 prefer\u0103m chinezoaicele.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Via\u021ba chiar e frumoas\u0103, scrie la magazin, peste drum de pu\u0219c\u0103rie. V\u0103 \u00eenchipuia\u021bi ap\u0103rare de str\u0103mo\u0219i \u00een c\u00e2ntece de sclavie. Lumea schimbat\u0103 se las\u0103 de con\u0219tiin\u021b\u0103. P\u00e2n\u0103 \u0219i Marco il Buono al meu de pe aici \u00ee\u0219i aducea crimele \u00een creierii mei de la Carpa\u021bi \u00een Himalaia. Sosir\u0103m un lot de naufragia\u021bi, dar lumea \u00ee\u0219i dore\u0219te musafiri cu bani sau cruzi conchistadori a ne zidi mor\u021bi.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cemi extrag insula din spaim\u0103. Am furat lemne de la Yama, judecat a-l pl\u0103ti de trei ori. Opiu s\u00e2ngele vulcanului \u00eenchegat \u00eentr-un naufragiu de fragi. Piesa de pe caietul de matematic\u0103, s\u0103racul muntelui, bogatul m\u0103rii. S\u0103 nu-mi spui c\u0103 n-am fost \u00een tot locul, \u0219i la grajduri, ar\u0103tara cailor tun\u0219i, ras\u0103 la ras\u0103, cu oameni la serviciu, mai apropiindu-mi \u0219i munte-verzimea, nu pe poduri bour bonice peste fluturi de-un deget, arbori \u00eenflori\u021bi ca-n ce (n-)a v\u0103zut Baudelaire. C\u00e2t ne e corabia, c\u00e2t naufragiul. C\u00e2nd am venit \u00een Port Louis eram rom\u00e2n. Laud\u0103 norocului de a fi \u00een via\u021b\u0103 \u00een Mauritius.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 pe dealul islamului pe valea neneamului dodolita dodului la bourbonul podului indian chinezului mauritanezului pe la noapte Africa ne dezbrac\u0103 sarica \u00eentre arborii \u00eenflori\u021bi creola o und\u0103 \u00eentunec\u00e2ndu-se lumin\u00e2ndu-se respira\u021bie pe Oceanul indian grea c\u00e2t un naufragiu caracati\u021b\u0103 e\u0219uat\u0103 \u00een formol sabia din \u00eenfloritele cimitire fulger\u0103 \u00eenchipuirea de pe ponton masiv\u0103 sc\u0103p\u0103rarea sur\u00e2sului pe fa\u021b\u0103 mi-aduse naufragiul a m\u0103 salva pe via\u021b\u0103<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 muzee \u00een insul\u0103 f\u0103r\u0103 eroi p\u00e2n\u0103 \u00ee\u0219i aduser\u0103 zeii goi Elisaveta fu mama noastr\u0103 s-o ating\u0103 necredinciosul \u0219i s-o omoare and pray that your flight may not be in winter \u00een ritmul genera\u021biei fetei l\u0103sa\u021bi-mi dreptul la naufragiu \u00een baroul lui Mahatma Gandhi l\u00e2ng\u0103 \u0219coala lui Fernando Pessoa pour porter le salut jusqu\u2019aux extremites de la terre traducerea lui Christ \u00een limba lui Baudelaire un exemplar din Mamma Trinidad primit de directoarea japonez\u0103 de la biblioteca municipal\u0103<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O m\u00e2n\u0103 se duc \u00een Rodrigues la castel. Nev\u0103zut deja v\u0103zut. Vin \u00eencoace ai lui Chazal \u0219i du\u0219manii. Adic\u0103 at\u00e2t a r\u0103mas din Lemuria. Va trebui s\u0103 am grij\u0103 de nevast\u0103 ca ea de mine. Nu \u0219tiu unde m\u0103 aflu. Credeam c\u0103 e\u0219ti tu, ce spaim\u0103 identitar\u0103 \u00een palmieri. Fluen\u021b\u0103 maldororian\u0103, albastru vorone\u021bian pe Oceanul Indian. Nu mi-e fric\u0103 de Africa. M\u0103 \u00eembraci, ne potrivim gulerele. N-a dat niciun semn dodo \u00een \u0219edin\u021ba spiritist\u0103 \u00een dodii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u0219 pune motto-uri dese ca Walter Scott spre a-mi creoliza lira. P\u00e2n\u0103 una alta, ne vom numi tot dodo. Sub ecuator, muzic\u0103 sega. Numai creol\u0103 o doamn\u0103 a la Edith Piaf, mai pu\u021bin ocult\u0103, mai ritual\u0103. Insula repetase tardiv facerea lumii, frumos sufletul copiilor pe via\u021b\u0103, Dumnezeu at\u00e2t de aproape. Mun\u021bi hieroglifici. Trestie de amvon \u00eendulcind programatorii popula\u021biilor de zah\u0103r \u0219i noi at\u00e2t de continentali \u0219i \u021bintui\u021bi c\u00e2nd pl\u0103cerea s-o fi av\u00e2nd numai \u00een afar\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fost-am naufragiu creierului mic mun\u021bilor afina fir de borangic. Vezi-\u021bi sufletul \u00een Mauritius f\u0103r\u0103 vorb\u0103 de nefericire. Cel mai potrivit ar fi s\u0103 fiu \u00eempu\u0219cat. St\u0103tui la Saint Georges cu Nataraja. S\u0103lb\u0103ticia fire\u0219\u0103 peste creator at\u00e2tul v\u00e2n\u0103tor ramayanor. Nici nu mai ai c\u00e2nd schimba vedele. Om vedea o Ramlila african\u0103. Acum la r\u00e2nd cazarma se v\u0103ruie, instruc\u021bia peste cinci ore de pace, regia concre\u0219te contribuabilul. Puteam trimite \u0219i la radio ca summit paralel, c\u0103 \u0219i noi fundamentali\u0219tii tocmai am prins gustul preunicatului. Jungl\u0103 \u0219i m-a\u0219 sp\u00e2nzura maimu\u021belor. Ce face\u021bi, fetelor, tot f\u0103r\u0103 al vostru? Ne mai deta\u0219\u0103m, ne mai \u00eengr\u0103\u0219\u0103m la \u00eennegrire.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u0219 \u00eenota eu de rechini clasa\u021bi cum c\u0103rai jersee \u0219i ciorapi gro\u0219i de Baia Mare a lui Popescu. Atena ar fi mai sus mai cold rece. Gustul somnului de nemurire pumnalat\u0103. N-a fost s\u0103 nu visez o prindere \u00een capcan\u0103. Mauritius \u00eenapoi, Miori\u021ba \u00eenainte, orele, una pentru Rilke.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 World summit shame. Elias saluta poli\u021bi\u0219tii. Mandela ca Jesus s-a luptat pentru to\u021bi. S\u0103-i vedem casa. Aici stau evrei. Acoperi\u0219e ro\u0219ii. Doi gemeni. Reciproc \u00een poz\u0103. Hotel cu prostituate. Centrul cultural. Gara central\u0103. C\u00e2te-o biseric\u0103. Vitez\u0103 \u00eenapoi. China Town. Tinere\u021be bogat\u0103. Nici \u00een slam, nici \u00een Soweto. Greetings from Johannesburg. Mandela cre\u0219tin.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Durban, al zecelea best city in the world. Calea Laptelui aproape disp\u0103rut\u0103 \u00een emisfera nordic\u0103. Precum \u0219i Darwin Mauritiusul de pe Pouce. Ce vom face cu buddha pentru Ram, exact, vom merge \u00een safari. Sunt tipic aryasamaji\u0219ti. \u00cen Zululand nu e nevoie de bani. Girafa de-ar fi leu s-ar sf\u00e2\u0219ia. \u00cen Krugger nu se hr\u0103nesc animalele. Leul m\u0103n\u00e2nc\u0103 un boa \u0219i nu-i mai trebuie trei zile. Hiena ucide. Stru\u021bul negru se aplecase cu aripile umbrar.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recep\u021bie la primarul Durabnului. Dl \u0219i dna Mittal din Singapore. Malaeziana m-a luat pe ruse\u0219te. Svetlana \u00eenotase \u00een ocean pe ploaia rece. Sanatanistul spusese c\u0103 uite ce bine socializ\u0103m cu soft drink \u0219i m\u00e2ncare vegetarian\u0103. Ca \u0219i cum carnea ar egala alcoolul. Vivekananda, insinuase Deva, ar fi m\u00e2ncat \u00een America \u0219i vac\u0103, no comment. Altfel, la safari nu nimerise nimeni din India, grupul nostru num\u0103r\u00e2nd dou\u0103 surori din Thailanda, Ram Lal (America), Ohnu (Japonia) \u0219i eu. Nu eram, \u00eentr-adev\u0103r mama sau tat\u0103l lui Ohno s\u0103-l chem pe numele mic. E sup\u0103rat pe Japonia c\u0103 a invadat alte \u021b\u0103ri, dar dac\u0103 ar fi fost \u00een locul conduc\u0103torilor de atunci ar fi f\u0103cut la fel, ca s\u0103 dezvolte \u021bara.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O ramayan\u0103 e \u0219i safariul f\u0103r\u0103 predatoare. St\u0103p\u00e2nii lumii sunt carnivori. Marea asta \u00eemi vine croit\u0103. Hotel pentru c\u00e2ini \u0219i pisici din Valea celor o mie de dealuri. C-a furat Bush alegerile. Iernatic timp, chiar Baia Mare, Mi\u0219ule. Japonia are probleme cu b\u0103utura \u00een ultima mie de ani. Brahma-Zalmoxis cu multe Gayatri. Vyas \u00eei turuie \u00een hindi lui Mittal din Singapore recit\u0103rile mele din Hanuman Chalisa. \u0218i tu vei \u00eenm\u00e2na premiu unei fiin\u021be umane ca pentru the great Ram himself. Un dumnezeu, o lume, un poet al lui Rama.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jai Shri Ram. Mandela accepts this award in absentia. The perfect recipient of his award. Sitaram cite\u0219te cita\u021bia. Mahatma Gandhi, Martin Luther King, Nelson Mandela. Om nama Shiva Ram. Rima \u00eembr\u0103\u021bi\u0219at\u0103 \u00een Ramcharit Manas de Tulsidas. V\u0103 certar\u0103\u021bi pe sacrificii vedice. Karuna rasa. Arc s\u0103ge\u021bi Rama ahimsa Gandhi. Karma &amp; grace. Gra\u021bia lui Rama fa\u021b\u0103 de adversar. Ramayana kakavin indonezian\u0103. Pratibha puterea creatoare. Hermeneutic\u0103 ramayanic-filocalic\u0103. Arjuna, treci la lupt\u0103. Cei din sud nu-l v\u0103d r\u0103u pe Ravana. Se poate dansa nemurirea.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Diasporele intensific\u0103 religiozitatea, pe secte. Mai civilizate, mai aculturate ca ob\u00e2r\u0219iile. Bhumibol or Rama the 9<sup>th<\/sup>. Eterna dharma. Creativitatea moralit\u0103\u021bii. Ravana n-a atins-o pe Sita dec\u00e2t la r\u0103pire. Ohno o bag\u0103-n corzi pe Noriah cu Mandadori. Japonezii, cre\u0219tini de duminic\u0103, pe s\u0103pt\u0103m\u00e2n\u0103 budhi\u0219ti, converti\u021bi dup\u0103 Pearl Harbour, s\u0103 nu intre \u00een pu\u0219c\u0103rie. Cu lansarea Sanskritikon-ului prind \u0219i plenara. Rama katha. Vorbe\u0219ti bine, faci bine. Sita nu ia decizii. S\u0103-mi iau iar costumul m\u00e2ine, s\u0103 nu mai fiu recunoscut. I-a murit mama earlier age \u0219i el a zis India mi-e mam\u0103 \u0219i a g\u0103sit o mam\u0103 \u00een Trinidad. Or fi diasporenii mai sp\u0103la\u021bi dar \u0219i pe creieri, om fi noi sp\u0103la\u021bi pe creieri dar \u0219i pe cai.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rama aryan, Ravana dravidian, teorie brit colonial\u0103. Sri Ram, not Indian, all world as Bharat. Ca avatar a fost human being, putea fi numai \u00een Ayodhya. D\u0103-mi, Hanuman, o dragoste pentru acela ce via\u021b\u0103 ne dase, recitam chalisa. B\u0103tr\u00e2ne\u021be de ne\u00eentinerit sp\u00e2nzurat\u0103 de spiritualitate. Am vorbit rom\u00e2ne\u0219te Gayatri. Peter Maitzburg, the city of Mahatma Gandhi. Sculptor Phil Colby. E\u0219ti Hanuman, m\u0103 \u00eentrbase b\u0103tr\u00e2na, s\u0103 mi se roage. Porecl\u0103.<\/p>\n<p style=\"text-align: justify;\"><strong><em>Anonimul lui Rembrandt <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Acum cinci ani, \u00een 1960: Nu sunte\u0163i dumneavoastr\u0103 maestrul meu? Ast\u0103-sear\u0103: Avem aproape acelea\u015fi \u015fanse \u015fi de afirmare, \u015fi de ratare. A primit o scrisoare de la Perpessicius \u00een care-i recunoa\u015fte calit\u0103\u0163i de imagist. Repudia matein arta modern\u0103, Coloana, Poarta. Avea 50.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Analfabet\u0103, a ascultat toate poeziile de dragoste ale lui Poe \u015fi mi se p\u0103rea c\u0103 \u00een\u0163elegea mai mult ca mine. Povestea c\u0103 fusese internat\u0103 la Tismana, dar nu ea, ci c\u0103lug\u0103rul de-l iubea, ea \u00eel \u00eenso\u0163ea, el a murit. Plecaser\u0103 \u00een primul r\u0103zboi b\u0103rba\u0163ii, femeile se str\u00e2ngeau, puneau p\u00e2ine \u015fi sare \u00eentr-o parte, c\u0103rbuni \u015fi p\u0103m\u00e2nt \u00een alta. \u00cenv\u00e2rteau fusul \u015fi, dac\u0103 acesta se \u00eenclina spre p\u00e2ine \u015fi sare, b\u0103rbatul \u00een numele c\u0103ruia se ghicea tr\u0103ia. La 60 de ani, virgin\u0103, \u00eenc\u0103 aflase un pe\u0163itor.