{"id":42832,"date":"2019-01-27T14:59:50","date_gmt":"2019-01-27T14:59:50","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=42832"},"modified":"2019-01-27T14:59:50","modified_gmt":"2019-01-27T14:59:50","slug":"cezarina-adamescu-fascinat-de-jocul-iubirii-povestea-unui-om-ce-a-iubit-odata-in-viata","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2019\/01\/27\/cezarina-adamescu-fascinat-de-jocul-iubirii-povestea-unui-om-ce-a-iubit-odata-in-viata\/","title":{"rendered":"Cezarina ADAMESCU: Fascinat de jocul iubirii. Povestea unui om ce a iubit odat\u0103 \u00een via\u021b\u0103"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/01\/Aripi-de-nisip.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-42833\" title=\"aripi-de-nisip\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/01\/Aripi-de-nisip-300x204.jpg\" alt=\"\" width=\"300\" height=\"204\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/01\/Aripi-de-nisip-300x204.jpg 300w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/01\/Aripi-de-nisip-1024x696.jpg 1024w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/01\/Aripi-de-nisip.jpg 1157w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Viorel Birtu-P\u00eer\u0103ianu, <strong><em>Aripi de nisip, <\/em><\/strong>Editura PIM, Ia\u0219i, 2018.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poet reputat, autor al unui num\u0103r de peste 25 de volume \u0219i coautor \u00een peste 30 de antologii de poezie, cu numeroase apari\u021bii \u00een reviste \u0219i publica\u021bii literare, Viorel Birtu-P\u00eer\u0103ianu ne ofer\u0103, de data aceasta un remarcabil volum de poezie, intitulat metaforic \u201d<strong><em>Aripi de nisip\u201d <\/em><\/strong>\u00een care \u00eei recunoa\u0219tem portretul fizic \u0219i cel spiritual, <em>\u201ddincolo de oglind\u0103\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 El \u00eensu\u0219i se prezint\u0103 dinaintea ochilor no\u0219tri astfel:<em>\u201dsf\u00e2\u0219ii amurgul cu un sur\u00e2s, cu o floare \/ sunt aici un pendul f\u0103r\u0103 de odihn\u0103 \/ c\u0103ut\u00e2nd nen\u0103scutele ere\u201d <strong>(Pendulul).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Cartea aceasta este: <em>\u201dPovestea unui om ce a iubit odat\u0103 via\u021ba\u201d <strong>(Aripi de nisip).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Volumul este alc\u0103tuit dintr-o sum\u0103 de autoportrete c\u00e2t mai reale, de\u0219i metaforizate \u0219i personificate, astfel \u00eenc\u00e2t s\u0103 justifice calitatea de poet. Structural melancolic, poetul cultiv\u0103 poezia triste\u021bii care-l apropie de Bacovia:<em>\u201dm-am ag\u0103\u021bat de durere \/ r\u0103stignindu-m\u0103 \/ eram prea obosit, Doamne, \/ s\u0103 pl\u00e2ng, s\u0103 a\u0219tept \/ sunt trist, \u00eengrozitor de trist \/ de ce sus\u021bii c\u0103 sunt acel nebun? \/ am venit \u00eentr-o zi s\u0103 \u00eengrop omenirea \/ c\u00e2nd am ajuns, \/ ea plecase demult, aiurea \/ am pus atunci o cruce \/ pentru via\u021ba furat\u0103, trecut\u0103 \/ \u00een urm\u0103 \/ nimeni nu a pl\u00e2ns \/ nu avea cu ce \/ lacrima se uscase \u00een suflet\u201d<strong>(Printre dureri). <\/strong><\/em>Chiar \u0219i titlul volumului sugereaz\u0103 o z\u0103d\u0103rnicie: aceea de a zbura, c\u00e2nd aripile at\u00e2rn\u0103 \u0219i \u00eempiedic\u0103 \u00een\u0103l\u021barea sa, proiect\u00e2ndu-l \u00een situa\u021bia lui Icar sau a lui Sisif. Constatarea de destul de dureroas\u0103:<em>\u201dce \u00een\u0219el\u0103tor e timpul \u0219i ce rece-i luna \/ ce a venit \u00een zori rup\u00e2nd \u00een franjuri crude taina\u201d <strong>(Jocul iubirii).<\/strong> <\/em>Nu numai timpul se dovede\u0219te \u00een\u0219el\u0103tor, ci \u0219i iubirea care e considerat\u0103 un joc, \u201d<em>un joc pe \u021b\u0103rmul nemuririi\u201d. <\/em>Iar poetul nu e dec\u00e2t <em>\u201dun muritor ce a iubit odat\u0103, \u00eentr-o noapte, o zei\u021b\u0103\u201d<strong>(Jocul iubirii).