{"id":8953,"date":"2012-11-29T14:49:40","date_gmt":"2012-11-29T14:49:40","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=8953"},"modified":"2012-12-02T09:28:40","modified_gmt":"2012-12-02T09:28:40","slug":"maria-rugina","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/11\/29\/maria-rugina\/","title":{"rendered":"MARIA RUGIN\u0102: Reflec\u0163ii de cititor"},"content":{"rendered":"

\"\"<\/a><\/p>\n

BEN TODIC\u0102 \u2013 ,,suflet \u00een sufletul neamului\u201d nostru<\/em><\/strong><\/p>\n

 <\/p>\n

Dac\u0103 orice cuv\u00e2nt<\/strong> este, la origine, o metafor\u0103 \u0219i sufletul nostru se hr\u0103ne\u0219te cu poezie<\/strong>, c\u00e2nd mintea urmeaz\u0103 sensul \u0219i \u021binta cunoa\u0219terii<\/strong>, OMUL devine cuibul sf\u00e2nt, din care \u00ee\u0219i ia zborul \u2013 spre luminare<\/strong> \u2013 OPERA sa.<\/p>\n

\u00cent\u00e2lnirea cu ,,lumile\u201d multidimensionalului rom\u00e2n planetar Ben Todic\u0103 este, cu meritat\u0103 plec\u0103ciune, precedat\u0103 de reu\u0219ita presta\u021bie<\/strong> ilustrativ-ordonatoare a echipei pereche \u2013 Emilia \u021au\u021buianu<\/strong> \u0219i Dorin Dospinescu<\/strong> \u2013 care patroneaz\u0103 Editura MU\u0218ATINIA din Roman, Rom\u00e2nia.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ce poate fi mai sugestiv dec\u00e2t o Stea Polar\u0103, care d\u0103 Carelor cere\u0219ti direc\u021bie \u0219i dou\u0103 drapele unite prin r\u0103d\u0103cin\u0103 \u0219i diferen\u021biate prin coroan\u0103!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dreptul fundamental al unei c\u0103r\u021bi este acela de a ataca pe cititor cu o cvadrupl\u0103, \u00eendrept\u0103\u021bit\u0103 \u00eentrebare: CINE, CE, CUM, DE CE?<\/p>\n

