{"id":5528,"date":"2012-05-07T08:21:24","date_gmt":"2012-05-07T08:21:24","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=5528"},"modified":"2012-05-07T08:28:03","modified_gmt":"2012-05-07T08:28:03","slug":"podul-soarelui","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/05\/07\/podul-soarelui\/","title":{"rendered":"Podul Soarelui – Veronica Balaj"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PODUL VERII <\/strong><\/div>\n

\n<\/strong><\/div>\n
Podul verii<\/div>\n
peste-un galben spumos,<\/div>\n
fierbinte, c\u0103tre departe<\/div>\n
se v\u00e2nd aici<\/div>\n
c\u00e2nt\u0103ri \u015fi zile cu r\u0103suflarea t\u0103iat\u0103<\/div>\n
\u00eentreb\u0103ri sibilinice,<\/div>\n
c\u0103ni cu ap\u0103 ne\u00eenceput\u0103\u2026<\/div>\n
negustorii<\/div>\n
me\u015fteri \u00een vorbe st\u0103ruitoare<\/div>\n
scot la vedere ferestre<\/div>\n
prin care se ivesc ploile<\/div>\n
fertile, relative<\/div>\n
copacii, pe maluri,<\/div>\n
umbresc o singur\u0103tate verde,<\/div>\n
cosmic\u0103,<\/div>\n
o punte aburoas\u0103<\/div>\n
transcede lunatec\u0103 peste noi<\/div>\n
inima \u00eens\u0103\u015fi,<\/div>\n
\u00een echilibristic\u0103<\/div>\n
de-a lungul, de-a \u00eenaltul<\/div>\n
\u015ftie<\/div>\n
pre\u0163ul celor v\u00e2ndute<\/div>\n
la Podul Verii<\/div>\n
p\u00e2n\u0103 c\u00e2nd cade<\/div>\n
lama \u00eenghe\u0163ului.<\/div>\n
26 Octombrie, 2011<\/div>\n
\"\"<\/a><\/div>\n
VERONICA BALAJ<\/strong><\/em><\/div>\n
Debut publicistic:<\/strong><\/div>\n
Reportaje literare, \u00een revista \u201eOrizont\u201d, numere s\u0103pt\u0103m\u00e2nale, februarie-noiembrie, 1983;<\/div>\n
\u00a0Debut literar:<\/strong><\/div>\n
\u00a0A\u015fteptare \u00een amurg,<\/em> (proz\u0103 scurt\u0103), revista \u201eOrizont\u201d, nr. 10 (1046), anul xxxv (III) 6 marite,1987, p. 14;<\/div>\n
Debut editorial: <\/strong><\/div>\n
Editura Facla, Timi\u015foara, volum colectiv de proza scurt\u0103 \u00cen c\u0103utarea timpului perzent<\/em>, 1989.<\/div>\n
Membr\u0103 a Societ\u0103\u0163ilor Literare:<\/strong><\/div>\n
Membr\u0103 a Uniunii Scriitorilor din Rom\u00e2nia filiala Timi\u015foara (din 1992); Membr\u0103 a Societ\u0103\u0163ii culturale \u201eRadix\u201d, Namur, Belgia,1992; Membr\u0103 a Asocia\u0163iei Scriitorilor de limba rom\u00e2n\u0103 din Quebec, Montreal, ASLRQ, 2007; Membr\u0103 a Asocia\u0163iei Culturale Austria-Rom\u00e2nia, Graz, 2006; Vicepre\u015fedinta Asocia\u0163iei Culturale Interna\u0163ionale \u201eAthanor\u201d, Roma, 2009; Membr\u0103 a Societ\u0103\u0163ii Sud-Est Europene de Studii Canadienistice, 2008.<\/div>\n
Premii literare:<\/strong><\/div>\n
Premiul de Excelen\u0163\u0103, al UNSR, Filiala Timi\u015foara, 2000; \u201eDiploma di merito\u201d, Acccademia \u201eCitta di Roma\u201d, 2004; Premiul Asocia\u0163iei Culturale, \u201eAustria pentru Rom\u00e2nia\u201d, Graz, Austria, 2005; Premiul \u201eLenau\u201d pentru poezie, Viena, 2005; Premiul Concursului interna\u0163ional de poezie, \u201eDon Luigi di Liegro\u201d, Roma, 2009; Premio \u201eItinerari di Solidarieta e Cultura\u201d, edizione, 2008\/2009; Diploma di merito \u201eComune di Ocre\u201d, Italia; Diploma de merit Asocia\u0163ia Cultural\u0103 Interna\u0163ional\u0103 \u201eAthanor\u201d, Roma, 2010; Diploma de onoare, \u201eOrizonturi Universitare\u201d, Timi\u015foara, 2010.<\/div>\n
