{"id":46248,"date":"2019-12-03T13:08:56","date_gmt":"2019-12-03T13:08:56","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=46248"},"modified":"2019-12-03T13:18:08","modified_gmt":"2019-12-03T13:18:08","slug":"adrian-botez-violenta-idolilor-plutonici-schimbare-si-iluzie-in-romanul%e2%80%9dmigranti-fara-bagaje%e2%80%9d-de-constantin-stancu1","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2019\/12\/03\/adrian-botez-violenta-idolilor-plutonici-schimbare-si-iluzie-in-romanul%e2%80%9dmigranti-fara-bagaje%e2%80%9d-de-constantin-stancu1\/","title":{"rendered":"Adrian BOTEZ: Violen\u021ba idolilor plutonici. Schimbare \u0219i iluzie, \u00een romanul\u201dMigran\u021bi f\u0103r\u0103 bagaje\u201d, de Constantin Stancu[1]"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/12\/coperta-stancu.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-46253\" title=\"coperta-stancu\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/12\/coperta-stancu-300x211.jpg\" alt=\"\" width=\"300\" height=\"211\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/12\/coperta-stancu-300x211.jpg 300w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2019\/12\/coperta-stancu-1024x721.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\u00cen 2016, scriitorul ha\u021began <strong>CONSTANTIN STANCU<\/strong> scotea, la lumina editorial\u0103, pentru cei care, \u00eenc\u0103, sunt binecuv\u00e2nta\u021bi cu patimile cititului \u0219i meditatului, romanul <strong><em>VADUL ARS<\/em><\/strong> \u2013 la Editura Radet, Rm. S\u0103rat \u2013 roman despre care concluzionam, atunci, p\u0103str\u00e2ndu-ne opinia \u0219i acum :<\/p>\n<p style=\"text-align: justify;\">\u201e&#8230;<em>To\u0163i criticii contemporani, obedien\u0163i, concomitent, \u201e<strong>culturii politice<\/strong>\u201d valahe \u015fi aberant-dictatorialei formule \u201e<strong>euro-atlantice<\/strong>\u201d:\u00a0 \u201e<strong>political\u00a0 correctness<\/strong>\u201d &#8230; &#8211;\u00a0 se pot da peste cap (ori chiar n-au dec\u00e2t s\u0103 stea \u015fi cu dosu-n sus&#8230;), de revolt\u0103 \u015fi de invidie non-profesional\u0103&#8230;da, ace\u015fti \u201e<strong>ciocoi ai condeiului<\/strong>\u201d pot striga, din fundul bojocilor: \u201e<strong>S\u0103 se r\u0103stigneasc\u0103 Hristosul!<\/strong>\u201d \u2013 c\u0103ci tot nu vor putea schimba realitatea: <strong>CONSTANTIN STANCU<\/strong> a realizat, prin romanul s\u0103u, <strong>Vadul Ars<\/strong>, cea mai valoroas\u0103 \u015fi cea mai conving\u0103toare (prin profunzimea semantic\u0103 \u015fi prin polisemantismul, tinz\u00e2nd spre infinit, al \u201e<strong>rosturilor<\/strong>\u201d \u015fi direc\u0163iilor de interpretare ale c\u0103r\u0163ii&#8230;)\u00a0 structur\u0103 narativ\u0103 parabolic\u0103, din epoca postdecembrist\u0103!<\/em>\u201d<\/p>\n<p style=\"text-align: justify;\">&#8230;Acum, \u00een 2019, <strong>CONSTANTIN STANCU<\/strong> realizeaz\u0103 \u0219i d\u0103 tiparului o continuare a romanului <strong><em>VADUL ARS<\/em><\/strong> : <strong><em>MIGRAN\u021aI F\u0102R\u0102 BAGAJE<\/em><\/strong> \u2013 carte scoas\u0103 la Editura Limes, din Cluj-Napoca \u2013 av\u00e2nd 232 de pagini (cu tot cu C.V. \u0219i aprecierile critice) \u0219i struturat\u0103 fiind pe 30 de paliere narativ-revelatoare\/<strong>capitole<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Majoritatea personajelor \u201e<strong><em>valide<\/em><\/strong>\u201d (tradus : <strong>r\u0103mase \u00een via\u021b\u0103<\/strong>), din romanul anterior, migreaz\u0103, masiv, c\u0103tre aceast\u0103 nou\u0103 structur\u0103 narativ\u0103\u00a0 &#8211; \u00een frunte cu Ana Nor : Ioan Jude (devenit, \u00eentre timp, \u201e<strong><em>lichidator<\/em><\/strong>\u201d, ca \u00een <strong><em>NA\u0218UL<\/em><\/strong>![\u201d<strong><em>Lichidator! Ce meserie! Dar cred c\u0103 e o afacere bun\u0103 !<\/em><\/strong>\u201d, cf. p. 108 \u2013 zice, cu surprindere, naivul profesor-pensionar Radu Costin&#8230;] \u2013 cu so\u021bia sa, Angela, Ioan Hora, Toma Bucur, Ion Ardelean, primarul ex-poli\u021bist Sorin Militaru etc. P\u00e2n\u0103 \u0219i amintirea spectral\u0103 a asasinatului Ilie Talan, fostul iubit al Anei Nor<a title=\"\" href=\"#_ftn1\">[1]<\/a>, este <strong>evocat\u0103 des, <\/strong>\u0219i, \u00eentr-o oarecare m\u0103sur\u0103, chiar <strong>prezent\u0103<\/strong>, ca reper virilo-moral. Se mai\u00a0 adaug\u0103 (\u0219i se mai schimb\u0103, ca nume \u0219i func\u021bie scriptic\u0103, doar&#8230;nicidecum ca atitudine idolatr\u0103, fa\u021b\u0103 de&#8230;<strong>BAN<\/strong> !) vreo c\u00e2teva personaje noi, necesare demonstra\u021biei \u00a0epice :\u00a0 Gigi C\u0103rbune devine Gigi Zugravul (av\u00e2ndu-l, ca fiu, pe&#8230;\u201d<strong><em>muzicianul<\/em><\/strong>\u201d de man\u00e8le \u0219i de&#8230; ce-o mai fi&#8230; &#8211; &#8230;Bill Zugravul&#8230;), apar \u201e<strong><em>Gurul<\/em><\/strong>\u201d (\u201c<strong><em>omul din Capital\u0103<\/em><\/strong>\u201d, <strong>Mafiotul-C\u0103l\u0103uz\u0103-spre-Iad<\/strong> : Bebe Apostol), Moise Buzatu, S\u00e2rbul (mediatorul afacerii necurate, cu falsificarea de pa\u0219apoarte&#8230;!), Margareta (\u00een locul tragicei Bianca Dr\u0103gu\u021b, din <strong><em>VADUL ARS<\/em><\/strong>&#8230; \u2013 &#8230;Margareta se m\u0103rit\u0103 cu Bill Zugravul, spre a-i ascunde paternitatea copilului din p\u00e2ntece, conceput, de ea, cu marele \u201d<strong><em>zeu