{"id":7991,"date":"2012-10-16T21:15:20","date_gmt":"2012-10-16T21:15:20","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=7991"},"modified":"2012-10-16T21:15:20","modified_gmt":"2012-10-16T21:15:20","slug":"george-anca-dupa-2003","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/10\/16\/george-anca-dupa-2003\/","title":{"rendered":"George Anca dup\u0103 2003"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2012\/10\/george-anca2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7992\" title=\"george anca2\" src=\"http:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2012\/10\/george-anca2-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2012\/10\/george-anca2-225x300.jpg 225w, https:\/\/www.marianagurza.ro\/blog\/wp-content\/uploads\/2012\/10\/george-anca2.jpg 720w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\"><em>George Anca (publica\u0163ii dup\u0103 2003, selec\u0163ie)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Poezie <\/strong><\/p>\n<p style=\"text-align: justify;\"><em>M\u0103iastra \u00een dodii<\/em>, Academia Interna\u0163ional\u0103 Mihai Eminescu (AIME), Bucure\u015fti, 2003, 288 p.<\/p>\n<p style=\"text-align: justify;\"><em>Transbudhvana &amp; other Poems<\/em>, AIME, 2003, 256 p.<\/p>\n<p style=\"text-align: justify;\"><em>Maroc dup\u0103 tat\u0103<\/em>, AIME, 2004, 108 p.<\/p>\n<p style=\"text-align: justify;\"><em>Nefertiti \u015fi Borges<\/em>, IFLA Buenos Aires, 2004, 76 p.<\/p>\n<p style=\"text-align: justify;\"><em>New York<\/em><em> Ramayana<\/em>, AIME, 2005, 324 p.<\/p>\n<p style=\"text-align: justify;\">A la Reine de Maillane, AIME, 2006, 44 p.<\/p>\n<p style=\"text-align: justify;\"><em>Partea nim\u0103nui<\/em>, Bibliotheca, T\u00e2rgovi\u015fte, 2010, 192 p.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>Proz\u0103 <\/strong><\/p>\n<p style=\"text-align: justify;\"><em>M\u0103slinii din Ufizzi<\/em>, 2003, AIME, 2003, 127 p.<\/p>\n<p style=\"text-align: justify;\"><em>Tangoul Tigrului<\/em>, roman-oper\u0103, AIME, 2005, 330 p.<\/p>\n<p style=\"text-align: justify;\"><em>Ibsenienii<\/em> (7 volume), Oscar Print, Bucure\u015fti, 2005-2006<\/p>\n<p style=\"text-align: justify;\">Roboam, microroman rom, Trivium, Bucure\u015fti, 2007, 84 p.<\/p>\n<p style=\"text-align: justify;\"><em>Sfin\u0163i \u00een Nirvana<\/em>, Offsetcolor, R\u00e2mnicu V\u00e2lcea, 2004, 100 p.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>Teatru <\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Scenometrie Teatrux<\/em>, Biblitheca, 2011, 258 p.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>Eseu <\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Gramatica sanscrit\u0103 \u00een versiunea lui Mihai Eminescu<\/em> (coord. ed.), Biblioteca Pedagogic\u0103 Na\u0163ional\u0103 (BPN), Bucure\u015fti, 2004<\/p>\n<p style=\"text-align: justify;\"><em>Literary Anthropology<\/em>, eseuri, Bibliotheca, 2005<\/p>\n<p style=\"text-align: justify;\"><em>Glose despre Ahimsa<\/em>, BPN, 2008, 50 p.<\/p>\n<p style=\"text-align: justify;\"><em>Mantra Eminescu<\/em>, Biblitheca, 2011, 138p.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>Traduceri <\/strong><\/p>\n<p style=\"text-align: justify;\"><em>T\u00e2rgovi\u015fte \u2013 India. Antologie poetic\u0103 \/ Poetical Anthology<\/em>, 2008, 190 p.<\/p>\n<p style=\"text-align: justify;\"><em>Poems \/ Poeme <\/em>de Surender Bhutani, <em>Trivium, 2008, 34 p.