\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Despre CINE este autorul volumelor \u2013 la a treia edi\u021bie \u2013 \u00ceNTRE DOU\u0102 LUMI \u0219i \u00ceN DOU\u0102 LUMI\u00a0 s-a scris mult \u00een lumea noastr\u0103 unic\u0103 \u0219i bine, cu singura rezerv\u0103 c\u0103 \u00eentotdeauna mai r\u0103m\u00e2ne ceva de spus. M\u0103 \u00eendoiesc \u00eens\u0103 c\u0103 ar putea fi \u00eentrecut\u0103 \u00een concentrare \u0219i adev\u0103r formula propus\u0103 de Artur Silvestri (vezi coperta patru \u2013 ,,\u00centre dou\u0103 lumi\u201d), zborul nefr\u00e2nt al nelini\u0219tii interioare, surprins \u00een portretul realizat de Alicja Grecka sau ,,modelul uman\u201d ca sintez\u0103 galactic\u0103 \u2013 exprimat prin personalizare \u2013 propus de Ioan Micl\u0103u (Precuv\u00e2ntare \u2013 ,,\u00centre dou\u0103 lumi\u201d)!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Privit ecua\u021bional, am putea conchide c\u0103 omul este egal cu ceea ce face<\/strong>.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pentru constructorul de sine Ben Todic\u0103<\/strong>, omul este devenire f\u0103r\u0103 oprire, este arcad\u0103 de g\u00e2nd, sim\u021bire \u0219i fapt\u0103 \u00eentre dou\u0103 coloane finite (ce p\u0103cat!) \u2013 existent <\/strong>\u0219i posibil.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De aici, expansiunea de neoprit, pe toate planurile existen\u021biale, ale eroului nostrum autor. C\u0103utarea de sine \u0219i c\u0103utarea de al\u021bii, dep\u0103\u0219irea de sine, pentru sine \u0219i pentru al\u021bii, \u00eend\u00e2rjirea \u0219i \u00eencrederea \u00eenaint\u0103rii, bucuria \u0219i lini\u0219tea atingerii constituie substan\u021ba de baz\u0103<\/strong> a c\u0103r\u021bilor sale. O prefigurare a modelului uman cerut de Viitorul Apropiat!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CE FEL de lume vede, viseaz\u0103 \u0219i propune sufletul cu marca Ben Todic\u0103, ancorat \u0219i acordat la puritatea ,,dimine\u021bii\u201d poetice, dar \u0219i la strig\u0103tul de alarm\u0103 al frustei realit\u0103\u021bi?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bine\u00een\u021beles, o lume globalizat\u0103<\/strong>, ca ,,o reflec\u021bie virtual\u0103 a iubirii\u201d (p.21 \u2013 ,,\u00centre\u2026\u201d), \u00eens\u0103 bazat\u0103 pe respectarea binelui \u0219i a credin\u021bei mo\u0219tenite, pe configura\u021bia na\u021bional\u0103 existent\u0103, pentru c\u0103 ,,\u021b\u0103rile se hr\u0103nesc din seva trecutului, precum apa r\u00e2ului, din izvor\u201d. ,,Ce nu \u00een\u021belege Europa \u2013 avertizeaz\u0103 autorul \u2013 este faptul c\u0103, dac\u0103 na\u021biunile dispar, va disp\u0103rea \u0219i ea\u201d, c\u0103 ,,Rom\u00e2nia poate contribui la succesul EUROPEI, r\u0103m\u00e2n\u00e2nd Rom\u00e2nia\u201d(p.25 \u2013 ,,\u00centre\u2026\u201d), p\u0103str\u00e2ndu-\u0219i dreptul asupra p\u0103m\u00e2ntului str\u0103mo\u0219esc, care ,,este altarul \u021b\u0103rii\u201d (p.25 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen acela\u0219i timp, Ben Todic\u0103 subliniaz\u0103 faptul c\u0103 ,,e important s\u0103 ne cunoastem\u201d, s\u0103 colabor\u0103m, s\u0103 ac\u021bion\u0103m uni\u021bi pentru realizarea unor obiective comune, fiind locuitori ai aceleia\u0219i planete, dar g\u0103sind ,,o balan\u021b\u0103 interetnic\u0103\u201d favorabil\u0103 tuturor (p.26 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ceea ce ar putea uni \u0219i \u00eennobila popoarele \u2013 crede autorul \u2013 este, \u00een primul r\u00e2nd, ,,redefinirea valorii\u201d.\u00a0 Aceasta ar putea ,,declan\u0219a o nou\u0103 revolu\u021bie\u201d (p.25 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Privit ca valoare suprem\u0103 a vremii \u00een care tr\u0103im banul<\/strong> ne transform \u00een ,,mon\u0219tri\u201d<\/strong>, \u00een ,,ma\u0219ini<\/strong>\u201d (p.68 \u2013 ,,\u00centre\u2026\u201d). Or, a ne continua nu \u00eenseamn\u0103 doar a tr\u0103i ca ni\u0219te ,,robo\u021bei\u201d<\/strong>, care nu au nevoie dec\u00e2t de ,,baterii\u201d pentru a func\u021biona. Aceasta ar fi o jalnic\u0103 ,,societate artificial\u0103\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0218COALA, ICOANA \u0219i ISTORIA constituie sufletul unei na\u021bii!