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Glasul poetului e marcat de o triste\u021be f\u0103r\u0103 leac:<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u201d<\/em><em>mi-e glasul iar \u00eensingurat \/ t\u0103cerea asta m\u0103 omoar\u0103 \/ picur\u0103 dureri peste dureri \/ urc\u0103 \u0219i coboar\u0103 \/ se pierd ad\u00e2nc \u00een ochii mei \/ ce negru e afar\u0103 amurgul \/ se stinge sub pleoapele nop\u021bii \/ clepsidra s-a scurs, este goal\u0103 \/ se a\u0219eaz\u0103 corbi negri peste culmea bolnav\u0103 \/ doar \u00eentr-un ungher p\u0103r\u0103sit \/ un suflet pl\u0103p\u00e2nd se \u00eenfirip\u0103 \u00een lumin\u0103 \/ mi-e somnul timp peste ape \/ sf\u0103r\u00e2mat \u00eentre clipe uitate\u201d <strong>(Sub lacrima ta).<\/strong><\/em> \u0218i totu\u0219i, la orizont, e de ajuns doar un cuv\u00e2nt, pentru ca norii s\u0103 dispar\u0103 \u0219i o raz\u0103 timid\u0103 s\u0103 se strecoare \u00een suflet:\u201d<em>eu caut doar un fir de orizont \/ la marginea timpului neumblat \/ visez s\u0103 aprind iar\u0103\u0219i p\u0103m\u00e2ntul \/ cu un cuv\u00e2nt \u0219i o floare \/ ca o lumin\u0103 ce sfredele\u0219te necuprinsul\u201d <strong>(Sub lacrima ta).<\/strong><\/em> Este mirajul iubirii care se insinueaz\u0103 \u00een suflete, f\u0103r\u0103 s\u0103 cear\u0103 voie. Pentru aceasta, e nevoie de multe ingrediente, printre care: clipe z\u0103lude, umbra unui timp ucis, ramuri rupte de chitar\u0103, lacrimi de cear\u0103, frunze galbene, chiar \u0219i nem\u0103rginirea, apoi o <em>\u201dclip\u0103 de lumin\u0103\/ \u00een taina sf\u00e2nt\u0103 a unei m\u0103rturii\u201d. <\/em>\u0218i \u00een aceast\u0103 c\u0103utare, poetul tr\u0103ie\u0219te o experien\u021b\u0103 unic\u0103<em>:\u201dceream o clip\u0103 de lumin\u0103 \/ \u00een taina sf\u00e2nt\u0103 a unei m\u0103rturii \/ trupul \u00eemi era lir\u0103 lin\u0103 \u00een nota unei melodii \/ ce \u00eeng\u00e2na \u00een zori t\u0103ceri \/ lugubre \u0219i t\u00e2rzii \/ rupeam cu g\u00e2ndul lan\u021bul \u00een care se zb\u0103tea un suflet \/ ce s-a \u00eemp\u0103rt\u0103\u0219it \u00eent\u00e2ia dat\u0103 \/ p\u0103\u0219ind pe calea m\u00e2ntuirii \/ un om plecat din mor\u021bii \u00eenc\u0103 vii \/ mai pres\u0103ram cenu\u0219\u0103 din urna lumii \/ dansam nebun \u00een clipa s\u00e2nger\u00e2nd\u0103 \/ se scuturau \u00een vale crinii \/ \u021bipau pe drumuri vechi ciulinii \/ dansam pe coal\u0103 goal\u0103 cu o pan\u0103 ars\u0103 \/ poetul unei lumi pustii \/ era t\u00e2rziu \u0219i era noapte\u201d <strong>(Taina). <\/strong><\/em>\u00cen drumul spre deslu\u0219irea tainei, poetul str\u0103bate c\u0103r\u0103ri vitrege, dep\u0103\u0219e\u0219te obstacole, p\u00e2n\u0103 la deschiderea din zori, spre o nou\u0103 zi: <em>\u201dtot c\u0103ut\u00e2nd un drum, o cale \/ un sens sau un r\u0103spuns la prima \u00eentrebare \/ ardea \u00een suflet lum\u00e2narea \/ m\u0103 c\u0103\u021b\u0103ram spre dep\u0103rt\u0103ri \/ p\u0103\u0219ind prin m\u0103r\u0103cini \u0219i spini \/ b\u0103tea un clopot stins \u00een noapte \/ \u00een orizontul cel plecat demult \/ t\u0103cerea Ta pl\u00e2ngea \u00een inima t\u0103cut\u0103 \/ ciopleam nebun potirul cu miros de rozmarin \/ m\u0103 deschideam \u00een zori spre o nou\u0103 zi\u201d <strong>(Taina).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Poetul recunoa\u0219te c\u0103 l-a ajutat \u00een alc\u0103tuirea poeziilor, natura lui vis\u0103toare: <em>\u201dVisam pe crestele de rou\u0103\u201d <strong>(Taina).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u0218i o scurt\u0103 autoprezentare:\u201d<em>m\u0103 \u00eembrac \u00een haine de p\u0103m\u00e2nt \/ s\u0103 ascult t\u0103cerea cuvintelor ce mor \/ aici, t\u00e2rziu, la \u021b\u0103rm uitat de mare \/ sunt c\u00e2ntec \u00een amurg\u201d <strong>(Pas\u0103rea).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tot \u00een aceast\u0103 poezie,<strong><em> <\/em><\/strong>despre cuv\u00e2nt, de care este at\u00e2t de legat, autorul spune: <em>\u201dcuv\u00e2ntul este tril divin, e tainic\u0103 chemare \/ iar c\u00e2ntul ei e dus spre alte z\u0103ri de p\u0103s\u0103ri c\u0103l\u0103toare\u201d <strong>(Pas\u0103rea). <\/strong><\/em>\u0218i alt\u0103dat\u0103 spune: <em>\u201dm\u0103 topeam \u0219i ardeam a ultim cuv\u00e2nt\u201d <strong>(\u00centr-o zi, de va fi).