Volume\u00a0 publicate, (p\u00e2n\u0103 \u00een 2010):<\/strong><\/div>\n
\u00a0<\/strong>\u00cen c\u0103utarea timpului prezent<\/em>, Timi\u015foara, Editura Facla, 1989 (volum colectiv de debut, proz\u0103 scurt\u0103); Poeme ornitologice<\/em> (poeme), traducere din limba francez\u0103, dup\u0103 Gilbert Stenfordt, Timi\u015foara, Editura Paradox, 1990; Jurnal de Timi\u015foara<\/em> (proz\u0103 scurt\u0103), Timi\u015foara, Editura Hercules, 1991; Ne tirez plus<\/em> (proz\u0103 scurt\u0103), edi\u0163ie \u00een limba francez\u0103, traducere de Rodica Draghincescu, Namur, Belgia, Editura \u201eRadix\u201d, 1991; Parisul f\u0103r\u0103 mine <\/em>(proz\u0103 scurt\u0103), Timi\u015foara, Editura Popa\u2019s Art, 1992, edi\u0163ia \u00een limba francez\u0103; Paris sans moi<\/em>, traducere Rodica Opreanu, Angouleme, Fran\u0163a, Editura L\u2019Oest, 1992; S\u0103rb\u0103tori am\u00e2nate<\/em> (roman), Timi\u015foara, Editura Helicon Banat, 1993; Ploua la Troia<\/em> (proz\u0103 scurta), Timi\u015foara, Editura Helicon Banat, 1994; Andrada \u015fi prin\u0163ul Vis<\/em>, Timi\u015foara, Editura Eubeea, 1995 (proz\u0103 pentru copii); Vara himerelor<\/em> (roman), Timi\u015foara, Editura Perenia, 1996; Cu \u00eengerul la arat\/ Ploughing with the Angel <\/em>(poeme), edi\u0163ie bilingv\u0103 rom\u00e2n\u0103-englez\u0103, traducere Antuza Genescu, Timi\u015foara, Editura Mirton, 1997; Ritualuri de scrib\/ The Rituals of the Scribe <\/em>(poeme), edi\u0163ie bilingv\u0103, rom\u00e2n\u0103-englez\u0103, traducere Antuza Genescu, Timi\u015foara, Editura Excelsior, 1998; Cafeneaua anticarului\/ Le cafe du bouquiniste <\/em>(poeme), edi\u0163ie rom\u00e2n\u0103-francez\u0103, traducere Claudiu Soare, Bucure\u015fti, Editura Vinea, 1999; Istoria clipei la microfon<\/em>, (jurnalism radio) Timi\u015foara, Editura Augusta, 2000; \u00centre alb \u015fi noapte\/ Between hiteand Night<\/em>, (poeme), edi\u0163ie bilingva, rom\u00e2n\u0103-englez\u0103, traducere Antuza Genescu, Timi\u015foara, Editura Augusta, 2000; Zile de sticl\u0103<\/em> (proz\u0103 scurt\u0103), Timi\u015foara, Editura Augusta, 2001; Baltazara <\/em>(roman), Timi\u015foara, Editura Mirton, 2001, edi\u0163ia \u00een limba italian\u0103, traducere Marcella Marone, Roma, Editura Cameleone, 2003; B\u0103utori de nep\u0103s\u0103ri<\/em> (poeme), edi\u0163ie trilingv\u0103, rom\u00e2n\u0103-englez\u0103-francez\u0103, traducere Antuza Genescu \u015fi Rodica Opreanu, Timi\u015foaa, Editura Art Press, 2004; Fuga nell cerchio<\/em> (poeme), traducere Laura Mara, Timi\u015foara, Editura Arte, 2004; De \u015fapte ori via\u0163a\/ Sieben mal das Leben<\/em>, edi\u0163ie rom\u00e2n\u0103-german\u0103 (proz\u0103 scurt\u0103), Timi\u015foara, Editura Mirton, 