{"id":6851,"date":"2012-07-11T08:54:33","date_gmt":"2012-07-11T08:54:33","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=6851"},"modified":"2012-07-11T09:07:12","modified_gmt":"2012-07-11T09:07:12","slug":"emilia-tutuianu-trairi-inefabile","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/07\/11\/emilia-tutuianu-trairi-inefabile\/","title":{"rendered":"EMILIA \u0162U\u0162UIANU – “tr\u0103iri inefabile”"},"content":{"rendered":"

\"\"<\/a><\/strong>Printre ultimii nem\u0163eni ap\u0103ru\u0163i \u00een aren\u0103, trebuie men\u0163ionat\u0103 neap\u0103rat \u015fi EMILIA \u0162U\u0162UIANU (n.12 iulie 1961, R\u00ee\u015fca, Suceava) absolvent\u0103 a facult\u0103\u0163ii de filozofie din Ia\u015fi, fondatoarea Editurii Mu\u015fatinia din Roman (2002) cu dou\u0103 c\u0103r\u0163i de poezie: Flori de m\u0103r <\/em>\u015fi \u00cen amurg<\/em> (editura Timpul, 2002).<\/strong><\/p>\n

Cum era de a\u015fteptat (v. Finalul sec\u0163iunii de fa\u0163\u0103, unde apare \u00eentrebare: \u201ePoezia – \u00eencotro?”) este o poet\u0103 liber\u0103 de orice veleit\u0103\u0163i- prejudec\u0103\u0163i post- trans- ultra etc. moderniste, nu caut\u0103 originalitatea cu orice pre\u0163.<\/strong><\/p>\n

Emilia \u0162. este ea \u00eens\u0103\u015fi \u00een tot ce a scris, nu mult deloc mai original\u0103 dec\u00e2t to\u0163i ceilal\u0163i din genera\u0163ia sa.<\/strong><\/p>\n

Printr-o intui\u0163ie artistic\u0103 absolut normal\u0103, pe potriva temperamentului s\u0103u \u015fi talentului firesc, e o… neoeminescian\u0103 sau mai bine am zice, pioniera unui fel de nou dulce stil clasic retro \u015fi totodat\u0103… romantic, aproape unic \u00een c\u00e2mpul liric de azi. Se las\u0103 captat\u0103 \u00een curata anarhie a firescului, a naturii, \u00een chiar sensul schillerian \u015fi totodat\u0103, repet\u0103m, (neo)eminescian din celebrul eseu din Uber naive und sentimentalische Dichtung (1796-96) <\/em><\/strong><\/p>\n

Cu asta vrem a spune c\u0103 poezia ei, poezie adev\u0103rat\u0103, liber\u0103 de orice \u201emode\u201d, rezid\u0103 \u00eentr-o fericit\u0103 fuziune dintre Natur\u0103 \u015fi Ideal, totodat\u0103 eliberat\u0103 de idealismul filosofic livresc, dar \u015fi de realismul vulgar, prin defini\u0163ie banal, artificial, contraf\u0103cut.<\/strong><\/p>\n

Ca atare, poeta de la Roman c\u00e2nt\u0103 Casa bunicilor<\/em>, Bunica, Bunicul<\/em>, frumuse\u0163ea, \u00een spirit, a Agapiei, totul interpretat printr-o permanent\u0103 fuziune sentimental\u0103 \u00een sensul unui Ionel Teodoreanu sau Ibr\u0103ileanu \u015fi ceilal\u0163i nostalgici ie\u015feni \u015fi moldoveni \u201emiddle class\u201d de pe la \u00eenceputul secolului XX:<\/strong><\/p>\n