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>O foarte frumoas\u0103 poezie despre rela\u021bia autorului cu Divinitatea, se nume\u0219te <em>\u201d<strong>Bulg\u0103re de lumin\u0103\u201d:<\/strong> \u201dpe \u021b\u0103rm un pesc\u0103ru\u0219\/ singur cu marea \/ p\u0103\u015fesc c\u0103tre el \/ sunt drume\u021bul cu chipul de cear\u0103 \/ r\u0103nit \u00eentre spini \/ cu fiecare pas \/ trecut, r\u0103mas \/ m\u0103 apropii de cer \/ m\u0103 rog, m\u0103 \u00eenchin, \/ lucesc \u00eentre spini \/ stropi cruzi de lumin\u0103 \/ ochii senini \/ a cui este vina \/ joc de umbre pe cer \/ pe umeri mantie cu crini \/ obosit m\u0103 a\u0219ez \u00eentre ani \/ m\u0103 \u00eenchin \u00een taina primei lumini \/ curgeam prin via\u021b\u0103 t\u0103cut \/ \u00een urm\u0103 fecioare \/ n\u0103scute din mare \/ p\u0103\u0219eau spre soare apune \/ printre valuri \u0219i spume \/ apune \u0219i timpul r\u0103mas \/ ast\u0103zi iubesc \u0219i beau orizontul cu sete \/ la final se na\u0219te un prunc \/ aici, l\u00e2ng\u0103 mare \/ sur\u00e2de candid devenirii \/ \u00een ochii lui cruzi r\u0103sar bulg\u0103ri de lumin\u0103\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0<\/em>Cu toate c\u0103 Viorel Birtu-P\u00eer\u0103ianu cultiv\u0103 poezia modern\u0103, renun\u021b\u00e2nd la folosirea majusculelor ini\u021biale \u0219i la unele semne de punctua\u021bie, el nu se poate lipsi de ritm \u0219i de oarecare muzicalitate, o cantabilitate a versurilor, care curg lini\u0219tit \u0219i molcom, f\u0103r\u0103 meandre, sincope ori pierderi de ritm. Ideile, de asemenea, sunt clare \u0219i ferme \u0219i acest lucru aduce un plus de valoare scriiturii. A\u0219adar, miez \u0219i substan\u021b\u0103, ve\u0219m\u00e2nt artistic concretizat \u00eentr-o serie de figuri de stil, m\u00e2nuite cu st\u0103p\u00e2nire \u0219i \u00een acela\u0219i timp, cu virtuozitate.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poezia aceastui autor se \u00eenscrie \u00een marea categorie a crea\u021biilor moderne \u0219i post moderne, cu inflexiuni clasice. De altfel, aceste lucruri reies cu claritate \u00een multe poezii:<em>\u201d\u00eentre mine \u0219i timp\/ a r\u0103mas un suflet \u00een rug\u0103 \/ lumina s-a retras \u00eentre ochiuri de ap\u0103 \/ cerul s-a ascuns \u00een priviri \/ \u0219i raza s-a \u00eenchis peste pleoape \/ sunt pesc\u0103ru\u0219 unit cu marea \/ \u0219i zborul meu este chemarea \/ taine \u0219i vis\u0103ri \u00een urma umbrelor \/ \u00een care trec \u0219i m\u0103 petrec \/ s\u0103 m\u0103 unesc cu zarea \/ m-am n\u0103scut dintr-un mugur \/ sunt coaj\u0103 a vie\u021bii trec\u0103toare \/ m\u0103 ard pere\u021bii lumiisunt foc de aripi albe\u00a0 \/ peste ape \/ mai \u021bes o p\u00e2nz\u0103-n noaptea \u00een care a \u021bipat cocorul\/ \u0219i \u00eentreb&#8230;\u201d <strong>(P\u00e2nze \u00een noapte).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Fiecare poezie \u00eenseamn\u0103 o stare special\u0103 a autorului \u0219i chiar aceast\u0103 stare este transmis\u0103 \u0219i cititorului, altminteri nu s-ar putea creea acea empatie necesar\u0103 \u00eentre iubitorii de frumos.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Construc\u021bii originale: \u201d<em>m\u0103 fug\u201d; \u201dtr\u0103iesc a te iubi\u201d;<\/em> <em>\u201dm\u0103 caut, \u0219tiu c\u0103 m\u0103 am\u201d, <\/em>\u0219.a.<em> <\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poetul folose\u0219te ca mijloace artistice metafora, personificarea, epitetul, dar \u0219i alte figuri de stil. Exemple de personific\u0103ri<em>:\u201dpe pleoapa ud\u0103 a nop\u021bii\u201d;\u201ddansam nebun \u00een palma vie\u021bii\u201d;\u201dm\u0103 ca\u021b\u0103r pe ziduri s\u0103 sprijin lumina\u201d;\u201dhainele rupte ale g\u00e2ndului\u201d;\u201dtrupul dorului\u201d;\u201dpe umeri t\u0103i se odihnea un \u00eenger\u201d;\u201dobosit, m\u0103 ridic \u00een coatele timpului\u201d;\u201d\u00een poala universului\u201d;\u201d\u021bip\u0103tul dureros al timpului\u201d;\u201dpl\u00e2ngea timpul sub copite de fier\u201d;\u201d\u021bipau crengi despuiate de frunze\u201d;<\/em> <em>\u201d<\/em><em>s<\/em><em>oarele a c\u0103zut \u0219i a pl\u00e2ns \/ ploaia a t\u0103cut printre mun\u021bi \/ doar cuv\u00e2ntul a r\u0103mas r\u0103stignit \u00eentr-un g\u00e2nd\u201d <strong>(Prin pulberi de g\u00e2nduri<\/strong>);\u201dpl\u00e2nge ziua, \u021bip\u0103 noaptea\u201d. <\/em>Se observ\u0103 alternan\u021ba dintre<strong> pl\u00e2nset<\/strong> \u0219i <strong>\u021bip\u0103t,<\/strong> ca o accentuare a durerii. Dar \u0219i starea poetului e destul de curioas\u0103:<em>\u201dm-am ad\u0103postit \/ \u00eentr-o pic\u0103tur\u0103 de ap\u0103\u201d.