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Calea p\u0103str\u0103rii \u0219i ,,cinstirii identit\u0103\u021bii\u201d \u2013 ne aten\u021bioneaz\u0103 insistent autorul \u2013 este ,,cheia\u201d r\u0103m\u00e2nerii !<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0DE CE scrie Ben Todic\u0103?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Citindu-l, \u00een\u021belegi c\u0103 nu poate altfel. Scrie precum respir\u0103, scrie pentru c\u0103 exist\u0103. Scrisul este pentru Domnia Sa o necesitate organic\u0103, dar, \u00een aceea\u0219i m\u0103sur\u0103, o datorie.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centrebat, \u00eentr-un interviu, despre interferen\u021ba sa cultural cu \u021bara de re\u0219edin\u021b\u0103, autorul constat\u0103, cu am\u0103r\u0103ciune, c\u0103 asimilarea culturii australiene se rezum\u0103 doar la bani. Un rom\u00e2n nu poate renun\u021ba la cultura sa, la ,,acas\u0103\u201d, nu o poate ,,lua de la cap\u0103t\u201d(p.148 \u2013 ,,\u00centre\u2026\u201d), pentru sublimul motiv c\u0103, oriunde s-ar afla, rom\u00e2nul r\u0103m\u00e2ne pentru totdeauna ,,o micu\u021b\u0103 Rom\u00e2nie\u201d (p.17- ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dorul \u0219i nevoia de \u021aara-Mam\u0103, grija pentru destinul ei, setea de a-i fi al\u0103turi, de a mul\u021bumi p\u0103rin\u021bilor, dasc\u0103lilor, apropia\u021bilor, b\u0103n\u0103\u021benilor, rom\u00e2nilor, poe\u021bilor, m\u00e2ng\u00e2ind cu c\u00e2ntecele lor ,,\u021bara de la un hotar la altul\u201d, risipind \u0219i pans\u00e2nd ,,rana, durerea \u0219i \u00eentunericul\u201d (p.40 – ,,\u00centre\u2026\u201d), reprezint\u0103 crezul de granit al autorului.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ben Todic\u0103 scrie pentru a se cunoa\u0219te, socratic, pe sine, pentru a cunoa\u0219te lumea \u00eenchingat\u0103 \u0219i eliberat\u0103 mereu prin conceptele \u0219i ac\u021biunile ei, pentru a des\u021beleni calea ,,binelui\u201d \u0219i a ,,adev\u0103rului\u201d, pentru a dob\u00e2ndi \u0219i d\u0103rui puterea evalu\u0103rii drepte \u0219i nep\u0103rtinitoare, evit\u00e2nd micimea, meschin\u0103ria, oportunismul unor ,,Patapievici\u201c contemporani, p\u0103ta\u021bi de un feroce ,,nerom\u00e2nism\u201d afi\u0219at cu superioritate, vorbind dispre\u021buitor despre ,,nerelevan\u021ba\u201d lui Eminescu.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Tr\u0103im azi, mai mult ca niciodat\u0103, \u00eentr-un adev\u0103r eclipsat \u2013 observ\u0103 Ben Todic\u0103 \u2013 Eminescu(asemeni unui Hristos) ne-a fost dat ca s\u0103 ne arate cine suntem, s\u0103 ne \u00eenve\u021be s\u0103 st\u0103m drept\u2026 El, precum aracul, ne-a ridicat \u0219i c\u0103l\u0103uzit spre lumin\u0103\u201d (p.44 \u2013 ,,\u00centre\u2026\u201d). ,,Eminescu este parte din ADN-ul poporului rom\u00e2n. Ele este fratele nostru, este poetul om de \u0219tiin\u021b\u0103, fiul, este sf\u00e2ntul ap\u0103r\u0103tor \u0219i protector al Rom\u00e2niei\u201d (p.47 – ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ben Todic\u0103 scrie pentru c\u0103 \u00eei pas\u0103.<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Spiritul s\u0103u, p\u0103truns de m\u0103re\u021bia real\u0103 a poporului c\u0103ruia \u00eei apar\u021bine, f\u0103r\u0103 a atinge cu nimic for\u021ba, creativitatea \u0219i idealurile care aureoleaz\u0103 fruntea celorlalte popoare, simte nevoia s\u0103 reac\u021bioneze atunci c\u00e2nd neamul nostru este amenin\u021bat \u00een \u00eens\u0103\u0219i esen\u021ba sa.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dac\u0103 dacii erau ,,nimic sau nimeni\u201d \u2013 se \u00eentreab\u0103 autorul \u2013 romanii, \u00eenving\u0103tori \u00een ,,zeci de r\u0103zboaie, ar fi ridicat la Roma Columna lui Traian, spre a se m\u00e2ndri peste veacuri cu biruin\u021ba asupra lor?