2005; Carnavalul damelor<\/em> (roman), Timi\u015foara, Editura Hestia, 2005; \u00centre noi soarele nordic<\/em> (proz\u0103 scurt\u0103), Timi\u015foara, Editura Hestia, 2006; Poeme \u00een civil\/ Timeless Hallucinations<\/em> (poeme), edi\u0163ie rom\u00e2n\u0103-englez\u0103, traducere Antuza Genescu, Timi\u015foara, Editura Hestia, 2006; Puzzle venetian<\/em> (proz\u0103 scurt\u0103), Timi\u015foara, Editura Hestia, 2008; Piruet\u0103 pe catalige\/ Pirouette auf Stelzen<\/em> (poeme), edi\u0163ie rom\u00e2n\u0103-german\u0103, traducere Julia Schiff, Timi\u015foara, Editura Brumar, 2009; Exil de zi \u015fi noapte\/ Exil de jour et de nuit<\/em>, edi\u0163ie rom\u00e2n\u0103-francez\u0103 (poeme), traducere Rodica Opreanu, Timi\u015foara, Editura Anthropos, 2010; Piruett Golyalabakon<\/em> (versuri), edi\u0163ie \u00een limba maghiar\u0103, traducere Julia Schiff, Budapesta, Editura Amon, 2010; Scut iluzoriu<\/em> (versuri), edi\u0163ie rom\u00e2n\u0103-ebraic\u0103, traducere Menahem Fallek, Ierusalim, Editura Zur-Ott, 2010;<\/div>\n
\u00a0Volume \u00een colaborare: <\/strong><\/div>\n
Areopagus, interviuri cu scriitori din diaspora<\/em> (intreviuri), coautor Cristina Mihai, Timi\u015foara, Editura Atticea, 2007.<\/div>\n
\u00cen antologii<\/strong>:<\/div>\n
\u00a0Antologia<\/em> revistei \u201eOrte\u201d, Zurich, Elvetia, 2007; Timpul poeziei\/ Time of Poetry<\/em>, antologie bilingv\u0103, rom\u00e2n\u0103-englez\u0103, Bucure\u015fti, Editura Odeon, 2009; Antologia scriitorilor de limba rom\u00e2n\u0103 din Quebec<\/em>, Montreal, 2009.<\/div>\n
Referin\u0163e\u00a0\u00a0\u00a0 critice<\/strong><\/div>\n
\u00a0\u00cen volume<\/em>:<\/div>\n
\u00a0Alexandru Ruja, Parte din \u00eentreg<\/em>, Timi\u015foara, Editura Universit\u0103\u0163ii de Vest, 1994, p. 38; Olimpia Berca, Dic\u0163ionar al scriitorilor b\u0103n\u0103\u0163eni, <\/em>Timi\u015foara, Editura Marineasa, 1996, p. 51; Who\u2019s who<\/em>, Bucure\u015fti, Editura Pegasus Press, 2000, p. 35; Paul Eugen Banciu, Aquilina Bir\u0103escu, Timi\u015foara literar\u0103<\/em>, Dic\u0163ionar biobliografic<\/em>, Timi\u015foara, Editura Marineasa, 2007, p. 33; Who\u2019s Who, dic\u0163ionar interna\u0163ional,<\/em> Edi\u0163ia pentru Rom\u00e2nia, Bucure\u015fti, Editura Pegasus Press, 2002, p. 35; Petre Ciobanu, Marginalii de critic\u0103 \u015fi istorie literar\u0103<\/em>, Craiova, Editura Mim, 2004, p. 152; Petre Ciobanu, Minotaurul \u015fi floarea de crin<\/em>, Craiova, Editura Ramuri, 2006, p.17 \u015fi 53; Mihaela Dumitra\u015fcu, \u0162es\u0103turile Penelopei<\/em>, Timi\u015foara, Editura Aegis, 2007, p.24; Lucian Alexiu, postfa\u0163a\/ coperta, vol. Poeme \u00een civil, Timi\u015foara, Editura Anthropos, 2006; Enciclopedia personalit\u0103\u0163ilor<\/em>, Basel, Elvetia, Editura\u00a0 Hubner, 2007, p. 92; Rodica Opreanu, \u00cent\u00e2mpin\u0103ri cordiale<\/em>, Timi\u015foara, Editura Eubeea, 2008, p. 71; Maria Ni\u0163u, Lecturi la fileu<\/em>, Timi\u015foara, Editura\u00a0 Eubeea, 2007, p. 85; Dic\u0163ionarul Academiei