plutonic<\/em><\/strong>\u201d al locului, Moise Buzatu&#8230;), Marcu Iulian, \u0219eful echipei de muncitori, din Valea Rea, care-o anun\u021b\u0103, telefonic, pe ex-avocata Ana Nor (&#8230;acum, \u00eentoars\u0103, pentru c\u00e2teva luni, \u00een Rom\u00e2nia, devine \u201d<strong><em>un ingenios<\/em><\/strong> <strong><em>om de afaceri<\/em><\/strong>\u201d&#8230;nu se pricepe doamna avocat\u0103 la afaceri, dar, vorba lui Toma Caragiu : \u201d<strong><em>\u00cei merge<\/em><\/strong>\u201d&#8230;!), \u00een leg\u0103tur\u0103 cu \u201e<strong><em>baia roman\u0103<\/em><\/strong>\u201d, descoperit\u0103 sub \u00a0platforma de beton, a halei \u201e<strong><em>pentru fabrica ei de turnat piese din plastic, pentru autovehicule<\/em><\/strong>\u201d \u2013 dar \u0219i profesorul-pensionar \u0219i pasionatul de istorie-arheologie, obsedat de \u201d<strong><em>CASTRUL ROMAN<\/em><\/strong>\u201d, de sub actualul, <strong>VADUL ARS<\/strong> (co-obsedat fusese \u0219i un alt fost profesor, Mircea Neagu, acum decedat&#8230; &#8211; &#8230;cel cu teoria \u201d<strong><em>canibalismului dacic<\/em><\/strong>\u201d&#8230;devenit, \u00eentre timp, <strong>REALUL&#8230;CANIBALISM ROM\u00c2NESC<\/strong>&#8230;!!!), directorul Casei de Cultur\u0103, Alex Feraru (&#8230;poate intelectual, poate c\u0103m\u0103tar&#8230;)&#8230;<\/p>\n<p style=\"text-align: justify;\">Radu Costin era invitat la \u201d<strong><em>masa \u0219tabilor<\/em><\/strong>\u201d, cu prilejuri oficiale <strong>GRANDIOASE<\/strong> (&#8230;precum erau \u201d<strong><em>apoteozele sacralizante<\/em><\/strong>\u201d, la p\u0103g\u00e2ni !), de exemplu, la&#8230;\u201d<strong><em>Zilele Berii<\/em><\/strong>\u201d (&#8230;c\u0103ci \u201d<strong><em>Zilele Cunoa\u0219terii de Sine<\/em><\/strong>\u201d&#8230;nu mai erau, demult, \u201d<strong><em>la mod\u0103<\/em><\/strong>\u201d&#8230;!), nu pentru c\u0103 era interesat, cineva din localitate, de istorio-arheologie (\u201d<strong><em>Radu Costin era cumva \u00een plus<\/em><\/strong>\u201d), ci pentru c\u0103&#8230;\u201d<strong><em>f\u0103cea parte din peisajul politic al ora\u0219ului, D\u0102DEA BINE LA IMAGINE<\/em><\/strong>\u201d&#8230;!<\/p>\n<p style=\"text-align: justify;\">&#8230;Fire\u0219te c\u0103 intelectualii (cu ghilimele ori ba) ai localit\u0103\u021bii, Radu Costin \u0219i Alex Feraru, dup\u0103 ce s-a demonstrat c\u0103 Radu Costin avea dreptate (iar nu era doar un monomaniac, obsedat de ruine&#8230;), \u0219i <strong>LOCALITATEA\/CASTRU ROMAN<\/strong> este descoperit\u0103 !) sunt asasina\u021bi, \u00een finalul romanului, din motive deloc legate de&#8230;intelect : \u201d<strong><em>Spre marea surpriz\u0103 a celor doi poli\u021bi\u0219ti, \u00een situl arheologic se aflau dou\u0103 cadavre. Au recunoscut ca fiind ale directorului \u0219i ale pensionarului, pe jum\u0103tate acoperite cu dou\u0103 table metalice, luate din \u0219antierul \u00een lucru. [&#8230;] Din informa\u021biile noastre, rezult\u0103 c\u0103 cei doi au fost \u00eempu\u0219ca\u021bi de persoane necunoscute momentan, cu arme de v\u00e2n\u0103toare. Au fost trase cinci cartu\u0219e, cei doi fiind atin\u0219i de proiectilele din armele de v\u00e2n\u0103toare. [&#8230;] \u00cen Vadu Ars, se discut\u0103 de o revan\u0219\u0103 politic\u0103, mai ales dup\u0103 evenimentul de la Casa de Cultur\u0103, c\u00e2nd fostul primar s-a angajat \u00eentr-o alterca\u021bie cu alte persoane din zon\u0103 [&#8230;]. Alte persoane sus\u021bin c\u0103 a fost o revan\u0219\u0103 economic\u0103, deoarece directorul Casei de Cultur\u0103, acum decedat, ar fi \u00eemprumutat mai multe persoane din Valea Rea cu bani, f\u0103c\u00e2nd cam\u0103t\u0103, iar acestea nu ar fi restituit banii \u00eemprumuta\u021bi, la termen, iar presiunile f\u0103cute asupra lor au determinat riposta criminal\u0103. [&#8230;] Nu se \u0219tie de ce a fost \u00eempu\u0219cat profesorul Radu Costin, el fiind o persoan\u0103 retras\u0103, preocupat mai mult de cultur\u0103 \u0219i istorie local\u0103, dec\u00e2t de afaceri politice, sau c\u0103m\u0103t\u0103rie[&#8230;].\u201d<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">Cum \u201d<strong><em>de ce a fost \u00eempu\u0219cat profesorul Radu Costin<\/em><\/strong>\u201d ?<\/p>\n<p style=\"text-align: justify;\">P\u0103i, dup\u0103 ce-\u0219i f\u0103cuser\u0103 programul, cu el, la \u201d<strong><em>Zilele Berii<\/em><\/strong>\u201d, unde \u201d<strong><em> d\u0103dea bine la imagine<\/em><\/strong>\u201d &#8211; \u0219i mai acoperise scandalul mor\u021bii celor \u201d<strong><em>cinci bebelu\u0219i din \u0219apte, deceda\u021bi subit la maternitatea din VADUL ARS<\/em><\/strong>\u201d, cu supra-evenimentul unui soi de <strong><em>SIMPOZION-TR\u0102SNET<\/em><\/strong> (cu un invitat-profesor din SUA!), despre \u201d<strong><em>istoria local\u0103<\/em><\/strong>\u201d \u0219i \u201d<strong><em>t\u0103bli\u021bele de lut de la T\u0103rt\u0103ria<\/em><\/strong>\u201d (mai vechi dec\u00e2t scrisul sumerian, egiptean etc. cu cel pu\u021bin 1.000 de ani ! \u2013 descoperire f\u0103cut\u0103 de storicul [a]rom\u00e2n, Nicolae Vlassa, \u00een anul 1961 !) \u0219i despre \u201d<strong><em>cultura Turda\u0219<\/em><\/strong>\u201d\/cu <strong>C\u00e2mpul P\u00e2inii<\/strong> (exist\u00e2nd posibilitatea ca, <strong>\u00ceN SPA\u021aIUL CARPATO-DANUBIAN &#8211; &#8230;\u0219i nu aiurea, \u201d<em>cai verzi, pe pere\u021bi<\/em>\u201d! &#8211;<\/strong> \u201d<strong><em>s\u0103 se fi inventat scrisul<\/em><\/strong>\u201d) \u2013 dup\u0103 ce atr\u0103sese aten\u021bia asupra <strong>RITMICELOR MIGRA\u021aII UMANE<\/strong>, din istoria lumii eurasiatice (\u201d<strong><em>Migran\u021bi, \u0219i atunci, \u0219i acum !