\u201d. ,,De ce nu au f\u0103cut o column\u0103 pentru b\u0103t\u0103lia cu triburile germanice sau cele engleze? \u2013 pentru c\u0103 nu valorau nimic la acea vreme\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Ce crezi c\u0103 \u021bi s-ar \u00eent\u00e2mpla dac\u0103 te-ai duce la Roma \u0219i le-ai spune italienilor s\u0103 d\u0103r\u00e2me columna pe motivul c\u0103 nu mai e relevant\u0103 ast\u0103zi? Dar dac\u0103 le-ai spune englezilor c\u0103 Shakespeare nu mai e relevant, sau americanilor, acela\u0219i lucru de spre Hemingway, ori ru\u0219ilor despre Dostoievski etc.? Ce reac\u021bie ar avea?\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Neeviden\u021biat\u0103, necunoscut\u0103, ignorat\u0103 \u0219i blamat\u0103 (de multe ori, cu bun\u0103 \u0219tiin\u021b\u0103, dar din interes) cultura noastr\u0103 este \u00eenlocuit\u0103 cu ,,kitsch\u201d-ul ,,adus \u0219i impus din afar\u0103\u201d(p.46 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De ce ,,trebuie s\u0103 tac\u0103\u201d Rom\u00e2nia ?!<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Scriitorii, poe\u021bii, arti\u0219tii \u2026 iau idei \u0219i le \u00eenfa\u0219\u0103 \u00een experien\u021be emo\u021bionale \u2026 mai p\u0103trunz\u0103toare dec\u00e2t sfaturile politicianului sau ale conduc\u0103torului de grup\u201d, prin ,,metafora care ne transform\u0103 felul de a g\u00e2ndi \u0219i vedea\u201d. ,,Prin ea, avem puteri nem\u0103surate de a influen\u021ba lumea\u201d. ,,Exist\u0103m pentru c\u0103 avem o cultur\u0103\u201d. Ea este ,,experien\u021ba noastr\u0103\u201d, iar ,,fiorul ei etern\u201d este ,,tradi\u021bia\u201d. Cultura este la fel de esen\u021bial\u0103 pentru o na\u021bie ca \u0219i ,,s\u0103n\u0103tatea\u201d. ,,Este chiar izvorul s\u0103n\u0103t\u0103\u021bii\u201d (p.49 – ,,\u00centre\u2026\u201d). Ruperea poporului de cultura sa echivaleaz\u0103 cu ,,\u00eendobitocirea\u201d, ,,derom\u00e2nizarea\u201d \u0219i ,,creearea unui nou hibrid\u201d(p.50 – ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Basmul \u0219i filmul \u2013 av\u00e2nd o larg\u0103 adresabilitate \u2013 sunt folosite cu succes pentru ,,sp\u0103larea creierelor\u201d. \u00cemp\u0103nate ,, cu lovituri \u00een direc\u021bia \u021bintei\u201d, promov\u00e2nd ,,rupere de aproapele, agresivitate, militarism \u0219i eliminare\u201d, ca ,,solu\u021bii spre succes \u0219i fericire\u201d, ele sunt construite pe principiul Violen\u021b\u0103 contra Violen\u021b\u0103 \u2013 jalnic\u0103 \u0219i periculoas\u0103 \u00eentoarcere la ,,Legea Talionului\u201d!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Filmele americane, mai ales cele de dup\u0103 11 septembrie 2001, debusoleaz\u0103 consumatorii, \u00eei priveaz\u0103 ,,de propriile sim\u021b\u0103minte\u201d(p.50-p.52 – ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Umanismul mai tr\u0103ie\u0219te at\u00e2ta timp c\u00e2t fiecare dintre noi mai p\u0103str\u0103m \u00een suflet un strop al inocen\u021bei de copil, iar literatura pentru copii\u2026, cinematografia\u201d sunt hot\u0103r\u00e2toare, prin con\u021binutul \u0219i calitatea lor(p.59 – ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Propune Ben Todic\u0103 \u0219i solu\u021bii? <\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Se poate spune c\u0103 face acest lucru conving\u0103tor, pregnant \u0219i la tot pasul, atr\u0103g\u00e2nd aten\u021bia c\u0103 ,,evolu\u021bia e un concept de zbatere\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Avem g\u00e2ndire, \u021bar\u0103, tradi\u021bie, credin\u021b\u0103, educa\u021bie, s\u0103n\u0103tate. Toate \u00eempreun\u0103 ne pot ajuta s\u0103 \u00eenaint\u0103m. Doar c\u0103 ,,pentru cei de la guvern nu conteaz\u0103 c\u00e2\u021bi mor, nu conteaz\u0103 c\u00e2t cost\u0103, ci conteaz\u0103 ca ei s\u0103 r\u0103m\u00e2n\u0103 \u00een tab\u0103ra \u00eenving\u0103torilor \u0219i s\u0103 nu fie persecuta\u021bi niciodat\u0103 pentru gre\u0219elile lor\u201d (p.69 – ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Parafraz\u00e2ndu-l pe Ben Todic\u0103, ne putem \u00eentreba: C\u00e2t va mai trebui s\u0103 pl\u0103tim ,,desp\u0103gubiri\u201d de pace Occidentului?