Rom\u00e2ne<\/em>, Bucure\u015fti, 2008, p. 41; \u015etefan Sasu, Dic\u0163ionarul scriitorilor rom\u00e2ni<\/em>, Bucure\u015fti-Cluj Napoca, 2008, p. 82; Enciclopedia personalit\u0103\u0163ilor<\/em>, Basel, Elve\u0163ia, Editura Hubner, 2009, p. 103; Cornel Ungureanu, postfa\u0163\u0103\/ coperta vol. Piruet\u0103 pe catalige\/ Pirouette auf Stelzen<\/em>, Timi\u015foara, Editura Brumar, 2009; Constantin Buiciuc, Oglinda lui Narcis<\/em>, Timi\u015foara, Editura Marineasa, 2009, p.156.<\/div>\n
Paul Eugen Banciu, postfa\u0163\u0103 la vol. Ploua la Troia<\/em>, Timi\u015foara, Editura Helicon-Banat, 1993; Rodica Draghincescu, Tangouri pe trambulin\u0103<\/em>, Brasov-Bucuresti, Editura Paralela 45, 2001, p. 60-68; Theodor Damian, Roua c\u0103r\u0163ilor. O hermeneutic\u0103 teologic\u0103 \u00een context literar<\/em>, Bucure\u015fti, Editura Danubius, 1998, p. 103.<\/div>\n
\u00cen periodice<\/em>:<\/div>\n
\u00a0Rodica Draghincescu, Fluxul entropic al dragostei<\/em>, Vara Himerelor<\/em>, \u201eArca\u201d, 1996, n. 10-11-12, p. 91; Rodica Draghincescu, \u00centre criza de identitate \u015fi afirmare<\/em>, \u201eArca\u201d, nr. 8-10\/1999, p. 21; Gh. Mocu\u0163a, Creuzet\u2026 poetic<\/em>, \u201eArca\u201d, nr. 1-2 -3\/2003, p. 197; Dana Nicoleta Popescu, Marea, Narcis, \u015fi camera de filmat, <\/em>\u201eArca\u201d, nr. 10,11,12\/2006, p. 184; Maria Ni\u0163u, Jurnalul unui timp caleidoscopic<\/em>, \u201eArca\u201d, 2009, nr,7-8-9, p.186; Ioan Ardeleanu, Carnavalul damelor<\/em><\/strong>, un roman al planurilor alternative<\/em>, \u201eBanat\u201d, nr. 3\/martie 2006, p.3; Gra\u0163iela Benga, Voluptatea oniric\u0103<\/em>, \u201eBanat\u201d, Lugoj, nr. 5(41), mai\/2007, p. 6; Olimpia Berca, Areopagus<\/em><\/strong>, \u201eBanat\u201d 2009, nr. VI\/1, ian., p. 16; Gra\u0163iela Benga, Exil de zi \u015fi noapte\/ Exil de jour et de nuit<\/em><\/strong>, \u201eBanat\u201d, anul VII, nr. 3,\u00a0 martie, 2010, p. 10; Simion Danil\u0103, Piruete pe catalige\/ Pirouette auf Stelzen<\/em><\/strong>, \u201eBanat\u201d, 2010, nr. 10, p.12; Gheorghe Tomozei\u201a Aceast\u0103 \u015eeherezad\u0103\u2026,<\/em> Contemporanul \u2013 Ideea European\u0103, anul VII, 11 oct. 1996, p. 3; Iulian Ciocan, Truman versus Veronica Balaj<\/em>, \u201eContrafort\u201d, (Chi\u015fin\u0103u), an III, nr.10\u00a0 (124), 1996, p. 9; Emanuel Marcu, Carnavalul damelor<\/em><\/strong>, \u201eConvorbiri literare\u201d, martie-aprilie, 2008, p. 38; Virgil Cu\u0163itaru, C\u0103utarea \u015fi valen\u0163ele ei<\/em>, \u201eCronica\u201d, 1989, nr. 17, 28 apr., p. 7; Cristina Chevere\u015fan, Baltazara<\/em><\/strong>, un roman asemeni unor oglinzi rotitoare<\/em>, Cronica, 3 martie, 2003, p. 9 \u015fi 18; Theodor Damian Leg\u0103tura cu Thalassa, \u201eGracious Light\u201d, nr. 6, 1998, p. 38; Luciano Pizziconi, Baltazara<\/em><\/strong>, \u201eIl Corriere di Roma\u201d, 30 aprilie, 2010, p.5; Luciano Pizziconi, Fuga nel cerchio<\/em><\/strong>,\u00a0 \u201eL\u2019Attualita\u201d, Roma, 10 oct., 2010, p. 5; Adrian Dinu Rachieru, Via\u0163a