<\/em><\/strong>\u201d \u2013 p. 217 \u2013 \u00een definitiv, <strong>\u00ceNTREGUL<\/strong> actual roman colc\u0103ie de o migra\u021bie grav\u0103 : <strong>MIGRA\u021aIA OARB\u0102 A C\u0102RNII, SPRE AMURGUL EI DEFINITIV<\/strong> !!!&#8230; &#8211; &#8230;la care <strong>Migra\u021bie<\/strong> se adaug\u0103, <strong>AZI<\/strong>, \u00een mod misterioso-secret, monstruos \u0219i revolt\u0103tor, <strong>o MIGRA\u021aIE A ASIEI MUSULMANO-MOZAICE<\/strong>, invad\u00e2nd Europa, pe nesim\u021bite, lent, dar ne\u00eent\u00e2lnind nicio stavil\u0103, nici guvernamental-politic\u0103, nici religioas\u0103, nici militaro-poli\u021bieneasc\u0103 \u2013 <strong>EUROPA<\/strong>, cea p\u0103strat\u0103, 2.000 de ani, <strong>CRE\u0218TIN\u0102<\/strong>, prin milioane de jertfe umane \u2013 cu prec\u0103dere, <strong>DACO-VALAHE<\/strong> ! &#8211; &#8230;acum, <strong>ESTE \u00ceN CURS DE ISLAMIZARE<\/strong>&#8230;!!!) &#8211; ei bine, dup\u0103 tot acest torent informa\u021bionalo-senza\u021bional, care putea ascunde \u0219i scandaluri mai mari dec\u00e2t acela despre&#8230; \u201d<strong><em>cinci bebelu\u0219i din \u0219apte, deceda\u021bi subit la maternitate<\/em><\/strong>\u201d \u2013 Radu Costin nu mai avea ce s\u0103 caute \u00een centrul <strong>Scenei Terestrelor Afaceri SACRE<\/strong>&#8230;!!!<\/p>\n<p style=\"text-align: justify;\">\u201d<strong><em>S\u0103 vin\u0103 LICHIDATORII! Face\u021bi CURAT, pe to\u021bi dracii !<\/em><\/strong>\u201d<\/p>\n<p style=\"text-align: justify;\">&#8230;\u00cenc\u0103 de la \u00eenceput, remarc\u0103m c\u0103 :<\/p>\n<p style=\"text-align: justify;\"><strong>1<\/strong>-Majoritatea finalurilor de capitol, ale \u00a0c\u0103r\u021bii lui <strong>CONSTANTIN STANCU<\/strong>, situeaz\u0103 <strong>VADUL ARS<\/strong> sub semnul <strong>SERII\/NOP\u021aII-T\u00c2RZIULUI<\/strong>\u00a0 &#8211; dublat de un \u201d<strong><em>SOMN-\u00ceNCHISOARE<\/em><\/strong>\u201d: \u201d<strong><em>Sim\u021bea \u00eentunericul serii ca pe o prezen\u021b\u0103, o re\u021bea care o prindea, \u0219i pe ea, \u00een marele dans al timpului<\/em><\/strong>\u201d\u00a0 (p. 79) ; \u201d<strong><em>\u00cen noaptea aceea, Jude a dormit profund<\/em><\/strong>\u201d (p. 88) ; \u201d<strong><em>\u00cen noaptea aceea, Ana a dormit profund, un somn greu, f\u0103r\u0103 ie\u0219ire. Un cocon a \u00eenv\u0103luit-o, nev\u0103zut, din fire transparent, calde. Lumea se n\u0103\u0219tea, din nou, \u00een via\u021ba ei<\/em><\/strong>\u201d (p. 102) ; \u201d<strong><em>noaptea sosea cu multe surprize, pentru mul\u021bi oameni in localitate[&#8230;]. Timpul se scursese undeva, dup\u0103 dealurile de la marginea Vadului Ars<\/em><\/strong>\u201d \u00a0(p. 116-117); \u201d<strong><em>era t\u00e2rziu \u0219i timpul nu mai avea importan\u021b\u0103, pentru Radu Costin, era t\u00e2rziu \u0219i sufletul lui t\u00e2njea dup\u0103 o stare pe care nu o putea defini\u201d<\/em><\/strong> (p. 132) ; \u201d<strong><em>seara aceea a fost o sear\u0103 special, nara\u021biunile s-au topit \u00een lacrimile b\u0103rbatului, timpul a explodat \u00een mintea lor<\/em><\/strong>\u201d (p. 179); \u201d<strong><em>b\u0103rbatul a c\u0103zut \u00eentr-un somn negru, f\u0103r\u0103 ie\u0219ire, greu, de plumb, ca \u00een ad\u00e2ncul lumilor<\/em><\/strong>\u201d (p. 189) ; \u201d<strong><em>nu mai auzi l\u0103tratul c\u00e2inilor, care sp\u0103rgea \u00eentunericul din zona aceea de lume. Cerul se deschidea peste lume, ca un vultur f\u0103cut din mai multe stele dep\u0103rtate, din lumini \u0219i \u00ceNTUNERIC CU GHEARE<\/em><\/strong>\u201d (p. 195 \u2013 viziunea \u201d<strong><em>\u00ceNTUNERIC CU GHEARE<\/em><\/strong>\u201d o are Ana Nor, dup\u0103 ce Radu Cosmin, sim\u021bindu-\u0219i moartea aproape, \u00eei \u00eencredin\u021beaz\u0103 <strong>TREI COSONI DE AUR DACIC<\/strong> \u2013 \u201d<strong><em>Au imprimat pe ele\/monede UN VULTUR CU O COROAN\u0102 \u00ceN GHEARE \u0219i numele regelui<\/em><\/strong>\u201d &#8211; iar Ana Nor interpreteaz\u0103 darul profesorului Radu Costin, \u00een modul anti-spriritual, al epocii ei : \u201d<strong><em>Aurul \u00eenseamn\u0103 PUTERE, MULT\u0102 PUTERE! Poate e \u0219i acesta un semn pentru mine, cine \u0219tie ?<\/em><\/strong>\u201d \u2013 cf. p. 195).<\/p>\n<p style=\"text-align: justify;\"><!--more-->Tot <strong>SEARA\/NOAPTEA<\/strong> se produce <strong>\u00ceNJUNGHIEREA<\/strong>, de c\u0103tre Ioan Jude, a <strong>C\u0102PRIOAREI NEVINOVATE <\/strong>(lovite de <strong>MA\u0218INA LUI<\/strong> \u2013 p. 49), tot <strong>NOAPTEA<\/strong> sunt asasina\u021bi cei doi intelectuali ai localit\u0103\u021bii&#8230;tot <strong>NOAPTEA<\/strong>, Bill Zugravul le\u0219in\u0103, lovit de o boal\u0103, luat\u0103 \u00een timpul unui turneu \u00een <strong>AFRICA<\/strong>&#8230; &#8211; &#8230;alt\u0103 \u201d<strong><em>migra\u021bie oarb\u0103, misterioas\u0103, imbecil\u0103, a C\u0102RNII<\/em><\/strong>\u201d&#8230;!).