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Suntem un popor de oameni buni, a\u0219eza\u021bi \u0219i gata de schimbare. Imagina\u021biv\u0103 o nou\u0103 \u021bar\u0103, cu un guvern care s\u0103 dea \u00eencredere oamenilor, demnitate \u0219i curaj, \u00een loc de fric\u0103, care s\u0103 nu ne dezbine, ci s\u0103 inspire, care s\u0103 nu promoveze ur\u0103, ci unitate, care s\u0103 nu despoaie pe omul s\u0103rac, pentru a se \u00eembuiba pe el\u201d (p.121 \u2013 ,,\u00centre\u2026\u201d) \u2013 iat\u0103 punctul de plecare al unui program de izb\u0103vire a na\u021biei.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Teama de realitatea exterioar\u0103 ( presiunea, amenin\u021barea, concuren\u021ba modelelor comerciale etc.) \u0219i de cea interioar\u0103 (lipsa de informare, de capital, v\u00e2rsta etc.) poate fi dep\u0103\u0219it\u0103. ,,Ridic\u00e2nd tinere\u021bea \u00een sl\u0103vi \u0219i comercializ\u00e2nd-o\u201d (p.75 \u2013 ,,\u00centre\u2026\u201d), omul modern se orienteaz\u0103 spre extreme: \u00eentre ridicol \u0219i abandonare, \u00eentre ambalaj \u0219i con\u021binut, \u00eentre p\u0103l\u0103vr\u0103geli lacrimogene \u00een pres\u0103 \u0219i ac\u021biune, trebuie s\u0103 alegem astfel \u00eenc\u00e2t s\u0103 putem salva m\u0103car ce a r\u0103mas.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Trece\u021bi la fapte<\/strong>!\u201d (p.78 \u2013 ,,\u00centre\u2026\u201d) \u2013 ne \u00eendeamn\u0103 (\u0219i nu cred c\u0103 gre\u0219esc, dac\u0103 spun ordon\u0103) autorul ,,lumilor\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Oameni buni<\/strong>! Trezi\u021biv\u0103 din aceast\u0103 hipnoz\u0103 a nep\u0103s\u0103rii\u2026 reda\u021bi demnitatea oamenilor \u0219i schimba\u021bi destine!!!\u201d(p.79 \u2013 ,,\u00centre\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Bani sunt destui \u00een buzunarul ho\u021bilor\u201d(p.78 \u2013 ,,\u00centre\u2026\u201d). ,,Dac\u0103 alte na\u021biuni au cerut desp\u0103gubiri de la Rom\u00e2nia la Curtea European\u0103, de ce nu \u0219i Rom\u00e2nia, altor \u021b\u0103ri?\u201d (p.79 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dup\u0103 cum observ\u0103 \u0219i Alexandru Nemoianu<\/strong> \u00een cartea ,,\u00cent\u00e2mpl\u0103ri \u0219i vise<\/strong>\u201d \u2013 recenzat\u0103 de Ben Todic\u0103 \u2013 \u00a0\u00een 1989, \u021bara ,,trebuia \u00eemp\u0103r\u021bit\u0103 \u00een mod egal tuturor rom\u00e2nilor care au muncit \u00een ea\u201d(p.122 \u2013 ,,\u00centre\u2026\u201d). Ace\u0219tia trebuiau educa\u021bi s\u0103 administreze bunurile primite, diferen\u021bierea produc\u00e2ndu-se trepat \u0219i \u00een func\u021bie de r\u00e2vna \u0219i capacitatea fiec\u0103ruia, dar pornind de pe pozi\u021bii egale. La noi, ce s-a \u00eent\u00e2mplat? ,,\u021aara a fost jefuit\u0103 \u0219i \u00eemp\u0103r\u021bit\u0103 ca-n codru\u201d. ,,Gre\u0219elile neamendate\u201d au dus ,,la repeti\u021bie \u0219i depravare\u201d(p.123 \u2013 ,,\u00centre\u2026\u201d) \u0219i \u021bara a fost dus\u0103 pe marginea pr\u0103pastiei<\/strong>!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Locuind in SUA, av\u00e2nd informa\u021bia corespunz\u0103toare Al. Nemoianu concluzioneaz\u0103 : ,,Vom fi ar\u0219i f\u0103r\u0103 mil\u0103, dar vom \u00eenvinge<\/strong>\u201d. ,,Imperiile care cad\u2026, mai inainte de pr\u0103bu\u0219irea final\u0103, sunt de o violen\u021b\u0103 feroce, de fiar\u0103 r\u0103nit\u0103!