{"id":42383,"date":"2019-01-10T13:37:13","date_gmt":"2019-01-10T13:37:13","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=42383"},"modified":"2019-01-10T13:45:58","modified_gmt":"2019-01-10T13:45:58","slug":"dorel-schor-frumusetea-artelor-vizuale","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2019\/01\/10\/dorel-schor-frumusetea-artelor-vizuale\/","title":{"rendered":"Dorel SCHOR: Frumuse\u021bea artelor vizuale"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Diversitatea temelor \u00een pictur\u0103 este considerabil\u0103 \u015fi c\u0103ut\u0103rile compozi\u0163ionale nesf\u00e2r\u015fite.. Aceasta face \u015fi frumuse\u0163ea artelor vizuale, rezerv\u00e2ndu-ne adesea surprize pl\u0103cute din partea unor pictori pe care \u00eei cunoa\u015ftem \u015fi-i \u00eendr\u0103gim. Evident, recunoa\u015ftem stilul \u015fi atmosfera care pentru iubitorii artelor plastice fac inconfundabile lucr\u0103rile, dar primim cu interes tot ce-i nou, interpret\u0103rile variate, dualitatea \u00een limbajul artei, \u00eentre ideie \u015fi imagine, uneori ironia subtil\u0103 sau umorul fin.<\/p>\n

\u00a0 \u00a0Am selectat c\u00e2teva tablouri, dintre numeroasele crea\u0163ii care mi-au pl\u0103cut.<\/p>\n

\"\"<\/a><\/p>\n

Tablou de Samy Briss<\/em><\/p>\n

\u00a0 \u00a0Un tablou al maestrului Samy Briss insufl\u0103 privitorului optimism, prin imagine \u015fi atmosfera festiv\u0103 a unei zile de s\u0103rb\u0103toare. El folose\u015fte parte din elementele specifice lucr\u0103rilor lui, pas\u0103rea \u015fi pe\u015ftele, instrumentul muzical \u015fi omul, \u00eentr-un cadru cu u\u015foare influen\u0163e suprarealiste.<\/p>\n

\"\"<\/a><\/p>\n

\u00a0\u00a0 Tablou de Vladimir Kara
\n<\/em><\/p>\n

Tot de la Paris, Vladimir Kara, un t\u00e2n\u0103r pictor talentat despre care am mai scris, \u00ee\u015fi prezint\u0103 stilul original, conferind dimensiuni neobi\u015fnuite obiectelor, peisajului “alungit”, dar devenit mai interesant astfel, aparent spontan \u015fi descoperitor al culorii.<\/p>\n

\"\"<\/a><\/p>\n

\u00a0Tablou de Liana Saxone Horodi<\/em><\/p>\n

\u00a0Liana Saxone Horodi alege de fiecare dat\u0103 subiecte care ne devin imediat familiare, \u00eentr-un mod neprovocativ, pl\u0103cut \u015fi prietenos, care treze\u015fte fiec\u0103ruia dorin\u0163a de a intra \u00een posesia unui tablou semnat de ea. Florile din context subliniaz\u0103 atitudinea personal\u0103 \u015fi independen\u0163a spiritului creatoarei.<\/p>\n

\"\"<\/a><\/p>\n

\u00a0\u00a0Miriam Cojocaru<\/em><\/p>\n

\u00a0Miriam Cojocaru refuz\u0103 de ast\u0103 dat\u0103 orice form\u0103 de nara\u0163iune, claritatea rostirii plastice permi\u0163\u00e2ndu-i, printr-o siluet\u0103 feminin\u0103 elegant\u0103 \u015fi distins\u0103, s\u0103 exprime frumuse\u0163ea senzual\u0103 \u015fi estetic\u0103 a modelului. O cald\u0103 intimitate \u00eenso\u0163e\u015fte noble\u0163ea formelor, texturii \u015fi discre\u0163ea culorilor.<\/p>\n

\"\"<\/a><\/p>\n

Tablou de Avi Schwartz<\/em><\/p>\n

\u00a0 \u00a0Plas\u00e2ndu-\u015fi personajele \u00een mediul s\u0103u preferat, Avi Schwartz ne ofer\u0103 un nou aspect caracteristic vechiului Iaffo, pod \u00eentre trecut \u015fi prezent, \u00eentr-o atmosfer\u0103 specific\u0103, nelipsit\u0103 de dinamic\u0103, cu elemente decorative, care produc folclor. Calitatea figurilor \u015fi atmosfera specific\u0103 puncteaz\u0103 subiectul favorit.<\/p>\n

\n
\n
\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-
\n<\/strong><\/p>\n

Dr. Dorel SCHOR<\/strong><\/p>\n

Tel Aviv, Israel<\/strong><\/p>\n

10 ianuarie, 2019<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Diversitatea temelor \u00een pictur\u0103 este considerabil\u0103 \u015fi c\u0103ut\u0103rile compozi\u0163ionale nesf\u00e2r\u015fite.. Aceasta face \u015fi frumuse\u0163ea artelor vizuale, rezerv\u00e2ndu-ne adesea surprize pl\u0103cute [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-42383","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=42383"}],"version-history":[{"count":5,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42383\/revisions"}],"predecessor-version":[{"id":42395,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42383\/revisions\/42395"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=42383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=42383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=42383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}