<\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>2<\/strong>&#8211; De-a lungul c\u0103r\u021bii, multe capitole au, ca final, \u201d<strong><em>UN SEMN<\/em><\/strong>\u201d funest, care trimite la <strong>fatalitate<\/strong>, la <strong>negarea spiritualit\u0103\u021bii <\/strong>\u0219i la <strong>violen\u021ba oarb\u0103<\/strong>: p\u0103s\u0103ri se lovesc de geamul\/balconul locuin\u021belor personajelor (\u201d<strong><em>I s-a p\u0103rut c\u0103 O PAS\u0102RE s-a izbit de ceva din balcon. A FOST O ILUZIE, UN SEMN<\/em><\/strong>\u201d \u2013 p. 16 \u2013 Ana Nor o va ajuta, prin Nick Turcu, de la un azil din Londra, pe <strong>Maria VRABIE<\/strong>, s\u0103-\u0219i fac\u0103 o alt\u0103 via\u021b\u0103, de om c\u00e2t de c\u00e2t normal&#8230;dup\u0103 calvarul\/co\u0219marul prostitu\u021biei silite&#8230;; dup\u0103 care \u00eei va \u201d<strong><em>prelua<\/em><\/strong>\u201d \u0219i pe <strong>John Brock<\/strong>-prizonierul din Nigeria, \u0219i pe <strong>ILIE-CEL-F\u0102R\u0102-NUME<\/strong>&#8230; &#8211; &#8230;l\u0103s\u00e2ndu-i, la Londra, tot \u00een seama ajutorului dat de <strong>Nick\/Nicolae \u00a0Turcu, rom\u00e2nul cel atotgeneros, de la azil<\/strong>&#8230;), sau de parbrizul autoturismelor-\u00eenchisori : \u201d<strong><em>O pas\u0103re s-a izbit de parbrizul autovehiculului. Gigi a tres\u0103rit, e un semn, g\u00e2ndea. Un semn&#8230;Ap\u0103s\u0103 pedala de accelera\u021bie \u0219i se concentr\u0103 la drum<\/em><\/strong>\u201d \u2013 p. 25), bondari se strivesc de fereastra camerelor-\u00eenchisori (\u201d<strong><em>Auzi cum un bondar se izbise de fereastr\u0103. Pe sticl\u0103 a r\u0103mas o pat\u0103 maronie, pe locul impactului, soarta marcase evenimentul. O pat\u0103 maronie, nimic \u00een plus, nimic \u00een minus<\/em><\/strong>\u201d \u2013 p. 109 \u2013 \u201d<strong><em>semnul<\/em><\/strong>\u201d i se arat\u0103 lui Ioan Jude, dup\u0103 ce-l \u00eendep\u0103rteaz\u0103, politicos, dar extrem de plictisit \u0219i iresponsabil, pe profesorul Costin,\u00a0 venit s\u0103-i dezv\u0103luie comorile lui scriptice : \u201d<strong><em>Timpul trece repede, eu v\u0103 mul\u021bumesc pentru vizit\u0103, v\u0103 doresc s\u0103 g\u0103si\u021bi editorul care s\u0103 v\u0103 ajute, merit\u0103. TOTUL ESTE AFACERE, \u00ceN FINAL<\/em><\/strong>\u201d \u2013 p. 109)&#8230;<strong>C\u0102PRIOARA CRISTIC\u0102<\/strong> se love\u0219te de ma\u0219ina lui Ion Ardelean, ale c\u0103rui gesturi, din acest moment, sunt similare cu ale unui criminal profesionist : \u201d<strong><em>Ardelean se duse \u00een portbagaj, scoase un cu\u021bit serios, \u00eenjunghie c\u0103prioara, o puse \u00een portbagaj. Se uit\u0103 dac\u0103-l vede cineva, era pe \u00eenserat, la ora aceea nu era nimeni, nu l-a v\u0103zut vreun trec\u0103tor. Ajuns acas\u0103, se comport discret, le atrase aten\u021bia celor din familie s\u0103 tac\u0103, nu e cazul de t\u0103mb\u0103l\u0103u. Dup\u0103 toate acestea, se sp\u0103l\u0103 pe m\u00e2ini \u0219i se preg\u0103ti de culcare. Nu mai servi cina, nu coment\u0103 nimic. [&#8230;] \u00centins pe pat, \u00ee\u0219i sim\u021bi m\u00e2inile, erau curate, pielea aspr\u0103. De om muncit<\/em><\/strong>\u201d &#8211; p. 49 \u2013 de fapt, \u00een paralel, dublul s\u0103u semantic, Ioan Jude, se preg\u0103te\u0219te s\u0103-l asasineze, moral, \u00eent\u00e2i \u2013 pe profesorul Radu Cosmin, resping\u00e2ndu-i orice ajutor, pentru publicarea antologiei de folclor, a versurilor celor martiriza\u021bi, Stalinist, \u00een \u00eenchisori&#8230;precum \u0219i a materialului profesorului-prieten, Mircea Neagu, despre <strong>DACI<\/strong>&#8230;<\/p>\n<p style=\"text-align: justify;\">&#8230;\u00cen ciuda \u201d<strong><em>semnelor<\/em><\/strong>\u201d, demen\u021bii lumii acesteia <strong><em>\u201dAP\u0102S\u0102 PEDALA DE ACCELERA\u021aIE<\/em><\/strong>\u201d &#8211; \u0219i-\u0219i continu\u0103 <strong>Drumul-spre\/\u00een-Infern<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Pare c\u0103 nimeni nu cunoa\u0219te cuv\u00e2ntul\/sintagma, lansat\/\u0103 de Mircea Neagu \u0219i preluat\u0103, testamentar, de profesorul Radu Costin (ulterior, victim\u0103 a unui accident cerebral, pentru ca, \u00een final, s\u0103 devin\u0103 <strong>CADAVRU-SADEA<\/strong>, prin&#8230;\u201d<strong><em>voin\u021b\u0103\/decizie uman\u0103<\/em><\/strong>\u201d, la \u0219antierul arheologic, din Valea Rea : \u201d<strong><em>VIA\u021aA-CA-MISIUNE<\/em><\/strong>\u201d. \u201d<strong><em>MISIUNE<\/em><\/strong>\u201d&#8230;auzi vorb\u0103 ! Hm&#8230;fa\u021b\u0103 de cine \u0219i&#8230;de ce ?<\/p>\n<p style=\"text-align: justify;\">Radu Costin-<strong>Prezentul<\/strong>, geam\u0103n semantic (&#8230;suplinitor \u0219i complinitor\/complementar, din punct de vedere spiritual !) cu Mircea Neagu-<strong>Absentul<\/strong>, <strong>TOCMAI <\/strong>pentru c\u0103 \u0219tie semnifica\u021biile ad\u00e2nc-spirituale ale <strong>VIE\u021aII<\/strong> (deci, \u0219i-a cunoscut, timp de o via\u021b\u0103 de om, <strong>MISIUNEA<\/strong>!) \u2013 \u201d<strong><em>era \u00eemp\u0103cat cu sine, cu lumea, cu Dumnezeu<\/em><\/strong>\u201d \u2013 iar moartea \u0219i-o prevede, cu o senin\u0103tate de-a dreptul mioritic\u0103&#8230;\u00eencerc\u00e2nd s-o ini\u021bieze \u0219i pe Ana Nor, \u00een <strong>MAREA TAIN\u0102 COSMIC\u0102<\/strong>, prin cei <strong>TREI COSONI DE AUR. AUR SPIRITUAL<\/strong>!<\/p>\n<p style=\"text-align: justify;\">Dar de unde \u00een\u021belegere superioar\u0103, la o femeie despre care \u00eensu\u0219i iubitul ei, Toma Bucur, \u00a0sesizeaz\u0103\u00a0 c\u0103 poart\u0103 un blestem onomastic. Toma Bucur \u00ee\u0219i zice,\u00a0 \u201d<strong><em>privind, prin hubloul avionului, norii: Ana NOR! CE NUME, PESTE EUROPA !