\u201d (p.126 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Experien\u021ba altor vremuri, a altor popoare ne arat\u0103 c\u0103 redresarea<\/strong> depinde de noi, dar este posibil\u0103<\/strong>. Iat\u0103 exemplul relatat de Ben Todic\u0103, \u00eentr-un interviu acordat postului de radio Timi\u0219oara: ,,Australia e o \u021bar\u0103 \u00een care condamna\u021bii au fost adu\u0219i din Anglia, pentru reabilitare, \u0219i, \u00een 200 de ani, au construit o \u021bar\u0103 \u00een care las\u0103 sticla de lapte \u00een fa\u021ba u\u0219ii, cu cinci dolari pe ea sau u\u0219a deschis\u0103 \u0219i nimeni nu se atinge de ele\u201d (p.149 \u2013 ,,\u00centre\u2026\u201d).Emigran\u021bii \u00eens\u0103 au profitat de situa\u021bie \u0219i legile s-au schimbat, au ap\u0103rut ,,z\u0103voarele\u201d \u0219i ,,zidurile\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P\u00e2n\u0103 prin anii \u201980 era aici o singur\u0103 clas\u0103. Acum sunt dou\u0103: unii care cred c\u0103 au (sclavii\/robii) \u0219i al\u021bii care nu au niciodat\u0103 destul (superboga\u021bii). Dac\u0103 munce\u0219ti, ai, dac\u0103 nu, tr\u0103ie\u0219ti din \u0219omaj. S\u0103racii \u0219i boga\u021bii tr\u0103iesc, se \u00eembrac\u0103, se distreaz\u0103 la fel. \u00cen Australia, se vine doar pentru a face avere. Singurele piedici sunt ingnoran\u021ba \u0219i lenea.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dup\u0103 \u201989, \u0219i Rom\u00e2nia e \u00eemp\u0103r\u021bit\u0103 \u00een dou\u0103: ,,cei care a\u0219teapt\u0103 de la Dumnezeu s\u0103 pice ceva\u201d \u0219i ,,\u0219mecherii care pretind c\u0103 o gospod\u0103resc\u201d. ,,Rom\u00e2nia este ajutat\u0103 din interior s\u0103 se dizolve \u00een Europa\u201d (p.152 \u2013 ,,\u00centre\u2026\u201d). ,,Rom\u00e2nii, ori sunt pro\u0219ti gr\u0103mad\u0103, ori sunt extraordinar de inteligen\u021bi\u201d \u2013 e un semn al maturit\u0103\u021bii etnice. ,,Nu-i po\u021bi convinge s\u0103 participe sau s\u0103 sus\u021bin\u0103\u201d. ,,Rom\u00e2nul e ca pe\u0219tele : \u00eel po\u021bi p\u0103c\u0103li numai cu un anumit fel de momeal\u0103 \u2013 sarmalele\u201d (p.153\u00a0 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centre c\u0103ile de influen\u021bare a poporului nostru la nivel de mentalitate, Ben Todic\u0103 propune ca instrumente de baz\u0103 cultura, \u0219coala, credin\u021ba<\/strong>.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Analiz\u00e2nd rolul operei poetice<\/strong> \u00een trezirea con\u0219tiin\u021bei <\/strong>, Ben Todic\u0103 subliniaz\u0103 c\u0103 ,,suferin\u021ba este inima creativit\u0103\u021bii, este combustibilul ei\u201d. Doar ascult\u00e2nd ,,ceea ce nu spun oamenii atunci c\u00e2nd vorbesc\u201d, ,,auzi ideea folosit\u0103\u00a0 \u0219i, \u00een felul acesta, \u021bi se vor dezv\u0103lui lumi de care nici nu ai crezut c\u0103 exist\u0103. Devii mai curios \u0219i plin de interes, mai \u00eentreb\u0103tor\u201d(p.103 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vorbind despre poezia Ilenei Marian, autorul observ\u0103 c\u0103 ,,omul, \u00een codi\u021bii demoralizate, \u00ee\u0219i multiplic\u0103 con\u0219tiin\u021ba\u201d(p.102 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Experien\u021ba personal\u0103 a autorului, tr\u0103itor efectiv ,,\u00centre dou\u0103 lumi\u201d \u0219i ,,\u00cen dou\u0103 lumi\u201d, aten\u021bia, grija \u0219i nevoia contactului permanent cu prima sa lume ne dau cheia neclac\u0103rii rom\u00e2nului \u00een vicisitudinile lumii alese. ,,Con\u0219tiin\u021ba multiplicat\u0103\u201d a celor pleca\u021bi, for\u021b\u00e2nd barierele con\u0219tiin\u021bei dezorientate a celor r\u0103ma\u0219i, ar putea produce o r\u0103sturnare de situa\u021bii de care rom\u00e2nii s-au dovedit capabili \u0219i \u00een alte \u00eemprejur\u0103ri istorice.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Limba rom\u00e2n\u0103 este una dintre cele mai bogate limbi din lume. Una dintre cele mai evoluate\u201d(p.22 \u2013 ,,\u00centre\u2026\u201d). De ce n-am folosi mai mult \u2013 precum japonezii haiku-ul lor \u2013 for\u021ba literaturii, a artei, \u00een general, pentru ,,supraexpunerea spiritului la medita\u021bie<\/strong>\u201d, bombard\u00e2ndu-l cu \u00eentreb\u0103ri, ipoteze, posibilit\u0103\u021bi, l\u0103s\u00e2ndu-i deplin\u0103 libertate de alegere?!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F\u0103c\u00e2nd incursiuni de ad\u00e2nc\u0103 p\u0103trundere \u00een scrierile lui I. Iacob-Bencei, Alexandru Memoianu, George Anca, Ioan Micl\u0103u, autorul serve\u0219te \u0219colii noastre de g\u00e2ndire cuget\u0103ri tulbur\u0103toare<\/strong> prin profunzimea \u0219i optimismul lor:<\/p>\n

