{"id":42844,"date":"2019-01-28T13:18:08","date_gmt":"2019-01-28T13:18:08","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=42844"},"modified":"2019-01-28T13:18:08","modified_gmt":"2019-01-28T13:18:08","slug":"ionel-necula-adrian-botez-si-ispita-dramaturgiei","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2019\/01\/28\/ionel-necula-adrian-botez-si-ispita-dramaturgiei\/","title":{"rendered":"Ionel NECULA: Adrian Botez \u0219i ispita dramaturgiei"},"content":{"rendered":"

\u00a0\u00a0\u00a0\u00a0\u00a0 \"\"<\/a>Prolific \u015fi cu ad\u00e2ncimi de g\u00e2nd care-au surprins mult\u0103 lume, Adrian Botez s-a repliat, mai recent, \u00een domeniul dramaturgiei \u2013 un gen ne\u00eencercat p\u00e2n\u0103 acum, dup\u0103 \u015ftiin\u0163a mea, care, desigur, poate fi lacunar\u0103. De cur\u00e2nd, a publicat un volum de teatru, Rege \u00een vacan\u0163\u0103 <\/strong>\u00a0(Editura Rafet, Rm. S\u0103rat, 2018), ceea ce \u00eenseamn\u0103 o ipostaz\u0103 nou\u0103 pentru el, care-a cultivat, p\u00e2n\u0103 acum, toate genurile literare. A devenit, putem spune, un scriitor total, un scriitor pentru care nimic, din ceea ce \u00eenseamn\u0103 literatur\u0103, nu i-a r\u0103mas str\u0103in \u015fi neexperimentat de prolificitatea sa debordant\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cel cunosc bine pe Adrian Botez \u015fi-i cunosc, la fel de bine, familia \u2013 pe Elena, o doamn\u0103 respectabil\u0103, din toate punctele de vedere – \u015fi-i cunosc copiii, to\u0163i mode\u015fti, to\u0163i titra\u0163i, to\u0163i \u00eemplini\u0163i profesional \u015fi de o cumsec\u0103denie, cum mai rar se-nt\u00e2lne\u015fte, \u00een zilele noastre.<\/p>\n

\u00a0\u00a0\u00a0\u00a0 \u00a0\"\"<\/a>Recentul volum de teatru, despre care ne propunem s\u0103 d\u0103m seama, \u00een aceste r\u00e2nduri – con\u0163ine cinci piese, toate revendic\u00e2ndu-se dintr-un filon moral \u015fi dintr-o disput\u0103 necurmat\u0103 a binelui cu r\u0103ul. \u00cenvinge p\u00e2n\u0103 la urm\u0103 binele, dar victoria se datoreaz\u0103 faptului c\u0103 ac\u0163iunea este adus\u0103 \u00eentr-o partitur\u0103 etnic\u0103, astfel c\u0103 eticul (de care aminteam mai sus), cap\u0103t\u0103 substan\u0163\u0103 etnic\u0103, t\u0103rie de cremene, care se deconteaz\u0103 din specificul omului dacic, tr\u0103itor \u00een priveli\u015ftea sacr\u0103 a muntelui Kogaion, de unde-\u015fi trage sevele \u015fi credin\u0163ele. Iar acestea se dovedesc at\u00e2t de ferme, \u00a0c\u0103 nici demonul nu-l poate sminti, din dreapta lui credin\u0163\u0103. Dimpotriv\u0103, demonul \u00eensu\u015fi, care \u00eencearc\u0103 s\u0103-l deturneze din \u00eencredin\u0163\u0103rile lui cre\u015ftine\u015fti, ajunge s\u0103 se pozitivizeze, s\u0103 capete convingeri \u015fi purt\u0103ri, omologabile \u00een cadrul doctrinei cre\u015ftine.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Piesa Dumnezeu \u015fi cristalul, <\/strong>bun\u0103oar\u0103, este un elogiu adus vie\u0163ii de familie – \u00a0marcat\u0103 de armonie, de vrednicie, de evlavie, specific\u0103 oamenilor de munte, unde armonia mun\u0163ilor se transfer\u0103, unidirec\u0163ional, spre sufletul omenesc, \u00eei imprim\u0103 noime \u015fi cutume de vie\u0163uire at\u00e2t de puternice, \u00eenc\u00e2t chiar demonul se \u00eenduio\u015feaz\u0103, se dovede\u015fte neputincios \u015fi devine omenos \u015fi recunosc\u0103tor, fa\u0163\u0103 de familia care l-a g\u0103zduit \u015fi l-a omenit. \u00cen final, ajunge chiar el, demonul, s\u0103 recunoasc\u0103 faptul c\u0103 Sf\u00e2nta Familie nu putea s\u0103 se \u00eencurce \u00een juc\u0103reaua<\/span> mea\u2026 s\u0103 aleag\u0103 ispitirea cea pervers\u0103, \u00een locul M\u0103re\u0163iei, Sublimului, Frumosului Cosmic\u2026 pentru c\u0103 Sf\u00e2nta Familie \u00ee\u015fi cunoa\u015fte, Dumnezeie\u015fte, Misiunea din Lume! Binecuv\u00e2ntat\u0103 s\u0103 fie Sf\u00e2nta Familie! Din tine voi face cur\u00e2nd Miezul Noii Lumi, Lumea Nou\u0103 \u015fi deplin neprih\u0103nit\u0103.<\/em> Rostit\u0103 de demon, aceast\u0103 tirad\u0103 schimb\u0103 fundamental func\u0163ia demonicului, \u00een raporturile lui cu omul \u015fi cu Lumea.