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Noaptea nu f\u0103cea\u0163i gheme, s\u0103 nu c\u0103pieze oile. Nu erau \u015fi-a\u015fa c\u0103piate? Veneau lupii, n-avea\u0163i \u00eenchisoare bun\u0103 \u015fi le \u00eenchidea\u0163i \u00een cas\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u0103 credem ast\u0103-sear\u0103 ocultismul. B\u0103tr\u00e2na octogenar\u0103, fost\u0103 frumuse\u0163e, mi-am amintit, pe Republicii, m\u0103 socotea \u015fi pe mine frumos. Am aflat c\u0103 murise \u00eenainte cu o zi. Spune drept, nu \u0163ii la o fat\u0103 de 17 ani \u015fi jum\u0103tate?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fata lui Carol cel Mare se iubea cu secretarul \u00eemp\u0103ratului. Acesta, strecurat \u00een apartamentul ei, n-a mai putu fugi a doa zi, c\u0103 ninsese \u015fi i s-ar fi v\u0103zut urmele. Fata l-a c\u0103rat atunci \u00een spinare, \u00eemp\u0103ratul a v\u0103zut scena \u015fi, fiind providen\u0163ial\u0103, a oficiat c\u0103s\u0103toria.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mi\u015fc\u0103-te altfel, din c\u00e2nd \u00een c\u00e2nd, st\u0103 ea, tu ia-o la fug\u0103, p\u0103rul ei \u0163ip\u0103, dar tu s\u0103 nu-l auzi, s\u0103 nu o \u00eentrebi de ce nu mergi c\u00e2nd nu mergi. Forme \u00een fug\u0103. D\u0103-i t\u00e2mpla la o parte, s\u0103rut\u0103-i ochii. Mi\u015fc\u00e2ndu-\u0163i profilul, d\u0103-i ochii la o parte.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Te iau de m\u00e2n\u0103, pe sus, te trec n\u0103du\u015felile. Pe pavaje e numai n\u0103du\u015feal\u0103. Citind (oribil\u0103 fapt\u0103) b\u0103rbatul \u015fi dou\u0103 femei \u00ee\u015fi amintesc moartea (Huis-clos), Emily se v\u0103ic\u0103re\u015fte \u015fi ea celor din morminte (Our town), dialogurile mor\u0163ilor de Lucian, Don Ion cu statuia comandorului.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ai auzit cafeaua? S\u0103 nu mai fluieri. \u00cen cuptor, glazura se buba. Cap ro\u015fu de taur, unic corn de cenu\u015f\u0103 cangreanat\u0103. Vandalii erau elegan\u0163i \u015fi bine crescu\u0163i. Justinian a fost comparat cu un m\u0103gar. M\u0103 sperii de altcineva de acuma. Nevasta \u00eemp\u0103ratului avea un copil de dinainte de c\u0103s\u0103torie. I-am cerut so\u0163iei unui constantinopolitan s\u0103 mearg\u0103 \u00een barc\u0103, ea s-a aruncat \u00een mare. M-am stricat de tot. Vrei o icoan\u0103? Ce s\u0103 fac cu ea?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu te-ai sub\u0163iat, nu te-ai rupt de tot. Na\u015fterea: ai respirat aer destul ca s\u0103 r\u0103m\u00e2i \u00een via\u0163\u0103. Moartea: nu te-ai n\u0103scut. Dar de na\u015fteri \u00een centrul Asiei. Aveam ambi\u0163ia s\u0103 lucrez o epopee sub ereditatea Asiei \u015fi a Europei, sub care noi tr\u0103im cu s\u00e2ngele. \u00cemi miros m\u00e2inile a iepure, \u0163ie \u00ee\u0163i miroase iepurele m\u00e2inile. Jug\u0103nire conjugal\u0103. Un tren jum\u0103tate cu oameni, jum\u0103tate cu marf\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 N-am mai luat bilet, dar m-am descurcat p\u00e2n\u0103 la Severin, diminea\u0163a, unde m\u0103 miram de b\u0103ncile lungi. Am vorbit cu fete \u015fi c\u0103pitani de marin\u0103, am evadat din ospitalitatea unei rude. \u00cenainte de a prinde trenul de Severin, m-am \u00eemb\u0103tat, nu mai tare dec\u00e2t s\u0103 scandalizez pe al\u0163ii cu duhoarea, iar eu s\u0103 fiu lini\u015ftit.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u015fti \u00een stare s\u0103 m\u0103 vinzi. N-ai venit la nunt\u0103 la mine. N-aveam nevoie de cadou, nimeni n-a adus. Vrei \u015fi tu ment\u0103? Eu iau ca s\u0103 nu mai put, am b\u0103ut. Ar trebui s\u0103 \u00eenl\u0103turi cauza. Am avut ni\u015fte bani. N-ar fi r\u0103u s\u0103 te crezi a fi cauza ta \u015fi a tot ce te \u00eenconjoar\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P\u0103catul nu poate fi originar. Pe margini de cicori, m\u0103 g\u00e2ndeam la crima pe care n-o fac. \u00ce\u0163i s\u0103rut genele, \u00eemi scria, \u015fi m\u0103 sim\u0163eam jignit. Noi n-avem de unde \u015fti ce sunt copiii. N-o s\u0103 m\u0103 repet pe mine, nici pe al\u0163ii. Fericit hamalul care \u015ftie ce car\u0103. Jum\u0103tate art\u0103, jum\u0103tate con\u015ftiin\u0163a artei. Holderlin: d\u0103 la o parte umbra din calea zeilor \u015fi ascult\u0103 vorbele ve\u015fnice de pe buzele lor.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Biostimulatorii poeziei, vechi hanuri, idealul ne dep\u0103\u015fe\u015fte totdeauna, oricine-am fi. Inginerul finlandez \u00een neferoase avusese un accident \u015fi nu-l mai v\u0103zusem. L\u0103sasem la el un pulover \u015fi c\u0103r\u0163i de Cioran. Accidentul i-o fi r\u0103zbunat arivismul. Duc\u00e2nd o oarb\u0103 de m\u00e2n\u0103, ea l-a \u00eentrebat \u00een mijlocul drumului: \u00eemm, ce m\u00e2n\u0103 fin\u0103, e\u015fti inginer, sau ministru? El se g\u00e2ndea, sthendalian,poate are gur\u0103 bun\u0103 oarba, inginer sunt\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am auzit c\u0103 mai faci o prostie, pierzi nop\u0163ile, citeai toat\u0103 noaptea, la lamp\u0103. Nimic nu merit\u0103 s\u0103 te sacrifici prea devreme. De astenie nu mai scapi, c\u00e2nd ai c\u0103p\u0103tat-o. S\u0103 nu-\u0163i la\u015fi somnul, s\u0103 m\u0103n\u00e2nci \u015fi s\u0103 nu umbli prea des cu femei, c\u0103 nu te las\u0103 \u00een pace. Destinele altora biciuiesc destinul nostru. \u00cel iau pe furnizor \u015fi-i dau de \u00een\u0163eles c\u0103, din cauza lipsei lui de omenie, tr\u0103ie\u015fte tot poporul mai r\u0103u. At\u00e2t de pu\u0163in\u0103 art\u0103 \u00een tehnic\u0103 \u015fi at\u00e2ta tehnic\u0103 \u00een art\u0103. Sau invers?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am ajuns un fel de colec\u0163ionar. Ciclurile vor s\u0103ri \u00een aer, f\u0103r\u0103 s\u0103 vreau. C\u00e2nd g\u00e2nde\u015fte copilul prima dat\u0103? Cerul lui nu se vede. Lupta pentru propor\u0163ii. Sf\u00e2r\u015fitul lumii va fi un act romantic. Andi nu scrisese niciun r\u00e2nd p\u00e2n\u0103 la 26 de ani (eu am 21). Citind, \u00eemi vine \u00een minte un cuv\u00e2nt pe care-l aflu apoi pe pagina al\u0103turat\u0103. Au privit incon\u015ftient ochii?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Frigida e o isteric\u0103 pe strad\u0103, \u00een pat st\u0103 ca vaca \u015fi pe urm\u0103 e nervoas\u0103. M\u00e2ng\u00e2ierile (o b\u0103taie \u00eenseamn\u0103 mii de m\u00e2ng\u00e2ieri refulate, b\u0103t\u0103ile ceasului m\u00e2ng\u00e2ie timpul, b\u0103t\u0103ile v\u00e2ntului m\u00e2ng\u00e2ie spa\u0163iul) ne fac orgoliul. F\u0103r\u0103, o ducem \u00eenc\u0103 destul de bine.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tot ce vedeam \u00eemi apar\u0163inea, eu nu-mi apar\u0163ineam. Insuportabile re\u00eencarn\u0103ri. Tr\u0103ia cu o femeie. Trecuse \u00een r\u0103zboi. Fosta mea so\u0163ie mi-a spus s\u0103 nu intru, eu am for\u0163at u\u015fa \u015fi am intrat. Era cu trei b\u0103rba\u0163i \u015fi eu am vrut s\u0103 m\u0103 apropii de primul. M-a lovit unul, altul m-a t\u0103iat aici. M\u0103 omoar\u0103 aman\u0163ii t\u0103i, adic\u0103?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Au ascultat vocile virginit\u0103\u0163ii. Uit\u00e2nd, s-au m\u00e2ntuit. O existen\u0163\u0103, sunet de moarte. Fiere lumea, pieri \u015fi tu, din fidelitate. Ai iubit-o acum o mie de ani, tr\u0103ie\u015fti anii aceia p\u00e2n\u0103 la tinere\u0163ea de acum. Ia-o pe drumul dintre r\u00e2u \u015fi p\u0103dure, diminea\u0163a pune-\u0163i o basma pe cap, c\u00e2nd piere luna, \u015fi treci podul furi\u015f, s\u0103 nu se surpe \u015fi s\u0103 devii ap\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cu mama tat\u0103lui meu \u015fi cu mama mea, am fost p\u00e2n\u0103 la Bratia la na\u015fa, o zi \u00eentreag\u0103, \u015fi noaptea ne-am \u00eentors. Peste pu\u0163in, a murit bunica. La ce-a\u015f mai memora c\u0103l\u0103toria spre sud, cu picioarele goale pe poteci umede? Ca \u015fi cum moarta ar trebui s\u0103-mi aminteasc\u0103 drumul \u015fi eu s\u0103 i-l amintesc ei. Ea \u00eennoptase, \u00een copil\u0103rie, cu mama ei, \u00een p\u0103durile Cotmenei, \u00eentr-o scorbur\u0103, \u015fi nu mai murise.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Intru \u00eentr-un subsol, dup\u0103 trei pahare de ap\u0103, unul pentru mine, dou\u0103 pentru prieteni. La o mas\u0103, v\u0103d \u015fi m\u0103 vede un b\u0103iat, la vreo 19 ani, care nu \u015fi-a ras niciodat\u0103 musta\u0163a, dar barba da. Se ridic\u0103 \u015fi jur\u0103 c\u0103: Tocmai m\u0103 g\u00e2ndeam la tine. Pe cuv\u00e2nt! De c\u00e2nd nu te-am v\u0103zut, ziceam, ce \u0163i-e \u015fi cu telepatia asta? Bine, bine, n-ai t\u0103iat musta\u0163a niciodat\u0103, nu? Nu. \u015etii vreun banc nou? Nu, ba da, ai v\u0103zut banii noi care s-au scos?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ast\u0103-noapte l-ai visat pe Iva\u015fcu merg\u00e2nd \u00eenc\u0103l\u0163at printr-o ap\u0103 tulbure \u015fi apoi mulg\u00e2nd o vac\u0103. \u00cen acea balt\u0103 erau mul\u0163i pe\u015fti scabro\u015fi \u015fi iepuri (?!) de ap\u0103. Pe urm\u0103 s\u0103pau un \u015fan\u0163 de scurgere pentru acea ap\u0103, dar \u00een loc de p\u0103m\u00e2nt era parchet. Ai visat-o \u015fi pe pu\u015ftoaica de asear\u0103. \u00cemi zici: e\u015fti curv\u0103 dac\u0103 i-ai spus, vezi c\u0103 \u0103la \u00ee\u0163i suce\u015fte capul, nu puteai s\u0103-i spui ceva mai ur\u00e2t care s-o dep\u0103rteze de mine. Ai mai visat c\u0103 Arghezi moare p\u00e2n\u0103 la 27 ianuarie, s\u0103 te popularizez \u015fi, dac\u0103 se \u00eempline\u015fte, r\u0103m\u00e2i celebru.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mazilescu cu barb\u0103, Lupa\u015fcu f\u0103r\u0103 barb\u0103, T\u0103b\u0103ra\u015f ha\u015fi\u015f de la Labi\u015f. Maria Voicu-mi spuse \u00eentr-o doar\u0103 c\u0103 ea mai este \u015fi r\u0103m\u00e2ne tot fecioar\u0103. Negrul de sub unghie copiii \u00eenjunghie. S\u0103 nu \u00een\u0163elegi, prin crim\u0103, o \u0163ar\u0103. Omul cu masc\u0103 de cloroform.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dureri nocturne, diagnosticul: s\u0103n\u0103tos. Libertatea nu se extinde la natur\u0103. C\u0103 nu-i liber soarele. Ceva logic, abstract, s\u0103 concurezi pe Hegel, tu? Stau a\u015fezat turce\u015fte \u015fi fumez, ajut fumul cu suflarea, rotogoalele se \u00eenfig \u00een \u00eentuneric, alb\u0103strindu-l. Se suie, supt deasupra ca de o na\u015ftere. Ignorant, nu c\u0103 n-ai \u015fti, ci c\u0103 ignori orice. A luat din raft Bietul Ioanide, iar a doua zi afl\u0103 c\u0103 a murit. Pastorala.