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>the Prince of Metaphor at the Metaphysics Court<\/em> de Toma George Maiorescu, Amazon, USA,366 p.<\/p>\n<p style=\"text-align: justify;\"><em>Effect of Indian Thought on Mihai Eminescu<\/em> \/ <em>Eminescu \u015fi g\u00e2ndirea indian\u0103<\/em> de Zricha Vaswani, ed. tr., Bibliotheca, 2011, 142 p.<\/p>\n<p style=\"text-align: justify;\"><em>Introducere \u00een jainism <\/em>de Rudi Jansma, Sneh Rani Jain, Biblitheca, 2011, 210 p.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>Comunic\u0103ri <\/strong><\/p>\n<p style=\"text-align: justify;\">\u201eIndological Studies in Romania\u201d, Nehru University, New Delhi, martie 2003<\/p>\n<p style=\"text-align: justify;\">\u201eIn Search of Joy\u201d, ICAES, Floren\u0163a, iulie 2003<\/p>\n<p style=\"text-align: justify;\">\u201eFrom Bloodshed to Orange Revolution\u201d, Pugwash, Andalo\/Trento, January 2005<\/p>\n<p style=\"text-align: justify;\">\u201eTechnologie de la reconaissance\u201d,Etats Generaux de la Francophonie, \u201eLangue francais langue d\u2019innovation\u201d, Timi\u015foara, March, 2006<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>Referin\u0163e <\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Anca<\/em> de Marian Popa (sub tipar), Bibliotheca, 2012, 212 p. Capitole: 1. Premise 2. Dodii 3. Generalit\u00e3\u0163i 4. Conforma\u0163ii de cuvinte 5. Forma\u0163ii de cuvinte 6. Cuvinte ca suporturi. Realit\u00e3\u0163i dodiate 7. Paradoxe. Silogismele dodierii 8. Tipuri de redactare 9. Opinii literare 10. C\u00e3r\u0163i &#8211; Poezia-Romane &#8211; Rela\u0163ii de c\u00e3l\u00e3torie \u2013 Teatru multideductibil &#8211; Alte mostre de crestomatizare &#8211; Dodierea colocvialului 11. Politice 12. Etnopolitice &#8211; Interetnice 13. Hinduitate dodiastic\u00e3 14. Religii 15. Erotice 16. Traduttore &#8211; Dodiatore 17. Psihosomatice 18. Ca un sf\u00e2r\u015fit<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><em>Despre George <\/em>Anca, AIME, 2003, 276 p. &#8211; Ioan Alexandru, Sisir Kumar Das, Zoe Dumitrescu-Bu\u015fulenga, Dana Dumitriu, Ion Iuga, Ion Ladea, Ion St. Laz\u0103r, Constantin Mateescu, Ioan Mihu\u0163, Romul Munteanu, Ion Soare, Mihai Stan, Mihai \u015eora, Romulus Vulc\u0103nescu<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">A Giorgio Anca da Eugenio Montale. (1973).<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Mul\u0163umesc pentru 10 Indian Poems. \u2013 Mircea Eliade (1977).<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Colegului nostru, poetului George Anca, aflat de mai mul\u0163i ani \u00een India ca profesor de limba \u015fi literatura rom\u00e2n\u0103 \u00eei dator\u0103m ducerea la cap\u0103t a g\u00e2ndului de tinere\u0163e al lui Mircea Eliade de a-l face cunoscut sistematic pe Eminescu \u00een lumea sanscrit\u0103. &#8211; Ioan Alexandru (1983).<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Te-ai \u00eencoronat ca rege al dodiilor. &#8211; Ioan Ladea (1999).<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Scriitorul George Anca pare s\u0103 tr\u0103iasc\u0103 acut \u201edialectica\u201d postmodernismului. &#8211; Dan Mircea Cipariu (2000).