<\/em><\/strong>\u201d\u00a0 (p. 44). Adic\u0103, al naibii ce bine seam\u0103n\u0103 amanta lui, prin nume\/onomastic\u0103 (\u0219i fire!), cu&#8230;\u201d<strong><em>ce\u021burile Uniunii Europene<\/em><\/strong>\u201d&#8230;!!!<\/p>\n<p style=\"text-align: justify;\">Toma Bucur&#8230;un scriitora\u0219 de m\u00e2na a 14-a, un prostituat al scrisului, un m\u00e2zg\u00e2lici con\u0219tiincios, avid dup\u0103 c\u00e2\u0219tiguri extrem de facile \u0219i toxice (\u201d<strong><em>Pove\u0219tile sale prindeau, aventurile aveau un scop precis, un public gr\u0103bit \u0219i curios : b\u0103t\u0103lii, misterele Egiptului, aventuri \u00een jungl\u0103, aventuri \u00een marile ora\u0219e, printre autovehicule \u0219i gangsteri, femei frumoase evadate de la Hollywood, para\u0219uti\u0219ti, submarine [&#8230;]<\/em><\/strong>\u201d \u2013 p. 42) \u2013 Toma Bucur, care \u0219tie, cu luciditate, ce <strong>ZERO ENORM<\/strong> este via\u021ba lui&#8230;\u0219i c\u0103 \u201d<strong><em>norocul<\/em><\/strong>\u201d \u00a0lui const\u0103, de fapt, \u00een imbecilitatea analfabet\u0103 \u0219i lipsit\u0103 de gustul Frumosului, <strong>a \u00eentregii Gloate Terestre<\/strong> ! &#8211; &#8230;\u00een primul r\u00e2nd <strong>Gloata Local\u0103<\/strong>, maimu\u021b\u0103rind <strong>Gloata\/Plebea Anglo-Saxon\u0103<\/strong> (\u201d<strong><em>Am avut noroc, acum apar \u0219i \u00een format electronic. Editura s-a ocupat de toate, LIMBA ENGLEZ\u0102 E DE CIRCULA\u021aIE<\/em><\/strong>&#8230;\u201d) \u2013 are, totu\u0219i, <strong>INSTINCTUL STABILIT\u0102\u021aII<\/strong>. Lui este greu s\u0103 credem c\u0103-i vor ap\u0103rea, \u00een vis, <strong>t\u0103bli\u021bele indicatoare ale \u021b\u0103rilor perindate, inutil \u0219i steril, cum apar ele \u00een visul \u201d<em>de \u00eenec<\/em>\u201d, al amantei sale, Ana Nor<\/strong>, c\u00e2nd aceasta vede, pe fundul apei \u00een care e gata s\u0103 se \u00eenece (&#8230;\u00een vis, fire\u0219te&#8230;!), \u201d<strong><em>t\u0103bli\u021be ro\u0219ii, pe care scria, cu litere albe, tot felul de nume<\/em><\/strong>\u201d [&#8230;]: \u201d<strong><em>France, Germany, Osterreich, Hungary, Ro&#8230;<\/em><\/strong>\u201d (p. 98) &#8211; \u0219i tot nulitatea de Toma Bucur \u00eei repro\u0219eaz\u0103, cu suficient bun-sim\u021b, amantei sale, c\u0103, dup\u0103 ce a migrat \u00een Anglia, apoi s-a \u00eentors \u00een Rom\u00e2nia, acum, din nou, migreaz\u0103, pentru fundul unor babe, \u00een Germania&#8230; : \u201d<strong><em>Iar pleci, migrezi spre z\u0103ri mai bune ? A\u0219a, f\u0103r\u0103 bagaje ? MIGREZI F\u0102R\u0102 BAGAJE ?<\/em><\/strong>\u201d \u2013 pentru c\u0103, \u00een definitiv, <strong>BAGAJELE<\/strong> rezum\u0103 \u0219i substituie simbolic, \u00eentr-un fel, <strong>CASA <\/strong>pe care ai p\u0103r\u0103sit-o\/o p\u0103r\u0103se\u0219ti, \u0219i, \u00eentr-o oarecare m\u0103sur\u0103, <strong>BAGAJELE <\/strong>fac un angajament mut (\u0219i, deseori, probabil-posibil&#8230;\u00a0 &#8211; &#8230;\u0219i, uneori, <strong>REAL<\/strong>&#8230;!) : <strong>ANGAJAMENTUL RE\u00ceNTOARCERII LA ORIGINE<\/strong>&#8230;la <strong>C\u0102MINUL\/CASA\/SPA\u021aIUL ORIGINAR<\/strong>. Or, g\u00e2ndul \u201d<strong><em>\u00eentoarcerii la VATR\u0102<\/em><\/strong>\u201d, pe care, uneori, \u0219i-l repet\u0103 Ana Nor \u2013 este doar o <strong>PRETEN\u021aIE-CONVEN\u021aIE<\/strong>, f\u0103r\u0103 nicio acoperire, nicic\u00e2nd ! <strong>EA<\/strong>, Ana Nor, este destructurat\u0103 interior chiar de la fire&#8230;chiar de la onomastic\u0103 ! <strong>EI<\/strong>, Anei Nor, \u00eei va fi pururi str\u0103in\u0103 <strong>MAREA TAIN\u0102 A MISIUNII<\/strong>&#8230;!!!<\/p>\n<p style=\"text-align: justify;\">&#8230;Dac\u0103 n-a \u00een\u021beles <strong>TAINA<\/strong> nici m\u0103car&#8230;celebrul mason Eugen Caravani (p. 162)&#8230; : \u201d<strong><em>un autor interesant, Dosarul vitraliilor a ap\u0103rut, simultan, \u00een mai multe \u021b\u0103ri, totul gestionat de edituri mastodont, a ap\u0103rut \u00een 38 de \u021b\u0103ri simultan, a rupt GURA T\u00c2RGULUI<\/em><\/strong>\u201d&#8230;adic\u0103, mason-mason, dar tot pentru \u201d<strong><em>T\u00c2RG\/T\u00c2RGUIAL\u0102\/BANI<\/em><\/strong>\u201d lucra \u0219i-\u0219i pr\u0103p\u0103dea via\u021ba&#8230;tot <strong>PLEBEI SPURCATE\/\u201d<em>\u00ceNVENINATE<\/em>\u201d<\/strong> \u00ee\u0219i d\u0103ruia, steril \u0219i inutil, energiile&#8230;!!!<\/p>\n<p style=\"text-align: justify;\">&#8230;\u201d<strong><em>ARS<\/em><\/strong>\u201d ar trebui s\u0103 \u00eensemne \u201d<strong><em>INI\u021aIAT\/TRECUT PRIN PROBA SUPREM\u0102 A FOCULUI<\/em><\/strong>\u201d. Din p\u0103cate, din punct de vedere simbolistic, <strong>Vadul ARS<\/strong> \u00ee\u0219i preia semnifica\u021bia ontologic\u0103 de la\u00a0 localitatea geam\u0103n\u0103 : <strong>VALEA REA<\/strong>&#8230;!<\/p>\n<p style=\"text-align: justify;\">Romanul lui <strong>CONSTANTIN STANCU<\/strong> ar trebui pus sub motto-ul \u00een\u021belepciunii platoniciene : \u201d<strong><em>\u00ceN VREMURI DE DEZBINARE\/VRAJB\u0102\/CERTURI, UN OM CREDINCIOS VALOREAZ\u0102 C\u00c2T GREUTATEA LUI \u00ceN AUR\u201d<\/em><\/strong> (p. 102). Fire\u0219te, \u0219i <strong>aurul platonician<\/strong> ascunde, \u00een semantica sa, tot <strong>Duhul Divin<\/strong>. Iar nu <strong>PUTEREA OARB\u0102 A C\u0102RNII-HOIT<\/strong>&#8230; &#8211; &#8230;\u201d<strong><em>hoit<\/em><\/strong>\u201d f\u0103r\u0103&#8230;preaviz !!!