<\/em> \u0218i \u00een aceast\u0103 ipostaz\u0103, ce face poetul? <em>\u201dEu r\u0103t\u0103ceam c\u0103ut\u00e2nd zadarnic un eu\u201d <strong>(Prin pulberi de g\u00e2nduri). <\/strong><\/em>\u0218i<em>:\u201deu c\u0103utam bezmetic turnul luminii \/ acolo dormea timpul \/ \u00een t\u0103cerea incolor\u0103 a lumii \/ p\u0103\u0219eam printre r\u00e2pele joase \/ m\u0103 \u00een\u021bepam \u00een spini \/ l\u0103s\u00e2nd la fiecare col\u021b o rug\u0103ciune\u201d <strong>(Prin pulberi de g\u00e2nduri). <\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Curentul modernist \u00eei este at\u00e2t de propriu poetului, el reu\u0219ind o poezie inedit\u0103, interesant\u0103, meditativ\u0103, plin\u0103 de miez, o poezie plin\u0103 de seve care urc\u0103, precum clorofila \u00een frunza cea mai \u00eenalt\u0103 a arborelui ve\u0219nic. Despre sine, poetul e con\u0219tient c\u0103 este<em>:\u201dazi sunt prezentul uitat \u00een trecut \/ prezentul absent \u00een trecutul acut\u201d <strong>(Dac\u0103 tu, dac\u0103 eu).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Nu lipsesc \u00eentreb\u0103rile filozofice:<em>\u201dCe este via\u021ba f\u0103r\u0103 noi?\u201d; \u201dDac\u0103 tu nu e\u0219ti, eu cine mai sunt?\u201d<\/em> \u0219i afirma\u021bii cu caracter constatativ: <em>\u201dCe trist\u0103 este via\u021ba asta trec\u0103toare\u201d;<\/em> \u0219.a.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0218i tot cu un caracter filozofic<em>:\u201dgeme piatra aruncat\u0103 \u00een de\u0219ert\u201d, <\/em>probabil, piatra filozofal\u0103. Mereu revine \u00eentrebarea: <em>\u201dCine sunt eu?\u201d<\/em>, \u0219i r\u0103spunsul, \u00een func\u021bie de st\u0103rile poetului, de cele mai multe ori, st\u0103ri arz\u0103toare: \u201d<em>sunt lav\u0103, sunt vulcan solitar<\/em>\u201d. \u0218i<em>:<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u201dlumea e o trist\u0103 umbr\u0103\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\">Din ipostaza de vulcan. Poetul \u00eel roag\u0103 pe Dumnezeu s\u0103-l transforme \u00een fluviu: \u201d<em>f\u0103-m\u0103, Doamne, un fluviu s\u0103 sp\u0103l p\u0103catele lumii\u201d.<\/em> Romantic \u0219i sentimental, poetul folose\u0219te \u0219i un vocabular al romantismului: \u201d<em>pe aripi de petale\u201d;<\/em> \u201d<em>covoare de stele\u201d;<\/em> <em>\u201dpe aripile iubirii\u201d<\/em> (loc comun), etc.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dar, cea mai frumoas\u0103 imagine se afl\u0103 cuprins\u0103 \u00een aceste patru versuri:<em>\u201dm\u0103 a\u0219ez la picioarele crucii \/ s\u0103 sp\u0103l cu lacrimi c\u0103ma\u0219a \/ m\u0103 ridic din genuni spre lumina tr\u0103irii \/ r\u0103s\u0103rind \u00een zori printre flori\u201d<strong>(La picioarele sufletului).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0218i o ipostaz\u0103 destul de cunoscut\u0103: <em>\u201dmi-e sufletul un rug aprins \/ ard, ard \u00een ploaia de g\u00e2nduri\u201d<strong>(S\u0103rutul).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Adieri din \u201dC\u00e2ntarea C\u00e2nt\u0103rilor\u201d se reg\u0103sesc \u00een poezia <strong><em>\u201dS\u0103rutul\u201d,<\/em><\/strong> c\u00e2nd poetul, r\u0103t\u0103cind, \u00eentreab\u0103 trec\u0103torii unde \u00eei este iubita, c\u0103reia, de data aceasta \u00eei spune m\u00e2ndra mea<em>:\u201dsunt un trubadur uituc \/ pe unde s\u0103 m\u0103 duc la m\u00e2ndra mea \/ am uitat pe unde s\u0103 apuc \/ hei, \u00eemi spune cineva unde e \/ cea mai m\u00e2ndr\u0103 dintre flori?\u201d<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201dScriam pe zidurile cet\u0103\u021bii cu cioburi de suflet\u201d \u2013<\/em>spune poetul \u0219i-l credem, \u00eentruc\u00e2t, cu sufletul se pot scrijela cele mai frumoase cuvinte. Cele mai multe poezii au ca subiect plecarea, absen\u021ba, desp\u0103r\u021birea, golul r\u0103mas, triste\u021bea, a\u0219teptarea, pe zidul c\u0103reia se pot \u00eens\u0103ila pove\u0219tile:\u201d<em>ai plecat femeie s\u0103 c\u00e2n\u021bi \u00een corul de \u00eengeri \/ drumurile sunt ast\u0103zi pustii \/ nu e lun\u0103 pe cer, nu e soare \/ cuv\u00e2ntul pl\u00e2nge pe drumuri t\u00e2rzii \/ e \u00eentuneric \u00een mine, \u00een jur, \/ de unde vin \u0219i unde curg \u00eenspumate ape \/ mai trec \u00een zbor r\u0103zle\u021b \/ \u0219ir lung de g\u00e2nduri amputate \/ cuvintele au disp\u0103rut pe r\u00e2nd \/ cui s\u0103 c\u00e2nt balade \u00eentr-o noapte \/ frumoasa mea cu ochi fierbin\u021bi \/ tu ai plecat \u00een cor de \u0219oapte \/ locuiesc cu mine, cu timpul \u0219i durerea \/ cad umbre ad\u00e2nci \u0219i m\u0103 pl\u00e2ng \/ m\u0103 a\u0219teapt\u0103 nesf\u00e2r\u0219itul \/ eu am r\u0103mas aici s\u0103 c\u00e2nt la l\u0103ut\u0103 sf\u00e2r\u0219itul \/ o barc\u0103 alunec\u0103 agonic pe ape \/ \u00een dansul \u00eenser\u0103rii peste pleoape \/ cresc imagini himeric pe cer \/ ce s\u0103 cer, ce s\u0103 sper \/ a\u0219 pleca, dar cum s\u0103 zbor \/ cu aripile arse \/ mi-e sufletul zbucium etern \/ \u0219i durerea mi-e soart\u0103 \/ legat de \u021b\u0103rm \/ nu pl\u00e2ng, nu gem \u0219i nu blestem \/ sunt doar o umbr\u0103 sau o ran\u0103 \/ prin care m\u0103 \u00eencheg \u00een ap\u0103\u201d<\/em> <strong><em>(Umbra).<\/em><\/strong> \u0218i pe aceea\u0219i tem\u0103:<\/p>\n<p style=\"text-align: justify;\"><em>\u201d<strong>\u021aip\u0103tul g\u00e2ndului: \/ <\/strong>\u00eenc\u0103perea s-a n\u0103pustit peste mine<strong> \/ <\/strong>strivindu-mi sufletul de pere\u021bi<strong> \/ <\/strong>erau usca\u021bi \u0219i at\u00e2t de reci<strong> \/ <\/strong>c\u00e2nd m-am trezit am \u021bipat<strong> \/ <\/strong>eram acas\u0103<strong> \/ <\/strong>tu&#8230;<strong>\/ <\/strong>\u00een alt\u0103 cas\u0103<strong> \/ <\/strong>absen\u021ba ta m\u0103 ardea ad\u00e2nc<strong> \/ <\/strong>p\u0103\u0219eam t\u0103cut prin \u00eenc\u0103perile goale<strong> \/ <\/strong>\u00een sunetul mut al \/ sufletului de\u0219irat pe tocul g\u00e2ndului<strong> \/ <\/strong>c\u0103ut\u00e2nd viitorul \u00een timpul trecut \u0219i petrecut<strong> \/ <\/strong>sorbeam secundele \u00een b\u0103taia surd\u0103 a inimii <strong>\/ <\/strong>a\u0219tept\u00e2nd clipa<strong> \/ <\/strong>obosit, m-am a\u0219ezat pe prispa sufletului<strong> \/ <\/strong>\u0219i am pl\u00e2ns<strong> \/ <\/strong>\u00eemi era dor de tine\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Imagini remarcabile:<em>\u201dgeamuri sparte de g\u00e2nduri\u201d;\u201dcrucea de crini\u201d;\u201dr\u0103sf\u0103\u021bul tardiv al dep\u0103rt\u0103rilor\u201d;\u201dochii mei istovi\u021bi c\u0103utau maluri cu nuferi\u201d;\u201dam sp\u0103lat cerul \u0219i am privit \u00een ochii lui, pl\u00e2ngea\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen \u00eencercarea lui de autodefinire, Viorel Birtu-P\u00eer\u0103ianu se vede, c\u00e2nd un copac din drum, c\u00e2nd fructul oprit al acestuia, \u0219i alte \u00eenchipuiri, destul de inspirate:<em>\u201dsunt pom ce pl\u00e2nge pe drum \/ sunt fructul oprit aruncat pe p\u0103m\u00e2nt \/ sunt triste\u021bea \u0219i disperarea adunate \u00eentr-un pumn \/ sunt pumnul ridicat c\u0103tre cer \/ sunt cerul c\u0103zut pe p\u0103m\u00e2nt \/ sunt p\u0103m\u00e2ntul adunat \u00eentr-un g\u00e2nd \/ m\u0103 \u00eentreb, mai sunt \/ sau poate sunt acel ce nu mai sunt \/ azi pl\u00e2ng pe \u021b\u0103rm \/ dar \u021b\u0103rmul azi mai este \u021b\u0103rm \/ m\u0103 \u00een\u021beap\u0103 spinii, m\u0103 rog \/ sunt suflet biciuit de ploaie \/ sunt orbul ce caut\u0103 privirea \/ sunt privirea ce pl\u00e2nge pe \u021b\u0103rm \/ sunt \u021b\u0103rmul cu ochii \u00een lacrimi \/ sunt lacrima ce se stinge \u00een mine\u201d <strong>(Ultimul poem).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Alt\u0103dat\u0103, poetul se vede \u201d<em>un nebun stelar<\/em>\u201d \u0219i d\u0103 na\u0219tere unui \u0219uvoi de metafore uluitoare<em>:\u201deram un nebun stelar la o mas\u0103 \/ c\u0103ut\u00e2nd o b\u0103taie \/ de \u00eenger \u00een \u00eentunericul lumii \/ cu sternul rupt fr\u0103m\u00e2nt\u00e2nd zilele \/ o respira\u021bie \u00een c\u00e2mpia de vorbe \/ o limit\u0103, nu \u0219tiu unde s\u0103 o a\u0219ez \/ o cas\u0103 \u00eentr-un carusel al vie\u021bii \u0219i al mor\u021bii \/ un sur\u00e2s \u00een inima lui Dumnezeu \/ o ancor\u0103 pentru cei ce vor veni, \/ oprind firesc \u00een palma Lui \/ deschide Doamne lumina s\u0103 strivesc \/ durerea \u0219i lacrima sub ultimii pa\u0219i \/ d\u0103-mi ochi s\u0103 privesc necuprinsul \/ d\u0103-mi m\u00e2ng\u00e2ierea, alung\u0103 chinul \/ trupul meu f\u0103-l arc peste timp \/ s\u0103 p\u0103\u0219easc\u0103 pe el cei ce caut\u0103, orbi, lumina \/ sunt gr\u0103untele T\u0103u zidit \u00een n\u0103mol \/ voi \u00eencol\u021bi \u00eentr-o zi, \u00eentr-o var\u0103 t\u00e2rzie \/ la seceri\u0219 m\u0103 ve\u021bi coace \u00een cuptorul de cear\u0103 \/ s\u0103 ave\u021bi pit\u0103 pe drumul Golgotei\u201d <strong>(Sur\u00e2sul).