<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Unul dintre cele mai libere experimente cu putin\u0163\u0103. &#8211; Daniela Iordache (2001)<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Teatru, roman, poezie, din toate exist\u0103 c\u00e2teva \u00een aceast\u0103 carte. Problema o constituie \u00eens\u0103 nu definirea, ci \u00een\u0163elegerea ei. Ar trebui chemat Ion Gheorghe sau un specialist \u00een cuneiforme ca s\u0103 descifreze textul lui George Anca: &#8220;restrictat\u0103 patima atma\/ crestat\u0103 \u00een cerul pe s\u00e2rm\u0103\/ exactitatea robiei protective\/ proiective elective Ninive\/\/ ce \u00eencercasem nu de \u00een\u0163eles\/ ducea lips\u0103 impunere impala\/ de-om comp\u0103timi-o friptur\u0103\/ \u00eempotriva rosului din peligro\/\/ orice fiin\u0163\u0103 m\u0103 r\u0103stoarn\u0103\/ arrivamo zici muzicii urzici\/ gustului s\u00e2nge de condor\/ taurul \u00eencornoreaz\u0103 cocarda&#8221;. &#8211; Alex. \u015etef\u0103nescu (2005)<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Nu este o intreprindere usoara lecturarea cartii lui George Anca, cel care schimba sirul cuvintelor, rastoarna sintaxa, desfiinteaza punctuatia, caci scriitorul (poetul, prozatorul, dramaturgul, eseistul), prozatorul, jurnalistul, indianistul &#8211; omul de litere George Anca re-creeaza o lume in opt zile, la Florenta, chiar daca aceasta lume incepe apocaliptic: &#8220;Explozie in Uffizi. Mihu se spanzura. Romulus moare cu gandul la el, fiul moare (mijlociul se spanzurase mai demult, mezinul e in Germania &#8211; ce italian sa-l asemuie cu un nazist).&#8221; &#8211; Sorina Vissarion (2006)<\/p>\n<p style=\"text-align: justify;\">Cu prilejul \u00eemplinirii a cincizeci de ani de la moartea lui Liviu Rebreanu, autorul a fost \u00eent\u00e2mpinat cu nespus\u0103 generozitate \u015fi cu un cald entuziasm de confratele s\u0103u, Dl. George Anca, Director General al Bibliotecii Centrale Pedagogice &#8220;I.C. Petrescu&#8221;. Acesta a acceptat ca institu\u0163ia condus\u0103 de el s\u0103 tip\u0103reasc\u0103 prima \u015fi a doua scriere ale subsemnatului, deduse din existen\u0163a chinuit\u0103 a romancierului numit. Biblioteca Central\u0103 Pedagogic\u0103 &#8220;I.C.Petrescu&#8221; este astfel cel dint\u00e2i for din \u0163ar\u0103 ce aniverseaz\u0103 acest an de mare \u00eensemn\u0103tate. Mai mult dec\u00e2t at\u00e2t, acela\u015fi indianist a \u00eembr\u0103\u0163i\u015fat, \u00een spiritul unei responsabilit\u0103\u0163i vrednice de conducerea acestei Biblioteci, cu o destina\u0163ie at\u00e2t de deosebit\u0103, ideea Editurii Ramida &#8211; condus\u0103 de autor &#8211; de a se publica o colec\u0163ie de nuvele \u015fi romane scurte biografice, \u00een care se \u00eenscriu cele dou\u0103 lucr\u0103ri men\u0163ionate, menit\u0103 s\u0103 fac\u0103 scriitorii rom\u00e2ni mai cunoscu\u0163i \u015fi mai iubi\u0163i. Drept care, i-a oferit ini\u0163iatorului ei \u015fansa de a scoate un prim tiraj bibliofilic al fiec\u0103rei apari\u0163ii noi, r\u0103sp\u00e2ndit \u00een cea mai mare parte de Bibliotec\u0103 \u00eens\u0103\u015fi, \u015fi a propus ca ritmul edit\u0103rii s\u0103 fie de o carte pe trimestru. Este u\u015for de \u00eenchipuit recuno\u015ftin\u0163a pe care i-o poart\u0103 autorul editor, cu at\u00e2t mai mult cu c\u00e2t epoca noastr\u0103 este una deloc propice actelor gratuite de cultur\u0103 major\u0103. Autorul este dator s\u0103 mai adauge ceva: dac\u0103 nu-l \u00eent\u00e2lnea la momentul oportun pe Dl. George Anca, nu este c\u00e2tu\u015fi de pu\u0163in sigur c\u0103 \u015fi-ar mai fi g\u0103sit curajul de a-\u015fi continua munca de pionierat cultural la care s-a angajat dup\u0103 Revolu\u0163ia din 1989. &#8211; Mihai R\u0103dulescu (2006)<\/p>\n<p style=\"text-align: justify;\">\nSunt profund descurajat de a mai lucra pentru wiki. Oamenii trebuie \u00eencuraja\u0163i, ajuta\u0163i, nu h\u0103r\u0163ui\u0163i. C\u00e2nd nu \u015ftiu cum s\u0103 fac\u0103, face\u0163i voi, termina\u0163i-v\u0103 cu ve\u015fnicile voastre sfaturi! Probabil c\u0103 unii anume fac asta ca s\u0103 r\u00e2m\u00e2n\u0103 aici \u00een misiune. R\u0103m\u00e2ne\u0163i \u015fi voi aici cu favori\u0163ii vo\u015ftri. Pute\u0163i s\u0103 \u015fterge\u0163i pagina<\/p>\n<p style=\"text-align: justify;\">indienistului George Anca precum \u015fi imaginile sale. S\u0103 r\u00e2m\u00e2n\u0103 aici maneli\u015ftii, sexybr\u0103ilencele, magdele, elodiile, fotbali\u015ftii cu trei partide jucate oficial \u00een trei ani. S\u0103 r\u0103m\u00e2n\u0103 aici toate aceste nulit\u0103\u0163i. Eu plec! Nu se \u015ftie dac\u0103 voi mai reveni! Mai aveam multe de f\u0103cut aici pentru cultura rom\u00e2n\u0103. Voi g\u0103si alte mijloace, voi scrie \u00een diverse publica\u0163ii, dac\u0103 nu cumva antirom\u00e2nismul \u015fi incultura nu se va manifesta treptat \u00een toat\u0103 profunzimea acestei \u0163\u0103ri. Nu-mi mai scrie\u0163i c\u0103 n-are rost, plec cum au plecat \u015fi al\u0163ii, treptat ve\u0163i regreta ce va ajunge aceast\u0103 enciclopedie \u015fi va fi prea t\u00e2rziu! &#8211; Nicolae Tomoniu (2009)<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Am citit mai multe din lucrarile lui George Anca si rezumandu-ma la sculele mele MODESTE literar\/artistice l-am gasit ca fiind unul dintre cei mai mari scriitori, progresisti ai literaturii romane, un poet, un prozator de exceptie: un ganditor, un vizionar, un artist modern al cuvantului scris. Inca il studiez ca sa ma pot dumiri, ca sa pot dezvalui si altora extazul si maretia simtirilor sale. Daca se spune despre limba ca EA este o forma de exprimare inca primitiva in comparatie cu muzica atunci George Anca este scriitorul care o intinde si-o catapulteaza spre extremitati atras fiind \u201cparca\u201d de limba originala data de Dumnezeu vrand sa ne aduca acasa din \u201cBABEL\u201d. Daca va reusi in perioada vietii sale ramane de vazut insa incercarea sa trebuie impartasita cu cei tineri dornici de o asemenea experienta si aventura. Ben Todic\u0103 (2009)<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Diploma de merit a Uniunii Scriitorilor, 2009<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Adresa: Str. Izvorul Crisului, 12, D4\/24, Bucure\u015fti \u2013 040895. T fix: 021 450 88 68. Mobil: 0749340724.<\/p>\n<p style=\"text-align: justify;\">E-mail: <a href=\"mailto:george_anca@yahoo.com\" target=\"_blank\">george_anca<\/a><a href=\"mailto:george_anca@yahoo.com\" target=\"_blank\">@yahoo.com<\/a><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>George Anca (publica\u0163ii dup\u0103 2003, selec\u0163ie) &nbsp; Poezie M\u0103iastra \u00een dodii, Academia Interna\u0163ional\u0103 Mihai Eminescu (AIME), Bucure\u015fti, 2003, 288 p. [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-7991","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/7991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=7991"}],"version-history":[{"count":0,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/7991\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=7991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=7991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=7991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}