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fteapt\u0103 ca din neant s\u0103-l viziteze un glonte. Interesant\u0103 metafora neantului ca revolver. Fata a r\u00e2s. De Anu Nou, cu Ion Creang\u0103, am b\u0103tut to\u0163i trec\u0103torii pe Calea Victoriei, nu era nimeni. Ne-am dus cu trenul la p\u0103rin\u0163ii mei. Tata a sus\u0163inut ra\u0163iunea. Eminescu ar fi fost cel mai mare poet al lumii, dac\u0103 era ra\u0163ional. Cartea despre rom\u00e2ni ca morome\u0163i n-o considera concludent\u0103 pentru viitorul nostru etnic. Fiul \u00ee\u015fi \u00eent\u00e2lne\u015fte p\u0103rintele necunoscut pentru a-l ucide. Infernul nu e tragic, are compozi\u0163ia unui p\u0103m\u00e2ntean, pe c\u00e2nd \u00een insul care sunt eu nu-i nimic dec\u00e2t orgoliu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mai ales s\u0103 poveste\u015fti, s\u0103 \u015fi verifici. Dansezi? Gata, n-o \u00eentreb asta. Am urdori la ochi? \u015ei s\u0103 m\u0103 uit \u00een ochii ei. Tot n-o \u00eentreb \u015fi privesc \u00een strad\u0103 granitul. Eram \u0103l mai avansat, \u00een afar\u0103 de motor \u015fi \u015fofer. \u00cen spate, un pu\u015fti c\u00e2nt\u0103 Santa Lucia, iar un domn s-a suit cu copilul \u015fi, ca s\u0103-l fac\u0103 s\u0103 se ridice, l-a luat cu s\u0103 nu mai c\u00e2nte acolo, s\u0103 c\u00e2nte \u00een strad\u0103. Eu i-am \u015foptit, cam tare, s\u0103 c\u00e2nte, m\u0103, c\u0103 n-are ambi\u0163ie, dac\u0103 nu c\u00e2nt\u0103. A\u015f fi ascultat Requiemul de Berlioz, dar nu-l ascult, ba da.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ai un dor ancestral de inefabilul mun\u0163ilor, de nu de fata de la anul nou. Nu \u0163i-a scris, de\u015fi \u0163i-a propus coresponden\u0163\u0103 \u015fi a promis c\u0103 \u00eencepe ea. Mai p\u0103strezi prin buzunare frunze uscate \u015fi f\u0103r\u00e2mate de v\u00e2sc. Ca \u00een buzunarele unui fum\u0103tor de v\u00e2sc. V\u0103 distra\u0163i am\u00e2ndoi pe seama \u00eenfierb\u00e2nt\u0103rii tale \u015fi astfel dep\u0103\u015fea\u0163i \u015fi rezista\u0163i ispitei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cei dinaintea voastr\u0103 v\u0103 scriau pe z\u0103pad\u0103 trandafiri de feciorie, iar pentru caloriile pierdute v\u0103 l\u0103sau mere \u00eenfipte \u00een om\u0103tul proasp\u0103t. La desp\u0103r\u0163ire, ea s-a \u00eentristat c\u0103 au crezut a\u015fa \u015fi c\u0103 \u015fi-a pierdut \u015fi o prieten\u0103, cea care a adus-o \u015fi i-a luat locul pe l\u00e2ng\u0103 tine. \u0162i-ai amintit-o acum pentru c\u0103 ai v\u0103zut-o pe Crengu\u0163a cu pantaloni ca ai ei. \u015ei de mine, cu g\u00e2ndul la referate.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Creionul se \u015fterge cu noi cu tot. \u00cemi place c\u0103 n-ai cifru. N-ai \u015ftiut c\u0103 e un caiet sacru. \u00cemi mai spui c\u0103 Timofanca a zis c\u0103 ne d\u0103 rezumatele unor piese pe care le va citi azi la academie. Iva\u015fcul \u00ee\u0163i cronometreaz\u0103 cu limba seac\u0103 ceea ce \u00eemi scrii aici. Iar eu, cu puf\u0103itul (s\u00e2c). Ia tot ce-\u0163i d\u0103 Timofanca, dar \u00eentr-o zi c\u00e2te piese po\u0163i citi? Nu-\u0163i cer s\u0103 ceri prea mult, \u00ee\u0163i cer s\u0103 mergem \u015fi noi azi la BLS. C\u00e2\u0163i ani au to\u0163i IB pe care \u00eei cuno\u015fti? Repede, c\u0103 termin\u0103 Iva\u015fcu. Crezi c\u0103 2\u202634\u202657 I Iva\u015fcu Isac Istr\u0103tescu \u00cenc\u0103 c\u00e2\u0163iva B Baltag B\u0103leanu Basta.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Se dezbr\u0103case nici pentru bani, nici dornic\u0103, a\u015fa cum o interpretase pictorul. Acum tabloul se afl\u0103 \u00een vitrina unui atelier mecanic. Femeie mare, cu piele \u015ftears\u0103, \u00eentins\u0103 pentru \u00eengenunchiere. Frumosul p\u00e2ntec, \u00eengrop\u00e2nd totul, te ame\u0163e\u015fte \u015fi po\u0163i pleca f\u0103r\u0103 s\u0103 iei seama la sculele cu unsori ne\u015fterse din spatele p\u00e2nzei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dumic\u0103 mai repede \u015fi pleac\u0103 de aici. Nu e\u015fti singur la mas\u0103, tu taci, al\u0163ii vorbesc, nimenea nu ascult\u0103 de tine pe lumea asta st\u00e2nd \u00een t\u0103cere la mas\u0103. Da, a fost bine. Marele pantof din dreapta a \u00eenflorit \u015fi a luat z\u0103pad\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ce bine ar\u0103tai c\u00e2nd ai ucis podeaua asta ud\u0103, iar cei din jur habar n-aveau c\u0103 m\u0103n\u00e2nc\u0103 l\u00e2ng\u0103 un cadavru c\u0103lcat \u00een picioare. Statuia vorbe\u015fte de examenul de la canto, nu st\u0103 bine cu vocea. N-o mai ascult. A\u015f pleca, dar o lungesc p\u00e2n\u0103 m\u0103 dezghe\u0163. Spun formula, la podea, ce caraghios m\u0103 \u00eembrac eu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u0103r\u0163ile \u00eencinse. Taci. Pe care picior te opre\u015fti din l\u0103trat, stearp\u0103 c\u0103\u0163ea a z\u0103pezii? S\u0103pau groap\u0103 de zece metri, c\u0103rau de la Olt horjul, cump\u0103rau cimentul de la R\u00e2mnic, aduceau crucile de la pictat, \u00ee\u015fi pl\u00e2ngeau pomelnicele cu vii \u015fi mor\u0163i, pe o basma \u00eentins\u0103 \u00een drum. Venea la m\u00e2inile mele \u015fi mi le apuca s\u0103 le \u00eenve\u0163e de toate \u015fi s\u0103 le ia puterea.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pornea pe deal s\u0103 culeag\u0103 prune, ar\u0103t\u00e2ndu-\u015fi sexul \u00eentunecos. Port b\u0103tr\u00e2na \u00een mine cum purta ea busuiocul \u00een s\u00e2n, mirosul se ducea, \u015fi arunca floarea. L\u0103s\u00e2ndu-ne pe noi s\u0103 ne zabtem, f\u0103r\u0103 s-o pl\u00e2ngem pe ea, c\u0103 am fi izbucnit deodat\u0103 \u00een r\u00e2s, c\u0103 prea a fost c\u0103\u0163ea, c\u0103 amar lucru a fost s\u0103 ne na\u015ftem noi la r\u00e2nd, tat\u0103 \u015fi fiu, din carnea aia a ei de os.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 N-auzeam fredon\u0103ri de om, de radio. Ramurile se lungeau \u00een perspective albe. Cine striga, cine m\u0103 \u00eempingea, unul m\u0103 apuca de un bra\u0163, cel\u0103lalt de un bra\u0163, duc\u00e2ndu-m\u0103 p\u00e2na la sf\u00e2r\u015fitul lamei negre a lunecu\u015fului. Poate c\u0103, dezam\u0103git de unele \u015ftiri, regretam renun\u0163area la singura form\u0103 \u00een care, fizic, g\u0103sisem cu cale s\u0103 fac parte din natura mineral\u0103. M\u0103 condamnasem la oprirea oric\u0103rui impuls de azv\u00e2lire \u00een slava cerului.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F\u0103r\u0103 femeie, \u00eemie ur\u00e2t, cuv\u00e2nt\u0103 micul b\u0103tr\u00e2n. P\u0103i? Mi-a murit. E un an. Am 69 de ani. Ea era cu doisprezece ani mai mare. \u015ei tot se \u0163inea. Tot se \u0163inea. Vezi, fi-meu, dup\u0103 ce i-a murit muierea, \u015fi-a luat-o pe asta care vine. Tot voinic\u0103, bun\u0103 de munc\u0103. \u015ei-o cheam\u0103 tot a\u015fa. F\u0103r\u0103 femeie, n-are cine. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Matale n-ai nevoie? Ba da. Fum\u00e2nd, m\u0103 observa privind \u00een sus peste p\u0103l\u0103ria care-i sem\u0103na. M\u00e2ncare \u00eemi fac, f\u0103ceam \u015fi c\u00e2nd tr\u0103ia ea, dar n-ai cu cine vorbi, \u0163i-e ur\u00e2t. Altceva nu-\u0163i lipse\u015fte? Ce? Altceva, \u00een\u0163elegi matale, femeia. Nu-mi mai arde de asta, d\u0103-o focului\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ne strigase \u015fi ne-a ajuns din urm\u0103 nora lui, aproape \u00een fug\u0103, sufl\u00e2nd. Voinic\u0103 de tot, mai c\u00e2t mine de \u00eenalt\u0103, dar mai groas\u0103, i-am dat ocol, ca s\u0103 nu se mai sperie, \u015fi am ciupit-o cu \u015ftiin\u0163a micului b\u0103tr\u00e2n.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mai era un kilometru p\u00e2n\u0103 \u00een sat. Auzi, \u0103la e c\u00e2inele t\u0103u. \u015etiam c\u0103 femeia era singur\u0103 acas\u0103 \u015fi-mi umbla mintea. C\u00e2inele l\u0103tra crunt, ea l-a rugat pe b\u0103tr\u00e2n s\u0103 r\u0103m\u00e2n\u0103, el i-a r\u0103spuns c\u0103 are \u015fi el cas\u0103. \u00cel a\u015fteptam \u00een drum \u015fi am plecat. El se temea de cic\u0103leala v\u0103duvelor, dar era \u015fi trist.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Semeni cu mul\u0163i de la noi, dar cred c\u0103 pe dumneata te-am v\u0103zut merg\u00e2nd pe drum. Crezi, da\u2019 e minciun\u0103, am \u00eenceput s\u0103 umblu numai la coas\u0103 pe la oameni. Cose\u015fti bine, matale ai fost, nu-\u0163i sco\u0163i p\u0103l\u0103ria, altfel de unde a\u015f \u015fti c\u0103, v\u00e2rtos \u015fi cumsecade cum e\u015fti, \u0163i-a c\u0103zut p\u0103rul? P\u0103i? \u015ei parc\u0103 aveai \u015fi altfel de haine, hai, spune, nu erai dumneatale, ce dumnezeu? Altcineva cine putea s\u0103 fie a murit.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cel cuno\u015fti pe \u0103la din G\u00e2ltofani, de punea \u015fi\u0163\u0103 pe case? A murit, d\u0103-l p\u0103catelor. \u015ei matale pui \u015fi\u0163\u0103 pe case, dar sobe nu faci. Am zidit \u015fi sobe, da\u2019 asta e meseria lu\u2019 tac-to b\u0103tr\u00e2n. \u0102la avea p\u0103r, v\u0103zuse pe dumnezeu. Ei, taci\u2026 \u00cen p\u0103dure, s-a trezit\u2026 Be\u0163ia\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dumneatale de pe unde mai bei un ciocan? \u00cemi dau oamenii c\u00e2nd le muncesc. Te-ai f\u0103cut rud\u0103 cu morarul. \u015ei cu porcii nu mi-a pl\u0103cut. Umbli noaptea? Mai mult ziua, noaptea stau. Ai haine negre. \u00cen tinere\u0163e erau albe. Le mai ai \u015fi acum? P\u0103i nu mi le-a furat?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nimeni n-are. Nici dumnezeu? Ba el are, s\u0103racu\u2019. Ce folos? Parc\u0103 merg pe o punte sub\u0163ire \u015fi cad \u00een ap\u0103. Nu \u015ftii s\u0103 \u00eeno\u0163i. Cine \u0163i-a spus? N-am eu multe, da\u2019 am avut de toate. Ce-mi trebuie mie? O femeie, s\u0103 nu mai v\u0103duve\u015fti, ziceai. Ziceam \u015fi eu, c\u0103, dac\u0103 a murit, nu puteam s\u0103 tac, dar las\u0103. \u00a0 Ie\u015fisei din uli\u0163\u0103, ai luat-o la vale pe l\u00e2ng\u0103 ograda lui Gheorghi\u0163\u0103. Au scos-o. Ai trecut pe l\u00e2ng\u0103 drumul lui Andrei, ai ajuns la biseric\u0103, la ci\u015fmea, spune. A\u015fa o fi. Eram \u00een Dealul \u0102l\u0103lalt \u015fi, pe cine v\u0103d? Eu \u015ftiu? Cum nu \u015ftii? P\u0103i de unde s\u0103 \u015ftiu? Dar nu plecasei chiar dumneatale de acas\u0103? Mai demult? Se f\u0103cea \u0163uica. Auzii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd ai ie\u015fit din curte, ai tr\u00e2ntit poarta. Asta da. Ai trecut uli\u0163a, ai ocolit pietrele, dar tot te-ai lovit, c\u0103 te uitai prin gard s\u0103 vezi cum a crescut lucerna. La Ieremia. Pe drum, te-ai g\u00e2ndit a cui a fost ograda, matale chiar n-ai m\u00e2ncat prune din ograda aia.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015ei m\u0103rul\u2026 Care m\u0103r? De peste drum, \u0103la acru, b\u0103tr\u00e2n. M\u0103rul nu, nene, te uitai numai spre ograd\u0103 \u015fi m\u0103rul nu l-ai b\u0103gat \u00een seam\u0103, ori ai uitat? Am uitat.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P\u00e2n\u0103 la biseric\u0103, nu \u015ftiu la ce te g\u00e2ndeai. \u015etiu eu? Dar nici \u00een dreptul bisericii, c\u0103 nu eram acolo s\u0103 te v\u0103d. Poate \u0163i-ai ridicat p\u0103l\u0103ria s\u0103 te \u00eenchini. Nu, doamne, iart\u0103-m\u0103, c\u0103 mergeam repede. M-am \u00eenchinat numai, ce vrei? Uite iar biserica. Biseric\u0103 veche\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am auzit c\u0103 ai tr\u0103it prin multe sate. Ai trecut pe la crucile lui Ion de at\u00e2tea ori c\u00e2\u0163i popi ai cunoscut. Pe urm\u0103, crucile au r\u0103mas, tu ai luat-o prin alt\u0103 parte, popilor li s-au n\u0103scut tot fete.