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>Reper fundamental \u00een via\u021ba cre\u0219tinului, crucea e prezent\u0103 \u00een diferite imagini: o cruce de crini, <em>\u201dr\u0103s\u0103rea dintre spini, o cruce de crini\u201d; \u201dcuiele pl\u00e2ngeau pe o cruce\u201d;\u201dcrucea dorului\u201d; \u201do cruce r\u0103stignit\u0103 \u00eentr-un g\u00e2nd\u201d; \u201dzorile m-au g\u0103sit rezemat de o cruce\u201d. <\/em><\/p>\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u0218i alte elemente spirituale \u00eempodobesc versurile: biserici de suflet, biserici de cuvinte, altar, candel\u0103, lum\u00e2nare, etc.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rime \u0219i cantabilitate \u00een genul incanta\u021biilor populare din doine \u0219i balade, cu inflexiuni specifice desc\u00e2ntecelor:\u201d<em>c\u0103rarea dorului \u00een lacrima norului\u201d. \u00a0<\/em>\u0218i: <em>\u201dla r\u0103s\u0103ritul z\u0103rilor, \u00een lacrima norilor \/ str\u0103batem timpuri, g\u00e2nduri, ape\u201d <strong>(Sur\u00e2sul \u00eengerilor). <\/strong><\/em>Despre fr\u0103m\u00e2nt\u0103rile unui suflet zbuciumat de un dor f\u0103r\u0103 sa\u021biu e vorba \u00eentr-o preafrumoas\u0103 poezie, prilej de medita\u021bie \u0219i dovad\u0103 a m\u0103iestriei artistice la care poetul a ajuns<em>: \u201d<strong>\u00centre ape: <\/strong>era at\u00e2t de \u00eentuneric \u00een mine \/ \u00eenc\u00e2t m\u0103 \u00eempiedicam de g\u00e2nduri \/ mi-am l\u0103sat sufletul \u00een vatr\u0103 \/ plec\u00e2nd s\u0103 dorm \u00eentre ape \/ m-am trezit \u00een zori, printre flori \/ roua se scurgea din inim\u0103 \u00een iarb\u0103 \/ \u021bineam \u00een m\u00e2ini flac\u0103ra \/ o a\u0219ezam \u00een zori din poart\u0103 \u00een poart\u0103 \/ s\u0103 lumineze calea celor ce vin \/ se t\u00e2nguiau constela\u021bii \u00eentre gene \/ eram nelini\u0219te, lacrim\u0103 \u0219i s\u00e2nge \/ lunecam printre g\u00e2nduri, \/ t\u0103cerea aceea \u0219i azi m\u0103 apas\u0103 \/ c\u0103utam bezmetic \u00eenceputul \/ \u00een lumea asta surd\u0103 \u0219i oarb\u0103 \/ apele au uitat apoi s\u0103 mai curg\u0103 \/ timpul t\u0103cu \u00een bezna din jur \/ umbre se fr\u00e2ngeau printre \u0219oapte, \u00een noapte \/ m\u0103 \u00eenv\u0103lui \u00een despletiri de ape \/ \u00een stropii cruzi de rou\u0103 \/ iar v\u00e2ntul printre stele privirea \u0219i-o coboar\u0103 \/ p\u0103\u0219esc prin veacuri \u00eenghe\u021bate, ve\u0219nicia s\u0103 o m\u00e2ng\u00e2i \/ cu buze fl\u0103m\u00e2nde \/ m\u0103 \u00eentorc din somn s\u0103 \/ r\u0103t\u0103cesc mai departe pe ape \/ ruga mea a r\u0103mas o umbr\u0103 t\u00e2rzie \/ \u00eencotro curg r\u0103zle\u021be p\u0103s\u0103ri c\u0103l\u0103toare \/ s\u0103desc hotar \u00eentre nimic \u0219i ireal \/ p\u0103\u0219ind tot mai departe de pr\u0103fuitul ideal \/ lumina unui \u00eenceput sf\u00e2r\u0219it \u00eenainte de \u00eenceput \/ av\u00e2nd mereu \u00een t\u00e2mple vaiet surd \/ \u00een ochi se aprindeau ruguri de sori \/ ochii \u00eenseta\u021bi de lumin\u0103 c\u0103utau o raz\u0103 de soare \/ \u0219i am plecat, aiurea, hai-hui \/ m\u0103 apropiasem prea mult de por\u021bile timpului \/ \u0219i am ars t\u0103ciune \u00een v\u00e2nt, a ultim\u0103 \u00eembr\u0103\u021bi\u0219are \/ \u00een zori nuf\u0103rul a \u00eenflorit \u00eentre ape\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Asocia\u021bii nea\u0219teptate, imagini mirifice, sintagme inedite, aduc un farmec deosebit scriiturii \u0219i-l ad\u00e2ncesc pe autor \u00een taina poeziei adev\u0103rate. Exemple<em>:\u201d\u00een suflet se prelinge infinitul\u201d;<\/em> <em>\u201dard z\u0103rile topite \u00een palm\u0103\u201d <strong>(Fluture \u00een noapte)<\/strong>;<\/em> <em>\u201d<\/em><em> <\/em><em>mi-am f\u0103cut cuib din r\u0103nile lumii\u201d <strong>(Fluture \u00een noapte)<\/strong>;<\/em> <em>\u201deu c\u0103utam murmurul ploii \/ zidind r\u0103d\u0103cini \u00een lutul planetar \/ s\u0103 ating \u00een zori necuprinsul\u201d<strong> (Fluture \u00een noapte)<\/strong><\/em>, <em>\u201dp\u0103\u015fea un \u00eenger pe col\u0163uri de durere\u201d <strong>(C\u00e2nt\u0103 o vioar\u0103),<\/strong>\u201dating timpul \u00een noaptea alb\u0103 dintre lacrimi\u201d <\/em>\u0219.a.