-,,Locul unde te na\u0219ti este sf\u00e2nt\u201d;<\/p>\n

-,,Dac\u0103 ai un vis, trebuie s\u0103 lup\u021bi pentru el\u201d;<\/p>\n

-,,Totul e posibil \u00een via\u021b\u0103, dac\u0103 tu crezi \u0219i insi\u0219ti\u201d;<\/p>\n

-,,Credin\u021ba, nu uita, e etern\u0103\u201d(p.104 \u2013 ,,\u00centre\u2026\u201d);<\/p>\n

-,,Poezia adev\u0103rat\u0103 te introduce \u00een permanent, anuleaz\u0103 no\u021biunea de timp\u201d(p.106 \u2013 ,,\u00centre\u2026\u201d);<\/p>\n

-,,Poe\u021bii, arti\u0219tii sunt \u00een sacru adev\u0103ra\u021bii sfin\u021bi care de\u021bin cheile cerului\u201d(p.107 \u2013 ,,\u00centre\u2026\u201d);<\/p>\n

-,,Neamul nu piere at\u00e2ta timp c\u00e2t exist\u0103 iubirea de cas\u0103 \u0219i de aproapele\u201d(p.108 \u2013 ,,\u00centre\u2026\u201d);<\/p>\n

-Crea\u021bia autentic\u0103 este un drog benefic;<\/p>\n

-,,Istoria e scris\u0103 de \u00eenving\u0103tori \u2013 \u00eentotdeauna \u201d(p.114 \u2013 ,,\u00centre\u2026\u201d);<\/p>\n