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ai prins pe\u015fte cu be\u0163ivul care s-a \u00eenecat. C\u00e2nd se vitejea studentul \u00een scald\u0103, \u00eembr\u0103cat, a venit dracu\u2019 \u015fi i-a zis s\u0103-l prind\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0102l cu o m\u00e2n\u0103 c\u00e2nta la fluier, s-a dus beat la tren, fluierul e pentru dou\u0103 m\u00e2ini. Rupeai din\u0163i la lume, aveai cle\u015fte, este? Femeile se culcau la cap\u0103tul brazdei \u015fi, gata. Ascult\u0103 ce mi s-a \u00eent\u00e2mplat mie. Adic\u0103 nu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ai tr\u0103it \u015faizeci \u015fi nou\u0103 de ani, eu vreo nou\u0103sprezece. De unde mi se n\u0103zare mie c\u0103 \u00een fa\u0163a dumitale am tr\u0103it \u015fi eu? Uite gre\u015feala vie\u0163ii matale, \u0163i se aprinde-n ochi, se scurge, nu ca pl\u00e2nsul, pe haine, \u0163i se clatin\u0103 p\u0103l\u0103ria, \u00eentinzi m\u00e2na, m\u0103 atingi pe um\u0103r, ca \u015fi cum via\u0163a mea \u0163i-ar fi pl\u0103cut mai mult dec\u00e2t aia pe care ai dus-o.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Matale ai tr\u0103it, \u015fi de mine crezi c\u0103 am tr\u0103it bine. Eu, bine? Adic\u0103 de ce nu? Binele care a fost? Oltul a fost. \u015ei lunca. A fost p\u0103puri\u015ful, cire\u015fii lui Andrei de unde am furat. A fost \u015fi-n deal \u015fi a fost \u015fi-n p\u0103dure, \u00een somn \u015fi-n vis. Am f\u0103cut \u0163uic\u0103 din binele meu, chiar dac\u0103 eram mic.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mama-mare, mai b\u0103tr\u00e2n\u0103 ca dumneata c\u00e2nd a murit, scotea g\u0103le\u0163ile de boasc\u0103 din cazan \u015fi eu le c\u0103ram la groap\u0103. Ce fum era \u015fi ce miros cald de olerc\u0103, de butii putrede. \u015ei ce bine \u00eemi era cu binele.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015ei binele mi-a fost mama \u015fi tata. Mai mult mama, c\u0103 tata a plecat \u015fi m-a luat cu el. Nu \u015ftiu dac\u0103 matale ai avut la v\u00e2rsta mea mam\u0103 \u015fi tat\u0103. Parc\u0103 n-ai avut. Ai luat v\u0103duv\u0103 cu 12 ani mai mare \u015fi cu patru copii. De-aia. \u015ei \u0163i-a murit \u015fi o fiic\u0103. Fiic\u0103 era, sau ginere? Aia din Cremenari \u0163i-a murit. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ai r\u0103mas iar orfan\u2026 \u00ce\u0163i seam\u0103n\u0103 cre\u015ftetul cu palmele, \u0163i-ai sumes pantalonii pentru ap\u0103, m\u00e2necile pentru uscat, ce naiba, d\u0103 paragina la o parte, c\u0103 m\u0103 sup\u0103r.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toate se v\u0103d at\u00e2rn\u00e2nd de b\u0103tr\u00e2ne\u0163ea matale c\u00e2nd url\u0103 soarele \u015fi n-ar trebui s\u0103 \u00eentristeze pe nimenea. Azi merg cu matale. \u00cemi las ziua mea \u015fi m\u0103 ocup. Ai \u00eencredere \u00eentr-un b\u0103iat care nu e al dumitale.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Repari un f\u00e2nar, cari nisip cu carul, vorbe\u015fti. Nu te chem s\u0103-mi tai porc, n-am, s\u0103 chemi duhuri, ba da, s\u0103-mi aduci duhul sf\u00e2nt sp\u0103lat \u00een Olt; duhul blestemului nedeslipit de sf\u00e2nta fecioar\u0103 Filofteia, vie \u015fi copil\u0103 ce de r\u0103utatea oamenilor blestema de mic\u0103; duhul vizuinilor din deal, c\u0103 nici dumneata n-ai v\u0103zut mul\u0163i viezuri \u00een via\u0163\u0103; duhul comorilor, duhul tubului de ciment pe unde se scurge apa din ploi, \u00ee\u0163i spun c\u0103 duhul cimentului \u0103la nu e al tubului ci al meu, c\u0103ci numai eu din tot satul intram dinspre deal cu capul \u00eenainte, vedeam \u00een fa\u0163\u0103 tulpina unui dud a\u015fezat \u00een \u015fan\u0163ul de scurgere, mi se p\u0103rea c\u0103 tubul se str\u00e2mteaz\u0103 \u015fi eu m\u0103 l\u0103rgesc, m\u0103 speriam amintindu-mi c\u0103 aici venea mama s\u0103 ia gadina, dar m\u0103 t\u00e2ram cum s-ar fi t\u00e2r\u00e2t \u015fi sperietoarea, mi se p\u0103rea c\u0103 m\u0103 \u00eempiedic de trupul sau de ce era, de duhul ei \u015fi m\u0103 mai temeam un timp \u015fi uitam c\u00e2t de r\u0103u e s\u0103 mori \u00eenecat, c\u00e2t de r\u0103u e s\u0103 mori \u00een foc, cum au murit oamenii \u00een biserica de la Coste\u015fti, cum mi-ai spus \u2013 duhul gr\u0103dinilor plin de rou\u0103, al p\u0103s\u0103rilor dep\u0103rtate de cer.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu te chem s\u0103-\u0163i spun ce am petrecut eu prin lume, nici s\u0103-mi spui ce ai petrecut matale prin via\u0163\u0103. A\u015f putea s\u0103 te chem s\u0103 mergem. Bate v\u00e2ntul ca un c\u00e2ine \u00een stre\u015finile negre, din cl\u0103i ies \u015fobolani nem\u00e2ng\u00e2ia\u0163i, din cer se storc nu stele, dar ploaie \u015fi secet\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Numele meu, casa mea, vreau s\u0103 zic numele t\u0103u, casa dumitale stau cu mine \u015fi nu las s\u0103 ias\u0103 din ele nici dih\u0103nii, nici stele, vreau s\u0103 spun c\u0103 din casa dumneatale cum \u015fi din numele pe care-l ai altfel dec\u00e2t casa, c\u0103ci \u00een nume stai singur cu copiii \u015fi cu p\u0103rin\u0163ii, \u00een cas\u0103 mai intr\u0103 \u015fi str\u0103inii, dar nici din cas\u0103, nici din nume nu iese fum ori g\u00e2nd.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe l\u00e2ng\u0103 locul lui Andrei, treceam odat\u0103 \u015fi nu-mi era de nimica bine sau r\u0103u. \u015etii, mai \u015ftii ce se vede dintr-un copil. Te sui \u00een el, te scobori, te ui\u0163i bine \u015fi tot ce vezi aia e \u2013 ce vede copilul \u015fi uit\u0103 c\u00e2nd se mut\u0103 \u00eentr-un alt copil \u015fi pe urm\u0103 \u00eentr-un b\u0103rbat sau \u00eentr-o femeie, cum l-a l\u0103sat dumnezeu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu-\u0163i mai pot vorbi, \u015ftiin\u0163a mea despre dumneatale nu vrea s\u0103 te \u015ftie acuma, nici nu poate, eu trec odat\u0103 \u015fi parc\u0103 n-a\u015f trece. \u0162\u0103r\u00e2na e praf cald, r\u0103chi\u0163ile, m\u0103 feresc de ele, tot nu sunt reci, nici apa, nici apa. F\u0103r\u0103 \u015ftiin\u0163a dumneatale, e cald.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Parc\u0103 e \u015fi sora mea cu mine, dar nici de ea nu-mi prea e. Mama n-a fost fericit\u0103, poate numai c\u00e2nd a c\u0103zut dintr-un prun \u00eenalt \u015fi n-a mai \u015ftiut de ea. M-am speriat mai mult dec\u00e2t cuv\u00e2ntul speriat. Vacile p\u0103\u015fteau p\u0103m\u00e2nt cu lapte, soarele min\u0163ea. \u00cemi s\u0103reau \u00een gur\u0103 to\u0163i duzii \u015fi ghearele t\u0103iate ale ciorilor \u015fi gardurile cu varul cojit \u015fi cerul. Vezi ce-\u0163i spun, ca \u015fi cum sunt din mila altora.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe dumneata nu te-am \u0163inut minte. Iubesc ora\u015ful c\u00e2t nu m\u0103 cunoa\u015fte. Chipul, ce chipul, m\u0103car mersura sau vreo vorb\u0103 de-a dumitale, c\u0103 nu e\u015fti om vorb\u0103re\u0163 \u015fi te \u0163ii minte u\u015for. Nimic. Cum nu \u015ftii, merg\u00e2nd pe un drum, cine l-a mai c\u0103lcat, cum nu ne \u0163in minte mor\u0163ii. Cei pe care nu \u0163i-i aminte\u015fti \u00ee\u0163i ies ei \u00een\u015fi\u015fi \u00een cale.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mi-am \u00eenchipuit ur\u00e2tul, femei ur\u00e2te, cea mai ur\u00e2t\u0103, nu cea mai ur\u00e2t\u0103. Spune \u015fi matale, ce femeie e frumoas\u0103 la noi? Niciuna. S\u0103 fii frumos \u00eenseamn\u0103 s\u0103 nu mai fii nimica. Ad\u0103 prin vecini una frumoas\u0103, pe Miu, \u015fi s\u0103 vezi cum ajunge, \u015fi ad\u0103 una ur\u00e2t\u0103, Oana se uita ca o cioar\u0103, dar apoi s-a mai \u00eendreptat. Iubita mea c\u00e2nd r\u00e2de pl\u00e2nge.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M-am \u00eemboln\u0103vit aproape \u00een timp ce-mi aminteam. Nu o boal\u0103 s\u0103 m\u0103 d\u0103r\u00e2me, dar ca atunci c\u00e2nd n-am mai crezut \u00een comori cu focuri. Ba e adev\u0103rat, focurile joac\u0103 pe comoar\u0103. A\u015fa? \u00cen spatele casei mele p\u0103rinte\u015fti au v\u0103zut to\u0163i fl\u0103c\u0103ri.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eu m-am dus dup\u0103 femeie, dar \u00eentr-o noapte am avut un vis. Domnul nostru Iisus Hristos ducea o lum\u00e2nare \u00een m\u00e2n\u0103 \u015fi se \u00eendrepta cu Sf\u00e2ntul Petre spre casa p\u0103rinteasc\u0103. Lum\u00e2narea era \u00eenfipt\u0103 \u00eentr-un colac \u015fi domnul nostru Iisus Cristos a pus colacul cu lum\u00e2narea pe un loc l\u00e2ng\u0103 cas\u0103. Diminea\u0163a, m-am hot\u0103r\u00e2t \u015fi am plecat \u00een satul p\u0103rintesc, la casa p\u0103rinteasc\u0103. I-am spus fratelui meu, uite ce am visat, eu zic s\u0103 s\u0103p\u0103m. Am s\u0103pat cam vreun metru \u015fi jum\u0103tate, am g\u0103sit un pietroi mare rotund, \u015fi-n el erau fire care lic\u0103reau. Un bulg\u0103r de minereu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u0103 mir\u0103 c\u0103 vorbe\u015fti despre ambiguitate. Arde teatrul lumii, s\u0103 \u00eenceap\u0103 drama abia pe urm\u0103. A\u015f \u00een\u015fira toate necredin\u0163ele. Nu erai tu atunci, tu t\u0103ceai, nu erai dumneata. Nu eram nici eu, dar dac\u0103 unul trebuia s\u0103 fie, atunci eu eram.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cenc\u0103 nu m\u0103 temeam c\u0103 o s\u0103-mi ur\u0103sc p\u0103rin\u0163ii. Uitasem cum se c\u00e2nt\u0103. Pe lunc\u0103 nu umblam ca acuma, crez\u00e2nd c\u0103 e\u015fti dumneata, c\u00e2nd colo, nu erai, nu e\u015fti. Te \u00eencerc f\u0103r\u0103 voia mea, tu nu m\u0103 nelini\u015fte\u015fti cum te-a\u015f nelini\u015fti eu dac\u0103 ai \u015fti cine e\u015fti c\u00e2nd \u00ee\u0163i vorbesc despre tine.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0102ia au omor\u00e2t vr\u0103jitoarele de tinere \u015fi nu s-au hr\u0103nit cu ele c\u00e2nd aveau roade, \u015fi nu au \u015ftiut c\u00e2t o s-o duc\u0103. Atunci au zis b\u0103tr\u00e2nilor c\u0103 au avut noroc. \u015ei dumneata ai avut noroc. Noroc s\u0103 tr\u0103ie\u015fti dumneata \u015fi s\u0103 nu te omor eu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eu s\u0103 nu omor pe nimeni, cu dumneata s\u0103 nu mai tr\u0103iasc\u0103 nimeni. S\u0103 visez palate t\u0103iate de cu\u0163ite, \u015fi dumneata s\u0103 ie\u015fi de acolo dup\u0103 ce m\u0103 voi trezi. S\u0103-mi fac strig\u0103rile numai pentru ceilal\u0163i, dar din c\u00e2nd \u00een c\u00e2nd s\u0103 te mai v\u0103d pe drum \u015fi s\u0103 nu m\u0103 auzi c\u0103 vorbesc cum am vorbit odat\u0103, c\u00e2nd auzeai.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vocea mi s-a \u00eentins pe m\u00e2ini, unghiile mi-au crescut \u00een berg\u0103\u0163i, pa\u015fii de adora\u0163ie s-au \u015fters cu bun\u0103tate. Voiam s\u0103 str\u00e2ng primul incendiu din via\u0163a aceea. Rugii m\u0103 \u00een\u0163eap\u0103, fagii arunc\u0103 s\u0103m\u00e2n\u0163a pe mine, ferigile m\u0103 taie, \u015ferpii m\u0103 ocolesc. Am c\u0103lcat pe o porumbi\u0163\u0103 \u00eempu\u015fcat\u0103, am ucis o rug\u0103 de vie cu dreptul.