\u201ePere\u0163ii casei bunicilor<\/strong><\/p>\n

sunt pr\u0103fui\u0163i cu dureri,<\/strong><\/p>\n

Pere\u0163ii casei bunicilor<\/strong><\/p>\n

sunt v\u0103rui\u0163i cu lacrimi…<\/strong><\/p>\n

Icoanele de pe pere\u0163i,<\/strong><\/p>\n

\u00a0Vorbesc despre IUBIRE!” etc.<\/strong><\/p>\n

\u201e\u00een celesta lumin\u0103 sidefat\u0103,<\/strong><\/p>\n

\u00a0Cu stiraxe pleoape de fum<\/strong><\/p>\n

\u00a0\u00een Agapia tainic s-arat\u0103,<\/strong><\/p>\n

\u00a0Al reginei nop\u0163ii parfum”.<\/strong><\/p>\n

Anticul adagiu,\u00a0 fugit irreparabile tempus, filtrat prin proustianism, este de rigoare:<\/strong><\/p>\n

\u201eVreau s\u0103 retr\u0103iesc totul…<\/strong><\/p>\n

\u00a0pentru c\u0103 timpul devine un ho\u0163<\/strong><\/p>\n

\u00a0al v\u00e2rstelor \u015fi fuge… fuge… fuge”. (Pio\u015fenie).<\/strong><\/p>\n

De ast\u0103 dat\u0103 \u201eInima”, \u201epetic de cer”, protejat de un pumn de p\u0103m\u00e2nt, \u0163ine loc de turn de filde\u015f al eului liric:<\/strong><\/p>\n

\u201e\u00een inima mea<\/strong><\/p>\n

\u00a0s\u0103l\u0103\u015fluie\u015fte un petic de cer<\/strong><\/p>\n

\u00a0\u015fi un pumn de p\u0103m\u00e2nt…<\/strong><\/p>\n

\u00a0Pentru a-mi proteja inima,<\/strong><\/p>\n

\u00a0de buruieni omene\u015fti,<\/strong><\/p>\n

\u00a0des\u0163elenesc p\u0103m\u00e2ntul<\/strong><\/p>\n

cu eclata carului mic,<\/strong><\/p>\n

\u00a0pentru a afla \u00een ad\u00e2ncuri Misterele Eleusiene,<\/strong><\/p>\n

\u00a0le ascund fericit\u0103,<\/strong><\/p>\n

\u00a0\u00een al meu petic de cer” (Inima mea).<\/strong><\/p>\n

V\u00e2ntul \u201ese plimb\u0103” prin p\u0103rul poetei, \u201etimid”, \u00een chip de suav Sbur\u0103tor – \u201eZefir” care o urm\u0103re\u015fte \u201ecu pasu-i u\u015for” \u015fi-i \u015fopte\u015fte:<\/strong><\/p>\n

\u201eCui vrei s\u0103 te d\u0103rui<\/strong><\/p>\n

\u00a0Cu at\u00e2ta iubire \u015fi dor?”.<\/strong><\/p>\n

Ninsoare cu flori de m\u0103r, un laitmotiv \u00een poezia Emilia \u0162., sugereaz\u0103 interpenetrarea elementelor, tr\u0103iri inefabile\u00a0 acute ale erosului adolescentin etern: \u201eDe c\u00e2te ori ninge (sintagm\u0103 nichitian\u0103, v. p. 740 \u015fi urmat nota de subsol, supra) cu flori de m\u0103r,\/ simt c\u0103 tr\u0103iesc miracolul devenirii…\/ Le iau \u00een palme, le s\u0103rut dar ele se metamorfozeaz\u0103\/ \u00een lacrimi, ce cad una c\u00e2te una…\/ pentru a \u00eembr\u0103\u0163i\u015fa p\u0103m\u00e2ntul\/ cu flac\u0103ra iubirii…” (Secven\u0163e).<\/strong><\/p>\n

Unda satiric\u0103 la adresa stric\u0103rii frumosului sentimental-impresionistic abia se simte, discret \u00een Iubire prin Internet. Piesa dateaz\u0103 violent momentul c\u00e2nd tehnica ultramodern\u0103 ur\u00e2\u0163e\u015fte iubirea:<\/strong><\/p>\n