-,,Toate experien\u021bele Universului sunt ascunse codificat \u00een noi\u201d(p.115 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am extras \u0219i redat aceste zece maxime propuse de Ben Todic\u0103, pentru a \u00een\u021belege stilul <\/strong>pregnant participativ<\/strong> al autorului.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00centre mijloacele utilizate<\/strong>, prentru a ajunge la \u021bint\u0103, vom eviden\u021bia bog\u0103\u021bia ideatic\u0103<\/strong>, arz\u0103toare \u0219i mereu incitant\u0103, bazat\u0103 pe tr\u0103ire, contact, cunoa\u0219tere, dar \u0219i pe o bibliografie intrinsec\u0103 de \u00eenalt\u0103 \u021binut\u0103; diversitatea formelor <\/strong>de adresare(m\u0103rturisire eseistic\u0103, reportaj, interviu, epistol\u0103, urare, comentariu, recenzie etc.); calitatea limbajului<\/strong>(f\u0103r\u0103 pre\u021biozit\u0103\u021bi \u0219i trimiteri, prin adresare direct\u0103, fluen\u021b\u0103, participare, sinceritate); Apelul la memoria comun\u0103<\/strong> a faptelor, locurilor \u0219i persoanelor.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De\u0219i \u2013 la prima vedere \u2013 structura c\u0103r\u021bii pare amalgamat\u0103, totul este compensat cu prisosin\u021b\u0103 de surpriza<\/strong> fiec\u0103rei pagini: nu po\u021bi b\u0103nui ce urmeaz\u0103 \u0219i e\u0219ti mereu cople\u0219it de noutate.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mustind de un lirism de bun\u0103 calitate<\/strong> \u2013 ca o muzic\u0103 de fond, care \u00eei d\u0103 credibilitate maxim\u0103 \u0219i armonie \u2013 lucrarea transmite \u0219i acrediteaz\u0103 valorile morale pe care conteaz\u0103 autorul. Lu\u00e2ndu-\u0219i alia\u021bi bine ale\u0219i, <\/strong>pe care, \u00een ambele volume, dar cu prec\u0103dere, \u00een cel intitulat ,,\u00cen dou\u0103 lumi\u201d \u2013 structurat numai pe interviu \u2013\u00a0 \u00eei aduce direct \u00een scen\u0103, le d\u0103 cuv\u00e2ntul, deschiz\u00e2nd \u00eentreaga lume \u00een fa\u021ba, g\u00e2ndul \u0219i judecata cititorului.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Citindu-l pe Ben Todic\u0103, am avut, p\u00e2n\u0103 la un punct, aceea\u0219i senza\u021bie dureroas\u0103 \u0219i nevindecabil\u0103 a dezr\u0103d\u0103cin\u0103rii<\/strong> pe care mi-au dat-o c\u0103r\u021bile lui Salman Rushdie: ,,Un paradis devastat\u201d, ,,o lupt\u0103 corp la corp \u00eentre acolo<\/strong> \u0219i aici<\/strong>, \u00eentre ispita r\u0103d\u0103cinilor \u0219i cea a drumului\u201d. Dep\u0103\u0219ind ,,dezorientarea\u201d, genialul indian abordeaz\u0103 ,,neapartenen\u021ba\u201d, instal\u00e2ndu-se, ca o ap\u0103rare liric\u0103, \u00een ,,patria artistic\u0103\u201d( Salman Rushdie ).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Privind chipurile celor doi, se poate \u00een\u021belege diferen\u021ba: substan\u021ba de lupt\u0103tor a rom\u00e2nului<\/strong>, tenacitatea, \u0219tiin\u021ba \u021beserii rela\u021biilor felurite cu \u021aara-Mam\u0103 \u2013 \u0219i nu numai \u2013 i-au salvat acestuia lumina din suflet. ,,Dezn\u0103d\u0103jduitului i s-a luat totul \u0219i de aceea \u00ee\u0219i concentreaz\u0103 toat\u0103 imagina\u021bia \u0219i cuno\u0219tin\u021bele vie\u021bii \u00eentru a scrie\u201d (p.102 \u2013 ,,\u00centre\u2026\u201d).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ben Todic\u0103 a luat Domnia Sa \u2013 prin \u00eendr\u0103zneal\u0103, selec\u021bie riguroas\u0103, r\u00e2vn\u0103 \u0219i talent \u2013 lumina<\/strong> ,,lumilor\u201d umblate, pe care, a\u0219ez\u00e2nd-o pe temelia trainic\u0103 de acas\u0103, o revars\u0103 asupra noastr\u0103 cu fiecare gest.<\/strong><\/p>\n

\u00a0Mul\u0163<\/strong>umiri \u0219i la c\u00e2t mai mul\u021bi ani frumo\u0219i \u0219i buni!<\/p>\n

\n

MARIA RUGIN\u0102<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

BEN TODIC\u0102 \u2013 ,,suflet \u00een sufletul neamului\u201d nostru   Dac\u0103 orice cuv\u00e2nt este, la origine, o metafor\u0103 \u0219i sufletul nostru [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-8953","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/8953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=8953"}],"version-history":[{"count":0,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/8953\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=8953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=8953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=8953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}