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Acum cer iertare cu gura \u00eenchis\u0103, cu v\u00e2nt \u015fi tutun \u00een pl\u0103m\u00e2ni, lovesc locurile cu iertarea mea, cad \u00een genunchi, \u00een piept, \u00een frunte. Nu cumva cerul e durerea? P\u0103m\u00e2ntul o fi durerea? Cine nu-l batjocore\u015fte? Yoginii se duc la circ \u015fi v\u00e2nd nemurire.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 N-aveam cum s\u0103 fiu vinovat. B\u0103tr\u00e2na aprindea focul. Pierise muzica. Amu\u0163isem din cauza cuvintelor spuse prea tare \u00een g\u00e2nd, de tot ne\u00een\u0163elese, c\u0103 eram greu \u015fi toate \u00een jur u\u015foare. Am s\u0103rit s\u0103 omor c\u0103\u0163eaua. A l\u0103trat toat\u0103 noaptea clopot.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Z\u0103pada era sanie. Domnule copil, ridic\u0103-te! Se ridica, iar se tol\u0103nea \u015fi sania \u00eel cam lovea pe p\u0103rinte la picioare. \u00cen gr\u0103din\u0103 cre\u015fteau cactu\u015fi cu \u0163epi de aur. Cheia era \u00eentr-o broasc\u0103 \u0163estoas\u0103 care f\u0103cea ou\u0103 \u015fi pl\u00e2ngea. Cheia era \u00een ea, a f\u0103cut-o cu ou\u0103le \u015fi a \u00eengropat-o, f\u0103r\u0103 s\u0103 \u015ftie, un zmeu bun, to\u0163i zmeii sunt buni.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Voia s\u0103 ia cactusul, cine-l avea se pref\u0103cea \u00een femeie dac\u0103 era b\u0103rbat \u015fi \u00een b\u0103rbat dac\u0103 era femeie. \u015ei n-avea cheia. N-avea cheia. Broasc\u0103. Frumoas\u0103 \u015fi t\u00e2n\u0103r\u0103. \u015ei i-a dat-o. A descuiat? Smeul iubea pe F\u0103t-Frumos \u015fi a vrut s\u0103 se prefac\u0103 \u00een femeie. Nu-l iubea, c\u0103 era normal. \u015ei admir\u00e2ndu-l ar fi vrut s\u0103 se fac\u0103 femeie. \u015ei m-am plictisit.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Url\u0103 lugubru, nu latr\u0103 d\u00e2nd din coad\u0103. Miezul nop\u0163ii. Eram bolnav. \u00cemi \u0163\u00e2\u015fnea s\u00e2ngele pe urechi. Asta presim\u0163isem. Rosamunde. La noapte m\u0103 voi trezi s-o fredonez \u015fi s-o uit. Parc\u0103 ar fi Satana, nu, e o fat\u0103 de liceu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am pierdut la c\u0103r\u0163i. Am vorbit ur\u00e2t. Italianul \u00eei cump\u0103rase tablourile, n-a vrut bani, ci s\u0103 mearg\u0103 la var\u0103 \u00een Italia. Nu se dezgr\u0103ie\u015fte ce-ai gr\u0103it. Nebun mai e cerul. Rup \u00een dou\u0103 trupul vizionarei, p\u00e2inea. M\u0103 presimt octoedru \u00een fagure.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sunt focuri mari c\u00e2t noi doi \u00eembr\u0103\u0163i\u015fa\u0163i \u015fi el cu un fier \u00een m\u00e2n\u0103 trage jarul. Eu aduceam ap\u0103. Adic\u0103 \u00eemp\u0103r\u0163eam mere galbene dintr-o g\u0103leat\u0103. S\u0103 te ui\u0163i, te rog, \u00een tablou, cine domin\u0103, cei cu gesturi fizice, sau cei cu expresii vizionare? Transpu\u015fii?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trece cineva, ne \u00eenv\u00e2rtim \u00een juc\u0103ria rotitoare, altcineva, alt\u0103 \u00eenv\u00e2rtire. Trec mai mul\u0163i, din toate p\u0103r\u0163ile, ne \u00eenv\u00e2rtim repede. Nu mai trece nimenea. St\u0103m ce st\u0103m, ne \u00eentoarcem spre lumin\u0103, hornuri pe Mihai Bravu, Matei Voievod, cerul cu lun\u0103, plopii. Plec\u0103m. Spre sear\u0103 era cerul de un violet duios, p\u0103cat c\u0103 nu ai fost, pictai ce \u0163i-a\u015f fi spus eu c\u0103 se vede, poate descopeream o nou\u0103 culoare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S-a uitat, s-a tot uitat, s-a uitat tot. A privit-o, a \u00eentors privirea, a privit iar\u00a0\u00a0\u00a0\u00a0 apa curg\u00e2nd pe sub ghea\u0163a burlanelor (\u015fi a murit?) Mai bine dec\u00e2t mucul, s\u0103-\u0163i pice busuiocul \u00een albia copilului. S\u0103-l ur\u0103sc pe taic\u0103-meu?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Un an \u00eentreg o privisem numai \u00een ochi pe femeia cu ochelari, dar \u015ftiusem s\u0103-i anun\u0163 pe ceilal\u0163i studen\u0163i \u00eentotdeauna c\u00e2nd \u00ee\u015fi schimba chilo\u0163ii, din albi \u00een negri, asta era gama. De fapt, eu \u00eei v\u0103zusem mai \u00een am\u0103nunt chilo\u0163ii albi\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Viitorul seam\u0103n\u0103 cu moartea, cu na\u015fterea, \u015fi noi, spunea fata asta de azi, de care nimeni nu poate s\u0103 vorbeasc\u0103 ur\u00e2t, vrem nemurire, pentru c\u0103 n-o putem avea, \u015fi de-aia\u2026 Viitorul mi-l aflasem asear\u0103. Aveam s\u0103 m\u0103 \u00eent\u00e2lnesccu una brun\u0103 \u015fi \u00eenalt\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A venit \u015fi b\u0103tr\u00e2na vr\u0103jitoare c\u0103l\u0103torind cu trenul, s-a mutat din p\u0103dure pe iaz, prin v\u00e2ntul cu boli nev\u0103zute. Ie\u015fea dintr-un castel ticsit de paturi suprapuse, fete cr\u0103c\u0103nate ce-\u015fi m\u00e2ncau din poal\u0103 \u015fi b\u0103rba\u0163i care nu se uitau la ele. Albul p\u0103rului era albul din\u0163ilor \u015fi al \u015foldului care i se z\u0103rea prin fusta rupt\u0103. Mi-a ar\u0103tat cu m\u00e2na pe unde s\u0103 cobor.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiecare d\u0103r\u00e2m\u0103 g\u00e2ndirea p\u0103rinteasc\u0103 \u015fi pune alta \u00een loc, dar aici p\u0103rin\u0163ii sunt cei vinova\u0163i. A fost \u00een stare s\u0103 g\u00e2ndeasc\u0103 lucrurile casei \u015fi, apropiindu-se de sf\u00e2r\u015fit, a conceput un urma\u015f care i-a spulberat acoperi\u015furile p\u00e2n\u0103 \u00een temelii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Iar cei ce vor s\u0103 nu-\u015fi mai r\u0103pun\u0103 prin fiin\u0163e g\u00e2ndul sunt mai jalnici din cauza \u00eenfierilor. G\u00e2ndirea r\u0103m\u00e2ne robit\u0103 fiin\u0163ei sau \u00ee\u015fi d\u0103 duhul sufocat\u0103 de suflarea vie a urma\u015fului. Iar dac\u0103 a fost dat\u0103 din na\u015ftere omului, \u015fi a\u015fa cred c\u0103 a fost, ea nu se na\u015fte niciodat\u0103, moare numai. Cei n\u0103scu\u0163i sunt depl\u00e2n\u015fi pentru moarte. G\u00e2ndirii s\u0103-i depl\u00e2ngem lipsa na\u015fterii. S\u0103 depl\u00e2ngem gropile comune ale g\u00e2ndirii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ce dragoste pe timp de liliac \u015fi tei, \u00eenc\u00e2t \u00een urm\u0103 voiam s\u0103-mi iau via\u0163a \u015fi nu mi-am luat-o. \u015eidan a f\u0103cut stagiul militar timp de dou\u0103 ore, a stat drep\u0163i, cu servieta sub bra\u0163, \u00een fa\u0163a unui maior, a unui c\u0103pitan \u015fi a unui c\u0103prar, apoi a ie\u015fit. Pe coridor, maiorul i-a dat 35 de lei \u015fi o foaie cu care l-a trimis la un oficiu po\u015ftal, s\u0103-i expedieze \u015fi s\u0103 aduc\u0103 chitan\u0163\u0103 de primire, era pensia alimentar\u0103 pentru fosta so\u0163ie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lui \u015eipetre i-a venit un aviz, s-a dus la oficiu s\u0103-\u015fi ia banii, nu \u015ftia de unde, iar func\u0163ionara refuza s\u0103 i-i dea p\u00e2n\u0103 nu spune de unde a\u015ftepta. Era 1 leu de la Robespiere.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu-mi va c\u0103uta nimeni \u00een manuscrise s\u0103 vad\u0103 c\u00e2nd \u00een loc de via\u0163\u0103 sta scris triste\u0163e, co\u015fmaruri \u00een care fiin\u0163e iubite se prosternau \u00een fa\u0163a celor odioase.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zerbino \u00eentreab\u0103 trei \u0163\u0103rani \u00eent\u00e2lni\u0163i pe drum dac\u0103 mai e mult de mers. Nu, c\u0103 suntem \u00eempreun\u0103. Dac\u0103 a\u0163i fi singuri, c\u00e2t a\u0163i mai avea? P\u0103i suntem singuri. Lua\u0163i-m\u0103 cu voi, c\u0103ci \u015fi eu m\u0103 gr\u0103besc. Noi nu ne gr\u0103bim. Mi se pare c\u0103 v-am mai v\u0103zut. Noi te-am v\u0103zut pe tine.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u0103pase \u00een mal unde a g\u0103sit bocanci cu oase \u00een ei. Fusese \u00eenchis \u015fi, pentru orice motiv, voia s\u0103 omoare. Nu \u00eemplinise 15 ani \u015fi fugise de-acas\u0103. Se socotea tot Zerbino. Prima aventur\u0103 mistic\u0103 a fost stingerea candelelor. Lumina \u00eei proiecta umbra pe un perete de cristal \u015fi s-a dus s-o sting\u0103, apoi i-a venit \u00een g\u00e2nd c\u0103 ar fi bine s\u0103 sting\u0103 toate candelele de pe p\u0103m\u00e2nt.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Adu-mi un alt b\u0103iat \u00een gazd\u0103, la fel de bun. Sunt vinovat c\u0103 am visat-o. Gelos pe propriii spermatozoizi. D\u0103-mi balta. Nu-i a mea. D\u0103-mi z\u0103pada. Se tope\u015fte. D\u0103-mi-o topit\u0103. \u00ce\u0163i dau p\u0103m\u00e2ntul. Nu mi-l da.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u0103 urc \u00een alt tren. Sunt pe scar\u0103 \u015fi cineva de pe alt\u0103 scar\u0103 \u00eemi spune \u00eentr-una c\u0103 m\u0103 pic\u0103. Dou\u0103zeci de fete serbaser\u0103 un scaloian \u015fi au plecat la Dun\u0103re.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Se vars\u0103 ap\u0103 pe mine, m\u0103 str\u00e2ng spre u\u015fa trenului, nu intru, vreau s\u0103 m\u0103 trezesc. S-au dezbr\u0103cat fetele \u015fi s-au azv\u00e2rlit \u00een ap\u0103. Au \u00eenotat p\u00e2n\u0103 au v\u0103zut c\u0103 una din ele lipsea, o prinsese un sorb.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cemi fac loc \u00een tren. Unul face ca o moar\u0103, \u00ee\u015fi potrive\u015fte g\u00e2tul \u015fi macin\u0103. Ultima dat\u0103 furase un tractor. C\u00e2\u0163i copii ai, \u015fase, c\u00e2\u0163i b\u0103ie\u0163i, \u015fase, i-a pl\u0103cut ei, \u015fi ei \u015fi mie, dac\u0103 \u00eencepi un lucru de ce s\u0103 nu-l termini, fete n-ai, am mai avut un b\u0103iat \u015fi \u0103la a murit.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cine nu cunoa\u015fte mizeria \u015fi a fost la Paris a tr\u0103it pe verese \u015fi veresea nu e bun\u0103, c\u0103 \u0103la a stat \u00een leag\u0103nul fericirii \u015fi numai cine a plecat de jos cu g\u00e2ndirea lui supus\u0103 a putut s\u0103 ajung\u0103 ca Eminescu \u015fi Creang\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0162uica fiart\u0103 \u00eei f\u0103cea r\u0103u, se \u0163inea cu m\u00e2na de nas, numai rece o bea. G\u00e2scanii \u00eei hr\u0103nea numai el de c\u00e2nd era acas\u2019. Unul \u00eencepuse s\u0103 calce \u015fi nu mai m\u00e2nca deloc, el \u00eel \u00eendemna.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am v\u0103zut ziua foc de bani, era comoar\u0103 bun\u0103 aia dac\u0103 se vedea ziua, da\u2019 m-am \u00eentors, c\u0103 nu vream s\u0103 las plugul \u015fi s\u0103 pierd timpul, ai fost prost, p\u0103i ce s\u0103 fac eu cu banii, nu-mi ajung \u0103ia pe care-i am?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2\u0163i ani sunt de la primul om. Aici se face istoria potopului, turnului Babel, Sodomei \u015fi Gomorei, a na\u015fterii lui Iisus, apoi a noastr\u0103. Pe Eva a f\u0103cut-o dumnezeu din coaps\u0103, din coaps\u0103 care devine \u00eentr-o parte din spate, din miere a f\u0103cut-o, nene, cum s\u0103 zici vorba asta, p\u0103i de ce a lins-o Adam?