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Ceva mai eseistic\u0103 este tragi-comedia Rege \u00een vacan\u0163\u0103<\/strong>, inspirat\u0103 din mult discutata idee a globaliz\u0103rii. \u00cen prim-plan, este \u015feful unei delega\u0163ii americane, care nu se sfie\u015fte s\u0103 declare ritos: Am venit s\u0103 prelu\u0103m \u0163ara pe timpul vacan\u0163ei Regelui vostru!<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Tot din istoria Daciei romane se resoarbe \u015fi misteriul \u00een trei acte, Zalmoxis \u2013 <\/strong><\/em>o pies\u0103 grea, care pune la grea \u00eencercare un regizor, dispus s-o pun\u0103 \u00een scen\u0103. Ac\u0163iunea se petrece \u00een vremea c\u00e2nd lumea de pe muntele Kogaion, se preg\u0103tea s\u0103 treac\u0103 de la religia p\u0103g\u00e2n\u0103, cu Zalmoxe \u00een prim plan, la religia cre\u015ftin\u0103, \u00een centrul c\u0103reia st\u0103 Hristos \u015fi Fecioara Maria. Multe din replicile c\u0103lug\u0103rilor sunt t\u00e2nguitoare \u015fi preiau c\u00e2te ceva din tonalitatea Rugului Aprins. Oricum, piesa reconstituie\u00a0 atmosfera tulbure, de schimbare radical\u0103 a credin\u0163ei \u015fi cumin\u0163enia \u00een care s-a f\u0103cut transferul la noua religie \u2013 f\u0103r\u0103 tulbur\u0103ri \u015fi f\u0103r\u0103 reticen\u0163e, ceea ce \u00eensemn\u0103 c\u0103 terenul era deja preg\u0103tit, de vechea credin\u0163\u0103 a lui Zalmoxe, c\u0103 trecerea s-a f\u0103cut a\u015fa de pa\u015fnic \u015fi natural, tocmai pentru faptul c\u0103 nu existau diferen\u0163e mari, \u00eentre cele dou\u0103 religii. Sunt aspecte tratate \u015fi de Vintil\u0103 Horia \u00een romanul Dumnezeu s-a n\u0103scut \u00een exil, <\/strong>dar, fire\u015fte Adrian Botez le expune \u00eentr-o alt\u0103 dioram\u0103, mai dinamic\u0103, dup\u0103 cum reclam\u0103 cerin\u0163ele scenei.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Celelalte dou\u0103 piese,\u00a0 Iubirea ca un glon\u0163<\/strong> \u015fi Justi\u0163ia<\/strong>, <\/strong>\u00ee\u015fi extrag sevele dintr-o realitate mai apropiat\u0103 de zilele \u015fi de nes\u0103buin\u0163ele noastre. De\u015fi replicile personajelor sunt generoase, confer\u0103 textului dramatic mai mult un aspect de eseu (\u015fi submineaz\u0103, oarecum, dinamismul, vivacitatea \u015fi mi\u015fcarea scenic\u0103…), dar ele nu-\u015fi pierd interesul – datorit\u0103 con\u0163inutului lor problematic<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Nu \u015ftiu c\u00e2nd \u015fi unde un regizor mai curajos se va hot\u0103r\u00ee s\u0103 regizeze \u015fi s\u0103 pun\u0103 \u00een scen\u0103 piesele lui Adrian Botez, dar pot anticipa c-ar putea fi gustate cu interes, dac\u0103 sala este populat\u0103 de un public \u015fcolit \u015fi cu o medie intelectual\u0103 mai elevat\u0103<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Cartea se \u00eenchide cu o autobiografie personal\u0103, din care afl\u0103m am\u0103nunte ale form\u0103rii sale intelectuale \u2013 \u015fi de unde ne scruteaz\u0103 un bucovinean h\u00e2tru, harnic \u015fi vrednic de laud\u0103. Este \u00eenc\u0103 un motiv pentru care merit\u0103 s\u0103-l privim cu simpatie \u015fi interes<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ionel NECULA <\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0\u00a0\u00a0\u00a0 Prolific \u015fi cu ad\u00e2ncimi de g\u00e2nd care-au surprins mult\u0103 lume, Adrian Botez s-a repliat, mai recent, \u00een domeniul dramaturgiei [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-42844","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=42844"}],"version-history":[{"count":1,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42844\/revisions"}],"predecessor-version":[{"id":42847,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/42844\/revisions\/42847"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=42844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=42844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=42844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}