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sunt multe sintagme fericite \u00een poezia lui Viorel Birtu-P\u00eer\u0103ianu \u0219i ele ies la iveal\u0103, la fiecare pas.<\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Poezia lui este total pozitiv\u0103, nu exist\u0103 \u00eencr\u00e2ncenare, negativism, obid\u0103, r\u0103utate. Doar voaluri de melancolie. Dimpotriv\u0103, induce st\u0103ri de bine, de pace \u0219i lini\u0219te sufleteasc\u0103. Ea \u00eenal\u021b\u0103 sufletul, nu-l pr\u0103bu\u0219e\u0219te \u00een abisuri insondabile. Autorul \u0219i L-a ales ca interlocutor pe Dumnezeu \u0219i poart\u0103 cu El un dialog, fie sub forma rug\u0103ciunilor c\u0103tre El, fie a \u00eentreb\u0103rilor sau a t\u0103cerilor \u00een care se complac.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sintagme comune: fereastra sufletului, lacrima sufletului, aripi de soare, glasul p\u0103m\u00e2ntului, pacea izvoarelor, aleile toamnelor, palmele iubirii, \u201d<em>te-ascunzi \u00een taina unui vis\u201d, <\/em>lacrima nop\u021bii, pulberi de stele, \u021b\u0103nd\u0103ri de g\u00e2nduri, \u021b\u0103rmul sufletului.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Repeti\u021bia, un alt procedeu stilistic folosit de autor, pentru a da un plus de expresivitate versului \u0219i a \u00eent\u0103ri ideea, e prezent\u0103 \u00een multe poezii. Uneori, ea vine fonic, ca un ecou:\u201d<em>norii albi s-au scurs \u00een mare\/ pesc\u0103ru\u0219i se pierd \u00een zare \/ a \u00eentrebare, a visare, a uitare \/ goi de g\u00e2nduri, goi de lume, goi de toate \/ p\u0103\u0219im am\u00e2ndoi la \u00eent\u00e2mplare \/ r\u0103t\u0103ci\u021bi \u00een noi, c\u0103ut\u0103m un noi\u201d <strong>(Ultimul pesc\u0103ru\u0219).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">De multe ori, finalurile sunt nea\u0219teptate, bru\u0219te: <em>\u201dm\u0103 ca\u021b\u0103r pe firul de iarb\u0103 \/ m\u0103 a\u0219tep\u021bi iar\u0103\u0219i \u00een prag \/ mi-e dor de cel drag \/ dar pasul e gol, se afund\u0103 \u00een n\u0103mol \/ vroiam s\u0103 m\u0103 nasc, dar unde s\u0103 fac acel pas \/ acum zac \u00een firul de iarb\u0103 \u021besut \u00eentre noi \/ poarta e deschis\u0103 dar pragul e gol\/ sunt pasul uitat \u00eentr-un veac \/ pl\u00e2ng ast\u0103zi, m\u0103 pl\u00e2ng \/ eu am plecat cel dint\u00e2i \/ adresa mea o g\u0103si\u021bi, m\u00e2ine, la c\u0103p\u0103t\u00e2i\u201d <strong>(Ultima adres\u0103).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>E destul de curios cum, un poet citadin, are pentru iubit\u0103, apelativul \u201dm\u00e2ndra\u201d, folosit \u00een diverse ipostaze, iar alt\u0103dat\u0103, o apeleaz\u0103 cu sintagma: \u201daleasa mea\u201d.<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>O eventual\u0103 defini\u021bie poetic\u0103 a femeii: <strong><em>\u201dFemeia, lacrim\u0103 de \u00eenger\u201d.<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Autorul e con\u0219tient de darul ce i s-a dat \u0219i caut\u0103 s\u0103-l onoreze \u0219i chiar s\u0103-l \u00eenmul\u021beasc\u0103<em>:\u201dsprijin de ceruri cuvintele mele \/ aprind felinare \u00een suflet cu versuri de lumin\u0103 \/ c\u0103ut\u00e2nd \u00een gol nesf\u00e2r\u0219irea \/ respir adev\u0103rul \u0219i strig \/ las\u0103-m\u0103, \/ Doamne, s\u0103 a\u0219tept \u00eenvierea \/ \u00een ochiul de ap\u0103 din pleoape \/ s\u0103 fiu o r\u0103d\u0103cin\u0103 a clipei ce vine\u201d <strong>(Se aprind felinare).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong>\u00centr-una din poezii, autorul \u00eencearc\u0103 defini\u021bii poetice inedite: <em>\u201ds\u0103rutul &#8211; m\u00e2ng\u00e2ierea sufletului \/ sufletul &#8211; taina nestins\u0103 a g\u00e2ndului \/ g\u00e2ndul &#8211; lacrima universului\u201d<strong>(Anotimpurile iubirii).<\/strong><\/em> Este o defini\u021bie \u00een care termenii decurg unul din cel\u0103lalt, \u00eentr-un crescendo, de la particular la universal.