<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Care e poporul cel mai credincios? Poate vrei s\u0103 \u00eentrebi sect\u0103. Nu, care popor, care na\u0163ie? Cum care na\u0163ie, care sect\u0103? Rom\u00e2nii, grecii, ru\u015fii, turcii. Evreii sunt neamul cel mai curat. Vezi de treab\u0103, cum s\u0103 fie evreii? Turcii sunt, c\u0103 ei din legea lor nu ies. Turcii pier primii, ascult\u0103-m\u0103 pe mine. Dar sunt cei mai credincio\u015fi. Dar primii pier, na\u0163ia lor piere cur\u00e2nd. Numai c\u00e2nd bagi \u00een plug cu cineva \u015ftii ce e.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sem\u0103nam cu buruienile. M\u0103 cuprinseser\u0103 friguri din alt\u0103 lume. M\u0103 g\u00e2ndesc la lalele, apoi la bujori, iar la cepele lalelelor. Visele le-a\u015f socoti \u00eent\u00e2mpl\u0103ri reale. Lucrurile nu trebuie \u00een\u0163elese. Dac\u0103 e ceva extraordinar, tac din gur\u0103, dac\u0103 nu e, vorbesc \u015fi eu.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd spui despre tine c\u0103 vrei s\u0103 taci, ai f\u0103cut un lucru a doaua oar\u0103. C\u00e2nd spui c\u0103 vrei s\u0103 tr\u0103ie\u015fti ca Hora\u0163iu, ai spus despre tine un adev\u0103r de dou\u0103 mii de ani. Cuvintele stric\u0103 muzica, sem\u0103n\u00e2nd cu pete \u00een ve\u015fnicie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nu numai nop\u0163ile \u00eempac\u0103. P\u0103m\u00e2ntul are jocuri \u2013 pomii vitele, dar nu se joac\u0103, nu ne juc\u0103m cu ele. Mintea are jocuri \u015fi nu se joac\u0103, nu ne juc\u0103m cu \u00een\u0163elepciunea. Soarele n-are jocuri \u015fi se joac\u0103 cu cadavrele. Be\u0163ia, curvia, p\u0103l\u0103via, s\u0103 zic trezia, fecioria, t\u0103cerea, dar nici s\u0103 n-adormi nu e bine, nici s\u0103 \u00eennebune\u015fti \u015fi nici s\u0103 fii mut. Pentru c\u0103 una d\u0103 \u00een alta.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Muta din satul Negru \u00eemb\u0103tr\u00e2nise aproape. \u015ei a dat \u00een alta c\u0103 l-a dat \u00een judecat\u0103 pe v\u0103ru-meu. La judecat\u0103, nu se putea ab\u0163ine s\u0103 nu-l s\u0103rute \u015fi s\u0103-l ia \u00een bra\u0163e. Asta era acuza\u0163ia. A sc\u0103pat cu cheltuieli. Dar \u015fi el a dat-o \u00een alta, c\u0103 iar s-a apucat s\u0103 cheltuiasc\u0103 banii pe care-i lua de la balastiera lui de acolo, ca s\u0103-\u015fi schimbe numele \u015fi s\u0103 scape din armat\u0103, neput\u00e2nd s\u0103 \u015fi-l p\u0103streze pentru c\u0103 nu se permite prin lege s\u0103 \u00eenfieze cineva de 22 de ani pe altcineva de 62, care p\u00e2n\u0103 la urm\u0103 a \u015fi murit.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ni se lipe\u015fte p\u0103m\u00e2ntul de t\u0103lpi, ajungem la trei mesteceni. St\u0103m s\u0103-i \u00eentrebe ce sunt. R\u0103spund eu, mesteceni. Urc\u0103m, reintr\u0103m \u00een p\u0103dure, o travers\u0103m, cobor\u00e2m \u00een alt p\u00e2r\u0103u \u015fi tot nu g\u0103sim florile. La \u00eentoarcere, se lamenteaz\u0103 c\u0103 ne-am rupt picioarele degeaba.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La cinci ani ai lui, nu gustase deplin cunoa\u015fterea p\u0103durii \u015fi spaimele ei, ori nu-i convenea c\u0103 eu, pe care-l pre\u0163uia mai mult dec\u00e2t pe to\u0163i intelectualii din Rom\u00e2nia, tocmai eu i-o ar\u0103tasem, \u015fi i-o ar\u0103tasem ca \u015fi cum el mi-ar fi ar\u0103tat-o mie, c\u0103ci el a v\u0103zut primul iarb\u0103 lung\u0103, de munte, cu miros frumos, \u015fi el a r\u00e2s c\u0103 o miros \u015fi la coad\u0103, tot el a g\u0103sit o ghind\u0103 veche, pe frunzele uscate ar fi vrut s\u0103 se dea cu sania, \u00een copaci c\u0103uta ghiocei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dar t\u00e2rziu, dup\u0103 ce ne \u00eentorsesem \u015fi ne a\u015fezasem l\u00e2ng\u0103 dou\u0103 b\u0103l\u0163i \u015fi ne sp\u0103lam \u00eenc\u0103l\u0163\u0103mintea, iar el termin\u00e2nd primul \u015fi nu avea de lucru \u015fi i-am spus s\u0103 se joace-n soare, r\u0103spunz\u00e2nd c\u0103 nu vine acolo \u015fi eu \u00eendemn\u00e2ndu-l s\u0103-l cheme \u015fi el f\u0103c\u00e2ndu-i cu m\u00e2na s\u0103 vin\u0103 \u015fi mai apoi, la \u00eenc\u0103 un timp, eu am \u015ftiut c\u0103 oamenii nu au alt scop pe lume dec\u00e2t s\u0103 urmeze via\u0163a toat\u0103 ceea ce \u00eenf\u0103ptuiesc, simt \u015fi uit\u0103 copiii la v\u00e2rsta con\u015ftiin\u0163ei. A\u015fa fac \u015fi cei sterpi.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I-am ar\u0103tat pleav\u0103 de anul trecut pres\u0103rat\u0103 pe locul unde se treierase. Crescuse gr\u00e2u nou din boabele r\u0103mase. I-am ar\u0103tat o butur\u0103, a fost un p\u0103r cu pere m\u0103l\u0103ie\u0163e. Cum m\u0103l\u0103ie\u0163e? Ca m\u0103laiul. Prunii maicii, aluni, hududoaie.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aici m-a n\u0103scut pe mine maica. \u015ei nu \u0163i-a fost foame \u015fi frig? I-am dat o m\u0103cea\u015f\u0103 neagr\u0103, ars\u0103 \u015fi am scuipat, a scuipat-o repede. \u00cen potec\u0103, m-am a\u015fezat pe piatr\u0103, el pe cealalt\u0103. Ne-am cur\u0163at \u00eenc\u0103l\u0163\u0103mintea.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am privit la prunii din jur, la c\u00e2mpurile c\u00e2mpului, case cu profil magnetic, spre r\u00e2pi. Ne-am \u00eenn\u0103molit \u00eenc\u0103 o dat\u0103. Am urcat, dup\u0103 ce cobor\u00e2sem prea mult. Lunca era lunc\u0103, Oltul nu se vedea, dincolo, peste p\u0103duri, mun\u0163ii aveau dungi de z\u0103pad\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd l-am l\u0103sat \u00eentr-o v\u00e2cic\u0103 \u015fi apoi l-am urmat, s-a pomenit izolat, jos \u00een st\u00e2nga, \u00een peretele malului se surpase nisip. S-a speriat \u015fi, dac\u0103 eu \u015ftiam c\u0103 n-ai voie s\u0103 te sui pe movile, c\u0103 ajung\u00e2nd aproape de v\u00e2rf odat\u0103 te scufunzi \u00een fundul p\u0103m\u00e2ntului, el, se vede, avea alte spaime, poate mai logice.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Caverna orizontal\u0103 \u00eel \u00eenfiora nu prin c\u0103dere, ci prin \u00eentuneric \u015fi surpare. Am urcat, el \u00eenainte, eu \u00eent\u00e2rziind, i-am cerut ajutor \u015fi nu i l-am mai primit, ag\u0103\u0163\u00e2ndu-m\u0103 de o r\u0103d\u0103cin\u0103. Lu\u00e2nd-o la fug\u0103 printre tufe, \u0163inu\u0163i de m\u00e2n\u0103 \u015fi r\u00e2z\u00e2nd, am ie\u015fit la case, pe care el le recuno\u015ftea, spunea c\u0103 vrea s\u0103 intre \u00een ele, deoarece n-a fost niciodat\u0103.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Morfinomani, so\u0163 \u015fi so\u0163ie, el a plecat dup\u0103 dou\u0103 zile, nu-i luaser\u0103 hainele, \u015fi dus a fost. \u015ei o doctor\u0103 lua morfin\u0103, \u00eentr-o zi era cu marinarul c\u00e2nd \u00een fereastr\u0103 au v\u0103zut un cur gol, au strigat la ea \u015fi n-a auzit. Atunci am zis s\u0103 intr\u0103m peste ea s\u0103 vedem, dar ea se pr\u0103bu\u015fise \u00een iarb\u0103. Am vrut s-o \u00eentreb\u0103m de vorb\u0103, dar nu \u015ftia de ea.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Impiegatul de mi\u015fcare f\u0103cea toat\u0103 ziua \u015fase pa\u015fi \u00eenainte, \u015fase \u00eenapoi \u015fi saluta. C\u00e2nd se f\u0103cea sear\u0103, \u0163ipa \u015fi-l apuca nebunia. Se \u00eent\u00e2mplase seara un accident \u015fi el nu era de vin\u0103, dar \u00eennebunise de fric\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arde Teiu\u015ful. C\u00e2nd auzea asta, se \u00eentorcea la tine \u015fi te omora. \u00cei arsese casa \u015fi \u00eennebunise. Dup\u0103 un timp, \u00eei d\u0103duser\u0103 drumul din spital. Dar un copil strigase, la coas\u0103, arde Teiu\u015ful. S-a \u00eentors la copil \u015fi i-a t\u0103iat de tot capul.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Banul era la nunt\u0103 \u015fi n-avea bani. Istericele \u0163ipau dup\u0103 cote\u0163ele cobailor. B\u0103l\u0103 primise scrisoare c\u0103 a devenit pre\u015fedintele Fran\u0163ei. Psihoza epileptic\u0103 a altui impiegat \u00eel face s\u0103 adoarm\u0103 vorbind. Al treilea impiegat e tat\u0103l Marianei, care era \u00een cinci la medicin\u0103 \u015fi-l primea pe Ionel, f\u0103ceau toate minunile, dar ea era fat\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De Iuli\u015fca a min\u0163it c\u0103 avea doar vreo 16 ani, a mers cu ea pe Gu\u015fteri\u0163a, dar, din cauza tratamentului, \u015fi ea \u015ftia, nu putea mare lucru. I-a cerut s\u0103-i promit\u0103 c\u0103 ultima noapte o va petrece cu ea, g\u00e2ndindu-se s\u0103 roage pe doctor s\u0103-i injecteze testosteron sau altceva.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tot atunci a avut prietenia cu Dorina. La \u00eenceput nu sim\u0163ea nimic pentru ea, din cauza tratamentului. A\u015fa spune. I-a cerut c\u0103r\u0163i printr-o doamn\u0103 care venise s\u0103-\u015fi aduc\u0103 un nepot.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tipul avea vreo 23 de ani \u015fi \u00eennebunise. P\u0103rin\u0163ii lui l-au luat dup\u0103 un timp acas\u0103. \u00ce\u015fi rupea hainele de pe el \u015fi \u00eel \u00eembr\u0103caser\u0103 \u00eentr-un costum de doc dublu cusut des peste tot \u015fi nu putea s\u0103-l rup\u0103. C\u00e2nd l-au adus acas\u0103 \u015fi a r\u0103mas singur, el a t\u0103iat pisica \u00een buc\u0103\u0163i, a pus-o \u00een chiuvet\u0103, apoi a t\u0103iat cu foarfeca plapuma, p\u0103turile, covoarele, hainele \u015fi tot, tot ce a g\u0103sit. \u00cel adusese \u00eenapoi.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Doamna aceea era \u015fi ea pu\u0163in nebun\u0103. Iubise un b\u0103iat care i-a dat cu piciorul. Se m\u0103ritase apoi cu un b\u0103tr\u00e2n. Doina i-a dat, \u00eentr-adev\u0103r, c\u0103r\u0163i. C\u0103r\u0163i bune. Nu \u015fi le mai aminte\u015fte.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S-a dus acas\u0103 la ea, l-a servit cu lichior, dar el nu putea s\u0103 bea atunci, c\u0103 ar fi murit. A b\u0103ut un doctor internat pentru dezalcoolizare (\u0163inea sub limb\u0103 doctoriile \u015fi le scuipa c\u00e2nd nu-l vedea nimeni). S-au plimbat noaptea pe str\u0103zile Sibiului, devenise punctual.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2nd b\u0103tea de cinci ori ceasul din turn, venea el dintr-o parte, ea din alta. \u00centr-o zi, ea l-a chemat la Cibin. S-a dezbr\u0103cat. Avea forme frumoase. A\u015fa spune el. El nu se dezbr\u0103case, de team\u0103 s\u0103 nu se sperie c\u00e2t e de slab. \u00centotdeauna \u00eei s\u0103ruta m\u00e2na. N-o s\u0103rutase. Se plimbau. Cu timpul, tratamentul i-a permis mai mult.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dac\u0103 o alt\u0103 femeie s-ar fi dus la Cibin cu el, el ar fi dorit-o, dar pentru aceasta nu mai sim\u0163ea dec\u00e2t o prietenie. Cum ar fi fost cu un prieten. C\u00e2nd \u015fi-a f\u0103cut fi\u015fa de ie\u015fire din spital, ea tocmai \u00eel invitase la o s\u0103rb\u0103torire a ei. Putea s\u0103 mai r\u0103m\u00e2n\u0103 internat, dar din cauza hainelor jerpelite a preferat s\u0103 nu se duc\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anonimul lui Rembrandt apud Lanbehn.