ca o s\u0103rb\u0103toare am\u00e2nat\u0103<\/em>, \u201eLuceaf\u0103rul 1996, nr. 4, 11 dec., p. 11; Adrian Dinu Rachieru, Proza cu aer fantast<\/em>, \u201eLuceaf\u0103rul\u201d, nr. 8, 2 martie 2005, p. 7; Sorin G\u00e2rjan, Patru c\u0103r\u0163i comentate de S.G<\/em>., \u201eMinerva\u201d, nr.74-75, 1997, p. 7; Petre Ciobanu, Vertij cu trucaje,<\/em> \u201eMozaicul\u201d (Craiova), anul IX, serie nou\u0103, nr. 9, (95-969, 2006, p.14; Gerhard Binder, Puzzle vene\u0163ian<\/em><\/strong>, Observatorul cultural, 2009, aprilie, Toronto, Canada, p.13; Pompiliu Cr\u0103ciunescu, Fine\u0163ea detaliului<\/em>, \u201eOrient Latin\u201d, an III, nr. 6 (17-18), 1995, p. 5; Eugen Dorcescu, Ploua la Troia<\/em><\/strong>, \u201eOrizont, 1993, nr. 4, 18 apr., Anul V, p. 6; Cornel Ungureanu, C\u0103r\u0163i, edi\u0163ii, autori din diaspora<\/em>, \u201eOrizont\u201d, sept. 2009, \/18\/, p. 2; Ion Marin Alm\u0103jan, Argintul viu al literaturii feminine din Banat<\/em>, \u201eParalela 45\u201d, din 4 aug., 2009, p. 3; Cornel Munteanu, Poezie \u015fi mimesis<\/em>, \u201ePoesis\u201d, 1998, an II, nr.10, mai-iunie, p.7; Val Telceanu,\u201d Ne tirez plus<\/em>,\u201d\u00a0\u00a0 \u201eRadix\u201d (Namur, Belgia), 1995, nr.16, p. 5; Mihaela Albu, Portret din \u0163ar\u0103<\/em>, Romanian Journal, New York, 7 martie, 1997, p. 21; Constantin Buiciuc, Poeme \u00een civil<\/em><\/strong>, \u201eSteaua,\u2019 xxxI, aug., 2006, p. 12; Giovanni Amodio, Fuga nel cerchio<\/em><\/strong>,\u00a0 \u201eUltima Or\u0103\u201d, Roma, 4 oct.,\u00a0 2008, p. 4; Adrian Lauren\u0163iu, Poetizarea \u00een octave, <\/em>\u201eZbur\u0103torul\u201d, 1994, serie nou\u0103, anV, 123, p. 8.<\/div>\n
Citate din cronici:<\/em><\/strong><\/div>\n
\u201eVersurile Veronic\u0103i Balaj se dovedesc pline de substan\u0163\u0103 \u015fi idei articulat structurate \u00eentr-o expresivitate plurivoc\u0103. Juc\u00e2ndu-se inteligent cu dozajul de inven\u0163ie \u015fi amintire, ce st\u0103 la originea demersului s\u0103u poetic, dezv\u0103luie propria dimensiune spiritual\u0103 \u015fi artistic\u0103\u201d. (Petre Ciobanu,\u00a0 Marginalii de critic\u0103 \u015fi istorie literar\u0103<\/em>, Craiova,\u00a0 Editura Mim, 2004, p.152).<\/div>\n
\u201eProzatoare cu un semnificativ exerci\u0163iu al construc\u0163iei rom\u00e2ne\u015fti, Veronica Balaj izb\u00e2nde\u015fte deopotriv\u0103 \u00een propria poezie, \u00eentr-o \u00eencercare \u00een care, experien\u0163a \u015fi deprinderile omului de litere sunt solicitate pe paliere \u015fi \u00een registre de sensibilitate \u00een care prima importan\u0163\u0103 au, nu raport\u0103rile livre\u015fti ci autenticitatea, tr\u0103itul, caracterul de document existen\u0163ial. A\u015f re\u0163ine de aceea \u00een versurile acestui volum (s. n. Poeme \u00een civil<\/em>) odat\u0103 cu simbolurile mitologice (Pan, Mercur, Iov etc.), cu scenariile \u015fi pl\u0103cerea asum\u0103rii \u201erolurilor\u201d, regimul afectiv al confesiunii, rememor\u0103rile care vorbesc aici \u015fi acum despre un traseu printr-un univers lipsit de refugii protectoare dar, parcurs la limit\u0103 cu o aspr\u0103 nostalgie a \u00eenceputurilor, a unor limanuri edenice.\u201d (Lucian Alexiu, postfa\u0163a\/ coperta vol. Poeme \u00een civil,<\/em> Timi\u015foara, Editura Anthropos, 2007).<\/div>\n