&#8230;\u201d<strong><em>hoit<\/em><\/strong>\u201d <strong>care nici nu \u0219tie c\u0103-i hoit, \u0219i, \u00een virtutea iner\u021biei, se mi\u0219c\u0103&#8230; : MIGREAZ\u0102 !!!<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00cen afar\u0103 de Radu Costin\/Mircea Neagu, \u00een Rom\u00e2nia \u201d<strong><em>sf\u00e2\u0219iat\u0103 de capitalism<\/em><\/strong>\u201d (\u201d<strong><em>Nu mai exista amabilitate \u00eentre cei din Vadu Ars, capitalismul \u00eei provoca pe to\u021bi, SF\u00c2\u0218IA RELA\u021aIILE DINTRE OAMENI<\/em><\/strong>\u201d \u2013 p. 156 \u2013 &#8230;<strong>adic\u0103, IISUS HRISTOS este r\u0103stignit f\u0103r\u0103 niciun r\u0103gaz<\/strong>&#8230;) &#8211; to\u021bi \u00ee\u0219i \u00een\u021beleg rostul doar prin latura, sinuciga\u0219-funebr\u0103, a <strong>BANULUI\/AFACERE<\/strong> : \u201d<strong><em>Cele mai sigure afaceri sunt FALIMENTELE, DE\u0218EURILE, \u00ceNMORM\u00c2NT\u0102RILE, S\u0102N\u0102TATEA, GUNOIUL, C\u0102 NE SUFOC\u0102M<\/em><\/strong>\u201d (s.n.) \u2013 define\u0219te, instinctiv, capitalismul, (&#8230;tocmai el, un promotor, vremelnic&#8230;, al <strong>capitalismului funest !)<\/strong>, Ioan Jude (p. 46) \u2013 afar\u0103 de <strong>IOAN HORA<\/strong>, \u201d<strong><em>omul de la centrul cre\u0219tin<\/em><\/strong>\u201d (p. 80). Este singurul care nu doar c\u0103 judec\u0103 extrem de lucid, at\u00e2t <strong>CRIMA<\/strong> capitalismului, c\u00e2t \u0219i <strong>CATASTROFA SPIRITUAL\u0102<\/strong>, care \u00eenso\u021be\u0219te goana oarb\u0103, infernal\u0103, a l\u0103comiei, egoismului, a iresponsabilit\u0103\u021bii <strong>CAPITALISMULUI<\/strong> : <strong>ELECTRONICA<\/strong> ! &#8211; ci vede \u0219i crede <strong>\u00ceN LUMEA DE DINCOLO DE CATASTROF\u0102<\/strong> !<\/p>\n<p style=\"text-align: justify;\">\u00cen primul r\u00e2nd, Ioan Hora \u0219tie ce rol\/rost imens, vital, are, pentru orice comunitate uman\u0103, educa\u021bia (&#8230;la Capetown, pe frontispiciul Universit\u0103\u021bii : \u201d<strong><em>Dac\u0103 vrei s\u0103 distrugi o na\u021biune, distruge-i, \u00een primul r\u00e2nd, sistemul de educa\u021bie<\/em><\/strong>&#8230;\u201d) : \u201d<strong><em>\u0218tii<\/em><\/strong> (\u00eei zice Hora lui Jude), <strong><em>am urm\u0103rit c\u00e2te ceva pe Internet, am v\u0103zut o prelegere a unui profesor universitar, care explica de ce oamenii gre\u0219esc c\u00e2nd le dau copiilor liber la calculatoare, la tablete, la celulare : li se toce\u0219te creierul, nu se mai dezvolt\u0103 o parte din creier \u0219i au probleme [&#8230;] . \u00cen\u021belegi de ce se \u00eenmul\u021be\u0219te violen\u021ba, de ce apar violurile, de ce divor\u021buri mai multe? De ce oamenii nu mai pot comunica direct, nu se mai pot ierta. Au devenit reci, nu mai pot lega rela\u021bii \u00eentre ei, violen\u021ba e limbajul vremurilor&#8230;Apoi, unii pleac\u0103 \u00een str\u0103in\u0103tate, la munc\u0103. Copiii r\u0103m\u00e2n acas\u0103, plonjeaz\u0103 \u00een lumea virtual\u0103, cu capcanele ei, creierul lor o ia razna. [&#8230;] Lumi \u00een schimbare, rupturi \u00eentre genera\u021bii, fiin\u021ba uman\u0103 este afectat\u0103. [&#8230;] PENTRU MINTEA OAMENILOR S-AU DAT B\u0102T\u0102LII MARI, ACESTA A FOST R\u0102ZBOIUL R\u0102ZBOAIELOR&#8230;[&#8230;]<\/em><\/strong> <strong><em>Acolo unde apare averea,\u00a0 apar \u0219i cei care o toac\u0103, e idolatrie. Oamenii se pierd \u00een fa\u021ba idolilor, ca \u00een fa\u021ba unei femei frumoase, sunt atra\u0219i, apoi ea, femeia, nu ofer\u0103 nimic. E goal\u0103 pe din\u0103untru. Nu e pus nimic \u00een suflet, natura a dat, omul a luat de-a gata, nu-i pas\u0103. Idolii sunt mul\u021bi, \u00een vremurile astea<\/em><\/strong>&#8230;\u201d.<\/p>\n<p style=\"text-align: justify;\">Ioan Hora este vizionar, crede, cu o <strong>CONVINGERE SACRAL\u0102\/SACRALIZANT\u0102<\/strong>, \u00een <strong>SCHIMBAREA LUMII<\/strong> :<\/p>\n<p style=\"text-align: justify;\">\u201d (&#8230;) <strong><em>Epoca se schimb\u0103, planeta spiritual\u0103 se schimb\u0103. E o schimbare de lume. Starea noastr\u0103 spiritual\u0103 modific\u0103 echilibrul \u00een univers. [&#8230;] Nu suntem rup\u021bi de \u00eentreg, ne rostogolim spre finalul unei perioade. [&#8230;] Va veni vremea \u00een care miezul P\u0103m\u00e2ntului, adic\u0103 miezul interior \u0219i cel exterior, se vor roti \u00een sens invers. Se reia un alt ciclu, \u00een\u021belegi ? Polii planetari se vor inversa, Polul Nord va deveni Polul Sud, schimb\u0103ri mari, ciclu. [&#8230;] P\u0103m\u00e2ntul va avea o alt\u0103 rezonan\u021b\u0103 \u0219i asta schimb\u0103 totul ! Structura lumii va fi alta. Vibra\u021bia P\u0103m\u00e2ntului va fi alta. A\u0219a se schimb\u0103 vremurile, pe nesim\u021bite, \u00een frac\u021biuni de secund\u0103, nici nu vom \u0219ti ce se petrece&#8230;A\u0219a trebuie s\u0103 ne schimb\u0103m \u0219i noi. Schimbarea face parte din marile cicluri. Tot ce a poluat P\u0103m\u00e2ntul, pesticide, alte toxine, materiale create artificial, chiar nucleare, se vor rupe, vibra\u021bia P\u0103m\u00e2ntului va modifica mediul \u00een care tr\u0103im acum, noi vom fi al\u021bii. [&#8230;] Elibereaz\u0103-te de limitele actuale. Iart\u0103-te pe tine, \u00een\u021belegi ? IERTAREA&#8230;[&#8230;] Va ap\u0103rea o nou\u0103 stare a con\u0219tiin\u021bei, dar, p\u00e2n\u0103 atunci, iart\u0103-te, iart\u0103 pe al\u021bii, rupe limitele&#8230;\u201d <\/em><\/strong>Jude spune :<strong><em> \u201dPoate am s\u0103 m\u0103 rog mai mult&#8230;\u201d \u00a0\u00a0<\/em><\/strong>La care orbec\u0103ial\u0103 \u0219i neputin\u021b\u0103 spiritual-intelectual\u0103, Ioan Hora r\u0103spunde:<strong><em> \u201dAR TREBUI S\u0102 \u00ceNLOCUIE\u0218TI R\u0102UL CARE TE MACIN\u0102, CU BINELE \u2013 C\u0102 AI POSIBILITATEA S\u0102-L FACI. Tu ai un rol important, \u00een mediul acesta, po\u021bi face bine [&#8230;]. Dumnezeu nu r\u0103m\u00e2ne dator niciodat\u0103, el pl\u0103te\u0219te cel mai corect. Nu realiz\u0103m modalit\u0103\u021bile prin care se achit\u0103, dar o face, dublu fa\u021b\u0103 de oameni&#8230;<\/em><\/strong>\u201d &#8211; p. 87.<\/p>\n<p style=\"text-align: justify;\">Ioan Jude \u00eentrevede, totu\u0219i, c\u00e2te ceva, <strong>DIN LUMEA SPIRITUAL\u0102<\/strong>,\u00a0 acum, dup\u0103 \u00eent\u00e2lnirea (&#8230;prev\u0103zut\u0103 doar ca discret\u0103 <strong>spovedanie\/confesiune<\/strong>&#8230;),\u00a0 cu Ioan Hora, \u201d<strong><em>omul de la centrul cre\u0219tin<\/em><\/strong>\u201d \u00a0: \u201d&lt;&lt;<strong><em>Suntem \u00een trecere, a\u0219adar<\/em><\/strong>&gt;&gt;\u00a0 &#8211; <strong><em>\u00ee\u0219i zicea Jude, \u00eentors acas\u0103. [&#8230;]. Unele nop\u021bi, la Vadul Ars, erau altfel. Se sim\u021bea o dorin\u021b\u0103 de schimbare. Oamenii \u00eencep s\u0103 priveasc\u0103 \u00een interiorul lor, pentru a declan\u0219a energii noi, de vindecare, de relaxare, de a cunoa\u0219te mai mult. Ioan Jude era \u0219i el\u00a0 prins \u00een valurile acestea, c\u00e2nd pe creste, c\u00e2nd pe v\u0103i&#8230;\u00a0\u00a0\u00a0 LUMINA POATE STR\u0102LUCI \u00ceN UMBRA C\u0102RNII<\/em><\/strong> \u201d.<\/p>\n<p style=\"text-align: justify;\">Exist\u0103, \u00een aceste g\u00e2nduri, ale unui Jude (confesat \u0219i re-ini\u021biat, <strong>\u00eentru cre\u0219tinismul profund<\/strong>&#8230;<strong>abisal \u0219i lumin\u0103tor<\/strong> !), din nefericire, doar <strong>EXPRESIA N\u0102D\u0102JDUIRII<\/strong> (pentru con-cet\u0103\u021benii lui&#8230;) \u2013 nu \u0219i a unei&#8230;\u201d<strong><em>realit\u0103\u021bi-REALE<\/em><\/strong>\u201d&#8230;\u201d<strong><em>de pe teren<\/em><\/strong>\u201d&#8230;!<\/p>\n<p style=\"text-align: justify;\">&#8230;Din p\u0103cate, doar Ioan Jude, prin Ioan Hora, se schimb\u0103, par\u021bial, la nivel spiritual (a se vedea <strong>aten\u021bia AUTENTIC\u0102<\/strong>, a lui Jude, la discu\u021biile de la simpozionul despre \u201d<strong><em>istoria local\u0103<\/em><\/strong>\u201d, despre \u201d<strong><em>istoria scrisului<\/em><\/strong>\u201d. <strong>Ceilal\u021bi participan\u021bi, \u00een frunte cu primarii (fo\u0219ti \u0219i prezen\u021bi!) SE P\u0102RUIESC DE MAMA FOCULUI, \u00eenafara s\u0103lii de \u0219edin\u021be, pe care au p\u0103r\u0103sit-o, \u201d<em>repede \u0219i degrab\u0103<\/em>\u201d, din&#8230;r\u0103s-plictiseal\u0103 !!!<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\">&#8230;Dar trebuie s\u0103 fii cu adev\u0103rat credincios, \u00eentr-o <strong>ENTITATE DIVIN\u0102<\/strong>, pentru a sesiza \u0219i a contribui la <strong>SCHIMBAREA LUMII<\/strong>! Nu ajunge s\u0103 crezi, <strong>DOAR<\/strong> <strong>teoretic<\/strong>&#8230;ci trebuie <strong>S\u0102 TE \u0218I ANGAJEZI, ACTIV \u0218I F\u0102R\u0102 DE R\u0102GAZ, \u00ceNTRU CREDIN\u021a\u0102<\/strong> \u2013 \u00een mod practic \u0219i <strong>TOTAL<\/strong> responsabil (precum <strong>Nick Turcu<\/strong>, de la Londra, sau <strong>Ioan Hora<\/strong>, din Rom\u00e2nia&#8230;), <strong>\u00ceNTRU CONSTAN\u021aA B\u0102T\u0102LIEI SPIRITUALE<\/strong> !!!<\/p>\n<p style=\"text-align: justify;\">\u201d<strong><em>Ana se rug\u0103 \u00een lini\u0219te, privi prin camer\u0103, apoi se ridic\u0103 HOT\u0102R\u00c2T\u0102<\/em><\/strong> (s.n.)<strong><em>, de pe scaunul de la birou.<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>Dumnezeu r\u0103spundea dorin\u021belor ei cu minuni<\/em><\/strong> \u201d.<\/p>\n<p style=\"text-align: justify;\">&#8230;Hot\u0103r\u00e2t\u0103 s\u0103&#8230;<strong>CE<\/strong> ???!!!<\/p>\n<p style=\"text-align: justify;\">Tocmai ea, care este impotent\u0103 spiritual, la nivelul <strong>CREDIN\u021aEI-CA-AX\u0102-DE- STABILITATE<\/strong>&#8211;<strong>SPIRITUAL\u0102<\/strong>, \u00een jurul c\u0103reia se \u021bes lumile, \u00ee\u0219i \u00eenchipuie c\u0103 e demn\u0103 de&#8230;\u201d<strong><em>minuni<\/em><\/strong>\u201d.<\/p>\n<p style=\"text-align: justify;\">Nu. \u201d<strong><em>Migratorii f\u0103r\u0103 bagaje<\/em><\/strong>\u201d sunt \u201d<strong><em>\u00een\u021b\u0103rca\u021bi<\/em><\/strong>\u201d (sau : \u201d<strong><em>AUTO-\u00een\u021b\u0103rca\u021bi<\/em>\u201d<\/strong> !), din start, de la orice <strong>MINUNI<\/strong> (<strong>divine<\/strong>, adic\u0103, <strong>REALE<\/strong>!). Evident, nu \u0219i de la <strong>ILUZII<\/strong>&#8230;<\/p>\n<p style=\"text-align: justify;\">Ana este <strong>NOR<\/strong>. Este blestemat\u0103, dimpreun\u0103 cu noi, to\u021bi, ceilal\u021bi \u201d<strong><em>NORI<\/em><\/strong>\u201d, la <strong>iluzionare satanic\u0103<\/strong>, la <strong>sterilitate etern\u0103<\/strong> !!!