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 !965-1966 \/ 2012<\/p>\n<p style=\"text-align: justify;\"><strong><em>Depozi\u0163ii<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">TEZ\u0102 \u00een sine<\/p>\n<p style=\"text-align: justify;\"><em>Veronica Anghelescu<\/em><\/p>\n<p style=\"text-align: justify;\">Trebuie s\u00e3 te la\u015fi de stilul \u00e3sta. Mi se pare, sincer, groaznic. Sper c\u00e3 nu mi-o vei lua \u00een nume r\u00e3u. M\u00e3iastra o consider o reu\u015fit\u00e3, are un stil, un caracter. Dar aici sunt pure bazaconii\u2026<\/p>\n<p style=\"text-align: justify;\">Ps Penultimul vers cred c\u00e3 nu e cu cratim\u00e3: noi impuscaram, voi impuscarati!<\/p>\n<p style=\"text-align: justify;\">In urma cu 4 luni, George Anca mi-a adresat invitatia de a crea o muzica pornind de la textul sau, Maiastra, text dedicat lui Constantin Brancusi. Fiind la inceputul carierei componistice, am considerat aceasta ocazie drept foarte buna pentru a putea experimenta si aplica anumite tehnici moderne de compozitie camerala.<\/p>\n<p style=\"text-align: justify;\">Textul, foarte ofertant, in maniera populara, cu ritm constant si rima imperecheaa, ca in lirica noastra traditionala, este foarte potrivit pentru muzica. Am ales, asadar, sectiunile cele mai importante ale textului si le-am utilizat intr-o lucrare muzicala ce are urmatoarea formula instrumentala: partea strict muzicala este reprezentata de un trio constituit din flaut, clarinet si violoncel, instrumente agile si cu posibilitati melodice generoase, acoperind un ambitus foarte larg. Pe fundal se aud p\u0103s\u0103ri, privghetori, inregistrate in mediul lor natural. Textul este partial citit (recitat), partial cantat. Melodiile pe care le-am ales pentru partile cantate, ce constituie un fel de refren in cadrul formei generale, sunt melodii autentice, culese din regiunea Clejani, de o deosebita originalitate, in structura carora nu am intervenit deloc. Am putut constata ca se potrivesc perfect textului scris de George Anca.<\/p>\n<p style=\"text-align: justify;\">ANTITEZ\u0102 pentru sine<\/p>\n<p style=\"text-align: justify;\"><em>Mariana Gurza<\/em><\/p>\n<p style=\"text-align: justify;\">Citind poemele domnului George Anca, \u201c<strong>Barba lui Hegel\u201d<\/strong>, am incercat sa-i numar firele istorice ale filozofului, lasandu-ma intepata de asprimea vremii, mergand pe urmele \u201cfiintei\u201d, captivata si eu de <em>Fenomenologia spiritului.<\/em> \u201c<em>Fiin\u0163a este abstrac\u0163ia, purul universal. Spiritualul este realul efectiv.<\/em>( Hegel)<\/p>\n<p style=\"text-align: justify;\">Daca pentru <a href=\"http:\/\/translate.googleusercontent.com\/translate_c?hl=ro&amp;langpair=en%7Cro&amp;rurl=translate.google.ro&amp;u=http:\/\/www.brainyquote.com\/quotes\/quotes\/g\/georgwilhe396472.html&amp;usg=ALkJrhhdzFcBb_O88phQMaR_RMDxkva7Xg\">Georg Wilhelm Friedrich Hegel<\/a>,<strong><em> \u201e<\/em><\/strong><em>o idee este intotdeauna o generalizare si generalizarea este o proprietate de g\u00e2ndire<\/em>\u201d, <strong>George Anca<\/strong> ratacind prin \u201c<strong>Barba lui Hegel, <\/strong>a cautat acelasi lucru, pornind de la ideea filozofului german: \u201c<em>Pentru a generaliza \u00eenseamn\u0103 a g\u00e2ndi\u201d, <\/em>deoarece<em> \u201cguvernele nu au \u00eenv\u0103\u0163at nimic din istorie, sau au ac\u0163ionat pe principiile deduse din el<\/em>\u201d.<\/p>\n<p style=\"text-align: justify;\"><strong><em>P<\/em><\/strong><strong><em>ierdu\u0163i danta\u0163i d\u2019antan \/v\u00e2nt arab negerman\/raiaua taie raiului p\u00e2raie\/\u015fi m-a terza rima Herza\/dan\u0163ul rupt cu gleznele\/\u00eentr-o bun\u0103tate de Carpa\u0163i <\/em><\/strong>(<em>Yama).<\/em>Codul moral este zgaltait de prezentul tomnatic prin acelasi \u201e<em>hazard teatralizat<\/em> \u201e.Ma trezesc printre \u201e<strong><em>picuri <\/em><\/strong><strong><em>\u015foca\u0163i pe somnul c\u00e2inilor<\/em>\u201d<\/strong> \/<strong><em>viezuri \u00een loc de ploaie peste ran\u0103\/de mi-a\u015f contorsiona represatorii\/aleluia lulea bine\u0163ea mierle\/p\u00e2n\u0103 la dumnezeu cioara\/veveri\u0163a leag\u0103 apostolii\u2026<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">. \u201e<em>Animalele sunt \u00een posesia ei \u00een\u015fi\u015fi; sufletul lor se afl\u0103 \u00een posesia corpului lor. Dar ei nu au dreptul la viata lor, deoarece ei nu vor<\/em>.\u201d(Hegel)<\/p>\n<p style=\"text-align: justify;\">Ne lipseste educatia.Versul este ca un strigat in agonia timpului. <em>Educa\u0163ia este arta de a face omul etic.<\/em> (Hegel).Dar ce este etic astazi? \u201c<em>orice lucru care at\u00e2rn\u0103 e un bec\u201d\u2026<\/em> <em>nu mai l\u0103tra m\u0103tr\u0103guno\/hore la silnic\u0103 trud\u0103\/dup\u0103 comenzi \u015fa\u015fii foc\u201d(teatrux).<\/em> \u201c<em>Tragedii Genuine \u00een lume nu sunt conflicte \u00eentre bine \u015fi r\u0103u. Acestea sunt conflicte \u00eentre dou\u0103 drepturi.<\/em>\u201d(Hegel).Oare asa sa fie? \u201cIstoria lumii este o instan\u0163\u0103 de judecat\u0103\u201d\u2026<\/p>\n<p style=\"text-align: justify;\">\u201d<em>Este mai u\u015for s\u0103 descoperi o deficien\u0163\u0103 \u00een indivizi, \u00een statele, \u015fi \u00een Providence, decat sa vezi de import \u015fi de valoarea lor real\u0103<\/em>\u201d.(Hegel)<\/p>\n<p style=\"text-align: justify;\">\u201c <strong><em>tranzac\u0163ia nu m\u0103\/<\/em><\/strong><strong><em>tranzac\u0163ia nu m\u0103 mai prive\u015fte\/fra\u0163ilor \u0103la nu \u015fparle\u015fte engleze\u015fte\/nepo\u0163ii de-or sosi ce-om mai vorbi\/nu se c\u00e2nt\u0103 dec\u00e2t din l\u0103cust\u0103\/printre copite b\u0103rboase cu Hegel\/bolile ni le purt\u0103m singuri\/a mai omor\u00e2 pe podium\/m\u0103 ve\u0163i vedea dup\u0103 moarte\/\u00een stih strecurat argint\/.nici de Hegel barb\u0103 nu \u015fi-ar smulge\/premiindu-m\u0103 la cuv\u00e2ntul familiei\/nici scenometria nu mi se merit\u0103\/vorbi\u0163i ai ro\u0163ii unde-ajunge soar\u2019le\/solsti\u0163iu \u00eempu\u015fcar\u0103-\u0163i la teatru\/barba hegelian\u0103 a lui Ien\u0103chi\u0163\u0103\u201d(<\/em><\/strong><em> tranzac\u0163ia nu m\u0103)<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>George Anca<\/strong> si-a \u201eoranduit discursul in atmosfera\u201d dorind \u201e<strong><em>s\u0103 detun ciocul lui Hegel<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>tuns peste cercei b\u0103ie\u0163e\u015fte<\/em><\/strong><strong>\u201d\u2026 <em>tundere barba lui Hegel oleac\u0103\/a m\u0103 bucura ca de contesta\u0163ie\/replici din ast\u0103-sear\u0103 se joac\u0103 Noica\u201d.<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">Interesant modul de abordare al esteticii artei simbolice, clasice, \u015fi romantice ale profesorului George Anca. O filozifie care captiveaza prin \u201c<strong><em>Yama\u201d\u2026urmata de \u201epicuri\u201d , \u201eviezuri\u201d si \u201emargarete\u201d.\u201dOrice lucru\u201d poate sa existe ca un \u201eteatrux\u201d , \u201ascald\u201d sau un \u201eBoccacio\u2019.O\u2019 contrapartida\u201d cu el insusi, pornind prin provincie, azi la coloana, maine la Paris.<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>Marii \u00een neant \u015fi dup\u0103 mine\/cine pe cine s\u0103 \u00eent\u00e2lneasc\u0103<\/em><\/strong><strong>\/<em>lent\u0103 desp\u0103r\u0163ire care s\u0103 ne \u015ftie<\/em>\/<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>lume \u00eemp\u0103r\u0163ind<\/em><\/strong><strong>\/<em>pu\u0163in\u0103tatea b\u0103rba\u0163ilor\/ca dup\u0103 vechi r\u0103zboaie(Marii \u00een neant<\/em><\/strong><em>)<\/em>.<\/p>\n<p style=\"text-align: justify;\"><strong>George Anca<\/strong> cu \u201e<strong><em>aerele pe tampla<\/em><\/strong>\u201d postat la \u201e<strong><em>apa cavalului\u201d<\/em><\/strong> este mereu in aceeasi cautare.A <strong>armoniei universale<\/strong>.Un manifest filozofic adanc in randuri neconsolate\u2026<em>interzi\u015fi ne\u00een\u0163ele\u015fi nedescoperi\u0163i\/asasina\u0163i sinuci\u015fi decapita\u0163i\/represiunea poeziei poezia represiunii\/ dictatura p\u00e2n\u0103 la ucidere\/induce trepte reactive m\u0103re\u0163e\/pe care le represeaz\u0103 sadic\/ne preg\u0103te\u015fte moartea fizic\u0103 \u00een spirit\/ne sim\u0163im interzi\u015fi ca persoan\u0103\/n-avem dec\u00e2t s\u0103 ne radicaliz\u0103m\u201d(Interzisi)<\/em><\/p>\n<p style=\"text-align: justify;\">Cat despre \u201c<strong>barba lui Hegel<\/strong>\u201d in viziunea scriitorului \u201c\u2026<strong><em>era o contabil\u0103\/aplauze la pagin\u0103 \u00eenchis\u0103 relicve\/staliniste \u00een recuperarea pierderilor\/cu respect figura\u0163i eviden\u0163e ghetto\/ce se alege de arhiv\u0103 inspira\u0163ie\/trendy craniu \u00een cronc\u0103nire\/coinciden\u0163\u0103 convulsiv\u0103 pe frig scenometric\/\u0163ine-m\u0103 \u00eenchis \u00een cas\u0103 c\u0103-mi fac partid\/dai bani s\u0103-\u0163i auzi numele botez\u00e2ndu-se\/scen\u0103 secesionen\u0103 cen\u0103 mecen\u0103\/secerer\u0103-ne materia lacustr\u0103 de nu s-o \u00eemb\u0103ta\/step canto macronim ce mai zugr\u0103vim\/calende roase aprobat zdrobire oase\/r\u0103punere zgard\u0103 jet alung\u0103 thor\/zg\u00e2i\u0163i-v\u0103 zg\u00e2rie-nor Ann Arbor zbor\/triple\u0163i de ghind\u0103 spre cas\u0103 grind\u0103\/Gayatri vou\u0103 neam de p\u0103rin\u0163i nou\u0103\/mi-a venit s\u0103 m\u0103 \u00eenchin la Br\u00e2ncu\u015fi\u201d. <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u201eS\u0103 m\u0103 \u00eenchin la Br\u00e2ncu\u015fi\u201d-acest final de poem spune totul despre GEORGE ANCA.<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">\u201eFrumosul si adevarul sunt identice. Frumosul anume trebuie sa fie adevarat in sine.\u201d(Hegel)<\/p>\n<p style=\"text-align: justify;\"><em>Adina Dumitrescu<\/em><\/p>\n<p style=\"text-align: justify;\">Poezia academic\u0103 \u00eentr-o defla\u0163ie bine temperat\u0103. De al\u0163ii\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tr\u0103im timpuri \u00een care culorile \u015fi \u0163ipetele, gusturile \u015fi implicit st\u0103rile ne sunt mitraliate de senza\u0163ii mai s\u0103race \u00een simbol ca \u00een epoca de piatr\u0103, c\u00e2nd, de bine \u2013 de r\u0103u, cuiul pe t\u0103bli\u0163a de roc\u0103 putea la alegere sau sim\u0163ire s\u0103 bat\u0103 mai ap\u0103sat sau mai \u015fters. Tr\u0103im timpuri \u00een care o carte, s\u0103 zicem \u201eC\u0103su\u0163a din p\u0103dure\u201d are mai multe culori \u00een pictura de copert\u0103 \u015fi fil\u0103, dec\u00e2t toate literele scrise la un loc. Tr\u0103im timpuri \u00een care criticii se mangalizeaz\u0103 numai buni de salam de Sibiu, nu prin extensie de cultur\u0103 ingurgitat\u0103, ci prin extensie de diplome \u015fi critici trecute, de mult dep\u0103\u015fite \u015fi rizibil redate. C\u0103ci criticile lor \u00ee\u0163i \u00eembrac\u0103 volumul \u00een at\u00e2tea serbede cuvinte, c\u00e2t le dep\u0103\u015fesc cu mult pe-ale tale, \u015fablonul li-e ros pe la margini, iar acestea, vai, acestea au prins urechile caietelor maculatoare de mai ieri\u2026 S\u0103 mai scrii poezie academic\u0103, s\u0103 ba\u0163i cu ea la por\u0163i \u00eenchise, s\u0103 sco\u0163i capul \u00een lume, iar \u00een interior s\u0103 te bucuri? E antiproductiv, e desuet, e ca zefirul ce zburd\u0103 pe creste f\u0103r\u0103 s\u0103 fie sim\u0163it de toval, c\u0103 \u00eenv\u0103\u0163at-am taifunul!