\u201eVeronica Balaj a publicat romane, jurnale, poezii care au fost traduse \u00een numeroase limbi str\u0103ine, interviuri cu personalit\u0103\u0163i ale timpului nostru. Poet, prozator sau jurnalist, eseist sau comper, a fost prezent\u0103 pe c\u00e2teva continente. Scriitor al prezentului, ea \u00ee\u015fi sprijin\u0103 demersul pe un bun sim\u0163 inatacabil.\u201d (Cornel Ungureanu, postfa\u0163a\/ coperta vol. Pirueta pe catalige\/ Pirouette auf Stelzen<\/em>, Timi\u015foara, Editura Brumar, 2009).<\/div>\n
\u201eProzatoare dinamic\u0103, poet\u0103 modern\u0103 \u015fi postmodern\u0103 [\u2026], jurnalist\u0103 \u00aben grande vitesse\u00bb, \u00eentre graba senzorial\u0103 \u015fi luciditate, \u00eentre explozie vital\u0103 \u015fi persiflarea vechilor mituri lirice, \u00eentre instinct \u015fi calcul stilistic, poet-prozatoarea a\u015feaz\u0103 viziunile feminine, materne.<\/div>\n
Ludicul \u015fi strategiile lui flancheaz\u0103 o tensiune de nerezolvat, o zbatere vizionar\u0103 \u00eentre un timp istoric, obiectiv \u015fi un altul biologic, intern, ireversibil. Organicitatea e legea suprem\u0103 a sentimentelor enun\u0163ate. Imaginile ritualurilor provin din teama de totalitate, din fuga de teluric \u015fi a individua\u0163iei.\u201d (Rodica Draghincescu, vol. Tangouri pe trambulin\u0103<\/em>, Bucure\u015fti-Bra\u015fov-Cluj, Editura Paralela 45, 2001, p.80).<\/div>\n
\u201eNoul roman al Veronicai Balaj, Carnavalul damelor<\/em>, Editura Hestia, Timi\u015foara, 2005, se articuleaz\u0103 sub semnul feminismului \u015fi al oglindirilor. Autoarea, poet\u0103, prozatoare, \u00eembin\u0103 lirismul \u015fi observa\u0163ia psihologic\u0103, strategii narative \u015fi motive de circula\u0163ie universal\u0103 \u00eentr-o carte ce contureaz\u0103 un univers aparte, definit prin masc\u0103 \u015fi artificiu\u2026 ecou din Mantissa<\/em> lui John Fowles, ar putea constitui una din cheile romanului\u201d (Dana Nicoleta Popescu, \u201eArca\u201d, nr. 10-12, Arad, 2006 p. 184).<\/div>\n
Sursa: http:\/\/veronicabalaj.blogspot.com\/<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PODUL VERII Podul verii peste-un galben spumos, fierbinte, c\u0103tre departe se v\u00e2nd aici c\u00e2nt\u0103ri \u015fi zile cu r\u0103suflarea t\u0103iat\u0103 [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-5528","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/5528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=5528"}],"version-history":[{"count":0,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/5528\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=5528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=5528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=5528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}