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poeziile acestui autor nu sunt simple exerci\u021bii de rafinament artistic, ci sunt g\u00e2ndurile profunde ale unui virtuoz al cuv\u00e2ntului care, cu fiecare carte \u00eenal\u021b\u0103 trepte spre edificiul spiritual, spre infinitul iubirii, \u00eentr-o exemplaritate care \u00eel onoreaz\u0103 \u0219i-l calific\u0103 drept un poet de spi\u021b\u0103 modern\u0103, demn de orice dic\u021bionar de literatur\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0218i o foarte reu\u0219it\u0103 defini\u021bie poetic\u0103 a femeii: <em>\u201dfemeie, s\u0103rutul vie\u021bii pe p\u0103m\u00e2nt\u201d <strong>(S\u0103rutul vie\u021bii).<\/strong><\/em> Alte defini\u021bii: <em>\u201ddar ce este femeie azi sf\u00e2r\u0219itul \/ dec\u00e2t lumina noului \u00eenceput\u201d <strong>(Pa\u0219i \u00een noapte).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0<\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mister, ad\u00e2ncire \u00een tain\u0103, medita\u021bie, pace \u00eenalt\u0103, speran\u021b\u0103, amintire, dor-dorin\u021b\u0103 de des\u0103v\u00e2r\u0219ire, t\u0103ceri astrale, adieri de suflet spre lumin\u0103, \u201d<em>sur\u00e2sul clipelor eterne\u201d,<\/em> un cor de \u00eengeri care \u201d<em>se a\u0219ezau pe coama serii\u201d,<\/em> toate acestea alc\u0103tuind Poezia. <em>\u201dMi-e c\u00e2ntul liturghie\u201d<\/em> \u2013 spune poetul. Dar ce \u00eemb\u0103t\u0103tor amestec!<\/p>\n<p style=\"text-align: justify;\"><em>\u201dmi-e c\u00e2ntul liturghie \/ din cenu\u0219a milenar\u0103 ridic g\u00e2nduri \/ tu treci purt\u00e2nd marama iubirii \u00een suflet \/ mi-e trupul o jertf\u0103 \u0219i cerul e timpul r\u0103mas \/ se aprind aurore pe cer \/ eu z\u0103bovesc l\u00e2ng\u0103 vatr\u0103 s\u0103 aprind focul \/ ne-mp\u0103rt\u0103\u0219im \u00een biserici de suflet \/ purt\u00e2nd pe frunte\u00a0 \/ coroane din frunze \u0219i spini \/ uneori o lacrim\u0103 se a\u0219eaz\u0103 pe pleoape \/ \u00een tinda unui suflet r\u0103t\u0103cit \u00eentr-o noapte \/ mi-e cerul vecie \u0219i clipa mi-e soart\u0103 \/ str\u0103in ce bate \u00een noapte \u00eentr-o poart\u0103\u201d <strong>(Frunze \u0219i spini).<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Un termen care apare frecvent, obsesiv, este t\u00e2rziul. E at\u00e2t de frecvent \u00eenc\u00e2t se confund\u0103 cu versurile unor refrene cunoscut, cu ecou de roman\u021b\u0103:<em>\u201dera t\u00e2rziu \u0219i era toamn\u0103\u201d; \u201dera t\u00e2rziu \u0219i era noapte\u201d; \u201dera t\u00e2rziu \u0219i era frig\u201d,<\/em> \u201d<em>era t\u00e2rziu \u0219i era iarn\u0103\u201d, <\/em>etc.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lumina are un rol primordial \u00een poezia lui Viorel Birtu-P\u00eer\u0103ianu: exist\u0103 turnul luminii, f\u00e2nt\u00e2ni de lumin\u0103, parfumul luminii, iubita este<em>\u201dlumina din zori\u201d;<\/em> chiar \u0219i pe Dumnezeu \u00eel roag\u0103 poetul s\u0103 se apropie \u0219i s\u0103-i dea lumina, iar \u00eentr-un vers spune:<em>\u201deu scriu cu lum\u00e2n\u0103ri de suflet pe ziduri de cear\u0103\u201d. <\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>O poezie existen\u021bial\u0103, o poezie a c\u0103ut\u0103rilor de sine \u0219i de sens, o poezie de care autorul se sprijin\u0103, ca s\u0103 nu-\u0219i mai simt\u0103 grele, aripile de nisip.<\/p>\n<p style=\"text-align: justify;\">\u00a0&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p style=\"text-align: justify;\"><strong>CEZARINA ADAMESCU<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>18 Gerar, 2019<\/strong><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Viorel Birtu-P\u00eer\u0103ianu, Aripi de nisip, Editura PIM, Ia\u0219i, 2018. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poet reputat, autor al unui num\u0103r de peste 25 de [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-42832","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=42832"}],"version-history":[{"count":1,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42832\/revisions"}],"predecessor-version":[{"id":42834,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42832\/revisions\/42834"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=42832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=42832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=42832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}