\u201eS-au cunoscut pe Internet<\/strong><\/p>\n

Ea brunet\u0103 – El blond,<\/strong><\/p>\n

\u00a0El brunet – Iar ea blond\u0103 \u2013<\/strong><\/p>\n

\u00a0ei blonzi am\u00e2ndoi…<\/strong><\/p>\n

\u00a0sau am\u00e2ndoi brune\u0163i\u201d<\/strong><\/p>\n

Ea numai o… juc\u0103rie care denot\u0103 compunerea calculat\u0103, automatismele de r\u00e2nd, radotajul \u00een gol nefiind \u00een stilul poetei de la Roman, repet, o cunosc\u0103toare a \u201eclasicilor\u201d, de la Eminescu \u00eencoace, mai ales cu tot cu simboli\u015ftii.<\/strong><\/p>\n

Stilul frumos retro, c\u00e2t sc poate de nimerit \u00een contextul volumului intitulat \u00cen amurg se poate vedea bine \u015fi \u00een… pantumul din Via\u0163a \u015fi Moartea, reluare cu mare demnitate epigonic\u0103, la vedere, dup\u0103 baudelaiereana Harmonie du Soir, secven\u0163a a XLVII-a din Les fleurs du mal, parc\u0103 anume \u0163in\u00e2ndu-se seam\u0103 de Bolileau care \u00eendeamn\u0103 imitatoarea (creatoare!) a marilor mae\u015ftri. Exoticile ritmuri malayeze sun\u0103 \u015fi \u00een rom\u00e2ne\u015fte c\u00e2t se poate de exact, denun\u0163\u00e2nd cultura \u015fi me\u015fte\u015fugul:<\/strong><\/p>\n

\u201e\u00cen zori, c\u00e2nd soarele cu \u015foapte se r\u0103sfr\u00e2nge,<\/strong><\/p>\n

Lumina cu steli\u0163e pite\u015fte-n ea ivirea…<\/strong><\/p>\n

Suav parfum de roze m\u0103rturisesc iubirea,<\/strong><\/p>\n

\u015ei \u00een t\u0103cute vise,chemarea lor se fr\u00e2nge…<\/strong><\/p>\n

Lumina cu steli\u0163e pite\u015fte-n ea ivirea…<\/strong><\/p>\n

Clipa str\u0103vezie ca amintire trece,<\/strong><\/p>\n

\u015ei-n t\u0103cute vise, chemarea lor se fr\u00e2nge,<\/strong><\/p>\n

P\u0103m\u00e2ntul re\u00eenvie ca dintr-o lume rece.<\/strong><\/p>\n

Clipa str\u0103vezie ca amintirea trece,<\/strong><\/p>\n

Cu g\u00e2nduri grele, crengi de cais s-apleac\u0103,<\/strong><\/p>\n

P\u0103m\u00e2ntul re\u00eenvie ca dintr-o lume rece,<\/strong><\/p>\n

S\u0103 le adune-n vise ce vin, tr\u0103iesc \u015fi pleac\u0103.<\/strong><\/p>\n

Cu g\u00e2nduri grele, crengi de cais s-apleac\u0103,<\/strong><\/p>\n

\u00cembr\u0103\u0163i\u015f\u00e2nd p\u0103m\u00e2ntul cu am\u0103giri de\u015farte<\/strong><\/p>\n

S\u0103 le adune-n vise ce vin, tr\u0103iesc \u015fi pleac\u0103.<\/strong><\/p>\n

Tot ce a fost via\u0163\u0103 \u015fi neatins de moarte.\u201d<\/strong><\/p>\n

Ion Rotaru \u2013 Istoria literaturii rom\u00e2ne de la origini p\u00e2n\u0103 \u00een prezent<\/em><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Printre ultimii nem\u0163eni ap\u0103ru\u0163i \u00een aren\u0103, trebuie men\u0163ionat\u0103 neap\u0103rat \u015fi EMILIA \u0162U\u0162UIANU (n.12 iulie 1961, R\u00ee\u015fca, Suceava) absolvent\u0103 a facult\u0103\u0163ii [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-6851","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/6851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=6851"}],"version-history":[{"count":0,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/6851\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=6851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=6851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=6851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}