<\/p>\n<p style=\"text-align: justify;\"><strong>ACESTA<\/strong> este, probabil, principalul mesaj al <strong>c\u0103r\u021bii de excep\u021bie <\/strong>(&#8230;carte care fojg\u0103ie, de altfel, la toate palierele ei semantice, de tot felul de <strong>MESAJE INTUITE\/INTUIBILE, SUBLIMINALE, [CVASI-]APOCALIPTICE<\/strong> !!!), \u201d<strong><em>MIGRAN\u021aI F\u0102R\u0102 BAGAJE<\/em><\/strong>\u201d \u2013 carte scris\u0103 de un <strong>scriitor de excep\u021bie<\/strong>, prin stabilitatea, demn\u0103 de toat\u0103 admira\u021bia noastr\u0103, a <strong>PRINCIPIILOR SALE MORAL-SPIRITUALE&#8230;<\/strong><\/p>\n<p style=\"text-align: justify;\">&#8230;\u0218i <strong>ESTETICE<\/strong>&#8230;!!!<\/p>\n<p style=\"text-align: justify;\">&#8230;Exist\u0103, oare, vreo <strong>speran\u021b\u0103-de-continuitate \u00ceNTRU RE-LUAREA ATITUDINII SPIRITUALE, de c\u0103tre o OMENIRE (&#8230;invadat\u0103, cumplit, ca de un POJAR\/INCENDIU sau de UN NOU CATACLISM DILUVIAL !) de c\u0103tre IDOLII BANULUI \u0218I\/SAU DE TO\u021aI IDOLII CEILAL\u021aI, OBEDIEN\u021aI LUI<\/strong>, sau : exist\u0103 <strong>O SPERAN\u021a\u0102 de<\/strong> <strong>METANOIA PAULINIC\u0102<\/strong>, \u00een toat\u0103 aceast\u0103 <strong>MOCIRL\u0102 INFERNAL-APOCALIPTIC\u0102, COMPLET IDOLATR\u0102, \u00eentru josnicia MATERIEI UCIGA\u0218-SINUCIGA\u0218E, prin BANI\/AFACERI ! \u2013 &#8230;\u00eentre IDOLII PLUTONICI, MAXIM ACTIVA\u021aI, \u00ceNTRU VIOLEN\u021aA (AUTO-)DISTRUGERII, DE C\u0102TRE IMPOTEN\u021aA\/STERILITATEA NOASTR\u0102 SPIRITUAL\u0102&#8230; &#8211; &#8230;MOCIRL\u0102 \u00een care se blocheaz\u0103\/\u00eeneac\u0103 (precum Ana Nor-Crina) orice \u00eencercare\/pl\u0103nuire, orice auto-iluzionare, de METANOIA PAULINIC\u0102<\/strong> ?!<\/p>\n<p style=\"text-align: justify;\">&#8230;\u00centreba\u021bi-l, s\u0103 v\u0103 dezlege <strong>TORTURANTELE ENIGME<\/strong>, doar pe <strong>Cre\u0219tinul Ocult<\/strong> &#8211; <strong>IOAN HORA<\/strong> !<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 prof. dr. <strong>Adrian Botez<\/strong><\/p>\n<hr align=\"left\" size=\"1\" width=\"33%\" \/>\n<div>\n<p style=\"text-align: justify;\"><a title=\"\" href=\"#_ftnref1\">[1]<\/a> &#8211; \u201d<em>Tragicul <strong>Ilie Talan<\/strong>, iubitorul de dreptate \u015fi de ra\u0163ionalitate cosmic\u0103, sf\u00e2r\u015find zdrobit de <strong>p\u0103m\u00e2ntul-Mam\u0103 Geea<\/strong>, \u00een p\u00e2ntecul c\u0103reia a intrat toat\u0103 <strong>UZINA-MAMEL\u0102 VITAL\u0102 A LUMII<\/strong>, de unde se \u201e<strong>al\u0103pteaz\u0103<\/strong>\u201d \u015fi \u201e<strong>drep\u0163ii<\/strong>\u201d-antecesorii \u201e<strong>revolu\u0163ionari<\/strong>\u201d, care vor\/voiau s\u0103 p\u0103streze un echilibru cosmic, fie \u015fi relativ, prin retehnologizarea\/reorientarea existen\u0163ial\u0103 a <strong>uzinei-lume<\/strong>&#8230; \u2013 dar \u015fi \u201e<strong>ne-drep\u0163ii<\/strong>\u201d, adic\u0103 aceia care fur\u0103 tot fierul uzinei, pentru a-l preface \u00een bani rapid c\u00e2\u015ftiga\u0163i&#8230;ucig\u00e2nd <strong>SURSA VIE\u0162II-UZINA<\/strong>! &#8211; &#8230;ne\u0163in\u00e2nd cont, fire\u015fte, c\u0103, de fapt, prin \u201e<strong>fierul vechi<\/strong>\u201d (\u00een care au l\u0103sat s\u0103 se pr\u0103bu\u015feasc\u0103 <strong>mama-uzin\u0103<\/strong>), adic\u0103 prin <strong>fierul corupt de exerci\u0163iul infernal milenar<\/strong>, se integreaz\u0103, perfect, \u00een \u201e<strong>derdelu\u015ful<\/strong>\u201d fatal al lui <strong>Kali Yuga, V\u00e2rsta Neagr\u0103<\/strong>&#8230;ultima etap\u0103 involutiv-uman\u0103, extrem de scurt\u0103, care duce la dispari\u0163ie lumea&#8230;\u201d<strong>noua lume<\/strong>\u201d, transformat\u0103 \u00eentr-o \u201e<strong>pas\u0103re-personaj Dodo<\/strong>\u201d!<\/em>\u201d. Constan\u021ba spiritual\u0103 a lui <strong>ILIE TALAN (cel asasinat tainic, precum jertfa mioriticului AL TREILEA CIOBAN\u00a0 \u2013 CIOBANUL ETERNIT\u0102\u021aILOR DIVINE! &#8211; <\/strong>era exact opusul in-constan\u021bei funciare, a iubitei sale himerice, Ana <strong>NOR<\/strong> \u00a0&#8211; \u0219i \u00eei d\u0103 dreptul s\u0103 devin\u0103&#8230;<strong>PECETEA COBOLZILOR, PENTRU \u0218TIIN\u021aA LUMII AD\u00c2NCI <\/strong>\u00a0: \u201e<strong><em>Trupul lui a mai stat pe p\u0103m\u00e2nt, inert, f\u0103r\u0103 via\u0163\u0103, mai multe ore \u2013 l-a \u00eenc\u0103lzit soarele, p\u0103s\u0103rile au zburat peste el, MINERALELE DIN P\u0102M\u00c2NT I-AU PRIMIT SUFLETUL&#8230;La Vadul Ars era un singur anotimp&#8230;\u201d<\/em><\/strong> (cf. p. 158).<\/p>\n<p style=\"text-align: justify;\">\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen 2016, scriitorul ha\u021began CONSTANTIN STANCU scotea, la lumina editorial\u0103, pentru cei care, \u00eenc\u0103, sunt binecuv\u00e2nta\u021bi cu patimile cititului \u0219i [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-46248","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/46248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=46248"}],"version-history":[{"count":3,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/46248\/revisions"}],"predecessor-version":[{"id":46254,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/46248\/revisions\/46254"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=46248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=46248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=46248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}