<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dar scrii! Scrii pentru tine \u015fi pentru un crez, pentru triumfu-\u0163i interior ce pare altora acru, a\u015fa cum la strugurii acri nici m\u0103car vulpea nu se mai g\u00e2nde\u015fte. Dar crezul \u015fi harul exist\u0103, m\u00e2na nu-\u0163i tremur\u0103 pe condei, iar din mul\u0163ime \u00eencet se formeaz\u0103 o p\u0103tur\u0103 mic\u0103 ce acum \u00een\u0163elege: suntem la \u00eentret\u0103iere de drumuri, suntem \u00een dreptul nodului filogenetic ce va duce la un nou curent literar, pe care doar unii \u00eel simt.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Citind din volumul \u201eBarba lui Hegel\u201d al poetului George Anca, faci analogie cu filozofia lui Hegel, numai c\u0103, dac\u0103 la moartea filozofului din aceea\u015fi lucrare \u015fi-au g\u0103sit loc dou\u0103 curente, cel al hegelienilor de dreapta grupa\u0163i \u00een corpul universitarilor din Berlin \u015fi reprezent\u00e2nd conservatorismul politic al epocii de restaura\u0163ie de dup\u0103 Napoleon \u015fi cel de st\u00e2nga, materialist, al lui K.Marx, la George Anca mergerea e invers\u0103, pornind totu\u015fi de la un numitor comun: fenomenologia spiritului este filozofia dreptului, istoriei \u015fi religiei. C\u0103ci poezia autorului mai sus men\u0163ionat nu-\u0163i las\u0103 numai impresii, ci-\u0163i d\u0103 compresii pe t\u00e2mpl\u0103 \u015fi inim\u0103, pe suflet, iar acestea te duc la extensii. P\u00e2n\u0103 unde? De la p\u0103m\u00e2nt p\u00e2n\u0103 la cer, se dau rotocoale universului, apoi se \u00eentorc descendent spre p\u0103m\u00e2nt, d\u00e2nd, vorba scriitoarei \u201eroat\u0103 g\u00e2ndului, roat\u0103 p\u0103m\u00e2ntului\u201d . Nume, expresii sau tonuri, \u00eenceputuri de trainice cuget\u0103ri, st\u0103ri \u015fi idei, spirit \u015fi materie, nou \u015fi vechi, iat\u0103 esen\u0163a multipl\u0103 a poeziei \u00een 3 sau 5 D a autorului. E drept c\u0103 percep\u0163ia cititorului e pendinte de stare acestuia, e drept c\u0103 fiecare \u00een\u0163elege c\u00e2t \u015fi cum vrea, dar r\u0103d\u0103cina, sublimatul scriiturii r\u0103m\u00e2ne, indiferent de \u00eentoarceri la dreapta sau st\u00e2nga, indiferent c\u0103 gura \u0163i-e pung\u0103 sau \u0163i-e \u00een r\u00e2s clownian. \u015ei s\u0103 exemplific\u0103m\u2026 Poezia Teatrux aduce \u00een prim plan amarul unei \u0163\u0103ri de pe teatrul lumii, \u00een care se hore\u015fte sub constr\u00e2ngerea unui regim impus, f\u0103r\u0103 c\u0103 pare s\u0103-\u0163i pese de d\u0103r\u00e2m\u0103ri de biserici, dispari\u0163ii de ziduri vechi de cetate ce-au str\u00e2ns la un loc tradi\u0163ii \u015fi crezuri. La st\u00e2lpul infamiei au fost pu\u015fi sau extermina\u0163i cei cu dreapt\u0103 credin\u0163\u0103 \u201ecarantine Constantine\u201d, am primit cu inocen\u0163\u0103 \u015fi \u00een m\u00e2n\u0103 cu buchetul de floare ceea ce era de \u00eenfruntat \u201ete-am \u00eempu\u015fcat cu t\u0103m\u00e2ioare\/ mai criminal cine nu moare\/\u201d, am r\u0103mas noi cei ce am posedat f\u0103r\u0103 obiectul posesiei \u201eiazagiul iazul n-are\u201d, dar avem \u00een schimb \u201elakerman\u201d f\u0103r\u0103 iaz, tr\u0103im senza\u0163ia fricii continue ca-n \u201esurlarii m\u0103-nconjor ah turcii\u201d, p\u0103rem superficiali, boemi cu destinele amputate, buni \u015fi r\u0103i \u201ec\u00e2inele dubleaz\u0103 pragul Paraschivei\u201d. Acesta-i declicul teatrului lumii din care facem parte, proiectat \u015fi pus \u00een practic\u0103 de \u201e teatrem\u201d ,,al c\u0103rui scop nu-l cunoa\u015ftem, e imprevizibil, e ascuns, ca \u00eentr-un \u201eclar de coclaur\u201d .<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poezia Provincie ne plimb\u0103 printr-o istorie a neamului \u00een care s-au prins \u00een v\u00e2rtejul timpului sterpe idei despre o provincie daco-roman\u0103, \u00een care fie vorba \u00eentre noi, doar nubilele fete dace conteaz\u0103 \u015fi au r\u0103mas neucise, restul fiind trec\u0103tor \u015fi cotropitor, ne-am supus unui carnagiu comandat de criminali \u00een serie care au vorbit limba s\u00e2ngelui str\u0103in v\u0103rsat dinspre Kaliningrad, c\u0103 doar nici nu aveau cum s\u0103 ne trimit\u0103 salamalecuri, cel mai mare umorist al lor fiind de mult plecat (\u015ealom Alehem), iar cel contemporan scrie bine merci \u00een State sub numele de Wiliam Saroyan, dar se pl\u00e2nge c\u0103 \u201eun, doi, trage\u0163i u\u015fa dup\u0103 voi\u201d \u015fi \u201ecolonelului n-are cine s\u0103-i scrie\u201d ( n. a.). Tr\u0103im \u00eentr-o hor\u0103 gitan\u0103 \u201ecu ma\u015finile la mese de poman\u0103\/ angloritmare meridional\u0103\/ , ne l\u0103s\u0103m du\u015fi timpurilor, \u201ene p\u0103r\u0103sim zilelor cu weekend bucolic\u201d uit\u00e2nd s\u0103 vis\u0103m spre zilele pontului Euxin \u015fi ale versurilor lui Ovidiu. Iat\u0103 desf\u0103\u015furat\u0103 diorama unui \u0163inut cu identitate proprie \u015fi o limb\u0103 veche rom\u00e2neasc\u0103 ce pare pierdut\u0103 printre ,limbi penticostale\u201d \u00een care pl\u0103tim cash pentru gre\u015felile noastre \u201epl\u0103tim pletele s\u0103lciilor cash\/ nisipul smeului de-o camaraderie\u201d.<\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Dar s\u0103 ne bucur\u0103m! Spuneam c\u0103 suntem \u00een faza de embrion a unui nou curent literar pe care nu to\u0163i \u00eel simt. Suntem ca \u00eenainte de descoperirea videoclipului, c\u00e2nd melodiei i s-au al\u0103turat imaginile. \u015ei ce s-a c\u00e2\u015ftigat! Cre\u015fterea \u00een percep\u0163ie e baza care st\u0103 la saltul exponen\u0163ial al poeziei. Sim\u0163im ce citim, vedem pictorialul mediului de unde s-au cobor\u00e2t emo\u0163iile \u015fi auzim \u015foapta prezentului din ce \u00een ce mai estompat\u0103 de \u015foapta lucrat\u0103 a spiritualit\u0103\u0163ii poetului. Acesta nu-i har, nu-i numai har, acesta e lustrul peren al filonului alimentat de erudi\u0163ie. E hermeneutica limbajului, a literaturii, religiei \u015fi al fenomenelor sociale filtrate particular, prin filtrul poetului. Este o parte din abordarea lui Paul Ricoeur asupra interpret\u0103rii subiectului. Este \u00eenceputul erei Poeziei Academice pe care nici nu este nevoie s\u0103-l descifreze oricine, c\u0103ci vorba lui Br\u00e2ncu\u015fi, un alt mare deschiz\u0103tor de drumuri \u2013 \u201electura f\u0103r\u0103 cunoa\u015ftere e viciu\u201d \u2013 . Exigen\u0163elor vremurilor viitoare \u015fi s\u0103 sper\u0103m c\u0103 le apuc\u0103m, nu vor putea r\u0103spunde PREZENT dec\u00e2t foarte pu\u0163ini autori\u2026 dar noi \u00eei avem! D\u0103 Doamne rom\u00e2nului mintea de pe urm\u0103!<\/p>\n<p style=\"text-align: justify;\"><em>Doina Boriceanu<\/em><\/p>\n<p style=\"text-align: justify;\">at\u00e2ta nerv, tras\u0103riri, nelini\u015fti vioaie, totul aprinde-tulbur\u0103, pe g\u00e2nduri, pe apucate, iar \u015fi iar te-ai \u00eentoarce la citit s\u0103 mai prinzi din sensuri, trimiteri c\u0103tre unele \u015fi altele, totul e sa ajungi la aten\u0163ie, s\u0103 nu treci pe l\u00e2ng\u0103, \u00eenscriere-transcriere \u00een armonic-dezarmonic, ordine-dezordine, \u015fi toate au un t\u00e2lc, voit sau nu, aparen\u0163a de u\u015fur\u0103tate, joaca de-a cuv\u00e2ntul, c\u0103lc\u00e2nde dodiile, fire\u015fte, inven\u0163ii lexicale \u2013 surprindere, fugi \u2013\u00a0m\u0103 duc p\u00e2n\u0103 la Bach si a\u015ftept \u00eenfior\u0103rile.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0M\u0103 a\u015ftern recititului, dar \u00een g\u00e2nd, \u201epl\u0103tim pletele salciei cash\u201d, \u201ec\u00e2nd nici nuci urat\u2026, mai mult o crestoma\u0163ie prurit\u201d, supertare!: \u2013 \u201eiazagiul iazul n-are\u201d, \u201edupa o viata\u00a0\u00a0frica mi-s\/ realitate fara vis\u201d, si at\u00e2t de dulce uneori \u00eentalnirea cu haaat!, cuv\u00e2ntul : \u201e\u0163i-as da liniile palmei\u2026\u201d.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0A\u015f sta mult de vorba, dar\u2026 sunt destule de apreciat si comentat, poate nu sunt eu prima \u00een m\u0103sur\u0103, \u00eensa\u2026 am r\u0103spuns apelului superb :\u00a0 \u201eVeni\u0163i aici sosi\u0163ilor la gong\u201d\u2026<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0Peste \u201eBaraba lui Hegel\u201d , ma aplec \u015fi trec pe sub umbre discrete\u2026 \u201edeclicul teatraux\/ treaba teatremului\/ clair de coclaur\u201d, cu acest inovat prin regresie lingvistica care surprinde pl\u0103cut, cu r\u0103sunet tare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0Vorba amicei mele, Mariana Buruiana\u00a0: \u201eDrag\u0103, tu i\u0163i faci de lucru a pricepere cu toate\u2026 Dar ele te vor?\u201d. Hm! Dar ea \u0163ine la mine!<\/p>\n<p style=\"text-align: justify;\">Mereudoina<\/p>\n<p style=\"text-align: justify;\">SINTEZ\u0102 \u00een sine \u015fi pentru sine<\/p>\n<p style=\"text-align: justify;\">Sir George,<\/p>\n<p style=\"text-align: justify;\">Am citit, odata, cele 30 de poezii din BARBA lui HEGEL.<\/p>\n<p style=\"text-align: justify;\">\u201eBARBA\u201d este in sens figurat ? (\u201eminciuna\u201d din argou ?)<\/p>\n<p style=\"text-align: justify;\">Hegel nu avea barba.<\/p>\n<p style=\"text-align: justify;\">In poezia \u201eTE-AM COMPARAT\u201d :<\/p>\n<p style=\"text-align: justify;\">\u201d te-am c0mparat cu portughezul \u201d (cu<strong>o<\/strong> )<\/p>\n<p style=\"text-align: justify;\">\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/p>\n<p style=\"text-align: justify;\">\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/p>\n<p style=\"text-align: justify;\">\u201d la Cernica ne \u015fi \u00eent\u00e2ln<strong>d<\/strong>eam de-aia \u201d (fara <strong>d<\/strong> )<\/p>\n<p style=\"text-align: justify;\">In poezia : \u201e<em>la apa cavalului<\/em> \u201e<em>, <\/em>mi-am notat<\/p>\n<p style=\"text-align: justify;\">la apa cavalului susurul<\/p>\n<p style=\"text-align: justify;\">pa\u015filor calcar \u00eenl\u0103crimarea<\/p>\n<p style=\"text-align: justify;\">tumul tumult te voi transcrie<\/p>\n<p>Sunt invidios pe ritmul tau de creatie = 32 de pagini si 30 de poezii !<\/p>\n<p>Cu plecaciune,<\/p>\n<p>P.C.<\/p>\n<p>Multumim pentru versurile trimise. Au intrat in atentia noastra in vederea publicarii pentru numerele viitoare ale revistei.<br \/>\nRedactia revistei Nord Literar<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ahimsa Eliadean\u0103 Ierusalim A Pierde Pas\u0103rea Br\u00e2ncu\u0219i Naufragiu Baudelaire Anonimul lui Rembrandt Depozi\u021bii Ahimsa eliadean\u0103 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Abia se \u00eenfiin\u0163\u0103 nebunia-lacrim\u0103. [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-41775","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/41775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=41775"}],"version-history":[{"count":2,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/41775\/revisions"}],"predecessor-version":[{"id":41778,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/41775\/revisions\/41778"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=41775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=41775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=41775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}